Depliant Montfort impressionniste version anglaise
Transcription
Depliant Montfort impressionniste version anglaise
Montfort René SAUTIN Impressionnist/Fauve Impressionnist Proud, distinguished and cultured, Sautin suffered greatly from his lack of recognition during his lifetime and regretted his isolation. « My life has often been hard and difficult» He used to say. Although living in Les Andelys, he regularly came back to stay in Montfort and Pont Audemer to paint. His considerable work includes many paintings of the Risle valley. René Sautin was born in Montfort sur Risle at 18, rue St Pierre in 1881. In 2000, a commemorative plaque was placed above the porch of the building in which he used to live. After going to primary school in Montfort and then to secondary school in Pont Audemer, René Sautin went to Rouen Art school and studied in the studio of the artist, Philippe Zacharie, his drawing master. Albert LEBOURG The native house of R.Sautin He then went to Paris and spent a year in the Ferrier Studio before exhibiting his work at the "salon des indépendants". He married Marthe Leclerc in 1910 but they remained childless. In 1911, he settled in Les Andelys where he met Manzana, Pissaro, Luce and Maurice de Vlaminck with whom he became close. René Sautin and his wife René Sautin's painting is essentially concerned with landscapes and seascapes. In 1923, he turned from impressionism to fauvism reaching the peak of his artistic powers in the 1950s.He is one of the few painters from Normandy to have painted powerful landscapes in such a personal manner, expressing both a degree of restrained violence and deep sensitivity. ASSOCIATION MONTFORT CULTURE ET PATRIMOINE The surroundings of the maritime section of the Risle River and luminous views of Montfort have taken the talent of René Sautin well beyond our frontiers. “Essentially, painting involves spreading paste and not scumbling it. From this starting point I paint in thick layers, without scumble, each brush stroke is final. I never rework a tone. This gives my painting great power and character. What makes a particular tone beautiful is its daring and rich colour. The art of painting lies in creating or interpreting what one feels or sees, everything else is meaningless.” R. Sautin René SAUTIN Towards the end of his life, Sautin began to lose his sight. His work changed; his drawings were now outlined in black. The artist compensated for his loss of sight by using brighter and more agressive colours. He stopped painting in 1964, at the age of 87, four years before his death. Association Montfort Culture et Patrimoine: Mairie : 3 rue Saint Pierre 27290 Montfort sur Risle Mail : [email protected] - www.amcp27.fr www.amcp27.fr ASSOCIATION MONTFORT CULTURE ET PATRIMOINE Albert LEBOURG Lebourg, whose father was a law clerk, was born in the rue de l’Ecu in Montfort, on 1st, February 1849. He went to secondary school in Evreux before going on to artistic studies at Rouen drawing school under the direction of Drouin, an architect, who introduced him to the The native house of A. Lebourg landscape painter, Victor He gave up studying architecture in Delamarre. order to follow the lessons of Gustave Morin at Rouen Art School. The School Rouen While he was living in Paris, Albert Lebourg met Portier, an art gallery owner, who sold his paintings for him and introduced him to a circle of artists. From now on he began to become well known. After the death of his wife on 3rd December 1894, Lebourg decided to go to the Netherlands with Melicourt, an artist from Dieppe. He stayed there from 1895 to 1897. In 1900 he also went briefly to Great Britain where he deepened his knowledge of the work of Turner, Constable and Gainsborough. In 1871, he met the art collector, Laperlier who helped him gain a position as a drawing teacher at the Alger Fine Art Society, where he remained from 1872 to 1877, producing works such as “Rue d’Alger” (Rouen Art Museum), in 1875. Between 1884 and 1886 he often spent time in Auvergne producing impressionist works such as “Neige en Auvergne” (Rouen Art museum) in 1886, where a river restores the presence of water, a recurring feature of his work. Albert Lebourg Preferring to work from nature rather than in a studio, he worked on painting a single setting under different lighting conditions as Monet was to do later on. After having married Marie Guilloux in 1873, he left his teaching position in Algeria and came back to Paris in 1877, where he worked in Jean-Paul Laurens’ studio from 1878 to 1880. It was during this time that he became aware of Impressionism and subsequently became friends with Degas, Monet and Sisley. He showed his work for the first time at the 1883 Salon de la Société des Artistes Français and again in 1886. The Société Nationale des Beaux-Arts was established in 1889 and he showed his work regularly there from 1891 to 1914. www.amcp27.fr An International Artist Albert Lebourg was a great traveller unlike the other Rouen School artists. Along with excursions to Bougival, Puteaux, La Rochelle and Boulogne sur Mer, he also made trips to la Bouille et Bonsecours before establishing himself at 2 quai de Havre, in Rouen. From then on, apart from a few trips to Honfleur and Montfort, where he became friends with René Sautin, Lebourg rarely left Paris or Rouen remaining near the banks of the Seine. He continued to work in the impressionist manner with landscapes such as “Petite ferme près de l’eau (Ile de vaux)” (Rouen Fine Arts museum) until 1920 when he suffered a stroke and was paralysed. By now married to his sister-in-law, Alice Guilloux, he stopped painting in 1925. He died in Rouen on 6th January 1928. Impressed by the Risle valley, Lebourg told his friend René Sautin “All of nature can be encapsulated in just one small area. It’s our vision which magnifies the sight.” ASSOCIATION MONTFORT CULTURE ET PATRIMOINE