sightlines

SIGHTLINES
T H E
M U N I
N E W S L E T T E R
President’s Message:
JOIN US FOR THE MUNI’S 2014 SEASON!
W
e have such an exciting line up of
shows this summer, and based on
your feedback, we’ve made a few
updates as well!
Our annual “Audition Workshop” is
coming up on Saturday, February 15.
This is a great opportunity for individuals
(new and veteran performers alike) to
meet the production
staffs, obtain information
about auditions and
volunteering at The Muni,
and get first “dibs” on
vocal and dance audition
times/days. The annual
Mac Warren
Audition Workshop is at
the Hoogland Center for
the Arts, and you’ll find more information
about it in this edition of Sightlines.
Do you have a special talent and need a
great place to share that talent? The Muni
is an all-volunteer organization, and we’d
love for you to share your talent with us.
Each year, The Muni is so grateful for the
1,000+ individuals who help with things
like building sets, raking leaves, painting and
scene art, repairs on the site, building special
props, ushering during performances, and
much more. We can’t do it without them,
and would appreciate your help too! If
you are interested in contributing to
“The Muni Magic”, please contact
our Volunteers Chair, Julie Finnell at
[email protected].
There are many opportunities to become
part of The Muni family, even if painting
and raking leaves isn’t your cup of
tea. Each year, we are honored to have
the support of a very special group of
individuals called the “Backstagers”. The
charitable contributions we receive from
the Backstagers are an enormous help
to the organization. There are added
benefits to being a Backstager … along with
our sincere gratitude, Backstagers enjoy
Sightlines • January 2014
premiere parking and priority season ticketing.
You can read more about being a Backstager
online or in this issue of Sightlines.
Speaking of season tickets... you’ve picked
them up already, right? If not, no worries,
there’s still time to make sure you are ready
to enjoy fantastic shows this season like The
Sound of Music, All Shook Up, Shrek-The
Musical and Jekyll & Hyde. Season tickets
are a great way to save money and make
a great gift for someone special. So treat
yourself or a friend to a slice of Muni magic!
Season tickets are available at local retailers
in Springfield, Jacksonville, Sherman and
Williamsville.
New in 2014... Patrons will now be able to
enjoy each of our four Muni productions
for THREE WEEKS instead of two! We
listened to your feedback and by eliminating
our traditional Sunday and Wednesday
performance days, we were able to extend the
run of each production for a third weekend
of Broadway Under the Stars.
We’ve also streamlined the way individuals
can register for a vocal and dance audition
by creating an online registration form.
Auditionees will be able to manage their
own vocal and dance audition registrations,
update their contact information, and much
more. If you’d like to learn more about the
online audition registration form, make sure
to attend the Audition Workshop or visit our
website, www.TheMuni.org for more details.
Finally, I’d like to give special thanks to
our season sponsors. Organizations and
individuals like Springfield Clinic, County
Auditor Paul Palazzolo, McGladrey and
Illini Bank are absolutely wonderful for
supporting local theatre, and ensure there is
plenty of Muni Magic each and every summer.
I look forward to seeing you at The Muni!
— Mac Warren
President, The Muni
2014 SEASON:
SPRINGFIELD CLINIC presents
JUNE 13-14 | 19-21 | 26-28
COUNTY AUDITOR
PAUL PALAZZOLO presents
JULY 11-12 | 17-19 | 24-26
McGLADREY presents
AUGUST 8-9 | 14-16 | 21-23
ILLINI BANK presents
SEPTEMBER 5-6 | 11-13 | 18-20
www.themuni.org
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ATTEND A WORKSHOP
CHILDREN’S WORKSHOP
Sat., Feb. 15 at 10:00 a.m.
Hoogland Center for the Arts Open to kids between 8-13 years of age
J
oin us as we kick off our audition
process with two workshops - one
for children, one for adults - where
we’ll hear from directors about their
expectations, casting requirements, and
planned rehearsal schedules. Experienced
Muni performers and staff will talk about
The Muni’s audition process and share
tips on how to prepare. The really BIG
NEWS is the launch of our brand new,
full on line registration where you can
manage and view your registration form
ADULT WORKSHOP
Sat., Feb. 15 at 1:00 p.m.
Hoogland Center for the Arts
Open to those 13 years of age and up
and directly select your audition time
slots! AUDITIONEES ARE ASKED TO COMPLETE AN
ONLINE FORM PRIOR TO THE START OF AUDITIONS.
Immediately following the workshop, you are
welcome to attend a “meet and greet” with
the directors and their staff. You’ll be able
to ask questions, pick up music, and, most
importantly, sign up for an audition time slot
on a limited number of laptops before the
official online sign up begins on Sun., Feb. 16.
WHAT TO EXPECT THE DAY OF YOUR AUDITION
ADULT AUDITIONS
March 1, 2, 8 • 8 a.m. to 5 p.m.
Hoogland Center for the Arts A
DULT AUDITIONS take place in
hour long sessions; vocal/movement
auditions are separate from dance
auditions. Plan to check in at the
registration table at least 45 minutes prior to
your scheduled audition time, allowing time
for the vocal warm-ups before the actual
audition.
The Muni provides accompanists for all
vocal auditions, so please bring sheet music
suitable for piano accompaniment.
In closed auditions with a small group
of other auditionees, each auditionee will
perform a short (2 minutes or less) song of
his or her choosing. Auditionees may be
asked to read from a script provided by the
directors.
Basic movement auditions, done in a group,
take place at the end of the audition time
WANT TO LEARN MORE?
Visit www.themuni.org to see our “Top 10
Audition Tips” for auditioning at The Muni!
Sightlines • January 2014
CHILDREN’S AUDITIONS
March 15 • 8 a.m. to 5 p.m.
Hoogland Center for the Arts
slot. Only auditionees who participate in
the hour long, separate dance audition are
exempt from the movement audition. Some
roles require auditionees to participate in
a full dance audition. This is largely based
upon the demands of the role for which the
adult is auditioning or for which the director
is considering him/her. (Consult the “Parts
Available” section of Sightlines to see what
parts require dance.) Hour-long dance
auditions are scheduled separately from vocal
auditions.
CHILDREN’S AUDITIONS take place in
two-hour sessions; shows casting children
are The Sound of Music and Shrek the
Musical. During the first hour, Muni staff
will teach auditionees a simple song and
dance. Auditionees’ parents or guardians are
welcome to observe this learning portion of
the audition.
The second hour is the closed audition and
only The Muni show staff are permitted to
be present. During the audition, auditionees
will perform the song and dance in front of
the show staff. Callback invitations are posted
by the auditionee number in the lobby shortly
following each audition session.
Can’t attend? If you don’t attend a
workshop, you can sign up for an audition
time slot online at The Muni website
starting Sunday, Feb. 16. Audition time
slots will be filled in the order they are
received.
The Muni Trustees
Chairman
Steve Kaplan
Dave Britton
Gene Rubley
Georgia Dirksen
Marj Berchtold
Roger Holmes
Randy Ragan
Tom Appleton
Dennis O’Brien
The Muni Board of Managers
President Mac Warren
Vice President Diane Hoots
Treasurer Randy Ragan
Secretary John Baker
Immediate Past President Tom Frost
Julie Finnell
Sally Fritz
Alexa Giacomini
Randy Herpel
Dan Humphries
Lisa Leach
Gil Opferman
Mike Rogers
Steve Rotello
Marge Roth
Cathy Schwartz
Daniel Shelton
Jake Smith
Michelle Tebrugge
Cindy Wall
Mark Wheeler
Craig Williams II
Auditions Chair Gil Opferman
Auditions Online Form Developer Dan Humphries
The Muni “Sightlines” Newsletter
Layout/Design:
Design:
Copy:
Production: Contributors: Anna McFarland
Jeremy Goeckner
Alexa Giacomini
Cathy Schwartz
Gil Opferman, Mike Rogers,
Mary Bonn, Vicki Stehn
www.themuni.org
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THE SOUND OF MUSIC — Presented by Springfield Clinic
JUNE 13-14, 19-21, 26-28
Rehearsals Start APRIL 18
DIRECTOR: Greg Donathan
Greg Donathan
PRODUCER: Tom Frost
ASSISTANT DIRECTOR: Lori Ann McCabe
VOCAL DIRECTOR: Elizabeth Donathan
CHOREOGRAPHER: Taryn Grant
The Return of an All-Time-Favorite Family
Classic!
The final collaboration between Rodgers &
Hammerstein and one of the world’s most
beloved musicals, The Sound of Music is
based on the true story of the von Trapp
family. Taking place in 1930’s Austria,
Maria Rainer is a young postulant who
finds herself in trouble more often than
in prayer. In an effort to help her find her
true calling in life, Mother Abbess sends her
to the home of the widowed Captain von
Trapp to look after his seven children who
have successfully run off all the previous
governesses. Maria’s fun loving personality,
sense of perseverance and love of music
soon wins over the children – as well as the
Captain. However, danger looms for the
von Trapp family as Austria is invaded by
Nazi Germany. The family’s narrow escape
over the mountains to Switzerland on the
eve of WWII provides one of the most
beautiful and inspirational finales in musical
theatre history.
PARTS AVAILABLE:
All auditionees for The Sound of Music
must take part in the “Movement” portion
of auditions (“Dance” is not required.)
Maria Rainer: (Soprano) A postulant at
Nonnberg Abbey. Free spirited, warm and
kind with much determination.
Captain Georg von Trapp: (Baritone) A
former Austrian Navy Captain and the head
of the von Trapp family. Polished and very
militant in the way he runs his life to repress
his sadness over the death of his wife.
Underneath he is warm, understanding and
determined.
Mother Abbess: (Soprano) Mother
Superior at Nonnberg Abbey. Motherly and
understanding, but strong and assertive with
Maria and all those she leads at the Abbey.
Liesl: (Soprano) The eldest of the von
Trapp children, blossoming into a young
Sightlines • January 2014
lady. She has a maternal nature and cares very
deeply for her younger siblings.
Friedrich: (Tenor) One of the von Trapp
children. Tough exterior, very much trying to
be “the man” of the family.
Louisa: (Soprano) One of the von Trapp
children. Often testing her limits within the
family.
Kurt: (Male Soprano) One of the von Trapp
children. Gentle and mischievous.
Brigitta: (Soprano) One of the von Trapp
children. Smart, observant and wise beyond
her young age; reads a lot.
Marta: (Soprano) One of the von Trapp
children. Very sweet and gentle.
Gretl: (Soprano) The youngest of the von
Trapp children. Cute as can be!
Max Detweiler: (Tenor) Friend to the
Captain and von Trapp children. A man of
sophistication who enjoys the good life. A
confirmed bachelor.
Elsa Schraeder: (Soprano) A wealthy and
sophisticated baroness of taste and elegance,
dignified and cultured.
Rolf Gruber: (Tenor) A telegram delivery
boy and suitor to Liesl, who eventually finds
himself influenced by the Nazi party.
Sister Bertha: (Soprano) Mistress of the
Novices. Prudish, straight laced with a quick
tongue, she is less tolerant than the other
nuns.
Sister Margaretta: (Soprano) Mistress of
the Postulants. Very kind, understanding and
concerned.
Sister Sophia: (Soprano) A nun at Nonnberg
Abbey. Neither demanding nor critical,
follows the rules.
Herr Zeller: (No Singing Required) Member
of the Nazi party. Stern and unsmiling, a
typical Nazi official whose primary concern is
to see that everyone toes the line.
Baron Elberfeld: (No Singing Required)
Member of the Nazi party.
Admiral von Schreiber: (No Singing
Required) Member of the Nazi party.
Franz: (No Singing Required) The von Trapp
family’s butler. Rather formal but not without
spirit, he is very German and loyal to the
Fascist cause. Frau Scmidt: (No Singing Required) The
von Trapp family’s housekeeper. She does her
job efficiently, sometimes appearing to lack
affection. However, underneath she loves and
is very concerned with the welfare of the von
Trapp family.
Ursula: (No Singing Required) The von
Trapp family’s maid.
Ensemble: (All Ranges) 20 men/women.
ALL SHOOK UP —
Presented by County Auditor
Paul Palazzolo
JULY 11-12, 17-19, 24-26
Rehearsals Start MAY 13
DIRECTOR: Anna Bussing
Anna Bussing
PRODUCER: Jake Smith
ASSISTANT DIRECTOR: Julie Ratz
VOCAL DIRECTOR: Kellen Fant
CHOREOGRAPHER: Anna Bussing & Julie Ratz
The Story is All New, the Hits are All-Elvis!
It’s 1955 and into a square little town in a
square little state rides a mysterious, guitarplaying roustabout who changes everything
and everyone he meets by helping them
discover the magic of romance and the
power of rock & roll. In this musical
comedy inspired by Shakespeare’s Twelfth
Night, mistaken identity and mayhem ensue
after he comes to town. Featuring the songs
of Elvis Presley, this hip-swiveling, lipcurling musical fantasy will have you jumpin’
out of your blue suede shoes and singing
along to classics such as “Jailhouse Rock”,
“Love Me Tender”, “Don’t Be Cruel”,
“Can’t Help Falling in Love”, and of course,
the title tune, All Shook Up!
PARTS AVAILABLE:
Auditionees for All Shook Up must take
part in either the “Movement” or “Dance”
portion of auditions; characters requiring
“Dance” have been noted below.
Chad: (Tenor/ Dance/ Age 22-30) Great
looking, motorcycling, guitar playing, leather
jacketed roustabout.. Strong vocals and
dance necessary
Natalie Haller: (Mezzo/ Dance/ Age
20-25) Female mechanic who instantly falls
for Chad. Disguises herself as “Ed” to get
closer to him; not a “girlie-girl.”
Jim Haller: (Baritone/ Age 45+) Natalie’s
widowed father. Middle aged and messy, still
longing for his wife.
Sylvia: (Mezzo/ Age 35+) The no nonsense, African-American owner of Sylvia’s
Honky-Tonk. Mother of Lorraine.
Lorraine: (Mezzo/ Dance/ Age 1519) Sylvia’s teenage daughter (AfricanAmerican). Hopeless romantic who falls in
love with Dean Hyde.
www.themuni.org
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real hero. Luckily, there’s one on hand… and
his name is Shrek.
“All Shook Up” Cont’d...
Dennis: (Tenor/ Dance/ Age 18-25)
Awkward young man who loves Natalie and
aspires to be a dentist.
Miss Sandra: (Mezzo/ Dance/ Age 25-30)
Beautiful, intellectual woman who is the
caretaker of the town’s museum.
Mayor Matilda Hyde: (Soprano/ Age
40+) The town’s very conservative mayor
Dean Hyde: (Tenor/ Dance/ Age 17-22)
Matilda’s teenage son who has spent his
youth at military boarding schools and has
never disobeyed his mother, until he meets
Lorraine.
Sheriff Earl: (No Singing Required/
Age 40+) A man of very few words who
faithfully follows Mayor Matilda.
Dancing Ensemble: (Dance) 10-15 very
strong male and female dancers to be
featured in multiple numbers.
Singing Ensemble: Assortment of 15
people of all ages, races and genders to play
townspeople and other various parts.
SHREK THE MUSICAL —
Presented by McGladrey
AUGUST 8-9, 14-16, 21-23
Rehearsals Start JUNE 16
DIRECTOR: Craig Williams II
PRODUCER: Julie Herpel
ASSISTANT DIRECTOR: Ronda Brinkman
VOCAL DIRECTOR: Christie Lazarides
CHOREOGRAPHER: Andrew Maynerich
Craig Williams II
[Muni Debut!] Let Your Freak Flag Fly on
an Ogre-Sized Adventure!
Shrek The Musical, based on the Oscar®
winning DreamWorks film that started it
all, brings the hilarious story of everyone’s
favorite ogre to dazzling new life on stage.
Set in a faraway kingdom turned upside
down, things get ugly when an unseemly
ogre – not a handsome prince – shows
up to rescue a feisty princess. Throw in a
donkey who won’t shut up, a bad guy with
a SHORT temper, a cookie with an attitude
and over a dozen other fairy tale misfits, and
you’ve got the kind of mess that calls for a
Sightlines • January 2014
PARTS AVAILABLE:
Auditionees for Shrek The Musical must take
part in either the “Movement” or “Dance”
portion of auditions; characters requiring
“Dance” have been noted below.
Shrek: (Tenor/ Age 20s-40s) A big green
ogre who is a self-imposed recluse. He
embarks on a journey to rid his land of
fairytale creatures, eventually revealing his
many layers on his way to becoming the hero.
Range: A2-G#4
Fiona: (Soprano with High Belt/ Dance/
Age 20s-30s) The beautiful princess of Far
Far Away who transforms into an ogre every
night. Quirky, blunt and multitalented. Range:
F3-G6
Donkey: (Tenor/ Dance/ Age 20s-30s)
A talking donkey who joins Shrek on his
journey. Quite the chatterbox, he is not
deterred by Shrek’s looks and practically
forces himself into his good graces. Range:
C3-B4
Lord Farquaad: (Baritone-Tenor/ Dance/
Age 20s-40s) The comically short, ruthless
ruler of Duloc. He is in search of a princess
to marry so he can become king. He has an
intensely unfair bias against fairytale creatures.
Range: B2-D5
Dragon: (Alto with High Belt/ Dance/ Age
Teens-40s) A dragon charged with guarding
Princess Fiona in her isolated castle. Imposing
and flirtatious she eventually falls in love with
Donkey. Range: F3-Eb5
Gingy/Sugar Plum Fairy: (Alto with High
Belt/ Dance/ Age Teens-40s) A gingerbread
man initially kidnapped by Lord Farquaad.
His wit and resolution help him both avoid
trouble and inspire the rest of the fairytale
creatures. Puppet. Range: B3-C#5
Pinocchio: (Baritone-Tenor/ Dance/ Age
20s-40s) Can be played by Male or Female.
Leader of the fairytale creatures with plenty
of sass and a penchant for lying. Range: E3F#4 with good falsetto
3 Little Pigs/Knight: (Baritone-Tenor/
Dance/ Age Teens-50s) 3 great singers/
actors, funny, anxious and have German
accents.
Teen Fiona: (Alto-Soprano with High Belt/
Dance/ Teens) Teen girl with high belt. Role
will also participate in the ensemble.
Mama Ogre/Mama Bear: (Alto-Soprano/
Dance/ Age 30s-50s) Shrek’s Mama and
Mama Bear. Role may also participate in the
ensemble.
Papa Ogre/Papa Bear: (Tenor-Baritone/
Dance/ Age 30s-50s) Shrek’s Papa and Papa
Bear. Role may also participate in the
ensemble.
King Harold: (Baritone/ Dance/ Age
30s-50s) Fiona’s Papa. Role will also
participate in the ensemble.
Queen Lillian: (Alto with High Belt/
Dance/ Age 30s-50s) Fiona’s Mama. Role
will also participate in the ensemble.
Guard: (Baritone-Tenor/ Dance/ Age
20s-50s) Sends Fairytale creatures to Shrek’s
swamp. Role will also participate in the
ensemble.
Ugly Duckling: (Alto-Soprano/ Dance/
Age Teens-20s) Female comedic fairytale
character.
Big Bad Wolf: (Bass-Baritone/ Dance/
Age Teens-50s) A tough guy who isn’t afraid
to let the world know he likes dressing up
in Granny’s clothes. Seeking an actor with
great comedic skill, excellent singer and
strong dancer/mover. Range: Up to G4
Humpty Dumpty: (Alto-Soprano /
Dance/ Age Teens-30s) A large egg
who falls off a wall. Excellent singer and
excellent dancer (tap and jazz) with great
comedic skill.
Wicked Witch: (Soprano / Dance/ Age
20s-50s) Seeking a great comedic actress.
Young Shrek: (Any Range/ Dance/ Child)
A young ogre who gets sent away from
home at a young age to live a recluse life in
a swamp.
Young Fiona: (Alto-Soprano/ Dance/
Child) A young princess locked in a tower
to wait for her prince to save her and still
too young to lose hope in the possibility of
a happy ending.
Ensemble: (All Ranges/ Dance/ All Ages)
While Rabbit, Fairy Godmother, Peter Pan,
3 Blind Mice, Tweedle Dee, Baby Bear,
Mad Hatter, Elf, Captain of the Guard,
Thelonius, Greeter, Bluebird, Pied Piper,
Bishop, Sign Bearer, Dwarf (Grumpy),
Happy People/Mob, Farquaad’s Guards,
Head Duloc Performer, Duloc Performers,
Forest Creatures, Dancing Rat Tappers
Each year, great thought and
consideration are given to developing
the season. It is our goal not only to
provide you with shows that are familiar
but also new productions. We are
proud to be part of this community and
grateful for your continued support.
www.themuni.org
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JEKYLL & HYDE — Presented by Illini Bank
SEPTEMBER 5-6, 11-13, 18-20
Rehearsals Start JULY 9
DIRECTOR: Laurie O’Brien
PRODUCER: John Baker
ASSISTANT DIRECTOR: Joshua Ratz
VOCAL DIRECTOR: Steve Rotello
CHOREOGRAPHER: Julie Ratz
Laurie O’Brien
[Muni Debut!] A Dark and Dangerous Love
Story Based on the Classic Novel!
Dramatic and beautiful with haunting music
from Frank Wildhorn and Leslie Bricusse,
Jekyll & Hyde is the story of the struggle
between the “good” and “evil” natures of
man. Dr. Henry Jekyll invents a formula that
can isolate the two warring personalities.
When he tries the formula on himself, he
liberates his evil persona, Edward Hyde.
The story comes to a dramatic climax as
Edward Hyde becomes more and more
violent, threatening Jekyll’s friends and the
two women who love him.
PARTS AVAILABLE:
Auditionees for Jekyll & Hyde must take
part in either the “Movement” or “Dance”
portion of auditions; characters requiring
“Dance” have been noted below.
Dr. Jekyll/ Mr. Hyde: (Tenor/ Age 30-40)
A doctor obsessed with analyzing the “good”
and “evil” nature of a man. Must be able to
portray both personas. Range: Bb2-A4
Emma Carew: (Soprano/ Age 25) Jekyll’s
long suffering fiancée. Range: A3-C6
Lucy Harris: (Mezzo/ Dance/ Age 20-30) An
actress and prostitute who falls in love with Dr.
Jekyll. Range: G#3-F#5
Gabriel Utterson: (Tenor/ Age 30-45) Jekyll’s
lawyer and best friend. Range: A2-G4
Simon Stride: (Tenor/ Age 30-40) Secretary
of the Board of Governors who is in love with
Emma. Range: A2-G4
Bishop of Basingstoke: (Tenor/ Age 40-60)
Hypocritical, sadistic man of the cloth. Range:
C#3-G4
General Lord Glossop: (Baritone/ Age
50-60) Pompous retired army man. Range:
G#3-C4
Lord Savage: (Baritone/ Age 30-50) Selfimportant man. Range: C-E 1 ½ octave
Lady Beaconfield: (Mezzo/ Age 30-60)
Bitter, malicious dowager. Range: C-E 1 ½
octave
Sir Archibald Proops: (Baritone/ Age 30-50)
Queen’s Counsel, cold, business-like.
Sir Danvers Carew: (Baritone/ Age 60)
Emma’s gentile, loving father and Chairman
of the Board of Governors.
Singing Ensemble: (All Ranges/ Adults) 8
women / 12 men. Will play many featured
parts in the cast.
Dancing Ensemble: (All Ranges/ Dance/
Adults) In addition to singing portions of
the show, these 4 dancers will be featured
throughout the show.
RIDE THE BUS TO THE MUNI!
Do you know someone who
loves to attend The Muni’s
shows but can no longer drive?
The Muni has bus service available
for the first “Senior Night” of each
production. Cavallo deluxe coaches pick
up at nine different locations around
Springfield.
There are two options available: the first
package includes the bus and reserved
seats at The Muni and the second
provides transportation only. Both
provide a free popcorn and a fountain
drink.
If you want to be part of the fun, please
visit The Muni’s website (www.themuni.
org) or contact Gil Opferman (gil.
[email protected] / 217-487-7342).
Keep an eye out for our March mailing
with all the details!
JOIN US BACKSTAGE WHERE THE MAGIC HAPPENS!
F
or more than 60 years, The Muni has
presented the best shows Broadway
has to offer. Every summer, hundreds
of volunteers join together to present four
incredible shows featuring amazing talent.
Sign up to become a “Backstager” and
receive exclusive benefits that are not
available to the general public, including
premium parking, backstage tours,
priority ticketing and more. Whether
you want to spend $25 or $1,500, there’s
a membership package that’s just right for
you.
Aside from these benefits, as a “Backstager”
Sightlines • January 2014
you can take pride in knowing that you are
playing an important part in continuing
Springfield’s long and proud traditions of
Broadway under the stars.
To kick off The Muni’s 2014 Season, the
annual “Backstager” dinner (on The
Muni patio) and backstage tours will be
held on June 4 during a rehearsal of The
Sound of Music.
So what are you waiting for? Come join the
fun and become a Muni “Backstager”! For
more information, contact Gil Opferman
([email protected] / 217-487-7342).
The Springfield Municipal Opera
815 East Lake Drive
Springfield, IL 62712
To Order Tickets: (217) 793-MUNI
Email: [email protected]
Web: www.themuni.org
www.themuni.org
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THANK YOU TO OUR 2014 SHOW SPONSORS!