MICA Annual Report`14 - Maryland Institute College of Art

Transcription

“WORKING WITH OUR INCREDIBLE FA CULTY, STAFF,
ALUMNI, DO NORS, AND PARTNERS, WE KNOW THAT
PRESIDENT SAMUEL HOI WILL USE H IS PASSION AND
ENERGY TO FURTHER MICA’S MISSI ON TO EMPOWER
ART AND DESIGN STUDENTS FOR MEANINGFUL CAREERS.”
BOARD OF TRU STE ES C H A IR NE IL M EYE R H O FF ANNO U NCING T H E S E L ECT IO N O F SA M UE L H OI
AS MICA’S N EW PRESIDE NT, FE BRUARY 2014 .
CIRCA
1914
2014
INSIDE
President’s Letter
Sammy Hoi is poised to
move full speed ahead.
PAGE 14
Energy and Experience
Generation X–era faculty members have a distinct influence
on MICA students.
PAGE 50
Fresh Programs
Introducing MICA’s new MFA in Filmmaking, BFA in Architectural
Design, and Theater Concentration.
PAGE 24
The World’s
Best Get Better
at MICA
MICA leads the way in attracting
Fulbright scholars.
PAGE 33
Beyond the Selfie
MICA’s Millennials give back to others.
PAGE 60
INSIDE
Donor Profiles
Joan M. E. Gaither, EdD
PAGE 28
Joseph and Harvey Meyerhoff Family Charitable Funds
Evelyn Dyke Schroedl ’40
Eric Jordahl P’17
PAGE 46
PAGE 56
Robert A. Zimmerman ’66
Jamie Johnson
PAGE 42
PAGE 64
PAGE 68
S P E C I A L D E S I G N AT I O N S
Designations may follow a person’s name to highlight special affiliations with the
College, including alumnus or student (name is followed by year of graduation, i.e., John Doe ’14),
honorary degree recipient (name is followed by an “H” and the year the degree was
awarded, i.e., Jane Doe H’14); and parent (name is followed by a “P” and year of child’s
graduation, i.e., Jessica Doe P’14).
F E AT U R E D A R T W O R K
The artwork and installations featured in this publication were created or
exhibited by MICA students in Fiscal Year 2014.
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M A RY L A N D I N S T I T U T E C O L L E G E O F A RT
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2014 ANNUAL REPORT
A N DY DA H L ’ 14 MFA in Community Arts Bicycles as Language
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J E S S E Y U H A S Z ’ 14 Rinehart School of Sculpture Untitled (America) MDF, rubber, bondo, mylar, and paint
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2014 ANNUAL REPORT
X I AOT I A N YA N G ’ 14 MFA in Curatorial Practice
Back to Earth, exhibition documentation featuring Phoenix Rising by Jonathan Latiano ’12
B O RA M L E E ’ 14 LeRoy E. Hoffberger School of Painting Ellen and Baby’s Breath oil on canvas
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S EO K I M ’ 14 MFA in Illustration Practice More Than Meets the EYE digital
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A L A N A B E R G ST R O M ’ 14 LeRoy E. Hoffberger School of Painting
Marcus (top) oil on panel
Y I N G X I Z H O U ’ 14 MFA in Graphic Design Facet (bottom) card and paper
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2014 ANNUAL REPORT
S A RA H M E E RA N J E ’ 14 Fiber Apolutrosis
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A LT S E RA D G E ’ 14 Mount Royal School of Art Untitled (New Tie) acrylics, oil paint, one-shot, and spray paint
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2014 ANNUAL REPORT
N I C K P R I M O ’ 14 Rinehart School of Sculpture
When It Recognizes Two Opposing Objects, It Grows Stronger plaster and ash
K AT H E R I N E G A G N O N ’ 14 LeRoy E. Hoffberger School of Painting Stump oil on panel
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FULL SPEED
AHEAD
LE TTE R F ROM TH E P R E SIDEN T
The past year at MICA marked a succession of historic milestones
that continue to propel the College forward. MICA’s spirit and pride
were on full display in the spring, as the College passionately celebrated
the legendary tenure of Fred Lazarus IV and the transformative impact
of his educational, cultural, and civic genius. Meanwhile, I was
welcomed as MICA’s new president with warmth and a collaborative
spirit by students, faculty, staff, trustees, and the Baltimore community.
Although I have just begun my tenure at MICA, I feel as if I have
always been part of the MICA family. With your help, I have been
able to hit the ground running with wonderful partners throughout
the College, the City of Baltimore, and around the world.
As I have established my new home in MICA’s own Bolton Hill
area and settled into my position, I cannot help but to be struck
by the multifaceted contributions the College has made and the
resultant goodwill MICA has enjoyed in the neighborhood, and
across the city and state. Our international presence and stature are
also evident. As I immerse myself into all things MICA, I am more
convinced than ever that MICA has one of the firmest foundations
for sustained success and impact of any art and design college in
the world. I look forward to building on that foundation as we
chart our progressive course for the future.
Top: President Hoi talks with Director of Student Activities Karol Martinez-Doane during
a welcome reception for him soon after his first day on the job.
Bottom: President Hoi leads his first meeting with senior staff members in the boardroom.
Opposite Page: President Hoi visits the Brown Center.
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Left to right: Board Chair Neil Meyerhoff, President Hoi, Baltimore Mayor Stephanie Rawlings-Blake, and Johns Hopkins University President Ronald Daniels applaud a speaker during Hoi’s
presidential installation ceremony; as President Hoi makes Baltimore his home, he and Trustee Ann Perkins visit the Baltimore Orioles mascot during a game.
“MICA has
one of the
firmest
foundations
for sustained
success and
impact of
any art
and design
college in
the world.”
–President Sammy Hoi
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A fundraising milestone was also achieved last year,
a record year for our Annual Fund, and supporters
provided major gifts through the Lazarus Legacy
Fund in a phenomenal show of confidence for the
trajectory former President Lazarus set us on.
The College is energized by the financial support,
and I am grateful that our generous donors rally
whenever an opportunity exists to strengthen
MICA’s reputation and positioning for the future.
numerous alumni who have achieved groundbreaking
work in a dizzying array of fields—as exhibiting
artists, entrepreneurs and business owners, corporate
executives, academicians, nonprofit leaders, authors,
filmmakers, gallery founders, curators, and countless
others. Their personal success has gone hand in
hand with public contributions as they have become
artists and designers who help drive cultural,
economic, and social advancement.
There is a clear return on philanthropic investment
in the education of our talented students, as MICA’s
mission brings forth a meaningful return on invention,
ingenuity, innovation, and imagination. Our holistic
approach to art and design education, focusing on
artistic development, purpose and vision, lifelong
careers, and the common good, enables MICA
graduates to excel and lead in a wide range of
fields and industries. During my first months at
MICA, I have been gratified to hear about
MICA has the substance and opportunity to be a
leading voice in making a bold and broad case for
the value of artists and designers in society far
beyond the traditional cultural arena. We are
familiar with the concept of living in a knowledgebased economy, driven by information and
advanced skills. An equally important concept is a
creativity-based economy, which takes the knowledgebased economy a step forward by embracing skills
associated with innovation and invention. Creativity
“MICA has the substance and
opportunity to be a leading voice
in making a bold and broad
case for the value of artists and
designers in society.”
Hoi speaks about the future of MICA, Baltimore, and art and design education during his installation ceremony.
2014 ANNUAL REPORT
In a nation stratified by an alarmingly widening
income gap, the education of a creative workforce
is a great social-economic equalizer. One of my
priorities is ensuring that one’s background does
not hinder his or her ability to attend and succeed
at our school, especially young people who already
call Baltimore home. Through the development
of their innate creativity and talent, young people
from disadvantaged backgrounds can more
readily advance themselves and their families.
Equitable and inclusive investment in arts
education and creative jobs and enterprises can
lead to opportunities that activate the natural
strengths of a diverse work force. By expanding
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MICA is also poised to expand its trademark
collaborative network by embedding artists and
designers in novel and unexpected partnerships.
The non-linear way artists see and contemplate
things and the holistic and comprehensive nature
of design thinking are increasingly prized in multiple
arenas. Great products and services integrate
operational efficiency and technical ingenuity with
smart design interface and alluring aesthetics.
Breakthrough scientific research often benefits
from surprising, non-traditional question formulation
and data visualization. As much as in their native
disciplines, artists and designers serve a unique
role in envisioning and actualizing inventions and
discoveries in corporate operation, science, human
services, and technology.
and innovation—so intrinsic to MICA’s mission,
work, and impact—will continue to define our
future. I am excited to work with MICA’s campus
community and external partners, as together we
fashion new ways to support creative entrepreneurs
and social innovators in Baltimore so that the creative
class can grow as a valued anchor constituency of
the region.
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“Working
together,
we will build
on MICA’s
amazing
successes and
will create
an even more
amazing
future.”
Left to right: Board Chair Neil Meyerhoff presents President Hoi with MICA’s highest symbol, the Presidential Chain of Office, along with a special medallion symbolizing his presidency;
Vice President for Operations Michael Molla, Vice President for Student Affairs Michael Patterson, and President Hoi serve students ice cream to welcome them back to campus.
the pool of talented students studying at MICA,
we will create an even more dynamic learning
experience for all.
Helping outstanding students and alumni
maximize their potential is the foremost reason I
am excited about being at MICA. Every day on
campus, I witness the same passionate commitment
among the faculty, staff, and trustees. I see why
this college has so many accomplishments—
an amazing team works tirelessly to make it all
happen! I invite you to join us in celebrating and
encouraging the leadership role of MICA, locally,
nationally, and globally.
I am deeply appreciative to have inherited a
well-run school with wonderful campus team
members and external supporters. Instead of
fixing things that are broken, I can focus on
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where we are going next! Working together,
we will build on MICA’s extraordinary successes
and will create an even more amazing future for
our graduates, and for the entire world through
their leadership.
You are an important member of a robust MICA
family. I invite your comments, observations,
suggestions, and continued involvement and support.
SIN C E R E LY ,
Samuel Hoi
President
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2014 ANNUAL REPORT
N ATA L I E PAU TS C H ’ 1 5 Photography Box Adventures digital photograph
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LO U I S F RA N T I N O ’ 1 5 Painting Maryland Summer Storm oil on canvas
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S C OT T B RA D L E Y ’ 14 Photography (Deconstructivist) digital photography
I S O B E L M O D I C A ’ 14 Fiber Nothing Beside Remains upholstered digitally printed fabric
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D I YO U W U ’ 14 M FA i n Illustration Practice Shadow (top) Animal Circus (bottom) gouache, watercolor, colored pencil
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A L A N S I G G E R S ’ 14 Mount Royal School of Art The Pedestrian Promise (top left) oil on canvas panel Rainbow Promise (bottom left) mixed media Inside Outside Room (right) mixed media
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FRESH PROGRAMS
Just as MICA pushes students to find solutions for
complex new challenges, the College pushes faculty to
develop programming in response to a world that is
changing around us, preparing students for fields that will
transform in unforeseen ways in the near future.
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2014 ANNUAL REPORT
Technology is changing how films are made and how
media are delivered, expanding the industry well beyond
the studio-driven hubs of Los Angeles and New York City.
Reductions in equipment cost, the ability to generate
quality output using a wide range of cross-functional tools,
revolutionary new funding models, and the ability
to instantly access digital content via a multitude of media
platforms mean that a filmmaker can sustain a career
anywhere on the globe. Despite these changes, many
film programs around the country continue to pursue
a pedagogical approach rooted in the past. MICA
is determined to change that paradigm by constructing
a program that focuses on the business behind the
Led by Patrick Wright, co-producer of the Emmy-winning
documentary Music by Prudence, students in the program
will work through a curriculum that integrates cinematic
history, idea generation, script writing, production, and
the process of delivering films to their intended audience.
First-year students will work on short films and crew
for second-year students, who will produce films as their
thesis project. Wright will be joined by Filmmaker-inResidence Eliza Hittman, recently named one of Filmmaker
magazine’s “25 New Faces of Independent Film.” The
program will emphasize collaboration and sustainability,
and will be housed in the restored and renovated Centre
Theater, where students from both MICA and Johns Hopkins
University will share state-of-the-art facilities and equipment.
The joint center will connect students with faculty and
resources from the two world-class educational institutions,
and with a host of films and filmmakers through the
Maryland Film Festival, which will be housed across the
street. Their combined efforts could lead to the emergence
of Baltimore as a new filmmaking powerhouse.
This academic model, central to the College’s curricular
development since its founding, was demonstrated once
again during the spring 2014 announcement of the new
MFA in Filmmaking program, set to enroll its first
students in fall 2015, which takes advantage of a sweeping,
technology-driven realignment of the film and media industry.
industry in addition to the art of film-based storytelling.
The program is designed to take advantage of the
industry’s transformation, offering instruction not just
in the traditional aspects of filmmaking but also in the
development of practical skills, including emerging
practices in the industry’s distribution, production, funding,
and consumption models.
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MICA prepares students for creative leadership from the
screen to the stage. Like the MFA in Filmmaking program,
MICA’s Theater Concentration prepares students for
all aspects of the production process. Culminating in the
production of an annual play, students engage in experiential
learning by designing costumes, sets, props, sound, and
lighting, in addition to acting. They also develop the posters,
programs, websites, and media kits needed to promote
the show. The diverse range of course topics includes
Shakespeare, contemporary drama, poetry, garment design,
puppets and prosthetics, special effects, storytelling,
character design, scenic design, and social documentary.
The new and refreshed programming has
continued to draw new students from all
over the world, at the undergraduate and
graduate levels, and is a source of strategic
advantage for our graduates.
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The BFA in Architectural Design program, to which
students were able to commit for the first time in FY 2013,
features a curriculum designed to address evolving realities
in the field. Community-based projects are integrated with
coursework, studio projects, and collaboration with other
fine arts programs at MICA to create a unique academic
experience in which students gain the technical, creative,
and critical thinking skills needed to be innovators in
architecture firms or go on to graduate school. In addition,
students are prepared to embrace emerging technologies
as they work with 3D modeling tools, digital fabrication
machines, and computer-aided design software. Through
electives, students may explore a wide range of other areas
of study, including graphic design, package design, gaming,
prototyping, fiber, textiles, psychogeography, urban farming,
woodworking, sustainability, and urban design as they
learn to put together creative strategies that draw from
many different disciplines. In addition to Chair Timothy
Aziz, a registered architect, many of the courses offered
in the program are led by faculty drawn from the
regional architectural community so students gain
professional contacts along with hands-on experience.
Like the MFA in Filmmaking and Theater Concentration,
the BFA in Architectural Design program builds on MICA’s
strong tradition of creating trendsetting academic programs
that challenge students to push their artistry to the next
level through the creation of solutions to real-world
problems that can be critiqued and implemented now.
The new and refreshed programming has continued to draw
new students from all over the world, at the undergraduate
and graduate levels, and is a source of strategic advantage
for our graduates. As new programs prepare to launch in
FY 2015, these and similar recent models continue to pave
the way for the College’s academic innovation.
D ON OR PROFIL E
JOAN M. E. GAITHER EDD
Shortly after Dr. Joan M. E. Gaither, former chair of undergraduate art education, began her
professional career, her grandmother gave her a key piece of advice: “When you go to bed
at night, know that you have made someone else’s life better by giving something back.”
Gaither took those words to heart and has lived a life of service, freely giving the three Ts—
her time, talent, and treasure—to MICA and other institutions she believes in.
Though she has no biological children of her own, “I have been blessed with many children
through my teaching career,” Gaither said. Through those relationships, she has seen how
art gives children “the opportunity to express who they are and find their voice,” she said.
For that reason, Gaither is particularly proud of the work that MICA’s Young People’s Studio
(YPS) programs have done over the years. The YPS programs provide workshops for elementary,
middle, and high school students, helping them to find their creative spark and nurture their
natural artistic ability. “It serves the kids, and it serves the community,” Gaither said.
Dr. Joan M. E. Gaither
Gaither has donated to the YPS programs throughout the years and recently established
an endowed scholarship. To raise money for the fund, she hosted a birthday party, where
she challenged guests to donate $1 for each of her 70 years of life. Some donated more, as
she received checks for $100 and $150. With hopes of doubling the amount raised next
year, Gaither believes other faculty members can follow her example. “This is a model that
can be repeated,” she said.
“If you’ve been given to, you have the responsibility of giving back.”
As MICA looks to the future with a new president, Gaither is optimistic about what’s next
for the College, and she remains focused on how she can continue to share her financial
gifts. “I think each leader comes in his or her season, so I expect that MICA will continue
to move forward,” she said.
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2014 ANNUAL REPORT
J A N E T O L N E Y ’ 14 LeRoy E. Hoffberger School of Painting Event II (left) Mish-Mash (right) oil on canvas
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L I Z Z I E R E I D ’ 14 Post-Baccalaureate Certificate in Fine Arts Conduit A (top left), Conduit C (top center), Conduit B (top right) screen prints Drawing II (detail, bottom) fabric, wire, chalk
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2014 ANNUAL REPORT
C A M E R O N STA L H E I M ’ 14 Rinehart School of Sculpture
And then I saw Colby on the street and my fantasy died (left) donors, plastic, foam, steel, acrylic Currents (right) aqua resin, urethane resin, steel, wood acrylic
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MICA’s International Reach
In 2013-14, MICA included students from 61 countries of origin and provided international study opportunities in 29 countries.
ARGENTI NA
CZ ECH REP U B LIC
IND IA
NE PAL
SPA I N
AUSTRALI A
DENMARK
IND O NE SIA
NE T H E R LAND S ANTI L L E S
SW ED EN
BELARUS
DOMINICA N R E PU B LIC
IRAN ( IS L A MIC R EPUB L IC OF )
NE W S O UT H WAL ES
SW I TZ ER L A N D
BELGIUM
ECUA DOR
IRAQ
NE W ZEALAND
TA I WA N
BERMUDA
EGYPT
IR E LAND
NICARAG UA
THA I L A N D
BOLIV IA
E THIOPIA
IS RAE L
PANAM A
TR I N I DA D A N D TO B AG O
BRAZIL
FINLAND
ITALY
PE RU
TU R K EY
CAMEROON
FRA NCE (+ GUADELOUPE)
PH ILIPPINE S
U K RA I N E
CANADA
( B RIT IS H C OLUM BIA & QUEBEC )
GEORGIA
JAPAN
( F UK UOK A-K EN & TOK YO-TO)
PO LAND
U N I TED K I N G D O M
GE RMA NY
K E NYA
PO RTU G AL
C HINA
(HEBEI, SHANGHAI, & XIANGGANG)
U N I TED STATES
GHANA
KO R EA ( R EPUB L IC OF )
RU S SIAN FE D E RATIO N
U RU G UAY
GREECE
K U WAIT
SAU D I ARAB IA
V EN EZ U EL A
HAITI
LE B ANO N
SING APO R E
V I ET N A M
ICE LA ND
M EX IC O
S O UT H AFR ICA
Z I M B A BW E
C OLOMBI A
C OSTA RICA
• Home countries of MICA
students where MICA also
has international study
opportunities.
• Home countries of MICA
students but where MICA
does not have international
study opportunities.
• Countries where MICA has
international study opportunities
but are not home countries of
MICA students.
– MICA students going to study
in other countries.
– Students coming to MICA from
other countries.
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THE WORLD’S BEST
GET BETTER AT MICA
MICA leads the way in attracting Fulbright scholars
Like Emily Zuch ’08, many MICA graduates have had the high honor of being named a Fulbright scholar,
and they have used the accompanying grant to study and make art all over the world—Germany, in Zuch’s case,
after she won the award in 2014. If winning a Fulbright fellowship is one of the greatest honors an art or design
student can be awarded, it follows that an equally superlative salute is to be chosen as a Fulbright scholar’s place
of study. That honor was bestowed on MICA four times in spring 2014, when fellows from Central America,
the Middle East, and Europe all chose to use their fellowship to study in Baltimore in MICA’s graduate programs.
As MICA’s global prestige has continued to grow, so has its appeal to some of the world’s most talented artists
and designers who, after already demonstrating their phenomenal ability, choose to come to MICA to take their
acclaimed talent to an even higher level.
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SI LV I A M ATA- M ARIN
UP C LO S E W IT H SILV IA MATA-M A R IN
MA IN SOCIAL DESIGN
FULBRIGHT SCHOLAR FROM COSTA RICA
Q: Why do you think social design can be used to help foster a
better Costa Rica?
Q: What do you look forward to most about studying in Baltimore?
A: What I most look forward to about studying in Baltimore is
Baltimore itself. In just a month of being here, I have seen that this
city has an incredible movement in terms of community engagement
and civic participation. There are a lot of people doing positive things
for their city and joining efforts to revitalize and reclaim their city.
I think that’s just amazing, and I had never been exposed to something
similar. It seems like this is one of the best places to be if you are
interested in Social Design.
–Silvia Mata-Marin
Q: So far, how has the MICA learning environment inspired your
own creativity?
A: MICA’s environment, in terms of the freedom you have to develop
your own personal interests, has been perhaps the thing I most
appreciate. This freedom encourages you to pursue work that you’re
actually passionate about.
Q: Why do you think you have such a passion for social change?
2014 ANNUAL REPORT
A: My interest in social design and social change came when I
realized that I’m actually very privileged in the sense that I’ve had
access to higher education and a family that supports me in every
possible way. I’ve never been told that I could not be who I wanted.
In Costa Rica, I was exposed to people that had not been given the
same opportunities, or they had no access to them, and it made me
realize that my skills gained from all these amazing opportunities
would be best used in trying to help in any way possible for other
people to gain access to the same opportunities.
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After graduating, she began a career as a traditional
graphic designer, but found that advertising, branding, and
editorial design didn’t feed her social passion. She looked
for more socially focused design programs in Costa Rica,
but they were virtually unheard of there. Mata-Marin
believes that expertise in the field is desperately needed
there because it can be used to tackle some of the most
pressing challenges in that developing country. She came
to Baltimore with hopes of using her Fulbright award to
learn to work with organizations to solve complex social
challenges and, through MICA, grow her understanding
of how design can uplift communities.
A: Costa Rica, as a developing country, has been facing a plethora of
social problems amongst every person that lives there. These social
issues are so diverse in nature and in the groups of people that are
directly affected by them that I thought the MASD program would be
an excellent fit for learning how to address social problems generated
by a very wide range of factors. Even if the program is not based in
Costa Rica and does not study social problems that are specific to
Costa Rica and the region, I believe that the tools I’m getting from MASD
can be used to deal with any social problem in any part of the world.
As word about MICA spreads around the world, the
reputation of groundbreaking programs at the College,
like the MA in Social Design program (MASD), has grown
as well. The program, novel in its laser-like focus on
exploring methods to use design to make positive change,
is attracting the most civic-minded designers on the planet,
evidenced by the decision of Silvia Mata-Marin to apply and
enroll. With two parents who are both Fulbright awardees
who used their awards to pursue PhDs in computer science,
a sister who is an economist, and two brothers who are
engineers, excellence was expected in Mata-Marin’s family.
She did, however, decide to focus her talent in a more
artistic direction, using it to improve communities. While
she was earning BFAs in both graphic design and sculptural
design from the Universidad de Costa Rica, she took a
particular interest in rural and marginalized areas of the
country. She spent two years creating murals in those areas,
and then she turned her attention to documenting indigenous
migrant groups in Costa Rica and neighboring Panama.
“In just a month
of being here,
I have seen that
this city has
an incredible
movement
in terms of
community
engagement
and civic
participation.”
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“I’ve
witnessed
art become
a bridge
between
people.”
–Nada Alaradi
NADA AL ARADI
MFA IN CURATORIAL PRACTICE
FULBRIGHT SCHOLAR FROM BAHRAIN
When you grow up in a family of artisans, an appreciation
for the beauty of colors and shades comes as second nature.
Through painting, sculpture, and installations, multidisciplinary artist Nada Alaradi captures the interaction
between people. She believes that much of human
communication, from body language to word choice, is
based on a self-image rooted in how we would like others
to perceive us. The impact of connections between
individuals is a central element of much of her work.
The Bahrain-born artist believes that art can make
communities better, and she has worked with groups of
young artists to bring people together around art and
foster changes in society. She is especially motivated by
the discord that sprang up in the country during the wave
of political unrest that swept the Middle East and Africa
in 2011. She is interested in exploring the “us vs. them”
mentality that undermines social cohesion not only in
Bahrain but all over the world. Alaradi hopes to pursue
collaborative projects that help break down artificial
barriers between people and groups. Once people have a
more objective view of what we consider to be differences,
she believes, the quality of life will improve for everyone.
U P CLOSE W IT H N A DA A L A RA DI
Q: When combined with the cultural influences from your
home country, how do you think the MICA/Baltimore culture
will transform your art?
A: In my short time here in Baltimore, I keep finding the similarities
between Baltimore and Bahrain even though they’re on other ends of
the world; such as its car culture and how they’re both made up of
neighborhoods. Beyond that, the experience of shifting your entire life
to a new country alone is enough to open up a gateway to personal
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transformations that most definitely has a direct influence on creating
art. Being at MICA is also a huge boost for my creativity; constantly
being around other creative minds that are focused on channeling
their energies towards artistic expression and analysis allows me to
look at my work in new perspectives and compare it to
how it is approached here.
Q: After experiencing the “us vs. them” mentality that divides
your home country, how do you think art has the ability to break
down these social barriers?
A: I’ve witnessed art become a bridge between people, I’ve seen
people who do not know each other join in collective art pieces for
no other reason than it seemed like fun, and through that formed
friendships or generated conversation. I’ve witnessed people connect
to one another through oral history or at art exhibitions where the
audience has sat down and exchanged stories with each other about
what those art pieces meant to them. Art is without language.
Regardless whether it is being witnessed or made, art creates a
space for communication, connection, and understanding, which
are the very tools needed to break down the social barriers we’ve
created for ourselves.
Q: What art values do you believe were passed down through
your family through artmaking?
A: I think that my uncles taught me that in art (and life) it’s okay
to make mistakes or to be wrong, or perhaps that being wrong
sometimes is the best thing you could have done. Another art value
they’ve taught me is that we are always learners, so use new
materials, always think about what you could be doing differently,
and experiment, experiment, experiment.
Q: What artistic niche do you hope to find that will help you
impact the Baltimore community in a positive manner?
A: I think my favorite form of art is interaction, and I hope that
I would be able to interact with locals and bring my very distant
perspective of the world to the people of Baltimore. I’d like to expose
my cultural norms that I would generally take for granted in Bahrain,
such as our strong sense of care and service to others in small
communities. These are some of the things I would love to bring
to Baltimore and serve as a reminder of how human we all are.
SARA A L H A D DAD
UP C LO S E W IT H SA RA A L HA D DA D
RINEHART SCHOOL OF SCULPTURE
Q: How has using yourself as a subject allowed you to grow as
an artist? How does your artmaking process help you to overcome
your own vulnerabilities and navigate your own feelings?
FULBRIGHT SCHOLAR FROM DUBAI
After focusing on graphic design during her undergraduate
education at American University in Dubai, Sara Al Haddad
turned her artistic attention to fiber. Her work centers on
using art as a tool for self-empowerment by helping people
face and overcome their insecurities through gaining
insight into their emotions. She has exhibited around the
world, including shows in Dubai, New York, Germany,
and Switzerland. When she looked at graduate sculpture
programs, she searched for a school with a close-knit
community that would embrace her passion for using fiber
to explore fear and doubt.
A: Using myself as a subject has helped me explore and touch
upon my own psyche, which has been a rewarding experience
for both my work and myself. Employing emotion in my work,
I examine my vulnerable side, prompting questions that lead to
doubt and self-revelations. The art of making has been my way to
channel raw emotions into physical objects—to confront and
converse with them.
Haddad often uses herself as her subject, exploring her
own feelings as a window into the human psyche. She is
particularly fascinated with the temporal nature of feelings
and how they can sometimes devolve in intensity until
they become faint thoughts. In her artmaking, she plans
to take a critical look at the value of feelings as they change
over time.
Q: How do you incorporate your graphic design background into
your fiber/sculpture work?
“There is an
undeniable
healing
process through
creation.”
–Sara Al Haddad
There is an undeniable healing process through creation, to indulge
in a process that results in a physical object. I believe there’s a lot
of oneself that is exhausted throughout the process. As vulnerable
as it can get—destructive, if you want to stretch it—individuals
experience it differently. I have found it to keep me sane.
Q: How do you think the close-knit community at MICA has or
will help you evolve as an artist? How will MICA’s sculpture
program help you to advance your artistic vision?
2014 ANNUAL REPORT
Doing a graduate teaching internship, or GTI, in the Intro to Fiber
course and being a part of Rinehart, I feel like I am having the best
of both worlds. There’s a lot of inspiration bouncing off from my GTI
class, being surrounded by undergrads exploring textile and fiber
in contrast to the different materials and techniques used by my
classmates. There’s definitely a lot of productivity happening over there.
/
A: Being in the Rinehart open studio space and being surrounded
by artists working with different materials under the same discipline
has already been very generous in its inspiring nature. There have
already been some exchanges in the studio space and associations of
pieces of work with other classmates. It has only been a few months,
and I am thrilled to find out how time will unfold itself. I am very
happy to be here and be part of MICA’s community.
A: I learned how to use and appreciate white space in a sufficient way.
39
M E LT E M SAH I N
UP C LO S E W IT H MELT EM SA HIN
MFA IN ILLUSTRATION PRACTICE
Q: What influenced you to pursue illustration, and how
do you believe your upbringing in Turkey has influenced
your artistic perspective?
FULBRIGHT SCHOLAR FROM TURKEY
Meltem Sahin graduated from Bilkent University in
Turkey with the highest grade point average. Since then,
she has continued her career as a well-regarded illustrator,
providing art for children’s books, magazines, and
newspapers. She is also skilled in animation and has
created digital characters and sculpting models. In addition,
she has created mobile apps for tablets and smartphones
and worked as an illustrator for the Turkish Ministry of
Culture and Tourism.
Though Sahin is an award-winning illustrator, she is
also skilled in printmaking, painting, and sculpting.
Her recent children’s book was selected to be exhibited
across Japan, and she was one of 70 illustrators out
of 3,000 chosen to be published in the 50th anniversary
issue of Bologna Annual: Illustrators of Children’s Books.
A: Growing up with a mother who is a Turkish illumination artist,
I am very familiar with Turkish traditional arts, and from early
childhood, I have attended many courses, such as marbling and
miniature painting. My affection for learning traditional techniques
didn’t end with those classes. For the last two years, I’ve been
working with Iranian illustrators Saeed Ensafi and Sahar Bardaie
in their printmaking studio, Studio Dou.
Q: How do your multiple interests in printmaking, painting, and
sculpting make your artmaking process unique?
A: Becoming acquainted with printmaking has broadened my horizons
in illustration. What I admire most about printmaking is that there is
a space both for extemporization as well as experimentation. Since
everything in the creation process of illustration is becoming digitalized
and intended in result, I believe the unpredictability of techniques like
marbling and printmaking is what 21st-century illustrations demand.
Q: How do you hope MICA will expand your career in illustration?
A: In Turkish universities, a separate specialized department of
illustration does not exist. I hope to be a pioneer to fill the gap
in this area and move beyond the frame determined for me in Turkey.
I hope to expand that frame through MICA’s MFA in Illustration
Practice program and educate future generations of great illustrators
in Turkey.
40
“I hope to be a
pioneer to fill
the gap in this
area and
move beyond
the frame
determined for
me in Turkey.”
–Meltem Sahin
D ON OR PROFIL E
JOSEPH AND HARVEY MEYERHOFF
FAMILY CHARITABLE FUNDS
The stellar art education that MICA students receive would be for naught if they could
not find work in their fields. Recognizing that fact, the Joseph and Harvey Meyerhoff Family
Charitable Funds (the Funds), a group of Baltimore-based family foundations honoring
the philanthropic vision of Baltimore’s iconic Meyerhoff family, has been helping MICA
graduates turn their artistic dreams into reality.
The Funds have made a number of contributions to MICA over the years, including a
large investment in the Joseph Meyerhoff Center for Career Development, which provides
students with career resources and professional support. Most recently, the Funds
established the Meyerhoff Internship Fellowship, which provides students with funding so
they can take advantage of internships in their field over the summer without having to
worry about financial obligations. “Once they finish their schooling at MICA, we’re very
focused on making sure young artists have opportunities to work in their craft,” said the
Funds’ Vice President of Baltimore and Domestic Initiatives Buffy Minkin.
Buffy Minkin
“What better investment
to make than in future
artists for our communities
at large?”
42
One reason for the Funds’ longtime support of MICA is the College’s “stalwart position in
the community,” Minkin said. “The Funds have always focused on investing in community
partners of excellence,” she added. Supporting the arts has also been a priority because
without them, “the family has always felt that Baltimore City is not as vibrant,” she said.
Because of the Funds’ long-term support of MICA, the Meyerhoff family has been in a
unique position to see all of the College’s achievements over the decades. “Sammy
has an incredibly rich landscape from which to draw,” Minkin said. “This is an amazing
opportunity for Baltimore City because there is new, energizing leadership.”
As a member of the fourth generation of the Meyerhoff family, Minkin takes the Funds’
role in making a difference seriously. “We are building on the legacy that has been laid
out before us, and we are the stewards of these funds moving forward to help enrich the
fabric of the community and make lives better,” she said.
/
2014 ANNUAL REPORT
S A RA S H A H A B I ’ 14 MFA in Graphic Design Looking Outward exhibition documentation (top), poster (bottom left), And soon it will erase our name (bottom right)
43
D U N C A N H I L L ’ 14 MFA in Photographic and Electronic Media Saint Paul Street Gas Station, Baltimore, MD
44
/
2014 ANNUAL REPORT
E D G A R R E Y E S ’ 14 MFA in Community Arts Open Hearts
45
D ON OR PROFIL E
EVELYN DYKE SCHROEDL ’40
Like many people who came of age during the Great Depression, Evelyn Dyke Schroedl ’40
thought attending college would be financially out of the question. But when a friend of
the family paid her initial tuition, she was thrilled to find herself a student at MICA.
Now she is returning the favor with the establishment of the Evelyn D. Schroedl Scholarship
for Arts & Design. The million-dollar fund will be used to defray costs for MICA students
who, like her so many years ago, have financial difficulty attending college. “If this friend
hadn’t paid the tuition, I wouldn’t have been able to attend,” she recalled. “I would like to
see somebody else be able to go to MICA because of my help.”
Schroedl’s relationship with MICA began at an early age. While in high school, she attended
classes at MICA in the afternoons and on Saturdays. One of her favorite MICA memories
is of learning watercolor painting techniques. Evelyn’s husband, Irwin C. Schroedl, Jr., was
a MICA graduate. Her nephew, Dennis Maitland, and a cousin, Henrietta Rippersberger,
attended MICA as well.
“Artists allow us to see the world in a different way.”
Evelyn Dyke Schroedl ’40
An avid world traveler and tennis player, Schroedl, at 97, continues to practice her art.
She still paints and sometimes sells a painting to benefit a scholar’s fund at the retirement
community where she lives.
Schroedl is a Leadership Donor to MICA because she believes well-trained artists make a
tremendous contribution to society. “Artists help us see things differently,” she said. She
set up the scholarship in her name as a way to support the Lazarus Legacy Fund Campaign,
which seeks to strengthen areas that former MICA President Fred Lazarus IV recognized
as being important for the College’s future.
As MICA begins a new phase under President Samuel Hoi, Schroedl continues to
expect great things from the College as it influences Baltimore and the world beyond.
Under its new leadership, MICA will be different, “but I know it will continue to send its
graduates out to change the world,” she said.
46
/
2014 ANNUAL REPORT
A B B I E W I S E ’ 14 Interdisciplinary Sculpture Standing Among Tall Grasses paper, thread, box fans
47
N I N A A L L E N ’ 14 Graphic Design 21 Guns digital prints
48
/
2014 ANNUAL REPORT
A M A D E U S G U C H H A I T ’ 1 5 Humanistic Studies and General Fine Arts Gilded Age
J E N N A M A C Y ’ 1 6 Ceramics a n d E R I N S C OT T ’ 1 6 Photography Orli
49
ENERGY AND EXPERIENCE
Generation X-era faculty members have a distinct influence
on MICA students
MICA’s faculty is legendary. From Margaret Glace, the first woman to hold the position of dean at an American
art college, to the legendary Grace Hartigan and art education pioneer Dr. Al Hurwitz, the extraordinary artists,
designers, and scholars who direct their creative passions to mentor the world’s most talented students are the core
of the energy that powers the MICA experience. Many of MICA’s faculty members have distinguished themselves
not only as talented professionals, but as long-term instructors who have proven their impact over many years.
Just as important to the MICA experience, however, is the phenomenal infusion of new perspectives and ideas
brought forth by younger faculty members who can provide remarkable insight to students seeking to link their
MICA education to the contemporary careers they seek.
It seems not so long ago that Generation Xers were students themselves, initially defying stereotypes to such an
extent that historians and social commentators gave them the “X” moniker to represent the unknown nature
of their collective persona. Eventually, however, the generation took on a distinct profile in the realm of public
perception—assertive if not aggressive, resourceful, and somewhat self-focused. However, a look at a small sample
of MICA faculty members under age 40, in or on the cusp of Gen X, belies the self-focused stereotype. These
instructors have acquired a stellar breadth of experience at a relatively young age, and they are bringing their energy,
experience, and unique perspectives to the classroom and studio to help students launch their professional endeavors.
50
ER I K SPA N G LE R, PHD
(A . K . A . D J D U BB L E8)
Q: Why did you decide to come and work at MICA?
A: Well, I was interested in working with students who weren’t necessarily from the traditional music background. What I found attractive
about teaching at an art school was that I could talk about sound as
a material similar to other materials used in sculpture and the visual
arts without the baggage of traditional music training. I think there
are ways that artists can work with sound that they weave into multimedia artwork such as sound installations, or they can simply work
with sound as its own medium in making abstract soundscapes or
sound pieces that don’t depend on traditional musical structures. We
do the full range of learning, from how to record sound, like location
sound for film, to sound effects, to abstract sound collages, as well as
synthesis—generating sounds from analog synthesizers and software.
Q: Why do you think your students have such an interest in
working with sound?
A: Everyone has a lot of ideas. I don’t have to pull teeth to get them
in a creative zone, and I find it really inspiring to teach students at
MICA. There is always work that surprises me in really wonderful
ways every semester, and we have great discussions about philosophical
points related to sound and just critique of each other’s work. It is just
a dynamic and creative group of students to work with.
2014 ANNUAL REPORT
Q: What do you find unique about working with students at MICA?
–Dr. Erik Spangler
/
A: There is a really wide variety of interest in sound among the
students. There are a good many students who are actually interested
in making their own music and doing live performance, and some
who are interested in doing interactive installations that have a sound
element, or just having sound as part of an interactive design in an
exhibit. It is somewhat of an obstacle to get past the association of
sound with music, but I think we are doing something unique here
in the sound program that isn’t being done anywhere else, in terms of
teaching sound for artists. We’re not like an audio engineering program
that is coming from a completely technical standpoint, and we’re not
a music program in the sense that students need to learn basic theory
and master this whole historical perspective. We can get right into
the details of how you sculpt sound into something interesting as an
artwork. We do teach sound design, but really in drawing connections
back to where that came from, in the field of experimental music
and the many visual artists who were also working with sound in
experimental ways.
“There is
always work
that surprises
me in really
wonderful ways
every semester.”
Dr. Erik Spangler is certainly not your average music
instructor. He holds an undergraduate degree in music
composition from Oberlin College Conservatory of Music
and a doctorate in music composition from Harvard
University. A MICA instructor focused on courses in the
Sound Art concentration, he is also a composer whose work
has been performed from the U.S. to China. He has been
interested in the field since age eight, studying modern
classical music all the way through graduate school and
then branching out to electronic music production,
collaboration, and improvisation. His diverse musical
influences span the gamut, including baroque, heavy metal,
classical guitar, works by French composer Olivier Messiaen,
Appalachian banjo, hip hop, and arrangements by The
Roots, a platinum-selling recording group. He composes
music for others to perform, experiments with live sampling,
DJs with hip hop music, and creates abstract sound art by
remixing the sounds of a particular environment. He is on
a mission to “dissolve cultural boundaries while drawing all
corners of inspiration into cohesive sound images,” and
he uses his own experience in his teaching. With fellow
sound teacher Jason Sloan, Spangler takes students to
international electronic music institutes during the spring,
currently working with the Studio for Electro-Instrumental
Music in Amsterdam and the Mexican Center for Music and
Sonic Arts in Morelia, Mexico. One of his goals is also to
connect MICA students with the greater Baltimore
community, which has led to the creation of The Vigil,
an annual all-night event entering its sixth year, where
musicians and experimental sound producers from all over
Baltimore are invited to come to campus and perform
sets into the early morning hours.
DR. ERIK S PA N G L ER IN HIS OWN WOR D S
51
LATOYA HOB BS
“For me,
the MICA
creative
environment
represents
an eloquent
and exciting
blend of
tradition and
innovation.”
52
–LaToya Hobbs
LaToya Hobbs is on the front lines of the MICA educational
process, teaching the newest of students the core elements of
art and design through Foundation courses. She is a native of
North Little Rock, Arkansas, and knows the power of identity,
having grown up not far from Little Rock’s Central High
School, the then-segregated public school integrated through
presidential orders enforced by the National Guard. She
believes that visual arts influence not only how people see
themselves, but how they feel about the communities they live
in. Her artistic focus has been in exploring representations of
African-American women, deconstructing past stereotypes
related to their bodies, and reconstructing images that
foster positivity. While examining the intersection between
race, gender, and identity, she gives voice to the women
featured in her work, allowing them to have a conversation
with the viewer in which the subject ultimately must turn
to concepts of beauty. Among others, she enjoys using
printmaking as a medium. “The act of cutting away from my
matrix to shape an image is synonymous with the way one
has to cut away the negative ideologies imposed on them by
others to expose or embrace their true selves,” she says.
L ATOYA HO B BS IN HER OW N WO RDS
Q: Why is printmaking a form of protest?
A: Technically, any form of art can be used as a form of protest,
depending on the content or message the artist is trying to convey.
When I talk about printmaking, I usually describe it as the first means
of mass communication because, before it became popular as a fine
arts medium, it was used as a means to communicate ideas or messages
to the masses through visual imagery. Many of those messages were in
opposition to certain ideologies, conditions, and systems of oppression.
This spirit of resistance or protest can be seen in the work produced
by artist communities and movements such as Africobra, the AfricanAmerican Modernists, and the Taller de Gráfica Popular; as well as the
work of individual artists such as Elizabeth Catlett, Francisco Mora,
and Emory Douglas, all of which employed the use of printmaking.
Q: What do you enjoy most about teaching?
A: The aspect of teaching I enjoy most is helping my students get over
the fear of doing something they thought they couldn’t do. Each class I
teach has students with varying skill levels. I find that those with little
technical skill are sometimes nervous or intimidated when it comes to
taking drawing and painting. Sometimes those students end up being
among the strongest in the class. One of my strengths as a teacher is
simplifying complex ideas and presenting course materials in such a
way that they are comprehensible to the whole class. I also work well
with students individually. This allows me to give practical and strategic
advice on how to build their skills according to their present level.
Q: Does teaching Foundation courses have a special meaning
for you? Why?
A: If I could describe the Foundation year in one word, it would
be transition. Transition can be experienced in many facets of life:
location, lifestyle, identity, community, and the process of learning;
all of which apply to MICA freshmen. In many cases, the Foundation
Department is one of the first impressions of MICA for first-year
students, and as we all know, a first impression can make or break a
relationship. In this pivotal stage of flux, I feel honored that I have
the opportunity to aid my students in making a successful transition
that will have a lasting effect on their artistic and academic careers
here at MICA.
Q: As a relatively new member of the MICA family, what is your
perception of the MICA creative environment?
A: For me, the MICA creative environment represents an eloquent
and exciting blend of tradition and innovation. As a community, we
hold fast to the principles and core values that helped shape MICA
into the esteemed institution it is today while constantly seeking
out new methods to advance the way we teach, learn, and create.
I experienced this balance of tradition and innovation firsthand in my
department, and secondly with last year’s Art Walk event. Since it
was my first time attending the event, I wasn’t quite sure what to
expect, but I was completely blown away by the variety and caliber
of work produced by the graduating seniors. This event alone can be
viewed as a testament to the dedication and cutting edge practices
of MICA’s creative community.
CH R I ST I N E M AN GAN ARO, PHD
MICA’s graduates are well prepared to serve as catalysts
for societal change, not simply because they have a firm
foundation in artmaking, but also because they understand
the social, cultural, and historical prisms through which
their work will be viewed. Central to that understanding
is work in humanistic studies, which takes students on an
intellectual journey that will inform their artistic voice.
Manganaro notes that one of the most special aspects of
teaching at MICA is a lack of any specialness at all. “I try
to treat them like college students rather than art college
students, which I gather they prefer,” she says.
DR. C HRIST IN E MA N G A N A RO IN H ER OWN WOR D S
Q: What has been your favorite experience teaching at an
art college?
A: It has been very satisfying to guide MICA students as they work
though complicated ideas about racism, imperial activity, difference,
and inequality in the United States, and so forth, and then go assess
sites where these ideas have a public life, such as the museum and the
movies. Last year, I took my History, Memory, and Imagination class
to see 12 Years a Slave at the Charles Theater. We later compared
that film with Django Unchained—a fascinating discussion about
tensions in creative work over historical accuracy and ethical questions
about representation and artistic license.
Q: Why is a good grounding in humanistic studies important for
an art student?
2014 ANNUAL REPORT
–Dr. Christine Manganaro
/
A: Learning about how ideas and social practices have shaped the
world we live in is essential for art students who want to contribute
meaningfully toward reframing persistent ideas or advancing new
ones. Humanistic studies, with its myriad disciplines, offers methods
for answering questions. I’m a historian, so my focus is very much on
the past. I’d argue that the best history is in some way a genealogy of
the present and that the fullest perspective on the current moment is
only accessible through an understanding of the past.
“The fullest
perspective
on the current
moment is
only accessible
through an
understanding
of the past.”
Instructors in MICA’s Humanistic Studies Department
represent an incredibly diverse array of scholars, including
Dr. Christine Manganaro, a historian of science and of the
modern United States with interests in U.S. imperialism,
racial formation, scientific expertise, and the history of the
social sciences, life sciences, and medicine. Her doctoral
dissertation, for which she received a grant from the
National Science Foundation, explores the racial dynamics
in Hawaii and how those crosscurrents contributed to
colonialism and later statehood. She received her PhD in
the history of medicine and the biological sciences at the
University of Minnesota in 2012 and a BA in history from
the University of Puget Sound in 2003.
53
A L L I SO N YASU K AWA
A L L IS O N YAS UK AWA IN HER OW N WO RD S
There have never been more international students who call
MICA their academic home than now. In 2013, MICA hosted
undergraduate and graduate students from 61 countries.
Each student has brought a diverse perspective and cultural
context that enhances the learning environment on campus
and contributes to the informed creativity that has become
the hallmark of a MICA graduate. International students
are a key part of the MICA family, becoming teachers in
their own right as they expose other students and even their
own instructors to new ways of thinking and approaches
to artmaking. These incredibly important members of the
MICA family continue to enable the College to expand its
strategic global view.
Q: Why was it important for you to pursue training in both
art and linguistics?
As talented as MICA’s international students are, they
often need assistance in adjusting to the nuances of
American English and other aspects of life in Baltimore.
Thankfully, undergraduate students have access to
Allison Yasukawa. With an MFA in Studio Arts and a
MA in Teaching English to Speakers of Other Languages
and Applied Linguistics from the University of Illinois at
Chicago, she is uniquely qualified to serve as a guide
for talented art and design students new to America.
She is a full-time faculty member in the Foundation
Department, where she teaches classes that integrate
artmaking with language learning.
Yasukawa’s research in applied linguistics focuses on the
relationship between visual arts practice and language
learning. Her own multidisciplinary work explores themes
of social encounters, the physical body, and the politics and
performance of identity, and has been featured in exhibits
in Washington, DC; Philadelphia; and Chicago. With partner
Adam Farcus, she also runs Lease Agreement, an artist-run
exhibition space in Baltimore’s Waverly neighborhood.
54
A: Art, design, and language share a productive and complementary
overlap because they are vehicles of communication. Quite simply,
language enables us to engage in dialogue to exchange information.
This same ability is also necessary in art and design—while the
medium may be different, the purpose is similar. This overlap means
that instruction in arts-based language teaching has the rare
opportunity for each discipline to reinforce the communicative
practices inherent to the other.
Q: What is your favorite part of working with international
students?
A: Students’ enthusiasm is magnetic. I love sharing in and
bearing witness to students’ curiosity and excitement when they
learn something new, try something out for the first time, or
make unexpected connections.
Q: Why do you think MICA is a good place for international
students to study?
A: At the undergraduate level, MICA offers a unique learning
opportunity that combines art and design learning and language
learning in four Foundation-year classes for students who enter the
college with at least intermediate English level [proficiency]. In these
classes, language instruction is not a separate course of study but
rather integrated into core class content, so that it is directly and
immediately relevant to students’ artistic and academic lives.
Q: What is the most critical aspect of helping international
students have a productive learning experience at MICA?
A: Comprehensive internationalization, which the NAFSA: Association
of International Educators has defined as “a commitment, confirmed
through action, to infuse international and comparative perspectives
throughout the teaching, research, and service missions of higher
education,” is essential for the creation of a productive learning
environment in today’s globally focused world. We have begun to
make inroads into comprehensive internationalization across the
campus. In order to maintain a commitment to the needs of not only
our international students, but all of our students, this work needs
to continue to be a top priority and to receive the attention and
support necessary for relevant and sustained engagement.
“Art, design,
and language
share a
productive and
complementary
overlap
because they
are vehicles of
communication.”
–Allison Yasukawa
SA N G RA M MA J UMDA R IN H IS OWN WOR D S
Q: Given your accomplishments as an exhibiting artist, why do you
devote so much of your time to teaching?
A: Teaching serves two functions for me. For one, it forces me to
clarify my core concerns in my individual courses, which in turn
reinforces my own beliefs about what truly matters to me as an
instructor. Also, I find that I am always learning something new while
I am in ‘teaching’ mode. Whether it is in a Foundation painting course
or working with seniors, I am constantly surprised when a student
discovers an answer that is new and meaningful to him or her. It is
this shared place of discovery and play that keeps me coming back.
Q: What is the secret of your success as such an effective instructor?
A: Most schools I have visited have their share of star students. What
stands out about the students here at MICA is not only their sheer
talent, but also in the overall supportive and caring atmosphere that
they all seem to share. I see this develop early and continue from
freshman year to their last semesters at MICA—in the classroom, in
hallway conversations, and in studio critiques. There is a strange and
surprisingly natural familial nature to this place, which extends beyond
the students to the faculty, staff, and administration as well.
Q: What is the most unique element of the learning environment
at MICA?
A: Well, perhaps the most unique element for me has been the
freedom to develop courses based on ideas that link my studio
practice to my pedagogical interests. It allows for a more fluid,
intuitive, and ultimately more honest and directed approach that
is as generous as it is specific.
2014 ANNUAL REPORT
He brings his broad artistic perspective to MICA, where
he works with a wide range of students in painting and
drawing—from freshmen to post-baccalaureates. The
impact of his work is evidenced by his selection to receive
the MICA Trustees Award for Excellence in Teaching.
Q: How is MICA different from the many other places in which
you have taught or lectured?
/
Talk about global perspectives, and you’re talking about
Sangram Majumdar. Before coming to MICA, Majumdar
had already been around the world. Born in Calcutta, India,
he moved to the United States at a young age, eventually
attending Rhode Island School of Design and Indiana
University. He studied abroad in Rome, Italy, and then
returned on a graduate fellowship to study in Florence.
He has taught and lectured at schools in Wisconsin, Ohio,
New York, New Jersey, and New Hampshire, and abroad
in France and Italy. His own work has been featured in
exhibitions across the United States and in Israel and Japan.
–Sangram Majumdar
SAN G RA M M A J U M DAR
A: I’m not sure if there’s really a secret. I do try to be present fully
when I am teaching, whether it is working one on one in a studio
situation, presenting a lecture, or critiquing student work. I also
think it’s important to create a space where discovery through
experimentation is encouraged, especially where one can move past
his/her tendencies to new territories. I don’t believe in good or bad
paintings as an aesthetic goal. What really matters is the range and
specificity of each student’s concerns, and the questions and dialogue
the work generates.
“It is this
shared place
of discovery
and play that
keeps me
coming back.”
55
D ON OR PROFIL E
ERIC JORDAHL P’17
Eric Jordahl P’17’s son, Caleb, currently a second-year painting major, knew early on that
MICA was the school for him. “MICA was really the only place he wanted to go,” Eric said.
He and his wife, Laura, were also so impressed by the incredible depth and breadth of the
resources available at the College that they not only supported their son’s decision to attend,
but they donated money for scholarships so other artistic students could pursue an art
education at MICA.
Two desires prompted the Jordahls to contribute so generously during the 2014 Annual Fund
campaign. One was to allow promising art students the ability to experience all that MICA
has to offer, and the second was for those students to be able to graduate from MICA without
the heavy burden of paying back student loans. “I think it’s a pretty great use of money to give
somebody with talent the opportunity to pursue that talent without the burden of student
loans,” Eric said. “Laura and I want to give kids an opportunity to participate in what
we feel is a pretty great place.”
“Places like MICA should remain vibrant parts
of the American educational landscape.”
Eric Jordahl P’17
Eric, who is a managing director of Skokie, Illinois-based strategic management consulting
firm Kaufman Hall, is also lending his support to MICA in other ways. He was recently
appointed to the Board of Trustees as a Parent Trustee for which he will serve a one-year
term. “Caleb chose this community because it has elements that he values,” Eric said. “So I
view being involved with MICA as continuing to support him and young people like him.”
As a Board member, Jordahl is also looking forward to working closely with new President
Samuel Hoi to find ways to further raise MICA’s visibility so that others are aware of the benefits
a world-class art education can offer. “The value proposition at MICA is strong, and I think
spreading that news as broadly as possible is really important,” he said.
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2014 ANNUAL REPORT
L EO N A R D P E N G ’ 14 Illustration Lost 4 (left), Lost 2 (top right), Lost 3 (bottom right) digital and graphite
57
S O P H I E M O N O S M I T H ’ 14 Photography Irreversibly Lost: Room with a View digital print
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2014 ANNUAL REPORT
M I C H A E L C H I A R E L L A ’ 14 , C A R O L I N E K A B L E ’ 14 , C I N DY J I A N ’ 1 3, a n d AU ST I N P E P P E L ’ 1 5 Environmental Design Tent wood and fabric
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BEYOND THE SELFIE
MICA’s Millennials give back to others
Millennials—the generation that came into adulthood near the start of the current century—are inventors and
explorers. There are more than 80 million of them, larger than any generation before, and though they are young,
their impact on our culture is already profound. Their ability to quickly embrace and make essential new media and
digital technologies has transformed how people of all ages work, communicate, and play in their day-to-day lives.
Millennials are diverse and connected and advocate strongly for individual rights, and while some are considered
self-obsessed, the reality is far different.
Though they popularized the ‘selfie’, Millennials are far from selfish—and their approach to philanthropy proves it.
According to the 2012 Millennial Impact Report, three-quarters of the Millennials it surveyed made a financial
gift to nonprofit organizations. What’s more, almost as many got involved in personal ways beyond writing out
a check, raising funds on behalf of nonprofits and volunteering their time toward causes they believed in.
This trend can be seen at MICA, where young alumni are not only donating to the College in record numbers,
they are also finding new ways to give back.
60
ER ROL W E B B E R , J R . ’08 (filmmaking), a member of MICA’s Alumni Council and
cinematographer of the Academy Award-winning film Music by Prudence, is a prime
example of this kind of active, young donor who gives both his money and time.
Last March, Webber organized and hosted his second Annual Oscars Baltimore Celebration,
a red-carpet event that celebrated not only film, but also young filmmakers from MICA.
During the event, Webber announced the recipients of his new scholarship, the first of its
kind geared exclusively toward supporting students in the College’s filmmaking program.
In addition, a portion of the proceeds from the event went toward support of the Film
and Video Department.
“It was my way of giving back to an institution that prepared me for my career,”
Webber said. “I got my first scholarship from MICA during my junior year, and that money
was what I put toward buying my first camera to further my film endeavors as an undergraduate. The scholarship was important, but equally as important is the ability to always
do the best work you can. Getting that scholarship helped me do better work, and that
is how I got noticed by [Department of Film and Video Chair] Patrick Wright, and that
is why he recommended that I become involved in the film Music by Prudence shortly after
I graduated. I can say that as a beneficiary of two scholarships at MICA, I understand the
importance of getting as much financial assistance as possible.”
Errol Webber, Jr. ’08
“I got my first scholarship from MICA during my junior year, and that
money was what I put toward buying my first camera to further my film
endeavors as an undergraduate. The scholarship was important, but
equally as important is the ability to always do the best work you can.”
–Errol Webber, Jr. ’08
61
“Attending MICA made me a thinker,
a problem solver, a good public speaker,
an amazing visual artist, and someone
involved in my community. MICA made
me what I am today. Why wouldn’t I
give that back to someone else?”
–Charlotte Albertson ’08
Webber’s mix of giving and hands-on involvement is reflected in the experience of
C HA RLOT T E A L B ERTS O N ’ 0 8 (art history, theory, & criticism). Currently director of
annual giving at Lausanne Collegiate School in Memphis, Tennessee, Albertson formerly
worked as assistant director in the College’s Office of Alumni and Parent Relations, where
she used her personal knowledge about life as a MICA student and alumna to enhance
the experience that parents and fellow alumni had with the College. But before she became
involved on a practical level as a staff member, she was a donor whose experience as a
MICA undergraduate inspired her to give back.
Charlotte Albertson ’08
62
As Albertson explained, “I was very involved as a student in extracurricular activities,
but it wasn’t until I was out of school and working in Boston for an art company that I
understood why it was important for me to get involved in giving to MICA financially.
I remember, vividly, getting a letter from the chair of art history explaining that just a
small gift would allow them to bring in a visiting artist, something that would make a
current student’s experience so much richer. It hit home for me. The whole reason I was
able to attend MICA was because I got a scholarship. Attending MICA made me a thinker,
a problem solver, a good public speaker, an amazing visual artist, and someone involved
in my community. MICA made me what I am today. Why wouldn’t I give that back to
someone else?”
That experience was echoed by J EN N IF ER CA RIN CI ’ 0 5 (general fine arts), who is a
pre-doctoral fellow in teacher development and leadership at the Johns Hopkins University’s
School of Education, and was the Maryland Art Education Association’s 2007 Middle
School Teacher of the Year. She is also a member of the College’s Alumni Council.
A scholarship recipient while at MICA, Carinci did not fully appreciate the importance
of giving back until after her graduation from the College. As she explained, “It wasn’t
until I started working full-time and had to support myself that I fully understood what it
was like to make a conscious choice to invest in someone I never met. I had experienced
the impact of such gifts as a student, but it wasn’t until after graduation that I realized
that I could repay my benefactors by paying it forward.”
2014 ANNUAL REPORT
–Jennifer Carinci ’05
Jennifer Carinci ’05
/
“It is important to me to give back,
even in small ways of both time and money.
The money I received was not owed to me,
nor was it an anonymous gift that fell from
the sky—it was from people like me now
giving to people like me then.”
She added, “MICA gave so much to me, not only in terms of scholarships but in pushing
me out of my comfort zone and developing my creativity. The students and faculty
exposed me to new ways of thinking and made for four of the most interesting years
of my life, an experience I would not trade and couldn’t replicate anywhere else. The
generosity of others allowed me to attend MICA. It is important to me to give back,
even in small ways of both time and money. The money I received was not owed to me,
nor was it an anonymous gift that fell from the sky—it was from people like me now
giving to people like me then.”
63
D ON OR PROFIL E
ROBERT A. ZIMMERMAN ’66
As a former scholarship recipient at MICA, Robert A. Zimmerman ’66 (Interior Design)
understands how life transforming financial support can be. The owner and president of a
floral design and event management firm in Baltimore is committed to transforming the
lives of those who come after him.
Zimmerman has established the Zimmerman Family Scholarship to support students in
MICA’s Architectural Design program. Having no children or younger siblings, he has
committed to leaving his entire estate to MICA. “I want to make it possible for someone
else to have the same opportunity that I had,” he said.
His time at MICA was one of the best times of Zimmerman’s life. At MICA, “I found my
niche in the world to be a professional artist,” he said. His experiences at MICA were also a
big influence on his career. He has worked at the Baltimore Museum of Art and the Walters
Art Museum. In 1989, he was hired to design the inaugural ball for President George H.W.
Bush at the National Building Museum.
Even before he was in the position to give financially, Zimmerman contributed his time,
staying active with MICA through his long-term involvement in events such as Art-a-fare and
ArtWalk. Zimmerman has also dedicated his time by serving on the Alumni Council, which
“was very encouraging because you’re there with a group of people who are all interested in
the same kind of things that I was interested in—the betterment of the school,” he said.
“It’s important for alumni to support the school because if
you delve into the person’s background, there is something
about MICA that influenced their professional career.”
64
Zimmerman is just as committed to working with MICA’s new president, Sammy Hoi, as
he was with former President Fred Lazarus IV. “I think the College’s recognition in the local,
state, national, and international communities gives Sammy Hoi and the rest of us a good
foundation for moving forward,” he said.
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2014 ANNUAL REPORT
S A M A N T H A B LO O M ’ 14 Fiber Intimacy: A Collaboration (top)
K A N G H E E K I M ’ 14 Painting OOps (bottom) mixed media
65
Q I A N F E I WA N G ’ 14 MFA in Curatorial Practice Language +: Let’s Art a Conversation!
66
/
2014 ANNUAL REPORT
A N N A B I TS K AYA ’ 14 Post-Baccalaureate Certificate in Graphic Design
Baltimore Sun Newspaper (top) newsprint
T I F FA N Y S M A L L ’ 14 Post-Baccalaureate Certificate in Graphic Design Untitled (bottom)
DAV I D DA L E ’ 14 Post-Baccalaureate Certificate in Graphic Design Untitled (top)
N I C K E M R I C H ’ 14 Post-Baccalaureate Certificate in Graphic Design
Pine-Sol Brandshift (bottom) plastic bottle, aluminum caps, printed matte labels
67
D ON OR PROFIL E
JAMIE JOHNSON
Jamie Johnson married into the MICA family. Her late husband, William “Bill” Dutterer
’65, ’67 (painting, LeRoy E. Hoffberger School of Painting), was a grateful alumnus who
recognized and deeply appreciated the education he received from MICA. “MICA opened
the world for him,” Johnson said.
Johnson’s first interactions with MICA took place in the mid-1970s. Her role with the
College expanded in the 1990s when she, along with Dutterer, took part in MICA’s efforts
to expand its presence in the New York area.
“Bill’s dedication to MICA ran deep,” Johnson recalled, “to the point that he wanted a sizable
part of our estate to go to MICA.” At his death in 2007, Johnson declared her plan to honor
his wishes in her own will.
Johnson’s initial gift to MICA was in support of the MFA in Curatorial Practice program,
and she will be involved in the upcoming 50th anniversary celebration of the LeRoy E.
Hoffberger School of Painting. She has experienced firsthand the value of curators in today’s
art world. “There are so many artists like Bill Dutterer who do not have the exposure they
deserve,” she said. When he died, Dutterer left behind thousands of pieces of artwork, and
Johnson is determined to make that work available to the public.
Jamie Johnson
MICA’s Curatorial Practice program has helped accomplish her goal. George Ciscle, director
of the program, suggested that Johnson “pitch” the idea as a graduate student thesis project.
Caitlin Tucker-Melvin ’14 accepted the challenge and, with Johnson’s support, created a
major public retrospective of Dutterer’s work that opened in May 2014 in Baltimore.
“My investment in the curatorial program is one of the best
investments I’ve ever made.”
68
Working with the Curatorial Practice students on the exhibition, Johnson was particularly
impressed with how the program encourages them to engage the public—making artwork
accessible to non-artists as well as art professionals. “Curators are increasingly critical in
helping the public understand the value of art in today’s world,” she said.
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2014 ANNUAL REPORT
A N T H O N Y C H E N G ’ 14 Graphic Design Katachi—Your Digital Outfit
B A RT B R O W N ’ 14 Illustration Cutting Through The Park (top),
Assessing The Party (bottom) digital prints
69
L U I S R I VA S ’ 1 5 Fiber HexenHammer
70
S A RA LO ’ 1 6 a n d ST E L L A L E E ’ 1 6 Fiber Neo-Noir
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2014 ANNUAL REPORT
V I N C E N T P U R C E L L ’ 14 MFA in Social Design BOOM!: Unleashing The Creative And Entrepreneurial Potential of Youth in Disinvested Communities
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A RECORD-BREAKING YEAR
MICA has had a long and strong tradition of attracting
philanthropic support from so many members of its
extensive “family”—alumni, parents, friends of the College,
faculty, staff, foundations, corporations, local, state and the
federal government. Yet your collective generosity in the
past giving year (June 1, 2013 to May 31, 2014) surpassed
all previous one-year totals.
The year at MICA was marked by change, celebration,
and anticipation, with the College community recognizing
the remarkable tenure of its longtime, retiring president,
Fred Lazarus IV, while also preparing for the arrival of his
successor, Samuel Hoi. You and so many other wonderfully
loyal and dedicated supporters stepped forward in
unprecedented ways, endorsing through your generosity
the MICA of today—a prestigious art and design educational
center of international repute—while also investing in
exciting new programs and priorities that are destined to
define the College of the future.
Gifts of all types and for all purposes totaled nearly
$18 million in Fiscal Year 2014, a record. Also setting a
new standard was MICA’s Annual Fund, an important
component of overall giving to the College, which topped
more than $3.2 million. These gift totals are truly impressive,
but more important was the impact of those dollars on
the people, programs, facilities, and partners of the College.
Your support helped deserving students come to MICA
and others to be able to stay. Exciting new academic
72
offerings, both undergraduate and graduate, expanded
MICA’s academic reach and clout. Many MICA faculty
were able to have new state-of-the-art “tools” for their
teaching, as well as more professional development
opportunities, enabling them to stay current in the
increasingly technological world that defines contemporary
art and design education. New and renovated campus
facilities—both academic and student-life focused—
enriched the College’s overall learning environment.
MICA also expanded its important commitment to
partnerships with the broader community, both around
the corner and across the world, providing wonderful new
learning opportunities for MICA students while showcasing
the potential and power of the visual arts as agents for
social good. The examples of impact go on and on, but
they share a common theme—none of them could have
occurred without your support.
Many of you said you donated to MICA to recognize and
celebrate its amazing journey to date, as reflected in today’s
MICA. Others, caught up with the exciting potential of
tomorrow, viewed your contributions as investments in
that future. Whatever your motivation, you and your fellow
MICA donors have had a huge impact on the College.
THANK YOU.
You and
your fellow
donors have
had a huge
impact on
the college.
Fiscal Year
Donor Roll
This donor roll lists
all gifts to the College
received during Fiscal
CORNERSTONE SOCIETY
Susan D. Taylor
CARNEGIE SOCIETY
The Aber D. Unger Foundation
All contributors who made gifts
of $25,000 and above
Elizabeth G. Weese
of $15,000–$24,999
Thomas Wilson Sanitarium for
Children of Baltimore
Individuals
Corporations, Foundations,
Government & Other Organizations
Individuals
CORINTHIAN SOCIETY
Anonymous
Anne & Peter A. Brooke P’87
Robert Austrian Estate
The Abell Foundation
Brenda Brown-Rever & Philip Rever
Marcella Louis Brenner W’32, H’01
Estate
Jacob and Hilda Blaustein Foundation
of $5,000–$9,999
Fredye W. & Adam A. Gross P’16
The Lois & Irving Blum Foundation
Mary & Thomas W. Jasek P’11
Eddie C. & C. Sylvia Brown P’02, H’14
Eddie C. & C. Sylvia Brown Family
Foundation
Jamie Johnson W’67
Year 2014, (June 1, 2013–
George L. Bunting, Jr. H’10 &
Anne Bunting
May 31, 2014).
Mary Catherine Bunting
Concordia Foundation
Linda S. & Dennis Cameron
The Robert W. Deutsch Foundation
Fay Martin Chandler ’67
France-Merrick Foundation
Betty Cooke ’46, H’14 &
William O. Steinmetz ’50, H’14
Jacques and Natasha Gelman Foundation
Ben & Zelda Cohen Charitable Foundation
S.B. Cooper ’72 & R. L. Besson
M. Gwen Davidson
Rosalee ’60 & Richard Davison
Rosetta & Mathias J. DeVito
The John J. Leidy Foundation, Inc.
Lois Blum Feinblatt
The M&T Charitable Foundation
John G. Ford, Jr. ’60 & Berthe H. Ford
Maryland Governor’s Office on Service
& Volunteerism
McMillan Stewart Foundation
Joseph & Harvey Meyerhoff Family
Charitable Funds
Lindsay M. Higgins
Robin S. Higgins
Isabella S. Kerns/Carol Bahlke
Holmes Trust
Wendy Myerberg Jachman
Morris Louis Art Trust
Alvin & Louise Myerberg Family
Foundation
National Endowment for the Arts
David L.’61 & Diana L. Jacobs
The Charles and Dana Nearburg
Foundation
Allison H. Keenan
Jonathan T. Lipitz
Kelly S. & Mark A. Townsend
Vanessa W. Lam & Douglas S. Tsui
P’12, ’14
Government &
Other Organizations
Nina L. & John D. Richardson
Nancy R. & John W. Sasser
Mary M. Swann ’86
CENTENNIAL SOCIETY
of $10,000–$14,999
Individuals
Pod T. & Farid B. Amin
Karin Banks ’84
Rita & Richard O. Berndt
Mary J. & James D. Miller
T. Rowe Price Associates Foundation
Julia D. & Robert L. Pierson
Mary-Ann Pinkard & Walter D. Pinkard, Jr.
Lenore G. Tawney Foundation
Meghan M. ’95 & Brian ’93 Martel
Michel L. Modell ’07,’10
Elizabeth K. Moser
Sheila K. Riggs & Richard C. Riggs, Jr.
Dorothy L. Wolman & Paul C. Wolman III
John J. Roberts W’39, ’40
Alvin and Fanny B. Thalheimer
Foundation
Annette Rubin Estate & Joseph Rubin
Emily Hall Tremaine Foundation
The Evergreen House Foundation
Elaine L. & Robert W. Schaefer
Windgate Foundation
Hecht-Levi Foundation
Karen R. Schaefer
Fred Lazarus, Jr. Foundation
Evelyn D. Schroedl ’40, W’55
The Toby Fund
H – H O N O RA RY D EG R E E R EC I P I E N T
* – D EC E A S E D
Government &
Other Organizations
The Charlesmead Foundation
Harry L. Gladding Foundation
Paul Kasmin Gallery
The Municipal Art Society
The P&G Fund
The Lawrence Sanders Foundation
2014 ANNUAL REPORT
Charles E. Nearburg P’07
Sandra Levi Gerstung
Jamie A. Snead & Steve G. Ziger
/
The Rouse Company Foundation
Surdna Foundation
Sybil Hebb & Donald B. Hebb, Jr.
Roberta Polevoy Fund
Laura & Eric A. Jordahl P’17
THE STORE LTD
Joan M. E. Gaither
Anne S. Perkins
Henry and Ruth Blaustein Rosenberg
Foundation
Jennifer Myerberg
Maggi W. ’69 & Jules DeBaecke
PNC Bank
Jane Brown
Ruth Carol Fund
Christopher P. D’Anna
Amy Elias & Richard L. Pearlstone
Dorothy L. and Henry A. Rosenberg, Jr.
Foundation
Nancy Ann MonteSanto ’50 Estate
Jane Daniels
The Maryland State Arts Council
Isabel H. Klots Estate
Rheda Becker & Robert E. Meyerhoff H’94
Robin G. & George H. Dalsheimer
Lockhart Vaughan Foundation, Inc.
Parks & People Foundation
Neil & Sayra Meyerhoff
Erin P. Cauble
Barbara L. Himmelrich &
Samuel K. Himmelrich, Sr.
Anna K. & Daniel J. Klein
Regina Derwin Lofland ’62 Estate
Jeffrey G. & Nancy H. Bunting
Brenda Brown Rever and Lipitz Siblings
Foundation
Peter W. ’87 & Ruth Brooke
Trafford P. Klots Estate
Helen L. & J. Daniel Brede P’09
Lynn & Anthony W. Deering
David ’66 & JoAnn Hayden
W – W I D O W/ E R
The Judith R. Hoffberger Family
Foundation
The Philip E. & Harriet J. Klein
Foundation
Alice Falvey Greif & Roger L. Greif
P - PA R E N T/S
The Winifred M. Gordon ’28 Foundation
Fred Lazarus IV & Jonna G. Lazarus
Individuals
73
PRESIDENT’S SOCIETY
of $2,500–$4,999
Individuals
The Paul and Emily Singer Family
Foundation
Laura L. ’98 & Brian P. Hatcher
Barbara Coleman White
Joseph M. Hejl, Jr.
Donna S. & George S. Wiedemann P’13
Southeast Community Development
Corporation
Frank Hyder ’72
Privarte Inc./Yares Art Projects
Will Ameringer
Patricia & Thomas C. Barry
LUCAS SOCIETY
Nathalie C. & Michael S. Beatty
Theresa Lynch Bedoya
of $1,000-$2,499
Jim Burger ’82
Individuals
Karen L. Carroll
Mary & Daniel F. Dent
Ellen C. & David M. Fineman P’13
Susan J. & Todd A. Harvey
Nancy H. Hulse
Lynn & Ross Jones
J U N E 201 3
Shana Hoehn ’13 (painting),
Adejoke Tugbiyele ’13
(Rinehart School of
Sculpture), and Aaron
Chung ’13 (painting)
are awarded a Fulbright
Study/Research Grant for
the 2013-2014 year. The
U.S. Department of State’s
Bureau of Educational and
Cultural Affairs is providing
these three alumni the
opportunity to travel to
their prospective countries
to expand research in
their chosen fields.
Janice & Harold L. Adams P’92
Chul Hyun Ahn ’02
Karen Klockner &
Frederick Alexander P’14
Ria A. Jacob ’69 & Paul F. Jacob III
Adalman Goodwin Foundation
Lisa Reich & L. Robert Johnson P’00
AlternateROOTS
Patricia & Mark K. Joseph
The Art Seminar Group
Claire F. Larkin ’88 & David A. Graham
Suzanne Levin-Lapides ’69
Association of Independent Colleges
of Art and Design
Dawn M. & Gary O. Lewis
The Baltimore Museum Of Art
Barbara Z. ’78 & M. Ronald Lipman
Baltimore Watercolor Society
Ellen Lupton & J. Abbott Miller
Campbell Communications
Jennifer A. Lynch
The Eliasberg Family Foundation
Eleanor & David Macedonia P’03
Louis H. Gross Foundation
Amy Macht & George Grose
Hoffberger Family Philanthropies
Kathrin B. & Douglas E. Mattox P’11
Frank Hyder Studios
Randy & Lynn Kiefer
Raymond V. Allen & Irena S.M.
Makarushka
David C. Maril
Phyllis C. Bachand ’92
John L. McShane
Innovative Security Systems
Michael McGinnis
Ellen & Edward C. Bernard
Marilyn S. Meyerhoff
Leonor & Marc P. Blum
Joann Abbene-Meagley &
Paul Meagley P’13
Ensign C. Markland Kelly, Jr. Memorial
Foundation
David Mirvish
Aurelia G. & Perry J. Bolton
Mark E. Milani ’95
The Dr. Frank C. Marino Foundation
Michael R. Molla
David B. Brewster ’86
Susie Molfino P’00, ’01
Meagley Machinery
Anna P. Moore
Nancy A. & Byron W. Cain P’15
Marian & Brian Nash
The Joseph Mullan Company
Marc B. Porter
Deborah W. Callard
Pearl Works of Maryland
Stacey R. ’01 & Robert A. ’83 Salazar
Carolyn M. Campbell ’72
Joan C. Netherwood ’77 &
Paul H. Netherwood, Jr.
Bodil Ottesen
C. William Schneidereith
Constance R. Caplan
REG Architects
Jean R. Sifel P’13
Linda & Mark Caplan
Sheila S. & Lawrence C. Pakula
Jacob S. Shapiro Foundation
Linda H. & Stanley I. Panitz
Emily S. & Paul N. Singer
Katherine M. Chapman
Shelter Community Enrichment
Foundation
Alison Welch
George J. Ciscle
Alfred P. Pendleton P’16
Towers Watson
Suzanne F. Cohen
Robert J. Proutt
Penelope G. & Peter S. West P’06
Ziger/Snead Architects
Dennis Yares
Stiles T. Colwill
Robin W. & Larry P. Radin P’13
Sallie Fraenkel Zuch &
Michael E. Zuch P’08
Barbara H. ’91 & Louis Denrich
Richard F. Detorie, Jr. ’74
Hildegard & Richard A. Eliasberg
Deborah B. ’84 & Philip English
The American Council on Italian
Matters of Maryland
Ronald E. ’64 & Fran Fidler
Ameringer McEnery Yohe
Beatty Harvey Coco Architects
Virginia K. Adams &
Neal M. Friedlander, M.D.
Leo Burnett Company
Ann M. Garfinkle & Joseph Brent
Christie’s
Daniel C. Gilbert ’81 & William Wernick
DF Dent & Co., Inc.
Bill Gilmore & Ted Frankel
The Ivy Bookshop
Kibebe Gizaw
The Kiefer Foundation
Karen M. & Rick E. Gonzalez P’14
Korean Alumni Association
Hilda P. Goodwin
The Herman Maril Foundation
Marjorie K. Greenebaum ’48
David Mirvish Gallery
Marguerite Mullan Greenman
Mnuchin Gallery
Wendy G. Griswold & Benjamin H.
Griswold IV
Ripley’s Believe it or Not!
74
Anonymous
Harriet S. Iglehart
Susan & Michael R. Franco
Proutt Consulting, LLC
Jane Baum Rodbell
Carla H. ’73 & Edward Rosenzweig
SPONSORS
Amalie Rothschild
Debra L. ’92 & Joe Rubino
of $500-$999
Mihaela A. Savu ’13
Individuals
Carol A. Schreter
Anonymous
Barbara K. & Sigmund M. Shapiro
Alexander C. Baer
Robert A. Shelton
Doreen Bolger
Marian L. Smith
Judith Burton
Creta S. ’53 & H. Randall Smouse, Sr.
Robert T. Cashman
Anne R. ’66 & Anthony South
Robyn Chadwick ’75
Mark Stempel ’90
Eileen S. Clegg
Alan J. ’12 & Judith Tapper
Marian & Beverley C. Compton
Katherine Merle-Smith Thomas ’42, W’52
Gregory P. Comstock ’75
Michael P. Thornton P’05
Sandra I. & Leslie J. Croland P’16
Juan L. Vargas
Ted ’70 & Rebecca Crosby
Marguerite M. VillaSanta
Diane H. & Darl Davidson P’13,’14
Sara B. & Greg Warren
Robert V. P. ’62 & Janice M. Davis
Mary Carol ’62 & Roger Davis
Pearl F. & Erwin P. Staller P’75
Jay M. Fisher
Claire L. Sarubin ’50
Michael S. Derby
Katherine K. Strauss
Joan R. ’61 & Howard Friedel
Lorraine & J. Mark Schapiro
Carolyn S. & E. Stephen Derby
Angel M. Terol
Edie H. & James R. Garrett
Karen L. & Kevin R. Schultz P’16
Alliance Mailing, Inc.
Nancy L. Dorman & Stanley G.
Mazaroff
Richard A. Trail
Naomi L. Gerber P’09
Barbara T. Shaffer ’95
Alpha Graphics
Anna A. Wu & George A. Truskey P’13
Hilry Gordon ’71, ’73
G. Gregory Smearman ’82
Brown Advisory
Tierra A. Dorsey
Caroline R. & Daniel N. Tyson P’16
David Gracyalny
Jan E. Staller ’75
Charm City Fleet Maintenance
Peter Dubeau ’83
Susan & David Valle
Karen G. Greengard
Patricia A. Turc
Chesapeake Plywood
Elizabeth S. & J. Sanford Dugan
Raymond E. Veon ’00
Toni & Jack Griswold
Jeanne Markel & Chris Wedge P’06
Arthur & Isadora Dellheim Foundation, Inc.
Sarah Ann Robinson & Athanasios C.
Felonis P’14
David T. Whittie
Patricia A. Hahn
Michelle J. Wilkinson
Feather Foundation
Carolyn Stratford Younce
Barr Harris Estate
W. James Wilson, Jr. ’75
Greystone Farm
Martha B. Head & John A. Feagin
Eileen & Stephen Wood P’13
Martha and Howard Head Fund, Inc.
Heidi K. & William H. Henson P’04
Justine M. Woolner-Wise ’77
The Helmand Restaurant
Bernard T. Ferrari
Martha V. & Gordon H. Glenn
Diane Pappas & Larry Goldstein
American Bedding Manufacturing
Sandra S. & Robert S. Hilllman
Christine & James D. Wright
Hotel Brexton
Nancy Grossman
BlueRock Productions
Gina B. & Daniel B. Hirschhorn
Judith G. & M. Richard Wyman
Creative Print Group
Deborah L. & Paul Young-Hyman
Johns Hopkins University School
of Medicine
Ina C. Helrich
Susan K. Weaver & Eric A. Isaacson P’16
LeRoy E. Hoffberger H’12
Ferrari Consultancy
Ann S. & Sanford G. Jacobson
Penney Hubbard & A. C. Hubbard, Jr.
Nancy & Maurice Lazarus Fund
Andrea M. & Christopher Jahnle P’14
Allan W. Isaacson ’70
Middle Atlantic Needlework Retailers
Association
Jacque B. & Norman A. Jones P’13
Ober | Kaler
Frances M. & John J. Keenan
Ruth Shaw, Inc.
Carroll H. Kehne, Jr. ’60 & Donna Kehne
Simpson of Maryland
Scott G. Kelly ’87
Wendy C. Gamble & Carl A. Kuehn P’12
Yin Zhang & Raymond Jian P’13
Kyle Staver & Thomas Klitgaard P’15
Tracy A. Lambros ’88, ’01 &
William C. Backstrom
Jill Lazarus Eurich & Donald Eurich
Carole Harmel & Arthur P. Lerner P’16
Lorie C. Kim ’05
of $250-$499
Martin J. Kotler ’76
Individuals
Vicki McComas ’78 & Daniel A. Kuc ’74
Ann P. Adams ’71
Marcie C. McHale ’89
Teri Alexander & Tedd M. Alexander III
Anne W. Miller
Patricia Marsh Anderson ’89 &
Kenneth Anderson
Raymond E. Mitchener
Triad Mechanical Services
Patricia Homer &
Randall LaLonde P’03, ’04
William L. S. Landes III
Richard M. Lansburgh*
E. Ray Leppo ’58
Carlton L. ’71 & Carolyn Leverette
Renée Levine-Packer & Arnold H. Packer
Elizabeth H. Balthis ’53
Peter C. ’80 & Lina L. Liebhold
James F. Blue III & John M. Rowell
& Family
Gary A. Marcus ’65, ’70
Francine & James T. Brady
Madolin Maxey ’70
Wayne G. Ching
Joyce N. & Hugh P. McCormick III
Clarkson N. Crolius ’71 & Victoria Nolan
Ann L. Meader & George A. Te* P’13
Jessica C. Damen ’01
Paula & Merle L. Metcalf P’14
Isadora & Arthur F. Dellheim
Sherri R. & Arthur I. Miller
Jean & Gerard K. Dittrich P’14
Eileen & John Nack P’84
Kathryn A. & Ronald M. Shapiro
Daniel N. Dudrow ’67 & Miriam
Travieso
Emil W. ’76 & Charlotte Naschinski
Reesey ’64, ’66 & David Shaw
Lydia & Charlie Duff
Carolyn & John W. Snow
Ellender V. Edwards ’58*
Sandra R. Sparks ’72
Doris A. Zografos &
Howard M. Eisenberg
Linda O’Brien
Mimi J. Oritsky ’75
Mary P. Padgett
Margaret B. & Rodolfo N. Perez
J. Davidson “Dusty” Porter
Robert J. Rolleston ’14
Dana L. Sanner
William F. Schmidt ’71
Claudia Sennett ’66 & Douglas A. Kelso
Kathryn L. Partrick P’15
Anne B. & Roger G. Powell P’07
Tamara & Bill Pullman
AU G U ST 2013
MICA alumnus Jonathan Latiano ’12 (Mount Royal School of
Art) is among the winners of the 2013 Mary Sawyers Baker
Prize. Latiano’s work as an installation artist secured him the
award in which he was granted a $25,000 prize.
Anne & Kenneth H. Ross P’05
John Emden
Lori Neikirk
/
Craig ’72 & Sarah Richardson
Beverly M. & Jordan L. Max
2014 ANNUAL REPORT
David Apaw
The Three Arts Club of Homeland
Patricia M. & Qayum Karzai
PAT R O N S
Sarah & Henry R. Lord
P - PA R E N T/S
ServiceMaster of Baltimore
Julie & Charles P. H. Kernan
Carol Lazarus & Paul F. Donovan
Amy L. Charleroy ’00 &
A. Holly W. Sphar ’01
Raytheon Company
William L. Kinter Estate
Leonard Paper Company
75
Alison W. & David L. Bennett P’04
Randall Dervishi P’09
Susan & Peter Greif
Alexandria P. Berger
Nancy B. ’74 & John A. DeVierno
Shirley A. Gromen ’76
Bruce P. Betz
Carol & Mark DeZutti P’14
Susan M. Groseclose ’81
Valerie F. Binder ’72
Robert E. Diercks ’67
Rosemary E. Grubb ’68
Mary Jane Blaustein
Laura L. Doane
Nancy H. ’70 & Joseph Gurganus
Dorothy L. Poole & Thomas C. Block P’17
Imogene Drummond ’83
Nadine M. Gussio
Brenda J. Bodian
Milton Dubrov ’43
Gail A. Gutierrez ’02
Catherine & John Bogus P’98
Chester A. Duke, Jr. W’49
Nancy G. & Richard A. Guzzo P’11
Christopher L. Bohaska
Beth K. Dunkelberger ’93
Kristine Smets & Michael Booth
Dale W. Dusman ’70
E. Victoria Hamilton & Robert B.
Hamilton III P’11
Hana & Eyal Bor
Wendy S. Ehrlich ’75
David W. Hamilton ’62
Dorothy Boyce
Bobbie J. & Ernest Els P’15
Sandy G. & Samuel C. Hamilton
Margaret P. & Walter W. Brewster
Kay E. ’76 & Charles Engman
Jane R. Hammond
Barbara & Edward J. Brody
Ellen P. Erb P’15
Blairton S. Hampton
Cynthia J. Brower ’74
Fatima A. Fakhro ’82, ’87
Maria A. Hampton
Julie K. Brown ’80
Eleanor Lobe Fax ’41
Peggy & Alberto Bustamante P’99
Joan S. & Paul D. Feldman
E. Anne Hanger ’74, ’77 & Robert C.
Craycroft
Carolyn L. Cambor P’17
Lori M. Ferrara ’98
G. Alexander Carden
Anne C. Mastrangelo ’77 &
Aaron S. Fink ’77, P’08
Eleanor & Anthony M. Carey
AU GUST 201 3
Lloyd S. Cargile ’60
MICA celebrates the opening of Leake Hall, a new residence
hall in the College’s newly renovated residential complex,
Founders Green Residential Complex (formerly The Commons).
Built due to recent historic growth levels, Leake Hall is located
in Bolton Hill, with one side occupying a large portion of
North Avenue. The new building increases the Founders Green
complex from 99 to 161 units and expands accommodations
from 350 to 590 students.
Jennifer E. Carinci ’05
Narda F. ’83 & Rodney W. ’83 Carroll
Carolyn Case ’97
Elvira R. Causey ’63, ’81
Kathleen M. ’72 & Conrad M. ’70 Chaney
Eun Joo & Ray B. Chang P’15
Leslie Itano & William J. Chang P’15
Jane Wattenberg & J. Samuel Chase P’09
Dwayne K. Christian ’85
Megan B. & Rocky D. Cintron
Carlton L. Clark II P’07
Elizabeth C. & Jonathan E. Clark
A S S O C I AT E S
June & Carlos J. Arias P’16
Reba K. & Arnold G. Cohen
of $100-$249
M. Anastasia Arnold
Elliot I. Cohen ’77
Lisa T. Redell & James H. Ashford P’16
David E. ’67 & Jennifer Conn
Dorothy S. & Frederic B. Askin
Hilary Cosell P’08
Barbara H. & Marvin K. Aycock, Jr.
Dana S. Costello
Terry E. Bachmann ’77 & Robert Roth
Annet Couwenberg
Gloria Bailey
Barbara J. Cowie
Keiko O. & Jeffrey A. Bailey P’06
Sita & Peter W. Culman
Anne Bailliere & Thomas H. G. Bailliere, Jr.
Donna M. Curtis
Patricia A. Baker
Margaret & Francis Cusack P’01
Cynthia L. & Gregg A. Baran P’16
Paul M. DelBosque ’04
Mary W. Barton ’47
John Demirjian
William Bell P’92
Joanne E. & Andrew H. Deranger
Kerrie L. Bellisario ’92
Michael R. ’74 & Judy Derbyshire
Individuals
Anonymous (2)
Mary M. & Peter C. Agre P’08
Charlotte J. Albertson ’09
Kathleen Alessi P’09
Bonnie C. Allan ’88
Eleanor R. Allen
Nancy C. Amis ’06
Dorothy M. Anderson P’67
Mildred B. ’60 & Marvin Anderson
Dolores M. Andrew ’82
76
Craig A. Hankin ’79
Marilyn & Rodney T. Hara P’07
Robert Harrison ’93
Kathleen S. & William W.
Fitchett, Jr. P’15
Barbara M. Hathaway
Jennie & Stephen J. Fitzkee P’00
Renee & Harris Hayman P’97
Jo Fleming ’79
Ric ’68 & Lorraine Haynes
Stanley R. Flint ’69
Ann M. Heether ’62
Barbara L. Flye P’03
Mara Held P’08
John M. Freeman
Patricia C. & David W. Fried
Patricia L. G. Hellman ’94 & James S.
Hellman, Jr.
William F. Fritz
Kathy & Glenn H. Helme
Anne A. Fullenkamp ’97
Susan R. & James E. Hernandez P’17
Lisa D. Gaines P’09
Sally & David A. Hess
Norma I. Galinn ’75
Sandra & Thomas B. Hess
Debbie & Edward Galloway P’13
Suzanne P. Hill
Karen A. ’67 & Francis W. Gastel
Thomas R. Hobbs
Michael D. ’79 & Julie Gentile
Louise P. Hoblitzell & Alan P. Hoblitzell, Jr.
Joseph Gerlak ’76
Joan McH. Hoblitzell
Dolores H. E. Glass ’51
Julie A. & Alan J. Hochman P’17
Ruth & Patrick Goldschmidt P’12
Yumi K. ’08 & Lawrence J. Hogan, Jr.
Marilyn Milkman & Adam Gordon
Anne W. & Donald H. Hooker
Bernice Gordon
Genya & Samuel B. Hopkins
Jaimy M. Gordon
Brockett Horne
Linda & F. Spencer Gordon
Kerr Houston
Rachel V. Ruth & Paul F. Gorgen P’08
Monty & Stephen S. Howard
Ronald A. Goudreau
Courtney Iglehart
Alisha N. Green
Cindy Intorre
Joyce Ann Burman & David L. Greif II
Christino Jackson, Sr.
Nanette Greif & Irvin Greif, Jr.
Elissa L. ’90 & Joseph D. Jacobs
Noreen & Todd Havecotte P’13
Brooks Johnson, Jr. ’76
Aycan & Michael J. Jones P’17
Daisy C. McTighe ’70, ’75, P’07
David P. Rigby P’08
Clytie W. ’71 & Robert Taylor
Michelle M. Jordahl
Sherman S. Merrill
Samuel S. ’78 & Barbara Robinson
Juliet A. Eurich & Louis B. Thalheimer
Shana R. Kaplow ’87
Kristen A. Messer
Linda & Zelig Robinson
Suzanna C. Thieblot
Harriett & Kenneth A. Katzen
Sally J. Michel
Mary C. Roche
Toni-Lyn Keller
Pamela J. Miller & Carl W. Miller II P’11
Cathy A. Case & Robert K. Rodweller
Sally G. Thomas & B. Marvin
Thomas III P’90
Sandra L. Paul & Stanley Kogan
Beth A. & David B. Miller P’14,’15
Carol A. & Alonzo S. Rogers
Estrella M. & James A. Thomas P’14
Robert A. Kolinski ’89
Sally & Decatur H. Miller
Allen W. Rohlfing
Julie A. & Martin D. Townsend
Yael R. ’90 & Adam D. Konowe
Karen C. Miller
Jill M. & Ryan G. Rommel P’12
Barbara R. Treasure
G. Priscilla Kossoy ’82
Thomas W. Miller ’70
Susan & William E. Mitchell
Supannika Rongsopa ’84 &
Louis Klaitman
Barbara J. & William C. Trimble
Kathleen G. Kotarba ’75 & Michael A.
Kotarba ’76
David G. Mock
Robin Rose & Judith A. Penski
James L. Tucker, Jr.
Patricia E. Kreger ’08, P’08
Janet E. Mongan ’70, ’77
Betty & Burton Rosen
Ruth S. Uhrig ’39
Kari L. Kuehn ’12
Allen D. & Eugenia E. Moore P’14
Gloria M. Sandler ’62
Sharyn R. VanSant ’66
Barbara A. Sacks-Kully ’55
Sandra M. Moore P’08
Lois S. Sandler
Anne G. Vintes
Mary Ann Lambros ’63, P’88, ’01
Judith W. & Charles Morgan
Marjorie M. Sandy
Mary Anne & Eric Walters P’12
Virginia & Earl E. Laue P’02
Stacey S. ’82 & Gordon Moriarty
Paul S. Sarbanes
Joyce & Thomas Ward
Mary C. & Jon A. Lehrmann P’15
Allyson Mott ’83
Anita B. ’65 & David A. Scheiwe
Wyrot M. Ward
Roberta Phillips Leimkuhler ’63
Marcia & Charles Moylan
Shelley G. & Mark A. Schimelman P’04
Patricia & John R. Leith-Tetrault
Mary & John J. Mulhern P’94
Catherine J. Shelley ’70, P’03
Ann L. Waters & Herbert F.
Waters III P’11
Beatrice L. Levi
Kathleen Lynch-Mussen &
Dan Mussen P’02
Leslie Sheppard
Susan Waters-Eller ’72, ’78, ’98
Sally Tucker-Levy & Robert Levy P’14
Audra C. Shuler W’74
A. L. Shreve Waxter, Jr. ’78
Karen M. Watkins & Paul M. Lewis P’10
Grazia & Marc Narkus-Kramer P’00
Carole & Hanan Sibel
Maureen A. & Michael E. Weiss ’96
Jean W. & Rogers L. Lewis
Hirsilda & Joseph Nazario P’90
Tammra ’65 & Arnold Sigler
Betty Childs Wells ’48
Giselle N. Lewis-Archibald ’05, ’07, ’09
& Wayne A. Archibald
Elizabeth D. Neale & R. Lee Neale, Sr. P’16
Casey Kurtti & Christopher G. Silva P’13
Elmer J. White III
Danielle L. Nekimken ’92
Betty Williams
Orlando G. Leyba, Jr. ’87, ’89 &
Kelly Leyba
Susan Newbold
V. Donna Simmonds & Frank H.
Simmonds III P’07
Chang Soon Oh ’66
Marley M. ’75 & Amy Simon
William J. Wilson, Jr. ’58
Sandy & Timothy Oh P’17
Judith D. Simons ’69, ’05
Daniel R. Woodhead P’89
Kathryn & Ralph A. Oliva P’14
Jacob Simpson
Toni P. & Stuart B. Young
Kathy & Peter L. Ostermiller P’10
Michael A. Sizer
Ann ’99, ’03 & Joel Zaiman
Margaret A. ’78 & David Owens
Wendy Smith ’96
Clair Zamoiski Segal & Thomas Segal
Margaret & Bradley L. Pahmier P’02
Nancy B. ’64 & Wesley Smith ’62, ’64
Sherry & Jeffrey Zukoff
Yvette E. & Michael K. Panasowich P’11
Mary T. Snead & John E. Snead, Jr.
P’05, ’08
Peter A. London
Dianne N. & Thomas A. Loper P’06
Patsy A. Lowe
Therese & Donald Lundy P’10
Deborah & Michael P. Lynch P’02
David F. ’75 & Linda P. Mack
Nancy & Bruce Paris P’00
Theodore H. Mack
Jill & Alfred Sommer
Jin-Young K. Park P’14
Ann & Clark F. MacKenzie
Cheryl K. ’70 & Leo F. Partridge
Louise D. & Morton J. Macks
Pamela A. Stevens
Dorothy C. & Aubrey Pearre
Betty B. Stickell ’62, ’63
Diane C. Peterson &
Max R. Peterson II P’13, ’14
Katharine Madzelan ’78
Laurence G. Stillpass
Michael Maguire
Tamara S. Plant
Zvezdana R. Stojmirovic ’05, ’07
James L. Mahon P’14
Brigitta L. Postma ’80 & Kevin Gudridge
Elizabeth J. Strippy ’80
Linda Serabian & Peter Maratta P’13
Elizabeth Prongas ’77
Sandra S. Strock ’68
Nancy G. Marmion & William H.
Marmion, Jr. P’14
Mark Provost
John B. Sutton ’63
Frances Y. Swietlicki ’62
Sharona E. Gamliel ’74 &
Richard C. Martinkus ’74
Jonas R. Rappeport
Monica M. ’95 & Darius Rastegar
Judy & Steve Swytak P’03
Rita D. McCarn ’83
Andra V. Richardson
Judith H. Taft P’12
Myong S. & Mark McTague P’03
Nicholas S. Richardson ’12
Coralea J. & William M. Tarlton P’15
P - PA R E N T/S
407 North Paca, LLC
Creative Services
FTI Group
Global Impact
Hirsch Electric
Mudd, Harrison & Burch
The Pitney Bowes Foundation
Polytek Development Corporation
Michael Runk Plumbing & Heating
Strock Design
Valley Craftsmen Ltd.
Five MICA students
receive the FranceMerrick Community Art
and Service Fellowships:
Isabella Gonzalez ’14
(interdisciplinary
sculpture), Karyn Lao ’15
(fiber), Luis Arboleda ’15
(painting), Kimberly
Meistrell ’15 (graphic
design), Amelia Hutchison
’15 (general fine arts)
and Estelle Kline ’15
(photography).
2014 ANNUAL REPORT
Laverne P. & Reginald M. Madden
Harman A. Sterner ’61
OCTOBER 2013
/
Catherine S. & Donald H. MacMurray
Michael D. Patton ’91
Cassandra & David A. Spector
Charles A. Williams P’15
Kevin Scott Lohr ’92
Edith A. Trout
77
CONTRIBUTORS
Richard B. Billy ’72
Shandi R. Chester ’14
Alexandra D. DeStefano ’14
Carol Y. Franklin
of up to $100
Frederick Block
La’Tasha D. & Kenneth J. Chiosi P’15
Peter B. ’69 & Judith Devries
Deborah L. & James R. Frantz
Samantha A. Bloom ’14
Lucy Chittenden ’78
Soumya Dhulekar ’14
Paula C. Frazier & Eric J. Frazier, Jr. P’14
J. Edward Bollinger, Jr. ’67
George K. ’60 & Helen Chlada
Millie ’55 & Paul DiBlasi
Renee S. Frazier & Ricky Frazier, Sr.
Gail Beck Boren ’85, P’14
Christy M. Chong ’14
Yolande A. & Walter S. Dickerson
Paulette & John E. Bork P’95
Carl F. Christ
Dianne ’86 & Paul ’84 Dion
Evelyn D. Frederick &
Benedict J. Frederick, Jr.
Susan Bornstein ’80
Cecily Y. Christian & Cecil G. Christian, Jr.
Nehemiah Dixon III ’14
Carol ’86 & Douglas Frost
David Borucki ’83
Kathleen & James W. Churns P’08
Katherine E. Doherty ’14
Ida B. Fuell ’71, ’73
Lindsay A. Bottos-Sewell ’14
Natalie R. Cimbol ’55
Sharon & Alan S. Dorenfeld
Martin D. Gallegos
Mary S. Bowerman ’49
D. June Clawson ’43
Helene P. Dorf
Joanne L. Galvin
Sandra J. Klemuk &
Richard D. Braun, Jr. P’12
Phyllis L. Clements & Joel P.
Clements P’94, ’01
Chester E. Dorsey, Jr
M. Nayeli Garcia Mowbray
Adele & James Dowell P’02
Claire W. Geary ’14
Anne Bliss ’76 & John A. Brecht ’74
Elizabeth G. & David M. Clough P’11
Jean T. Dowling ’70
John F. Breen ’69
David W. Cloutier ’05
Evelyn H. Doxzon ’44
Lawrence A. Geisendaffer, Jr. ’60 &
Rita N. Geisendaffer
Marjorie L. Brennan
Henry C. Coe ’72
Marcella Drula ’71
Margaret C. Brier-Lyons ’77
Lester Cohen
Anne S. Dugan
Rachel E. Briggs ’14
Aaminah Cole ’14
Ronald Dunaway ’84
Jean Brinton-Jaecks ’72 & Harry Jaecks
MaryElise Collier ’14
Barbara B. Dungee Bentley
Samantha L. Brodowski ’14
Janet H. ’86 & Patrick Connelly
Lynn A. Dunton P’15
J. Huey Brown ’44
James W. Constable
Barbara A. & Myron A. Dutterer
Judy A. Brown P’13
Elizabeth Cooke-King ’73
Dawn P. Dwyer
Trena T. Brown
Jennifer M. Copeland ’07
Sandra L. & Joseph C. Dyson P’13
Lucy W. Browne ’76
Ellen J. Corddry ’79 & Laurence Langan
Phyllis Eakin
Thomas R. Bruce ’14
Cynthia M. Courter ’84
Sharlana F. Edgell ’69
Kent T. Bruggeman P’16
Gary A. Cousin ’88
John D. Ehlers, Jr. ’08
Edie M. ’82 & Richard D. Buchanan
Margaret & Kenneth Cox P’98, ’07
Margaret R. & Morris E. Eldridge
Ronnie Buerger
Peggy Craft
Wanda E. & Rickey A. Eldridge
George V. Bullough ’76
Japheth D. Crawford ’14
Catherine A. Elias ’14
Zoe K. Burke ’14
Emily A. Cucalon ’14
Laura Elliott
Marian R. & Arthur Bushel
William Culen ’81
Simeon J. Ellis ’14
Elizabeth I. Buxbaum ’53
Katherine M. Cusack ’01
Hayley C. Evans ’15
Justine A. Cady ’14
George Dabols ’64
Ruth M. Evosevich ’97
Alexandra A. Caivano ’14
Emily C. Dahl ’14
John F. Fahey, Jr.
Patricia B. Caldwell
Sabina V. & Scot A. Dahl P’14
Carol Fairchild-Nugent ’72
Aurora S. Capone-Soll ’82 & Michael
S. Soll
Kathleen & Bernard D’Andrea P’88
MacDonald W. Falby ’15
Dorothy L. D’Anna ’76
Rosalyn A. Carlos ’14
Katie Faulstich
Penelope M. & Ronald Davidoff P’13
Eleanore R. Carlson ’14
Lorraine Fedder ’71
Tania D’Avignon ’64
Helen Day Carter ’41
Karen Feliz ’14
Rachael Davis ’14
Candice L. & Robert D. Carter P’06
Ashley R. Ferebee ’14
Stephen M. Day ’71
Delaney A. Cate ’14
Brigitte V. ’77 & Nicholas B. Fessenden
Kenneth R. DeBusk ’63
Stanley S. Gumnit ’55, ’60 & Elinor
Reamer
Gwen G. & William K. Chalmers
B. A. Fisher ’86
Kenneth C. Deily, Sr. ’53, ’73 &
Margaret Deily
Mary Ellen Gunther ’66
Lucille Browne Chamberlain ’50
Lindsay & Bruce Fleming
Nancy J. Hagin
Shirley J. Chan ’14
Janelle A. Delicata ’75
Victoria I. Foltz ’67
Jessica A. Chen ’14
David S. Deluty ’14
Robin A. Foster ’15
Edward F. Hainke, Jr. ’59 &
Elizabeth M. Hainke
Juliana H. S. Chen ’14
Lisa K. Deng
Sally L. Foster
Zita & Lawrence Halka P’03
Craig M. Chesek ’85
Mary Lou Dennison W’50
Joseph & Karen Fowler P’01
Laverna H. Hall
Evelyn P. McClarry & Sterling N. France
Ernestine R. Hampton
Individuals
Anonymous (2)
Jenny L. Acosta ’14
Deborah A. Adams ’80
Joanne L. Adleberg
Michael O. Ajayi ’14
Colin K. Alexander ’14
Erika E. Alexander ’14
Kathy L. ’74 & Howard Allman
Sara J. Allred ’10
Laura S. Alper ’75
Kelly P. Andrews ’81
Nancy E. Andrews ’84
Olga Androsik ’14
Sharon A. Berkowitz & Ross G.
Angilella P’15
Jeanne W. Antosiewicz P’98
Evelyn M. Apichella ’55, ’71
Danute E. Armstrong ’57
Esther Armstrong
Sarah B. Arnold ’73
Fairinda L. Atkinson ’50
Man Yi Au ’14
Anton N. Auth ’14
Norma Axel
Emily R. Bach ’14
Susan S. Badder
Allan Baillie ’70
David Baker
Mary F. Baker ’46
Douglas K. Baldwin
Richard T. Barber
Sarah Z. Barnes
Donna M. & Peter H. Barnum P’06
Claire P. Barrett ’14
Nancy D. & George B. Barrick
Sasha C. Baskin ’14
Aaron J. Bauman ’14
Sarah G. & Thomas W. Beall
Barbara C. Beaulieu ’94
Rosemary M. & John R. Beever
Peggie J. Bessicks &
Lamont D. Bessicks, Sr.
Linda C. Bills & Stephen Dallmus
78
Frances L. Gerety ’71
Turner S. Gillespie ’14
Maia M. Gillet ’14
Mary R. & Owen W. Gilman P’09
Eleni C. Giorgos ’11
Jane & Michael Glick
Patricia & Joseph Gonzalez P’07
Kathryn Goodling P’10
Lillian L. Gorak ’74
Sandra B. Gordon
Patricia Gottemoeller
Elsie D. Grant ’93
Ellen G. & Stephen N. Gray P’07
Howard Greenberg ’69
Diana Ramsay & Michael Greene
Christina C. Greer ’15
Tammy J. & James M. Griffin
Sabra L. & S. Butler Grimes P’07
Douglas Grimm
Jon W. Grose
Sherrie S. & Anthony D. Groshong P’10
Jackson M. Grove ’14
Magdalena ’57 & Helmut Guenschel
Aleksandra Gulan ’96
Anne H. Gummerson ’75
O. Kenneth Hankins ’66
Hana L. Jakobs ’14
Mary G. Kundrat P’85
Andrea Mastroeni ’14
Thomas Novachek ’71
Lucas D. Haroldsen ’14
M. Joanne Janowiak ’62
Brandon P. Matthews
Anna L. Oberfeld ’14
James M. L. Harper ’14
Ron J. Janowich ’72
Michelle L. La Perrière ’89 &
Stuart Abarbanel ’76
Richard C. O’Connell, Jr. ’55, ’58
Anne & Kevin Harper P’14
Dorothy H. Janzen ’76
Adam M. LaFon ’14
Melita B. Maxwell ’65 &
Edward L. Maxwell II
Sheila F. Harrington ’75
Paul Jaskunas
Marisa S. LaGuardia ’14
Katherine Mazikins ’14
Christina H. M. Oh ’14
Norma L. Harris
Marcus I. Johnson ’06
Silja L. Lahtinen-Talikka ’86
John L. McCall ’86
Koya Oneda ’14
Lee Harrison
Kellen S. Johnston ’15
Ariana G. P. Lamb ’14
Scarlett McCalman ’14
Maire W. O’Neill ’09
Joan S. Hash & Bert J. Hash, Jr.
Sona K. & William R. Johnston
Sarah Landon
Sally M. McCann ’74
Elizabeth E. O’Rear ’14
Ann & Walter Hatke P’06
Anne H. Jones ’62, ’73
Marilyn Lauducci ’85
Robin B. McCondichie ’81
Jerome J. Hausman
Henry T. ’63, ’69 & Elizabeth C. Jones
Josette C. & Michael Law P’12
Sara J. & Robert G. McCurdy P’11
Jacqueline M. O’Ragan ’85 &
David A. Verchomin ’84
Carleton W. Hayek ’60
Estella C. & William T. Jones
Isabella E. Lawlor ’14
Nancy McDole
Lyn K. Ostrov ’76, ’79
Mengyi He ’14
Kathe D. Kaczmarzyk ’14
Jennifer E. Layzer ’97
Kathryn McDonnell ’98
Erica L. Ostrowski ’15
Megan S. Heckmann ’14
Robin Kamphaus
Stanley R. Leatherman ’65
Desmond ’93 & Jennifer McFarlane
Marjorie W. & S. Kaufman Ottenheimer
Tanya M. Heidrich ’14
Lori & Joel S. Kantziper
Bong Mee Lee ’11
M. Dorothy West McGinnes ’50
Patricia R. & David G. Owen P’95
Christopher S. Heinlen ’14
Kathleen Kaplan
Raymond P. Lee ’74
Amanda B. McMicken ’14
Judith ’65 & Richard M. ’65 Owens
Colleen T. Helie ’14
Paula M. & Stephan A. Kaplan
Carolyn S. & Stanford M. Lembeck P’90
Martha J. Heller & Brian McPartlon P’14
Daniel R. Pagan ’14
Maria & Samuel Hendrick P’03
Paul Kasda
Matteo T. Leser ’14
Regina ’83 & Warren ’83 Mejo
Haley Palmore ’15
Ashley H. Hendrix ’14
Nancy & David Katz
Rebekah R. Levy ’14
Jennifer T. Merriman ’81, ’94
Judith E. Paris & Jeannine M. Baker
Jane S. Hennegar ’47
Rosemary H. & George M. Keiser
Jessica A. Lewis ’14
Micki G. ’72 & Ellis Mez
Nathan J. Pasko ’14
Elias Hess
Beth T. & Robert W. Kenselaar P’07
Emma L. Li ’14
Peter G. Michos P’04
Sara E. Payne ’14
Sue L. Hess
Janet Eileen Kerchner ’78
Hilde Li
Carol M. Midboe
Jennifer E. Pepper ’87
Clara J. Hickman ’14
Mya V. Kerner ’11
Sonia F. Liao ’14
Lindsay A. Miller ’14
Lauren A. Percz ’14
Miriam R. Hipsh P’16
Thomas D.E. Kilian ’14
Megan E. Liggett ’14
Kacie M. Mills ’14
Gabriela Farina ’14
Randall A. Hoel ’79
Jennifer J. Kim ’14
Janet & William Liggett P’14, ’15
Lila R. Mitchell ’14
Laura Liberman & David Perlman P’14
Adrienne Z. Hoffman ’89
John T. Kim ’14
Elizabeth M. Lilly ’14
Isobel A. T. Modica ’14
Nina B. Perlman ’14
Jay D. Hoffman ’02
Catherine B. King ’48
Warren Linn & Patricia Allen P’14
Laurie M. & Craig E. Moloney P ’14
Charles D. Perzynski ’69
James A. ’53, ’69 & Patricia Holechek P’77
Leslie King-Hammond & José Mapily
Judith A. Morrison ’74 & Roger W. Lipska
Leah G. Moloney ’14
Linda J. Petrush ’64, ’85
Marika E. Holmes ’11
Lillian I. Kirk ’14
Sylvia Little
Sophie H. Monosmith ’14
Lydia B. Pettit ’14
Fran Holt ’86
Rosanne Skirble & Daniel Klein P’12
Jennifer M. Littleton ’94
Ian M. Moore ’14
Norma P. Phelan
Richard E. Honn ’74
Carole L. ’89 & Michael Knezevich
Ruth M. Lock ’46
Sophie F. Moore ’14
Sarah J. Philips ’14
Nanette & Martin Horan P’13
Edrie B. Knight ’47
Roslyn & Charles Lucas
Theone L. Moore ’67, ’76
Margaret & Larry Phillips P’10, ’11
Kim Howard
Gary E. Koeppel ’75 & Anastasia Vassos
Bernadine R. ’67 & Wayne C. ’63 Lucas
M. Larry ’66 & Joan C. Morgan
Elizabeth R. & Edward L. Pinnes
Gabrielle Howitz ’14
Sorah Korenberg
Erin M. Lux ’14
Gregg L. Morris ’75
Giller L. Plaks ’14
Elaine M. Hunt
Valrie R. Kosh
Carol Parssinen & Robert Lux P’14
Phyllis A. Plattner
Lauren Hurd-Loran ’76
Kimberly J. & Stuart A. Kossover P’16
Randall Lyhus ’79
Darlene Y. Morrison & M. Kenneth
Morrison II
Christopher J. Hurley ’13
Sheila Hoffman & George Kostritsky
Jared L. Lynch ’14
Margaret Morrison
Mitchell ’51 & Evelyn Pollack
Janice A. Krach ’74
Lucie A. MacArthur ’14
Charles Mortensen ’70
Patricia S. Hurline ’66
Anita M. Poloway ’81
/
Geryld J. Huxsoll ’75
Carolyn T. Rush ’63 & David A. Kramer ’69
Katherine P. MacDonald ’14
Lori M. & Timothy J. Murtagh P’11
Emma A. Popp ’14
Cynthia M. Hypki
Miriam & Irving Kramer
Marria C. Nakhoda ’14
Leslie S. ’81 & David Portney
Zack Ingram ’14
Esther C. Krasevac
Frances Mackey ’66 & David
Youngstrom P’99
Linda & Joseph P. Napora
Brittany R. Powell ’07
Alexander Innocenti ’14
Connie & Dale Nesbary
Sarah L. Poynton
James ’96 & Lauren Inzero
Patricia Frisella &
Emmanuel Krasner P’09
Jeanie & Thomas H. Maddux IV
Katherine Mahon ’14
Louis Neumann P’93
Ashley R. Pratt ’14
Lindsay D. Iredale ’14
Susan P. Krieger ’65, ’74
Harry C. Maistros ’66, ’72
M. Cecilia Neville
Judith L. Proffitt ’76
Lana D. Jackson ’96
Beverly L. & Stephen G. Krizan
Trudy ’67 & Gabriel ’67 Major
Linda B. Newton ’03
Zandra & Stephen Quartner
Mary M. Jacobs ’47
Frona L. & Allan J. Kroopnick
Louise Marks ’81
Christopher A. Nguyen ’14
Claire M. Quigley P’12
Karen & Marc Jaffe P’13
Susan E. Kubo P’16
Matthew W. Marshall
Gihea Nho ’15
Kathleen Moore Radcliffe ’77
Jessica M. Jahnle ’14
Jolie S. Kumin ’15
Julia C. Marvel ’14
Phyllis Nimeroff ’73
Melody & Jeffrey Ragle P’12
Jonathan R. Polikowski ’00
2014 ANNUAL REPORT
P - PA R E N T/S
Achsah S. O’Donovan
79
80
Isabelle C. & M. Robert Rappaport
Andrew D. Scotti ’14
Samantha M. Stewart ’14
Elizabeth H. Wagenheim
Diane F. Raspi ’85 & Jonathan Foote
Erik P. Scully P’05
Gloria D. Stokes
Angela M. Walker ’14
Christine B. & Barry J. Recht P’09
Christine Seese ’96
Jonathan M. Stollberg ’14
Michael J. Walley-Rund
Wiley H. Bates Legacy Center
Janine & Matthew Redka P’11
Seungyeon Seo ’14
Conor Strait ’14
Emma L. & Curtis R. Warren
Biologics
Jane P. & Ronald Reifler
Fiona E. Sergeant ’14
Katherine Hannaford & Peter Stryker P’11
Jabari M. Weathers ’14
Braun Marketing
Fran K. & John R. Renard P’15
Kathryn A. Setzler ’14
Laurie J. & Peter A. Stubb
Judy A. & Ralph H. Weidel
Judy Brown Enterprises
Beverly B. Ress ’83 & Richard Stack
Nancy Sexton ’48
Raven & Steven W. Studer P’15
Brian G. Weinstein
The GiveCorps Foundation
D. Peter Rex P’02
Cara J. Shaffer
Karen Stults
Richard J. Weiss ’76, ’80
Anne Gummerson Photography
Alexander Reyes ’14
Daniel H. Shaffer ’14
Merle W. Sturm ’46
Austen M. Weitzel ’14
IBM Corporation
Kathleen M. Reynolds ’12
Amanda E. Shaver ’14
Jacqueline M. Sullavan ’89
Julia R. Wells ’11
Morgan Stanley
Louise L. Reynolds ’90
Carolyn R. Shayte ’14
Joseph C. Sullivan
Yun Tien Wen ’14
Paul’s Painting & Lead Tech Servicing
Jacqueline M. Riccio ’14
Karen T. Shea ’14
Bridget M. Sunderlin ’84
Inga West ’06
PNC Foundation
Mariel E. Rich ’14
Mark A. ’89 & Shauna Shepersky
Florian K. Svitak ’65, ’74
Margaret F. & Phillip H. Wetzler
The Sanibel School
Katherine G. Rickman ’95, ’96
& Tanda J. Moyer
Diane C. & Thomas H. Sherlock
Lindy M. Swan ’14
Elsie B. ‘86 & William Whitman
Spectrum Creative, LLC
Veta C. Sherman ’14
Susan L. Swiatek ’86
Karen Wiedman P’07, ’08
The Black & Decker Corporation
Evelyn R. Riesett ’49
Drew E. Shiflett ’78 & Moses V. Chao
Nathan W. Tamaki ’14
Hannah E. Williams ’14
Tri Design Ltd.
Faith H. ’61 & Francis G. Riggs
Jacqueline B. & Westley Sholes
Julie E. & Vincent Tamburro P’13
Mark A. Williams ’14
The Xerox Foundation
Mariska K. Rivera ’15
Joy O. & Steven J. Sibel
Emily Tarsell ’80
Meredith A. Williams ’05
Jennifer-Rose Rizzo ’14
Julieta & Eric Siegel P’08, 09
Harold M. Taylor ’66
Lynn G. & Michael G. Williams
Jan Z. ’59 & Joan Robins
Margo M. Sikes ’14
Jeanie U. & Richard W. Teare
Caroline J. Williamson ’77
Dennis L. Robinson ’80
Carole R. Silver ’84
Maria J. Theron ’14
Elizabeth S. & Charles R. Wilson
Matthew C. Rockefeller ’14
Lynn Silverman
Carolyn M. Thomas
Theresa A. Wilson P’05
Sylvia L. Rogers
Claire D. Simanski ’68
Matthew Thomas ’92
Martin J. Winder ’77, ’79
Shelby N. Rosabal ’14
Frank H. Simmonds IV ’07
Chezia B. Thompson
Mark Winicov ’04
Morris Rosen ’57
Amanda E. Simonds ’15
Mary L. Thompson ’52
Diana E. Witt ’75
Babette H. Rosenberg
Phillip H. ’75 & Mary Sims
Mikela A. Thrasher ’14
Stewart M. Wolff
Constance O. ’54 & Philip Rosenthal
Annette Z. Singer ’38
Margaret B. Tierney
Alison Wai-Yin Wong ’04
Hazeline M. Ross
Pauline A. Siple ’78, ’84
Clara J. Timme ’99
Ayssa L.Woods
Olga S. Rosser ’45
Katrina M. Slavik ’14
Elizabeth & William Tisdale P’01
Margaret & W. M. Cary Woodward
Elaine Roussos ’73
Robert H. Slonitz
Ashley S. Tisdale-Eggert ’01
Nancy S. Wright
Melanie T. Ruston ’14
Rhea Sluchan ’74
Donna Tivald P’09
Rachel L. Yalisove ’14
Nancy L. Saarlas
Bruce M. Smith
Nancy & James E. Tooley P’10
Kathleen E. & Duane J. Yard P’11
Janet S. ’80 & Albert G. Salter
Diane & George Smith P’06
Samuel Turner
Eileen S. Yoffe
Sondra G. Sarles ’68
Karen G. & Howard J. Smith, Jr. P’04
George Tussing
Sung Wook Yoo ’14
Ann W. & David M. Saunders
Malik Smith ’14
Emily M. ’51 & John C. Ulrich P’78
James Zablosky, Sr.
Barbara J. & Frederick F. Sauter P’01
Bonnie J. E. Smith ’74
Thomas G. VanHorn P’03
Judy Zagozen ’73 & Timothy Long
Angela & Harold M. Sauter P’15
Yancey B. Snavely ’14
Valerie G. Vernon ’14
Noelle C. Zeltzman ’67, P’03
Oscar I. Schabb
Stanley E. Somers ’80
Paul F. ’74 & Mary Vicino
Bernadine M. Zienkiewicz ’73, ’82
Linda Scher P’10
Robert D. Soto ’14
Yolanda & David Vigil P’07
Corey J. Zimmer ’15
Roger J. Schilling
William G. Spitler ’15
Deborah Vitkova ’90
Agnes Zuberecz ’12
Rachel A. Schimelman ’04
Hannah A. Spitz ’14
Denise & Vincent Vitollo P’12
David A. Zuccarini ’75
Kelsey C. Schneider ’14
Roberta Staats P’15
John A. Viverette ’56
Elinor Zuch
Kikora & Daniel Schroeder P’17
Alethia B. & William C. Starke
Eliza Vlasova ’14
Frank E. Schultz ’69
Aaron S. Starkey ’14
Barbara Von Harten
John C. ’68 & Gwyneth Schunk
Jeanne T. Stephenson
James W. Voshell ’65
Carole & Fred Schwab
Kallie L. Sternburgh ’11
Cari & Jim Vota P’10
Marjorie Scott ’90
Rhiann H. G. Stewart ’14
Angela L. & Hung D. Vu P’10
D EC EM BER 2013
MICA’s Center for
Design Practice, an
inter-disciplinary, social
design studio dedicated
to preparing the next
generation of creative
changemakers, is selected
as a winner of the
2014 Ashoka U - Cordes
Innovation Award in
recognition of its
innovative work to
address complex social
problems through design.
photo: Mike Weikert
ALUMNI GIVING
BY CLASS YEAR
M. Dorothy West McGinnes*
John G. Ford, Jr.
Florian K. Svitak
Ria A. Jacob
Claire L. Sarubin
Lawrence A. Geisendaffer, Jr.
James W. Voshell
David A. Kramer
1938
1951
Annette Z. Singer
Mitchell Pollack
1939
Ruth S. Uhrig
Carleton W. Hayek
Carroll H. Kehne, Jr.
Emily M. Ulrich P’78
Joan R. Friedel
David Hayden
David Jacobs
Patricia S. Hurline
Helen R. Normile
Frances Mackey P’99
Faith H. Riggs
Harry C. Maistros
Harman A. Sterner
M. Larry Morgan
1970
Claudia Sennett
Allan Baillie
Chang Soon Oh
Conrad M. Chaney
Anne R. South
Pamela R. Cole
Harold M. Taylor
Frederick T. Crosby
Sharyn R. VanSant
Jean T. Dowling
Robert A. Zimmerman
Dale W. Dusman
1953
Helen D. Carter
1962
Elizabeth H. Balthis
Eleanor Lobe Fax
Robert V. P. Davis
Elizabeth I. Buxbaum
1942
Katherine Merle-Smith Thomas W’52
Mary C. Davis
James A. Holechek P’77
David W. Hamilton
Carolyn T. Rush
Ann M. Heether
D. June Clawson
1954
Anne H. Jones
1967
Constance O. Rosenthal
Regina Derwin Lofland
J. Edward Bollinger, Jr.
1944
Tylden W. Streett P’77
Gloria M. Sandler
Fay Martin Chandler
J. Huey Brown
1955
Wesley Smith
David E. Conn
Natalie R. Cimbol
Frances Y. Swietlicki
Robert E. Diercks
Evelyn H. Doxzon
M. Joanne Janowiak
1945
Millie DiBlasi
1963
Olga S. Rosser
Stanley S. Gumnit
Elvira R. Causey
1946
Betty Cooke
Ruth M. Lock
Merle W. Sturm
1947
Barbara A. Sacks-Kully
Kenneth R. DeBusk
Richard C. O’Connell, Jr.
Henry T. Jones
1956
Mary Ann Lambros P’88, ‘01
Shirley E. Lippy
Roberta Phillips Leimkuhler
John A. Viverette
Wayne C. Lucas
Mary F. Baker
1957
Mary W. Barton
Danute E. Armstrong
Jane S. Hennegar
Magdalena Guenschel
Mary M. Jacobs
Morris Rosen
Edrie B. Knight
1958
Ellender V. Edwards*
Marjorie K. Greenebaum
E. Ray Leppo
Catherine B. King
William J. Wilson, Jr.
Nancy R. Sexton
1959
Betty C. Wells
John B. Sutton
Robert S. Tarleton
1964
George Dabols
Tania D’Avignon
Ronald E. Fidler
Linda J. Petrush
Reesey Shaw
Nancy B. Smith
Edward F. Hainke, Jr.
1965
1949
Patsy A. Lowe
Mary S. Bowerman
Jan Z. Robins
Evelyn R. Riesett
1960
Melita B. Maxwell
1950
Mildred B. Anderson
Judith B. Owens
Fairinda L. Atkinson
Lloyd S. Cargile
Richard M. Owens
Lucille Browne Chamberlain
George K. Chlada
Anita B. Scheiwe
Stanley R. Leatherman
Gary A. Marcus
Rosalee Davison
P - PA R E N T/S
Tammra Sigler
Victoria I. Foltz
Karen A. Gastel
Lee Harrison
Sigrid H. Trumpy
William N. Wilson
Nancy H. Gurganus
Allan W. Isaacson
Madolin Maxey
Daisy C. McTighe P’07
Hilry Gordon
Deborah F. Hellman
Thomas W. Miller
Janet E. Mongan
Charles Mortensen
Cheryl K. Partridge
Catherine J. Shelley P’03
Bernadine R. Lucas
1971
Gabriel Major
Ann P. Adams
Trudy Major
Evelyn M. Apichella
Theone L. Moore
Clarkson N. Crolius
Elaine Roussos
Stephen M. Day
Noelle C. Zeltzman P’03
Marcella Drula
1968
Rosemary E. Grubb
Woody Gruber
Richard D. Haynes
Sondra G. Sarles
John C. Schunk
Claire D. Simanski
Lorraine Fedder
Ida B. Fuell
Frances L. Gerety
Betsey Heuisler
Carlton L. Leverette
Richard A. Muller
1969
Clarkson N. Victoria Nolan
John F. Breen
Thomas Novachek
Maggi W. DeBaecke
William F. Schmidt
Peter B. Devries
Clytie W. Taylor
Sharlana F. Edgell
John F. Fahey, Jr.
Stanley R. Flint
James A. Holechek
1972
2014 ANNUAL REPORT
1948
Betty B. Stickell
Daniel N. Dudrow
Frank E. Schultz
/
Creta S. Smouse
Charles D. Perzynski
1943
Milton Dubrov
Dennis M. Lutz
O. Kenneth Hankins
Mary L. Thompson
1941
Suzanne Levin-Lapides
1961
Nelson H. Adlin
Evelyn D. Schroedel W’55
Mary Ellen Gunther
James T. Lawrence
William O. Steinmetz
1952
1940
1966
Richard B. Bily
Valerie F. Binder
Jean Brinton-Jaecks
81
Carolyn M. Campbell
Gregory P. Comstock
1978
1982
Dianne M. Dion
Kathleen M. Chaney
Wendy S. Ehrlich
Lucy Chittenden
Dolores M. Andrew
Barbara A. Fisher
Henry C. Coe
Norma I. Galinn
Gary D. Ehlers
Edie M. Buchanan
Carol M. Frost
S.B. Cooper
Anne H. Gummerson
Conrad D. Johnson
Jim Burger
Frances M. Holt
Carol L. Fairchild-Nugent
Sheila F. Harrington
Barbara Z. Lipman
Aurora S. Capone-Soll
Silja L. Lahtinen-Talikka
Frank J. Hyder
Helene P. Haviland
Randall L. Lyhus
Fatima A. Fakhro
John L. McCall
Ron J. Janowich
Geryld J. Huxsoll
Katharine A. Madzelan
G. Priscilla Kossoy
Mary M. Swan
Carroll D. Lewis
Gary E. Koeppel
Vicki McComas
Stacey S. Moriarty
Susan L. Swiatek
Micki G. Mez
Kathleen G. Kotarba
Margaret A. Owens
G. Gregory Smearman
Elsie B. Whitman
Craig Richardson
David F. Mack
Samuel S. Robinson
Sandra R. Sparks
Gregg L. Morris
Drew E. Shiflett
Susan Waters-Eller
Mimi J. Oritsky
Pauline A. Siple
Marley M. Simon
A. L. Shreve Waxter, Jr.
1973
Sarah B. Arnold
Elizabeth Cooke-King
Kenneth C. Deily, Sr.
Hugh J. Merrill
Phyllis R. Nimeroff
Jan E. Staller
W. James Wilson, Jr.
Diana E. Witt
David A. Zuccarini
1987
Patricia B. Bernstein
Peter W. Brooke
David Borucki
Shana R. Kaplow
1979
Narda F. Carroll
Scott G. Kelly
Ellen J. Corddry
Rodney W. Carroll
Jennifer E. Pepper
Jo L. Fleming
Imogene Drummond
Felicia M. Zannino-Baker
Michael D. Gentile
Peter Dubeau
Craig A. Hankin
Rita D. McCarn
1976
Randall A. Hoel
Regina Mejo
Judy Zagozen
Stuart Abarbanel
Janet E. Kerchner
Warren Mejo
Bernadine M. Zienkiewicz
Anne Bliss P’03
Jeny L. Abrantes
Kathy L. Allman
John A. Brecht P’03
Cynthia J. Brower
Michael R. Derbyshire
Richard F. Detorie, Jr.
Nancy B. DeVierno
Sharona E. Gamliel
Lillian L. Gorak
E. Anne Hanger
Richard E. Honn
Janice A. Krach
Daniel A. Kuc
Lucy W. Browne
George V. Bullough
Dorothy L. D’Anna
Kay E. Engman
Joseph Gerlak
Shirley A. Gromen
Lauren Hurd-Loran
Dorothy H. Janzen
Brooks Johnson, Jr.
Michael A. Kotarba
Martin J. Kotler
Emil W. Naschinski
Lyn K. Ostrov
Judith Lehman Proffitt
Raymond P. Lee
1977
Richard C. Martinkus
Terry E. Bachmann
Sally M. McCann
Margaret C. Brier-Lyons
Judith A. Morrison
Elliot I. Cohen
Rhea Sluchan
Joan C. Netherwood
Bonnie J. E. Smith-May
Elizabeth L. Parks
Paul F. Vicino
Elizabeth Prongas
1975
Laura S. Alper
Rhona R. Beitler
Robyn Chadwick
Kathleen M. Radcliffe
Caroline J. Williamson
Martin J. Winder
Justine M. Woolner-Wise
Mary Ann Yazzie
Stacy Arnold
Carla H. Rosenzweig
1974
82
Phillip H. & Mary Sims
1983
1980
Susan Bornstein
Julie J. Brown
Kathryn J. Burke
Allyson Mott
Beverly B. Ress
1988
Bonnie C. Allan
Ellen P. Bozyan
Gary A. Cousin
Claire F. Larkin
Robert A. Salazar
1989
James W. Taylor
Patricia Marsh Anderson
Adrienne Z. Hoffman
William E. Cullen
1984
William B. Haas
Nancy E. Andrews
Laura Liberatore Szweda
Karin Banks
Peter C. Liebhold
Cynthia M. Courter
Brigitta L. Postma
Paul A. Dion
Dennis L. Robinson
Ronald J. Dunaway
Janet S. Salter
Deborah B. English
Stanley E. Somers
Supannika Rongsopa
Elizabeth J. Strippy
Carole R. Silver
1990
Emily Tarsell
Bridget M. Sunderlin
Elissa L. Jacobs
Richard J. Weiss
David A. Verchomin
Yael R. Konowe
1981
1985
Kelly P. Andrews
Gail Beck Boren P’14, ‘15
Daniel C. Gilbert
Craig M. Chesek
Susan M. Groseclose
Dwayne K. Christian
Louise Marks
Marilyn Lauducci
Christopher A. Mathias
Jacqueline M. O’Regan
1991
Robin B. McCondichie
Diane F. Raspi
Barbara H. Denrich
Jennifer T. Merriman
Anita M. Poloway
Leslie S. Portney
1986
David B. Brewster
Kara L. Brook
Janet H. Connelly P’18
Carole L. Knezevich
Robert A. Kolinski
Michelle L. La Perrière
Orlando G. Leyba, Jr.
Marcie C. McHale
Mark A. Shepersky
Lyndie Vantine
Pamela D. Potenza
Louise L. Reynolds
Marjorie Scott
Mark Stempel
Deborah Vitkova
Susan L. Miltenberger
Michael D. Patton
Barbara J. Schnell
1992
1999
2007
Cynthia M. Ahlstrom
Clara J. Timme
Jennifer M. Copeland
Phyllis C. Bachand
Kerrie L. Bellisario
Kathleen F. Kreul
Brittany R. Powell
2000
Frank H. Simmonds IV
Amy L. Charleroy
Jane A. Walsh
James P. Lipovac
Kevin Scott Lohr
Danielle L. Nekimken
Debra L. Rubino
Matthew Thomas
Jonathan R. Polikowski
2008
Raymond E. Veon
Grace M. D’Amico
Alexander E. Wissel
John D. Ehlers, Jr.
Yumi K. Hogan
2001
Nancy E. Vieira
Patricia E. Kreger P’08
Katherine M. Cusack
1993
Beth K. Dunkelberger
Elsie D. Grant
R. Dwayne Harrison
Brian Martel
Tracy A. Lambros
2009
Ann-Marie Lyddane
Charlotte J. Albertson
Stacey R. Salazar
Giselle N. Lewis-Archibald
A. Holly W. Sphar
Maire W. O’Neill
Ashley S. Tisdale-Eggert
1994
Marilyn B. Bates
Barbara C. Beaulieu
Patricia L. G. Hellman
1995
Meghan M. Martel
Mark E. Milani
Monica M. Rastegar
Sara J. Allred
Chul Hyun Ahn
Daniel A. Almeida
Phaedra M. Byrd
Alexandra L. Kanik
Gail A. Gutierrez
Jeffrey D. Kent
Jay D. Hoffman
Michel L. Modell
2003
2011
Linda B. Newton
Eleni C. Giorgos
Ann S. Zaiman
Benjamin D. Hock
Katherine G. Rickman
2004
Barbara T. Shaffer
Hannah Close
Marika E. Holmes
Mya V. Kerner
Bong Mee Lee
Paul M. DelBosque
1996
Jie Hye Lee
Rachel A. Schimelman
Aleksandra Gulan
Janna M. Morton
Judith D. Simons
James Inzero
Kallie L. Sternburgh
Alison Wai-Yin Wong
Lana D. Jackson
Julia R. Wells
Mark Winicov
Wendy J. Smith
2012
2005
Michael E. Weiss
Colin W. Dunn
Jennifer E. Carinci
1997
Michelle I. Gomez
David W. Cloutier
Carolyn Case
Jennifer E. Layzer
Christine M. Seese
1998
Michael W. Anthony
Lori M. Ferrara
Laura LeBrun Hatcher
Kathleen M. Reynolds
Judith D. Simons
Nicholas S. Richardson
Zvezdana R. Stojmirovic
Shanti P. Rittgers
Meredith A. Williams
Alan J. Tapper
2006
Bryan M. Wolkin
Nancy C. Amis
Agnes Zuberecz
Marcus I. Johnson
Inga West
Kathryn McDonnell
P - PA R E N T/S
2014 ANNUAL REPORT
Anne A. Fullenkamp
Aperture Foundation and MICA announced the formation
of a new educational collaboration that will bring
Aperture artist workshops and lectures to the MICA campus
in Baltimore and a new MICA Summer Internship program
to Aperture Foundation in New York. The new partnership
is designed to enrich the BFA in Photography Department
curriculum at MICA. Funding for this program has generously
been provided by S. B. Cooper ’72 (photography) and
R. L. Besson through the Cooper/Besson Fund, Inc.
/
Ruth M. Evosevich
Kari L. Kuehn
Lorie C. Kim
F EBRUA RY 2014
Jennifer M. Littleton
2010
2002
83
2013
Maia M. Gillet
Leah G. Moloney
Samantha M. Stewart
Christopher J. Hurley
Jackson M. Grove
Sophie H. Monosmith
Jonathan M. Stollberg
Mihaela A. Savu
Lucas D. Haroldsen
Ian M. Moore
Conor Strait
James M. L. Harper
Sophie F. Moore
Lindy M. Swan
Mengyi He
Marria C. Nakhoda
Nathan W. Tamaki
Megan S. Heckmann
Christopher A. Nguyen
Maria J. Theron
Tanya M. Heidrich
Anna L. Oberfeld
Mikela A. Thrasher
Christopher S. Heinlen
Christina H. M. Oh
Valerie G. Vernon
Colleen T. Helie
Koya Oneda
Eliza Vlasova
Ashley H. Hendrix
Elizabeth E. O’Rear
Angela M. Walker
Clara J. Hickman
Daniel R. Pagan
Jabari M. Weathers
Gabrielle Howitz
Nathan J. Pasko
Austen M. Weitzel
Zack Ingram
Sara E. Payne
Yun Tien Wen
Alexander Innocenti
Lauren A. Percz
Hannah E. Williams
Lindsay D. Iredale
Gabriela F. Pérez
Mark A. Williams
Jessica M. Jahnle
Nina B. Perlman
Rachel L. Yalisove
Hana L. Jakobs
Lydia B. Pettit
Sung Wook Yoo
A PR IL 2014
Kathe D. Kaczmarzyk
Sarah J. Philips
Thomas D.E. Kilian
Giller L. Plaks
2015
Jennifer J. Kim
Emma A. Popp
John T. Kim
Ashley R. Pratt
Lillian I. Kirk
Alexander Reyes
Adam M. LaFon
Jacqueline M. Riccio
Marisa S. LaGuardia
Mariel E. Rich
Ariana G. P. Lamb
Jennifer-Rose Rizzo
Isabella E. Lawlor
Matthew C. Rockefeller
Matteo T. Leser
Robert J. Rolleston
Rebekah R. Levy
Shelby N. Rosabal
Jessica A. Lewis
Melanie T. Ruston
Emma L. Li
Kelsey C. Schneider
Sonia F. Liao
Andrew D. Scotti
Work by MICA students
Nicholas Grinere ’14
(illustration) and Kirsty
Hambrick ’15 (illustration)
are chosen by the American
Illustration 33 Call For
Entries competition to
appear permanently
online as part of The
American IllustrationAmerican Photography
(AI-AP) Archive.
Megan E. Liggett
Seungyeon Seo
Elizabeth M. Lilly
Fiona E. Sergeant
Erin M. Lux
Kathryn A. Setzler
Jared L. Lynch
Daniel H. Shaffer
Lucie A. MacArthur
Amanda E. Shaver
Katherine P. MacDonald
Carolyn R. Shayte
Katherine Mahon
Karen T. Shea
Julia C. Marvel
Veta C. Sherman
Andrea Mastroeni
Margo M. Sikes
Katherine Mazikins
Katrina M. Slavik
Scarlett McCalman
Malik Smith
Amanda B. McMicken
Yancey B. Snavely
Lindsay A. Miller
Robert D. Soto
Kacie M. Mills
Hannah A. Spitz
Lila R. Mitchell
Aaron S. Starkey
Isobel A. T. Modica
Rhiann H. G. Stewart
2014
Jenny L. Acosta
Michael O. Ajayi
Colin K. Alexander
Erika E. Alexander
Olga Androsik
Man Yi Au
Anton N. Auth
Emily R. Bach
Claire P. Barrett
Sasha C. Baskin
Aaron J. Bauman
Samantha A. Bloom
Lindsay A. Bottos-Sewell
Rachel E. Briggs
Samantha L. Brodowski
Thomas R. Bruce
Alexandra A. Caivano
Rosalyn A. Carlos
Eleanore R. Carlson
Delaney A. Cate
Shirley J. Chan
Jessica A. Chen
Juliana H. S. Chen
Shandi R. Chester
Christy M. Chong
MaryElise Collier
Japheth D. Crawford
Emily A. Cucalon
Emily C. Dahl
Rachael Davis
David S. Deluty
Alexandra D. DeStefano
Soumya Dhulekar
Nehemiah Dixon III
Katherine E. Doherty
Catherine A. Elias
Simeon J. Ellis
Gabriela Farina
Karen Feliz
Ashley R. Ferebee
Claire W. Geary
Turner S. Gillespie
84
Zoe K. Burke
Justine A. Cady
Aaminah Cole
Hayley C. Evans
MacDonald W. Falby
Kellen S. Johnston
Gihea Nho
Amanda E. Simonds
C U R R E N T PA R E N T G I V I N G
BY CLASS YEAR
M I C A FA C U LT Y A N D
S TA F F G I F T S
Susan L. Miltenberger ’91
Kathryn L. Partrick
Fran K. & John R. Renard
Raymond V. Allen
Allen D. Moore P’14
Angela & Harold M. Sauter
David Apaw
Margaret Morrison
Raven & Steven W. Studer
Susan S. Badder
Coralea J. & William M. Tarlton
Gloria Bailey
Lori Neikirk
Charles A. Williams
Richard T. Barber
Bodil Ottesen
Sarah Z. Barnes
Phyllis A. Plattner
J. Davidson “Dusty” Porter
Christopher L. Bohaska
Robert A. Salazar ’83
Karen L. Carroll
Stacey R. Salazar ’01
Carolyn Case ’97
Mihaela A. Savu ’13
George J. Ciscle
William F. Schmidt ’71
David W. Cloutier ’05
Christine Seese ’96
Dana S. Costello
Cara J. Shaffer
Annet Couwenberg
Lynn Silverman
Peggy Craft
Michael A. Sizer
David S. Deluty ’14
Marian L. Smith
Tierra A. Dorsey
Anne R. South ’66
Peter Dubeau ’83
Zvezdana R. Stojmirovic ’05, ’07
Daniel N. Dudrow ’67
Karen Stults
Laura Elliott
Angel M. Terol
Katie Faulstitch
Chezia B. Thompson
Beth A. & David B. Miller
2014
Karen Klockner & Frederick Alexander
Gail Beck Boren ‘85
Sabina V. & Scot A. Dahl
Carol & Mark DeZutti
Jean & Gerard K. Dittrich
2016
Sarah Ann Robinson &
Athanasios C. Felonis
June & Carlos J. Arias
Lisa T. Redell & James H. Ashford
Paula C. Frazier & Eric J. Frazier, Jr.
Cynthia L. & Gregg A. Baran
Karen M. & Rick E. Gonzalez
Kent T. Bruggeman
Anne & Kevin Harper
Sandra I. & Leslie J. Croland
Andrea M. & Christopher Jahnle
Ellen P. Erb
Kathleen Kaplan
Fredye W. & Adam A. Gross
Sally Tucker-Levy & Robert Levy
Miriam R. Hipsh
Warren Linn & Patricia Allen
Susan K. Weaver & Eric A. Isaacson
Carol Parssinen & Robert Lux
Susan E. Kubo
James L. Mahon
Carole Harmel & Arthur P. Lerner
Elizabeth D. Neale & R. Lee Neale, Sr.
Alfred P. Pendleton
Martha J. Heller & Brian McPartlon
Karen L. & Kevin R. Schultz
Beth A. & David B. Miller
Caroline R. & Daniel N. Tyson
Pamela J. Miller & Carl W. Miller II
Laurie M. & Craig E. Moloney
Paula C. Frazier P’14
Elizabeth H. Wagenheim
Allen D. & Eugenia E. Moore
Dorothy L. Poole & Thomas C. Block
Daniel C. Gilbert ’81
Michael J. Walley-Rund
Kathryn & Ralph A. Oliva
Carolyn L. Cambor
Eleni C. Giorgios ’11
Sara Benninghoff Warren
Jin-Young K. Park
Susan R. & James E. Hernandez
David Gracyalny
Susan Waters-Eller ’72, ’78, ’98
Laura Liberman & David Perlman
Julie A. & Alan J. Hochman
Alisha N. Green
Maureen A. Weiss
Roberta Staats
Aycan & Michael J. Jones
Robin S. Higgins
Michael E. Weiss ’96
Estrella M. & James A. Thomas
Laura & Eric A. Jordahl
Yumi K. Hogan ’08
Paul C. Wolman III
Donna S. & George S. Wiedemann
Sandy & Timothy Oh
Brockett Horne
Kikora & Daniel Schroeder
Kim Howard
James Zablosky, Sr.
Sharon A. Berkowitz and Ross G.
Angilella
Cynthia M. Hypki
Agnes Zuberecz ’12
Nancy A. & Byron W. Cain
Christino Jackson, Sr.
Eun Joo & Ray B. Chang
Paul Jaskunas
Leslie Itano & William J. Chang
Michelle M. Jordahl
La’Tasha D. & Kenneth J. Chiosi
Lynn A. Dunton
Leslie King-Hammond
Bobbie J. & Ernest Els
Michelle L. La Perrière ’89
Kathleen S. & William W. Fitchett, Jr.
David Gracyalny
Hilde Li
Kyle Staver & Thomas Klitgaard
Warren Linn P’14
Kimberly J. & Stuart A. Kossover
Jonathan T. Lipitz
Mary C. & Jon A. Lehrmann
Ellen Lupton
Janet & William Liggett
Kristen Messer
2015
P - PA R E N T/S
Cindy Intorre
Five members of the
MICA community are
among winners of the
inaugural Rubys Artist
Project Grants, awarded
by The Greater Baltimore
Cultural Alliance. Among
the recipients of the
grants, which range from
$2,000 to $20,000, are
faculty member Graham
Coreil-Allen ’10 (Mount
Royal School of Art),
exhibitions office manager
Carla Brown, faculty
member Eric Dyer ’05
(Mount Royal School of
Art), faculty member
Matthew Porterfield, and
faculty member Olivia
Robinson ’98 (fiber).
2014 ANNUAL REPORT
Patricia A. Turc
/
Michael R. Franco
2017
A PR IL 2014
Nancy G. Marmion &
William H. Marmion, Jr.
Michael R. Molla
85
GIFTS IN KIND
Bernard A. Ozol
MEMORIAL GIFTS
Raymond V. Allen &
Irena S. M. Makarushka
Scott D. Ponemone ’79
H. Thomas Baird
Elizabeth Schaaf
Lisa Beacham
Sue Seccurro
Aleks Bogunovic ’12, ’14
Ann R. & Maurice B. Shamash
Evelyn Dessel Hejl
Joseph M. Hejl, Jr.
Nancy McDole
Linda O’Brien
Dana L. Sanner
The Sanibel School
Caroline Bowersox
Lisa S.
Jeremy N. Cain ’15
Romaine S. & Frank P. L. Somerville
Marcus Civin
Helen Stein
Memorial gifts offer a way
to recognize the memory of
loved ones and friends while
also providing support for
scholarships, special program
initiatives, and areas of greatest
need. For Fiscal Year 2014,
MICA received gifts in memory
of the following individuals.
Lynda & Brent Clarke
Daniel D. Teoli Jr
Cultural Landscape Foundation/
Lynn Silverman
Chezia B. Thompson
[ Given in Memory of
Given By ]
Betty Hubel
Anna W. Dahl
Regina DeLuise
Linda DePalma ’76 & Paul Daniel ’75
Mary Ann & Carl J. Deutsch
Mindell Dubansky
Royce Faddis
Ann & Morton P. Fisher
James T. Fleming
Jay A. Frogel
Joan M. E. Gaither
Robert Gardner
Angela Griffith
Garrett T.Guidera ’06
Edward P. Haladay
Catherine M. Hattenburg
Pamela S. E. Higgings
Rena Hoisington
Kerr Houston
Michael Iampieri
Wendy Myerberg Jachman
Francis R. Kemper*
Leslie King-Hammond & José Mapily
John T. Kotelly
Samuel H. Kress Foundation
Linda F. & Julian L. Lapides
Fred Lazarus IV & Jonna G. Lazarus
Diane Leberknight
Michael Levin
Joan M. Montanari
Cheryl Moore
Margery D. Moranz
Madeleine Musko
Joan C. Netherwood ’77 &
Paul H. Netherwood, Jr.
Nora Olgyay
86
Deborah Row Estate
Jared M. Trusso ’02
Anelle R. Tumminello
The Vilcek Foundation
Joel Wai
Diane Wittner ’03
Stephen K. Yasinow
M AT C H I N G G I F T C O M PA N I E S
The Abell Foundation
France-Merrick Foundation
IBM Corporation
The P&G Fund
Pearl Works of Maryland
Proctor & Gamble
Raytheon Company
Stanley Black & Decker Corporation, Inc.
Towers Watson
The Xerox Foundation
James J. Hill Jr.
Suzanne P. Hill
Kristoffer Cullen Hjelle
Nanette & Martin Horan P’13
Frances H. Bartow
D. June Clawson ’43
Al Hurwitz
Peter A. London
Mary M. Munday ’91
Irving Blum
The Lois & Irving Blum Foundation
Helen Trilhus Hurwitz
Mary M. Munday ’91
Delores W. Brown
Judy Brown Enterprises
Awn Imnoy
407 North Paca, LLC
Paul V. Buda
Fran K. & John R. Renard P’15
Genevieve Jean McCormack
Eileen S. Clegg
Sydnee Burgunder
Barbara Z. ’78 & M. Ronald Lipman
Arline Kermisch
Bea Corton
Ayssa L.Woods
Richard Kirstel
Jim Burger ’82
Mary D’Anna
Dorothy L. D’Anna ’76
Isabel Hulings Klots
Aurelia G. & Perry J. Bolton
Mr. & Mrs. Walter Brewster
Brown Advisory
G. Alexander Carden
Elizabeth S. & J. Sanford Dugan
Joan McH. Hoblitzell
Courtney Iglehart
Edwin Daniels Jr
A. L. Shreve Waxter, Jr. ’78
Jane Davis
Susan Bank
Shpresa Dervishi
Randall Dervishi P’09
Jonas J. Fendell
Elinor Zuch
Jeanette K. Fineman
Ellen C. & David M. Fineman P’13
David Franks
Michael D. ’79 & Julie Gentile
Mr. Freck
Margaret Freudenberg
Jay D. Hoffman ’02
Michael Geho
M. Dorothy West McGinnes ’50*
Eric Ernst Goldschmidt
Patrick & Ruth Goldschmidt
William Medford Hadaway
Carolyn M. Campbell ’72
Nancy Haragan
M. Gwen Davidson
Grace D. Hartigan
Peter B. ’69 & Judith Devries
Robert A. Kolinski ’89
Sally & Decatur H. Miller
Achsah S. O’Donovan
Dorothy C. & Aubrey Pearre
Sheila K. Riggs & Richard C. Riggs, Jr.
Gary Kreger
Eugene Walter Leake, Jr.
Craig A. Hankin ’79
Marc David Levy
Frona L. & Allan J. Kroopnick
Leslie S. ‘81 & David Portney
Robert H. Slonitz
Eileen S. Yoffe
Stephen P. Levy
Eileen S. Yoffe
Carrie M. Macedonia
Eleanor & David Macedonia P’03
Ruth Carol Rosenberg Marder
Dorothy L. and Henry A. Rosenberg, Jr.
Foundation, Inc.
Henry and Ruth Blaustein Rosenberg
Foundation, Inc.
Flora Raven McGarrell
Nancy & David Katz
Jack C. Merriman, Sr.
Jennifer T. Merriman ’81, ’94
Ann P. Milani
Mark E. Milani ’95
Mrs. Miller
Robert Keith Miller
Phyllis L. & Joel P. Clements P ’94, ’01
Alvin Morris
Gregg L. Morris ’75
Cristina Maria Nazario
Hirsilda & Joseph Nazario P’90
Mark Oritsky
Mimi J. Oritsky ’75
Joseph Padgett
Mary P. Padgett
Parents of Diane E. Witt
Diana E. Witt’75
Richard Dominic Pelicano
Erin P. Cauble
Mr. William Prince
Arlene Raven
Ita Aber
Phyllis Eakin
Vals Osborne
Annette Rubin Estate & Joseph Rubin
Sherry & Jeffrey Zukoff
Rosemary Rex
D. Peter Rex P’02
Doris S. Rief
Beverly M. & Jordan L. Max
Ms. Roberts
Amalie R. Rothschild
Dorothy S. & Frederic B. Askin
Sam Z. Coronado
Paul M. DelBosque ’04
Louis E. Schmidt, Sr. (23)
Saa G. & Thomas W. Beall
Rosemary M. & John R. Beever
Bruce P. Betz
Marjorie L. Brennan
Mudd, Harrison & Burch
Elizabeth C. & Jonathan E. Clark
Evelyn D. Benedict & J. Frederick J.
Benedict, Jr.
Patricia C. & David W. Fried
Joanne L. Galvin
Tammy J. & James M. Griffin
Biologics
Lindsay M. Higgins
Francie & John Keenan
Allison H. Keenan
Beverly L. & Stephen G. Krizan
Jennifer A. Lynch
M. Cecilia Neville
Norma P. Phelan
Mary C. Roche
Cathy A. Case & Robert K. Rodweller
Diane C. & Thomas H. Sherlock
Julie A. & Martin D. Townsend
Elizabeth S. & Charles R. Wilson
Louis E. Schmidt, Sr. &
George Schmidt (1910)
Robin S. Higgins
Tracy A. Lambros ’88, ’01 & William
C. Backstrom
Kelly S. & Mark A. Townsend
TRIBUTE GIFTS
Tribute gifts are recieved by
MICA from individuals who wish
to honor special occasions such as
birthdays, graduations, or
anniversaries; to recognize a
personal achievement; or to
say thank you for a kindness or
service rendered. For Fiscal Year
2014, MICA received gifts in
tribute of the following individuals.
[ Given in Honor of
Given By ]
Alex Markovich
Michael D. Patton ’91
Allen Silver
Tri Design Ltd.
Natalia Celine Arias
June & Carlos J. Arias P’16
Yvonne St. George
Laura L. Doane
Nadine M. Gussio
Cynthia B. & Joseph B. McGougan
Patricia A. Palmer
Robert W. Sample
Patricia A. Skurzynski
Douglas K. Baldwin
David F. ’75 & Linda P. Mack
Charles L. Stauffer
Elizabeth M. Hainke & Edward F.
Hainke, Jr. ’59
Christina Tarsell
Emily Tarsell ’80
George A. Te
Ann L. Meader & George A. Te* P’13
Randall Trefzger
Kathryn McDonnell ’98
Frank Trout
Edith A. Trout
Joy Viverette
Roxy S. Lipsitz
Margaret F. & Phillip H. Wetzler
Robin S. Higgins
Sara Benninghoff Warren &
Chris Warren
Samantha Anne McCurdy
Sara J. & Robert G. McCurdy P’11
Karen L. Carroll
Anonymous
Carole Lynne Knezevich
Carole L. ’89 & Michael Knezevich
Ashley Anne Carter
Candice L. & Robert D. Carter P’06
Alessa Kara Kreger
Tamara Nicole Churns ’08
James & Kathleen Churns P’08
Erin Nancy Kubo
Susan E. Kubo P‘16
Benjamin R. Civiletti
Edith A. Trout
James David Kundrat
Mary G. Kundrat P‘85
Michele Frances Clark
Carlton L. Clark II P’07
Tessa Anne Law
Josette C. & Michael Law P’12
Charles Michael Clayton
Mary Q. & William G. Clayton P’10
Fred Lazarus IV
Susan S. Badder
Sharon A. Berkowitz &
Ross G. Angilella P’15
Frederick Block
Francine & James T. Brady
Robin G. & George H. Dalsheimer
Dr. William Fritz
Jane R. Hammond
Martha and Howard Head Foundation
Sandra S. & Robert S. Hillman
Louise P. Hoblitzell & Alan P. Hoblitzell Jr.
Ann S. & Sanford G. Jacobson
Anne H. Jones ’62, ’73
Dawn M. & Gary O. Lewis
Anne W. Miller
David G. Mock
Mary & John J. Mulhern P’94
Moser Family Philanthropic Fund
Mr. & Mrs. Ronald M. Shapiro
Jill & Alfred Sommer
Laurence G. Stillpass
Katherine K. Strauss
Rita Langenfelder Weber
Ann L. Waters & Herbert F. Waters
III P’11
Jessica Ashley Davidson
Diane H. & Darl Davidson P’13, ’14
Sara Lynn Dittrich
Jean & Gerard K. Dittrich P’14
Tiffany Mariah Els
Bobbie J. & Ernest Els P’15
Amanda Evelyn Erb
Ellen P. Erb P’15
Kenneth David Fong
Joann & Kent C. Fong P’11
Brian Metcalf
Paula & Merle L. Metcalf P’14
Robert E. Meyerhoff
Isabelle C. & M. Robert Rappaport
Mrs. Fredye Wright Gross
Sandra S. & Robert S. Hillman
Marlena Lyn Murtagh
Lori M. & Timothy J. Murtagh P’11
Megan Elizabeth Pahmier
Margaret & Bradley L. Pahmier P’02
Jacob Joseph Paris
Nancy & Bruce Paris P’00
Reba Stewart and Chap Haynes
Ric ‘68 & Lorraine Haynes
Carissa Margaret Renard
Margaret M. Buda
Meaghan Elizabeth Ross
Anne & Kenneth H. Ross P’05
Anthony W. Rutka
Elizabeth G. & David M. Clough P’11
Lois S. Sandler
Edith A. Trout
Albert Sangiamo
Barbara R. Treasure
Alvin Sattler & Carol Sattler
Raymond E. Veon ’00
Kasey Leigh Schultz
Karen L. & Kevin R. Schultz P’16
Jamie A. Snead
Leslie Sheppard
William O. Steinmetz
Kate Wechsler
Susan & Frederic M. Sanders
Grayson Paul Weidel
Judy A. & Ralph H. Weidel
Jack Wilgus
Marian & Brian Nash
M AY 2014
Brent Crothers ’89 ’03
(sculpture, Rinehart
School of Sculpture) is
one of three winners of
the 2014 Mary Sawyers
Baker prize of $25,000.
2014 ANNUAL REPORT
Katrina M. Reinhart
Mildred B. ’60 & Marvin Anderson
Steve G. Ziger
Leslie Sheppard
/
Hana Bor
Hana & Eyal Bor
Naomi Davidoff
Penelope M. & Ronald Davidoff P’13
Rhiannon Marissa Makani Hernandez
Susan R. & James E. Hernandez P’17
Rachel Ann Beckman
Catherine & Frederick Beckman P’11
Emily Christine Dahl
Sabina V. & Scot A. Dahl P’14
P - PA R E N T/S
Emma Warren Levy
Lynn A. Dunton P’15
Marjorie D. Jaffe
Jane & Michael Glick
Jessica Michelle Jahnle
Andrea M. & Christopher Jahnle P’14
Valerie Harrisse Walter
Jeanie U. & Richard W. Teare
Margaret C. Zimmerman
Helene P. Dorf
Morton & Sophia Macht Foundation
Clair Zamoiski Segal &
Thomas Segal
David Hayden
Greystone Farm
Elissa Lembeck Jacobs
Carolyn S. & Stanford M. Lembeck P’90
Skip Walker
Emil W. ’76 & Charlotte Naschinski
Bonnie Wilson
William J. Wilson, Jr. ’58
Graham McMillen Hatke
Ann & Walter Hatke P’06
Jonna Gane Lazarus
John & Carolyn Snow
Samuel Hochman
Julie A. & Alan J. Hochman P’17
Betty Cooke
MarieTrinite Whittie
David T. Whittie
Michaele Mary Harrington
Laurie M. & Craig E. Moloney P’14
Clytie W. ’71 & Robert Taylor
Barbara J. & William C. Trimble
Toni P. & Stuart B. Young
Ziger/Snead Architects
Henry Powell Shuler
Audra C. Shuler W’74
Morgan Elizabeth Frazier
Paula C. Frazier & Eric J. Frazier, Jr. P’14
George Grant
Kikora & Daniel Schroeder P‘17
Micah Elie & Ronin Iftahk Wood
Eileen & Stephen Wood P’13
87
Endowed funds at MICA were
valued at just over $80 million as
of May 31, 2014. The list below
contains all funds that comprise
the endowment.
ACA D E M IC /C O - C U R R IC U L A R
PROGRAMS
Fay’s Fund
James E. Peterson ’49 Scholarship
Elisabeth Shannahan McShane ’26
Book Fund
Jane & Robert Meyerhoff Special
Programs Fund
Amalie Rothschild ’34 Residency
Program
Leonard L. Greif, Jr. Scholarship in
Photography
O’Neill Troy Hammond ’69, ’75
Memorial Scholarship
A. Claire Gaskins Harper ’41 Scholarship
William Philips ’54 Memorial
Scholarship
Roberta Polevoy Fund of the Baltimore
Community Foundation Scholarship
Arlene Raven Scholarship
Nancy Lee Rhodes Roberts ’39 Graduate
Fellowships in Illustration Practice
Francis Burns Harvey Merit Scholarship
The Starr Foundation International
Programs Fund
Rosetta A. Samson & Sadie B. Feldman
Residency Program
Lucile Hecht Memorial Scholarship
Nancy Lee Rhodes Roberts ’39
Scholarships
Wm. O. Steinmetz ’50 Designer in
Residence
Emanuel Herman ’39 Scholarship
Sidney Rosenberg Scholarship
Faculty Chairs
William Mayo Herring ’41 Scholarship
Amalie Rothschild ’34 Rinehart Award
Hoffberger Foundation Fellowships
Elaine L. Schaefer Scholarship
Barry Holniker ’81 Memorial Scholarship
George (1910) & Louis E. Schmidt
Scholarship
Fred Worthington ’57 Fund
SCHOLARSHIPS,
F E L L O W S H I P S , A N D AWA R D S
FA C I L I T I E S
Jerome Abrams ’46 Memorial Scholarship
Brown Center
ACT-SO Award
The Gateway
Kramer House
Main Building
Robert and Jane Meyerhoff House
G R A D U AT E S C H O O L S A N D
PROGRAMS
AEGON USA, Inc. Scholarship
Michael D. Asner ’61 Scholarship
William Randolph Hearst Scholarship
Jessie Koch Jones Memorial Scholarship
Harriet ’67 and Philip E. Klein Scholarship
Marion I. and Henry J. Knott Scholarship
Perna Krick ’31 and Reuben Kramer ’32
Fellowship
Arnell Lewis Land Art Scholarship
Tylden Westcott Streett Scholarship
for Figurative Art
Lois and Irving Blum Foundation
Scholarship
Fred & Jonna Lazarus Scholarship
Lenore G. Tawney Scholarship in Fiber
Nora and Eugene Leake Scholarship
in Painting
Fanny Blaustein Thalheimer Scholarships
Jules M. Bodarky Scholarship
Hoffberger School of Painting
Ruth Jenkins Bristor ’35 Scholarship
Morris Louis ’32 Scholarships
Rinehart School of Sculpture
Reuben Brook Memorial Scholarship
Seymour Mandelbaum Merit Scholarship
Ben & Zelda Cohen Scholarship
Maryland Photographic Society
Scholarship
P RO F E S SIO N A L D E V E LO P M E N T
Betty Cooke ’46 Scholarship
Marcella Louis Brenner W’32, H’01
Faculty Development Fund
S. B. Cooper ’72 Scholarship
Marc Levy ’00 Memorial Scholarship
Jan Meyer ’87 Photography Traveling
Fellowship
Faculty Development Fund
Maggi ’69 & Jules DeBaecke
Endowed Scholarship
Alfred & Trafford Klots Artist Residency
in Rochefort-en-Terre
Sgt. Ralph Roland Demuth Memorial
Scholarship
Rebecca and Joseph Meyerhoff
Scholarship
Joseph Meyerhoff Center for Career
Development
Mathias J. DeVito Scholarship
The MICA Community Endowed
Fellowship for the Mt. Royal School
of Art
Gladys Brooks Endowment for Visual
Media Acquisitions
Decker Art History Acquisitions
Endowment
C.V. Starr Scholarships
City of Baltimore YPS Scholarships
The Graduate Symposium Endowment
S P ECI A L P R O G RA M S : V I S I T I N G
ARTISTS, EXHIBITIONS,
LECTURES, SEMINARS
Evelyn D. Schroedl Scholarship
for Arts & Design
Florence Austrian Scholarship
The Lenore Fund
Stanley Rosen Memorial Fund for
Faculty Development
Janet Fielding Scholes Memorial
Scholarship
Patricia Lion Krongard ’77, ’90 Art
Education Scholarship
Marcella Brenner W’32, H’01
Distinguished MAT Scholar Award
The Graduate Programs Endowment
Neil & Sayra Meyerhoff Fund for Staff
and Student Development
88
Mildred Caplan Perl ’39 Scholarship
Margaret Glace Scholarship
in Art Education
The Rouse Company Foundation Public
Programs Fund
Genevieve McMillan/Reba Stewart
Chair in Painting
Foundation Department
faculty member Carolyn
Case ’97 (Mount Royal
School of Art) is selected
for the prestigious
Virginia Center for the
Creative Arts (VCCA)
residency in Amherst, Va.,
through a program
funded by the L.E.A.W.
Family Foundation.
Joan Robinson Friedel Scholarship in Art
Dr. Richard B. Kalter Lecture Series
George A. Lucas Fund
Florence Gaskins Harper ’34
Chair in Art Education
M AY 2014
Greif MFA in Graphic Design Endowment
Freda Mueller Eichelberger ’81
Scholarships
in Drawing
in Environmental Design
in Painting
in Sculpture
Samson Feldman ’25 Scholarships
in Art Education
in Illustration
William Ferguson Merit Scholarship
John ’60 & Berthe Ford Endowed
Scholarship
France-Merrick Community Arts
Partnership Fellowships
Neil and Sayra Meyerhoff Scholarship
Jean C. Miller ’42 Scholarship in Art
Education
Arthur Mitchell ’66 Scholarship
Edward C. Morton Jr. ’80 Memorial
Scholarship
Louise N. Myerberg Family Scholarship
Rett Nearburg ’07 Scholarship
Christopher J. Overholser ’65 Scholarship
in Graphic Design
in Illustration
Gertrude Pentland Scholarship
Reba Stewart Memorial Scholarship
Don F. Turano ’59 Scholarship
Chick West ’65, ’68 Scholarship for
Digital Arts
Walter G. ’38 and Betty ’39 Wilkinson
Dale Burton Wood ’30 Memorial
Scholarship
in Fiber
in Illustration
Bill Woody/Tom Miller ’67, ’87 Scholarship
Zimmerman Family Scholarship
UNRESTRICTED
Shirley Eaton Fund
James Stephenson Fund
General Unrestricted Fund
LIST OF NAMED ANNUAL
D O N O R- F U N D E D S C H O L A R S H I P S ,
F E L L O W S H I P S , A N D AWA R D S
Helen Trilhus & Dr. Al Hurwitz ’41
Scholarship in Art Education
Mark Stempel ’90 Thesis Prize in
Environmental Design
McMillan Stewart Foundation
John G. Ford, Jr. ’60 & Berthe H. Ford
Robert Austrian*
Frank Hyder ’72 MFA in Studio Art Prize
Surdna Foundation Pre-College Award
The Rouse Company Foundation
Virginia K. Adams &
Neal M. Friedlander, M.D.
Louis Abbene-Meagley ’13 Prize in
Digital Fabrication
Interdisciplinary Sculpture Scholarship
Surdna Foundation Fellowships for
MFA in Studio Art
Jacques and Natasha Gelman Trust
Douglas L. Frost
Ann M. Garfinkle & Joseph Brent
Three Arts Club of Homeland, Inc.
Award
Fay Martin Chandler ’67
Anonymous
Anne K. Griffith
Priscilla Alexander Scholarship
Wendy Jachman and Jennifer Myerberg
Scholarship
American Council on Italian Matters
of Maryland Scholarship
David Jacobs ’61 International
Scholarship
Henry Walters Traveling Fellowship
Hoffberger Family Philanthropies
Art Market Scholarship
Lynn and Ross Jones Scholarship
Robert L. Weinberg Scholarship
Gwen Davidson & Nancy Haragan*
Fredye W. Gross P’16
Artist House Teaching Residency at
St. Mary’s College of Maryland
Rheda Luntz Josephs Memorial
Scholarship
Windgate Ceramics Scholarship
LeRoy E. Hoffberger H’12
Howard C. Hardy* ’25
The Surdna Foundation
Florence G. Harper* ’34
Baltimore Watercolor Society Scholarship
Korean Alumni Scholarship
LEGACY SOCIETY
Lois Blum Feinblatt
Grace D. Hartigan*
Ira J. Basler, Jr. and Mary K. Basler
LAB Award
David Hayden ’66
Jacob & Hilda Blaustein Foundation
MACA Fellowship
Toby Devan Lewis Fellowship
The Legacy Society is MICA’s
lifetime giving society which
recognizes those donors whose
cumulative giving exceeds one
million dollars.
David ’66 & JoAnn Hayden
John J. Leidy Foundation Scholarship
Robert J. Helsley ’69
M O U N T R OYA L S O C I E T Y
Barbara L. Himmelrich
Anonymous (39)
Patricia & James A. Holechek ’53, ’69, P’77
Alice Margolin Adler ’53 &
Harold Adler*
Rosita C. Hurka ’51
Ellen R. Aisenberg* ’45, ’65
Libby Bowerman ’82 Fellowship
Gregg Lhotsky ’86 Photography
Scholarship
David Brewster ’85 Windy Mowing
Artist Residency Travel Award
Carrie Macedonia ’03 Memorial
Scholarship
CARNEGIE
MFA Fellowship Studio at Bromo
Seltzer Tower
Dr. Frank C. Marino Foundation
Scholarship
Eddie C. & C. Sylvia Brown P’02, H’14
Patricia Alexander ’81
Theodore E. Klitzke*
Jim Burger ’82 Photography Scholarship
Dr. Frankie Martin Scholarship
George L. Bunting, Jr. H’10 &
Anne Bunting
Dolores M. Andrew ’82
Isabel H. Klots*
Gregory E. Anthony ’79
Harriet A. E. Kohl
Robert E. H’94 & Jane* H’94 Meyerhoff
Eldridge W. Arnold* ’52 &
Margaret Arnold*
G. Priscilla Kossoy ’82
$5 million+
Maryland Artists Equity Foundation
Scholarship
Ceramics Alumni Scholarship
MICA Alumni Association Scholarship
Charles E. Nearburg P’07
The Chair’s Prize
MICA General Scholarship
D’Anna Summer Study Abroad
Scholarship
MICA Staff and Faculty Scholarship
Alonzo G. Decker, Jr.* H’85 &
Virginia Decker*
Robert W. Deutsch Foundation
Artist-in-Residence and Research
Fellowship
Dr. Ernesto Molfino Memorial Scholarship
Mildred’s Lane Curatorial Fellowship
Mount Royal Fellowship
Linda B. Chubb* ’83 &
Jeffrey Chubb W ’83
Margaret C. Brier-Lyons ’77
LUCAS
Robert W. Deutsch Foundation
Social Design Fellowship
Northern California Regional Scholarship
Evergreen House Foundation Scholarship
Dana Edwards Nearburg P’07
FASQA Prize
Dominic Pelicano ’05 Memorial
Scholarship
Josh Fendell Pre-College Award
PNC Design Fellows Program
Florence Gaskins Harper* ’34
C. Louise Mullan Flanigan ’34 Scholarship
National Endowment for the Arts John
Renna Art Scholarship
Marcella Louis Brenner* W’32, H’01
Joseph Padgett Memorial Scholarship
Dr. Joan M. E. Gaither Young People’s
Studio Scholarship
Jacques and Natasha Gelman Scholarship
Brenda Brown Rever & Lipitz Families
Foundation Scholarship
Gale L. Bell ’66
$2 million–$5 million
The Starr Foundation
The France-Merrick Foundation
Rosenstock Family Scholarship
Allen Ginsberg Poetry Prize
Amalie Rothschild ’34 Scholarship
Winifred M. Gordon ’28 International
Programs Award
Josh Sallow Memorial Scholarship
George L. Bunting, Jr. H’10
Jim Burger ’82
Karen L. Carroll
Corliss F. Cavalieri ’81
Anne M. Ciola ’75
Harold J. Cohen* ’57
Johanne T. Coleman ’81
Philip W. Lambdin ’75
Arnell Lewis Land*
Beatrice Levi H’03
Renée Levine-Packer
Leslie Lillien Levy ’69
Robert C. Lienhardt
Jennifer M. Littleton ’94
Regina Derwin Lofland* ’62
Kurt Marcantonio ’72
Gary A. Marcus ’65, ’70
Allegra Marquart
Madolin Maxey ’70
Elizabeth Thomas McLeod ’72
Carolyn A. Councell ’58
Genevieve McMillan*
Berte D’Arrigo* ’43
Neil Meyerhoff
M. Gwen Davidson
Thomas W. Miller ’70
RINEHART
Nancy MonteSanto* ’50
$1 million–$2 million
Virginia Decker* & Alonzo G. Decker, Jr.*
Leslie P. Morgan ’72
Thomas Sangiamo Scholarship
The Kresge Foundation
Graphic Design MFA Thesis Prize
Mathias J. DeVito
Margaret Morrison
Sera & Tudor Savu Prize in Fiber
Ruth Jenkins Bristor* ’35
Howard Hardy Memorial Scholarship
Marian & Brian Nash
Skowhegan School of Painting and
Sculpture Summer Residency
Joseph and Harvey Meyerhoff Family
Charitable Funds
Charles Ellerin* ’41
Anne S. Perkins
Yvonne St. George Scholarship
Harriet* ’67 & Philip Klein*
Sadie B. Feldman* ’30
Martha & Terry Allen Perl
Ruth E. Fine
Harrison M. Robertson, Jr.*
Billy N. Hadaway ’51 and Sonia Gordon
Evelyn Dessel Hejl Memorial Scholarship
Dr. Al Hurwitz ’41 Scholarship in
Art Education
P - PA R E N T/S
Santa Farinella Sangiamo General Fine
Arts Scholarship
Ben and Zelda Cohen Foundation
2014 ANNUAL REPORT
The Whiting-Turner Contracting
Company
Cynthia J. Brower ’74
Ann M. Krestensen ’60
/
Gensler Architecture Worldwide
Scholarship
Rinehart Award
Marcella Louis Brenner* W’32, H’01
Reuben Kramer* ’32 & Perna Krick* ’31
Leo Burnett Award for Design
Excellence
William R. Johnston
89
Nancy P. Rosnow ’72 &
Richard R. Baldwin
Nick Chow ’06
New York, New York
Aaron Talbot ’09
Clementon, New Jersey
Amalie R. Rothschild* ’34
Stuart Cooper ’72
Columbia, Maryland
Clytie Whitson Taylor ’71
Salisbury, Maryland
Robert Davis ’62
Baltimore, Maryland
Errol Webber, Jr. ’09
Baltimore, Maryland
Judith de Angelis Simons ’69, ’03, ’05
Monkton, Maryland
Luke Williams ’09
Brooklyn, New York
Garrison, New York
Alex Wissel ’00
Owings Mills, Maryland
Peter Dubeau ’83
Baltimore, Maryland
Emeritus
Annette* & Joseph Rubin*
Lorraine Sachs* ’67
Evelyn D. Schroedl ’40, W’55
Philip Stapp* ’28
Jan P. Stinchcomb ’82
Tylden Westcott Streett ’54, ’57, P’77
John B. Sutton ’63
Mary M. Swann ’87
Betty C. Wells ’48
Chick Ray West* ’65
Charlotte Wilderson ’65
Jordan Felling ‘06
Berkeley, California
Robert J. Wirth* ’49
Quinne Fokes ’85
San Anselmo, California
Fred E. Worthington* ’57 &
Anne R. Gossett W’57
Paula Gillen ’78
Boulder, Colorado
Martin E. Yaker ’70
Chris Hartlove ’85
Baltimore, Maryland
MICA ALUMNI COUNCIL
Laura LeBrun Hatcher ’98
Alumni Council Chair
Towson, Maryland
Rachel Beth Egenhoefer ’02
Alumni Council Vice-Chair
Oakland, California
Juan Bastos ’84
Los Angeles, California
Christina Batipps ’03
Baltimore, Maryland
Tysonn Betts ’96
Cincinnati, Ohio
Jim Burger ’82
Baltimore, Maryland
Marcus Bickler ’04
Tamarac, Florida
Emily Blumenthal ’03
New York, New York
Amy Suzanne Broderick ’00
Lake Worth, Florida
Peter Brooke ’87
South Royalton, Vermont
Colin Campbell ’04
Montreal, Quebec
Jennifer E. Carinci ’05
Silver Spring, Maryland
Hilton Carter ’02
Venice, California
Robyn Chadwick ’75
New York, New York
90
Stephen Egts ’94
Washington, DC
Sarah Hromack ’02
Brooklyn, New York
Ria Jacob ’69
Crownsville, Maryland
Kevin Kearney ’74
Sebastopol, California
George King ’77
New York, New York
Annette Lawrence ’90
Denton, Texas
Giselle Lewis-Archibald ’05, ’07, ’09
Randallstown, Maryland
Katherine Mann ’09
Washington, DC
Elizabeth McLeod ’72
Alto, New Mexico
Adam Okrasinski ’08
Brooklyn, New York
Gant Powell ’07
Brooklyn, New York
Colette Robbin ’03
Jackson Heights, New York
E. Brady Robinson ’93
Washington, DC
Elena Rosemond-Hoerr ’08
Wilmington, North Carolina
Carla Rosenzweig ‘73
Brooklin, Maine
Jeffrey Rugh ’99
South Orange, New Jersey
Piero Spadaro ’07
San Francisco, California
Rhea Inglehart Arnot ’92
Baltimore, Maryland
Fay Chandler ’67
Cambridge, Massachusetts
Betty Cooke ’46, H’14
Baltimore, Maryland
Rosalee Davison ’60
Baltimore, Maryland
Ron Fidler ’64
Owings Mills, Maryland
Harriet Gardiner ’43
Frederick, Maryland
David Inscore ’95
Cockeysville, Maryland
Ethel Kessler ’71
Bethesda, Maryland
Suzanne Levin-Lapides ’69
Baltimore, Maryland
Carlton Leverette ’71
Baltimore, Maryland
Jim Rieck ’87, ’03
Bill Steinmetz ’50, H’14
Baltimore, Maryland
Baltimore, Maryland
MAY 20 14
Fred Lazarus IV becomes an alumnus upon receiving an
honorary degree from MICA. The honor was the culmination
of a year of programming and events celebrating the legacy
of Lazarus, who retired after 36 years serving as MICA’s
president. Earlier events included Legacy Week, among an array
of tributes and honors Lazarus received throughout the year.
As part of Legacy Week, MICA rededicated the Graduate Studio
Center and adjacent 1801 Falls Road as the Fred Lazarus
IV Center for Graduate Studies. The House of Delegates of
Maryland and the Senate of Maryland both issued resolutions
stating their support for Lazarus upon his retirement. Lazarus
was also selected as recipient of Maryland Citizens for the
Arts’ Sue Hess Maryland Arts Advocate of the Year award,
and the Baltimore Office of Promotion & the Arts announced
the inaugural Fred Lazarus IV Artscape Prize (“The Fred”).
Finally, the Baltimore Sun named Lazarus a finalist for the
2013 Marylander of the Year, and when the paper opened
an online poll to allow readers to influence its decision, the
former MICA president received a public outpouring of
support, topping the vote among all finalists.
photo: Jonna and Fred Lazarus IV with Baltimore Mayor
Stephanie Rawlings-Blake
PA R E N T S C O U N C I L
BOARD OF TRUSTEES*
OFFICERS*
Academic Year 2014 - 2015
Neil A. Meyerhoff, Chair
Samuel Hoi
President
Class of 2015
Nancy & Byron Cain
Council Co-Chairs
Dallas, Texas
Ross Jones, Vice-Chair
Michel L. Modell ’07, ’10, Secretary
James D. Miller, Treasurer
Michael Beatty
Russell & Mary Alice Benamy
Media, Pennsylvania
James Blue
Lindsay & Richard Leggin
Potomac, Maryland
Judith Burton
Jeffrey G. Bunting
Beverley & Donald Privett
New York, New York
M. Gwen Davidson
Angela & Harold Sauter
Clifton Park, New York
Ann M. Garfinkle
Vernon Scott
Lorton, Virginia
Alice Falvey Greif
Lynn Scully
East Haddam, Connecticut
Ronald E. Fidler ’64
Kibebe Gizaw
Fredye Wright Gross P’16,
Immediate Past Chair
David Hayden ’66
Class of 2016
Barbara L. Himmelrich
Bingling Chen
Beijing, China
Wendy Jachman ’73
Denise & Phillip Foreman
Davie, Florida
Eric Jordahl P’17
Raquel Marion
Memphis, Tennessee
Anne S. Perkins
Joy Peot-Shields & James Shields
Milwaukee, Wisconsin
Nancy Sasser
William O. Steinmetz ’50
Class of 2017
Barbara & Matthew Bernstein
Potomac, Maryland
Trustees Emeriti:
J U LY 2014
Reggie Wells ’71
Stephen Boesel
George L. Bunting, Jr.
George H. Dalsheimer
Rosalee Davison ’60
Mathias J. DeVito
LeRoy E. Hoffberger, Esq.
Robert A. Shelton
President Emeritus:
Fred Lazarus IV H’14
Lisa Wells & James Love
Calabasas, California
*as of printing
photo: Left to right: Hannah Brancato ’07, ’11, Shameeka
Dream, David Sloan ’07, ’08, and Rebecca Nagle ’08. Standing
in front of the Monument Quilt, a project that will continue to
grow until 2017. themonumentquilt.org
2014 ANNUAL REPORT
MICA and Station North Arts & Entertainment, Inc. are
awarded a $100,000 Our Town grant by the National
Endowment for the Arts for Artists Within, an interdisciplinary
project involving seven organizations based in and around the
Station North Arts & Entertainment District. Partners in the
project include MICA’s Baltimore Art + Justice Project; Station
North Arts & Entertainment, Inc.; the Central Baltimore
Partnership; FORCE: Upsetting Rape Culture, co-founded by
Hanna Brancato ’11 (Community Arts) and Rebecca Nagle
’08 (fiber); Dance & Bmore; Single Carrot Theatre; and Youth
Learning Lab of Education and Applied Design.
/
Joni & Robert Rose
Memphis, Tennessee
Michael Patterson
Vice President and Dean for
Student Affairs
Shinique Smith ’92, ’03
Sallie Fraenkel Zuch P’08
Deborah & Ross Ruriani
Yardley, Pennsylvania
Michael Molla
Vice President for Operations
Sheila K. Riggs
Douglas Tsui P’12, P’14
Tracy & Jon LeShay
Douglas R. Mann
Chief Financial Officer and
Vice President for Finance
and Human Resources
Charles Nearburg P’07
Dr. Laramie Williams & Mr. Robert Baker
Charlotte, North Carolina
Victoria Goldstein-Macadar &
Eduardo Macadar
Boca Raton, Florida
Thomas G. Hyatt
Vice President for Technology
Systems and Services
Brian Martel ’93
Naiomi Cameron-Murphy &
Jason Murphy
Beaverton, Oregon
Vice President and Dean
for Admission and Financial Aid
David Jacobs ’61
Miriam Hipsh
New York, New York
Deidre Regan
Blacksburg, Virginia
Raymond Allen
Provost and Vice President
of Academic Affairs
91
SOURCES OF GIFTS
A
B
D
C
A 14.4%
Corporations
and National
Foundations
B 2.5% Government
C 29.5% Individuals
and Family
Foundations
D 53.6% Trustee
Note: Alumni gifts appear in several
categories.
Contributors listed made gifts from
June 1, 2013 to May 31, 2014.
We have made every effort to
ensure the accuracy of this Donor
Roll. If we made an error, please
accept our apology. You may
contact the Development Office at
410.225.2414, and we will correct
our records.
Principal Writing and Editing:
Cedric D. Mobley
Lorri Angelloz
Tamara Holmes
D I V ISIO N O F A DVA NC E M E NT
Portrait Photography by:
Catalina Kulczar (Jamie Johnson, page 60)
Michelle Lytle (Eric Jordahl, page 48)
Christopher Myers ’94 (Silvia Mata-Marin,
page 26; Nada Alradi, page 29;
Sara Al Hadda, page 30; Meltem Sahin,
page 33; Elizabeth Minkin, page 34;
Evelyn Schroedl, page 38; Robert
Zimmerman, page 56)
Derrick Watkins (Samuel Hoi, page 6)
T E L E P HO NE NU M B E RS
M A I N:
410.225.2339
410.225.2312 or
443.423.1022
FAX :
G I F T S BY P U R P O S E
E
D
C
A
B
G I F T S BY P R IO R I T Y
D
A
B
C
92
A 69.3%
Endowment
B 4.3% Facilities
C 7.8% Special Programs
D 17.5% Annual Giving
E 1.1% Undesignated
A 7.8%
Community
Engagement
Initiatives & Programs
B 16.2% Graduate Programs
C 64.3% Scholarships
D 11.7% Other*
* This total includes unrestricted
current use / restricted current use /
undesignated capita l/ special projects
and programs gifts not included above
A copy of MICA’s current financial
statement is available by writing
the Office of Fiscal Affairs,
Maryland Institute College of Art,
1300 W. Mount Royal Avenue,
Baltimore, MD 21217 or by calling
410.225.2366. Documents and
information submitted under the
Maryland Solicitations Act are also
available, for the cost of postage
and copies, from the Maryland
Secretary of State, 16 Francis
Street, Annapolis, MD 21401,
410.974.5521.
Additional Writing and Editing:
Andrea Albersheim
Ruth Goodnow
Publication Design by:
Laura LeBrun Hatcher ’98
Hatcher Design Office
Additional Photography by:
Jim Burger ’82
Michael Christopher
Andrew Copeland ’13
Tierra Dorsey
Christopher Myers ’94
Christine Ricks ’08
Eric Salmon
The Umbrella Syndicate
Michael Walley-Rund
Bruce Weller
Additional Communications Support:
Justin Codd
Jessica Weglein Goldstein ’13
Dionne McConkey
Brenda McElveen
Allyson Morehead
Bryan Sinagra
Raven Williams
Additional Development Support:
Dana Costello
Peggy Craft
Tierra Dorsey
Laura Elliott
Eleni Giorgos ’11
Robin Higgins
Cindy Intorre
Eric Olson
Benita Robinson
Denise Seifried
Angel Terol
Trish Turc
Sarah Van De Weert
Sara Warren
Rachel Young
Additional Advancement Support:
William Massey
Christi Barth
Kim Howard
Printing by:
Peake Delancy
© 2014
Maryland Institute College of Art

MICA Annual Report`14 - Maryland Institute College of Art

Transcription

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