Business Plan v2 - Shortcutz Network
Transcription
Business Plan v2 - Shortcutz Network
BUSINESS PLAN BUSINESS PLAN SHORTCUTZ is a not-for-profit international organization that This plan concentrates on the first 12 months of operation, the SHORTCUTZ don’t have submissions fees and there is no entrance is expanding to Amsterdam. The SHORTCUTZ project is already concept setup in Amsterdam and then operating it through fees to the sessions. So, our way to cover our expenses will be established in: Barcelona, Berlin, Dublin, Faro, Lisbon, creative programming, marketing and fundraising. exclusive from donations or sponsorships, fundraising London, Madrid and Oporto and, We are seeking funding to subsidy activities, and city, county, since 9th of January, Amsterdam. and state grants. SHORTCUTZ provides a all of the project: for initial start-up expenses, human revolutionary way to experience new short films. It is more than a resources, marketing, to bring foreigner projects (and promote strategic alliances with various organizations and businesses short films festival, it is a the discussion between nationals that will help to make the showcase for new and existing talent that supports production and internationals filmmakers), for the “SHORTCUTZ AMSTERDAM SHORTCUTZ AMSTERDAM a success. and discussion between professionals, students, winner of the year” tour the entire network, to awarded with jury members made of renowned professionals from diverse amateurs and anyone passionate 5000€ the winner to contribute backgrounds, from cinema to about film. towards production of a new film and to our yearly gala. street art, from producers to 2 We have already formed several We also built a excellent team of BUSINESS PLAN journalists, from mainstream to avant-garde. The ideal mix of contemporary opinion formers. The ‘well known faces' will help the public connect and identify with the project. SHORTCUTZ was been a success since the 1st first session at Lisbon in 2010. In 3 years, the project added 8 cities to the portfolio and during 2013 we will also launch the cities: New York and Rio de Janeiro. SHORTCUTZ AMSTERDAM mission is to give spotlight to Dutch's professional and beginner filmmakers alike, promoting their works in the Netherlands and across the world through the vast Shortcutz Network. #3 SESSION . 23 JAN @ SHORTCUTZ AMSTERDAM Basically, we are a weekly platform to promote interaction between all filmmakers (regardless of their level of expertise) and public. 3 BUSINESS PLAN The SHORTCUTZ’ project was been a in itself, but we want to do even We know that making a great film success since the 1st first session at Lisbon in 2010. In 3 more for our best films. We want them to be famous. We want them to is all about assembling a great team and giving them the years, the project added 8 cities get distributed in the largest resources they need. We want to to the portfolio and during 2013 we will also launch the cities: amount of platforms possible. We want to help filmmakers monetize build the bridges that make these elements meet. For that, we New York and Rio de Janeiro. their creations. We want to transpose that success This is why we are constantly nurture a community of filmmakers, who can exchange to a vibrant city like Amsterdam. trying to establish new contacts and find great partnerships to increase exposure far beyond what opportunities to develop new projects. screenings can give. SHORTCUTZ AMSTERDAM, wants to We have already formed several strategic alliances with various their works in the Netherlands and across the world through the make referrals to prestigious film festivals and try to make organizations and businesses that will help to make SHORTCUTZ vast SHORTCUTZ Network. them waive their entry fees for AMSTERDAM a success. SHORTCUTZ AMSTERDAM wants to give spotlight to Dutch's professional and beginner filmmakers alike, promoting Getting screenings around the world is a great accomplishment our best films, as all the others SHORTCUTZ’ cities. 4 BUSINESS PLAN winners will be screened at EYE • ARTISTS NOT ARMIES • EU1 Our Creative Agency is developing an urban and Will develop a dedicated web channel for SHORTCUTZ AMSTERDAM, guerrilla campaign for SHORTCUTZ where filmmakers can promote AMSTERDAM which is going to be spread all over the city. their work, fans can see the Short Films screened at the distinct readers per month, is SHORTCUTZ AMSTERDAM media • CANVAS venues as well as follow the work of their favorite filmmakers. partner. The trendy space/place/spot that will host the Venues every Wednesday from 20h to 22h. • EYE before their feature film. • I AM EXPAT With a network of 50.000 • PHANTAVISION Our technical providers. Shortcutz’ Amsterdam Yearly Winner and a selection of monthly We also built a excellent team of jury members made of renowned professionals from diverse backgrounds, from cinema to street art, from producers to journalists, from mainstream to avant-garde - the ideal mix of contemporary opinion formers. The ‘well known faces' will help the public connect and identify with the project. 5 BUSINESS PLAN Our list of jury members is: • ALEXANDER TEMPEL Founder of World of Mouth and coFounder of EU1 2.1 The Session Structure The concept of the sessions are • RENE WOLF very simple. Head of acquisitions / programma EYE - THE NEW FILMMUSEUM Every Wednesday, from 20h to 22h at CANVAS (Wibautstraat 150), Director, producer and screenwrite• HARMEN JALVINGH - • VINCENT VAN OMMEN three short films are screened, followed by a Q&A with the Producer for Bonanza Films Actor creators, actors or crew • JANS POSSEL • WALDEMAR TORENSTRA Director of Mediamatic Actor and founder of Act- Foundation Acteursbelangen Organisatie Founder of Artists not Armies. • GEORGE SLUIZER The two competing films are entered into the ‘Best Short of the Month’ competition. The third, “guest” short, is • JEROEN KOOLBERGEN Producer at Cadenza Films bv members. We will try to work closely to • LASER 3.14 schools and universities related with filmmaking or art, to make Street Artist sure the quality of submissions will be the best we can achieve. • MARKO VAN KAMPEN We’ll continue try to forge new partnerships to give our winners the maximum exposure. 6 often the work of a more established director/producer, or it may have won awards at festivals in the past. There is no entrance fee and the venues will be widely publicized in the social networks and in the media. BUSINESS PLAN Due to the content of the filmmaker, regardless of sessions, the target public will be filmmakers (beginners and background, budget or technical means. establish professionals), ’well known faces’ (jury members or Filmmakers can submit as many films as they want, in any genre supporters of the project), or style, as long as they: producers or companies seeking new talents and movie lovers. . are less than 15 minutes in length This is also an excellent environment for networking, . produced in the last 12 month to the date of submission which we stimulate by bringing established industry . and related to the Netherlands (crew or story). professionals as specials guests, week after week. That is all we ask! 2.2 There is no submission fees or any expense involved to the Submissions for filmmakers To project as no end date, so the filmmaker. submissions are always open. We try to provide equal opportunities for every COVER TIMEOUT AMSTERDAM . JAN 13 7 #1 SESSION . 9 JAN @ SHORTCUTZ AMSTERDAM BUSINESS PLAN 2.3 Winner of the Month Every session we have two short films competing. After the end of the calendar month our jury will select the winner of the month. The WINNER OF THE MONTH will have: - . the opportunity to be screened at EYE(the new film museum) before their feature film, - . special mention promotion on SHORCUTZ AMSTERDAM dedicated web channel, 2.4 Winner of the year The “SHORTCUTZ AMSTERDAM WINNER OF THE YEAR” will be selected from the monthly winners. The WINNER OF THE YEAR - . win 5.000 € to contribute towards production of a new film, - and gain access to a wide range of contacts in the film industry. will: - . tour the awarded film on the SHORTCUTZ’ cities, - . have special mention promotion on SHORTCUTZ AMSTERDAM dedicated web channel, 2.5 Yearly Gala Every year, in January, SHORTCUTZ AMSTERDAM will have a Gala to select the WINNER OF THE YEAR. The Gala will bring international Jury member from - . have special mention promotion on 121 cable channel, the others SHORTCUTZ’ cities and international public figures. - . have special screening at EYE (The New Film museum) before The awards include all the categories related with the their feature film, - . special mention promotion on 121 cable channel. 8 filmmaking art: direction, acting, music, script and so on. BUSINESS PLAN SHORTCUTZ AMSTERDAM will try to work with art schools to develop the trophy to give to the winners in all categories. We will also try to forge partnerships to the venue and catering of the event. 9 BUSINESS PLAN The products and services provided by SHORTCUTZ AMSTERDAM We also will try to get the maximum number of submissions filmmaking art: direction, acting, music, script and so on. will all complement the main mission of the organization: doing partnerships with schools related with filmmaking or SHORTCUTZ AMSTERDAM will try to forge partnerships to cover the give spotlight to Dutch's artistic fields. With a bigger rent and catering of the event. professional and beginner filmmakers alike, promoting number of films submitted, SHORTCUTZ AMSTERDAM will have Seasonal events, merchandising or new services could be their works in the Netherlands and across the world through the more quality in the films competing and, consequently, in developed to fulfill the mission of the project: vast SHORTCUTZ Network. the venues. SHORTCUTZ AMSTERDAM wants to provide a platform to increase Every year, in January, SHORTCUTZ AMSTERDAM will have a creativity among the community of filmmakers and movie lovers. Gala to select the winner of the year. Fomenting the interaction between them , inviting to the The Gala will bring international Jury member from event “well know” professionals the others SHORTCUTZ’ cities and or and stimulating debate between the audience. international public figures. . to be known (among the public) The awards include all the as a cultural event of reference. . increasing the notability of categories related with the 10 the filmmakers competing or . establish SHORTCUTZ AMSTERDAM as a competent entity in the filmmaking industry BUSINESS PLAN This section will analyze the most relevant aspects about the market environment towards the film industry. Netherlands Film industry in numbers § productions / 1 coproductions in 2006 § Population: 16,7 million § Language: Dutch between 150 and 170 § Currency: Euro productions every year § Number of cinemas: 239 § § § 2011 box office revenue: 240.037 million euro Short-length films: § Financed Governmental organization productions(2011): 46 (27 features and 19 Number of admissions per in charge of the cinema: The documentaries) capita: 1,8 Netherlands Film Fund § § Average ticket price: 7,9 € *When films are not longer than 60 minutes, § Number of screens: 789 the Netherlands Film Fund considers them § theatres across the country. Full-length films: 20 Number of digital screens: 699 § Number of 3D screens: 381 § Number of IMAX screens: 5 § Number of seats: 131000 § (2011): 107,5 million § short. § § Short + animation films production: 3 million + 1.8 million = 4,8 million Europa Cinemas theatres : 17 theatres, 46 screens. Total production volume § Total government subsidy to Other theatres networks: cinema activities: 66,9 Art House Cinemas : 30 movie million 11 BUSINESS PLAN § Average subsidy per short- as in theatres, so that this 28.1 million to 30.5 film (2011): 30 thousand question is no longer raised. Distributors and theatres need million The short film in the Netherlands “Few films get shown on TV, a handful is distributed in theatres; the average corresponds to 3 per year! However, pay TV channel Canal+ § to be able to go to a central place where they can search for and be advised on the best short film they want to book. They need to be regularly informed about the short film situation in Holland (and abroad).” Benelux shows short films on TV Source: NVPI Markinformatie in The Netherlands on a more regular basis. Not included in IFTA 2012 these numbers are the graduation films of Amsterdam film European yearbook International video Federation – 2012 – Domestic market share record (2011): 22.38% with 6,8 million admissions § Domestic market share (2010): 15,8% and 4,4 million admissions The demand for domestic films is growing steadily with higher rates that the European average since 2009. Although, compared with the USA this rates are still small. Film Fund students. The difficulty in Holland, and VOD platforms Consumer trends TVOD platforms: 9 possibly also abroad, is to build more awareness of short films. People usually love them, but where can they be seen? Regular programs need to be on TV as well § Average admission per inhabitants: 1,4 § 2011 showed an increase in the number of visitors to 12 SVOD and TVOD platforms: 6 BUSINESS PLAN Funding opportunities for short films The Netherlands Film Fund’s “The Netherlands Film Fund‘s operations cover participation in development, production, distribution and marketing. It is also responsible for promoting a good climate for the national film industry.” Rotterdam Film Commission The Rotterdam Film Fund (RFF) focuses on encouraging TV & Internet penetration of Digital receiver: 48,8% household DVD/Blu Ray players: 56,6% TV penetration: 97,9% Hard Disc recorders (DVD rec & Flat screens (Plasma, LED, LCD, stand alone): 22,8% 3D): 70,3% Internet connected TV’s: 7,4% 3D screens: 0,4% Digital receivers + HD documentaries and TV productions that are produced partly or Analog cable: 50,9% recorders: 14,5% entirely in the Rotterdam area. 13 audiovisual activities in the Rotterdam region in the Netherlands. The Fund provides facilities and financial support for feature films, short films, BUSINESS PLAN The RFF is especially interested also develops relevant courses Abraham Tuschinski Fund (private in productions that contribute to a long-term strengthening of of instruction (postgraduate courses and workshops). fund) There is no organization or event, in the Netherlands, that weeks a year, like: movie nights or festivals. events, working in partnership with art schools and director’s currently provides the services and emphasis that SHORTCUTZ There are platforms for filmmakers but they are mostly by guilds. AMSTERDAM will provide. So we internet. initiatives as competition, we will fill an important gap in film events. Local director’s guilds also organize events for filmmakers see them as events that help form an audience, and we see SHORTCUTZ The project will target both filmmaking community and general but they exclude the general public. AMSTERDAM as a venue that will also help them in the same way. public. We intend to form cooperative There is a lot of film events but they are during a night or some relationships with these events, promoting SHORTCUTZ AMSTERDAM in European Funding (MEDIA) the audiovisual sector. The Fund 4.1 Service Providers Analysis festivals, movie nights, film 14 Instead of seeing these BUSINESS PLAN Major Dutch film festivals The award is called Tiger. The International Documentary The International Film Festival The Nederlands Film Festival (NFF) exists since 1981 Film Festival Amsterdam (IDFA) exists since 1988 in Amsterdam. in Utrecht. It’s one of biggest documentary’s festival in the Rotterdam (IFFR) exists since 1972 in Rotterdam. Is a film festival for independent, innovative and experimental cinema and visual arts. This annual film festival is for Dutch film productions. world. The award is called Golden Calves. There are several smaller film festivals in the Netherlands, and several of them are held in Amsterdam. These festivals are either local festivals or festivals specialized in films of a specific genre (e.g. fantastic films), for/about a specific target group (e.g. films for/about deaf people), or from a specific region (e.g. Japanese films. 15 BUSINESS PLAN To achieve success SHORTCUTZ With our singular focus on film and related arts, we have a solid direction in focus. we are positioned as the premiere source for: AMSTERDAM should develop in 3 areas of action: . people who like to experience Exciting venues B. Broadcast SHORTCUTZ § Broadcast SHORTCUTZ AMSTERDAM winners nationally AMSTERDAM winners nationally § Broadcast SHORTCUTZ AMSTERDAM winners internationally more proximity with movies faces. A. Exciting Venues SHORTCUTZ AMSTERDAM will be the Better the submission, better the sessions will be. networking and enjoyment of all the related arts and activities tied to the art of film. Develop multi platform ways to promote our participants: TV | MOBILE | WEB & SOCIAL MEDIA| PRINT | EVENT. The SHORTCUTZ mission is to create buzz around them, connect professionals and “well known” main venue for film appreciation, enrichment, the last 12 months. § . filmmakers . people who like movies less than 15 minutes, produced in We will do many partnerships as possible to gather the best short films in the Netherlands, with 16 them with the main public and put them ‘in the radar’. BUSINESS PLAN C. Broadcast SHORTCUTZ Marketing Strategy for disseminating the AMSTERDAM winners The ambition of SHORTCUTZ internationally AMSTERDAM is to become a crossmedia institution with relevant extraordinary short-films of SHORTCUTZ sessions, thus, We will use the established SHORTCUTZ Network to put the works of the best Dutch filmmakers worldwide. SHORTCUTZ is already in: content for several platforms: TV | MOBILE | WEB & SOCIAL MEDIA| PRINT | EVENT. The main marketing objectives therefore are: Barcelona, Berlin, Dublin, Faro, Lisbon, London, Madrid and § Oporto… § § The winner of the year will have the opportunity to visit all § SHORTCUTZ Cities and promote § their work there. We also like to do an extra Awareness With the contribution of our partners SHORTCUTZ AMSTERDAM Barter deals with media will have a regular presence on partners media, promoting its sessions and the creators of the short- Create awareness towards Dutch film consumption … and new cities will join us during this year. resulting in a spread of the movement towards Netherlands. Shape a new demand for Dutch film content Increase the visibility of Dutch film professionals Sponsorship agreements films, full-filling the mission of this institution. New Demand In addition, SHORTCUTZ AMSTERDAM team will tour schools, companies and conferences to Media Partners marketing campaign to help put the award director ‘in the SHORTCUTZ AMSTERDAM will forge radar’. TV channels, mobile operators partnerships with web portals, 17 promote the ideals of the institution. BUSINESS PLAN 5.1 Fundraising Strategy There are several levels of participation. The sponsor can choose how to “direct” the connection with SHORTCUTZ AMSTERDAM. Donations can be either cash or non-cash (in-kind) and we are applying to be tax deductible. Our costs are relative to the all of the project during the 11 months of the project, plus one month of start up. The benefits at each package are underline in yellow, group in their subcategories. Package Hitchcock (67.600€) Maximum 1 brand EVENT þ Event endorsement mention: Shortcutz Amsterdam powered by þ Logo in all marketing materials þ Brand activation during the event þ Product sampling þ Logo screening during the event þ Mention on Shortcutz Network as main sponsor 18 BUSINESS PLAN þ Speaking opportunities during the weekly events TV þ Mention on every ON-AIR material: promos, teasers þ 5” billboard at the end of every weekly episodes (40 weeks) ONLINE þ Branded across all pages þ Logo on every ONLINE materials: mail blasts, promos, teasers, interviews þ Contest & Giveaways þ Photo Gallery & Video Tags þ Brand Content: Sponsored stories þ Logo on Shortcutz Amsterdam weekly e-magazine PR þ Mention on Press Release þ Mention on interviews by event curator or ambassador þ Collaborative dedicated PR department for special projects 19 BUSINESS PLAN Package Kubrick (27.100€) EVENT Event endorsement mention: Shortcutz Amsterdam powered by þ Logo in all marketing materials Brand activation during the event þ Product sampling þ Logo screening during the event Mention on Shortcutz Network as main sponsor Speaking opportunities during the weekly events TV þ Mention on every ON-AIR material: promos, teasers 20 BUSINESS PLAN 5” billboard at the end of every weekly episodes (40 weeks) ONLINE Branded across all pages þ Logo on every ONLINE materials: mail blasts, promos, teasers, interviews þ Contest & Giveaways þ Photo Gallery & Video Tags þ Brand Content: Sponsored stories þ Logo on Shortcutz Amsterdam weekly e-magazine PR Mention on Press Release Mention on interviews by event curator or ambassador þ Collaborative dedicated PR department for special projects Package Fellini (6.800€) EVENT Event endorsement mention: Shortcutz Amsterdam powered by 21 BUSINESS PLAN Logo in all marketing materials Brand activation during the event þ Product sampling þ Logo screening during the event Mention on Shortcutz Network as main sponsor Speaking opportunities during the weekly events TV Mention on every ON-AIR material: promos, teasers 5” billboard at the end of every weekly episodes (40 weeks) ONLINE þ Branded across all pages þ Logo on every ONLINE materials: mail blasts, promos, teasers, interviews þ Contest & Giveaways þ Photo Gallery & Video Tags þ Brand Content: Sponsored stories þ Logo on Shortcutz Amsterdam weekly e-magazine 22 BUSINESS PLAN PR Mention on Press Release Mention on interviews by event curator or ambassador Collaborative dedicated PR department for special projects 5.2 Fundraising events SHORTCUTZ AMSTERDAM will organize special events to promote our filmmakers winners. Seasonal events like: drive-in to see short films, beach screenings of short movies, marathons of short films and other activities related with our mission. SHORTCUTZ AMSTERDAM is also planning to start XPRESS sessions, one session a month, in ROTTERDAM and UTRECHT on the beginning of 2014. 5.3 Sponsorship agreements SHORTCUTZ AMSTERDAM will provide exclusive sponsorship in a specific industry (such as airline alliances or electronics or automotive industry). This will create on on-going relationship with sponsors and develop ties that create bonds and pride in sponsorship. 23 BUSINESS PLAN 5.4 Milestones The milestones illustrate the several areas of the project chronological. 24 BUSINESS PLAN SHORTCUTZ AMSTERDAM must be small and versatile. Basically two persons should be able by themselves to put the project ‘up and running’ but specific help should be provide by the figure of ‘consultant’. The ‘consultant’ should complement technical features important to achieve our goals faster and wisely. The Consultant is an already. The position of Consultant is not fixed to a specific area. For all other tasks like: photograph the sessions, design marketing materials, developing music themes and so on we will count on volunteers. Volunteers are enthusiastics of the project that will help us in their own areas of expertise. Can be persons from all levels of education, experience and knowledge. 6.1 Personnel Plan Executive Production and Communication § Development and execution of all communication materials, § Create new partnerships, ideas and ways to promote the project, § Scout and Select new Jury Members, Partners and Potential Sponsors, § Legal and Financial information related with the project, § Budget, Financial Analysis and Forecast, § Strategic planning and Execution, 25 BUSINESS PLAN § Develop all Marketing Materials and Public Presentations, § Develop and Produce all Special Events and Activities, § Press Releases and Connection with Media, § Host Shortcutz Amsterdam venues. Alexa Rodrigues Education 2009: Styling and Image Consulting, Lisbon Fashion School 2008: International Fitness Instructor Course, Manz 2007: Course of Interior Design and Interior Decoration Advanced Course, Ricardo Espirito Santo Silva Foundation - School of Decorative Arts 2006: Customer Service Excellence Training, Forcerebrus 2005: Astronomy, Level 1 and 2 - Institution of sciences 2004: Financial Control Post-Bacc., ISCTE 2004: Casting and acting for TV – André Cerqueira 2002: Dramatic Expression – Florbela Oliveira, Etelvina Mendonça 2000: Bachelor in Mining and Georesources Engineering. Instituto Superior Técnico 1995: Model, Casting and Video – Ana Wilson, Telma Pedreira 26 BUSINESS PLAN 1993: Contact Dance – Improvisation – Peter Michael Dietz – Almada Dance company 1990-80: Classical Ballet Selected Experience PRESENT-2010: FOUNDER GO EGO - Image consulting, Event Organization, Personal Shopping and Styling • Presidential elections in the Democratic Republic of S. Tome and Principe Image and Communication Coordinator of the candidate Manuel Pinto da Costa, ending with his election. • Movies and music videos BRANCO - Luís Alves (not yet released) . Assistant Director and Stylist Music Video: LIKE A ROCKET Bruto And The Cannibals . Producer and Stylist • Television FAMA SHOW – TVS (National Television of of S. Tome and Principe) . Host - Theme: Makeovers and the Power of Image • Other works and appearances TRENDWAYZ - The only Portuguese project to launch new talents related with the fashion industry . Producer (launching team) 27 BUSINESS PLAN SOL - Newspaper magazine . Makeover of one journalist • and Makeovers and Style Consultations to several costumers. 2010-PRESENT: Blogger at ANDGODCREATEDTHEBLACKDRESS.BLOGSPOT.COM § With the release of the book soon in Lisbon, § Columnist at Rua de Bairro, a reference lifestyle blog. 2010-2007: CHAPITÔ, NGO - Event Organization and Production, Sponsorships and Patronage 2000-2009: INTERVALO GRUPO DE TEATRO – AUDITÓRIO LOURDES NORBERTO . Professional actress, with rave reviews for the performance of the monologue based in the book of Stefan Zweig: Twenty-Four Hours in the Life of a Woman, . Participation in several soap operas. 2007-2000: BANCO BPI, one of the lead banks in Portugal Financial Controller, coordinator for financial reporting Responsible for the election of BPI as a Reference Bank in Portugal in Visa Europe’s project for the study of bank card commissioning. Budget Control for Advertising and marketing Patronage and donations cost control for Public service Instituitions, campaigns, advertising, and support. 1994-1993: CENTRAL MODELS - Photographic Model, Runway and Advertising 28 BUSINESS PLAN Creative Director § Scout, Select and Schedule Guests or Projects for the Sessions, § Scout, Select and Schedule Short Films Competing, § Responsible for all Audiovisual specifications, § Organize and Control the quality of the session, § Development, Direct and Edit all Video Promo Materials for Shortcutz Amsterdam, § Control all technical features during the session, § Find new ways to increase the number and quality of the films submitted. João Carlos Rodrigues Professional Qualification . POST PRODUTION Restart Instituto de Criatividade Artes e Novas Tecnologias, Lisbon, PT Festivals . MONSTRA 2010 LISBON ANIMATION FESTIVAL - Post Production Department Awards . SILVER EUROBEST CATEGORY INTERACTIVE 29 BUSINESS PLAN . AWARDS SAPO 2011 - 5 Sapos of Gold: Big consuming products, best mini-site, best display, best rich media, jury award . THE LOVIE AWARDS - Silver Award, category food & beverage Short Film . BRANCO - Camera/Photography (not released yet) Music Videos . Le Grind - MR. DUMMY - Camera (not released yet) . Bruto And The Cannibals - LIKE A ROCKET – Director/Camera . PunkSinatra - SKAPA DO SISTEMA - Director/Camera . PunkSinatra - ANDAS POR AÍ - Director/Camera/Post Production . Joan Ann Lee - LIGHTS OUT - Director/Camera Live Shows . BRUTO AND THE CANNIBALS - Camera (for CD bonus material) . PESTE & SIDA - Camera (for the DVD of the 25h anniversary) . SEAN RILEY AND THE SLOWRIDERS - Camera (for tour DVD) . PUNKSINATRA - Camera (for CD bonus material) . CAMANÉ - Camera (for artist DVD) 30 BUSINESS PLAN Promo . MULHER CRÓNICA - writer Alexa Rodrigues - Camera (not released yet) . SAGRES PRETA CHOCOLATE - The Grand Union - Camera . WINE FARMS & SEMINARS - Wine Experience - Camera . CORRER POR PORTUGAL - Betclic Portugal - Director/Camera/Post Production Consultant The position of Consultant is not fixed to a specific area. In the beginning of the project is important to have an extra help in the “Strategy and Partnerships” area. After the goals are achieved probably PR and Partnerships became the area that deserves more attention. The Consultant is an already established professional that will contribute with his personal know-how to help us achieve our goals faster and wisely. Volunteers Volunteers are enthusiastics of the project that will help us in their own areas of expertise. Can be persons from all levels of education, experience and knowledge. 31 BUSINESS PLAN We also built a excellent team of jury members made of renowned professionals from diverse backgrounds, from cinema to street art, from producers to journalists, from mainstream to avant-garde - the ideal mix of contemporary opinion formers. The ‘well known faces' will help the public connect and identify with the project. 6.2 Board Members of Shortcutz 1. Chairman: Claudia Alexandra Gonçalves Mendes Rodrigues Ricou 2. Secretary: Francisco Monteiro Gomes de Castro 3. Treasurer: Ana Sofia Paula Pereira 32 BUSINESS PLAN Jury Members Alexander Tempel Founder of Artists not Armies "You need to get inspired, by people and by art. Shortcutz Amsterdam is a great way to have both, meeting new people and getting to know their work." .Recent/Notable Works Curator at FoamLab, Founder Artists Not Armies, Founder Brilliant after Breakfast .Small Bio Creative entrepreneur always looking to find new ways to connect the dots. .Links www.brilliantafterbreakfast.com George Sluizer Director, producer and screenwriter .Recent/Notable Works • Knight (Chevalier) in the Order of Oranje-Nassau 33 BUSINESS PLAN • Honorary Member of the Dutch Directors Guild DDG • Honorary Member of the Dutch Producers Guild FPN • Honorary Member of the Dutch Filmmakers Association NBF • Student at the Paris Filmschool IDHEC • Professor at the Netherlands Film Academy 1972-79 • Member of the Council of Arts (Ministry of Culture) 1974-80 • The European Film Academy EFA • The Directors Guild of America DGA .Small Bio Director, producer and screenwriter George Sluizer is Dutch, but was born in Paris, where he attended the IDHEC film academy. He made his first film in 1961, HOLD BACK THE SEA, a documentary that won a Silver Bear at the Berlin Film Festival. During the 1960s until the early 1980s he produced and directed many documentaries and TV specials. He also worked as a producer on numerous films, including Werner Herzog’s FITZCARRALDO and CANCER RISING with Rutger Hauer. As a writer/director he made his first feature film in 1971, JOAO AND THE KNIFE, which was followed by TWICE A WOMAN with Anthony Perkins and Bibi Andersson, and RED DESERT PENITENTIARY. With SPOORLOOS (THE VANISHING) in 1988 he received worldwide recognition. The film won him many awards and was the Dutch entry for the 1989 Academy Awards. In 1992 he directed a remake of THE VANISHING for 20th Century Fox, starring Jeff Bridges, 34 BUSINESS PLAN Kiefer Sutherland and Sandra Bullock. In 1991 Sluizer directed an adaptation of Bruce Chatwin’s novel UTZ, starring Armin Mueller-Stahl (Best Actor in Berlin 1992), and in 1993 DARK BLOOD, kept unfinished because of the death of its leading actor River Phoenix. CRIMETIME followed in 1995, a thriller about the dangerous effects of reality TV, starring Stephen Baldwin and Pete Postlethwaite. In 1996, Sluizer produced and co-directed the nostalgic comedy DYING TO GO HOME and in 1997 he directed THE COMMISSIONER with John Hurt and Rosana Pastor. And in 2002 THE STONERAFT based on the novel by Nobel Prize laureate José Saramago. During his career, Sluizer has directed films in six different languages and regards himself as a truly European director. A master of the thriller genre, Sluizer is known for his unique signature, his “going to the edge” and “search for one’s limits”. “My strength as a filmmaker lies in my beliefs and convictions, and not in the ‘communis opinio’ of too many people. Filmmaking for me is a combination of my personal vision with what I think the audience wants to see. Finally, I only provide the cornerstones, the audience has to put the story together, reinvent it according to their moods and feelings. But I do not deny I have a basic instinct to disturb.” .Links http://www.georgesluizer.com/ Tag PhotoAdd LocationEdit 35 BUSINESS PLAN Harmen Jalvingh Producer for Bonanza Films "I think the challenge for filmmaking now and for the future can be found in sharing. Sharing experience, sharing knowledge, ideas etc. I think Shortcutz Amsterdam is about sharing." .Recent/Notable Works Working for Bonanza Films, he was awarded with a Golden Calf for the best feature documentary in 2008 with ‘Bloody Mondays & Strawberry Pies’, by director Coco Schrijber. The narration was performed by John Malkovich. A year later he worked with Bonanza Films on ‘Last Words’ by Lieshout, Hagers and Van Brummelen, a film about and with Michel Houellebecq. Iggy Pop composed the music for his film, later to be released as the album ‘Preliminaires’. Recently he produced with Bonanza Films: ‘Parts of a Family’ a Mexican co-production with filmmaker Diego Gutierrez, ‘The Price of Heaven’ (2012, nominated for a Prix Europa), by Jack Janssen, ‘The Potato Eaters’ (2011), by Arno Hagers, ‘Daughters of Malakeh’, (2011) by Jet Homoet and Sharog Heshmat Manesh. .Small Bio Harmen Jalvingh is an inspired producer of documentaries. He has been making documentaries for the last 15 years, at international, national and regional level. He accompanied and counseled many filmmakers – experienced and starting – through the process of making their film. He worked for different production 36 BUSINESS PLAN companies in the late nineties and the Dutch broadcaster VARA. Since 2004 he works for Bonanza Films in Amsterdam, driven by dedication for filmmaking, storytelling, art, music and social consciousness. Cinematographic distinct. .Links www.bonanza.nl www.facebook.com/harmen.jalvingh www.imdb.com/name/nm2543822/ Jans Possel Director of Mediamatic Foundation "My aim for Shortcutz Amsterdam is to bring it to the attention of a very broad public." .Recent/Notable Works "All the things we do at Mediamatic." .Small Bio "I studied art history and sociology at Groningen university. Started mediamatic magazine with Willem Velthoven in 1985. I am director of Mediamatic Foundation since 2001." 37 BUSINESS PLAN .Links www.mediamatic.net Jeroen Koolbergen Producer at Cadenza Films bv .Recent/Notable Works Feature films ‘Tirza’ and ‘Süskind’, both directed by Rudolf van den Berg .Small Bio Born in Amsterdam 23rd November 1950. Majored in English Language and Literature at the University of Amsterdam, 1976. Was active as a journalist, writer, translator, publisher and bookseller. Made a documentary portrait, together with Ad’s-Gravesande, of cinematographer Louis van Gasteren (Een kettingzaag voor het verleden, NPS, Het Uur van de Wolf, première IDFA 1997). Joined Cadenza Films bv as managing director and producer 1st March 2000. Produced, together with international film producer Pierre Spengler, the English spoken feature film Snapshots, a romantic comedy with Burt Reynolds, Julie Christie, Carmen Chaplin and Pierre Bokma. (Directed by Rudolf van den Berg, 2001). Developed several documentary and feature film projects, with support of the European Media Program and the 38 BUSINESS PLAN Dutch Film Fund. Produced, together with San Fu Maltha (Fu Works), the feature film Tirza, after the bestseller by Arnon Grunberg, with Gijs Scholten van Aschat, Sylvia Hoeks, Johanna ter Steege, Nasrdin Char. (Directed by Rudolf van den Berg, 2010). Produced, together with San Fu Maltha and Reinier Selen the feature film Süskind, an epic war drama, based on true events, with Jeroen Spitzenberger, Karl Markovics, Nyncke Beekhuyzen, Katja Herbers, Nasrdin Dchar. (Directed by Rudolf van den Berg, 2012). Is now developing the following projects: • The feature film Spinoza in opstand, a psychological drama about the life of the famous philosopher. (Together with Fu Works; directed by Rudolf van den Berg.) • The feature film Orestes Son of Blood, a dramatic road movie in the times of Troy, based on the ‘Oresteia’ by Aeschylus. • The feature film Was getekend…, a psychological drama about the life of the famous art forger Han van Meegeren. (Together with Fu Works and Rinkel Film; directed by Rudolf van den Berg.) • A long documentary on the life and works of cinematographer Louis van Gasteren, De Kloof, in collaboration with Rudolf van den Berg and Tom Rooduijn. • A 9-part tv-series, Mijn Generatie, in collaboration with Rudolf van den Berg and Tom Rooduijn. .Links www.cadenzafilms.com 39 BUSINESS PLAN Laser 3.14 Post-punk street poet "I hope to see some good inspirational works by filmmakers. I think there are a lot of talented people working out there so this is a chance to see a lot of work. Ever since I was a kid I loved movies (especially 70’s cinema) and read as much as possible about the subject. I don't vividly follow Dutch cinema but there are a couple of really good ones made like, Soldier of Orange, Spetters, The Assault, Abel, Karakter, De Tweeling. I think the Dutch film industry should also focus on a couple of more unconventional gutsy films. It’s been playing it a bit too safe for my taste (But so does the American Film Industry)." .Recent/Notable Works Ruins Of A Failed Deception (somewhere on builder boards in the city), Steel Laser-cut powder coated shield titled ‘It Feels Perfect To Be Imperfect’ and a new silkscreen titled ‘Baby It’s Happening Now’. .Small Bio Started out as a graffiti artist in the early 80’s, worked as a illustrator, comic book artist throughout the 90’s and progressed to street poetry. 40 BUSINESS PLAN .Links www.laser314.com Marko van Kampen Founder of World of Mouth and co-Founder of EU1 "Go Short! We more and more consume our content through mobile, tablets and media like Facebook. Short form is an ideal means of telling your stories through those media and devices. Still 10 x 6 minutes together is 60 minutes, so one hour. Long form again. Use the new media reality in your advantage." .Recent/Notable Works EU1 .Small Bio "Together with three partners I founded EU1 in 2011. EU1 is a film and television platform. It’s a place where film and television makers can find support for a new projects through sponsoring and/or crowdfunding, but more importantly broadcast online and in the livingroom on the television through founding partners UPC and Ziggo. Also I'm co-owner of World of Mouth, a creative communications company. We focus on story telling. We give engagement through creating compelling text, images and video. We have become a world of 'hearsay' and we use that new reality as main communications channel." 41 BUSINESS PLAN .Links www.eu1.tv www.worldofmouth.nl René Wolf HEAD OF ACQUISITIONS/PROGRAMMA @ EYE - THE NEW FILMMUSEUM "Great feature films or fresh and important developments in some national film industries were often preceded by daring, surprising and creative shorts. I hope to be surprised, touched, fascinated by the shorts presented in Shortcutz Amsterdam and I'm particularly hoping for creative shorts that are remarkable both in form and in content." .Small Bio René Wolf (1963) studied political science and communication in Nijmegen. He worked in Filmhuis Arnhem as a volunteer (1985-1988) before starting to work at the Filmmuseum. Since 1988 he worked in several positions at Filmmuseum, now EYE, mainly in publicity, programming and distribution. .Links www.eyefilm.nl 42 BUSINESS PLAN Vincent van Ommen Actor .Recent/Notable Works Life is an Art, Paper Parachutes, The Dark Knight Rises (OST), Amsterdam Heavy. .Small Bio VINCENT VAN OMMEN made his motion picture debut as the immortal witch hunter "Elijah" in REIKI. That same year he starred as a serial killer with dissociative identity disorder in the thriller 'Life is an Art'. In 2011 the Cannes Film Festival named him 'Young Talent' for his performances in both 'Paper Parachutes' and 'Amsterdam Heavy'. He has the lead role in the independent film A Morass in which he plays a secret agent who failed his last mission but gets one last chance with a cryptic objective: Find Sterns. Van Ommen is a Dutch actor who has studied acting and stage & film combat. He was raised in The Hague, The Netherlands and frequents between Amsterdam, New York and London. .Links www.imdb.com/name/nm2894092 43 BUSINESS PLAN www.twitter.com/vinommmen www.vincentvanommen.com Waldemar Torenstra Actor and Founder of Act-Acteursbelangen Organisatie .Recent/Notable Works Lijn 32, Bride Flight, Gelukkige huisvrouw, Mixed Up and Divorce .Small Bio After a year economics at University of Amsterdam, Waldemar went to the Theater school Amsterdam. He Played in several theater plays (Hamlet, Othello, Sympathy for the devil, Anna Karenina, Karakter and Emmie@Leo), films and Television series. He also was the founder of the Dutch Actors Guild ACT. .Links www.imdb.com/name/nm0867949/ 44 BUSINESS PLAN 6.3 Ambassador SHORTCUTZ AMSTERDAM ambassador is WALDEMAR TORENSTRA. Our ambassador will ‘face’ to our project, explain to other people ‘how SHORTCUTZ AMSTERDAM works’, promoting the session during his interviews or public appearances. Waldemar is a ‘well known’ actor in the Netherlands, with major successes like: Lijn 32, Bride Flight, Gelukkige huisvrouw and Mixed Up and Divorce. 45 BUSINESS PLAN Important Assumptions - The financial plan starts on December 2012. December 2012 correspond to “Start Up” month. 1 month to the set up and development of the project “on the ground”, - The first Gala and SHORTCUTZ AMSTERDAM WINNER OF THE YEAR will only happen on January 2014, which means the first estimated year don’t include any expenses related with Awards or Gala, - SHORTCUTZ AMSTERDAM must contribute with 10% of the funds gathered to SHORTCUTZ NERWORK development, - During the first 9 months SHORTCUTZ AMSTERDAM will not invite international GUESTS, in the first period is important to promote the national filmmakers, know better the National market and give time for the Dutch filmmakers to know us. After this period, we will promote the exchange of experiences with international filmmakers inviting, once a month, a winner or GUEST of the others Shortcutz cities. - Asset management is the responsibility of the Board Members of SHORTCUTZ AMSTERDAM. All expenses will be based on a pre-established budget. All financial transactions made on behalf of SHORTCUTZ AMSTERDAM must be accounted for by Board Members. Board Members will provide a report on the actual management of SHORTCUTZ AMSTERDAM’s assets and finances when requested, to allow for transparency and accountability. 46 BUSINESS PLAN 7.1 Start up Expenses Table: Start-up Expenses 47 BUSINESS PLAN 7.2 Projected Costs Table: Costs projected 3 years We considered our 1st year (2013) as the year to set up, - Get ourselves known, - Engage the Dutch Filmmaking community, - Forge strong partnerships, - Create a strong and supportive Jury Team, - Find sponsors, - Establish SHORTCUTZ AMSTERDAM as part of the Amsterdam’s cultural scene. Our 2nd year (2014) will be to grow, - Engage bigger audiences to our venues, - Do partnerships with the other festivals to be there promoting SHORTCUTZ AMSTERDAM, - Develop and establish Xpress SHORTCUTZ Sessions in Rotterdam and Utrecht, once a month, - Invite renowned International GUESTs, - Increase Marketing investment, - Increase the permanent team ONE member, 48 BUSINESS PLAN - Give the 1st YEARLY AWARD, and TOUR THE WINNER IN OUR SHORTCUTZ CITIES, - Have the 1st Amsterdam Gala. … and our 3rd year to consolidate, - Constantly trying to increase the quality and quantity of submissions, - Work in straight relationship with film schools and producers, - Increase the presence in the press, especially in opinion articles about new filmmakers, - Position ourselves as a reference and credible project to launch new filmmakers, - Attract the attention of brands and labels and convert SHORTCUTZ AMSTERDAM in the place that market should go to hire resources to their Marketing Campaigns and Communication departments, - Increase the number of Special Events to take our filmmakers even higher! 49