INSIGHT GALLERy GRAND OPENING RECEPTION

I n S ight G allery
invites you to a
G rand O pening R eception
saturday , may
16, 2009 ° 6 – 9 pm
Mountain Storm Nancy Bush Oil 22”x 28”
Cypress on the Medina Mark Haworth Oil 16”x12”
Gillespie County Ag Exempt John Austin Hanna Oil 12”x 24”
Texas Born James Robinson Acrylic 24”x36”
featuring the artist work of
Carolyn Anderson
Scott Burdick
Nancy Bush
SCOTT L. CHRISTENSEN
Jim Eppler
Teresa Elliott
dan gerhartz
John Austin Hanna
Mark Haworth
clint herring
Quang Ho
Qiang Huang
Pam Ingalls
D. LaRue Mahlke
C.W. Mundy
Sue Lyon
Suzanne Owens
Joan Potter
Chuck Rawle
James Robinson
Rosetta
Skip Whitcomb
RSVP 830.997.9920
paintings shown are subject to prior sale ° call for availability information
Mountain Storm Nancy Bush 22”x 28” Oil
Gillespie County Ag Exempt John Austin Hanna 12”x 24” Oil
Cypress on the Medina Mark Haworth 16”x12” Oil
Texas Born James Robinson 24”x36” Acrylic
Carolyn Anderson
Scott Burdick
Nancy Bush
SCOTT L. CHRISTENSEN
Jim Eppler
Teresa Elliott
dan gerhartz
John Austin Hanna
Mark Haworth
clint herring
Quang Ho
Qiang Huang
Pam Ingalls
D. LaRue Mahlke
C.W. Mundy
Sue Lyon
Suzanne Owens
Joan Potter
Chuck Rawle
James Robinson
Rosetta
Skip Whitcomb
C A R O LY N A N D E R S O N
Carolyn Anderson, a nationally recognized artist, is an accomplished pastelist and
oil painter. Born and raised in the Chicago area, Anderson joined the Vista Program
(Volunteers in service to America) in the early 70’s and was assigned to work on
an Indian reservation in Montana, a seminal experience of the big sky country for
the young artist. She eventually returned west with her art and now lives in Harvre,
Montana; a mall community not far from the Canadian border. She has taught her
beautiful eye on the world for Walt Disney Imagineering, The Scottsdale Artist School,
the Frye Museum, the Fechin Artists’ School, and the Fredericksburg Artists’ School.
Carolyn is a member of the Northwest Rendezvous (NWR), participates in many of
the nation’s largest shows, and has had her work featured in numerous publications,
including Southwest Art, Art of the West, and most recently The Big Sky Journal.
Young Dancers
8” x 6” Oil
Bear Paw Horse
11” x 14”
Oil
S C O T T B U R DI C K
Scott Burdick gifted figurative painter sees deeply into his subject, capturing in a
moment, like amber, a universe of presence. “I see painting as both a way of exploring
the world and then as the vehicle of sharing those discoveries with others… Through
this unique language, one can say things that are impossible with words.” Living in a
beautiful rural area of North Carolina at the foothills of the Appalachian Mountains
with his artist wife, Sue Lyon, is itself an example of the depth of presence the artist
brings us in his paintings: a perfect resting place of a moment, between time spent
gathering material from their many working trips away. “It’s a wonderful thing being
able to paint together all the time and grow as artists together.”
Scott is a member of the Palette and Chisel, Chicago; Northwest Rendezvous Show,
Helena, Montana; the Plein Air Painters of America; California Art Club.
Vermilion Cliffs Study
9” x 12”
Oil
Road to Colorado
12” x 9”
Oil
Andrea In Blue Scarf
24” x 18”
Oil
NANCY BUSH
Nancy Bush’s pursuit of art has taken her to many places in the world, traveling
extensively to study and paint her hauntingly beautiful landscapes. Intrigued in a more
subdued tonalist palette, with a classicist eye, the artist studied painters from the 19th
and 20th centuries such as George Inness, Issac Levitan, Bruce Crane and Russell
Chatham then discovered Michael Workman and Scott Christensen several years ago
and has valued studying with them ever since.
“Landscape is my love and is always a challenge, spiritually and emotionally”….most is
done en plein air: in the last or first light of day or in the beautiful light before a storm.
“I feel that my work is about human emotions in time and space, represented by light,
darkness, warmth, coolness… I hope my paintings will convey a single quiet moment of
the landscape in its raw beauty.”
Articles in 2008 included American Art Collector Magazine; Western Art and
Architecture Magazine, American Artist Magazine. She was featured in Fine Art
Connoisseur Magazine in the March/April 2009 issue “Artist to Watch” column.
She is a member of the American Women Artists, Signature Member, and Alla Prima
International.
Afterglow
12” x 12” Oil
Spring Showers
18” x 24”
Oil
Mountain Storm
22” x 28” Oil
Autumn Light
Hazy Morning
10” x 12”
Oil
18” x 24”
Oil
SCOTT L. CHRISTENSEN
T E R E S A E LLI O T T
A native Texan, Elliott graduated from The University of Kansas with a BA in Fine Arts.
She then returned to Texas working as a leading freelance illustrator in Dallas for 27
years. “I have many years of art experience, so my development as an oil painter was
fueled by working with the figure, portraiture and design,” says Elliott. In 2005 she
returned to her fine art roots, dedicating herself exclusively to her studio practice as
an oil painter.
Her honors include Artist’s Choice award at the 2008 Cowgirl Up! show and the People’s
Choice Award at the 2009 Coors Western Art Exhibit. She was recently awarded Best
Of Show at the 2009 Night Of Artists show for the Briscoe Western Museum.
Elliott lives in the wide open spaces of West Texas where she paints in the Big Bend
south of Alpine, Texas.
Santa Gertrudis
36” x 48” Oil
Brindle Bull 48” x 60”
Oil
J I M E PPL E R
Jim Eppler has been praised for his lifelike recreations and his gentle interpretations;
his respect and appreciation for nature that allow his art to flow so freely.
Eppler particularly uses light to underscore select components of movement and
landscape. In his bronzes, it is the masterful details of movement that are subtly
emphasized.
Jim has studied with Bob Kuhn, Robert Wood, Bill Worrell, Raymond Froman, Charles
Reid, and Paul Milosevich bringing his wildlife art to echo the words of naturalist Henry
Beston: “In a world older and more complete than ours, the creatures move finished
and complete, gifted with extensions of the senses we have lost or never attained,
living by voices we shall never hear.”
Publications: Wildlife Art, 60 Contemporary Masters and Their Work (Joan Muyskens
Pursley, Portfolio Press)
Public installations: the Ronald Reagan Presidential Library, Frederik Meijer Gardens,
South Plains Wildlife Rehab Center, National Exhibits Foundation, National Ranching
Heritage Museum, Booth Museum, West Texas Museum Collection, the Benson
Sculpture Garden, and the Virginia Museum of Animal Art, along with numerous
private installations.
Red Fox
19.5” L x 11.25” H x 10.75” D
Bronze
Steller’s Jays on Stone
18” L x 12.25” H x 12.25 ” D Bronze
Raven III
Horned Owl
6.125” L x 11.75” H x 6.125” D
Bronze
24” L x 37” H x 10.75” D
Bronze
Jack Rabbit I (ears up) 12” W x 19” H x 5.75” D
Jack Rabbit II 16” L x 8.375” H x 6” D
Bronze
Bronze
D A N I E L F. G E R H A R T Z
The powerful and evocative beauty of Dan Gerhartz’s paintings embrace inspiration
from the very old tradition of romanticism and symbolism. His absolutely lavish surfaces,
color and lighting are in harmony with his expressionistic brushstroke, application and
modeling of light and shade. John Singer Sargent, Alphonse Mucha, Nicolai Fechin,
Joaquin Sorolla, Carl von Marr have inspired him along with a particular appreciation
for modern Russian art and the sumptuous canvases of the painters Nicolai Fechin,
Isaac Levitan and Ilya Repin.
“My desire as an artist is that the images I paint would point to the Creator, and not to
me, the conveyor. J.S. Bach said it well as he signed his work, ‘Soli Deo Gloria,’ To God
alone be the glory.”
Known for his brilliant treatment of the female figure, he is at his best with subjects
from everyday life in modes of quiet contemplation and sacred landscapes with a sense
of other worldliness. In Gerhartz’ pictures the commonplace becomes extraordinary.
Dreams
20” x 30”
Oil
Fragrance
36” x 48”
Oil
JOHN AUSTIN HANNA
The artist’s work, so strong in dramatic light and rich in color, deftly embraces a variety
of landscapes, still lifes and portraits set anywhere from the Texas Gulf Coast to quaint
country homes on the back roads. “life is more interesting if you look at it the way it
is. Everything has its own innate beauty… something always triggers a painting: an old
house, a rock wall, maybe just light playing on creek water. I never run out of things
to see.”
John so captures what he sees that you could think you hear the burro in the Mexican
market or the mourning dove in his landscape. Collectors are ever grateful that he traded
the big city lights for Fredericksburg, so all can enjoy the innate beauty of his subjects.
His work has been published by Somerset House Publishers, and he was recently
commissioned by the Houston Livestock Show and Rodeo to do an eight-phase
depiction of the rodeo for their corporate offices.
He has done work for author Ian Fleming & Warner Bros and his illustrations can be
found in several books published by Harcourt Brace & World and McGraw Hill.
Fredericksburg Sheep Farm
16” x 20”
Oil
Grape Creek Road
Good Grass
9” x 12”
36” x 48”
Oil
12” x 16”
Oil
Oil
Water Girl
Bill Waring Place
20” x 30”
Oil
Wisconsin Farm
11” x 14”
Oil
Red Dust
12” x 16”
Oil
M A R K H AW O R T H
Mark captures light and mood on canvas. Stimulated by the subtle nuances of rivers,
canyons and vistas, Mark paints with a talented conviction of the emotion of a single
moment that he hopes to inspire in those who see his work. Mark has kept this timeless
inspiration as he captures the soul of a place on his canvas.
From an artistically gifted family, Mark left academia with a BFA then quickly earned
recognition as an independent working artist, someone to watch in both oil and
pastels. Inspired by the expansive beauty and quality of light of the Texas Hill Country,
Mark moved to Fredericksburg in 1983.
“There is a beautiful quality of light here…the way this light falls on the pastures, creeks
and hills so moves me.. that I must capture it on canvas or paper before it all changes
or disappears.”
Most Recently: The “Best in Show” award at the 2007 National Western Art Foundation
“Night of Artists” show in San Antonio, Texas. March 2009 cover of American Artist
“The Artists Choice” award at the 2009 National Western Art Foundation “Night of
Artists” show in San Antonio, Texas.
Come April
12” x 16” Oil
Last Light
24” x 30”
Oil
Autumns Peak
30” x 40”
Oil
Red Maple
San Franciso de la Espada
16” x 20”
Oil
Cypress on the Medina
16” x 20”
Oil
16” x 12”
Oil
C LI N T H E R R I N G
Clint’s art is an impassioned body of work. A representational watercolorist who
works in a traditional style, the artist looks deeply to the essence of the subject and
the intense emotion that stirs him….and consequently his viewer.
“I am motivated to portray a subject’s essence and aura. Within that aura I find isolation,
innocence, and a spiritual element: a sense of the old and the emergence of the new.
My painting melds together a sense of spirituality and light…hence, the infusion and
recording of light and dark”
His aesthetic approach, informed by the examples of Edward Hopper and Andrew
Wyeth, is based on an interest in geometric design, as well as his desire to capture the
core of a moment and to masterfully communicate its timelessness to the viewer.
Feature article in American Artist Magazine, April 2008;
Solo exhibition: Helen Carlisle Fine Art, Auburn, Alabama May 2008;
Exhibition: Charleston Renaissance Gallery, charleston, South Carolina “The Heart of
Southern” 2009.
My Flower Flops
12” x 22” Watercolor
Remembering
29.5” x 22”
Watercolor
Man of the Isle
15” x 22”
Watercolor
Head Rest
22” x 29.75”
Watercolor
QIANG HUANG
Qiang Huang (pronounced Chong Wong) was born and raised in Beijing China and he
now lives in Austin, Texas. His interest in art was developed when he was very young,
and influenced strongly by his uncle, Hong-En Huang, a professional painter and
art educator.
But life swept him in other directions. He moved to America in 1985, obtained a Ph.D.
in physics and took a career in optical engineering, although art always had his heart.
Studying with well-known artists David Leffel, Sherrie McGraw, Scott Burdick, and Jean
Chambers; he kept in touch with the artist community. His paintings show remarkable
accuracy and expressive brush strokes, power and sensitivity.
Qiang has been a member of the Oil Painters of America since 2004. His paintings
have been selected for the 14th, 15th, 16th and 18th OPA National Juried Exhibitions.
Vase from China
16” x 20” Oil
Pot from Mexico
20” x 24”
Oil
P A M I N G A LL S
Was born to art. Her father, artist Richard Ingalls, created the Art Department at
Gonzaga University and was there always in her studies guiding her to Academia
Delle Belle Arte in Florence, Italy and later a degree from the department he founded.
She worked with Frederick Frank in New York and Ron Lukas in Seattle, more recently
with Richard Schmid and Burt Silverman, mastering her ability to see the great in the
small, the humorous or important in the simplest of objects.
Her strong color, sound drawing and choice of subjects is fresh, often sly and always
full of humanity and presence, as if someone is either about to enter the frame or has
just left it.
Pam has exhibited in over 125 national and international juried art shows, where she’s
won more than 60 prizes. Her work has exhibited in 28 states, and is in collections in
numerous countries.
Abby’s Tub
8” x 20”
Oil
Cafe Du Monde
16” x 20”
Oil
Confidenti
36” x 24” Oil
Velvet
Due Amici
Sarah’s Side
36” x 12” Oil
5” x 7”
Oil
8” x 10”
Oil
S U E LY O N
Sue Lyon studied at the Art Institute of Chicago and earned a degree from the American
Academy of Art. She painted at the Palette and Chisel Club; a mansion converted into
studio space by art students, and there met her future husband, Scott Burdick. The
couple, both figurative painters, have always enjoyed traveling to locations throughout
the world. Sue has been collecting shawls and costumes from these expeditions for
years. They hire models to come to their home studio putting the costumes to use
for their paintings, inviting local artists to paint from the models and to share some
camaraderie as well. That Joie de vive shows in the artist’s treatment of her subjects
and careful observation of mood and depth.
Sue was featured in Southwest Art magazine’s Dispatches article, “Painting in France”,
August, 2006. The Artist’s Magazine “The Future of Realism” February, 2006 and
October 2005. She also was featured and had the cover of July/Aug 2005 issue of
Art of the West.
Kate
20” x 16”
Conte
Himba Boy In Yellow Shirt
20” x 12” Oil
D . L A R U E M A H LK E
Like a sly smile, Denise Mahlke paints a world of focused but lively subtlety in her
masterful pastels. Time and light steal through her landscapes mirroring the subtle
beauty and diversity of her native Texas and other wildly beautiful places.
The rugged landscape and vast sky of the American West is an inspiration and
passion as well as teaching: Generously sharing her perspectives through workshops
and studio courses, as well as connection to those who see the beautiful wild places
through her eyes and talented hands.
“My hope is to touch people with my art: to communicate truth in beauty making a
connection emotionally…even spiritually”
In 2007, Denise was awarded Honorable Mention in the Pastel Journal’s annual
competition, as well as making Finalist in The Artist’s Magazine for two of her
landscapes. She is an Invited Artist to the prestigious Maynard Dixon Country Show
(from 2003 - present) and is pleased to have participated in the Gilcrease Museum’s
American Art in Miniature show in 2007. Denise is a featured artist in the July 2008
issue of American Artist magazine in an article written by Editor-in-Chief, M. Stephen
Doherty, and as an Artist to Watch in the Southwest Art June 2008 issue.
Days End
12” x 12” Oil
In the Stillness
24” x 18” Oil
Warm and Humid
12” x 16”
Oil
February Front
Fair Weather February
15” x 18”
Pastel
12” x 12”
Oil
Twlight Spring Creek
18” x 24”
Oil
C H A R L E S W A R R E N M U N DY
Respected nationally as a true artist’s artist, the artist’s work speaks eloquently for
itself of mercurial talent and vision married to impeccable standards. Charles Warren
Mundy ranks among the most important American impressionists painting today. No
matter the subject matter, Mundy’s aggressive, but often soft-edged painterly style is
very much his own.
“I constantly search for the academics, emotion, expression and at-the-moment
character of a scene. Every painting should have a fine balance of these components…
toward that end, each piece develops its own unique personality”
Over the years, Charles has received numerous awards from his participation in both
regional and national juried exhibits, including the prestigious Hoosier Salon.
Memoirs: Charles Warren Mundy, American Impressionist
(International Artist Publishing, 2003).
Master Signature Member, Oil Painters of America;
Master Status, American Impressionist Society
White Lilies in Copper
24” x 30” Oil
The Loire, France -- Painted on site
16” x 20”
Oil
Two Children with Pond Yacht
36” x 24” Oil
Emily in the Black Hat
21” x 14” Oil
Etretat, France, La Aquille
Emma Creek
14” x 21” Oil
16” x 20”
Oil
S UZ A N N E O W N E S
Suzanne Owens always feels most at home in the American West, dividing her time
between the Texas Hill Country and northern New Mexico.
Working the natural world into pastels or oil, Suzanne wants “those who see my
paintings to feel that they are with me, seeing …the same colors and reflections. In
my work, I get to experience these amazing visual gifts from God, and I want to help
others have that chance….I know how fortunate I am to be living my life’s dream and
doing so in such a beautiful part of the world”
Suzanne enjoys participating with artists and friends such as Skip Whitcomb, Matt
Smith, Scott Christensen, Doug Dawson and Albert Handell in workshops throughout
the year and is a signature member of the Pastel Society of America, as well as Pastel
Society of the West Coast.
She is a member of Oil Painters of America, American Impressionists Society, Alla Prima
International, the Degas Pastel Society and the Pastel Society of the Southwest.
Waiting for Dinner
10” x 12” Oil
Sunlit Peak
12” x 9” Oil
Desert Thunderstorm
Aspen Grove
12” x 16” Oil
10” x 12”
Oil
JOAN POTTER
Joan Potter studied with David Leffel and Robert Phillip at the Art Students League
in New York City. Working with these mentors she found her passion in “the Dutch
School” of painting.
Joan is nationally recognized for her still life work and is highly sought after and
collected for her masterful complexity and execution. Potter applies the elements of
“drama and mystery” in her selective focus within each work, making an arrangement
of objects which exhibits significance in the interrelationship of its parts.
Joan has received awards from such prestigious groups as Allied Artists of America,
Catherine Lorillard Wolfe Art Club, American Artists Professional League and Grand
Central Art Galleries.
She is a Master Signature Member of the Oil Painters of America.
In December 2003 she was featured in two articles in Southwest Art Magazine, “Mixing
It Up” and “North Light”. In May of 2004 she was featured in Art Talk in a piece entitled
“4 Shows, 4 States, 1 Word, Great”.
Kioka
10” x 18”
Oil
Yalli Pears
Cuties
8” x 10”
Oil
25” x 29”
Oil
C H U C K R A WL E
Chuck has traveled to paint in most of the Western States, Hawaii, the Canadian
Rockies, and Mexico transporting the viewer with him to some of the world’s most
magnificent scenery. Chuck sold the house, bought an RV and with his wife Mary
set about painting the west over a decade ago. His commitment and love affair with
the land is influenced by Edward Payne, Carl Rungius, Isaac Levitan and Chauncey
Ryder. He hopes the viewer will …”sense the dampness of a muggy afternoon, the
clarity of clean mountain air, or feel the sun on his face in the majesty of towering
mountains…a sensual, emotional connection to the beauty of our world … is how art
enriches our lives”
Contemporary influences include Scott Christensen, Clyde Aspevig and Matt
Smith. Chuck has studied with Christensen and Smith as well as Ralph Oberg and
Kevin MacPherson.
In numerous public and private collections, the artist is a Member of Oil Painters of
America, Outdoor Painters Society, and Art League of Fort Bend.
Palo Alto Ribbons
16” x 20” Oil
Tribute to Wind and Rain
18” x 24”
Oil
JAMES ROBINSON
Vivid color, strong values, and dramatic composition are hallmarks of Robinson’s
masterly depictions of the land he loves. From early Texas pioneer stock, Robinson
knows the rugged bluffs, creeks and wild places of Texas and some of the people that
settled it. The artist has always admired such masters as Frank Tenney Johnson, James
Reynolds, and John Singer Sargent, and brings it home in a combination of light, color,
and action in each of his remarkable images. One’s reaction to him is nearly visceral as
you feel the sun in one of his limestone canyons or feel the cold water of the stream.
Loved by collectors well beyond his Texas borders, James was recently featured in
an article “Off the Beaten Path” in Southwest Art Magazine, July, 2008. In 2007 he
received the prestigious Olaf Weighorst “Best of Show Award” at the Mountain Oyster
Club Contemporary Western Art Show and the “Best of Group Show” from the Briscoe
Museum Night of Artists Show in San Antonio, Texas.
James and his wife Billie live in Austin, Texas.
On the Pedernales
24” x 36”
Oil
Cornered
36” x 48”
Oil
Texas Roundup
24” x 36”
That’s the Last of ‘Em
Oil
24” x 36”
Oil
As Big As Texas
40” x 60”
Oil
R O S E T TA
Rosetta the sculptor’s subjects are animals. Admiration and respect for the grace,
power, and nobility of the wild ones is evident in Rosetta’s sculptures, which capture
their spirit, form, and movement in a unique hard-edged yet fluid style.
“Whether carving animals out of soap as a child, trying to capture personality in a
clay portrait or carving for my handmade house in a Redwood forest, sculpture has
always been something I have done for the pure joy of it…Although I keep the animal’s
basic form true to reality, it is my interpretation of that form, motion and inner spirit
that is my art.”
Rosetta has exhibited extensively both nationally and internationally since leaving
her graphic artist roots, receiving corporate, public and private commissions for her
astonishing work.
She is a member of the National Sculpture Society, Fellow Former Board Member
of American Women Artists, Society of Animal Artists, and the Northwest
Rendezvous Group.
Mountain Fishing Maquette
4.5” H x 8” W x 5” D
Bronze
Red Fox
21.5” H x 35” W x 12.5” D
Bronze
Lookout Tree
Falcon
13.5” H x 19” W x 8” D
Bronze
17.5” H x 13” W x 10” D
Bronze
Challenge
15” H x 22” W x 12” D
Bronze
Leap Maquette
Running Cheetah
12” H x 8” W x 3” D
7” H x 20” W x 3” D Bronze
Bronze
S KIP W H I T C O M B
M. W. Skip Whitcomb, an accomplished plein air painter, draftsman and printmaker,
studied at the Art Center College of Design in Los Angeles, and believes that “Drawing
is the soul of painting”… carrying a sketchbook with him everywhere he goes. Raised
on a ranch near Sterling, Colorado and spending his summers in Wyoming, the wide
open spaces have always felt like home to him. A large part of his year is spent traveling
throughout the West, but he is also rejuvenated by seeing and painting new places in
the world. Whitcomb is recognized by his peers as an “artist’s artist” and looks to the
classics in art and literature for inspiration.
Skip participated in gallery invitational shows including National Academy, New York;
Gilcrease Museum, Tulsa; National Academy of Western Art, Oklahoma City; Buffalo
Bill Historical Center, Cody, Wyoming; the National Museum of Wildlife Art, Jackson,
Wyoming; and the Bradford Brinton Museum in Big Horn, Wyoming. He was featured
in Southwest Art in February 2007 in an article entitled “Big Bend Adventure”. He is
listed in Who’s Who in American Art.
Shadowed Mesa
14” x 24”
Pastel
Frozen Lake
Road into Blackstar
9” x 12”
Oil
Drywash Morning
18” x 30”
Oil
9” x 12”
Oil
Isabella Morning
20” x 16”
Pastel
QUANG HO
Quang Ho works in oils and occasionally watercolor and pastels with subject matter
ranging from still-life to landscapes, interiors to figuratives, completing brilliant “ visual
thoughts” to lively dialogues with the viewer.
“With every painting there is a singular visual thought to be completed.”
The artist immigrated to the United States from Vietnam with his mother and younger
brothers and sister when he was twelve. The tragic loss of his mother later left him
the responsibility of raising his five siblings as he attended the Colorado Institute of
Art on scholarship. His life speaks of intuition and inspiration and it finds its way to
his canvas.
“Subject matter is not really important to me... it’s all the same to me. The real essence
of painting is the dialogue between shapes, tones, colors, textures, edges, and line.
Everything else follows. Painting is a marriage between the mastery of those basics…
and the trust in ones own wordless intuition and inspiration.”
Quang’s work is in both national and international collections, and he has won
numerous awards at important art shows throughout the country, including those
organized by the Oil Painters of America, Northwest Rendezvous of Art, The Artists of
America, and the Colorado Governor’s Invitational.”
244 West Main ° Freder icksburg, Texas
830. 997. 9920 ° 888. 9 97. 9 9 2 1 t o l ° insightgaller y.co m