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Supported by
Rising Sons Brewery
INDIE CORK
www.indiecork.com
12
19
Oct 2014
A
festival
of
independent
film
& music
03
Welcome to IndieCork!
Main Sponsor
Supported by Rising Sons Brewery
We’re back with a second IndieCork festival within
eighteen months of our founding.
Marcin Lewandowski
This second edition is inspired by the creativity of film makers,
music makers and emerging and independent talents who we
are privileged to platform at IndieCork. We are delighted to be
able to offer a welcome, positive place to screen new work, to
play new music, and to develop their craft and careers.
We have organised a rich week of screenings, talks,
workshops, panels, gigs and inevitably, some fine craft beer.
Our venues are our partners in this endeavor; The Gate our
busy hub, with screenings throughout the day and evening.
On Thursday 16th October we have a full day in Triskel Arts
Centre, with special screenings and presentations from
renowned film artists. The Firkin Crane partner with us this
year, and we present dance and poetry film specials there.
Each night at The Crane Lane, the focus turns to new music,
new talent and a welcome festival club ‘til late!
Partners
Official Hotel Partner
Members of the IndieCork team.
One of the pleasures this year has been working with new
voices and talents, who have made innovative contributions
to this year’s programme. Enjoy the unique and rare moments
a festival can offer, the new and creative encounters that
happen, and join with us in this celebration.
The support and enthusiasm for IndieCork has been sustained
in our second year. As a shareholder-owned, cultural
cooperative we invite others to join us. Thank you to those
who have placed their faith in IndieCork and continued their
support.
Media Partners
A Welcome from IndieCork’s sponsor
– Rising Sons Brewery
IIn the months since the first edition of IndieCork, Rising Sons
Brewery has come to fruition and is now a lively venue on
Cork’s historic Coal Quay. IndieCork is rapidly becoming an
established national event for the independent film sector and
Cork continues to be an exciting city to live in and visit.
Rising Sons Brewery and Cork Heritage Pubs are happy to be
associated with the social and cultural life of the city. We’re
particularly delighted to have been the founding sponsor of
IndieCork and in its second year to have helped it expand to
an eight-day event.
Independent cinema and craft beer seem to us to be a good
combination. We are also pleased that the Crane Lane is
the venue for the parallel IndieCork music programme and
festival club.
We welcome the many young filmmakers to Cork and we
salute their spirit of independence and we congratulate
Úna and Mick and the IndieCork team for presenting us with
another exciting festival, with more to come.
Clíona McCabe
Rising Sons Brewery
We thank Clíona and Benny McCabe for their vision and faith
in IndieCork and their inspiring encouragement. The opening
of Rising Sons Brewery on Cornmarket Street, has brought
a welcome craft industry to Cork, mirroring our hopes and
dreams for IndieCork. Onward!
20 years young
and over the moon
at the birth of
IndieCork
Thank you from the IndieCork Team, 2014
Early pre-theatre
menu
Monday - Saturday, 530 - 6.45pm
€23 for two courses
€29 for three
021 427 7939
Thank You
Daniel Graham, Arrow Films
Joe Kreczak, James King, Curzon Film
Francis Jacobs, Office of the E.U. Parliament in Dublin
James and Michael Fitzgerald, The Project Twins
Miguel Valverde, IndieLisboa
Tamaki Okamoto, Carte Blanche
John Foley, Lisa Sheridan, Bite! Design
Seán O’Sullivan, Osull Design
Pamela Friedman
Sabina Rogala
Kate O’Shea and staff, Crane Lane
Paul McCarthy and staff, Firkin Crane
Tony Sheehah, Chris O’Neill and staff, Triskel Arts Centre
Margaret Greene, Theresa Murphy and staff, The Gate Cinema
Oonagh Kearney
Fearghus O’Conchuir
Katarzyna Wilk, Zofia Scislowska, Krakow Film Foundation
Matt Lloyd Glasgow Short Film Festival
Ken Loach
Sue Phelan
Gary Phelan
Arna Marie Bersaas, Norwegian Film Insitute
Tadgh Crowley
Paul Casey, O’Bhéal
Mairéad Vaughan
Kim Ling Morris, Emer Ni Chíobháin, Sample Studios
Úna O’Keefe
16 Lancaster Quay, Cork
Jane Jermyn
Christian van den Bosch
Gar O’Brien
Lisa Dwyer
Diane O’Driscoll
Benny McCabe, Cliona McCabe, Leo McCabe, Judy Wilkins, Rising Sons
Brewery
Rose-Anne Kidney
Paul McCarthy, Firkin Crane
Rosemary Day
Ciarán Ryan
Eimear O’Donovan
Mick O’Shea
Natalia Beylis
Shimmy Marcus
Kevin Lehane
Denis Cotter, Geraldine O’Toole, Café Paradiso
Michael Lally, Maldron Hotel
Heidrun Rottke, Goethe Insititut
Francis Lynch
Norah Norton
Gerald Weber, sixpackfilm
Salette Ramalho, Liliana Costa, Portugese Short Film Agency
Christine Gendre, Unifrance
Fin Flynn, Corcadorca
Dave Roche, Clive Davis, Cork Gay Project
Michael MacSweeney, ProVision
Liz Morrissey
Ed Kadysewski
Jindrich Pietras, European Parliament
Liadh Ní Riada MEP
Marcin Lewandowski
Jed Niezgoda
Vivienne Dick
Tony Hill
Nicki ffrench Davis and staff, Civic Trust House
Mary Pawle Wines
Arthur Leahy, Quay Co-Op
Derval Glavin, St. Johns College
Jane and John Leonard, Really Useful
Dave Grannell
Dave Whelan
Borgit Glombitza, Sven Schwarz, Hamburg Short Film Festival
Matt Lloyd, Glasgow Short Film Festival
Lars Henrik Gass, Hilke Doering, Oberhausen Short Film Festival,
Clermont-Ferrand Short Film Festival
John Canciani, Winterthur Short Film Festival
Matt Grady, Factory25
Rossa Mullin
Padraig Trehy
All our volunteers
All our Member shareholders
Credits
Honorary Patron - Ken Loach
Advisory Panel
Lenny Abrahamson
Bill Morrison
Pat Murphy
Laurent Crouzeix
Roger Shannon
Louis Marcus
John Smith
Management Committee
Arthur Leahy
Niall Owens
Tony Langlois
Ronan Leonard
Elke O’Mahony
Úna Feely
Mick Hannigan
Seán Crowley
Programme Directors
Úna Feely
Mick Hannigan
Festival Manager
Éibh Collins
Catalogue Editor
Ellie O’Byrne
Workshops & Industry
Niall Owens
Éibh Collins
Volunteer Co-Ordinator
Shane Malone
Music Programme
Tony Langlois
Ronan Leonard
Kate O’Shea
Guest Co-Ordinator
Ronan Leonard
The Film Feast
Elke O’Mahony
Administration
Mika Hisatsune
Maureen McLoughlin
Dance On Film
Oonagh Kearney
Fearghus O’Conchúir
Technical and Projection Manager
Kieran Fitzgerald
Programme Coordinator
Dervla Baker
Box Office Supervisors
Niamh Cooney
Sophie Turban
Education Officer
Helen Kelleher
Ronan Phelan Script Award
Niall Owens
Design: Catalogue and Poster
The Project Twins
Website
osull.me
Photography
Jedrzej Niezgoda
Marcin Lewandowski
Festival Trailer
Directed by Dave Grannell
Music by Tony Langlois
Awards
Liz Morrissey
Programme selection team
Mick Hannigan
Pamela Friedman
Tadgh Crowley
Helen Lynch
Úna O’Keefe
Úna Feely
Sabina Rogala
Tony Langlois
Seán Crowley
Features
04
Box Office Information
05
IndieCork is delighted to be the Irish host for the Lux Film Prize,
created by the European Parliament to highlight three films of
significant talent, and aid their distribution.
The Cork jury will nominate their winner, and this nomination is
considered then in the overall awarded of the Lux Film Prize.
All tickets to the festival can be bought online from the screening venue or venue website
The Gate Cinema
Opening Film – Class Enemy
Tickets onsale at www.corkcinemas.com
021 427 9595
Special Morning Price (Before 1pm) – all shows €5
Daytime (Before 6.00pm) – €6.00 (€5.50 concession)
Rok Biček / Slovenia / 2013 / 112 minutes
Evening Shows (From 6.00pm) – €8.75 (7.00 concession)
Relations between a class of teenagers and their new German language teacher are extremely
tense. Robert, the teacher, is aloof, authoritative and demanding; he lectures on Thomas Mann
and expects his pupils to rise when he enters the room. When one of the class, retiring young
musician Sabina, takes her own life shortly after being reprimanded by Robert, vengeful youth
rebellion stirs among the benches. In tones of chilly blue, Rok Biček captures the nuance of a
fierce power struggle between teacher and students where all may not be as it appears.
Scottish Independents (Special price) – €7.00 (all tickets)
Firkin Crane
Triskel Arts Centre
tickets onsale at www.firkincrane.ie
021 450 7487
Friday 17th – Sunday 19th October
Tickets onsale at www.triskelartscentre.ie
021 427 2022
Thursday 16th October
Dance On Film screening
€8.50 (€8.00 concession)
Daytime (Before 6.00pm)
O’Bhéal Poetry Film Competion screenings
Evening Shows (From 6.00pm)
€8.50 (8.00 concession)
Ronan Phelan Script Award – Live Script Reading
€5.00
The Film Feast – €15.00
IndieCork Festival
Information Desk
International Critics Week Award winner, Venice Film Festival
Drop in and have a chat with us…
12pm – 9pm daily at The Gate Cinema
Information line: 086 272 8848 (10am to 9pm)
Email: [email protected]
Sun 12th / 9.00pm
Gate
Festival Season Ticket – €65
Closing Film – Girlhood
Available from the Festival desk and valid
for all screenings and workshops except
The Film Feast.
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Céline Sciamma / France / 2014 / 112 minutes
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“Newcomer Karidja Toure makes a mesmerizing impression as a teenager drawn into a black
girl-gang in the Paris suburbs in Celine Sciamma’s expertly judged drama.”
– Hollywood Reporter
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Oppressed by her family setting, dead-end school prospects and the boy gangs in her
neighbourhood, Marieme starts a new life after meeting a group of three free-spirited girls.
She changes her name, her dress code, and quits school to be accepted in the gang, hoping
that this will be a way to freedom.
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JOHN REDMOND
AN
4 - The Crane Lane
Phoenix Street
Cork City
+353 (0) 21 427 8487
www.cranelanetheatre.ie
RE
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AT
GR
3 - Firkin Crane
Shandon, Cork City
+353 (0)21 450 7487
www.firkincrane.ie
ST
ILL
LE
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2 - Triskel Arts Centre
Tobin St, Cork City,
+353 (0) 21 427 2022
www.triskelartscentre.ie
NS
RO
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1 - Gate Cinema
North Main Street, Cork City
+353 (0) 21 427 9595
www.corkcinemas.com
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Venue Map
The film Ida is also in contention for
the Lux Prize, and will be viewed by
the Jury at a non-public screening
during IndieCork.
Ida
Pawel Pawlikowski / Poland / 2013 / 82 minutes
Poland, 1962. Anna is an orphan who has been brought up by
nuns in a convent. A novice herself, she travels to see Wanda,
her only living relative, before she takes her vows.
06
07
Schedule
Gate Cinema
Sun 12th
11.30am
Schedule
Mon 13th
Tue 14th
Wed 15th
Thur 16th
Education
Education
Education
Education – The Films
of Terence White
Fri 17th
Sat 18th
Sun 19th
Gate Cinema
11.30am
12.00pm
Endure
Mother Jones And Her Children
12.00pm
12.00pm
Irish shorts 2
Riffed
12.00pm
12.00pm
Ida
Irish shorts 4
12.00pm
2.00pm
Europe In 8 Bits
One Ocean: No Limits
The Wind Blows Where It Wants
Na Píobairí Uilleann
Your Rivers Have Trained You
+ I Hear Fish Drowning
World shorts 6
The Way He Looks
Salvatore Guiliano
2.00pm
4.15pm
World shorts 1
World shorts 2
World shorts 3
World shorts 4
World Shorts 5
Irish shorts 1
Irish shorts 3
Irish Shorts 5
4.15pm
6.30pm
Dead Dogs
Creative Cork 1
Creative Cork 2
Scottish Independents 1
One Christmas Eve…
Jack & Ralf Plan A Murder
A Day Like Today
6.30pm
9.00pm
Class Enemy
Pied Piper
Candlestick
Beneath Dishevelled Stars
Se-O-Si-Pol
Human Capital
Big Significant Things
Girlhood
9.00pm
Summer Of Blood
Ape
11.30pm
11.30pm
Firkin Crane
Firkin Crane
4.00pm
RP Script Award
6.00pm
O’Bheal 1
8.00pm
O’Bhéal 2
4.00pm
6.00pm
8.00pm
Dance On Film
Triskel Christchurch
12.00pm
Mutual Appreciation Society
12.00pm
2.00pm
The Masque Of Madness
2.00pm
4.00pm
Tony Hill
4.00pm
6.00pm
Vivienne Dick
6.00pm
8.30pm
The Film Feast
8.30pm
Triskel TDC
Triskel TDC
3.00pm
3.00pm
The Cultural Exception
Crane Lane
Crane Lane
1.00pm
Short Film Funding Panel
2.00pm
Director Producer Relationship
7.00pm
The Lost Gecko
The Quiet Club
8.30pm
Kendo Nagasaki & Rab Urquhart
Woven Skull
9.00pm
2.00pm
7.00pm
8.30pm
Women’s Christmas
9.00pm
Hilary Woods
10.30pm
10.30pm
Laurie Shaw
11.00pm
11.30pm
1.00pm
Scriptwriting Workshop
11.00pm
DJ BDC
Simon Kirkegaard
& The Existentialists
Love Street
Shaker Hymn
Foxjaw & Goldfish Syndrome
Closing Night Party
11.30pm
08
Irish Features
Irish Features
Irish Indie Features
Irish Indie Features
A Day Like Today
Mutual Appreciation Society
09
Gerard Walsh / Ireland / 2013 / 90 minutes
Rouzbeh Rashidi & James Devereaux / Ireland / 2014 / 62 minutes
‘A Day Like Today’ centres around a chance meeting between two people, Alice and Joe. Alice
is a wife stuck in a toxic relationship and Joe is a seemingly homeless person with a troubled
past. They see their chance meeting as an opportunity to forget about their lives for a day and
just live…
“Mutual Admiration Society is the coolest, coldest, emptiest, flattest, most minimalist, most
ruthless, most bizarre hitman man film ever made. It came about because Rouzbeh Rashidi
and I decided to make a feature film in seven days. There was no script, no planning, we didn’t
even have any ideas, we simply allowed the weirdness from our subconscious to burble to the
surface of our minds, and acted on the messages it sent to us. At the start of production, all we
knew was the film’s title and that it was going to be in black and white. And then we worked
round the clock to make it happen. I would shoot improvised scenes in London by day, and
send the material, via the internet, to Rouzbeh, who, by night, would take it through his postproduction process, giving it a form and refining the aesthetic.” James Devereaux
The director will attend the screening.
Print source: [email protected]
The director will attend the screening.
Sun 19th / 6.30pm
Thur 16th / 12.00pm
Gate
Dead Dogs
One Christmas Eve…
Ian Ruby / Ireland / 2013 / 90 minutes
Anthony Lennon / Ireland / 2014 / 80 minutes
Don wants to reconnect with his estranged family. His partner, Lisa, wants to live a life free of
his violent rages. Ritchie, their neighbour, wants to get away from his miserable home life and
from the clutches of brutal gangster Tony.
December 2002: As a bleak Christmas Eve dawns upon Dublin city, a young couple struggle to
deal with an unwanted pregnancy. The cold day to come will lead them through many trials
of betrayal and separation. All the while, the entire world holds its breath in expectation of an
imminent US invasion of Iraq.
Shot over 13 days last winter in Cork, this no-budget film is a stark, heartfelt portrait of
struggling families, mental illness and isolation.
The director will be present for the screening.
Print Source: [email protected]
Sun 12th / 6.30pm
Fri 17th / 6.30pm
Gate
Gate
Jack & Ralph Plan A Murder
Riffed
Jeff Doyle / Ireland / 2013 / 70 minutes
Ray Hyland / Ireland / 2014 / 58 minutes
Jack is a mild-mannered man whose life reaches a turning point when a co-worker
unmercifully bullies him. Along with his loud-mouthed imaginary friend Ralph, Jack decides
to take revenge on his torturer in the most final manner possible. The world that Jack and
Ralph inhabit is nightmarish and dream-like in equal measure; every character is exaggerated
and there’s a fine line between the crude and the vulgar, but Ralph’s nastiness is almost always
balanced out by Jack’s sincerity.
A young London executive arrives in Ireland to shut down operations in a Dublin call centre.
Only a few jobs are to be retained in this ‘Reduction In Force’ (RIF). Every staff member will
have to fight tooth and nail to survive the cull in this wry look at the knock-on effects of
Ireland’s financial downturn.
Sat 18th / 6.30pm
Sun 19th / 12.00pm
Gate
Gate
10
World Features
World Features
Ape
Candlestick
11
Human Capital
Joel Potrykus / US / 2013 / 86 minutes
Trevor Newandyke is a struggling comedian and a pyromaniac. Not only does his act bomb
on stage, but he bombs at everyday life, too. Fed up with threats from the cable company,
Slurpee price-hikes and everyone who thinks they can push him around, all Trevor wants is a
break. Instead of getting himself together or channeling his anger for his act, he turns inward,
to the loud din of his headphones and the crackling glow of fire to ease his mind.
Print source: www.factorytwentyfive.com
Sat 18th / 11.00pm
Gate
Tue 14th / 9.00pm
Fri 17th / 9.00pm
Gate
Gate
Christopher Presswell / UK / 2014 / 83 minutes
Paolo Virzì / Italy / 2013 / 109 min
A social gathering is rocked to its core when Jack accuses his best friend’s wife of infidelity.
As the allegations start flying, it soon emerges that far more sinister intentions may be at play…
An Italian neo-noir adaptation of the novel by Stephen Amidon, Human Capital tells the story
of two families in Milan, one middle-class and the other extremely rich, and how they are
brought together through their teenage children and a mysterious Christmas Eve car accident.
Their multi-layered tale is retold in turn through the eyes of Dino (Fabrizio Bentivoglio) a tragic
estate agent, then by his daughter Serena (Matilde Gioli) and by Carla (Valeria Bruni Tedeschi),
the wife of a heartless capitalist who will not hesitate to place a value on human life.
Beneath Disheveled Stars
‘How much is a person worth? Paolo Virzì’s study of capitalism in crisis gives the audience all it
covets‘ - Eye for Film
Kevin Baggott / US / 2013 / 108 minutes
‘This slick, stylish fusion of class critique and murder mystery confirms Paolo Virzi as one of
Italy’s more dynamic directors. The performances are flawless’ - Jay Weissberg, Variety
Bobby Tierney, the superintendent of a tenement building in New York City, goes to Ireland
to carry out his mother’s dying wish to be buried next to her long-lost love. Once in Ireland,
he is dragged down one rabbit hole after another by a mysterious drifter. Eventually Bobby
succeeds in carrying out his mother’s wish – and gets much more than he planned for. Set in
New York and the village of Kilcrohane in West Cork, director Kevin Baggott recruited a cast of
locals to perform in his film.
‘A top-flight cast gives the character-driven drama depth and conviction ... [they] explore the
unhappiness of rich and poor alike in a society that measures a person’s value in terms of
euros. The term “human capital” is legalese that designates an accident victim’s net worth in
compensation claims.’ - Hollywood Reporter
Wed 15th / 9.00pm
A Masque of Madness
Gate
Pied Piper
Big Significant Things
Bryan Reisberg / US / 2014 / 85 minutes
Craig decides to avoid the inevitability of impending adulthood by taking a trip across the
South Country Interstate Highways, unsure as to whether he’s running away from his career,
his cold fiancée and the house they’re about to buy, or simply from himself. Disillusioned,
he spends his days chasing after local landmarks and ‘biggest in the world’ objects like giant
buckets and chairs, searching for answers in the big insignificant things.
“Big Significant Things is a magnificent gem of a film that asks more questions than it gives
answers, and rightly so.” – Next Projection
“As a wry confection, the dialogue here engages; the cinematography and direction also rate
top marks.” – The Austin Chronicle
Sat 18th / 9.00pm
Gate
‘The highest compliment anyone can pay Bryan Reisberg’s directorial debut is that it feels
like the work of a veteran filmmaker with several features under his belt. You may see more
self-contained indies at the festival this year, but you may not find any that are quite so
accomplished.’ – Movie Mezzanine
Mon 13th / 9.00pm
Triskel
Gate
Norbert Pfaffenbichler / Austria / 2013 / 80 minutes
Vivek Budakoti / India / 2013 / 113 minutes
‘A Masque of Madness’ uses found footage to follow Boris Karloff through five motion picture
decades as supporting actor in silent films, star in talking pictures, and television host. The film
gathers, in the necessary glory, the ever same rituals of horror film and gestures of exotic danger.
But it also exposes the tracks that history has left behind in them, especially the two world wars,
and certain technological advances.
Seen through the prism of Bertolt Brecht, Pied Piper is a satirical folklore of a simple
laundryman, Chunnilal, who is rumored to have acquired his beloved donkey’s brains in a
freak accident. Charming millions with his asinine conscience that refuses to let go, Chunnilal
soon rises to become the most popular hero of his time whom the establishment starts to fear.
Laced with black humour, the film mirrors the current socio-political status in India, ranging
from extreme disappointment to almost juvenile hopefulness.
Time after time, Karloff has to work through the Frankenstein-dream of synthetic life: as
Promethean creator and enslaved creature in one and the same person.
Print Source: www.sixpackfilm.com
Thur 16th / 2.00pm
World Features
Salvatore Giuliano
13
Summer of Blood
Sun 19th / 2.00pm
Fri 17th / 11.00pm
Gate
Gate
Francesco Rosi / Italy / 1962 / 123 min
Onur Tukel / US / 2014 / 86 minutes
Never released in the Anglophone world, Salvatore Giuliano is the story of corruption in the Mafia and of
listed it as one of his twelve favourite films.
Erik Sparrow is not too bright. He’s not very attractive. He’s not at all ambitious. He’s chubby
and he’s always complaining. When his girlfriend Jody proposes to him, he doesn’t have the
good sense to accept her offer. His life starts falling apart and he becomes riddled with despair.
One night, when Erik meets an enigmatic stranger who asks him, “Do you want to die?” Erik
shrugs and accepts the offer. When Erik wakes up from the resulting darkness, he finds himself
changed forever…
“outstanding” - Variety
Print Source: www.factorytwentyfive.com
Italy’s most wanted bandit, told through the fight for Sicily’s independence to the discovery of Giuliano’s
death in 1950. Originally in black and white, Francesco Rosi’s beautifully filmed portrait was shot by Gianni
di Venanzo (Fellini’s 8½). Rosi used the exact locations and casted many who were personally involved in
Giuliano’s life, while the only professional actors used were Frank Wolff and Salvo Randone. Martin Scorsese
“one of the most courageous things the Italian cinema has ever attempted” - Sight & Sound
Dinner Monday to Saturday from 5.30pm
021 4277939
“the most aesthetically satisfying and inventive film of its type in many years” -Monthly Film Bulletin
Independent
in Cork since 1993
Si-o-se-Pol
Official Hotel Partner of IndieCork Festival
One of the best located hotels in Cork City, the Maldron
With comfortable and affordable 3 star accommodation
Hotel and Leisure Club is found in the heart of Cork’s
in Cork City, combined with efficient friendly service
historic cultural corner, nestled by the famous Shandon
from our renowned staff, your stay with us will be
Bells and on the doorstep of Cork’s premier shopping
unforgettable. Your stay includes complimentary access
district, Opera Lane and St. Patrick’s Street. It is only
to our full leisure club facilities, complimentary Wi-Fi
minutes’ walk to most of IndieCork’s venues.
throughout the hotel.
For special rates during the Festival contact:
Maldron Hotel Cork | John Redmond Street, Cork, Ireland.
The Way He Looks
Thur 16th / 9.00pm
Sat 18th / 2.00pm
Gate
Gate
Henrik Peschel / Germany / 2013 / 82 minutes
Daniel Ribeiro / US / 2014 / 95 minutes
Facing death, terminally ill Iranian Parvis Karimpour wants to reconcile with his daughter and
enters Spain illegally. He and his fellow African travellers are dumped from a boat by the Spanish
coast at dawn. He makes his way to Madrid where he believes his only child Nasrin, who fled
from Iran years ago, may now live.
Leonardo and Giovana are best of friends. Like all teenagers they yearn for more
independence from their parents, dream of going abroad and to experience love’s first kiss.
Gabriel, the new boy at school, quickly becomes friends with them both. Ultimately, three
becomes a crowd as a choice must be made; being blind, who will Leonardo give his first
kiss to?
‘The Way He Looks’ is the debut feature length film from award-winning film-maker
Daniel Ribeiro, who won the Iris Prize for the short film ‘I Don’t Want To Go Home Alone’.
Finding shelter in a city which is battered by the economic crisis, Parvis meets two other
struggling migrants: Italian Fabrizio, a failed piano player, and spoilt young German Almut, who
has followed her boyfriend to Madrid. The search for Nasrin becomes their common quest.
Following a new clue, the unlikely threesome set off northwards in Almut’s car.
Fipresci Prize, Berlin Film Festival, 2014
TEDDY award for Best LGBT Feature, Berlin Film Festival, 2014
Print Source: www.peccapics.com
Tel: +353 (0)21 452 9200 | Fax: +353 (0)21 452 9222
Website: www.maldronhotelcork.com
14
Music
Music
IndieCork Music at The Crane Lane
Late Nights @ The Crane Lane
Join the Festival Club late into
the night, open to 2am!
Sunday 12th October
11.30pm – Storyfold celebrate the release of their
second album ‘It’s Later Than You Think’ at this
special Cork gig.
Monday 13th October
11.30pm – Simeon Kirkegaard & The
Existentialists
Norwegian rock in the form of Simeon
Kirkegaard who references The Beatles and The
Rolling Stones in his unique way.
IndieCork is about music too. We’re delighted to
have partnered with Crane Lane in presenting
Robin Parmar
Tuesday 14th October
11.30pm – Love Street
A five piece, multi-instrumental and vocal band;
a unique combination of everything from rock
guitar to beguiling fiddle and mandolin.
Wednesday 15th October
11.30pm – The Shaker Hymn
The band celebrate their debut release “Rascal’s
Antique”, which covers all bases from garagestyle cut ‘n’ thrust through to deceptively hardedge power pop.
an interesting slate that will give you a chance
to dip in (for free) to a wide range of music.
On Thursday 16th, we focus on Scottish
Independents, with 3 acts and some surprises,
echoing our film programme. On Friday 17th,
Soundtank
Out On A Limb
Thursday 16th
Friday 17th
Saturday 18th
THE LOST GECKO – 7pm
QUIET CLUB – 7pm
Malcolm Urquhart formed The Lost Gecko in 2006 in
Aberdeen, Scotland and has continued releasing and
performing music under that name since then, their
debut full length album ‘unphotographable’ comes
out at the end of October. With a current line up that
involves Orla Daly, Ilse De Ziah and Joaquim Luis
Perdigao.
The Quiet Club are Mick O’Shea and Danny McCarthy.
Formed in Feb 2006 they have become recognised
as one of Ireland’s leading sound art improvisation
groups. They have toured extensively in Ireland and
have appeared in festivals in both Germany, Canada.
and Japan. They frequently appear with guests who
have included Mark Wastell, Viv Corringham, John
Godfrey, Harry Moore, Christian Carley, David Toop
amongst many others. Quiet Club utilise a wide
range of sound making devices ranging from home
made and found instruments, electronics, amplified
textures, oscilloscopes, theremins, field recordings etc.
This evening they will respond sonically to a mix of
experimental films made in Cork.
As they declare, “we love playing live… that is where
we do it best.”
TOM CAMPBELL – 8pm (and intermittently)
On Saturday 18th, in conjunction with Out On A
One of Cork’s most prominent artists you might have
probably noticed some of his street art pieces such as
the 100 Paper Mache Dogs that paraded around Cork
City in recent years, his regular circus work or indeed
several pieces that can be seen in The Bodega.
line-up takes the stage with Women’s Christmas
1.00am – Goldfish Syndrome – This local Cork
band bring their own brand of alternative rock
late and lively at the Crane.
Join us late night then for the festival club and
Sunday 19th October Closing Night Party
11.00pm – Time to unwind, it’s the end of
festival party! Cornerboy play their brand of
new folk floor stompers and delicate melodies
encapsulating a year on the road.
Scottish
Independents
listening with The Quiet Club and Woven Skull.
Thursday 16th October
11.30pm – Fox Jaw A modern band with an old
soul, producing a trend shaking, majestic deep
growl.
Friday 17th October
11.00pm - DJ Daddy Big Can
IndieCork Music at The Crane Lane
Soundtank brings new music and new ways of
Limb Records, and We Play Here, a very fine
and Laurie Shaw.
KENDO NAGASAKI – 8.30pm
more music and live acts!
15
“I sing songs in pubs and people come to these
pubs when I’m singing and people shouts ‘decidedly
average’ at me.” Kendo Nagasaki on Kendo Nagasaki
This individual must be the most charismatic artist I’ve
met in this country so far.” - My Doll Mouth To Your
Deaf Ear blog on on Kendo Nagasaki
…and featuring MC RAB URQUHART
The night will be MC’d by Rab Urquhart, a poet who
has represented Cork in several social exchanges and a
regular participant of the weekly Ó Bhéal spoken word
night held on Mondays in The Long Valley.
In conjunction with Out on a Limb Records
and We Play Here
WOMEN’S CHRISTMAS – 8.30pm
Women’s Christmas are Son Christmas, Boy Christmas
and Kid Christmas of Dublin. Formed in June 2013
from members of Jogging, Villagers and No Monster
Club the band have consistently tried to rewrite The
Thermals’ best song and inject it with the fuzzed
out wonky joy of early Flaming Lips. After signing a
publishing deal with FatCat Records earlier this year
and playing sold-out shows with The War On Drugs
and Girls Names, they have joined forces with Out On
A Limb Records to release their debut LP Too Rich For
Our Blood on 24th October.
WOVEN SKULL – 8pm
LAURIE SHAW – 10.30pm
Since 2008, the core trio that makes up Woven Skull
has been gathering together in the ghostly bogs and
haunted forests of County Leitrim armed with rusty
chimed mandola, rigid amplified guitar, battered drum
skins and a mix of pedals, bows, scrap metal and more
to create engulfing raw primal drones and repetitive
dark melodies.
Laurie Shaw is a singer songwriter and producer
originating from the Wirral peninsula but now
spending his time recording in the Kerry mountains.
He has self released 39 albums since October 2010
and leap frogs numerous genres throughout. His most
recent release is entitled Love Buffet which features a
glam rock sound.
As well as the 3 core members, Woven Skull often take
other people with them when playing live or during
recordings. Other ‘players’ have included members
of United Bible Studies, Gnod, Core of the Coal Man,
Raising Holy Sparks and more. When playing live,
the group incorporates visuals specially selected to
accompany each musical set and created with the
intention of enveloping the audience fully into the
performance.
www.youtube.com/channel/UCCZOZiKi2WtElEcrat0NLPg
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Specials
Specials
Scottish Independents
Scottish Independents
In April 2013, we announced
Wed 15th / 6.30pm
in the Bodega Bar that Cork
was to have a new festival of
independent cinema. Matt
Lloyd, Director of the Glasgow
Short Film Festival, was the
first to report that he had
booked his flights to attend.
He subsequently invited
IndieCork to curate and present
two programmes of recent
Irish shorts at his festival last
January.
In turn we thought it a good
idea to request Matt Lloyd to
curate programmes of truly
independent Scottish short films
for us. Here, post-referendum,
Matt presents those films, giving
us an opportunity to explore
how Scottish concerns are
examined and represented in
short films. We are grateful to
Matt and welcome him back
to IndieCork.
17
Gate / 83 mins
I’m writing this introduction one week before
Scotland’s referendum on independence from
the United Kingdom. Like everyone I know,
I’m in a constant state of nervous tension,
frantically grasping at every blog or column,
every commentary by this Nobel Prizewinning Economist or that young newlyenfranchised campaigner. With some friends
I talk of little else, whilst with others there is
a tacit agreement to speak of anything but.
With the end of an extraordinary two years
of national debate in sight, thoughts are
turning to what might happen next, whatever
the result. Opinions have been polarized,
although mainly peacefully expressed, and it’s
hard to foresee how we will all relate to one
another after the vote, not to mention our
neighbours to the south.
In this context, it feels bizarre to be writing
an introduction to a showcase of recent
Scottish filmmaking. The films will be
screened a full month after the outcome is
known, and consequently the programme
will be open to interpretations that are quite
beyond my control as curator. Of course, any
programme of films will invoke responses
the curator cannot expect, but in this case
the programme is categorised by its national
identity, and the nature of that identity is
about to be radically redefined one way or
another based on a simple binary opposition:
on a vote that polls suggest is split so evenly
the outcome is impossible to predict.
However this polarity, announced by the
flood of banners, badges and bumper
stickers proclaiming ‘Yes’ or ‘No Thanks’ (the
latter polite or faintly passive-aggressive,
depending on your point of view), is
illustrative of a duality which can be traced
throughout Scottish cultural identity.
An overlapping series of oppositions between reason and superstition, myth and
enlightenment, tradition and modernity,
Highland and Lowland, Puritan and Catholic
- has its physical embodiment in Edinburgh’s
medieval Old Town and Georgian New
Town, and its clearest cultural expression in
Stevenson’s ‘The Strange Case of Dr Jekyll
and Mr Hyde’.
Like Jekyll and Hyde, modern Scottish
cinema has adopted formal strategies to
negotiate this duality, from the poetic social
realism of the Bill Douglas ‘Trilogy’ and
Lynne Ramsay’s ‘Ratcatcher’, to the caustic
humour and magical realism of Peter Mullan’s
‘Orphans’, or the drug-fuelled fantasy arising
from urban squalor in ‘Trainspotting’. Bill
Forsyth’s gently whimsy in ‘Local Hero’ veils
sharply satirical social comment, whilst
Jonathan Glazer’s recent ‘Under the Skin’
placed an alien (or A-list Hollywood actress,
which amounts to the same thing) in a van in
Glasgow’s back streets, and formally flipped
between grainy ‘real world’ encounters and
exquisitely composed images of an inky void.
Whilst technically not a Scottish film, this
clash of fantasy and documentary realism
captured the Scottish psyche brilliantly.
It’s arguable that by its nature, short film
cannot tackle the complexity of cultural
contradictions. And so the shorts in this
showcase have been divided into two
themed programmes: ‘Dr Jekyll’ and ‘Mr
Hyde’. The first programme is driven by social
realist concerns, from the retelling of a 1923
mining disaster in Adam Stafford’s ‘No Hope
For Men Below’, to the story of a young
barmaid’s realisation of the suffocating ties of
friendship holding her back in Rory Stewart’s
‘Wyld’. The second programme revels in a
more lurid, fantastical vision of Scotland,
from the dark heart of an aristocratic hunting
family in Henry Coombes’ ‘The Bedfords’,
to the meeting of ancient warriors and
unexpected foes in Johnny Barrington’s
‘Tumult’.
Dr Jekyll
No Hope For Men Below
Adam Stafford | 2013 | 11 min
An ambient retelling of the Redding Pit disaster of 1923 in Falkirk,
Scotland which claimed the lives of 40 men. Falkirk poet Janet Paisley
re-imagines the disaster from a female viewpoint, narrated in the
Broad Scots language and shot in stunning black & white.
Seams and Embers
Claire Lamond | 2012 | 6 minutes
School days over, Jim joins thousands facing daily dangers
underground to mine the seams of coal beneath Scotland. As an old
man, the industry is dead. An animation made during a residency at
National Mining Museum Scotland as part of the Creative Scotland
‘Iconic Artists, Iconic Places’ project.
Kirkcaldy Man
Kirkcaldy Man
Julian Schwanitz | 2011 | 18 minutes
In search of Jocky Wilson, former Darts World Champion and hero of
the small, run-down Scottish blue-collar town of Kirkcaldy. What’s left
of the myth?
Thur 16th / 6.30pm
Gate / 78 mins
Wyld
Rory Alexander Stewart | 2014 | 15 minutes
Julie, a young barmaid, must decide between the new responsibilities
of her adult life and the intense, sometime violent friendship of her
youth when an old friend Jenna pays her an unexpected visit at work.
Mr Hyde
Getting On
Believe
Ewan Stewart | 2012 | 9 minutes
The strengths of short film allow for much
more nuanced ideas than their brevity would
suggest. Authenticity, formal experimentation,
singular vision unfettered by commercial
concerns, and above all the idea that what is
left out of a short narrative is as important as
what stays in - these features permit some
striking contradictions that bind these two
apparently distinct programmes together.
Thus Paul Fegan’s ‘Pouters’, a multi awardwinning documentary about the Glaswegian
working-class sport of doo-fleein’ is, at heart,
a love story between two neighbours, their
pigeons mere proxies. Julian Schwanitz’s
‘Kirkcaldy Man’ , a quest to find reclusive
darts champion Jocky Wilson in his home
town, attains a lyrical, epic quality that is both
tongue-in-cheek and deeply moving. The
most outlandish vision and perhaps the star
of the show, artist Rachel MacLean’s ‘The Lion
& The Unicorn’, in which the two animals
guzzle Union Jack cake and slurp from wine
glasses of North Sea oil, is one of the most
eloquent portrayals of cross-border relations
to date. Savagely satirical, and yet impossible
to peg to either side of the debate, the
impression it will leave on post-referendum
audiences is anybody’s guess.
Paul Wright | 2009 | 20 minutes
Another day unfolds in an anonymous woman’s life as she cooks
and cleans for her uncommunicative husband and sullen grown-up
children. Late in the afternoon, she has an unusual visitor.
The story of one man’s grief following the death of his wife. The film
captures a desperate journey, played out against beautifully isolated
highland landscapes.
Pouters
Baroque
Paul Fegan | 2012 | 17 minutes
Ruth Paxton | 2011 | 8 minutes
A modern day story of undying commitment, rivalry, family and
friendship interwoven with the underground and idiosyncratic Scottish
sport of doo-fleein’.
A contemporary interpretation of the art of Baroque, inspired by the
Italian painters of the period. Commissioned by Milan’s Festival Delle
Lettere and based on a letter about beauty by Italian actor Vittorio
Gassman.
Stovies
Rose Hendry | 2013 | 7 minutes
Joseph is terminally ill. He spends his days sitting in front of the
television while his wife works and his two children are at school. He
watches as each show comes and goes until one morning something
catches his eye. Inspired, Joseph departs from his daily routine to
create something he hopes to pass on to his family.
The Bedfords
Henry Coombes | 2009 | 19 minutes
The Lion & The Unicorn
Inspired by famed Victorian painter Sir Edward Landseer and set in
the Highland estate of an English aristocratic family, The Bedfords is
a far-from-ordinary period drama. Through surreal and nightmarish
episodes, we witness the events that trigger Landseer’s descent into
madness.
The Lion & The Unicorn
Rachel MacLean | 2012 | 12 minutes
Set in a lavish mansion in the Scottish Borders, the lion and the
unicorn discuss the referendum on Scottish independence while
drinking North-sea oil from Jacobite crystal and dividing up the pieces
of a Union Jack cake.
Penismouse
Kristof Babaski | 2014 | 6 minutes
An extroverted mouse wants to play. Myszochujek (Penismouse), a
playful film about control, was made in 1957 by Polish director, Kristof
Babaski. With the aid of award-winning animator Will Anderson, The
Polish Film Club have restored it and released it in 2014 in HD.
Tumult
Tumult
Johnny Barrington | 2011 | 13 minutes
Matt Lloyd
Glasgow Short Film Festival
10 September 2014
A tribe of Norse warriors traipse across a barren land after battle.
Bloodied and wounded, their chief is near death. Suddenly an army of
a completely different kind descends upon them.
Specials
18
Specials
Vivienne Dick
The Film Feast
IndieCork and Bia Sásta are delighted to produce The Film
Feast, now in its second year. The feedback and support
from the start has been exceptional. Cork’s food scene has
become so diverse that we wanted to mirror this diversity
in a special food and film event. This year’s producers
have grown from small beginnings, have the passion and
endurance of real believers and jumped on board when I
asked them to present their food for this special night.
IndieCork is delighted to
present a truly independent
filmmaker and artist at the
festival this year. Vivienne Dick
has been ground-breaking in
her treatment of film and in the
influence she has provided for
a generation of filmmakers. We
welcome Vivienne to IndieCork
to present one of her early
works and her latest film, ‘The
Irreducible Difference of the
Other’ and to engage in a public
conversation with filmmaker
Oonagh Kearney.
Vivienne Dick was born in Donegal in 1950 and studied at University College Dublin. From
1977 to 1982 she lived in New York, part of a group of filmmakers whose affiliation to the
music and aesthetic of punk became known as ‘No Wave’. Working mainly on Super 8, Dick’s
films from this period feature many musicians from the punk movement in New York, with
performances and music from Lydia Lunch, James Chance, Pat Place, Adele Bertei, and Ikue
Mori. She returned to Ireland in 1982 and moved to London in 1985, where she was a member
of The London Filmmakers Co-op for many years and produced a number of films on 16mm
and on video.
Her films have been screened at cinemas, museums and film festivals internationally, including
Tate Britain, MoMA and The Whitney in New York, IMMA and the Edinburgh and Berlin Film
Festivals. She has received a number of production awards from The British Arts Council and
The Irish Film Board. Her work is in the collections of The Museum of Modern Art in Dublin,
Anthology Archives, NYC and the Irish Film Archive.
We begin the programme with a screening of She Had Her Gun All Ready (1978 / 28 mins)
and then screen Vivienne’s latest film ‘The Irreducible Difference of the Other’ (2013 / 27 mins).
Oonagh Kearney is an
Irish filmmaker based
in London. Oonagh has
written and directed several
award winning short
films across diverse visual
mediums including drama,
experimental documentary
and dance on film. Her new
dance film The Wake is in
post-production.
Following the screening, Vivienne will be in conversation with filmmaker Oonagh Kearney on
revolutionary filmmaking, politics, sex and power. This conversation will explore connections
between Vivienne’s practice in the 1970’s New York No Wave scene and the challenges and
opportunities facing younger Irish artists today. Vivienne and Oonagh will also discuss the
relationship between filmmaking and music, and what drives each of them to make films.
The Irreducible
Difference of the Other
She Had Her Gun All Ready
19
Thur 16th / 6.00pm
The Film Feast
is a special night of food
and film at IndieCork
Avril Allshire-Howe of Rosscarbery Black Pudding is
an outspoken advocate for the West Cork artisan food
movement. She and her husband produce award-winning
pork produce. Eoin Gallagher of Veggielicious is a trained
chef, who left the kitchen and now loves the personal
contact with his loyal customers. Banu and Ruth of Annam
Supper Club started in their home kitchen and the rest
is history as the idea of an authentic Indian Supper Club
was born. In this monthly club that takes place in Banu’s
home, guests learn how to cook the recipes that have been
handed down from mother to daughter for generations
and then sit to eat together; strangers become friends over
delicious food.
Just like last year, Mary Pawle of Pawle Wines and Arthur
Leahy of the Quay Co-op bring us the best of organic wine
for the evening. Their support of IndieCork and The Film
Feast is much appreciated.
Join us for the beautiful film ‘The Lunchbox’ and come
taste our food and wine. Enjoy all this and the company
- a perfect combination for this unique night at Triskel
Christchurch.
Elke O’Mahony
IndieCork and Bia Sásta
Thur 16th / 8.30pm
Triskel
The Lunchbox
Triskel
Ritesh Batra / India / 2013 / 104 mins
54 mins + Q & A
1978 / 28 minutes
2013 / 26 minutes
‘She Had Her Gun All Ready’ is set in the Lower East Side in New York in the late 1970s. It is a
psychodrama based around the struggle between two characters, played by Lydia Lunch and
Pat Place, who were both well-known musicians associated with the No Wave music scene
of the time. The film deals with the destructive aspects of desire and obsessive thralldom,
exploring the claustrophobia that comes with being locked into a duel for dominance.
‘The Irreducible Difference of the Other’ questions what it means to be human in a world
orientated towards war, terror, and consumption. Franco-Irish actress Olwen Fouéré inhabits
the two personas of Antonin Artaud and Russian poet Anna Akhmatova. Key historical
moments are referenced, including opposition to the Iraq war, the Arab Spring and recent
anti-austerity protests, proclaiming the desire for a world which is more balanced and which
focuses less on exploitation and destruction. An implicit critique of the male paradigm is
embodied by the structure of the film – a richly textured weaving of sound and images –
which posits the need for a renewal of relationship on both a personal and global level.
In this mouth-watering romantic comedy, where curries and daals are unwittingly transformed
into misplaced love-letters, the lives of two lonely people cross paths in the most unexpected
way. When Ila pours her heart into preparing a delicious lunch to please her cold and distant
husband, one of the renowned Mumbai dabbawallahs (lunchbox couriers) mistakenly delivers
it to Saajan, a near-to-retirement insurance clerk. Sajaan is a little more than surprised when
his usual mediocre meal arrives as delectable ambrosia.
Elke O’Mahony
The Lunchbox [is] one of those films that gives words like “tender” and “touching” a good
name. You would need to be some sort of monster to resist its charms.
– Donald Clarke, The Irish Times
“perfectly handled and beautifully acted; a quiet storm of banked emotions.”
– Xan Brooks, The Guardian
Specials
20
Specials
Tony Hill
21
Dance on Film
“Moving... Shaken... Broken Images”
Fri 17th / 8.00pm
Firkin Crane / 75 mins
A programme of Dance on Film curated by
Oonagh Kearney and Fearghus Ó Conchúir.
Tony Hill is one of England’s
most interesting and
“In bringing together this Dance on Film
accomplished experimental
program, we were struck by how the physical
filmmakers. We warmly
movements of bodies spoke of other movements,
welcome him to IndieCork for
emotional and psychological, that in turn were
this special screening and
post-screening interview.
“The sense of wonder is what I
like... most of the films really are
a kind of wonder at the world,
and being able to look at it in a
different way can bring that out.”
Born in London in 1946, Tony Hill studied architecture and sculpture and makes experimental
short films that are somewhere between sculpture and cinema. He has been working as
an independent filmmaker since 1973, usually taking on all aspects of production and often
developing and building his own equipment. He also works with installations, photography
and sound. He has presented his work at many art galleries and in film festivals worldwide. His
films have been broadcast on television in many countries and have won several awards. They
have been published in the UK and Japan. He taught film and video from 1982 until 2002 at
the University of Derby, becoming Professor of Film at Plymouth College of Art from 2004
until 2011.
His previous experience with architecture informs his work in the use of custom-made rigs,
cleverly placed mirrors and unusual lenses, which allow the camera to record freely and
smoothly around a space. All his films afford the viewer a unique and unusual perspective
through the development of this ingenius rigging and pre-digital editing techniques. While
the films avoid conventional narrative themes, they are ‘a focus of ideas’ that is structured
and progressive in nature. By doing this, Hill offers us a new perspective on the world around
us and the world of the moving image. Though he deals predominantly with documentary
images, they are presented in an augmented and often disorienting way.
is an Associate Artist at Project Arts Centre in
invite audiences and artists to build
Dublin and an IRC PhD student at the National
and the edit. Many of the films begin with a
communities together. He is Dance Curator
University of Ireland, Maynooth.
at Firkin Crane, Cork and Trustee of the BBC
She Writes in 2010, a Script Factory initiative
emotion, other towards wild acts of transgression
with a Masters in Irish Theatre from TCD,
to develop twelve UK based screenwriters,
Oonagh‘s first film job was working with Ken
and as a UK Guiding Lights director in 2011.
or joyous exuberance. All share a confidence in
Loach on The Wind That Shakes The Barley.
She received her first UK commission in the
Oonagh studied film at the National Film
summer of 2013 and is in post-production
and Television School in London. She cast
on The Wake, a dance film created with
a further five feature films before embarking
the support of the Irish Arts Council. She is
on a career as a writer-director. Since 2009,
developing two feature films, a family drama
digital film and multi-media
she has written and directed several shorts
Night Friends and a tragi-comic road movie
artist. She received a First Class
that have had television broadcasts and won
Happy Fall.
Honours Degree in Fine Art from
international awards. She was selected for
dance and film as a means to multiply rather than
Dervla Baker is a practicing
reduce human experiences.”
the Crawford College of Art and
Design in 2013. She is currently
The Dancing
Keeping Time
Waves
preparing for a dual exhibition
Edith Depaule / 2014 / Belgium / 16 minutes
Steve Woods / 2014 / Ireland / 11 minutes
Twelve women are dressed up for dancing. There’s a disco ball, there’s
music… but no men to dance with.
A modern power station worker leaves his place of work and is taken
to a sacred place, where he dances in a circle of warriors. Returning to
the power plant, the worker combines the warriors’ movement with
his own to generate his own power and sense of connection.
Terence White / 2014 / Ireland / 7 minutes
A troubled woman goes to a beach to find solace.
in November 2014 as part of
Film Centre. She is a member
Territory
of Sample-Studios, and holds
Roisin Bolger / 2013 / Ireland / 3 minutes
an Artist in Studio position in
association with The National
Sculpture Factory. She lives and
A street performer who works as a living statue discovers an impostor
working on her turf. The Statue Woman challenges The Impostor to a
Duel. However, unable to move unless tipped by a passerby, a game of
busker’s chess commences.
That Has Been Bothering Me The Whole Time
Arash T. Riahi / 2013 / Austria / 13 minutes
What we’re being confronted with isn’t immediately obvious: we hear
deep breathing and the rustle and fall of textiles covering a dancing
body. The camera stays close to it, thereby abstracting the structures
and patterns produced by the movement. The result is an extremely
experimental fusion of modern dance, political issues and physical
liberation.
Following the screening, Tony Hill will be in conversation with
Dervla Baker, film artist and programme curator.
Burning Palace
Mara Mattuschka, Chris Haring / 2009 / Austria / 32 minutes
A stage; marble columns; the red curtain closes: you only have a split
second of a pose to multiply your transgression. This first statement
introducing the opening sequence sounds like a provocative
instruction. A game of five figures ensnared in erotic innuendo is more
appearance than reality.
One Man Eight Cameras
Naren Wilks / 2014 / UK / 2 minutes
A mn in a circular room explores a curious phenomenon in which
8 synchronised versions of himself temporarily manifest themselves
to create a rotationally symmetric, kaleidoscopic world. Music by
Moishe’s Bagel.
TerrainSkin
Point Source
To See
Geometry and Gravity
Performance piece / 8 minutes / First Performed 1973
15 minutes / 1982
3 minutes / 2001
A small bright light is the projector, several objects are the film and
the whole room is the screen. A spatial exploration of the objects
with the light projects them as big as the room that encompasses the
audience.
Film eyes open, blink and see, looking about with all-round vision.
Shapes, lines and spaces are not constant but ebb and flow with the
camera movement. This spherical view of things redefines geometry
creating an almost four-dimensional appearance which ultimately
seems to turn space inside out. Sound by Steve Marshall.
A continuous rolling, tumbling motion determined by a geometric
shape creates a visual rhythm and images that roll, dip and soar with
an improvised soundtrack by saxophonist Jan Kopinski.
A Sense of Place
shaped by a third set of movements, the camera
A graduate of English and Philosophy at UCC,
works in Cork City.
Triskel / 75m mins + Q & A
Performing Arts Fund and of Dance Digital. He
dance artist whose film and live performances
their language. Some move towards heightened
This screening and encounter is a must-see for budding film-makers and anyone with an
interest in the medium of film.
Thur 16th / 4.00pm
Fearghus Ó Conchúir is a choreographer and
quiet sense of expectation... stillness is part of
a residency with The Cork
Hill says of his preoccupation with perception: “I think this whole perception thing is very
interesting, because often you have enough information in your brain to be able to walk
through that door and round the corner, you can switch off the rest then. You don’t need to
think anymore... but if you can concentrate it down and look in a different way, it gives you a
fresh view.”
Burning Palace
2014 / 18mins / installation (supported by The Arts Council)
Choreographer, Video Artist, Editor: Mairéad Vaughan / Sound Design, Video Artist, Editor: Dara O’Brien
Holding The Viewer
‘TerrainSkin’ is a three-screen dance video installation presented at The Firkin Crane
throughout IndieCork Festival (until October 31st, 11am – 4pm daily)
1 minute / 1993
Audiotape / 5 minutes / 2003
A Short History of the Wheel
Sally Goode has been blind from birth. Tony Hill took her to a location
unknown to her and recorded her describing what she found. By
touch and sound she learns about the place and, with imagination,
simplicity of expression and a joyful openness she articulates her
findings. The sighted must see through her hands to experience this
place. Objects, normally recognisable at a glance, become stranger
and less identifiable when described by touch and without the
vocabulary of vision.
1 minute / 1992
An exercise in visual relativity in the form of a journey through
space and time as we explore the history of the wheel. Starting with
a primitive hand-drawn cart and moving through horsepower and
machine age tractor and car to the ultimate wheeled transport, the
bicycle.
A cinematic roller-coaster ride at the hands of a performer who is
literally holding the viewer on the end of a pole. Swoop above his
head on a rooftop then fall to his feet, watch him strain to lift you
up and swing you round. Balance precariously above his head as he
hurries to get back before the magic wears off.
‘I am drawn to decaying, forgotten ruins or derelict sites that accumulate or hold within
their structure strong historical and energetic residues, a sense of accumulated time, fading
significance, enigmatic spaces of suggestion and memory; the eroded, the no longer visible:
places where one can sit and absorb a collective consciousness that continues beyond form…’
Laws of Nature
25 minutes / 1997
Downside Up
17 minutes / 1984
A film which, by the use of a simple camera movement, explores and
reviews some relationships to the ground. The viewpoint continuously
orbits places, objects, people and events. The observations gradually
speed up to reveal a double-sided ground flipping like a tossed coin
which slows again to oscillate about the earth’s edge.
An experimental film that looks afresh at landscape by using the
medium to explore its time and space in ways other than ‘eye view’.
A rich, sensual, densely textured film poem that sets out to challenge
perceptual habits without being drawn into the seductive trap of the
picturesque.
Until Oct 31st / 11.00pm – 4.00pm Daily
Firkin Crane / Free Admission
‘TerrainSkin’ is inspired by moving from the urban landscape of Dublin to the rural
expansiveness of County Cork and considers our relationship with our surrounding
environment, both natural and man-made. It reflects on the deep symbiotic relationship
between the body-mind and environment, through an immersive experience of kinesthetic
and energetic interaction. ‘TerrainSkin’ seeks to make us more aware of the movement in our
natural environment, the fragility of time, forgotten enigmatic spaces, empty containers of
energetic traces and the presence of the disappeared.
Shorts / Awards
22
Shorts
Creative Cork
Jackie Oh!!
The Ronan Phelan
Script Award
Mon 13th / 6.30pm
Tues 14th / 6.30pm
Gate / 88 mins
Gate / 87 mins
Programme 1
Programme 2
Snuff Movie
“TIS”
Martin Vallely / Ireland / 2014 / 2 minutes
Denis O’Sullivan / Ireland / 2014 / 4 minutes
You won’t believe what’s going on behind the door at the end of the
hallway!
TIS: Things I’ve seen over the past five years in Ireland, England,
The Netherlands, Germany and Spain.
Sticks & Stones
Six Feet
Stephen Mooney / Ireland / 2014 / 5 minutes
Shane Twomey / Ireland / 2014 / 5 minutes
When a young man shares a personal detail about himself on a social
network, unexpected hostility in the form of cyber-bullying causes
conflict within his own mind.
Walking alone through a nocturnal city, a woman becomes prey to
a deviant male.
Firkin Crane
Sean Creagh / Ireland / 2014 / 15
An angel falls from grace and crashes to Earth. Without any place to
call home and with nobody to turn to he embarks on a long journey.
It’s All About The Bike
Colum Lynch / Ireland / 2014 / 4 minutes
Lego characters restore a 1950s Thanet Silverlight racing bike in this
home-grown animation filmed on a mobile phone.
Chips Off The Block: The KC & Son & Sons Story
John Shiel / 2014 / Ireland / 13 minutes
The iconic KC & Son & Sons fish and chip shop was set up in Cork
in 1958. Over 55 years later, it is still going strong. Wes, Zac and Josh
Crawford describe the joys and tribulations of keeping their family
business running.
Riddled with Gorgeous
Ger Browne / Ireland / 2014 / 7 minutes
Exploring body-image issues amongst models, this film also examines
the myths and misconceptions surrounding models and modelling.
Dead Nature
Mark Kent / Ireland / 2014 / 9 minutes
Tonic
It’s LSD cooking night at the secret science lodge. There are black
holes and time warps.
Brian Benjamin Dwyer / Ireland / 2013 / 8 minutes
A rhyming piece about frustration, desperation, lust and ultimately,
death…
Keeping Time - A Portrait of Stokes Clocks
James O’ Sullivan / Ireland / 2014 / 15 minutes
Jackie Oh!!
Patrick O’Shea / Ireland / 2014 / 5 minutes
Urban Artist Fin DAC returns to his home town of Cork City to paint a
giant mural on the main wall of the Kino on Washington St.
Stokes Clocks of Cork has been owned and operated for three
generations by members of the same family, whose love for the craft
and the art of horology has passed down through the generations.
The film examines the story of the family and their humble shop,
responsible for some of the most iconic clocks in Ireland, including
the famous Clery’s Clock in O’Connell Street, Dublin.
All Mortal Flesh
John Corcoran / Ireland / 2014 / 13 minutes
Spellbound
A suburban family man and sometime contract killer finds himself
faced with an unexpected dilemma after accepting a last-minute
assignment in the days leading up to Christmas.
Seán Breathnach / Ireland / 2014 / 14 minutes
Best friends Cathy and Susan decide to skip school for the day.
They venture into the nearby forest to conduct some magic spells,
in the hope of their romantic dreams coming true.
This Time Tomorrow
Robert McCarthy / Ireland / 2014 / 7 minutes
Sleepover
A young couple try to cope with the unexpected…
Emmet O’Brien/ Ireland / 2014 / 8 minutes
Amplitude & Artefacts
Frustrated by a lack of sleep due to her boyfriend’s constant fidgeting
in bed, a woman suggests a plan which puts their normal adult
relationship up against the values of a more innocent time.
Rory O’Brien / Ireland / 2014 / 20 minutes
An immersive abstraction alluding to something that never was,
‘Amplitude & Artefacts’ is a study of sound and light, an evolving
audiovisual palate that veers from minimalist, shadowy extractions to
a vortex of swirling synthetic sound and flickering light.
Inner Landscapes
Sat 18th / 12.00pm
Sat 18th / 4.15pm
Gate / 88 mins
Gate / 89 mins
Gate / 85 mins
Programme 1
Programme 2
Programme 3
The Daisy Chain
Cas Teampall / Turn Around
The Weather Report
Ken Williams and Denis Fitzpatrick / Ireland / 2014 / 5 minutes
Glenn Gannon / Ireland / 2014 / 11 minutes
Paul Murphy / Ireland / 2014 / 5 minutes
A woman looks back at her childhood and the games she used to play.
A mysterious phone call, which questions a routine weather report by
lighthouse keeper Ted Sweeney, leads his wife Maureen to question
more than just the weather report.
Stephen Gibson / Ireland / 2014 /4 minutes
Vincent was an asylum seeker who managed to learn Irish, find work
and carve out a life in Ireland for himself. Now he’s a disillusioned
primary school teacher who’s lost his way in life. Will the gift of a
Sat Nav (and some magic realism) help him find the place he’s been
looking for?
A young girl begs on a Dublin street, but what are her motives?
Waves
Bridge To Kindness
This event will see the four
short-listed scripts in this
competition, undergo a live
script reading with professional
Da
Jamie Harty / Ireland / 2014 / 16 minutes
Cheryl must come to terms with her relationship with her father on
the day of his funeral.
Steve Woods / Ireland / 2014 / 11 minutes
A shocking tale from the depths of the male menopause! A King falls
for a young and beautiful Princess and does not survive the process.
Alan Holly / Ireland / 2013 / 9 minutes
panel for the award.
The Tent
A lost soul stumbles drunkenly through the city. In a park, Death finds
him and shows him many things.
Liam ó Mocháin / Ireland / 2014 / 17 minutes
The award is named in honour of Ronan Phelan who was
an award-winning film maker who passed away in 2004
aged 29. He was a pupil of Coláiste an Spioraid Naoimh in
Bishopstown in Cork and went on to graduate from UCC.
Along with a great love for music, he studied film in St John’s
Central College where he wrote and directed ‘Gangs of
Waterfall’, a widely praised award winning film that was noted
for raising the bar for film-making in Cork. His family are
honoured that his spirit will live on with this script award in
his name.
Eva, an 80-year-old woman living in Ireland, asks her grandson Daniel
to retrieve a bracelet that she once buried as a child in her garden in
Poland in 1939.
The Dead Planet
This initiative was spearheaded by Niall Owens, an IndieCork
committee member and filmmaker himself. The winning
script will be announced at the Closing night screening on
Sunday 19th October at 8.30pm in The Gate Cinema.
INDIE
CORK
16
20
Oct 2013
A short dance film following a troubled woman who goes to the
beach to find solace.
A modern power station worker leaves his place of work and is taken
to a sacred place, where he dances in a circle of warriors. Returning to
the power plant, the worker combines the warriors’ movement with
his own to generate his own power and sense of connection.
Coda
www.indiecork.com
Terence White / Ireland / 2014 / 7 minutes
Keeping Time
actors, in front of the judging
John O’Brien / Ireland / 2014 / 21 minutes
How much and for how long are past memories kept? How can others
be gone forever? How does short-term memory influence long-term
memory? This choreographic dance film invites the audience to be
immersed in the visual landscapes of memory.
Fri 17th / 4.15pm
Fallen Angel
Irish Shorts
The Tent
Sat 18th / 4.00pm
23
A Warning To All Kings
David Quin / Ireland / 2014 / 5 minutes
In This Place
Alec Moore / Ireland / 2014 / 19 minutes
Waterway
Mark seems comfortable being a big fish in a small pond. When the
doors of opportunity present themselves he always finds an excuse to
return to a destructive lifestyle. Has Mark finally made one excuse too
many?
Carrie Crowley / Ireland / 2014 / 13 minutes
Maurice has suffered loss and is barely able to articulate his feelings as
he travels back to his boat for the first time in months. The ghosts of
yesteryear call to him as he navigates the gentle waters of the canal.
A Scene from the Happening World
Luke
Ruairi O’Neill / Ireland / 2014 / 8 minutes
A space traveller finds herself stranded on a dangerous alien planet.
When she takes shelter in a cave we discover that this planet may not
be so alien after all…
Conor Hamill / Ireland / 2014 / 12 minutes
Jonathan Sammon / Ireland / 2014 / 24 minutes
Using found footage, interviews and recreated scenes, ‘A Scene from
the Happening World’ tells the story of a man who finds himself in an
uninhabited metropolis from which there appears to be no escape, a
place he comes to refer to as ‘The Forever City’.
After years of caring for his dementia-stricken mother on his own,
Luke must now try to cope with the return home of his older brother.
Dorchadas / Darkness
Volkswagen Joe
When a serial killer loses control of his latest capture, no amount of
talking can change what will happen next. When is a victim not a
victim? This short psychological thriller is subtitled in English.
Brian Deane / Ireland / 2013 / 29 minutes
James Fitzgerald / Ireland / 2014 / 25 minutes
In 1981 Northern Ireland, a conflicted bordertown mechanic is faced
with an impossible decision in this tense political drama.
Personal Development
Tom Sullivan / Ireland / 2014 / 11 minutes
Noel Anthony Malone / Ireland / 2014 / 13 minutes
Skunky Dog
Fintan’s already fragile relationship with his youngest daughter is put to
the test with the arrival of some unexpected news.
Flick is a 19-year-old who spends his time drinking and dreaming
of a better life. A local mechanic sees potential in Flick and offers
occasional work. The arrangement becomes a challenge for Flick,
as Mick’s sexual orientation is a topic of debate amongst the local
community.
Stoop
Niall Owens / Ireland / 2014 / 14 minutes
Stephen, or ‘Stoop’ as he is called at work, lives in a campervan next
to his brother’s house. Both Stephen and his brother Vin suffer from
depression. As Vin continues to withdraw, Stephen must decide: does
he allow himself to become more like his brother or does he open up
to someone, anyone?
Specials
24
Shorts
Irish Shorts
World Shorts
Aïssa
Sun 12th / 4.15pm
Gate / 93 minutes
The Fight
Sun 19th / 12.00am
Sun 19th / 4.15pm
Gate / 89 mins
Gate / 95 mins
Programme 4
Programme 5
The Grove
Trevor
Kieran McHugh / Ireland / 2012 / 7 minutes
Zoe Dunlop Doyle / Ireland / 2014 / 8 minutes
Observational documentary on the Bon Secours Hospital in Tuam
known as The Grove which shut its doors in 2001.
Trevor’s close relationship with his mother becomes strained when his
mother invites a date back to their home. When Trevor unleashes his
jealousy, it changes their lives forever.
7th Son
Nodlag Houlihan / Ireland / 2014 / 12 minutes
Cavalier
Since ancient times the seventh son has been said to possess great
magic. They are healers; in tune with nature, animals and all living
things.
Seán Clancy / Ireland / 2014 / 9 minutes
The Fight
A directionless young man questions his life after a chance encounter
with his ex-girlfriend.
Centre Of The Room
3 Way Flicker
Kate Roarty / Ireland / 2014 / 16 minutes
Paul O’Donoghue / Ireland / 2014 / 8 minutes
“Martin Watson is a 61-year-old man whose full-time job is Life
Modeling. I first came across Martin when I was 17 in a Life Drawing
class. I was taken aback by his confidence and his ability to strike such
complicated poses. This is a documentary about Martin, about loving
A Keith Mannix Production
what you do in life and constantly striving to be the best you can be.”
Using analogue equipment and simple tones, buzzes and glitches
are transformed into visual representations. When three of these
recordings are juxtaposed, complete with audio, new rhythmic and
harmonic audio-visual complexities emerge.
Would you like to be a part
owner in a film festival?
Are you a film fan, and
interested in becoming
involved in an exciting new
cultural venture?
Join us!
Become a Shareholder of
IndieCork and have a say in
the direction of the company.
Daniela Gross / Ireland, Brazil / 2014 / 13 minutes
The viewer accompanies Jackie O’Grady on a personal journey
through changes in the way of life on Clare Island on the rugged
west coast of Ireland. Technological advances have lead to the
extinguishing of a generations-old career, the lighthouse keeper.
The Abandoning
Vanessa Gildea / Ireland / 2014 / 16 minutes
‘The Abandoning’ is a film about the memory of a house, a place
where the past and present are not separate places.
Niamh Heery / Ireland / 2014 / 18 minutes
The Fight
An elderly railway engineer and a young ex-con form an unlikely
friendship while working on the narrow gauge railways that traverse
the expansive, historic bogs of Ireland.
Keith Mannix / Ireland / 2014 / 13 minutes
Beneath the frenzy of cockfighting in the Philippines is the curious
relationship between the Filipino man and his treasured idol whom he
sends to battle.
Alan Friel / Ireland / 2014 / 17 minutes
Harmanli: Trapped on the Fringe of Freedom
Nine-year-old Sophie and her wayward mother Harriet go to the races
to meet Sophie’s dad for the first time.
Niamh Heery / Ireland / 2014 /12 minutes
Print source: fiona@jumperproductions
A film about the Syrian women, men and children living in Harmanli
Refugee Camp, Bulgaria. Over 1000 Syrian refugees paid smugglers to
take them to Europe. They now live locked inside a decrepit former
military barracks as they await news of their refugee application status,
in the poorest country in the EU.
Sophie At The Races
Kevin Liddy / Ireland, US / 2014 / 26 minutes
Somewhere up the Hudson river, an inner-city priest and a sanitation
worker grapple with the ghosts of their pasts and the longings that
haunt them…
First Or Last
The cost is €90 per annum
or €7.50 per month.
IndieCork’s Annual General
Meeting and election to the
Committee takes place in
June 2015.
Shareholder registration is managed through
MyClubFinances.com
IndieCork Film Festival Society Limited is registered
as an industrial and provident society.
Gate / 98 minutes
The Song / El Canto
Electric Soul
Condom
Inés Sedan / France / 2013 / 9 minutes
Joni Männistö / Finland / 2013 / 5 minutes
An electrifying animated view of a buzzing micropolis.
Sheldon Lieberman & Igor Coric / Australia / 2013 / 4 minutes
Me And My Moulton
A woman is forced by her husband to be silent forever, but when
listening to nature she finds her own song and a hope for a new life.
It Will Come to Light / Ça Viendra Avec La Lumière
When six-year-old Spike finds a used condom, Dadda attempts to
explain about boys’ schmekels and girls’ knutzas, and exactly what a
condom is for.
Torill Kove / Norway / 2014 / 14 minutes
One summer in 1960s Norway, a seven-year-old girl asks her
hopelessly out-of-touch parents for a bicycle, but the unconventional
ways of these modernist architects soon prove to be a source of quiet
embarrassment and anxiety for the young girl. By the director of the
Academy Award®-winning ‘The Danish Poet’.
Shades Of Gray / Ƨǋǋƾǆǃǁ&ƾǉǇƼǇ
Hofsós in northern Iceland, January 2013. This documentary essay
tracks the sun and its absense as the window of light closes to just a
few hours a day.
Polaroid
Print source: www.nfi.no
Three Weeks In December /Tres Semanas Em Dezembro
All What Is Somehow Useful / Alles Was Irgendwie Nützt
Laura Goncalves / Portugal / 2013 / 6 minutes
Pim Zwier / Netherlands / 2014 / 8 minutes
This is a personal story that looks at family bonds, using my drawings
as a reference and my family as a diary. Part of my culture in my home
town of Belmonte, during Christmas time.
Aïssa
Based on the historical glass plate photograph collection ‘Julius Kühn’
of the Martin-Luther University Halle-Wittenberg, a multitude of
animals is brought together in a rhythmical sequence of photographs
in this experimental short. Years of studies and experiments on animals
are reduced to a few images per second.
Lucie Baudinaud / France, Iceland / 2013 / 17 minutes
Alexandra Averyanova / Russia / 2014 / 6 minutes
A boy and a girl meet at the Tsarskoselsky railway station, but get
separated a few moments later. As they grow up, the two walk the
same streets of Petersburg…
Julia Elise Schacht / Norway / 2014 / 11 minutes
Polaroid is the poetic tale of a brief, nocturnal encounter between a
man and a woman, an encounter that remains a mystery to the man
for the rest of his life.
Clément Tréhin-Lalanne / France / 2014 / 8 minutes
Aïssa is Congolese and is presently residing illegally on French
territory. She claims to be a minor, however the authorities believe she
is over 18. In order to establish whether or not she can remain in the
country, a doctor must give her a physical examination.
Dark Light
John Smith / UK / 2014 / 4 minutes
London and Warsaw, 1980. London and Leipzig, 1997. Where now?
Remembering visits to Poland and East Germany, the filmmaker
questions idealised imaginings of life in other places.
Emergency Calls
Siegfried A. Fruhauf / Austria / 2013 / 2 minutes
Down On The Corner / Kod Ćoška
Hannes Vartiainen & Pekka Veikkolainen / Finland / 2013 / 15 minutes
Being human is a fragile and felleting opportunity to experience life
and the universe around us. In the face of overwhelming darkness
all we can do is to rely on and find solace in one another. The film is
bases on authentic emergency call and radio traffic.
‘Still Dissolution’ measures the relationship between photography and
film, standstill and motion, formation and dissolution, now and then,
and material reality and illusion.
Nikola Ilić & Corina Schwingruber Ilić / Switzerland / 2013 / 15 minutes
Beer, cigarettes or margarine, the corner store in Sirča has it all. It’s a
meeting point for those who didn’t emigrate. No work, no money, but
a lot of humour and friendship; everyday life in central Serbia.
The Rape Of The Samburu Women
Jenna Hasse / Switzerland / 2014 / 10 minutes
Implausible Things
Six-year-old Margaux wakes early on an August morning. She goes to
the window and sees her father loading cardboard boxes into the car.
Her mother is still sleeping. This summer morning promises to be a
singular one for the little girl.
Rita Macedo / Portugal / 2014 / 29 minutes
The day before yesterday at Marienbad, the day before tomorrow,
right here. Scraps of existential randomness in a nutshell, in a box. Built
from 16mm found footage, this film invites each viewer to leave their
conceptions of reason and causality behind.
Meanwhile
Stephen McNally / UK / 2014 / 5 minutes
Bad Blood / Mi Raca
Blending computer generated 3D and 2D drawn animation techniques,
‘Meanwhile’ follows four characters traversing a city, each lost in their
own worlds, trapped in their memories, regrets and frustrations.
André Santos, Marco Leao / Portugal / 2013 / 19 minutes
A portrait of the emptiness in a primary relationship between a mother
and a daughter. Two characters driven by guilt living in solitude with a
nervous dog. Which iis the only male presences in the house.
For details go to indiecork.com
Tues 14th / 4.15pm
Programme 3
In August / En Août
Éamonn Dunne / Ireland / 2014 / 19 minutes
What does it take to be a top-level athlete? Hard work, dedication,
precision... or swag?!
Twenty-year-old Corkonian, Chris Mintern, combines them all as
he competes in the iconic Lee Swim and his first Olympic Distance
triathlon.
Gate / 92 minutes
After The Winter / Au-delà De l’Hiver
Programme 2
The Suffering Kind
Mon 13th / 4.15pm
Our Unfenced Country
Implausible Things
Programme 1
Still Dissolution
The Green Road To The Lighthouse
25
Soliton
Iara Lee / US / 2012 / 12 minutes
England has maintained military training facilities in the Samburu
region of its former colony of Kenya for the last 50 years. During this
period, women in the area have faced an epidemic of rape. The film
visits the brave women of Senchen, who speak candidly about their
suffering and talk passionately about their demands for justice.
Half Cut / Meio Corte
Nikolai Nekh / Portugal / 2014 / 7 minutes
A film about the public transport strikes in Portugal during the
period of the so-called financial crises. However, there is no way to
go through it empirically; this struggle happens in a sound/image
juxtaposition.
After The Winter / Au-delà De l’Hiver
Jow Zhi Wei / France / 2013 / 19 minutes
Isamu Hirabayashi / Japan / 2013 / 14 minutes
An old Chinese couple in a small village, waiting…
A man walks, step by step, through the grass, first in black-and-white,
later in pale colour. We see nothing of his face, just his boots and legs,
clad in camouflage trousers and filmed from above.
Bear / Bamse
Bård Ivar Engelsås / Norway /2014 /17 minutes
A solitary hunter struggles to stay alive in the brutal wilderness. When
he encounters a teddy bear left alone in the snow, he starts failing as a
survivor. Soon both he and the bear are in danger of being destroyed.
A Million Miles Away
Jennifer Reeder / USA / 2014 / 27 minutes
A woman on the edge of failing and a pack of teenage girls
simultaneously experience a supernatural version of coming of age.
The transformation unravels patiently to the infectious beat of an 80s
heavy-metal anthem rearranged as a lamentation.
Shorts
26
Poetry
27
Ó’Bhéal
World Shorts
Ó Bhéal International Poetry Film Competition - 2014
In association with the IndieCork Festival, Ó Bhéal
presents two exciting screenings of fifteen short
films each, forming the competition shortlist
of thirty poetry-films and representing eleven
countries. These were selected by a panel of
With Lou / Avec Lou
Wed 15th / 4.15pm
Gate / 97 minutes
Colours
Thur 16th / 4.15pm
Gate / 95 minutes
One Man, Eight Cameras
Fri 17th / 2.00pm
four Ó Bhéal judges and chosen from over 80
Gate / 98 minutes
International submissions. This year’s judges are
Programme 4
Programme 5
Programme 6
Please Relax Now
Wonder
One Man, Eight Cameras
Vika Kirchenbauer / Germany / 2014 / 12 minutes
Mirai Mizue / Japan / 2014 / 8 minutes
Naren Wilks / UK / 2014 / 2 minutes
This is an immersive piece. Only through your thorough collaboration
will it unfold in its full richness. Only you can give life to the artwork.
You will not be a spectator anymore.
A man in a circular room explores a curious phenomenon, in which
eight synchronised versions of himself temporarily form to create a
rotationally symmetric kaleidoscopic world.
Yogurt And Wax / Joghurt Mit Wachs
Music and sound, sequences of colour and movement, tones and
rhythmised oscillations: abstract animation. In order to create the
film Wonder, animation artist Mirai Mizue uploaded a one second
film, or more specifically, 24 pictures on the Internet every day, on
365 consecutive days. Like a trapeze artist without a safety net, he
refrained from using a storyboard and relied solely on his intuition.
Gabriel Tempea / Austria / 2013 / 3 minutes
Dietmar Brehm / Austria / 2013 / 3 minute
Yogurt jars served often as improvised candle stands during the power
failures that were common in Romania during the eighties. Returned
to the factory, the wax-spotted jars were superficially cleaned and
refilled with yogurt. The chance of finding wax in one’s yogurt jar
increased with the frequency of the blackouts.
Winter / Zima
Do You Have A Minute? / Ce l’Hai Un Minuto?
Alessandro Bardani / Italy / 2013 / 9 minutes
Oreste asks Mahdi, “Have you got a minute?” before giving him
directions from the suburbs of Rome to Palestine. A long journey
unfolds, enriched with amusing anecdotes and sad memories, an
escape from loneliness that becomes a surreal and ironic meeting.
A portrait of a season, a journey through northern Russia and Siberia,
through the feelings and thoughts of the people who have to
cope with one of the world’s harshest climates; a reality where the
boundary between life and death is so thin that it is sometimes almost
non-existent.
1.-14. November
The Shadow of your Smile
Vika Kirchenbauer & Martin Sulzer / Germany / 2014 / 7 minutes
‘Kingdom Come: Rituals’ was initiated by the artists’ discovery of
pigeon photography: a method used mainly during World War I in the
field of what would nowadays be called “unmanned reconnaissance”.
With Lou / Avec Lou
Isabelle Schapira / Belgium / 2014 / 23 minutes
After a tense weekend with family, Johanna meets Lou, a boy of
thirteen who ran away from home.
Sami Eschmann / Germany / 2013 / 26 minutes
Daily routine in my studio from 1st to the 14th November.
Martin Smith / Scotland / 2014 / 14 minutes
When a young showman visits a new town he struggles to fit in.
Seagulls follows Ryan as he attempts to bond with a group of local
boys. The film explores the subtle differences in the lives of these
teenage boys and how cultural bonds that are deeply ingrained are
never far from the surface.
Wotruba
Thomas Draschan / Austria / 2014 / 6 minutes
Draschan reveals the artistic and architectural philosophy underlying
this building, which Fritz Wotruba conceived and built from 1974 to
1976 with the architect Fritz Gerhard Mayr - Vienna´s Church of the
Most Holy Trinity.
A remix film accompanied by a saccharine-sweet instrumental piece
released long ago by the Swiss electronic-listening combo Sweet
People. The material was taken from Brehm’s video series Praxis. Scene
60 from Praxis-8, recycled here, contains private footage by (and of)
the filmmaker, at times in disguise, the debris from porn films he’s
known for - and the mystery of a crumpled Coca-Cola bottle.
24/7
Jeanette Wagner / Germany / 2014 / 15 minutes
A married couple hope to re-inject some passion into their love life by
inviting an unknown couple to their house in this comedy about love,
sex and urgent desire. First it’s time for coffee, then let’s see…
Alexei Dmitriev / Russia / 2014 / 3 minutes
Teagan
“The shadow of your smile, when you are gone. / A teardrop kissed
your lips and so did I.” A film that explores female beauty in the
context of pornographic films.
Igor Coric & Sheldon Lieberman / Australia / 2014 / 3 minutes
L.A. Aboriginal
A story of transition – from male to female, and from despondency
to happiness. Using recorded interview material and representative
artwork, this short film touches on the fear and loneliness of living in
the closet, and the joy and confidence that comes with stepping into
the light.
Bayou Bennett & Daniel Lir / US / 2012 / 9 minutes
The life and background of dynamic artist Dave Tourje, who was
influenced by the energetic L.A. subcultures of skateboarding, surfing,
gang culture, motocross and hot rods.
Elision
Colours
Graham Fitzpatrick / UK / 2013 / 15 minutes
Nathan is a shy and highly intelligent man. He has his life structured
and arranged just as he likes, yet he is lonely. Polly, a neighbour, is his
ideal partner – sweet and affectionate, with a penchant for science
and history.
Raphaël Mathié / France / 2014 / 22 minutes
The Bookseller Of Berne
/ Der Antiquar Am Hirschengraben
Two men walk; the night falls. A fire, a dance, a siren calls. Thus begins
the eternal and absurd journey to a mysterious world of dreams and
our own altered reality.
Andrea Leila Kuehni / Switzerland / 2014 / 25 minutes
Soon Jaime Ramagosa will be ninety years old. It’s time to close his
antiquarian bookshop in Berne, but he hasn’t completely given up his
Unmoved / Imóvel
Wreckers / Les Naufrageurs
Sérgio Galvão Roxo / Portugal / 2014 / 7 minutes
Bodies pursue other bodies. Possibly they are seeking themselves. A
voracious thirst holds us captive to the search for answers. The bodies
are guided, but where to?
Sauliac
Our Curse
Edouard Giraudo / France / 2014 / 20 minutes
Tomasz Śliwiński / Poland / 2013 / 30 minutes
The year is 1890. Mr. Sauliac, a passionate and bring inventor with a
deep interest in the movement of images, creates a machine that will
be called a ‘camera’ a few years later.
The infant son of director Tomasz Śliwiński must sleep every night
attached to a lung ventilator. Śliwiński records the moments when
they first bring little Leo home from the hospital, the first sleepless
nights, but also the moments of optimism and joy Leo brings.
Sandpiper
All films were completed within the last two years,
and include works from Ireland, England, Canada,
USA, Ukraine, Netherlands, Belgium, Sweden,
Lebanon, Isle of Man and Macedonia/Croatia.
The judges will select one overall winner, to be
announced at the Festival Awards Ceremony.
The winner receives the IndieCork award for best
poetry-film. A selection made from the shortlist
will also appear as a special Ó Bhéal programme
at the Cyclop Videopoetry Festival in Kiev, during
late November 2014.
Spell Against Impermanence
Ó Bhéal and Poetry Films
Christian Schmeer & Joe Mania / UK / 2014 / 16 minutes
For a gay teenager, prison is hell and winning acceptance is a risky
business. ‘Colours’ features a cast of real-life prisoners from Scotland’s
tough youth jail.
trade in old books. In a back room, he keeps his best pieces…
Rab Urquhart.
Print source: www.sixpackfilm.com
Seagulls
Coke
Cristina Picchi / Russia / 2013 / 12 minutes
Kingdom Come: Rituals
Paul Casey, Stephen O’Riordan, Rosie O’Regan and
The complete programme is available at
www.obheal.ie/poetryfilm
Competition A
Smurfit Theatre, Firkin Crane / Sat 18th Oct / 6.00pm / 51 mins
Competition B
Smurfit Theatre, Firkin Crane / Sun 19th Oct / 4.00pm / 50 mins
Poetry films continue to become ever more popular – films that interpret poetry. A growing
number of festivals has emerged in recent years which are dedicated entirely to the form,
including notably, the Zebra Poetry-Film Festival in Berlin, the Visible Verse festival in
Vancouver, Sadho in New Delhi, the Australian Poetry In Film Festival, the Video Bardo in
Buenos Aries, Liberated Words in Bristol and the Cyclop Videopoetry Festival in Kiev.
Since early 2009, Ó Bhéal has been promoting this curious fusion of artforms, when in
collaboration with the Goethe Institute and Literaturwerkstatt Berlin, the best of Zebra Poetry
Film festival entries were screened at the Triskel in Cork. A year later in November of 2010 Ó
Bhéal held its first poetry-film evening, highlighting ten of the world’s best poetry-films In 2011
that increased to sixteen and in 2012, presenting a selection of thirty films, chosen from over
500. In 2013, Ó Bhéal convened an International competition for the first time, in partnership
with IndieCork Festival.
28
Documentaries
Documentaries
Eamonn Wall:
Your Rivers Have Trained You
One Ocean: No Limits
I Hear Fish Drowning
29
Mother Jones And Her Children
Thur 16th / 2.00pm
Gate
Mon 13th / 2.00pm
Sun 19th / 12.00pm
Gate
Gate
Paul O’Reilly / Ireland / 2014 / 59 minutes
John Hodge & Sarah Strong / UK / 2014 / 22 minutes
Sarah McCann / Ireland / 2013 / 53 minutes
Emma Bowell / Ireland / 2014 / 52 minutes
A portrait of Eamonn Wall, one of Ireland’s leading poets. Filmed in Eamonn’s native homeland of
There is a need to separate and a need to stay in touch. Through memory, imagination, poetry
and prose, the film is a haunting mosaic of images shifting between Ireland and London,
between past and present. Stella embarks on a literature course on Irish women and exile at
a London Irish centre. Through that process she reconnects with her own sense of alienation
and finds a renewed sense of self.
‘One Ocean: No Limits’ follows a young Irish novice rower through the highs and lows of rowing across the
‘Mother Jones And Her Children’ outlines the extraordinary life of the most famous Cork
woman in America, Mary Jones, formerly Mary Harris. Born in Cork in 1837, she survived the
famine and emigrated to Canada. Contributions from leading experts detail her move to the
US and her marriage to George Jones, her life as a mother to four children, the tragic loss of
her entire family and later her business, her entry into the labour movement and her role as
a fearless union organiser, which ultimately earned her a reputation as ‘the most dangerous
woman in America’.
Enniscorthy, Co. Wexford, the poet walks us through several chapters of his life, interweaving them with
extracts from poems and essays that characteristically have come to reveal so much about his family, travels
and influences.
The director will be present at the screening.
vast Atlantic, from Morocco to Barbados, as part of a crew of six who only met a few days before setting out
on this momentous voyage.
Ocean Rowing is an extreme sport and from an endurance viewpoint, crossing the Atlantic by oar is similar
to running over 100 marathons, back to back. Those who have successfully crossed the Atlantic is less than
The directors will be present for the screening.
those who’ve been in space. It’s a story of human triumph against the odds, showing how determination
and the desire to achieve can take one person from a dream to a reality.
‘One Ocean: No Limits’ is a completely no-budget film, self-funded by the producer/director over three
years work of part-time filming and editing.
(Eamonn Wall: Your Rivers Have Trained You will be preceded by I Hear Fish Drowning)
“A difficult relationship break-up extended the post-production process, but thankfully, the film tells the tales
of an extraordinary challenge undertaken by both the main subject, my former partner Adam, and myself.”
Sarah McCann
Endure
Na Píobairí Uilleann
Europe In 8 Bits
The Wind Blows Where It Wants
Sat 18th / 12.00pm
Sun 12th / 2.00pm
Wed 15th / 2.00pm
Tue 14th / 2.00pm
Gate
Gate
Gate
Gate
Vincent McEntee / Ireland / 2014 / 70 minutes
Javier Polo / Spain / 2013 / 75 minutes
Alain mac Gabhann / Ireland / 2014 / 50 minutes
Abel Kavanagh / Ireland / 2014 / 68 minutes
In 2010, two young Irish guys quit their jobs, packed their bags and set themselves a challenge
– to cycle 26,000kms across 27 countries on five continents in 11 months. Drawing from
over 40 hours of footage shot by Larry and Kev, ‘Endure’ gives you a first-hand account of life
on the road. We see what inspired them and we see how this once-in-a-lifetime experience
continues to affect their lives.
The uilleann pipes are a vibrant part of the music scene in Ireland and internationally, with an
estimated six thousand players of this uniquely Irish instrument worldwide. Yet in the 1960s
they were on the brink of extinction. This is the story of the first piping tionól held in April
1968 in Bettystown in County Meath – a first-hand account of what happened on the day Na
Píobairí Uilleann was formed, and the uilleann pipes were saved from the threat of extinction.
Born in Dublin, and holding an Irish passport, Abel is of Spanish origin but was raised in France
– he speaks English in a French accent.
The director will be present at the screening.
Europe In 8 Bits is a documentary that explores the world of chip music, a new musical trend
that is growing throughout Europe. The stars of this musical movement reveal to us how
to reuse old videogames hardware like Nintendo’s GameBoy, NES, Atari ST, Amiga and the
Commodore 64 to turn them into a tool capable of creating a new sound, a modern tempo
and an innovative musical style. This is a new way of interpreting music performed by a great
many artists who show their skills in turning these “limited” machines designed for leisure in
the 80s into surprising musical instruments and graphical tools. It will leave nobody indifferent.
While waiting on news of his application for French naturalisation, Abel explores his roots in
Ireland with a view to discovering what being Irish really means, and what nationality and
borders represent.
Featuring interviews and performances from Liam O’Flynn and Paddy Moloney, Néillidh
Mulligan, Seán Senior and Seán Óg Potts, Peter Browne, Gay McKeon, Brian Vallely, Pat Mitchell,
Maitiú Ó Casaide and others.
This transcultural odyssey invites the viewer to redefine that which determines each individual
and allows them to differentiate themselves from each other: identity.
The producer will be present for the screening
30
Industry Events
Cultural / Education
We’re Learning...
Euro Connection VII
Cultural Exception
Theatre Development Centre, Triskel Arts Centre
A festival is not just about screenings.
3.00pm – 4.30pm
It’s also about learning about film art and about film industry.
Friday 17th Oct – Free
We’re delighted that so many of our guests are willing to share
03-04 February 2015 – Clermont-Ferrand
their knowledge and experience, especially with the young and
emerging filmmakers participating in IndieCork.
The events are free with the exception of the two workshops for which there is
a charge of €5 for each. For further information or to secure a place,
please email [email protected]
Workshop:
Exploring the
Director / Producer
Relationship
Thur 16th / 2.00pm
Crane Lane Theatre
This workshop will explore the relationship between the
Director and the Producer in prepping and filming a feature
film. Rossa Mullin (Producer) & Padraig Trehy (Director/Writer)
will talk openly about their experience of making the feature
film ‘Shem the Penman Sings Again’.
Panel Discussion:
Short Flm Funding
News From
The Factory
Shimmy Marcus will host this information session about the
transition The Factory has undegone in the last few months
and what it is becoming, the training courses, classes and
oppertunities it will provide, aspiring & experienced actors.
Shimmy will also screen a promo and a showcase of last
year’s graduating acting talent year.
Panel Discussion:
Tales From The
Indie Trenches
Crane Lane Theatre
Venue to be announced
Making a feature film on a minimal budget can be a trying
task, mistakes get made and it’s too late to rectify them,
problems are presented and imaginative solutions have to be
found. Once the film is made the task of getting it seen by
other than friends and family provides a whole other set of
challenges.
Writer Kevin Lehane (Grabbers, 2013) will present an indepth
look at the process of writing from concept to character
development, from routines to vomit drafts. Kevin will also
discuss ‘knowing your strengths’, ‘learning to compromise’
(“everyone compromises when making a film!”).
Euro Connection is the European Short Film
Co-production Forum taking place each year
at the Clermont-Ferrand Short Film Market.
This business platform aims at fostering
partnerships between European production
companies, funders and broadcasters for
short film projects.
The next edition of Euro Connection will
take place on Tuesday 3rd and Wednesday
Padraig Trehy lectures in Film
at CIT Crawford College of Art
& Design. As a filmmaker he
has been writing and directing
films since 2001, beginning with
the short documentary The
Headstones of Seamus Murphy,
which won the Cork Film Centre
Creative Documentary Award.
He won the RTE / Cork Film
Centre Short Script Award for
My First Motion Picture. Other
films include The Kings of Cork
City; Trying to Sell Your Soul
When The Devil Won’t, Echoes
and an extended study of
the sculptor Seamus Murphy
A Quiet Revolution. He is in
post-production on his first
feature film the Irish Film Board
funded Shem The Penman
Sings Again about the friendship
between James Joyce and John
McCormack and the writing of
Finnegans Wake.
Kevin Lehane is an IFTA and
WGGB nominated screenwriter
who is best known for writing
the film Grabbers, produced
by Forward Films. The film
premiered at Sundance 2012 and
proved popular with audiences
and critics. Grabbers went on
to screen at festivals around
The French call it l’exception
culturelle, a political concept
they introduced in 1993 that
treats culture differently from
other commercial products.
The protection now afforded
to culture in the European
Union, is soon to be debated
in the free-trade talks
between the EU and the
US and may come under
pressure.
Call for Projects 2015
IndieCork Festival is the Irish partner for this
co-production opportunity. The deadline
for application is October 24th. Flmmakers
interested in entering their work should
contact us at: [email protected]
Where should Ireland stand,
particularly in light of our
culture, our artists, our
filmmaking?
IndieCork presents, in
conjunction with the
European Parliament
Information Office of Ireland,
an open panel discussion
on the importance of the
‘cultural exception’.
Panellists will include:
Francis Jacobs, Head of Office, European Parliament
Information Office and Liadh Ní Riada, a Sinn Féin MEP for
Ireland South From the Muskerry Gaeltacht, Liadhis is an
accomplished documentary filmmaker and has worked as both
a television producer and director. Liadh served on the board
which established Teilifís na Gaeilge in 1996.
INDIE
CORK
16
Dave Tynan attended the
Berlinale Talent Campus while at
the National Film School at IADT.
His short film Just Saying was
viewed over 250,000 times in
the first week of it going online
at and received major press
coverage. It has since been seen
over 400,000 times. He also
graduated from the Filmmaking
MA in Goldsmiths University with
a DistinctionIn 2014 Dave has
directed two short films, Poxy,
for the RTÉ/Filmbase Short Film
Award, and Rockmount, under
the Irish Film Board Signatures
scheme. Rockmount won the
Tiernan MacBride Award for Best
Short Drama at the Galway Film
Fleadh 2014.
He has a number of short and
feature projects in development.
the world winning a number
of audience awards during its
run. Screen Daily described
Grabbers as having a ‘smart
script canny enough to sidestep
the expectations of fans who
might think they know how
films like this are supposed to
play out’. Grabbers was recently
nominated for a 2014 Fangoria
Chainsaw Award for Best
Screenplay.
Directors of Irish indie feature directors will share the lessons
learned, the pitfalls to avoid as well as the unexpected
benefits of going down the indie trail.
The Cultural Exception – An open discussion
4th February 2015 during the ClermontFerrand Short Film Market. Euro Connection
is organised by Sauve Qui Peut le Court
Métrage (Clermont-Ferrand) in association
with the Creative Europe MEDIA Desk France
and the Centre National du Cinéma et de
l’Image Animée, with the support of the
Creative Europe MEDIA sub-programme and
the PROCIREP.
www.indiecork.com | www.clermont-filmfest.com
Sat 18th / 1.00pm
Crane Lane Theatre
Shimmy Marcus is a multi award
winning filmmaker working
across a variety of formats
and genres including Features,
Documentaries, TV Drama, Music
Promos, and Commercials. His
most recent short films ‘Rhinos’
and ‘Hannah Cohen’s Holy
Communion’ have just bagged
14 international awards and
been sold worldwide. A founding
member of the Screen Directors
Guild of Ireland, and The Factory
Actors Studio, he is now Creative
Director at Bow Street (formerly
The Factory).
TDC Triskel
Sun 19th / 2.00pm
Workshop:
Writing 101
Rossa Mullin is an experienced
filmmaker based in cork. He
set up pooleen productions
in 2007 to produce arts
documentaries, of which he has
made numerous. His work has
screened very successfully at
festivals at home and abroad, as
well as being broadcast on rte.
“Shem The Penman Sings Again”
is his first feature.
Fri 17th / 6.00pm
Fri 17th / 1.00pm
This panel discussion will explore the different experiences
producers, writers and directors have had in funding their
short film projects - from RTE-funded schemes to Irish Film
Board’s Signatures scheme. For any film maker looking to find
out more about short film funding.
31
Kevin is currently developing
projects with Revolution Films
(Good Vibrations), Kennedy Films
(My Name is Emily) and the Irish
Film Board. He is represented by
CAA and Circle of Confusion in
the US and by Curtis Brown in
the UK.
20
Oct 2013
IndieCork Education
QUAY
CO-OP
IndieCork and The Gate Cinema
present special programmes for
Education and groups throughout
the festival week. Features, shorts
plus a special programme on the
work of Terence White.
For bookings, contact us at
[email protected]
Full details online at www.indiecork.com
INDIE
CORK
16
20
Oct 2013
vegetarian restaurant
wholefood shops
Terence is from Cork City.
He was a theatre director
before making the transition
into filmmaking in the late
90’s. He has made several
short films and creative
documentaries and is a
member of the Screen
Directors Guild of Ireland.
As well as making his own
films, he runs a youth film
project in the south east of
Ireland funded by Wexford
County Council and The
Arts Council.
Best wishes
to Indie Cork
24 SULLIVANS QUAY, CORK
Also at:
Main Street, Ballincollig
& Main Street, Carrigaline, Co. Cork
021 4317026
www.quaycoop.com

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