project.classics ••• platinum.libray.of.musical.specials

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project.classics ••• platinum.libray.of.musical.specials
PREVIEW
johann.nepomuk.hummel..jovan.pesec
grand.concerto.4.guitar.&.orchestra.a.major.op.23
arranged.4.guitar.&.orchestra.by.jovan.pesec
project..classics
old.viennese.guitar.concertos
johann.nepomuk.hummel..jovan.pesec
grand.concerto.4.guitar
Concerto for Bassoon and Orchestra in F Major op.23
arangement.4.guitar.&.orchestra.by.jovan.pesec
content
preface.by.colin.cooper:
4
PREVIEW
score.4.orchestra:
1.orchestra.allegro.moderato
2. orchestra.romance
3. orchestra.rondo
score.4.guitar:
1.guitar.allegro.moderato
2.guitar.romance
3.guitar. rondo
g.1
g.2
g.3
making.of
biography.&.works.by.jovan.pesec
A-1
A-3
© [email protected]
coverdesign © judith-p-fischer.v4m.net
fractal “construction.pi” by http://www.jovanpesec.net
5
44
57
Preface
After a long period of decline, attention is once more being paid to the work of Johann Nepomuk
Hummel (1778-1837). His credentials are impressive: Mozart, who took an interest in him, gave
him lessons over a period of two years, and he also studied with Clementi. He travelled widely as a
much-acclaimed piano virtuoso, and later conducted opera. As a composer, he was declared to be
the equal of Beethoven.
For the guitar part, Jovan Pesec used Mauro Giuliani’s Sonata op.15 as a guide for general
guitar style of the period. The cadenzas are Jovan Pesec’s original work.
Hummel’s concerto completes the trilogy begun with arrangements of concertos by Mozart
and Haydn. Jovan Pesec’s achievement has significantly enriched the guitar repertoire by the
addition of three classical concertos by composers of the highest stature from the classical period in
Vienna. .
Colin Cooper
Classical Guitar Magazine, via e-mail, 27. Febgruary 2006
_____________________________________________________
PREVIEW
Vorwort
Nach einer langen Periode der Missachtung wird heute dem Werk von Johann Nepomuk Hummel
(1778-1837) wieder mehr Aufmerksamkeit gewidmet. Seine Empfehlungen sind beeindruckend:
Mozart, der sich für ihn interessierte, unterrichtete ihn mehr als zwei Jahre lang, außerdem studierte
er bei Clementi. Als viel umjubelter Klaviervirtuose war er weit gereist, später dirigierte er Opern.
Als Komponist galt er zu seiner Zeit als Beethoven gleichwertig.
Für den Gitarrepart benutzte Jovan Pesec Mauro Giuliani’s Sonata op.15 als Leitfaden für
den generellen Gitarrestil dieser Periode. Die Kadenzen wurden von Jovan Pesec’s komponiert.
Hummel’s Konzert vervollständigt die Trilogie, welche mit den Konzerten von Mozart und
Haydn begann. Jovan Pesec’s Leistung hat das Repertoire der Gitarre durch Hinzufügen von drei
klassischen Konzerten von Komponisten der höchsten Reputation der klassischen Wiener Periode
signifikant bereichert.
Colin Cooper
Classical Guitar Magazine, via e-mail, 27. Februar 2006
grand.concerto.4.guitar.&.orchestra
orginal://grand.concerto.4.bassoon.&.orchestra/op.23..f.major
old.viennese.guitar.concertos/no.3
arranged.4.guitar.by
deidcated.2.gabriel.guillén
jovan.pesec
I
[score.edited.by.georg.kugi]
(1778-1837)
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johann.nepomuk.hummel
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PREVIEW
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(c) [email protected]
edition.v4m..project.classica
(last.edited.2008.05.03)
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old.viennese.guitar.concertos/no.3
dedicated.2.gabriel.guillén
jovan.pesec
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PREVIEW
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ancient.viennese.guitar.concertos/nr.3
dedicated.2.gabriel.guillén
jovan.pesec
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PREVIEW
5