www.schlagwerk.com

Transcription

www.schlagwerk.com

Products only available in specialist shops.
Your specialist shop:
DRUMBLA
Ethno hudobniny - Muzikoterapia
Visnovskeho 22
960 01 Zvolen
tel : 0904 479524
e-mail : [email protected]
www.drumbla.sk
All models are subject to alterations.
For further information and audio examples please visit:
www.schlagwerk.com
PERCUSSION
made in germany
English
07
08
25 Years of Schlagwerk Percussion
The idea of perfecting traditional instruments through innovation and precise, handcrafted
production is the central theme of the company history of Schlagwerk Percussion.
We take advantage of the experience which we have accumulated over the last 25 years
when developing our new products.
It is with great pride that we present the 2inOne deluxe and dual Cajones as well as the
new Bass Cajones for the first time in our main programme 07/08. We especially wish to point
out our Booster Set, the first percussive drumset “made in Germany”.
This is exactly what is reflected in our catalogue: our vast experience has led to the
manufacture of mature instruments as well as polished and convincing new developments.
We think this is very exciting!
Gerhard Priel
Managing Director, Owner
Marianne Priel
Managing Director
Detlef Börgermann
Manager of Distribution and Marketing
4 Cajon la Perù®
6 Cajon 2inOne
deluxe + dual
7 Bass Cajon
8 Snare Cajon 2inOne
12 Cajinto
12 Bass Cajinto
13 Booster Set
14 Yambú Drums
10-15
Cajinto
& Yambu`
20 Frame Drums
22 Riqq
24 Circle Drums
25 Table Drum
18-25
Frame
Drums
28 Neck Udu
29 Skin Udu®
29 Bongodu
26-29
Udu
Drums
34 Log Drums
36 Big Bom®
38 Wind Chimes
39 Wah-Wah Tubes
41 Balafon
41 Marimbula
42 Woodbells
44 Hand Percussion
32-45
Tuned
Percussion
46 Mallets + Rods
46-49
Extras
+ Academy
2-9
Cajon
www.schlagwerk.com
47 Bags + Stands
48 Books + DVDs
cademy
Cajon
20Years,
For more than
Schlagwerk Percussion has been concentrating
intensively on the further development of the Cajon. Originally a slave instrument from South America,
it has become one of the most popular rhythm instruments through innovation and skilled craftsmanship.
The
Cajon la Perù
2inOne
The
has been setting the standard for quality and sound since 1990.
-Series, introduced in 2005,
has reached a revolutionary relationship between drumset and
percussion through the use of its snare technique.
3
Cajon
CP 4005 Cajon
4
®
CP 4007 Cajon
®
®
CP 4011 Cajon
®
Playing surface: Beechwood
Resonance box: 7 layers of Gabon wood,
approx. 30 x 30 x 50 cm
Sound: rich bass, strong crash tonal qualities
Playing surface: Burl veneer
Resonance box: 7 layers of Alder,
Sound: rich bass, strong mid-range tones
Playing surface: Zebrano veneer
Resonance box: 7 layers of Gabon wood,
Sound: warm bass, compact mid-range tones
Schlagwerk Cajon la Perù® with a Beechwood
playing surface has been setting the standard for
quality and sound of the modern Cajon for more
than 17 years.
Affectionately referred to as “el negro” in the Flamenco
scene, the most successful Schlagwerk Cajon has not
lost any of its aesthetics or its versatility within varying
music styles. CP 4007 – the classic Cajon!
The perfect combination of Gabon resonance box and
Zebrano playing surface makes the balanced proportion between warm bass tones and fine, but concrete
upper tones possible – the real all-around Cajon!
Audio examples at www.schlagwerk.com
Bongo Add-on for Cajon
xtra
With its bongo-like sounds, this Add-on Set is a great addition
to the Cajon la Perù® and can be easily attached to the left
or right of the Cajon with Velcro-strips. Attaching an Add-on
Set (i. e. double set) to the left and right, respectively, gives
you the popular three-head playing version made popular
by Alex Acuna.
ECP 1 Single Bongo Add-on
ECP 2 Double Bongo Add-on
(consists of two ECP 1 Sets)
TA 3 Cajon Bag
50 x 30 x 30 cm, padded nylon bag
with side pocket and shoulder belt.
[ NEW ]
SP 20 Cajon Pad
[ NEW ]
Cajon Pad – the optimal cushion for the
Cajon la Perù® and Snare Cajon 2inOne
CO 1 Cajon Cover with padded seat
CP 4017 Cajon
®
Playing surface: Black Eyes – design veneer
Resonance box: 7 layers of Alder, approx. 30 x 30 x 50 cm
Sound: rich bass, distinct mid-range tones, dry overall sound
The newest model in the Peru-series shines with its unusual
design as well as with its sound combination of dry bass tones
and substantial mid-range tones.
This Cajon cover provides optimal protection
against scratches and small dents with a
convenient hole for transport. The best part
about it: with one flick of the wrist, the Cajon
becomes a practical stool, ideal for use
in schools and institutions.
cademy
Books and DVDs for
instruction and selfstudy on page 48/49
5
[ NEW ]
CP 430
Cajon
[ NEW ]
Wenge
Playing surface: Wenge veneer
Resonance box: 7-layered Alder,
2inOne-Technique with 84 spirals
The new CP 430 – 2inOne deluxe provides a
symbiosis between its noble appearance,
perfect bass/snare separation and a filigree
snare sound – produced by a total of 82
spirals.
6
®
CP 432
[ NEW ]
Makassar
Playing surface: Macassar veneer
Resonance box: SPL, approx. 30 x 30 x 50 cm
Cult-Guarantee: This black beauty has it all – the lovely Macassar
surface produces a surprisingly strong bass, and its special resonance box made of SPL (= sonic projection ligneum) represents
a new dimension in Cajon construction. But that‘s not all:
the extremely rich snare sound generated by the 84 spirals
definitively ensures its pole-position in the 2inOne-Series.
“Deluxe” – for eyes and ears!
CP 436
Front and
backside
playable
Playing surface:
2 x antique Beechwood
Resonance box: SPL, approx. 30 x 30 x 50 cm
With this new multifunctional Cajon, you can create open
snare and bass sounds with Peruvian Cajon characteristics
on one playing surface. On the second playing surface,
you can make magic with percussive, conga-like sounds.
The removable 2inOne snare technique makes numerous
variations of traditional Cuban rhythms possible.
INFO .Microphone Placement
[ NEW ]
xtra
The models of the Cajon la Perù®, respectively
the 2inOne deluxe, series have a wooden slat for
placing a microphone (Pictured: triangular slat
on the back wall of the Cajon, inside view).
We recommend using a condensor microphone
with a Cajon (e. g. beyerdynamic Opus 87). For the
Cajones on the following pages, we recommend
using a clip-microphone (e. g. Opus 82). These can
be easily positioned around the resonance hole.
INFO 2inOne-Technique
with 84 spirals
The picture on the right shows us
the new Snare cross-bar with a
total of 84 spirals. The spirals are
extremely sensitive and the player
is rewarded with a rich snare sound
even at a minimal volume. The
84 spirals are used in the models
2inOne deluxe CP 430 and CP 432,
as well as in the new Bass Cajon
2inOne.
CO 1 Cajon Cover with padded seat
BC 462
Bass Cajon
Playing surface: antique Beechwood
Resonance box: 7 layers of Gabon wood, approx. 50 x 30 x 48 cm
The second generation of Schlagwerk Bass-Cajones also applies the
2inOne-Snare-Technique. The result: voluminous bass combined
with an unexpectedly light and pleasant snare effect. Because of its
acoustic power, it is also ideal for unplugged-gigs.
The new protective cover for the Cajon la Perù® and
a sample (50 cm in height) of our 2inOne series.
Just pull it over the Cajon – perfect protection and
ideal for use in schools and institutions.
cademy
2inOne Snare-technique
registered design
DE 20 2005 000 987.3
Books and DVDs for
7
Cajon
8
®
CP 401 Hip-Box® Junior Cajon
CP 403
Resonance box: 8 layers of Birch, approx. 30 x 30 x 36 cm
Snare effect
The ultimate Cajon for smaller musicians. Its highlight: the
Hip-Box® is not just for playing while seated. If set on its
back side, several “drummers” can play the Cajon at the
same time. But be careful: this is not a child’s toy – the rich
bass und succinct snare effect will fill every professional
percussionist with enthusiasm.
2inOne-Snare Cajon medium – its name stands for
a completely new concept in Cajon construction.
The 2inOne-Snare-Technique has been successfully
used since 2005 and is extremely popular. Due to
its height of 45 cm, the Medium-Model is the most
comfortable choice for many musicians without
having to make a compromise in sound.
The newcomer 2005: Because of its variable snare cross-bar,
this simple “box” can be changed into an all-purpose Snare
Cajon with one simple hand movement. A distinctive, crisp
sound, a refreshing design, and “made in Germany” are the
factors that have contributed to the success of this Cajon.
Snare Cajon – Medium
CP 404
Snare Cajon – Large
xtra
[ NEW ]
BP 40 Base plate for Booster Boxx
The combination of base plate, the
provided Special-Beater and a Bass
Cajon offers percussionists/drummers
brand new possibilities for integrating
bass drum patterns. You can get the
perfect percussion kick tool by using
a condensor microphone (on a small
cushion inside the Cajon).
TA 3 Cajon Bag
50 x 30 x 30 cm, padded nylon bag with
side pocket and shoulder belt.
BC 460 Booster Boxx
Resonance box: 7 layers of Gabon, approx. 50 x 30 x 48 cm
Booster Boxx – The name is standard for musicians. This Bass-Cajon, which
was designed for use with a pedal and BP 40, makes an amazing bass drum
sound on stage. The integrated snare cross-bar helps to create a totally
realistic sound (distinctive vibrating snare wires). The frequency range lies
just above that of “normal” bass drums, thus offering an absolute impressive,
interesting and assertive alternative.
TA 5 Bass-Cajon Bag
50 x 30 x 50 cm
padded nylon bag with side pocket
and shoulder belt.
cademy
registered design
DE 20 2005 000 987.3
Books and DVDs for
9
Cajinto
& Yambu`
enchant
Cajinto and Yambú Drums combine traditional Cuban Cajon sounds
with the highest manufacturing quality: “made in Germany”.
voluminous
The instruments that belong to the Cajon family
us with soft wooden playing surfaces
and produce all the nuances of modern
percussion sounds, ranging from high, assertive characteristics to
bass sounds.
11
Cajinto
®
“PHAT like an L.A.
Snare or CRISP like
a Rumba Quinto –
the Cajinto is my
All-in-One Box !
Whether with rods,
brushes or hands –
it always speaks its
own language!”
Roland Peil
BS 22 Floor stand
for CC 202/204
optionally available
12
CC 202 Roland Peil Signature Cajinto
CC 204 Cajinto Solo
CC 206 Bass Cajinto incl. floor stand
w/o floor stand
Resonance box: 7-layered Alder, approx. 27 x 27 x 30 cm
w/o floor stand
Height: with Stand approx. 73 cm
The playing surface, which is 2/3 rough, has proved
ideal for playing with rods and brushes as well as with
the typical hand-playing technique. Thanks to its 2inOneTechnique, a wide spectrum of sound can be achieved,
ranging from originally Cuban sounds to banging
rimshots when used as a snare.
The Cajinto Solo makes a shining impression by combining
the Cajon sound with the succinct pitches of a Quinto. The
partially screwed playing surface makes it possible to produce
razor-sharp slaps by using the typical conga playing technique. By loosening the screws, these slaps can be intensified
with a typical Cajon wood-smacking effect! The advantages
of the 2inOne-Snare technique can be used as well.
Its construction is very similar to that of its “little sisters” –
the only visible difference is the much deeper resonance box
which provides for a convincing and rich bass. Thanks to the
2inOne cross-bar, the player of this drum might easily take for
granted the magnificent snare sound at his/her disposal.
The Bass-Cajinto is also delivered with an ingeniously simple,
yet solid wooden stand.
Optimal for Cajintos and the
Booster Set: Schlagwerk rods
made of Maple or Bamboo.
Booster Set
For fine brush work
RO 1 Maple Percussion-Rods
xtra
There will always be percussionists who aren‘t thrilled with a traditional drumset,
just as there will always be drummers whose reaction is restrained when it comes
to percussion. This is a good thing. The Booster Set finds the perfect solution –
for percussionists and drummers. The symbiosis of drum set and Cajon with all the
advantages of sound and playability. The combination of Booster Boxx and Cajinto
makes no compromises for people who are looking for an impressive
Drum&Bass-Kit, who need a compact drum set for their gigs and/or want
to integrate the ultimate groove machine into their percussion setup.
[ NEW ]
ROB 5 Bambooleo Percussion-Rods
With rim shot reinforcement
BC Set Booster Set
Consisting of Booster Boxx, incl.
base plate and the Roland Peil
Signature Cajinto with floor stand.
BC 460, BP 40, CC 202, BS 22
Hi-Hat/ CP 404 and foot pedal
not included in the Booster Set.
RO 2 Maple Drummers-Rods
[ NEW ]
ROB 6 Bambooleo Drummers-Rods
CA 22 Adapter plate
[ NEW ]
Diameter: 14“
Adapter plate to assemble
CC202/204 onto any retail
snare stand.
BS 22 Floor stand
Set up variations
for CC 202/204
This sturdy cross-stand for the
Cajinto Solo and the Roland Peil
Signature Cajinto offers the perfect
positioning thanks to its comfortable
playing angle.
registered design
DE 20 2005 000 987.3
13
YambuDrums & more
comfortable
playing angle
thanks to BS 42
BS 42 Floor stand
for YD 422/418
optionally available
14
YD 4009 Yambú Peruano incl. stand
YD 418 Yambú Travel w/o stand
YD 422 Yambú Travel Solo w/o stand
Resonance box: 7-layered Alder; Ø approx. 14“
Height: with stand approx. 80 cm
Resonance box: 7-layered Alder; Ø ca. 10“
Height: without/with stand approx. 62/74 cm
Playing surface: Black Eyes – design veneer
Resonance box: 7-layered Alder; Ø ca. 14“
Height: without/with stand approx. 62/74 cm
The queen of Yambú-Drums is indisputably the Peruano.
The playing surface with Burl veneer produces crisp snare
sounds and extremely full bass sounds which can easily
breathe through the new floor stand. By using a conga playing
technique, very clear slaps can be produced as well. It can be
used as the perfect Cajon substitute for any percussion setup.
A compact Yambú Drum with Burl veneer –
rich in upper pitches, but warm sounds can also
be enticed out of this travel-friendly all around
instrument.
The Travel Solo isn‘t only distinctive because
of the interesting Black Eyes design on its
playing surface; its pitch lies above other Yambús
and/or a Conga set and thus has earned the title
of a “solo instrument”.
WBS 200 Wooden Bongos
consisting of 2 single bongos
BS 42 Floor stand for YD 422/418
Total height incl. Yambú: approx. 74 cm.
Sturdy cross-stand for YD 422/418 perfect positioning through specified
playing angle.
xtra
This Bongo set with its wooden playing surfaces and compact size is the ideal
travel companion. These instruments can be played as an already-assembled set
for use on a stand, or you can take two single bongos and play them separately, or
put them together with a strong Velcro-strip and play them as a set. Either way,
the warm and full sound is convincing! Playing surface: Ø 20, respectively 16.5 cm,
Height 21.5 cm. A special lacquer provides for non-slip sides.
BS 70 Floor stand for YD 4009
Thanks to its sturdy new floor-stand,
the Peruano is raised to new, full and
more forceful sound levels.
TA 4 Bag
for Yambú Drums,
Length approx. 80 cm
Ø 38 cm for Peruano
WBM 100 Wooden Bongos
DC 4002 Cajon Comparsa
assembled for use on a stand
(stand not included)
Resonance box: Hemlock; 35 x 25 x 23 cm
The front and rear sides of this Cajon are what
make it striking and unique – both sides can be
used as playing surfaces! Front head (brighter
pitch): Quinto sound. Rear head (darker pitch):
strong bass. Its compact design makes this model
the ideal companion for jamming or for sessions
in the park. Three sides are roughened with a
special lacquer for better handling.
Info Grip
The new grip for the Travel:
now with a convenient
belt loop for walking acts.
15
NDORSE
Tony Liotta, Percussionis
t
rcussionist
mmer, Pe
Conny So
mmer
gle, Dru
Larry Ea
Murat Coşkun, Percussi
onist
doki,
an
slie M
Le
t
sionis
s
Percu
Trilok G
urtu, M
Frank G
ulti-Pe
rcussio
röner, C
ajonist
nist
Anne Breick, Percussionist
ist
sion
Hak
uss
Perc
din,
r
mme
u
u, Dr
ald
my B
Tom
u
im L
m Circle Fa
cilitator
lS
hae
Rap
r
y, D
esn
brz
r
me
um
Anke Bött
cher, Dru
• Bernd Bechtloff
• Bilingüe
• Heiko Braun
• Roland Cabezas
Rol
and
nist
Nob
ssio
, Percu
upato
ndy P
Peil,
A
i Leh
man
n, Dr
• el piraña
Perc
u
• Sven Erhardt
ssio
nist
er
M
umm
er
Drumm
agener,
ichael W
• Marika Falk
• Gero Fei
• Jürgen Fischer
• Antonio Gentile
• Fergus Gerrand
• Friedrich Glorian
• Farouk Gomati
• Gilmar Gomes
• Cesar Granados
Mike
• Ralf Gustke
Marcio Doctor, Percussi
onis
mer
t
rum
ezz, D
Gom
• Christoph Haas
ist
ssion
Pitty
rcu
t, Pe
Hech
• Knuth Jerxen
Matthia
• Thomas Keemss
s Philipze
n, Percu
ssionist
• Michael Kersting
• Marlon Klein
• Jo Koinzer
• Philip Kuhlmann
Dorote
a Maye
• Uli Moritz
r-Ande
rs
son
• Bene Neuner
• Nippy Noya
• Andreas Nowak
• Hardy Philip
• Andrea Piccioni
Rhan
• Gerhard Reiter
ii Krija
Martin
Röttger,
, Perc
ussio
Hilk
nist
t
Cajonis
nist
ssio
Isa
dra-
San
Kn
bell
oblo
ercu
ch, P
ionist
rcuss
rtijo, Pe
José Co
oS
• Behnam Samani
cho
me
rus
, Pe
• Bodo Schopf
rcu
s
sion
ist
• Antal Steixner
• Ron van Stratum
• Fiorenzo de Vico
Frame
Drums
Arabian, Asian,
Indian
and Irish
goatskin
frame drums serve as the traditional examples for our drums.
They are covered with natural
by sounds in the upper tone levels.
The frame is made of
and are characterised
multi-layered Beechwood.
dynamics
Our frame drums reward the player with
warm and rich basses when played in a traditional manner.
Striking the drum on its frame underscores the unbelievable
of these instruments with
high and singing tones.
19
FrameDrums
The frames are made of 7-ply Beechwood,
frame height 80 mm
Ø 40 cm 8 tuning screws
Frame Drum Ø 40 cm/16“
RTS 41 tunable, incl. mounting bracket *
RT 60 pre-tuned, incl mounting bracket and 1 Mallet MA 107
RTS 52 tunable, without mounting bracket
RTS 62 tunable, without mounting bracket
20
* Cross-frame holder. See ill.: RTS 55 Pandariq
.
Pandariq
RTH 10 Frame drum “cross”-frame holder
Pandariq is a symbiosis between
the Brasilian Pandeiro, the Afghani
Dairi and the Arabian Riq. Hakim Ludin‘s
ideas led to the design of this
signature model.
xtra
RTH 10 Holder suitable for all frame drums
with cross frame. This unique bracket absorbs
none of the resonance. Stand is not included.
Fits on ST 3045.
[ NEW ]
RTH 20 Frame Drum Holder
Mounting bracket for RT max. Ø 50 cm.
Fits on ST 3045.
ST 3045
Frame Drum Stand
The sturdy base for RTH 10 and RTH 20,
height adjustable to 110 cm.
SRT 41
Jingle Bar single
with 4 jingles for use with the Frame Drum.
Spring clip fasteners for attachment
to the cross frame suitable for all Frame
Drum models. The jingle bar can also
be used as a small percussion instrument.
RTS 55 Pandariq
Ø 55 cm / 22“, tunable, 4 Jingle sets
The frame is made of 7-ply Beechwood.
Frame height 90 mm with cross frame, goat skin,
4 removable jingle bars, each with 4 hand-hammered
jingles. Tunable model is equipped with 12 tuning screws.
A tuning key is included.
Signature frame drum Hakim Ludin
TA 6 Bag
Padded nylon bag for RT Ø 50-60 cm
cademy
Books and DVDs for
21
FrameDrums
22
RT RIQ Riqq
RT TAM Tamburello
RT DEF Def
Goat skin, 5 jingle pairs, 1 single jingle, Ø 25 cm /approx.10“
Goat skin, 14 jingle pairs, Ø 30 cm / approx. 12“
The Schlagwerk Riqq, based on the Arabian riqq, is a
tunable frame drum that provides a great variety of sound
and glissando possibilities due to its special jingle combination.
The two gaps in the frame guarantee a firm grip and optimal
handling of the riqq. Materials: The frame is made of 6-ply
glued Beechwood, frame height 62 mm, goat skin, Ø 25 cm
with 10 (!) tuning screws integrated into the frame.
A tuning key is included.
The components of this tamburello may give you
an idea of its full sound impact: 6-ply glued Beechwood frame with a height of 70mm and 8 integrated
tuning screws, high-quality goat skin and a total of
14 jingle pairs (7 double sets). The grip hole in the
frame guarantees comfortable handling.
Of course, a tuning key is included.
Goat skin, extra light-weight frame drum,
Ø 40 cm / approx. 16“
Schlagwerk has expanded its range of frame drums with
the addition of the new Def. The construction of the frame
(6-ply glued Beechwood, 70 mm in height) reduces the
weight noticeably. Not only does this make for better
handling, but also for a much more pronounced sustain.
xtra
[ NEW ]
RT BEN Bendir
RT FHD Freehand Drum
Goat skin, with snare strings, Ø 40 cm/ approx. 16“
Double-layered goat skin, Ø 40 cm/ approx. 16“
The Bendir is an especially popular frame drum
used in oriental music. The construction of the frame
is similar to the Def, but a grip hole in the cross
support and snare strings attached to the skin inside
the drum make all the difference. The typical Bendirlike snare effect is produced by the four strings.
The double skin technique is a rarely used option
in the construction of natural skin frame drums.
The result is quite interesting: the double-layered
skin produces very controlled and distinctive tones,
inviting the player to experiment with differentiating tensions. The Freehand Drum can be played
with the drum clamped between the legs.
Mounting bracket for
RT max. Ø 50 cm.
Fits on ST 3045
cademy
Books and DVDs for
23
CircleDrums & more
The Circle Drum is a great sounding, easy to play frame drum
with a natural skin head. Because of the light-weight construction:
Ø 50 cm = 700 g, Ø 45 cm = 600 g, Ø 40 cm = 500 g, Ø 35 cm = 300 g
it‘s especially good for use in Drum Circles or playing for a long time with one hand!
The multi-ply Beechwood frame is covered with a tensioned, sturdy goat skin.
The crossed belts help maintain light and sure handling.
[ NEW ]
Circle Drums
RTC 4GS Circle Drum School-Set (set of 4)
RTC 4 Circle Drum – set of 4
RTC 49 Circle Drum Ø 50 cm/20“, approx. 700 g
incl. 4 Drum Mallets, Ø 1 x 35 cm, 2 x 40 cm,1 x 45 cm,
one each of the following: 1 MA 107 Mallets, goat skin,
crossed belts for better handling.
This set was created especially for (primary) schools:
weighing only between 300 and 600 grams, these
great sounding frame drums belong to the “easy-tolearn” instruments.
incl. 4 Drum Mallets, Ø 35, 40, 45 and 50 cm, goat skin,
crossed belts for better handling.
RTC 44 Circle Drum Ø 45 cm/17,5“, approx. 600 g
24
[
35
40
40
45
]
Basic set of the popular Circle Drums – the drums are
in tune with each other, creating an all around package
for a small group. Several basic packages can be evenly
distributed as a class set.
[
35
40
45
50
]
GO 500 Gomé-Bass tunable
Gomé, 48 x 48 x 37 cm
The Gomé-Bass is, without exaggeration,
one of the most unusual and original
West African musical instruments.
The Schlagwerk Gomé is modelled on
the Ghanaian bass drum, which provides
the rhythmic basis for almost all music
styles of the fishermen of the Ga tribe.
This tunable drum can be played with
hands or soft mallets while sitting on it
with the skin facing front. The pitch can
be modified, respectively tuned higher,
to create djembé-like sounds.
RTF 60 Frame Drum with feet
Ø 60 cm/24‘‘, 7-ply glued Beechwood frame,
goat skin, removable feet, 1 pair MA 107
The new RTF 60 is an interesting and low-priced alternative
to the large Table Drum. It is especially well-suited for use in
therapeutic treatment programmes, early musical education,
in kindergartens and nursery schools, as well as for music
lessons at the primary school level.
Sturdy internal tuning device
incl. an easily
transportable
stand for 3
playing heights
TT 80 Table Drum
Ø 80 cm, cowhide, tunable, on a sturdy three-footed stand,
1 pair MA 107
A carefully chosen cowhide ensures a warm, energetic
sound. The Table Drum is used successfully in all areas
of therapeutic treatment programmes (music therapy,
psychomotor, speech therapy) and in rhythmic and musical
education. The Table Drum has an unusually high stimulative nature and can be played at three different heights
while either sitting or standing. It is especially suited for
group activities.
25
UDU
Drums
handcraft
ing
Nigeria.
For over 20 years, designer and pottery
master, Kai Koesling, has been
Schlagwerk Udu® Drums.
Inspired by the original African Udu, our new designs and
developments have resulted in a wide range of models.
The origin of the Udu® drums lies in
the wonderful sound of these
earthenware
Members of the Hausa and Ibo tribes discovered
instruments with two openings.
Udu means “clay pot” in the language of the Ibos. Originally from Africa,
the Udu can also be found in Latin America and the Caribbean.
Having made the leap into western music culture, Schlagwerk Udus belong to the
basics of every percussionist as sound-effect and rhythm instruments. They are played by rhythmically
opening and closing the side-hole with the palm of the hand. This produces
a deep bass tone, reminiscent of the sound of the Indian Tabla.
body-sound
This playing technique is combined with the bright, percussive
by hitting any part of the pot with
produced
the fingers.
All Udu® Drums
are hand-turned – this manufacturing technique
guarantees optimum sound development.
27
UDUDrums
U 15 Piccolo Udu®
Not to be outdone, our baby of the family,
the piccolo, yields an effective sound, which
is enhanced by a loosely attached shaker.
A practical instrument for in-between.
Twin Udu®
Our Twin Udu® construction design has made
it possible to control the pitch and the result
is a Set of 2 model with superb tonal harmony.
The sound is distinctly earthy, with a short,
powerful bass tone and a full, rich body-sound.
Response is quick.
U 10 H Twin Udu® high tonal range
H 26 cm Ø 23 cm, with floor base
U 20 T Twin Udu® lower tonal range
U 80 Neck Udu®
U 30 Twin Udu® Set of 2
This Udu® is designed in the fashion of the African
original. The long, ribbed neck can also be played and
yields a high percussive sound – an appealing
interval to the bass root tone.
U 10 H and U 20 T
A practical solution:
a condensor
microphone with a clip
(e.g. beyerdynamic Opus 82)
28
U 62 Basic Udu®
U 60 Bass Udu® the original
H 35 cm Ø 27 cm
with floor base
Construction and shape
identical with the U 60 Bass Udu®,
but available in a smaller size.
This Udu is formed after the traditional
construction methods of the east Nigerian
Ibo tribe, and is very much a bass tonal
range Udu®.
The Skin Udu® is the highlight of our Udu® range
and offers a variety of features. Apart from the side
sound hole, which yields soft, round harmonious
bass tones, this Udu® has a thin, natural skin.
Depending on the playing technique, this high
pitched, pre-tuned membrane is capable of producing a kaleidoscope of sounds ranging from deep
resonant basses to powerful Darabuka-related,
high tonal sounds. The varying surface strengths of
this Udu mean that it is capable of two body-sounds,
which can be produced by playing with the fingers
and technique and yield a stony-percussive sound
type. The combination of oriental drum sounds and
soft low pitched bass tones create a unique and
inspiring sound experience.
U 50 Bongodu
Adapted from the skin drum, this
Udu® has a slightly domed playing
surface with two sound holes for
playing, which yield different bass
tones, while the rest of the body
produces a whole range of varied
sounds.
U 72 Skin Udu® L
U 72 S Skin Udu® L tunable
U 78 Side Skin Udu®
The “Top of the Line” Udu.
A tension ring allows for tuning
of the natural skin head. A wealth of
sound possibilities for all atmospheres
and wishes.
The new Side Skin Udu®, differs significantly
from the other models due to the side position
of the natural skin playing surface. This enables
the player to use new techniques, e. g. playing
the membrane and the side hole with one hand
simultaneously.
U 70 S Skin Udu® XL tunable
29
Made in Germany
ound
25 years ago Schlagwerk Percussion was born (at the time mo-
In 1986, we laid the foundation for the most successful percussion
destly known as Schlagwerk Klangobjekte). Gerhard Priel and
instrument in recent years with the introduction of the first Schlag-
Bengt Schumacher put all of their energy and enthusiasm into this
werk Cajon. In the early 90s, the Cajon la Perù® set the standard for
new business which specialised in the manufacture and develop-
sound and quality of the modern Cajon. This resulted in increasing
ment of wooden percussion instruments.
international recognition for Schlagwerk Percussion.
In the first few years, the focus was on the manufacture of professi-
What is it specifically? The special sound experience. Listening and
onal Log Drums. It was a novelty in the therapeutic and educatio-
feeling: because our highly qualified staff handcraft instruments
nal fields, the first target group of the young company. However,
which combine experience and innovation. You can hear the high-
active musicians quickly became interested in this high-quality
quality manufacture of our first-class instruments. It is the special
instrument. In the following years, we expanded our range to in-
experience for your ears, eyes and hands. Rhythm that is infec-
clude Frame Drums, Udu® Drums, small percussion and Cajones.
tious. Everyone should get carried away at Schlagwerk Percussion.
In 2007 and in the future.
Schlagwerk Percussion combines tradition and the modern age.
Old and young meet in one team.
Sounds made in Germany.
Tuned
Percussion
Schlagwerk Percussion’s philosophy includes
the constant endeavour to perfect traditional sound-effect and
with professional sound and practical handling.
sounds
The Log Drums are an especially
rhyt
hm
music.
instruments
significant part of the company’s history,
as they represent the first instrument group manufactured by Schlagwerk.
Even after 25 years, they are very convincing instruments because of their design and warm sound,
and
which has given many people a beautiful introduction to
During this time, our range of tuned instruments
has evolved from wind chimes, balaphones, and marimbula
to numerous blocks, shakers and
other hand percussion instruments.
33
TunedLogdrums
34
45 041 Log Drum
45 061 Log Drum
60 P 82 Log Drum
4 pitches c’ - b’, Padouk, 45 x 15 x 15 cm
6 pitches c’- c’’, Padouk, 45 x 15 x 15 cm
8 pitches f - a‘, Padouk, 60 x 20 x 18 cm
This 4 pitch drum offers the attractive sound
character of a major chord with a flat 7th.
Recommended mallets: MA 102/103
The sound concept of our 6-tone drum is based on
an F-Pentatonic scale. The Padouk playing surface ensures
a soft and full sound for harmonious sound patterns
that can be produced in variable beat sequences.
The most successful Schlagwerk Log Drum inspires
us with its F-Pentatonic and encourages harmonising
and relaxed improvisation. You will always be rewarded
with a pleasant and melodious overall sound, regardless
of the tone sequence.
xtra
MA 102 Rubber-head Mallet
hard, pair
suitable for Wood Blocks, Templeblocks and Log Drum (soprano-tenor)
soft, pair
suitable for Log Drums, Skin Drums
– an all-purpose mallet.
60 C 80 Log Drum
60 101 Log Drum
8 pitches e - a‘, Padouk, 60 x 20 x 18 cm
10 pitches f - d’’, Wenge, 60 x 20 x 18 cm
The sister of 60 P 82 provides brilliantly
clear, open and inspiring sound options due
to the C-Pentatonic. You can enjoy these
instruments with pure, unrestrained playing
pleasure without the worry of dropping or
missing tone plates.
One of the most outstanding features of the 10 tone
drum, the Original Log Drum – is its versatility.
This instrument is tuned to an F-Pentatonic scale
spanning two octaves. Virtuosity and joy in
experimenting are just what is needed here.
MA 104 Felt-head Mallet
middle-soft, pair
suitable for Log Drums (sopranoalto), Skin Drums, the Balaphone
and sticks.
35
TunedBig Bom
The Big Bom® is the noble giant among the log drums, and not
just because of its size. Its voluminous sound and high quality
manufacture are very convincing. It also exudes intense warmth
with its “hand-friendly” wooden body. The pentatonic tone gives
this instrument a harmonious multi-tonal spectrum, ranging from
deep, rich basses to bright altos. The Big Bom® is the ideal instrument for communication: big enough to allow two players to sit
side by side, they can enter into a creative musical dialogue.
The Big Bom® is a highly sought-after and valuable instrument in
the field of therapeutics, e.g. as a producer of heart beat tones
which can be felt in their entirety (basal stimulation), or as the key
to dialogue awareness and communication advancement
(psychomotor dialogue).
12 010 P Big Bom® XL
10 tone F-Penta F - d’
Padouk sound panel, 120 x 40 x 40 cm
Recommended mallets: MA 105
12 010 PLV Big Bom® XL reclining version
12 010 A Big Bom® XL
10 tone F-Penta F - d’
Maple sound panel, 120 x 40 x 40 cm
A010 ALV Big Bom® XL reclining version
12
36
10 G 80 Big Bom®
10 G 80 LV Big Bom® reclining version
TW 130 Transport Trolley
130 x 45 cm, with 4 swivel casters
suitable for all Big Bom® models
xtra
8 tone G-Penta G - h
Padouk sound panel, 100 x 35 x 35 cm
This version comes in G-major Pentatonic scale. The special features
of this Big Bom® are the soft bass tones and short, percussive highs.
MA 105 Bass Mallets
Pair, padded felt head, soft
suitable for Big Bom®, Bass Drums
and the Table Drum
MA 106 Balaphone Mallets
Pair, middle-hard
suitable for the Balaphone,
and for percussion playing with
the Big Bom®.
10 F 85 Big Bom®
8 tone F-Penta F - a
Maple sound panel, 100 x 35 x 35 cm
This model is tuned in an F-Pentatonic scale. The remarkable
features of this log drum are its rich basses and the voluminous
sound character throughout the entire resonance spectrum.
10 F 85 LV Big Bom® reclining version
Additional felt pads on
the side of the reclining version
37
medium
length comp. 80 cm
Tube length max. 38 cm
length comp. 110 cm
large
small
Shiva Shakti
length comp. 175 cm
Penta
Westminster
CH 5… SW
CH 5… GO
CH 3… GO
Wind Chimes can set body and senses in motion while having
a positive influence on our well-being. Our Wind Chimes come
in three different prevailing moods. Based on a tonic keynote,
they are tuned in pentatonic sequences which give each one its
own individual sound character. Most of the moods are based
on planetary tones and have been set in audible frequencies by
transposing an octave above or below. The oscillatory nature
in the higher tonal ranges and the harmonious tonal images are
the distinguishing features of these wind chimes. Each one of
the wind chimes has been tuned to a pure interval with highprecision measuring instruments.
CH 9… M
CH 210 M Wind Chimes Mini
compl. length 40 cm, Tube L max. 19 cm,
solid bars, aluminium polished
38
CH 5… M
Mini
TunedWind Chimes
Year
Venus
Day
silver
CH 340 M
CH 342 M
black
CH 340 SW
CH 342 SW
gold
CH 340 GO
silver
CH 540 M
CH 536 M
CH 544 M
CH 548 M
CH 542 M
black
CH 540 SW
CH 536 SW
CH 544 SW
CH 548 SW
CH 542 SW
gold
CH 540 GO
silver
CH 940 M
CH 948 M
black
CH 940 SW
CH 948 SW
gold
CH 940 GO
Sun
CH 350 M
CH 720 M Wind Chimes Westminster
CH 350 GO
silver anodised
compl. length 170 cm
Tube L max. 115 cm
CH 720 SW Wind Chimes Westminster
black anodised
compl. length 170 cm
Tube L max. 115 cm
Wah-Wah Tubes
WT 5 Wah-Wah Tube 5 piece set
Power- Chimes
Solid aluminum sounding rods on a wooden mount,
highly polished. They create a high clear sound for that
special attention getting long ringing “Ping”.
PC 1 c4
Tuned on a pentatonic scale:
f 2, g2, a 2, c 3, d3
PC 2 f 4
PC 3 g4
PC 4 c5
PC 3/1 Power-Chimes 3 piece set
a 3, e 4, a 4
PC 10/4 Power-Chimes 4 piece set
PC 1 to PC 4
PC 1 c4 Power-Chime
Tube bell made from aluminium with a
rubber mallet. Delivers higher tones with
incredible sustain, which can be modulated
by “thumbing” the sound hole.
PC 2 f 4 Power-Chime
PC 3 g4 Power-Chime
PC 4 c5 Power-Chime
WT 320 Wah-Wah Tube low, 32 cm
WT 270 Wah-Wah Tube high, 27 cm
WT 120 Wah-Wah Tube mini, 12 cm
39
TunedDidgeridoos
Didgeridoos from our production line are fitted with an optimum-formed
mouthpiece. This innovation enables the player to produce a tone with very little breath.
As opposed to the wax mouthpiece, the wooden mouthpiece will not deform,
thereby ensuring a constant and durable basis for creatin
DT 201 Tone C (65 Hz)
DT 202 Tone D (73 Hz)
DH 241 Tone C (65 Hz), conical
DH 242 Tone D (73 Hz), conical
Didgeridoo made of Hemlock wood
The lightweight and resonance friendly Hemlock wood not
only causes a strong resonance in the body of the didgeridoo,
but also on hands and lips. The sound is somewhat lighter
with a more hovering-like quality than the Mahagony one,
making it ideal for beginners.
[ NEW ]
[ NEW ]
The Traveller Didge is an innovative
new design on the Digeridoo market:
it‘s easy to handle, compact and
well designed. The perfect answer
for the modern traveller: the special
construction reduces the length to
approximately 50 cm.
Then the unusually small Traveller
Didge surprizes‘ with a solid, earthy
and full tone. The ease of playing and
optimum sound quality encourages
creative sound making.
The Traveller Didge is the ideal
beginners instrument.
DM 251 Tone C (65 Hz), conical
DM 252 Tone D (73 Hz), conical
Didgeridoo made of Mahagony wood
The special resonance characteristics of
Mahagony make this wood the ideal soundwood for a strong and earthy-sounding
didgeridoo.
40
The mouthpiece is made of Pear-tree
wood and is 30 mm in diameter.
The body of the instrument is manufactured
from moisture resistant hardwood.
Percussion
MA 840 Marimbula
8 Tones, 60 x 20 x 40 cm
The Marimbula is the original Caribean Bass. The eight metal
tongues are fastened in such a manner that they can be individually
tuned to a scale from D - g. The instruments are tuned to an
F-major pentatonic scale. It can be played by hand or with mallets.
Using mallets yields clear, fresh high tones.
Adjustable tubes
for controlled sound
TRS 210 Table Tubes
incl. 2 tubes (e) for changing tones, 1 pair of mallets, F-Penta/C-Penta c‘‘- a‘‘‘
Dimensions: 56 x 53 x 9 cm
These new Table Tubes TRS 210 offer a great variety of sounds. The position
of the hanging tubes within the vibration-friendly frame is freely adjustable.
This allows tones with a short sustain, but can also produce an almost endless
swinging magical sound. Two additional tubes (in “e”) expand the possibility
of creative playing to the C-Penta scale.
BA 610 F Balaphone
Padouk sound bars, F-major Penta c‘ to d‘‘‘, 65 x 51.5 x 20 cm
“Balaphone” means “talking wood” in the language of the Mandingos.
The Schlagwerk Balaphone combines the rich, colourful sounds of native
West African instruments with European production standards and
standardised tuning. 12 sound bars made of Padouk wood are fastened to
the resonance body by rubber bands, making it impossible for any of the
bars to drop out, even under pressure from the most heavy-handed player.
MA 106 Balaphone Mallets
Rubber-head,
middle-hard, pair
41
HandPercussion
WC 235 Wooden Crasher, 35 cm
. 30 mm .
This name should be on the list of all
musicians who are looking for something
new. The varying wooden blades and the
different sizes of the Wooden Crasher
(idea by Roland Peil) allow the player to
produce “high-pitch-crash-sounds” – for
the percussionist who considers metal to
be too hard. Warm woodblock sounds
can be coaxed out of the lower part of the
resonance box as well. Three sizes, crazy
sounds and a topblade in design veneer.
It can be mounted on the VA 303 or any
other retail woodblock stand.
For VA 303 or any other
retail woodblock mount.
42
Woodbells and Templeblocks
HG 805 Woodbells, Set of 5
TB 705 Templeblocks, Set of 5
Tuned in a harmonious sequence of
sounds and fitted on a cross-bar mount.
The playing surface is made of a solid
hardwood and the body is made of
multi-layered Birchwood.
Clear, cutting sound, quick response.
Accessories ST 3035 Woodbell Mount,
height adjustable up to 110 cm,
Mallets MA 102
Dry, percussive sound.
Accessories ST 3035 Templeblock
Mount, height adjustable up to 110 cm,
Mallets MA 102
. 30 mm .
. 30 mm .
VA 303 3-tiered Mount
xtra
made of metal for Woodblocks,
Reco-Reco
ST 3025 Stand
This instrument is related to the Cuban Guiro.
Thanks to the wood construction design and the
three different sizes, percussionists can produce
a broad range of contrasting and assertive sound
effects by scraping the notches. This instrument
makes it possible to imitate original jungle sounds
as well as powerful rhythmic playing.
WB 8128 Woodblock low tonal range, 28 cm
Universal stand for VA 303,
WB 813 VA, RE 824 VA,
Light-weight model,
height up to 90 cm
WB 8125 Woodblock medium tonal range, 25 cm
WB 8122 Woodblock high tonal range, 22 cm
ST 3035 Stand
Universal stand for RTH 10, HG 805,
TB 705, TK 310, VA 303
Heavy-duty model, height up to 110 cm
RE 821 Reco-Reco high tonal range (incl. scraper), L 35 cm
RE 822 Reco-Reco medium tonal range (incl. scraper), L 38.5 cm
RE 823 Reco-Reco low tonal range (incl. scraper), L 42 cm
WB 813 Woodblocks,
Set of 3
Quick response Wood Blocks made
of solid hardwood with a loud percussive
sound range and tuned in a harmonious
sequence of sounds.
RE 824 Reco-Reco,
Set of 3 (incl. scraper)
RE 824 VA Reco-Reco, Set of 3
incl. VA 303 and scraper
WB 813 VA Woodblocks, Set of 3
incl. VA 303
extra hard, set of two
suitable for Table Tubes, Wood Blocks
and Templeblocks
hard, set of two
suitable for Wood Blocks, Templeblocks
and Log Drum (soprano-tenor)
43
HandPercussion
SK 30 Shorty Shaker
Design: untreated wood – Black Eyes-veneer
4.5 x 10.5 cm, two-chamber system
The Shorty Shaker not only has an interesting design,
it also produces a very controlled shaker sound.
With its special chamber construction, the Shorty Shaker
is the right choice for unplugged concerts.
SK 35 Mezzo Shaker
SK 50 Groovy Shaker
Design: untreated wood – various precious woods,
cylinder, 4.5 x 10 cm, two-chamber system
This small, light, precise and highly durable wooden
shaker combines all the desired features of a shaker
with the playing scope of a Caixixi. Play it horizontally
and it sounds like a shaker, play it vertically and it
sounds like a Caixixi.
[ NEW ]
Design: untreated wood – Black Eyes-veneer
4.5 x 14.5 cm, two-chamber system
The new SK 35 completes our range of shakers.
Its name, Mezzo Shaker, is especially fitting because it
describes its classification: a rich, yet not overbearing
sound. Its many acoustic uses are sure to please.
[ NEW ]
SK Set Shaker Set
SK 30 + SK 35 + SK 40
Design: untreated wood –
Black Eyes-veneer
The shaker basic set – Every
percussionist should have this set
as a part of his/her equipment.
44
SK 40 Double Shaker
Design: untreated wood – precious wood/design veneer,
4.5 x 24 cm
This absolutely professional wooden shaker is great
for just about every situation. Two fill-chambers allow
for diverse playing possibilities and the multi-chamber
system creates a stereo effect.
. 30 mm .
For VA 303
or any other
JST 202/2 Jinglesticks, small
JST 203 Jinglestick
JST 402 Jinglestick
pair, 2 x 2 small jingles,
length 38.5 cm
single, 2 x 2 large jingles,
length 38.5 cm
single, 4 x 2 large jingles,
length 38.5 cm
. 30 mm .
AB 250 A-go-go Block
24.5 x 4.5 cm
Made from sturdy, durable
laminated wood with two
harmonically tuned sounds
(includes 1 rubber mallet).
For VA 303
or any other
AF 252 „FROGOGO“
24.5 x 5.5 cm
A simple formula for pure playing pleasure!
This A-go-go block allows you to create a Guiro-frog sound.
Versatile and very effective: you won‘t want to a-go-go
anywhere without this small percussion instrument!
CL 8103 Profi-Claves
CL 8106 Claves
CL 8102 Claves
Jacaranda wood Ø 25 mm
brilliant, striking
sound
Bubinga Ø 27 mm
warm yet assertive
sound
Acacia wood Ø 24 mm
soft, warm sound
CL 8105 Claves
Acacia wood Ø 27 mm
soft, warm sound
45
RO 1 Maple Percussion-Rods
Mallets & Rods
19 dowels made of Maple, wrapped handle area
xtra
MA 101 Rubber-head Mallet, extra hard, set of two
suitable for Table Tubes, Crashbox, Wood Blocks and Templeblocks
RO 2 Maple Drummers-Rods
19 dowels made of Maple, wrapped handle area and rimshot area
MA 102 Rubber-head Mallet, hard, set of two
suitable for Wood Blocks, Templeblocks and Log Drum (soprano-tenor)
MA 103 Rubber-head Mallet, soft, set of two
RO 3 Maple Naked-Rods
suitable for Log Drums, Skin Drums – an all-purpose mallet
19 dowels made of Maple
MA 104 Felt-head Mallet, middle soft, set of two
suitable for Log Drums (soprano-alto), Skin Drums
and the Balaphone
MA 106 Balaphone Mallets, middle hard, set of two
suitable for the Balaphone and for percussion playing with
the Big Bom® and the Bass Log Drum
[ NEW ]
RO 4 Maple Timbale-Rods
7 dowels made of Maple, wrapped handle and rimshot area
MA 107 Drum Mallets, set of two
suitable for frame drums, timpany and cymbals
[ NEW ]
ROB 5 Bambooleo Percussion-Rods
19 dowels made of Bamboo, wrapped handle area
MA 105 Bass Mallets, padded felt head, soft, set of two
suitable for Big Bom®, Bass Drums and the Table Drum
MA 108 Gong Mallet, single
suitable for the Table Drum and Gongs
46
[ NEW ]
ROB 6 Bambooleo Drummers-Rods
19 dowels made of Bamboo, wrapped handle and rimshot area
Bags & Stands
TA 3 Cajon Bag
CO 1 Cajon Cover
VA 303 3-tiered Mount
50 x 30 x 30 cm,
for Cajon la Perù®,
2inOne/deluxe/dual
(45 and 50 cm models)
This Cajon cover provides
optimal protection against
scratches and small dents
made of metal for: Woodblocks,
Reco-Reco, Woodbells
TA 5 Bass-Cajon Bag
TA 6 Bag
RTH 10 Cross-Frame Holder
50 x 30 x 50 cm,
for 2inOne Bass-Cajon,
Booster Boxx
Padded nylon bag
for frame drums
Ø 50 - 60 cm
suitable for all frame drums with
cross frame. Fits on 3045
TA 4 Bag for Yambú Drums
SP 20 Cajon Pad
for Yambú Peruano
Cajon Pad – the optimal cushion
for the Cajon la Perù® and
Snare Cajon 2inOne
Mounting bracket for
RT max. Ø 50 cm.
BS 42 Floorstand
ST 3025 Stand
for YD 418/422
Universal stand,
light-weight
model, height
up to 90 cm
BS 70 Floorstand
for YD 4009
BS 22 Floorstand
CA 22 Adapter plate
for CC 202/204
for CC 202/204
Fits on ST 3045
ST 3035 Stand
ST 3045 Stand
Universal stand,
heavy-duty model,
height up to 110 cm
suitable for frame
drums (RTH 10/20
not included)
height up to 110 cm
47
CADEM
cademy
Cajon – Styles for Drummers
Martin Röttger
Textbook for beginners and advanced students which
focuses on the step-by-step introduction to the diverse
possibilities of using the cajon as a drum.
Includes a CD with over 50 audio examples and
play-alongs. Further play-alongs, an additional practice
DVD and the translation of his lyrics into several
languages can be downloaded via an access code.
Instructional book for cajon
Conny Sommer
This book is suitable for beginners and
advanced students as well as percussionists
interested in something new. You will see
traditional and modern selections of cajon
rhythms ranging from Flamenco rhythms to
Hip-Hop. Lots of incentives for improvisational
elements using the building block system.
Including a CD with recorded examples.
LC 43 German, 102 pages, incl. CD
LC 42 English, 85 pages, incl. CD
www.conny-cajon.com
Rhythm Course for Cajon
Matthias Philipzen
A useful book for beginners and
experienced players, based on an easy
to understand notation system and
an audio-CD for practice and playing!
Cajon - A Guide to Self Study
Martin Röttger
A basic course, beginning with the fundamental principles of
musical notation, it goes on to explain specific strokes like “pitch”,
“bass”, “tip” and “slap”, proper sitting position, the right instrument
size and the possibilities for changing sounds. The programme
continues with basic rhythms and understanding the form of
various music styles such as Rock, R&R, Blues, Swing, Latin, Pop.
Includes play-alongs.
LC 60 German, 76 pages, incl. audio-CD
www.martinroettger.de
Il tamburello italiano/The Italian Tamburello
Andrea Piccioni
Il tamburello italiano is the first tamburello textbook
by Andrea Piccioni. The author documents the universal
usage of the tamburello as well as instructions for use
and playing techniques.
www.matthias-philipzen.de
LC 80 Italian/English
48
Instructional Course for Cajon
Conny Sommer
Cajon – the small drumset
Matthias Philipzen
Percussion Compact
Sandra-Isabel Knobloch
Conny Sommer‘s DVD offers detailed instruction
for beginners and advanced students.
In 14 chapters, he demonstrates many different
kinds of rhythms, ranging from flamenco to hip
hop. The use of these rhythms is illustrated with
live-band.
On this DVD, Matthias Philipzen shows
the diversity of the cajon. His work is
suitable for beginners, advanced students
and professionals and includes the
most important basics, ways of playing
and stylistics.
A music booklet with sheet music is included.
Download-library with play-alongs in varying
levels of difficulty and cajon solo-parts (with
written notes).
The DVD comprises 40 play-alongs,
10 ensemble pieces and 36 stylistics.
This DVD lesson is the perfect preliminary
stage for further study. There is a lot of diverse
material to practice and play for the curious,
beginners as well as ambitious band members
with previous musical knowledge. With basic
techniques for the most important percussion
instruments.
DVD 10 German/English
100 minutes, PAL
Includes a booklet with sheet music of the
presented rhythms and a practice concept.
120 minutes, PAL
DVD 35 German
100 minutes, PAL
120 minutes, NTSC
www.musicbits.de
Modern Percussionist Volume 2
“Frame Drums”
Hakim Ludin
Modern Percussionist Volume 3
“Cajon”
Hakim Ludin
Hakim Ludin shows modern grooves and
sound creations on various types of frame
drums: pandariq, freehand drum and circle
drum. Easy to understand with practice
pieces to play and develop further.
DVD 25 German/English, PAL
Hakim Ludin shows how easy it is to learn to play
the cajon on this DVD. It includes lots of practice pieces
and tips about modern rhythms and sounds on the
cajon. Presented by one of the most progressive
percussionists in the international scene, this cajon-DVD
is a fantastic source of inspiration
for rhythm fans.
www.hakim-ludin.de
DVD 27 German/Engl. subtitles
100 minutes, NTSC
Finger Dance
Murat Co kun
A work for beginners and advanced
students with tips, tricks, live recordings
and several specials. Topics such as VocalNations-Support and subdivision tricks for
“exotic” rhythms are explained in detail.
DVD 20 German/English, PAL
www.murat-coskun.com
PAL
49

www.schlagwerk.com

Transcription

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