SIGHTLINES
Transcription
SIGHTLINES
SIGHTLINES T H E M U N I N E W S L E T T E R President’s Message: JOIN US FOR THE MUNI’S 2015 SEASON! H APPY NEW YEAR! 2015 will be an exciting year at the Springfield Muni Opera as four teams of talented directors and staff bring you a season of magical musicals under the stars. This year’s Muni season truly has something for everyone. Join us in June for uproarious laughs at Monty Python’s SPAMALOT, a cockeyed look at the legends of King Arthur, directed by Mac Warren. Anyone who is young at heart will be enchanted by Horton, Jojo, Gertrude and the other fantastical characters in SeussicalTM, our July show, directed by Stephan Kaplan and Dennis O’Brien. The beautiful melodies and breathtaking dance numbers of West Side Story, directed by Anna Bussing, will mesmerize audiences in August. Finally, in September, director Rich McCoy will transform the Muni stage into pre-World War II Berlin for Cabaret, one of Broadway’s most popular productions. Even though our season doesn’t begin until June, now is a very busy time for The Muni because we are putting together staff, creating production designs, and getting ready for auditions. Most of this edition of Sightlines is dedicated to the auditions process: information on the shows, parts available, how to sign up to audition, and information on auditions themselves. Our website (www.themuni.org) also contains a wealth of information regarding auditions; later in February, aspiring auditionees can go to the website to register to audition and to select an audition time. In addition, here in Sightlines and on the website, you’ll find information about our auditions workshop. Experienced and new performers alike will find the workshop a valuable venue to talk to the directors, learn about the auditions process, and get tips for giving a successful audition. It’s also a fun opportunity to see other “Muni-ites” and catch up with friends. If you’re like me and prefer to be a part of The Muni without going on stage, you’ll learn about volunteer opportunities at the workshop as well. Muni is proud of its tradition as an all-volunteer organization; it offers people of all ages an opportunity to participate and encourage the arts. Muni volunteers build and Sightlines • January 2015 paint sets, pop popcorn, usher patrons to their seats, sew costumes, help with landscaping – just about anything you can imagine. Our website also provides information about volunteering and a convenient on-line form with which you can sign up to volunteer at The Muni. 2015 SEASON: Another way to support the Muni and the arts in Springfield is to become a Muni Backstager. Through their financial contributions, Backstagers help The Muni maintain its standard of excellence in musical theatre at a site that is verdant and family-friendly. Backstagers enjoy several special ‘perks’, including premium parking, a season kick-off picnic, and a sneak peak at our first show, Monty Python’s SPAMALOT. For more information, visit the Muni website or ask any member of the Muni Board of Managers. COUNTY AUDITOR PAUL PALAZZOLO presents As I said, The Muni provides art and entertainment for all ages, and our Thursday performances offer special pricing for children and seniors. We also offer a senior bus package that includes a charter bus ride to and from The Muni, in addition to show admission and refreshments. Details are on the Muni website. MCGLADREY presents Finally, as the 2015 Muni President, I would like to give special recognition to the four show sponsors for the coming season: County Auditor Paul Palazzolo (Monty Python’s SPAMALOT), McGladrey (SeussicalTM), Springfield Clinic (West Side Story), and Illini Bank (Cabaret). Their generosity and support make our season possible. On behalf of the entire Muni community - thank you! JULY 10-11 | 16-18 | 23-25 I hope to see each of you at The Muni this summer. It will be an exciting season! - Diane Hoots President, The Muni JUNE 12-13 | 18-20 | 25-27 TM SPRINGFIELD CLINIC presents AUGUST 7-8 | 13-15 | 20-22 ILLINI BANK presents Diane Hoots SEPTEMBER 4-5 | 10-12 | 17-19 www.themuni.org 1 ATTEND A WORKSHOP CHILDREN’S WORKSHOP Saturday, February 21 at 10:00 a.m. Hoogland Center for the Arts Open to kids between 8-13 years of age. J OIN US at the audition workshop to learn more about The Muni’s audition process and to have first choice at audition time slots. Learn how to sign up for an audition slot via the online registration form and how to prepare for an audition. Attendees will hear from the directors of each show about their expectations, casting requirements and planned rehearsal schedules. Afterwards, the shows’ directors and staffs will be available to answer questions and distribute music. By using the designated URL/ code handed out at the workshop, auditionees can also go online Saturday after the workshop to select an audition spot before the online ADULT WORKSHOP Saturday, February 21 at 1:00 p.m. Hoogland Center for the Arts Open to those 13 years of age and up. registration process is opened to the public. Can’t attend the audition workshop? You can still sign-up for an audition time slot starting Sunday, February 22. On that day you can visit The Muni’s web page (www.themuni.org) and click on “Auditions” to access the link to the online registration form. Audition time slots will be filled in the order they are received. Helpful hint! If you are auditioning for a role that requires a separate dance audition, it is strongly recommended that you do your vocal audition first, followed by your dance audition that same day. Our dance auditions go very quickly and it is easier for WHAT TO EXPECT THE DAY OF YOUR AUDITION ADULT AUDITIONS March 7, 8, 14 • 8 a.m. to 5 p.m. Hoogland Center for the Arts CHILDREN’S AUDITIONS March 21 • 8 a.m. to 5 p.m. Hoogland Center for the Arts A Only auditionees who participate in the hour long, separate dance audition are exempt from the movement audition. The Muni provides accompanists for all vocal auditions, so please bring sheet music suitable for piano accompaniment. section of Sightlines to see what parts require dance.) Hour-long dance auditions are DULT AUDITIONS take place in hour long sessions; vocal/movement auditions are separate from dance auditions. Plan to check in at the registration table at least 45 minutes prior to your scheduled audition time, allowing time for the vocal warm-ups before the actual audition. In closed auditions with a small group of other auditionees, each auditionee will perform a short (2 minutes or less) song of his or her choosing. Auditionees may be asked to read from a script provided by the directors. Basic movement auditions, done In a group, take place at the end of the audition time slot. WANT TO LEARN MORE? Visit www.themuni.org to see our “Top 10 Audition Tips” for auditioning at The Muni! Sightlines • January 2015 Some roles require auditionees to participate in a full dance audition. This is largely based upon the demands of the role for which the adult is auditioning or for which the director is considering him/her. (Consult the “Parts Available” scheduled separately from vocal auditions. CHILDREN’S AUDITIONS take place in two-hour sessions; shows casting children are SuessicalTM and West Side Story. During the first hour, Muni staff will teach auditionees a simple song and dance. Auditionees’ parents or guardians are welcome to observe this learning portion of the audition. The second hour is the closed audition and only The Muni show staff are permitted to be present. During the audition, auditionees will perform the song and dance in front of the show staff. Callback invitations are posted by the auditionee number in the lobby shortly following each audition session. choreographers to recognize you - and remember what shows and parts you are interested in - if you have gone through the vocal audition process first. Those who sing first and dance second on the same day definitely have an upper hand when it comes to casting! The Muni Trustees Chairman Stephan Kaplan Dave Britton Gene Rubley Georgia Dirksen Marj Berchtold Roger Holmes Randy Ragan Tom Appleton Dennis O’Brien President President Elect Treasurer Secretary Immediate Past President Auditions Chair Diane Hoots Mac Warren Randy Ragan John Baker Mac Warren Daniel Bonn Julie Finnell Sally Fritz Alexa Giacomini Randy Herpel Dan Humphries Lisa Leach Penny McCarty Michelle McLaughlin Mike Rogers Steve Rotello Cathy Schwartz Jake Smith Michelle Tebrugge Scott Viniard Cindy Wall Mark Wheeler Craig Williams II Sally Fritz Dan Humphries The Muni Board of Managers The Muni “Sightlines” Newsletter Layout/Design: Design: Copy: Production: Editing: Contributors: Mary Bonn Jeremy Goeckner Alexa Giacomini Penny McCarty Mark Wheeler Michelle McLaughin Penny McCarty Vicki Stehn www.themuni.org 2 Sir Galahad: (Tenor / Dance / Age 20s-30s) A Knight of Monty Python’s SPAMALOT — the Roundtable. Begins as Dennis, a lower class ‘mud Presented by County Auditor gatherer’ who becomes Knighted and transforms into the dashing Sir Galahad. Also plays Prince Herber’s Father, Paul Palazzolo SeussicalTM — Presented by McGladrey a wealthy, brutish Yorkshireman man at odds with his sensitive son, The Black Knight who is always ready to duel despite multiple injuries. Strong bari-tenor singing required. Range: Low Bb3 – High Bb5. Sir Robin: (Tenor/Baritone / Dance / Age 20s-40s) A Knight of the Roundtable. Ironically called ‘Sir Robin the Brave,’ though he couldn’t be more cowardly. Joins the Knights for the singing and dancing. Also plays Guard 1 and Brother Maynard, a long-winded monk. Range: Low D3 – High G4. JUNE 12-13, 18-20, 25-27 Rehearsals Start APRIL 12 DIRECTOR: Mac Warren PRODUCER: Cindy Wall ASSISTANT DIRECTOR: Nathan Peak VOCAL DIRECTOR: Christie Lazarides CHOREOGRAPHER: Andrew Maynerich Mac Warren [Muni Debut] A hilarious musical farce full of multiple casting opportunities! Lovingly ripped off from the classic film comedy Monty Python & The Holy Grail, SPAMALOT retells the legend of King Arthur and his Knights of the Round Table, and features a bevy of beautiful show girls, not to mention cows, killer rabbits and French people. Did we mention the bevy of beautiful show girls? DIRECTOR’S NOTES: All characters have British accents; be prepared to read accordingly. It is strongly suggested that those auditioning for SPAMALOT be familiar with the music from the musical and movie. Ages listed serve as a guide. Some character doublings may be changed based on production needs. In tribute to the film (where 6 actors played most male, and a few female, parts) several actors play multiple roles. The only characters not doubling are King Arthur, Lady of the Lake, and Patsy. Most ensemble members play 5-6 roles. PARTS AVAILABLE: Auditionees for Monty Python’s SPAMALOT must take part in either the “Movement” or “Dance” portion of auditions; characters requiring “Dance” have been noted below. King Arthur: (Baritone / Age Late 30s-60s) The King of England who sets out on a quest to form the Knights of the Roundtable and find the Holy Grail. Great Humor. Good singer. Range: Low G2 - High F4. The Lady of the Lake: (Alto with Large Range / Age 20s-40s) A Diva. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice is essential, as she must be able to sing effortlessly in many styles and vocal registers. Sings everything from opera to pop to scatting. Range: Low E3 – High B6. Sir Lancelot: (Tenor/Baritone / Dance / Age 20s-40s) A Knight of the Roundtable. He is fearless to a bloody fault but through a twist of fate, does discover his ‘softer side.’ This actor MUST be great with character voices and accents, as he also plays The French Taunter, an arrogant, condescending, over-the-top Frenchman; the Knight of Ni, an absurd, cartoonish leader of a peculiar group of Knights; and Tim the Enchanter, a ghostly being with a Scottish accent. Range: Low C3 – High E4. Patsy: (Tenor/Baritone / Dance / Age 30s-40s) King Arthur’s horse and servant. Underappreciated but always longing for King Arthur’s approval. Good, funny, physical mover with some tap dancing. Range: Low Bb3 – High G5. Sir Bedevere / Mayor Finland: (Tenor/Baritone with Falsetto / Dance / Age 20s-40s) A Knight of the Roundtable. An inept scholar. Also plays Dennis Galahad’s Mother, a shrill peasant woman, and Concorde, Sir Lancelot’s horse. Range: Low D3 – High G4. Historian / Not Dead Fred / Prince Herbert / Minstrel / French Guard: (Tenor / Dance / Age 20s-30s) A tweedy academic. Also plays Not Dead Fred, a sickly little fellow who, despite others’ beliefs, claims he is “not yet dead”; a French Guard, the condemnatory sidekick to the French Taunter; a Minstrel in Sir Robin’s band; and Prince Herbert, the hopeful and frilly prince who loves to sing and pines for his love atop a tower. Tenor singing required. Very good mover. Range: Low A2 – High A5. Male Ensemble (6 Men): (Mixed Vocals / Dance / All Ages) Seeking strong dancers and singers to play many roles including the other Knights of the Round Table, Mayor of Finland, Guard 2, Sir Not Appearing, Sir Bohrs, Bodies in “Not Yet Dead,” the Dancing Monk, the Dancing Nun, French Citizens, Finland Citizens, a French Guard, Robin’s Minstrel, and more. Strong dance skills preferred; tap skills a bonus. Female Ensemble (6+ Women): (Mixed Vocals / Dance / All Ages) These women play many roles including the Camelot Girls, the Laker Girls, a French Guard, Knights of Ni, two of Robin’s Minstrels, French Citizens, Finland Citizens, and more. Strong dance and tap skills. TM JULY 10-11, 16-18, 23-25 Rehearsals Start MAY 18 DIRECTORS: Stephan Kaplan & Dennis O’Brien PRODUCER: Julie Finnell ASSISTANT DIRECTOR: Alexa Giacomini VOCAL DIRECTOR: Steve Rotello CHOREOGRAPHER: Tiffany Reich Dennis O’Brien & Stephan Kaplan A family-friendly show with performers of all ages and sizes! “Oh, the thinks you can think” when Dr. Seuss’s best-loved characters - led by The Cat in the Hat collide and cavort in an unforgettable musical caper for all-ages. SeussicalTM tells the story of Horton, an elephant who discovers a speck of dust containing Whos, including Jojo, a Who child sent off to military school for thinking too many “thinks.” Horton faces a double challenge - not only must he protect the Whos from a world of naysayers and dangers, but he must also guard an abandoned egg, left to his care by the dazzling but irresponsible Mayzie La Bird. Although Horton faces ridicule, danger, kidnapping and a trial, the intrepid Gertrude McFuzz never loses faith in him. DIRECTORS’ NOTES: Approximately 10-12 children will be cast in SeussicalTM through the Children’s Auditions*. The part of Jojo may be cast from either Adult or Children’s Auditions; both children and teens of either gender will be considered for this role. A number of performers play several characters; descriptions below are based on the primary characters. All character ages are “stage ages”, the age the actor appears on stage. PARTS AVAILABLE: Auditionees for SeussicalTM must take part in either the “Movement” or “Dance” portion of auditions; characters requiring “Dance” have been noted below. The Cat in the Hat: (Tenor/Baritone / Dance / Age 1630) The show’s mischievous but benevolent narrator and emcee. Loose-limbed with excellent comedic timing and athletic propensities. The Cat’s main objective is to have fun stirring things up, always to a good end. Strong vocals required. THE JUNGLE WORLD CHARACTERS Horton the Elephant: (Tenor/Baritone / Age 20-35) Sightlines • January 2015 www.themuni.org 3 “SeussicalTM” Cont’d... Our story’s main character who is a compassionate, slow-moving gentle giant commonly misunderstood because of his larger size. A contemplative thinker, he is protective and loving of all the creatures in the jungle. Gertrude McFuzz: (Soprano / Dance /Age 20-35) Horton’s sweet but timid one-feathered-tail bird neighbor. Self-conscious of her shortfalls, she’s socially and physically awkward… a little off-beat but delightfully so. Looking to win Horton’s attention and affection. Mayzie LaBird: (Mezzo/ Dance / Age 25-35) The most beautiful and self-centered bird in all the jungle. She relies on her talent for manipulation and intoxicating beauty to navigate her way through life. A tropical dancer (along with her Bird Girls), she’s the hottest act around. Strong dance skills required. The Sour Kangaroo: (Alto / Age 30-45) The soulful and sassy diva queen of the jungle, with a commanding physical presence. She is loud, brassy and stubbornly set in her ways. Caring mother to Roo. Bird Girls (3 Women): (Mixed Vocals / Dance / Age 17-35) Mayzie’s flamboyant back-up performers, these beautiful birds live to sing, dance, perform and flirt. Trio dances in tight synchronization (Latin, nightclub and Motown styles.) Strong dance skills required. Wickersham Brothers (3 Men): (Mixed Vocals/ Dance / Age 17-35) Impulsive bad boys who like to “monkey” around, these macho brothers are the henchmen for the powerful Sour Kangaroo. They pride themselves on their agility, speed and cunning nature. Must have good athletic ability. Mr. Mayor: (Tenor/ Baritone / Age 30-50) As the leader of the Whos, he likes his world to be tidy and predictable, at odds with his child Jojo’s troubling antics. Mrs. Mayor: (Soprano / Age 30-50) Above all else, she wants to be a good wife and mother. Like her husband, she’s at her wits end with Jojo and worries about not knowing how to best care for their “different” child. General Genghis Khan Schmitz: (Baritone / Age 30-65) A military instructor and old-world soldier past his prime. Believes in values of militaristic regimentation, conformity, physical training, and following orders without question. Commands attention with a loud voice and intimidating presence. The Grinch: (Baritone/Bass / Age 25-45) Now a happy member of the Who community, this green beast once lived angrily apart and disrupted the pleasantry of the Whos. *Who Ensemble – Citizens and *Military Cadets (8-12 Adults / 10 Children): (Mixed Vocals / Dance / All Ages) The Whos are innocent, slightly quirky people who value conformity and clean living. They want to keep the status quo, which means keeping the planet safe, their bread butter side-up, and their lives tidy and predictable. Some kids – like Cindy Loo and Cindy Too – are perfect as their parents expect them to be. Others – like Jojo – often end up under the General’s rule in the military. Their straight and proper carriage is interspersed with whimsical, off-center and quirky movements. Cadets must be able to execute unison movement. West Side Story — Presented by Springfield Clinic Jungle Animal Ensemble (8-12 Adults): (Mixed Vocals / Dance / All Ages) Street-smart creatures that live by the laws of the jungle, the animals follow the powerful Kangaroo without question and do not cross the Wickershams. Each has individual movement and character traits that distinguish them from one another. Must be strong, expressive dancers. WHOVILLE CHARACTERS *Jojo: (Strong Vocals / Child or Teenager) Male or Female role. The Mayor’s kid, he/she is a Who that stands out in a world that values conformity. Always in trouble, Jojo is bright, creative and possesses a wild imagination. Finds solace in his/her friendship with Horton. Sightlines • January 2015 PARTS AVAILABLE: All auditionees for West Side Story, excluding the adults, must take part in the “Dance” audition. The adults must participate in the Movement portion though. Tony: (Tenor/ Dance / Age 20-30) Handsome former Jet who falls in love with Maria. Riff’s best friend. Maria: (Soprano / Dance / Age 18-25) Lovely Puerto Rican immigrant excited about her new life in America. Vibrant but stubborn and strong. Falls in love with Tony. Anita: (Mezzo / Dance / Age 20-27) Older and wiser Puerto Rican. Flashy and sharp tongued. In love with Bernardo. Maria’s friend. Bernardo: (Baritone / Dance / Age 20-30) Handsome and proud leader of the Sharks. In love with Anita. Maria’s older brother. Riff: (Tenor / Dance / Age 18-27) Leader of the Jets. Tony’s best friend. Action: (Baritone / Dance / Age 18-27) Most aggressive member of the Jets. Explosive and energetic. Baby John: (Baritone / Dance / Age 16-25) Youngest member of the Jets. Tries to act tough but is vulnerable. Diesel, A-Rab, Snowboy and Big Deal: (Baritone / Dance / Ages 18-27) Members of the Jets. Chino: (Baritone / Dance / Age 18-27) Shy, sweetfaced member of the Sharks. Intended husband for Maria. Yertle the Turtle: (Baritone/Bass / Age 20-40) With a sense of entitlement and a need for order, he likes to be the one looked to for decision-making and setting things right. Of solid physique and a slow mover. Vlad Vladikoff: (Any Vocal Range / Dance / Age 19-35) Vlad does the Wickershams’ dirty work. In his full glory with his imposing wing span, he’s scary and formidable. Movement must be powerful and precise. Can’t be scared of heights. DIRECTOR’S NOTES: All potential cast members, with the exception of Doc and the Policemen, are required to participate in a dance audition. We will also be casting 2-4 children (boys and girls) from the Children’s Auditions*. Pepe, Indio, Luis, Juano, Nibbles and Toro: (Baritone / Dance/ Ages 18-27) Members of the Sharks. AUGUST 7-8, 13-15, 20-22 Rehearsals Start JUNE 1 DIRECTOR: Anna Bussing PRODUCER: Jake Smith Anna Bussing ASSISTANT DIRECTOR: Julie Ratz VOCAL DIRECTOR: DJ Schultz CHOREOGRAPHERs: Anna Bussing & Julie Ratz ARTISTIC DIRECTOR: Craig Williams II A classic young adult love story showcasing extensive dance scenes! Shakespeare’s Romeo & Juliet is transported to New York City as two young lovers, Tony and Maria, find themselves caught between the warring street gangs of the “American” Jets and the Puerto Rican Sharks. They struggle to survive in a world of hate, violence and prejudice. West Side Story highlights a young ensemble cast and is one of the most memorable musicals and greatest love stories of all time. Anybodys: (Alto / Dance / Age 16-25) Scrawny girl who wants to be in the Jets. Wants them to take her seriously. Velma: (Alto / Dance / Age 18-25) Riff’s girl. Very strong dance. Confident and sexy. Minnie, Graziella, Pauline and Clarice: (Mezzo / Dance / Age 18-25) Jet girls. Consuela: (Mezzo / Dance / Age 18-25) Shark girl who sings in America and I Feel Pretty. Strong dance. Rosalia: (Mezzo / Dance / Age 18-25) Shark girl who sings in America and I Feel Pretty. Strong dance. Estrella, Teresita and Francisca: (Mezzo / Dance / Age 18-25) Shark girls. Doc: (Speaking Role / Age 50-60) Drug store owner. Tired and worn out. www.themuni.org 4 “West Side Story” Cont’d... Officer Krupke: (Speaking Role / Age 40-50) Not too bright street cop. Lieutenant Schrank: (Speaking Role / Age 40-50) Policeman used to being in charge. Superficially pleasant. *Ensemble – Children (2-4 Boys & Girls): (Mixed Vocal Ranges) Sing and dance in the song Somewhere only. Cabaret — Muni will do the 1998 Broadway Revival version of this show, which is the same version currently showing on Broadway. PARTS AVAILABLE: Do you know someone who loves to Auditionees for Cabaret must take part in either the “Movement” or “Dance” portion of auditions; characters requiring “Dance” have been noted below. attend The Muni’s shows but can no Emcee: (Tenor/ Dance / Age 25-55) Host at the Kit Kat Klub. Comedic and naughty with a German accent. Range: Presented by Illini Bank Middle C – High C#. Sally Bowles: (Soprano / Dance / Age 21-42) Headliner at the Kit Kat Klub. Strong actress with a British accent. Range: Low A – High C. SEPTEMBER 4-5, 10-12, 17-19 Rehearsals Start JULY 27 DIRECTOR: Rich McCoy PRODUCER: Cathy Schwartz ASSISTANT DIRECTOR: Joe-Michael Jackson VOCAL DIRECTOR: Karla Joelle Butcher CHOREOGRAPHER: Elizabeth Cheney Rich McCoy [Mature Content] A decadent, dark and intimate show for adults featuring cabaret-inspired acts! “What good is sitting alone in your room, come hear the music play!” Set in Berlin just as the Nazis are rising to power, Cabaret explores the relationship between Sally Bowles, headliner at the Kit Kat Klub, and Cliff Bradshaw, a young American writer. Overseeing the action is the Emcee, who assures the audience that despite tumultuous times, all troubles are forgotten at the cabaret. Classic songs like “Maybe This Time”, “Wilkommen” and, of course, “Cabaret” take you inside the heart of the last days of this free-spirited decadent period just before the dark days of WWII. RIDE THE BUS TO THE MUNI! longer drive? The Muni has bus service available for the first “Senior Night” of each production. Learn more online at www.themuni.org Cliff Bradshaw: (Tenor / Age 21-33) American writer visiting Berlin. Not much singing. PARKING GARAGE BY HOOGLAND Fraulein Schneider: (Alto / Age 50+) German landlady. Speaks with a German accent. Range: Low D – Ab Above Middle C. The parking garage next to Hoogland Herr Schultz: (Tenor / Age 60+) Fruit shop proprietor. Speaks with a German accent. Range: Low G – High F. its facilities at any point. Please bring Fraulein Kost: (Mezzo/Alto / Age 25-40) Prostitute with strong sexual, commanding nature. Speaks with a German accent. Range: Low A – High F. Workshop and Auditions. Ernst Ludwig: (Any Vocal Range / Age 21+) German businessman who is likeable and friendly. Speaks with a German accent. Sings but no solos. Kit Kat Girls – Frenchie, Helga, Lulu, Rose and Texas (5 Women): (Mixed Vocal Ranges / Dance / Age 20s-40s) Strong dancers comfortable in scantly-clad costumes that show off sex appeal. is now charging fees for anyone to use cash or plan accordingly for the Audition VISIT OUR ONLINE STORE Muni logo items can be purchased at www.cafepress.com/thespringfieldmuni Kit Kat Boys – Bobby, Hans, Herman, Rudy and Victor (5 Men): (Mixed Vocal Ranges / Dance / Age 20s-40s) Strong dancers comfortable in scantly-clad costumes that show off sex appeal. Chorus (6-10 Men & Women): (Mixed Vocal Ranges / Adults) Play a variety of roles and sing in chorus. Club patrons, sailors, customs officials, stage band, and Nazis. Strong singers. DIRECTOR’S NOTEs: This show contains mature content and, as such, only adults will be cast in the show. The Pit Chorus (TBD): (Mixed Vocal Ranges) Members of this chorus are not on stage but sing in the orchestra pit. F Aside from these benefits, as a “Backstager” you can take pride in knowing that you are playing an important part in continuing Springfield’s long and proud traditions of Broadway under the stars. JOIN US BACKSTAGE WHERE THE MAGIC HAPPENS! OR MORE THAN 50 YEARS, The Muni has presented the best shows Broadway has to offer. Every summer, hundreds of volunteers join together to present four incredible shows featuring amazing talent. Sign up to become a “Backstager” and receive exclusive benefits that are not available to the general public, including premium parking, backstage tours, priority ticketing and more. Whether you want to spend $25 or $1,500, there’s a membership package that’s just right for you. Sightlines • January 2015 To kick off The Muni’s 2015 Season, the annual “Backstager” dinner (on The Muni patio) and backstage tours will be held on June 4th during a rehearsal of Monty Python’s Spamalot. So what are you waiting for? Come join the fun and become a Muni “Backstager”! For more information, contact Cathy Schwartz. [email protected] or 217-836-1137 The Springfield Municipal Opera 815 East Lake Drive Springfield, IL 62712 To Order Tickets: (217) 793-MUNI Email: [email protected] Web: www.themuni.org www.themuni.org 5 The Springfield Municipal Opera P.O. Box 2255 Springfield, IL 62705 NON-PROFIT U.S. POSTAGE PAID SPRINGFIELD, IL PERMIT NO 931 THANK YOU TO OUR 2015 SHOW SPONSORS!