continuing education programs - PAFA

Transcription

CONTINUING
EDUCATION PROGRAMS
ART CLASSES FOR ADULTS AND HIGH SCHOOL STUDENTS
Summer 2015
WE
MAKE
ARTISTS
pafa.edu
PORTRAIT PAINTING IN PASTEL
WITH ELLEN EAGLE
June 15 – 19 | See page 6
2
3
Pennsylvania Academy of the Fine Arts
CONTINUING EDUCATION PROGRAMS
BENEFITS OF PAFA CE
Join our community of dedicated artists of all ages and skill levels
■
A stellar faculty of practicing, professional artists who
enthusiastically encourage and support their students. Look
for complete faculty biographies on our website, pafa.edu.
■
A thriving downtown Philadelphia location, only a few
blocks away from the Barnes Foundation, Philadelphia
Museum of Art and Rodin Museum on the city’s
beautiful “Museum Mile.”
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Convenient connections to mass transit with plenty of
discounted parking nearby.
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Access to the many amenities on PAFA’s campus, including
the breathtaking and historic Cast Hall, Arcadia Fine Arts
Library and on-site Blick Art Materials store.
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Free admission to the PAFA museum, featuring a
renowned permanent collection of American art and
special exhibitions. Visit pafa.org for more information.
TABLE OF CONTENTS
Master Classes ...........................................4
Summer Academy for Teachers........7
Pre-College Programs.............................7
Summer Studio Critique
Program ..................................................10
One Week Intensive Courses............12
Evening Courses......................................14
Five Week Session One Courses .....18
Ten Week Saturday Courses ............22
Five Week Session Two Courses....23
Weekend Workshops............................27
On the cover: Ellen Eagle, Iza (detail). Pastel on paper, 6 x 8 1/2 in.
Registration Information ..................32
Photo: Tom Crane
Founded in 1805 as the nation’s first school
and museum of fine arts, the Pennsylvania
Academy of the Fine Arts (PAFA) promotes the
transformative power of art and art making.
For over 200 years, our close-knit community
of faculty, critics, scholars, curators, museumprofessionals, and alumni have created a home
for contemporary artists to reinvent tradition
and make their own mark on the future.
As part of this mission, PAFA Continuing
Education (CE) Programs offer a diverse array
of studio art courses, workshops and programs
for adults and high school students, open to all
levels of ability, from absolute beginner through
advanced artist. Whether you’ve never taken
an art class before, are returning after a long
absence, or are preparing a portfolio for art
school, PAFA CE has something for you!
WE’RE HERE TO HELP!
Please call 215-972-7632 or write
[email protected] for more
information or assistance
in course selection.
128 North Broad Street
Philadelphia, PA 19102
t 215-972-7632 f 215-569-0153
e [email protected]
www.pafa.edu/CE
Theodore Xaras
CONTINUING
EDUCATION
OPEN HOUSE
FREE BY RSVP!
Saturday, April 11
10 a.m. – 1 p.m.
Interested in taking a class or trying something new, but don’t
know where to start? Then join us on Saturday, April 11, and find
out what PAFA CE can do for you! Meet our friendly faculty and
staff, view demonstrations on painting, drawing, printmaking
and sculpture, tour PAFA’s historic Cast Hall, drawing and
painting studios and state-of-the-art print and sculpture shop
facilities. You can even have your portfolio reviewed by PAFA
Admissions staff! Refreshments will be served!
RSVP THROUGH THE CE OFFICE:
215-972-7632 or [email protected]
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MASTER CLASSES AND WORKSHOPS
Visit pafa.edu/masterclasses for more information on upcoming classes.
LECTURES
STUART SHILS
CHRISTINE LAFUENTE
VOYAGES THROUGH PERCEPTUAL HISTORY
Thursday, April 16, 6 - 7:30 p.m.
Hamilton Auditorium/
Historic Landmark Building
Friday, May 1, 6 - 7:30 p.m.
Hamilton Auditorium/
FREE BY RSVP TO THE CE OFFICE: 215-972-7632
IN609EK PLEIN AIR PAINTING IN BERMUDA
ALL MEDIA
Open to All Levels
Join PAFA faculty Joe Sweeney and Bermudian
watercolorist Jill Amos Raine for a plein air
painting class in beautiful St. George’s, Bermuda.
Learn to paint efficiently out-of-doors with tips
on choosing a location, capturing the weather and
light, and setting up a seascape palette. Featuring
demonstrations and lectures on painting surfaces,
materials, mediums, compositional drawing and
color studies. All media welcome, including oil,
acrylic, pastel, and watercolor. Daily painting
times will be broken up to utilize morning and
evening light. Take advantage of the afternoon
break to explore the picturesque surroundings
or relax on the beach! Includes a visit to the
Masterworks Museum of Bermuda Art in Paget
Photo: Joe Sweeney
PT605CM PLEIN AIR PAINTING
IN CAPE MAY, NEW JERSEY
ALL MEDIA
Open to All Levels
Join plein air painter Joe Sweeney for a painting
retreat in Cape May, New Jersey. Experience
small town hospitality while painting the
landscape/seascape of Cape May, including
Cape May Point, the Cove with sweeping vistas,
Cape May Lighthouse, and Sunset Beach.
Paint efficiently outdoors with tips on choosing
a prime location, reading the weather and light
at a particular time of day, and setting up a
landscape palette. Instruction includes
demonstrations and lectures on painting
surfaces, materials, compositional drawing
and color studies. Morning and evening painting
times will leave the afternoons free to relax on
Photo: Joe Sweeney
the beach – the perfect artist’s getaway. Geared
towards oil, acrylic and pastel, but experienced
watercolorists are welcome.
Thursday – Sunday, June 4 - 7
Times variable
Tuition: $495
Register by: May 1
For more information, visit: joesweeneyart.com
or write: [email protected]
IN 609JB MASTER CLASS WITH JAN BALTZELL
ALL MEDIA
Open to Intermediate/Advanced Artists
Joe Sweeney, Spanish Point, Oil on masonite, 18 x 22 in.
to view works by Charles Demuth, Winslow
Homer, Georgia O’Keeffe, Andrew Wyeth, and
many others who made the Bermuda pilgrimage.
Monday – Friday, May 18 - 22
Tuition: $695
Register by: April 17
Students are responsible for their own
airfare and accommodation. Discounted
accommodation is available. For more
information, visit: joesweeneyart.com or
write: [email protected]
Abstraction exists in all works of art, in the
artist’s translation of subject matter. How might
we then direct ourselves to stop labeling what we
are looking at and think more about our drawn
and painted marks within the narrative of the
whole? How does color create space or convey
sound? What is the pace of your hand and eye?
Where do you pause? How do you bridge the gaps
and transition from moment to moment, brush
stroke to brush stroke?
Join acclaimed artist and PAFA faculty member
Jan Baltzell to explore the different avenues
available as one moves from direct observation
toward abstraction and invention. Inspiration
will be sought from artists such as Henri Matisse,
Piet Mondrian and Richard Diebenkorn,
whose work reflects a transformation from a
representational approach to abstraction.
An expansive and visually stimulating still life
will serve as the basis and inspiration for
structure, movement, light, and color, as students
Jan Baltzell, Untitled, 2011. Oil on mylar, 28 x 25 in.
explore different means of creating inventive
imagery. Work in your choice of drawing,
painting, or collage and mixed media. Bring what
you know, as well as new materials or ideas, to
push your boundaries of image-making.
Friday, Saturday and Sunday, June 12, 13 & 14
9 a.m. – 5 p.m.
Tuition: $750
Register by: May 15
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Master Classes and Workshops
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IN 627ET
SUMMER ACADEMY FOR TEACHERS:
PAFA IN YOUR CLASSROOM
IN 609EE PORTRAIT PAINTING IN PASTEL
WITH ELLEN EAGLE
PASTEL DRAWING & PAINTING
Open to All Levels
Ellen Eagle, noted author of Pastel Painting Atelier, and
instructor at the Art Students League in New York,
presents a master class intensive on the materials and
techniques of pastel portraiture. Students will benefit
from Eagle’s passion for the medium, bolstered by her
extensive knowledge of its history and applications.
Topics such as studio set-up, pastel varieties, and tools
and surfaces will be addressed, in addition to methods
of executing a successful portrait. If you wish to make
portrait painting in pastel a significant part of your
artistic endeavor, or if you wish to employ pastel as a
means to deepen your understanding of color, this
workshop will strengthen your foundation.
Monday – Friday, June 15 – 19
9 a.m. – 5 p.m.
Tuition: $595
Register by: May 15
Charles Muldowney
The Summer Academy for Teachers is designed
to renew and invigorate teachers, as well as
provide a reserve of project ideas for the new
school year and personal artistic practice.
Study painting strategies, drawing concepts,
printmaking and sculpture methods, and learn
ways to use them in the classroom. Visit the
PAFA Museum and Vaults and select off-site
locations to connect educational ideas with art
projects and demonstrations. Learn new artistic
methods and study powerful design and
educational theories while you collect ideas for
classroom projects.
Ellen Eagle, Portrait of the Young Artist
Marela Alvarez, 2014. Pastel on pumice board,
9 1/4 x 11 1/8 in.
See also page 28 for “The Figure in Pastel”
with Ted Xaras, June 13 & 14
Monday – Friday, July 20 – 24, 9 a.m. – 4 p.m.
Tuition: $395 non-credit or $525 for
1.0 undergraduate credit.
Available for Pennsylvania Act 48 hours and
New Jersey Dept of Education Professional
Development Credit
Register by: June 26
Charles Muldowney
Charles Muldowney is a painter, printmaker,
writer and educator, who has taught art at the high
school level for over 25 years. He has an MFA in
painting from PAFA, and completed graduate
studies in aesthetics and criticism through the
Barnes Foundation. He has exhibited his artwork
nationally and internationally.
IN 609JA MASTER CLASS WITH JULIETTE ARISTIDES
FIGURE DRAWING
Open to All Levels
SUMMER ACADEMY FOR
HIGH SCHOOL STUDENTS 2015
Learn to accurately and confidently draw the human
figure with Juliette Aristides, renowned artist, founder
and instructor of the Aristides Atelier at the Gage
Academy of Fine Art in Seattle, and noted author of
Classical Drawing Atelier and other highly regarded
drawing and painting texts. Open to all levels, this
workshop will teach students to draw the figure’s
essential structure in order to create a strong foundation
for value and form.
Saturday and Sunday, June 20 & 21
9 a.m. – 5 p.m.
Tuition: $650
Register by: May 15
July 6 – August 7, 2015
PAFA’s Summer Academy is the definitive program for
talented and motivated high school students: a five week,
college-level art making experience in the nation’s first and
premier school of fine art.
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Juliette Aristides, Sleep, 2006. Charcoal heightened
with white on toned paper, 21 x 16 inches
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Rigorous courses in drawing, painting,
sculpture, printmaking and illustration taught
by PAFA’s exceptional faculty
Field trips to the museums and galleries of
Philadelphia, New York and Washington, D.C.
A culminating student exhibition in
PAFA’s museum, including a reception and
awards ceremony
A head start on preparing your portfolio for
applying to art school
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The opportunity to earn four collegelevel credits
The option for an Admissions portfolio
review for pre-approval for your PAFA college
application (additional materials required)
A $5,000 Next Step Scholarship issued to
all Summer Academy alums who enroll in
PAFA’s Certificate or BFA programs.
FOR MORE INFORMATION,
visit pafa.edu/summeracademy
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PRE-COLLEGE PROGRAMS
ONE WEEK HIGH SCHOOL STUDENT INTENSIVES
These courses offer teens the valuable opportunity to develop and hone their skills under the guidance of
PAFA faculty. All levels welcome. Visit pafa.edu/highschool for more information or to register online.
DR 710EP SCULPTURE – NEW!
Colleen O’Donnell
Room 740/Samuel M.V. Hamilton Building
A staple of fine arts study and a core component
of PAFA’s historical curriculum, figure sculpture
presents an excellent opportunity for students to
explore clay modeling methods, improve their
artistic understanding of the human form, and
expand their portfolios with three-dimensional
work. Students will work from a life model to
learn the techniques and tools of terra cotta
clay sculpture, focusing on anatomy, proportion,
composition, and personal expression. A field
trip to Philadelphia’s Rodin Museum, will
promote students’ appreciation for the medium.
Students will have the opportunity to photograph
their pieces for their portfolios, and sculptures
will be kiln-fired after the conclusion of the
course. Open to all levels.
NOTE: This class will utilize nude models.
Monday – Friday, June 29 – July 3
9 a.m. – 4 p.m.
Tuition: $415 for 1.0 undergraduate credit
or non-credit + $10 lab fee
DR 710ED DRAWING
Roger Chavez
Develop your perception and drawing skills
through observation, demonstration and
critique. Draw from the still-life, the PAFA
cast collection and the portrait model in a
range of materials including graphite, charcoal
and conté crayon. The class will visit the PAFA
Cast Hall, Museum and Vaults, as well as the
Philadelphia Museum of Art, to view master
drawings and discuss drawing in a
contemporary and art historical context.
Open to all levels.
Monday – Friday, July 6 – 10
9 a.m. – 4 p.m.
or non-credit
SCHOLARSHIPS AVAILABLE!
Visit pafa.edu/HighSchool/Intensives for
more information and to download an application.
Application Deadline: Friday, June 12
DR 723EC DRAWING FOR COMICS
AND ANIMATION
Jeff Kilpatrick
If you love animated shows, comic books and
newspaper strips or anime and manga, this class
is for you. Learn step-by-step cartooning basics so
you can create characters, tell a story from life or
imagination, build a portfolio or just do a funny
or cool drawing. Students will create their own
short stories to be included in a collaborative
comic book to take home at the end of class.
Instruction includes valuable insight on the
comic book and animation industry, and a visit to
a local comic book store.
or non-credit
DR 710E2 PAINTING II: FIGURE PAINTING
Roger Chavez
Figure painting is one the most versatile and
popular subjects taught at PAFA, and a valuable
inclusion in any portfolio. In this intensive
course, students will paint the life model from
observation in oil paint. Instruction will focus on
human anatomy and proportions, as well as paint
handling and materials and elements of design.
Prerequisite: Painting I: Still Life and Portrait
or prior basic painting experience.
NOTE: This class will utilize nude models.
or non-credit
DR 710EH PAINTING I:
STILL LIFE AND PORTRAIT
David Wilson
Develop your painting skills through direct
observation using the still-life and portrait
model. Explore the fundamentals of oil painting
including the care and use of materials and
color mixing. Course instruction will be
supplemented by a visit to the PAFA Museum
and the Philadelphia Museum of Art .
Prerequisite: Drawing for High School Students
or prior basic drawing experience.
DR 710EI ILLUSTRATION – NEW!
Ryan Muldowney
This course will examine a array of traditional
illustration methods. Students will develop
problem-solving skills and capacity for idea
generation through sketches, color studies,
compositional drawings and other preliminary
work. Techniques for creating finished
illustrations will be demonstrated through
pen and ink, watercolor, acrylic, oils, color
pencil and digital methods. Projects will include
character design, object design, children’s book
illustration, editorial illustration, and cover art.
Open to all levels.
or non-credit
or non-credit
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SUMMER STUDIO/CRITIQUE PROGRAM
Six Weeks, July 6 – August 14
Designed for artists and educators who desire constructive feedback on their artwork as well as the
support and interaction of an artistic community. Registration includes a private, interior studio in the
Samuel M.V. Hamilton Building, and individual Friday critiques from a stellar ensemble of nationally
and internationally known artists, including members of the PAFA’s acclaimed faculty. Lead critic
Neysa Grassi will hold group critique, discussion and field trips.
Alex Baker is the Director of Fleisher/Ollman Gallery, Philadelphia.
Previously, he held positions as Senior Curator of Contemporary Art
at the National Gallery of Victoria in Melbourne, Australia; Curator of
Contemporary Art at PAFA; and Associate Curator at the Institute of
Contemporary Art in Philadelphia. He has organized exhibitions with
artists including Robert Ryman, Ellen Harvey, Barry McGee, Chris
Johanson, Margaret Kilgallen, and Laylah Ali, among others. He holds a
Ph.D. in visual anthropology from Temple University, Philadelphia.
Anne Canfield is a painter/draftsperson based in Philadelphia. She is a
past fellow of the Center for Emerging Visual Artists, and in 2014 she
received a fellowship from the Ora Lerman Trust for a month-long artist
residency at Soaring Gardens in Laceyville, PA. Her recent solo exhibition
at Seraphin Gallery, Philadelphia, was the subject of a review in The
Philadelphia Inquirer. She has shown extensively in group and solo
exhibitions both regionally and nationally, and her work can be found in
numerous private collections. In April 2015, she will be exhibiting with her
husband, Hiro Sakaguchi (MFA ’96), at Nancy Margolis Gallery, New York.
Anne Canfield, The Blue Bird, 2014, Graphite and oil on panel, 12 x 12 in..
James Dupree is an accomplished artist, educator, and business owner.
Dupree writes that his artwork enables him to both speak to the injustices
and celebrate the beauty of his experiences. His paintings are in the
permanent collections of the Philadelphia Museum of Art, the African
American Museum in Philadelphia, among others, as well as numerous
private collections. Dupree has used his success as an artist to give back
to the community through the establishment of Dupree Studios in the
Mantua neighborhood of Philadelphia.
CE classes and studio time at PAFA have contributed
greatly to my continued development as an artist.
I have been able to progress to more technically complex work;
get valuable guidance, instruction and criticism; and work in a
community of intelligent and creative women and men.
MONICA KANE
Artist and educator, CE student since 2002
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Neysa Grassi is a recipient of a Pew Fellowship and has had solo exhibitions
at several museums, including the Pensacola Art Museum in Florida and
PAFA. Since 1990 she has had over 18 one-person exhibitions in galleries in
Philadelphia and New York. She is a critic in PAFA’s MFA program. She is
represented by Locks Gallery, Philadelphia.
Neysa Grassi, Goddess, Oil on linen, 40 x 40 1/8 in. Courtesy of Locks Gallery, Philadelphia.
Stuart Shils, a PAFA alumnus and faculty member, has painted the landscape
for over 25 years and his work has been presented in solo shows in Philadelphia,
New York, Tel Aviv, Boston, San Francisco and Cork, Ireland. Critical review
and commentary has appeared in The New York Times, Art in America and
numerous other publications. Grants and awards include an Independence
Foundation Fellowship in the Arts, and a Pollock-Krasner Foundation grant.
Shils teaches painting workshops at PAFA, across the country and abroad.
Stuart Shils, 2014, Still Life with Yellow, Green and Blue, Acrylic on museum board, 10 x 10 in.
Patricia Traub is an Associate Professor at PAFA, teaching drawing and
painting. A PAFA alumnus, her interest in animal painting and conservation
led her to studies in zoology and taxonomy at the University of Pennsylvania,
ornithology at Cornell University, and studies with primatologist Dr. Birute
Galdikas at Camp Leakey, Indonesia. Her monumental human figure and
animal paintings were the subject of an extensive article in the September 2013
edition of Artist’s Magazine. She is represented by Gallery Henoch, New York.
Patricia Traub, Sicilian Buttercup Hen, Oil on linen, 22 x 18 in.
Tuition: $1,050 for 3.0 graduate credits, 4.0 undergraduate credits or non-credit
Register by: June 5
BONUS! Receive a 10% tuition discount on all subsequent summer studio classes
IN 622EC ART LIFE: BUILDING, GROWING, AND SUSTAINING YOUR ARTISTIC PRACTICE
Lisa Sylvester
Ready to pursue or advance your art career? Then this
course is designed for you. Be guided through the
multitude of issues involved in practicing, documenting
and promoting your craft through presentations,
discussion, off-site visits, and practical-action steps.
Topics include setting up a studio space, photographing
your work, developing a website, approaching galleries,
establishing a supportive network of artist peers, and
sourcing funding opportunities.
5 weeks, Fridays, July 10 – August 7
1:30 – 4 p.m.
Tuition: $225
Lisa Sylvester holds an MFA in painting
from Boston University. Her artwork has been
exhibited at venues throughout the region
including Nexus Foundation for Today’s Art,
Rosenfeld Gallery, Bridgette Mayer Gallery
and the Delaware Center for Contemporary Art.
She has taught studio art for many years and has
served as a visiting lecture, guest critic and
professional mentor at PAFA, West Chester
University, Delaware College of Art & Design and
Moore College of Art & Design. She received a
grant from the Leeway Foundation and was a
finalist in the Henry Luce Scholars Program.
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ONE WEEK INTENSIVES
13
JUNE 29 – JULY 3
Register by: June 5
SCHEDULE*
■ These courses meet for five consecutive days,
Monday through Friday, from 9 a.m. to 5 p.m.
■ Select courses are available for half-day,
from 9 a.m. to 12:30 p.m. or from 1:30 to 5 p.m.
Please see page 33 for more information
about half options.
TUITION*
■ $495 non-credit
■ $625 for 1.0 undergraduate credits
■ $295 for half-day, non-credit, where available
■ Additional lab and materials fees
where indicated
MAY 18 – 22
JUNE 22 – 26
Register by: May 1
Register by: June 5
DR 605EL LARGE-SCALE
FIGURE DRAWING – NEW!
John Horn
Studio 1/Historic Landmark Building
Designed to advance the skills of students who
have studied drawing previously and would like
to make drawings on a larger scale. Learn to
create a detailed and expressive figure drawings
four-feet or larger using sketches and enlarging
with a grid. Drawing demonstrations on scale,
proportions, skeletal framework, surface form,
and movement of the figure will help the student
develop the human form on a larger scale with
spatial accuracy. Instruction will focus on
charcoal and pencil, however all media are
welcome. Full- or half-day.
DR 605EL CLASSICAL
PORTRAIT PAINTING – NEW!
Ernie Norcia
Studio 1 & Cast Hall/
Create luminous portraits using time-tested
materials and traditional painting procedures
established during the Renaissance. Step-bystep instruction will demonstrate how to begin
and develop a portrait painting. Emphasis will
be placed on the relationship of facial parts to
the whole of the head, and the development of
volume by painting both the model and antique
cast from multiple vantage points.
Full- or half-day.
*Unless otherwise indicated
IN609AR AN ARTISTS’ RETREAT WITH ANNA RHODES
DRAWING & GOUACHE PAINTING
SUMMER ART CAMP
JUNE 29 – AUGUST 14
Open to All Levels
PAFA and Anna Rhodes join together to create an
extraordinary experience! An Artists’ Retreat is an in-depth,
concentrated art course designed to encourage confident
creativity. Gain a solid understanding of how to develop an
image or idea through experimental and traditional drawing
and painting techniques, and learn to combine the skills,
intuition and freedom needed to create unique works that
reflect individual vision. Explore gouache, graphite, and
mixtures of mediums on prepared panels and paper.
Friday through Monday, May 15 - 18
Tuition: $850 + $85 studio fee
(includes catered lunch each day)
For more information and to register visit:
www.anartistsretreat.com
PR 604E MONOTYPE:
THE PAINTERLY PRINT
Tony Rosati
Print Shop, 6th Floor /
Samuel M.V. Hamilton Building
Monotype is a fast and focused way to produce
painterly prints. Masters of the technique include
William Blake, Paul Gauguin, and Edgar Degas.
Learn color and black-and-white approaches,
painterly and drawn methods, and press and
hand-printing techniques in both oil and waterbased media. All levels welcome. Lab fee of $20.
Full-day only.
SC 704E2 PORTRAIT STUDY:
TWO- AND THREE-DIMENSIONAL
John Horn
Room 740, Sculpture Shop/Samuel M.V.
Hamilton Building
Each day of this course addresses the portrait
subject through drawing and sculpture. The
morning session will focus on creating a portrait
head in clay, developing it from deep geometric
structure to surface form. The afternoon will be
devoted to drawing the portrait, informed by the
exploration of its three-dimensional form.
Students will work from two models for the
entire class (a.m. & p.m.). All levels welcome.
Full- or half-day.
JULY 6 – 10
Are you looking for a fun, exciting and
creative experience for your child this
summer? PAFA Summer Art Camps
offer enriching, creative experiences for
kids in PAFA’s historical galleries, the art
studios of the school, and around the city.
Week-long fun and imaginative sessions
give students a chance to learn new skills,
create art work and make new friends.
Sessions are designed to appeal to all
levels and interests of young artists,
ages 5-15 years.
Visit pafa.org/summercamp for
more information.
PT 605ER LANDSCAPE ON THE RIVER
Joe Sweeney
Kelly Drive, Fairmount Park
The tradition of painting along the Schuylkill
River has existed from the early 1800s with
artists such as Thomas Eakins, Thomas Birch
and Titian Ramsay Peale. Based at the
charming Castle Ringstetten, located upriver
from Boathouse Row, students will paint en plein
air quintessential river views as well as
Ringstetten’s Frank Furness-designed
architecture. Topics include painting
materials and techniques, compositional
drawing, color mixing and depicting light
and weather. Open to all media.
This class will meet from 10 a.m. – 4 p.m.
1.0 undergraduate credit
JULY 13 – 17
SC 616E FIGURE DRAWING
AND SCULPTURE
Steve Nocella
Gang Studio, Sculpture Shop/
Representation of gesture is crucial to rendering
the human figure in art. Investigate the
movement and the rhythmic arrangement of
forms that constitute gesture through both
drawing and sculpture. Create studies in
charcoal, ink, paint, and collage, working towards
studies in clay and direct plaster. Lab fee of $20.
All levels welcome. Full- or half-day.
DR 615EP BOTANICAL DRAWING
AND PAINTING
Linda Gist
Explore flowers and other natural forms,
beginning with line and value drawing and
progressing to full-color rendering in watercolor
and mixed media. Topics will include sighting
techniques, line quality, tone and value,
creation of depth, composition, texture, and
basic color. All levels welcome. Materials fee
of $10. Full-day only.
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EVENING COURSES
TUESDAYS
10 weeks, June 2 – August 4
5 weeks, June 2 – 30 or July 7 – August 4
6:30 – 9:30 p.m.
MAY 26 – AUGUST 10
SCHEDULE*
These courses meet once a week for five, six
or ten weeks, from 6:30 – 9:30 p.m.
■ Select ten week courses may be taken for
five weeks. Please see page 33 for more
information about half options.
■ Register by: May 15
■
MONDAYS
June 1 – August 3
6:30 – 9:30 p.m.
PT 616EO BEGINNING OIL PAINTING
Ernie Norcia
Alla prima and layered approaches to oil painting
are just a few of the methods to be explored in
this class. Learn to convey light, form, and space
while painting from direct observation. Drawing,
composition, color, and paint application will be
addressed while working from the still life and
human figure. Learn critical basics about
painting surfaces, palette organization, and how
to use a variety of painting tools and mediums.
Ten weeks only.
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TUITION*
$395 non-credit
■ $525 for 1.0 undergraduate credit
■ $225 for five weeks, non-credit
where indicated
■
SC 712E MOLD MAKING
FOR SCULPTURE – NEW!
A.J. Sutton
Plaster Room, Sculpture Shop/
Mold making is a very specialized skill that can
be applied to a wide range of studio practices.
This course will cover all the necessary steps and
techniques to successfully build a plaster waste
mold, and a rubber mold. Valuable information
for sculptors who are interested in projects that
require casting multiples, figure modeling
students interested in plaster casting, and
foundry students. Students will gain an
understanding of processes, terms and tools
by watching in-class demos and working under
the supervision of the instructor to build their
own molds.
Tuition: $395 non-credit or $595 for 1.0
undergraduate credit + $90 lab fee
Rubber Mold:
5 weeks, June 1 – 29
Tuition: $225 + $60 lab fee
Plaster Waste Mold:
5 weeks, July 6 – August 3
DR 600EB DRAWING
FUNDAMENTALS
Lisa Sylvester
If you’ve never drawn before, or your skills are a
little rusty, then this class is for you. Acquire
grounding in the basics so you can draw what
you see with confidence. Master the drawing
elements – shape, contour line, composition,
light and shadow, texture and perspective
through study of still life and other subjects.
Ten weeks only.
PT 610E FIGURE PAINTING
Theodore Xaras
Paint in oil from the life model and make full
figure, head and torso studies. Anatomy,
composition, proportion, light and shadow,
color mixing and painting technique will be
addressed. Includes demonstration, lecture and
discussion of master paintings of the figure.
Drawing experience required. Ten or five weeks.
SC 601ET MIG WELDING – NEW!
SHORT COURSE
Steve Nocella
Room 720, Sculpture Shop/
MIG welding is a simple and easy way of joining
metal for creating sculpture, garden furniture
and more. Basic cutting and bending processes
for bar stock and sheet metal will be thoroughly
demonstrated and practiced, including using
the safe use of the band saw, cut-off saw, plasma
cutter and metal bender. Students will work
from their own ideas and imagination with
hands-on assistance from the instructor.
6 weeks, May 26 – June 30
Register by: May 15
PT708ES ART AND FILM – NEW!
SHORT COURSE
Clarissa Shanahan
In the age of Netflix and binge-watching, why not
use all this visual input to develop your painting
skills? This course examines the correlative
relationship between the visual and cinematic
arts, and the similar elements they use to tell
their stories: composition, perspective, the
expressive power of light and dark, and symbolic
color. Focusing on select frames from Marie
Antoinette, The Royal Tenenbaums, There Will Be
Blood, and more, students will learn how to
translate these powerful elements into narrative
paintings using their own photographs as
source material.
Tuition: $225 non-credit
WEDNESDAYS
5 weeks, June 3 – July 1 or July 8 – August 5
6:30 – 9:30 p.m.
PT 604EE WATERCOLOR
James Toogood
Designed for those who wish to acquire or
improve their basic skills in watercolor painting.
A variety of materials and techniques will be
discussed, including the selection of papers,
brushes, and pigments, as well as transparent and
opaque painting methods. Students will work
from still-life, their own source material and
models. All levels welcome. Ten or five weeks.
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Evening Courses
PT 703ER PAINTING BEYOND
THE REAL – NEW!
Frederic Kaplan
Use the observable world as a point of departure
to create your own unique abstracted images
with emotive and narrative content. Instruction
will focus on composition, color, and technique as
you work from unique studio arrangements, the
life model, or your own photographic and sketch
references. Although oil painting is emphasized,
exploration of varied materials and methods is
encouraged. Previous painting experience
required. Ten or five weeks.
Photo: Jeff Fusco
ART IN PROCESS
In conjunction with PAFA’s new
Wednesday evening hours, Art in Process
will feature programming that gives you
an in-depth look at PAFA and the creative
process. Each Wednesday night from
5 to 9 p.m., PAFA will feature a diverse
selection of programming, including
artist talks, hands-on art-making,
demonstrations, performances,
special tours, and much more!
Visit pafa.org/artinprocess for the
complete summer schedule.
THURSDAYS
5 weeks , June 4 – July 2 or July 9 – August 6
6:30 – 9:30 p.m.
SC 610ER RECYCLABLE SCULPTURE – NEW!
SHORT COURSE
Steve Nocella
Sculpture Shop, 7th Floor /
Explore the creative possibilities of using
recyclable materials for sculpture. Use found
objects as well as newspapers, cardboard, metal,
wood, shredded paper, dryer lint or any of the
myriad things we call “trash.” Create threedimensional constructions from these materials,
or use them as ingredients for papier mâché clay
and relief modeling paste. Students will work
from their own ideas and imagination with
practical and aesthetic assistance from
the instructor.
6 weeks, May 27 – July 1
Register by: May 15
PT 723EP PIECING IT TOGETHER:
MIXED MEDIA CONSTRUCTION – NEW!
SHORT COURSE
Richard Watson
Create unique and personal multimedia works
with collage, found objects, painting and
sculptural forms. The instructor will assist
participants one-on-one with their choice of
materials and subject matter in order to explore
beyond their comfort zone and unlock their
creative voice.
Tuition: $225 non-credit
DR 609E PORTRAIT DRAWING
& PAINTING
Jill A. Rupinski
Learn to draw or paint the portrait with
confidence through time-honored methods.
Drawing instruction will guide students through
a comprehensive understanding of the head
structure, proportions and features toward
achieving both a likeness and aesthetic
effect. Students will have the option of using
this understanding to facilitate their study of
the portrait in oil. Extended poses will allow
thorough study of both drawing and
painting processes. All levels welcome.
Ten or five weeks.
SC 605EA TERRA COTTA SCULPTURE
Colleen O’Donnell
Explore the versatility of terra cotta clay
sculpture which requires neither an armature
nor casting. Learn various techniques and tools
through demonstration and hands-on sculpting
from the life model or imagination. Anatomy,
proportion, design, and personal growth will be
emphasized, as well as both representational and
abstract approaches to subject matter. Sculptures
will be fired after the conclusion of the course.
All levels welcome. Ten or five weeks.
PR 621E PRINT STUDIO
Tony Rosati
Print Shop, 6th Floor/
This course presents introductory printmaking
methods in relief, monotype, etching, and
lithography. Sample each technique and then
focus on a single process or combination of
techniques toward producing a finished
image or edition. All levels are welcome.
Lab fee of $20. Ten weeks only.
CE CORE CURRICULUM PROGRAM
If you are new to art, taking classes but unsure of your
direction, or returning to art after a long absence, the
CE Core Curriculum Program is for you. Designed to help
you achieve your artistic goals, the program provides a
structured curriculum of classes in logical sequence to
build your basic skills and the confidence necessary to
move forward in any artistic direction.
Look for the icon next to courses that
meet the first-level requirements.
Visit pafa.edu/CE for more information and call the
Continuing Education office at 215-972-7632 to discuss
what the Core Curriculum Program can do for you.
ROSEMARY SACK-INSLEE, CE student since 2011
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FIVE WEEK SESSION 1
WEDNESDAYS
THURSDAYS
MAY 26 – JUNE 29
May 27 – June 24, 9 a.m. – 5 p.m.
Register by: May 15
May 28 – June 25, 9 a.m. – 5 p.m.
Register by: May 15
PR 602E LITHOGRAPHY
Ronald Wyffels
Print Shop/Samuel M.V. Hamilton Building
Lithography is the printmaking technique that
captures the immediacy of direct drawing, with
the capacity for both expressive mark-making
and detailed imagery. This course covers
traditional stone lithography and quick, easy
aluminum plate printing. All techniques will be
thoroughly demonstrated with assistance from
the instructor at every stage, including surface
preparation, crayon and liquid drawing materials,
etching hand-drawn images, use of the press, and
techniques for adding color. Open to all levels.
Lab fee of $20. Full-day only.
SC 600EF FIGURE MODELING
John Horn
An introduction to modeling the human figure
in clay on an armature from direct observation.
Students will model a 24-inch figure based on
volume, proportion, architectonic construction,
and spatial displacement of form. All levels
welcome. Full-day only.
SCHEDULE*
These courses meet once a week for
five weeks, from 9 a.m. to 5 p.m.
■ Select courses are available for half-day, from
9 a.m. to 12:30 p.m. or from 1:30 to 5 p.m.
Please refer to individual course descriptions
for half-day restrictions. See page 32 for
more information.
■
TUITION*
$495 non-credit
where indicated
■
MONDAYS
TUESDAYS
June 1 – 29, 9 a.m. – 5 p.m.
Register by: May 15
May 26 – June 23, 9 a.m. – 5 p.m.
Register by: May 15
PT 604ED IN-DEPTH WATERCOLOR
James Toogood
This course is designed for students seeking to
enrich their overall knowledge of painting
with an in-depth look at watercolor. Topics will
include a thorough investigation of watercolor
materials and a wide range of techniques, with
subjects ranging from landscape and still life
to portrait and figure poses. Open to dedicated
watercolorists of all levels, and to acrylic/oil
painters looking to broaden their skills.
Full- or half-day.
PT 602E PORTRAIT PAINTING
Al Gury
Investigate the structure of the human head
through drawings and painted studies. Progress to
finished paintings and address issues of likeness,
composition, space and texture. Learn to better see
and understand color to mix it more successfully –
a useful skill for painting any subject matter.
All levels welcome. Full- or half-day.
DR 605E LIFE DRAWING
John Horn
This in-depth investigation of basic drawing
issues explores the human figure. Emphasis
will be placed on a thorough understanding of
the body’s underlying geometry and anatomical
structure. Learn to draw the figure as convincing
volumetric form through the study of proportional
accuracy, foreshortening, spatial relationships, and
basic use of light and shadow. Full- or half-day.
PT 605E LANDSCAPE DRAWING
AND PAINTING
Douglas Martenson
Outside Locations
Paint and draw the landscape at select locations
including the Highlands Mansion and Gardens,
Fairmount Park Horticulture Center, and cool,
shady spots along Wissahickon Creek. Students
may work in the medium of their choice. All levels
welcome. Full- or half-day. Transportation to and
from PAFA provided for full-day students.
DR 711E DRAWING: MIXED MEDIA
Jill A. Rupinski
Refine your drawing skills and expand your use
of drawing materials: graphite, charcoal, colored
pencils, hard and soft pastel, dry pigment and
metal-point. Subject matter will include still life
objects, cityscape views and models. Basic drawing
experience recommended. Full- or half-day.
PT 623E LIFE PAINTING: MASS AND
THE LIMITED PALETTE
Renée P. Foulks
An in-depth, structured approach to figure
painting. Students will use grisaille and limited
palettes to model the human form through broad
mass relationships, toward gradually fleshing
out volume and surface details. Instruction will
focus on preparatory sketches and the use of
shape, volume and temperature to define form
and content. An excellent entry into figure
painting for beginners and a helpful practice
for painters of all subjects and levels to hone
their craft. Drawing experience recommended.
Full- or half-day.
PT 703EL PAINTING OVER THE LINE
Kassem Amoudi
Advance beyond confined lines and hard edges to
a more liberated way of painting. Paint from
observation and imagination to find your own
visual language. Examples from contemporary
and modern art will serve to broaden your
understanding of innovative painting. Painting
PR 600EL WOODCUT AND
RELIEF PRINTMAKING
Ronald Wyffels
6th Floor Print Shop/
Printing from a drawing carved into wood or
a linoleum block is the oldest and most
straightforward form of printmaking. Its beauty
and expressive power can be seen in the
work of Albrecht Dürer and the German
Expressionists. All aspects of the process
will be covered, including drawing on the
block, carving your design and printing
techniques for making black-and-white and color
prints. Open to all levels, and an excellent
introduction to printmaking for beginners.
THURSDAYS continued on next page
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Five Week Session 1
DR 625ES DRAWING ON LOCATION
SHORT COURSE
Anthony Ciambella
Outside Locations
Draw on location at nearby cultural institutions
and focus on personally interpreting subject
matter through composition, choice of media,
and graphic techniques. Locations include:
the Academy of Natural Sciences of Drexel
University, The Mutter Museum, UPenn
Museum, Independence Seaport Museum and
the PAFA Museum. The class will meet at
PAFA the first day to discuss the most effective
materials to use for on-site drawing, including
papers, boards and sketch books, colored pencils,
ball point, felt tip and gel pens and beeswax
crayons. Students are responsible for their
museum admission. Space is limited.
5 weeks, Thursdays, May 28 – June 25
10 a.m. – 2 p.m.
Tuition: $295
Register by: May 15
PT 605EG GARDEN LANDSCAPE – NEW!
Jill A. Rupinski
Outside Locations
Paint outdoors at the lush, colorful garden
locations around the Philadelphia area. These
locations will offer picturesque visual material,
including water features, building structures, tree
specimens, and floral plantings in both intimate
and open spaces. Lessons in starting with the oil
sketch or a chromatic drawing will be presented,
along with in-depth color mixing, value schemes
and more. Use the material of your choice.
5 weeks, Fridays, May 29 – June 26
10 a.m. – 4 p.m.
Register by: May 15
FRIDAYS
May 29 – June 26, 9 a.m. – 5 p.m.
Register by: May 15
PR 620E SCREENPRINTING
Lisa Hamilton
Print Shop/ Samuel M.V. Hamilton Building
Screenprinting is a versatile and quick form of
printing on paper, textiles, wood, glass, ceramics
and more. All aspects of the process will be
covered including screen preparation, image
development, mixing and modifying ink, printing
techniques and reclaiming screens. Students
will have the opportunity to explore handdrawn, digital and photo processes and will be
encouraged to experiment. Open to all levels of
experience. Lab fee of $20. Full-day only.
Al Gury, Color for Painters: A Guide to Traditions
and Practice, New York: Watson-Guptill, 2010.
IN 604EP COLOR FOR
PAINTERS – NEW!
Al Gury
An in-depth approach to understanding and
mixing color for painting from the Chair of
PAFA’s Painting Department and noted author
of Color for Painters: A Guide to Traditions
and Practice. History, palettes, mixing and
application will be explored. Color in still life,
landscape, figure and interiors will be made
understandable and usable through
demonstration and a series of studio paintings.
Geared toward oil painting, but applicable to all
media and levels of experience. Full- or half-day.
SATURDAYS
May 30 – June 27, 9 a.m. – 5 p.m.
Register by: May 15
Philip Leslie Hale (1865-1931), Crimson Rambler, ca. 1908,
Oil on canvas, 25 1/4 x 30 3/16 in., Pennsylvania Academy
of the Fine Arts, Joseph E. Temple Fund, 1909.12
Artists in the Garden:
PAFA at Morris Arboretum
Morris Arboretum Visitors Center
Through July 26
Be sure to visit this exhibition featuring
artwork by students, alumni and faculty of the
Pennsylvania Academy of the Fine Arts, curated
by PAFA Professor Jill A. Rupinski.
Free admission for all PAFA students with ID.
DR 604ES ANATOMICAL DRAWING:
THE SKELETON – NEW!
Robert Waddington
Draw from full size, medical school-grade adult
skeletons for focused anatomical study. Students
will draw bones from multiple views, beginning
with the arms and legs before moving on to hands
and feet. More difficult drawings of pelvis, rib cage
and spine will be undertaken, culminating in the
skull. Students will learn the names of all of the
bones of the human body while drawing them.
This class is ideal for those interested in anatomy
and medical illustration.
SC 601E METAL SCULPTURE
Steve Nocella
7th Floor Sculpture Shop/
This course focuses on metal sculpture fabrication
and construction, gas and arc welding, brazing, and
forging. Basic equipment will be provided, and
specific techniques will be demonstrated. All levels
welcome. Lab fee of $65. Full-day only.
PR 621EW A PRINT-A-WEEK – NEW!
SHORT COURSE
Tony Rosati
For those curious about printmaking and students
with experience eager to learn a new technique,
this class introduces one print process per week:
stamp printing, letterpress, collograph, monotype
and drypoint. Experience the potential and
diverse image possibilities of each in PAFA’s
beautiful Print Shop.
4 weeks, May 30 – June 20, 9 a.m. – 1 p.m.
Register by: May 15
SUNDAYS
DR 639CL DRAWING WITH THE
CAMERA LUCIDA – NEW!
SHORT COURSE
Robert Waddington
Invented in the18th century, the camera lucida is
an optical device used by artists as a drawing aid.
Unlike its ancestor, the camera obscura, the camera
lucida is lightweight, portable and does not require
special light conditions for its use. Learn to use this
historical device as an aid to create proportionally
accurate still life and landscape drawings in
perspective. Each student will be provided with a
device to use in class along with instructions and
assistance to build their own. A fascinating course
for beginners, artists interested in incorporating a
new technique into their work, and anyone
interested in historical art-making practices.
Five weeks, Sundays, May 31 – June 28
10 a.m. – 2 p.m.
Tuition: $295
Register by: May 15
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23
TEN WEEK SATURDAY COURSES
FIVE WEEK SESSION 2
MAY 30 – AUGUST 8
JULY 6 – AUGUST 15
SCHEDULE
These courses meet once a week for ten weeks
■ Select ten week courses may be taken for
five weeks. Please see page 33 for more
information about half options.
■ No classes on July 4
■ Register by: May 15
■
TUITION*
$395 non-credit
■ $225 for five weeks (where available),
non-credit
■
9 a.m. – 12 p.m.
1 – 4 p.m.
IN 601EC MATERIALS &
TECHNIQUES FOR PAINTERS
Anthony Ciambella
This course examines the compatibility and
effects of art materials available to artists today.
Investigate traditional materials such as gesso,
egg tempera, wood panels, canvas, brushes, oils,
and varnishes; as well as non-traditional
materials frequently employed by artists, such
as house paint and commercially engineered
wood products and polyurethanes. Health
hazards and safe working methods will also be
discussed. Students will develop their own
artistic projects in the media of their choice,
based on sound practices. Includes PowerPoint
presentations and museum visits.
Ten weeks only.
DR 608E CAST AND
FIGURE DRAWING
Jill A. Rupinski
Cast Hall & Studio 4/
Working in the Academic tradition, students
will study human anatomy, proportion and value
with the goal of faithfully representing the figure.
Students will first work from PAFA’s collection of
historic casts in order to build their foundational
drawing skills. These skills will then be applied
in the observational study of the life model.
Ten or five weeks.
10 weeks, May 30 – August 8
5 weeks, May 30 – June 27 or
July 11 – August 8
SCHEDULE
These courses meet once a week for
five weeks, from 9 a.m. to 5 p.m.
■ Select courses are available for half-day, from
9 a.m. to 12:30 p.m. or from 1:30 to 5 p.m.
Please refer to individual course descriptions
for half-day restrictions. See page 32 for
more information.
■
TUITION*
$495 non-credit
where indicated
■
MONDAYS
TUESDAYS
July 6 – August 3, 9 a.m. – 5 p.m.
PT 604ED IN-DEPTH WATERCOLOR
James Toogood
This course is designed for students seeking to
enrich their overall knowledge of painting with
an in-depth look at watercolor. Topics will
include a thorough investigation of watercolor
materials and a wide range of techniques, with
subjects ranging from landscape and still life to
portrait and figure poses. Open to dedicated
watercolorists of all levels, and to acrylic/oil
painters looking to broaden their skills.
PR 601EM ETCHING AND
MIXED MEDIA
Tony Rosati
Survey traditional intaglio printmaking
techniques including drypoint, etched line,
openbite, aquatint, and hardground and
softground etching and mixed-media
methods. Lab fee of $20. All levels
welcome. Full-day only.
DR 602E ELEMENTARY FIGURE
DRAWING AND PAINTING
Al Gury
This structured approach to drawing and
painting the figure from life includes topics such
as anatomy, drawing methods, gesture, figure
structure, palettes, and basic figure painting
methods. This class is excellent for those
interested in developing their painting and
drawing portfolio. Full- or half-day.
PT 621ES THE STUDIO LANDSCAPE
Jill A. Rupinski
Studying and working directly from paintings in
the PAFA Museum, unlock the compositional
and technical methods used in the studio by
painters of landscape, and then apply this
knowledge to your own work. Learn to develop
your personal ideas and outdoor studies into
finished pieces on a larger scale. Full-day only.
DR 604E ANATOMICAL DRAWING
John Horn
Understand human anatomy through lecture
and drawing from the model. Topics include
proportion, skeletal framework, superficial
muscles, and the movement of the figure.
Full- or half-day.
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24
Five Week Session 2
WEDNESDAYS
DR 710E THE EXTENDED POSE
Renée P. Foulks
Draw or paint from a life model in a single
pose for the entire course in order to develop
one large image or several smaller studies.
Instruction will focus on two-dimensional linear
accuracy, three-dimensional volumetric
integrity, clarity of space, and color analysis
specific to the human form. All levels welcome.
Full- or half-day.
SC 605EA TERRA COTTA SCULPTURE
Colleen O’Donnell
Explore the versatility of terra cotta clay
sculpture. Learn various techniques and tools
through demonstration and hands-on sculpting
from the life model or imagination. Anatomy,
proportion, design, and personal growth will be
emphasized, as well as both representational and
abstract approaches to subject matter. Sculptures
will be fired at the end of the course. All levels.
Lab fee of $10. Full- or half-day.
PT 703EL PAINTING OVER THE LINE
Kassem Amoudi
Advance beyond confined lines and hard edges
to a more liberated way of painting. Paint from
observation and imagination to find your own
visual language. Examples from contemporary
and modern art will serve to broaden your
understanding of innovative painting. Painting
PT 601ES STILL LIFE PAINTING
Ernie Norcia
Still life has a venerable tradition and continues
to be relevant today. Learn to build a painting
from direct observation while exploring elements
of composition, value, color mixing, edges,
textures, and a variety of painting procedures.
Challenging subjects such as glass, metal, and
drapery will be addressed. Open to all levels,
this course is an excellent option for those
seeking to develop a greater sense of realism
in their oil painting. Drawing experience
recommended. Full- or half-day.
THURSDAYS
PT 602E PORTRAIT PAINTING
Al Gury
Investigate the structure of the human head
through drawings and painted studies. Progress
to finished paintings and address issues of
likeness, composition, space and texture. Learn
to better see and understand color to mix it more
successfully – a useful skill for painting any
subject matter. All levels welcome.
Full- or half-day.
PR 622EM MULTIPLE MULTIPLES – NEW!
Lisa Hamilton
This class will explore the exciting possibilities
of combining various printmaking processes
including intaglio, relief and screen print.
Instruction will cover basics of each process
enabling students to create matrices to print
from, including plates, screens and blocks.
Students may also bring previously created
matrices to explore further. The instructor will
work with students individually to evaluate
ideas, goals, and how to best combine techniques.
DR 600EB DRAWING
FUNDAMENTALS
Phyllis Laver
If you’ve never drawn before, or your skills are a
little rusty, then this class is for you. Drawing is a
valuable way of recording your thoughts and
impressions. Acquire grounding in the basics
so you can draw what you see with confidence.
Study the still life, cityscape, human figure,
and other subjects to master the drawing
elements – shape, contour line, composition,
light and shadow, texture and perspective.
Full- or half-day.
SC 626PP GIANT PUPPET-MAKING
AND THE ART OF PAGEANTRY
Elizabeth Hill
Discover the dynamic community-based art of
large-scale puppetmaking! This course will
introduce a variety of pageantry traditions
from around the world that involve giant
puppets. Design and build a basic, large-scale
backpack-type puppet with moving parts.
Materials and methods will involve papier mâché,
cardboard, bamboo, wood, fabric, willow, and
chicken wire. Great for art teachers, those
involved with theater production, community
organizers, and anyone with an interest in this
colorful sculptural form.
Five weeks, July 9 – August 6, 9 a.m. – 4 p.m.
Non-credit Tuition: $395 + $50 materials fee
Renée P. Foulks
FRIDAYS
IN 602EC MASTERING COLOR
Neil di Sabato
Mixing too much paint, for too long, and with
poor results? Learn to penetrate the elusive
nature of color. Mix and use color with authority
by learning how to evaluate it from the tube, in
isolation on your palette, and when surrounded
by other colors. Discussions, visual aids and
challenging projects will develop your color
acuity. Essential for painters of all levels.
Full-day or morning-only.
PT 748EB BUCKS COUNTY LANDSCAPE
Jill A. Rupinski
New Hope, PA, and Lambertville, N.J.
Enjoy painting at varied sites around lower and
middle Bucks County. Known for picturesque
villages, beautiful meadows, rolling pastures,
farmhouses and rustic barns, the area also
features gorgeous views of the Delaware
River. Both bucolic and town settings
will offer ample challenges to heighten
your awareness of color, value, drawing
and composition. Draw and paint in the media
of your choice.
10 a.m. – 4 p.m.
SC 615E ÉCORCHÉ
John Horn
Écorché (“flayed figure”), is the three dimensional
study of human form by developing the bone and
muscle structures beneath the skin – a method of
study dating back to the Renaissance and a staple
of classical art training today. Students will work
in clay on an armature from the skeleton and nude
model for the accurate development of the body’s
proportions and the detailed study of its parts.
This an excellent way for draftspersons and
sculptors alike to gain a more concrete
understanding of human anatomy.
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26
Five Week Session 2
SATURDAYS
SUNDAYS
July 12 – August 9
SC 711E FOUNDRY: AN INTRODUCTION
Pavel Efremoff
This course will cover all aspects of the foundry
process. Demonstrations and hands-on
instruction will be given in wax modeling and
casting, ceramic shell techniques, bronze
pouring, metal chasing, TIG welding and
patination. All levels. Full-day only.
1.5 undergraduate credit + $60 lab fee
PT 600E FIGURE PAINTING
Frederic Kaplan
Paint in oil from the life model and make full
figure, head and torso studies. Anatomy,
composition, proportion, light and shadow, color,
painting technique and history will be addressed.
Instruction will be geared towards oil painting,
but students may work in the drawing/painting
medium of their choice. Basic drawing
9 a.m. – 5 p.m.
See page 14 for Mold Making for Sculpture
PT 722E RENAISSANCE PAINTING
TECHNIQUES – NEW!
Robert Waddington
This class will explore the painting methods of
the Italian Renaissance including fresco on
wet plaster, egg tempera, and tempera/oil panel
painting. All techniques, including drawing
transfer methods, will be discussed and
demonstrated, using traditional materials
and tools. Students will be encouraged to be
creative in their choice of subject matter and
interpretations of each project. Basic drawing
experience recommended. Materials fee of $40.
Full-day only.
DR 618E INTERMEDIATE DRAWING
Roger Chavez
Draw with more authority and improve your use
of line, composition, perspective and value while
working from the still life, interior spaces and the
model. Work in black-and-white and color with
a variety of wet and dry drawing media, and
begin to develop the exciting tension between
observation and invention in drawing. Designed
for students with basic drawing skills. Full- or
half-day.
PT 612SC CITYSCAPE
Larry Francis
Outside Locations
The city has been the subject of many a great
artist, including Eduard Manet, Edward Hopper
and Rackstraw Downs. Work in carefully selected
locations including parks, cafés, and leafy side
streets of Philadelphia in the drawing or painting
medium of your choice. Color, perspective, the
compositional use of light and shade, and the
particular concerns of working on location will
be covered. Free on-site parking available.
All levels welcome.
9 a.m. – 2 p.m.
Tuition: $350
IN 610EI INTENSIVE COLLAGE
AND MIXED MEDIA – NEW!
Anthony Ciambella
Designed for students ready to develop more
challenging imagery using memory, literature,
movies, and other sources, while working in a
wide variety of traditional and non-traditional
materials. Sessions will cover the basics of
hand and power tools, as well as craft, durability
and presentation.
10 a.m. – 1 p.m.
Tuition: $250
WEEKEND WORKSHOPS
APRIL
DR 630EC CHILDREN’S
BOOK ILLUSTRATION – NEW!
Ryan Muldowney
This workshop is focused on developing imagery
that effectively contributes to the storytelling of
a children’s book manuscript. Topics covered
include character design, collecting and utilizing
to reference material, designing compositional
elements, page layout, and responding to a text.
In addition, strategies on marketing and selfpublication will be discussed. Illustration
techniques will be demonstrated for pen-andink, watercolors, color pencil, pastels, acrylic,
mixed media, collage and oils.
Two Saturdays, April 25 & May 2
9 a.m. – 5 p.m.
Tuition: $205
MAY
PR 604EH HAND-PRINTED MONOTYPE
Shushana Rucker
This workshop will introduce students to quick
and easy monotype printmaking methods that
do not require a press or fully equipped shop.
These techniques are easily transportable for
use outside for plein air work, or at home on a
desk or kitchen table. Techniques covered will
include: oil based, dark field, water based and
Gauguin monotype.
Saturday, May 2, 9 a.m. – 5 p.m.
Tuition: $150 (includes basic materials)
DR 620EW SKETCH ON THE GO
Frederic Kaplan
Center City Locations
Capture the active life of the city and its rich
architecture. This is an excellent workshop for
anyone who wants to learn to sketch on the bus
or train, in cafés and public parks or while
traveling abroad. Topics discussed and
demonstrated include perspective, gauging
proportions by eye, gesture figure drawing, and
methods for simplifying shape and form. Use
your favorite drawing media: pencil, ink, crayon,
or watercolor. All levels welcome.
Tuition: $115
Register by: May 1
PT 605EB PAINTING ON THE BRANDYWINE
Frederic Kaplan
Chadds Ford, Pennsylvania
Enjoy the day while working in the drawing/
painting medium of your choice along the
banks of the picturesque Brandywine
River, and capture the effects of light,
time of day, reflections and shadows. You
may choose to have lunch at Hank’s, a longtime
haunt of Andrew Wyeth’s. After lunch, the class
will visit the Brandywine River Museum to view
the land- and seascapes of William Trost
Richards, Jasper Cropsey and Asher B. Durand
and others.
Tuition: $125
Register by: May 8
28
29
Weekend Workshops
MAY continued
JUNE
DR 609EW PORTRAIT DRAWING
WORKSHOP
John Horn
Learn to create a finished portrait in pencil and
charcoal that captures likeness and conveys
expressive effect. The workshop will begin with
a structural approach to the head and its
features and progress to the study of anatomy,
composition and value. Excellent for all levels.
Saturday and Sunday, May 30 & 31
9 a.m. – 5 p.m.
Tuition: $205
Register by: May 15
DR 605HF DRAWING HANDS AND FEET
Neil di Sabato
Novice and experienced artists alike struggle
with the realistic rendering of hands and feet,
elements that add credibility and expressiveness
to figure and portrait drawings. Learn to translate
these complicated forms from simple planar
construction to complex, intricate drawings
using various materials.
9 a.m. – 5 p.m.
Tuition: $205
Register by: May 29
PR 620EM SCREENPRINT MONOTYPE
Lisa Hamilton
Monotypes are a way of creating unique prints.
Screen print monotype is no exception to the
more traditional processes of monotype.
Learn how to paint and draw with water-based
materials on a screen, and then print onto paper.
Explore reworking images in a series. This
exciting low-tech process can be used at home.
9 a.m. – 5 p.m.
Register by: June 5
IN 613EW GOLD LEAF AND GILDING
Clarissa Shanahan
Gold leaf is used in architectural ornamentation,
book arts, framing and more. This class is an
introduction to the traditional European method
of oil gilding. Students will become familiar with
the fundamentals of working with precious and
non-precious leaf or they produce sample boards
and carved samples. Surface preparations and
traditional finishes will all be covered.
Two Sundays, May 31 and June 7
10 a.m. – 4 p.m.
Tuition: $175 +$25 materials fee
Register by: May 22
DR 601EP THE FIGURE IN PASTEL
Theodore Xaras
Room 1023/ Samuel M.V. Hamilton Building
The immediate subtlety that can be achieved
through soft and hard pastel is particularly
suited for the figure study. Learn historical and
contemporary techniques of hatching,
blending, layering and well color mixing in
order to pursue figure-based work. Surfaces,
pastel varieties and mixed media techniques
will be discussed and demonstrated. Drawing
experience recommended.
9 a.m. – 5 p.m.
Tuition: $205
Register by: June 5
PT 605EH THE COLOR OF SUMMER
@ THE HEINZ REFUGE – NEW!
Frederic Kaplan
John Heinz at Tinicum Wildlife Refuge
Celebrate summer’s arrival amidst beautiful
views and wildlife at nearby Heinz Refuge in
Tinicum. Woodlands, marsh, and creek provide
varied and compelling scenery for the study of
landscape painting techniques, including
methods for simplifying the painting of water and
foliage, and for managing the effects of shifting
daylight. Located near the airport in Southwest
Philadelphia, the Heinz Refuge offers plenty of
free parking, access by public transportation,
sheltered locations and restrooms. Instruction is
geared to oil painting, but all media are welcome.
Saturday, June 20, 9 a.m. – 5 p.m.
Tuition: $125
JULY
PT 604EP WATERCOLOR PLUNGE
Tony Rosati
Print Shop, 6th floor/
This workshop is designed for those with little or
no experience in watercolor. Acquire a thorough
grounding in basic watercolor materials and
techniques, including papers, brushes and
pigments, as well as transparent and opaque
painting methods, gain the confidence to
continue to working with watercolor beyond the
workshop. Take the plunge, a lifeguard will be
on duty!
9 a.m. – 5 p.m.
Tuition: $205
DR 605WP LANDSCAPE IN
WATERCOLOR AND PASTEL
Keith Leitner
Outside Locations
The combination of fluid watercolor and
the texture of soft pastel are ideal for
rendering outdoor summer scenes. Learn
basic techniques for these mediums in
combination as you render the landscape near
PAFA along the Benjamin Franklin Parkway.
The instructor will demonstrate and reference
art historical examples, as well as encourage you
to actively observe, select and edit to create a
personal statement. Restroom facilities and
food options will be available along the way.
Previous drawing experience helpful, but
not necessary.
Sunday, July 12, 9 a.m. – 5 p.m.
Tuition: $115
Theodore Xaras
DR 639GS THE GOLDEN SECTION
Charles Muldowney
Known as Pi, the Golden Section, the Golden
Ratio, or the Golden Mean, 1:61803 is the world’s
most astonishing number. This mysterious ratio
can be seen in nature, and has been an underlying
design principle in the arts, as seen in the work
of Renaissance through Modernist masters
including Piero della Francesca, Georges Seurat
and Piet Mondrian. Learn the history of this
mysterious number and hands-on strategies
to apply this powerful principle to your own
drawing and painting.
Saturday, July 11, 9 a.m. – 5 p.m.
Tuition: $115
31
30
Weekend Workshops
JULY continued
PT 630EG GOUACHE PAINTING
Allison Syvertsen
Similar to watercolor but with opaque layering
capabilities comparable to oil or acrylic paint,
gouache is a popular choice among contemporary
painters for its versatility, vivid color and delicate
matte effect. Painters of all media and levels of
experience favor gouache because it is portable,
fast-drying, and easy to clean-up – the perfect
medium for rapid color sketches and detailed
compositions outdoors, in the studio, and at
home. Work from colorful still life arrangements
and outdoor views to learn the basics of this
fascinating and accessible medium.
Saturday and Sunday, July 18 & 19
9 a.m. – 5 p.m.
Tuition: $205
Register by: July 10
PT 602EW PORTRAIT PAINTING BASICS
Theodore Xaras
This comprehensive workshop covers all aspects
of painting a traditional portrait. Topics include
achieving a likeness, modeling light and shade,
mixing flesh tones and applying paint through
various techniques. All participants will
produce at least one finished portrait. Includes
demonstrations, portrait history and tips on
painting children’s portraits. Valuable
information for all levels.
Saturday and Sunday, July 25 & 26
9 a.m. – 5 p.m.
Tuition: $205
A GIFT CERTIFICATE FOR A
COURSE OR WORKSHOP
MAKES A GREAT GIFT!
Call 215-972-7632 for more details.
PR 617EW ACID-FREE INTAGLIO
PRINTMAKING – NEW!
Robert Waddington
This printmaking class will use non-acid
methods to produce etching plates that can be
printed immediately. Students will learn plate
making, inking and printing on small, portable,
easy to use etching presses. This safe, acid-free
and solvent-free method will make printmaking
clean and fun. Students will be taught all aspects
of this method and will produce test prints, artist
proof prints, and then a final edition of prints.
Saturday, July 25
9 a.m. – 5 p.m.
Tuition: $150 (includes most materials)
Tony Rosati
PR 604CW COLLOGRAPH PRINTMAKING
Tony Rosati
The term “collograph” refers to prints made from
plates constructed from a vast array of glueddown textural materials. Such a plate can be
printed in relief like a wood block, or intaglio
printed like an etching in one or more colors for a
variety of pleasing image results. This workshop
presents a multiplicity of collograph plate
possibilities for large, small and multicolor
images. Ideal for beginners curious about
printmaking as well as those looking to learn a
new technique.
Sunday, July 26
9 a.m. – 5 p.m.
Tuition: $150 (includes most materials)
AUGUST
DR 720EC DRAW AND PAINT WITH QI
Paul Hamanaka
Designed for those with painting and drawing experience
who desire to improve their skills and elevate their artistic
expression of the human figure. In traditional Chinese culture,
qi refers to the life force or energy flow that pervades all things.
Learn to recognize qi energy and how to incorporate it into your
art. Begin to sense qi in lines, chiaroscuro, colors, and space.
Achieve a spiritually profound artistic expression through a
new understanding of qi, yin and yang, and wabi-sabi concepts.
Saturday and Sunday, August 1 & 2
9 a.m. – 5 p.m.
Tuition: $205
PT 705EW SPONTANEOUS ABSTRACTION – NEW!
Kassem Amoudi
Many artists can feel frustrated in front of a blank canvas,
unsure of how to start and what to paint. This workshop will
focus on different techniques that will enable you to start
painting with confidence by tapping into your intuitive process
and finding inspiration more easily. Demonstration and critique
will enhance your knowledge of the process of painting.
Saturday and Sunday, August 8 & 9
9 a.m. – 5 p.m.
Tuition: $205
Paul Hamanaka, QR114/Letter,
mixed media assemblage, 69 x 33 x 9 in.
IN701E LEARNING TO SEE
Christine Stoughton
Lobby/Historic Landmark Building
Have you ever wondered what you should look for when viewing a work of art and what the
artist is trying to communicate? This introductory course will help you answer these questions
and many more. Held in the galleries of PAFA, with visits to the Philadelphia Museum of Art,
the class will examine selected works of American art for concepts you can apply to all of the
visual arts, as well as to daily life. You will never see things the same way again!
6 Sessions, Tuesdays & Thursdays,
July 28 – August 13, 10 a.m. – 12 p.m.
Tuition: $175
The Violette de Mazia Foundation’s programming advances the educational methods
developed by John Dewey, Dr. Albert C. Barnes and Violette de Mazia. Firmly committed
to the idea that life and art are inextricably linked, the Violette de Mazia Foundation’s
programs are predicated on the principle that education is a lifelong activity.
32
33
Summer 2015
REGISTRATION INFORMATION
4 WAYS TO REGISTER!
CREDIT
REGISTRATION DEADLINES
REGISTRATION BEGINS APRIL 6
Register early to guarantee enrollment
and prevent course cancellations.
PAFA is accredited through the National
Association of Schools of Art and Design
(NASAD) and the Middle States Commission
on Higher Education (MSCHE). PAFA is a
member of the Association of Independent
Colleges of Art and Design (AICAD).
Five & Ten Week Sessions
Five Week Session One: ..............................May 15
Five Week Session Two: ............................June 26
Ten Week Evening Courses:
................................................................................May 15
Ten Week Saturday Courses:
................................................................................May 15
1. ONLINE: www.pafa.edu/ce
2. PHONE: 215-972-7632
3. MAIL*:
Continuing Education Programs
Pennsylvania Academy
of the Fine Arts
4. IN PERSON: Visit the Continuing Education
office on the 3rd Floor of the
* Please mail a completed registration form with
check, money order, or credit card information.
We accept VISA, MasterCard, American Express
and Discover Card. Make checks or money orders
payable to “PAFA.”
STUDENT ADVISING
We are here to help! Please call 215-972-7632
or write [email protected] for more
information or assistance in course selection.
Continuing Education Programs Office Hours
Monday – Thursday ....................9 a.m. – 7 p.m.
Friday ................................................9 a.m. – 4 p.m.
Saturday...............................8:30 a.m. – 1:30 p.m.
Note: Hours subject to change. Please visit
www.pafa.edu/CE for updated hours
after May 26.
ACADEMIC PROGRAMS
Interested in PAFA’s full-time
Certificate & Degree Programs?
Contact the Office of Admissions at
[email protected] or 215-972-7625
Undergraduate Credit
Most courses are available for 1.0 undergraduate
credit (unless otherwise indicated). If taken for
credit, you may incur additional coursework, and
will receive a course grade and appropriate credit
that will appear on an official PAFA transcript,
if requested. To request an official transcript,
visit Registration and Policy Information at
www.pafa.edu/CE to download a transcript
request form. Changes in credit status must
be arranged through the CE office prior to the
second class. No refunds for changes from credit
to non-credit.
FOR PENNSYLVANIA AND NEW JERSEY
K-12 EDUCATORS
PAFA is approved by the Pennsylvania and New
Jersey Departments of Education to offer Act 48
hours and Professional Development credit,
respectively, for its courses, workshops and
programs as follows: Thirty contact hour 1.0
undergraduate credit courses are available for
30 Act 48 hours or 30 NJ credits. Thirty-six
contact hour 1.0 undergraduate credit courses are
available for 36 Act 48 hours or 36 NJ credits.
Workshops and Special Programs are eligible
for the same number of Act 48 hours or NJ
credits as contact hours for which they meet
(excluding lunch breaks).
Educators electing to receive Act 48 hours or
NJ Professional Development credit should
notify the Continuing Education Programs office
when registering or mark the appropriate box
on the online or printed registration form.
Call 215-972-7632 for more information.
Deadlines vary for One Week Intensives,
Short Courses, Workshops, Master Classes and
Special Programs. Please refer to individual
course descriptions.
COURSE TUITION AND FEES
One, Five, Six and Ten Week Courses:
■ Thirty (30) contact hours: $395 non-credit;
$525 for 1.0 undergraduate credit
■ Thirty-six (36) contact hours: $495 non-credit;
$625 for 1.0 undergraduate credit
■ Forty-two (42) contact hours: $595 non-credit;
$950 for 1.5 undergraduate credits
■ Half-day, non-credit (where applicable): $295
■ Five week Evening, non-credit
(where applicable): $225
■ One week High School Intensive Course
Tuition: $415 for 1.0 credit or non-credit
Tuition varies for Workshops, Short Courses,
Master Classes and Special Programs. Please
refer to individual course descriptions.
Half-Day and Five Week Evening Option
All courses are designed for full-time attendance.
For greater flexibility, select 9 a.m. - 5 p.m. courses
may be taken for half-day, 9 a.m. - 12:30 p.m. or
1:30 - 5 p.m. Courses generally feature more
lecture and demonstration in the morning, and
more studio time and individual guidance in the
afternoon. Information and demonstrations
given during one portion of the day may not be
repeated for the other half. Select Ten Week
Evening courses may also be taken for five weeks,
either in Session One or Two. If you begin a
course as half-day, you may add the second half
of the same course for the balance of the
full-course tuition.
Half-day and evening courses are available for
non-credit only, and may not be combined to
qualify for credit status. For more information,
please call 215-972-7632.
Lab and Material Fees
Please consult individual course descriptions
for any applicable lab or materials fees.
Late Fee
Registrations received after 5 p.m. on their
deadline date will be assessed a late fee of $25.
Locker Rental
Lockers are available on a first-come,
first-served basis for $25.
DISCOUNTS*
Referral Discount*
Refer a first-time Continuing Education student,
and you and the new student will receive a
10% tuition discount on one regular course or
workshop within the current semester
(excluding Master Classes).
Membership Discount
PAFA Members at the “Friend” level and above
receive a 10% tuition discount on CE courses,
workshops, and Master Classes. For information
on becoming a PAFA Member, please call
215-972-2077.
*Restrictions apply. Lab, materials and
locker fees are not eligible for discount.
Call 215-972-7632 for details.
34
Registration Information
REFUND POLICY
If minimum enrollment is not met, a class will
be cancelled on, or shortly after, its registration
deadline. Students will be notified by phone and
may choose to transfer into another class or
receive a full tuition and fee refund. Please
register early to help prevent course cancellation.
Refund of tuition and lab fees will be adjusted
according to the following schedule (less the
administrative fee), unless otherwise indicated.
WEATHER/EMERGENCY CLOSING
Weekend Workshops
Prior to one week before the 1st day ........100%
After the above, prior to the 1st day ..........50%
After the above ....................................................0%
Master Classes and Six Week Studio/
Critique Program
No refunds after the registration deadline.
The closing, delayed opening, or early dismissal
of PAFA will be determined jointly by the Dean
of the School and the Museum Director, with
approval of the President. Such closing or
delay would include the School, galleries and
administrative offices. Decisions regarding the
cancellation of special events and evening
classes may be made later in the day. To find
out if PAFA is closed or delayed you should
check one of the following:
■
■
CE COMMUNITY SCHOLARSHIP
■
PAFA Continuing Education is pleased to
present the “CE Community Scholarship”
to assist students who demonstrate dedication
to their art.
Requirements:
■ Completed application form
■ Completed CE registration form
■ Personal statement (one page)
■ Application deadline: Friday, May 8
Application will be available to download
from pafa.edu/CE by April 6. Please call
215-972-7632 for more information.
The CE Community Scholarship is made possible in
part by a generous contribution from the Dry Family
Foundation. For information about making a gift to
support the CE Community Scholarship, please
contact the Development Department at 215-972-2077
or use the attached registration form.
35
page 33 for registration deadlines
■ Late registrations will incur a $25 late fee
■ REGISTRATION BEGINS APRIL 6
■ See
Date
Date of Birth
Last Name
First Name
Middle Initial
Address
City
State
Phone (day)
Phone (evening/cell)
Email
COURSE CANCELLATIONS
Withdrawals must be made in writing via
letter or email to the Continuing Education
Programs office. Students withdrawing are
charged a $30 administrative fee per dropped
course, Master Class or Special Program and
$15 per workshop.
One, Five, Six and Ten Week Courses
Prior to one week before the 1st class ......100%
After the above, prior to the 2nd class ...... 50%
After 2nd class meeting ....................................0%
REGISTRATION FORM Summer 2015
■
■
Our website – messages will be updated
on the PAFA homepage, pafa.org
PAFA’s main number, 215-972-7600 –
An outgoing message advising of a close or
delay will be recorded by 6:30 a.m.
KYW (1060AM) – Listen for PAFA’s code 150
(Continuing Education’s code is 2150)
WPVI-TV 6ABC – Lists the school by name
NBC 10 – Lists the school by name
Course #
Title
Session/
Day/Time
Instructor
Tuition
■ VISA ■ Mastercard ■ AmEx ■ Discover ■ Check* #_______ ■ Cash
Total
Locker
Sub Total
Name on Credit Card
Expiration Date
I agree to abide by the policies and regulations in printed materials and on the website of
Continuing Education Programs at PAFA. I have read and understand policies regarding credits,
withdrawals, refunds and course cancellations (pages 32 – 34)
Signature (required)
Discount*
CE Community
Scholarship
Donation**
Signature
T O T A L
* PAFA Members at the Friends
level and above receive a
10% tuition discount
Date
* * See page 33
TRANSPORTATION AND PARKING
PAFA is conveniently located near the SEPTA
Market East and Suburban train stations,
bus and trolley stops and PATCO Hi-Speed
Line station stops. For SEPTA information,
call 215-580-7800 or visit septa.org.
For PATCO information, visit ridepatco.org.
Discounted parking is available at adjacent
Parkway Corporation Parking garage and surface
lot. Tickets must be validated by Security staff.
Lab/Mat Fee
Tuition Total
METHOD OF PAYMENT
Credit Card Number
Zip
Have you taken a class here before? ■ Yes ■ No
How did you find out about us?
■ Internet (What site?) ________________________
■ Radio (What station?) ________________________
■ Newspaper/magazine ________________________
■ Other (Please specify)________________________
How did you receive this catalogue?
■ Mailed to me ■ Picked it up at:________________
Please check if you would like more information
about PAFA Academic Programs
■ Certificate
■ Bachelor of Fine Arts
■ Master of Fine Arts
■ Post-Baccalaureate
■ I wish to enroll in the CE Core Curriculum Program
For K-12 educators
■ I am taking a course for Act 48 credit or New Jersey
Dept of Ed Professional Development Credit
Are you an PAFA member? ■ Yes ■ No
PAFA Membership Level ____________________________
PA Professional Educator I.D.# ____________________
Expiration Date ____________________________________
For Office Use: Class Book ___________________ Materials___________________ Database____________________
Please enclose the address to the right.
■ I am receiving duplicates.
■ Please remove my name from the mailing list.
■ Please change my address as indicated.
ADDRESS UPDATE:
IMPORTANT: DATED MATERIAL – DELIVER IMMEDIATELY
www.pafa.edu/CE
t 215-972-7632 f 215-569-0153
e [email protected]
Philadelphia, PA
Permit No. 2879
P A I D
Non-Profit Org
U.S. Postage

continuing education programs - PAFA

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