AUTUMN / WINTER 2008 / 2009 PRÊT Á PORTER FEMME PARIS

Transcription

Autumn / Winter 2008 / 2009
PrÊt Á porter femme PARIS
28.02 - 02.03 2008
100 International selected designers
AW08 collections
Espace Pierre Cardin
1-3, Avenue Gabriel
75008 Paris
M°Concorde
&
Espace L’Oréal
14 rue Royale75008 Paris
M°Concorde
http://showroom.rendez-vous-paris.com / www.rendez-vous-paris.com / [email protected] / [email protected]
contents
04 06 08 10 12
Masthead
And_i
Anna Aichinger
Awareness &
Consciousness
Barbara Habig
14 16 18 20 22
Claudia
Brandmair
Claudia
Rosa Lukas
Dernier-Cri
Edith A’gay
Elfenkleid
24 26 28 30 32
Eric Rainer
Fabrics
Interseason
Flor de Illusion
Florian Jewelry
Hartmann
Nordenholz
34 36 38 40 42
Martina Rogy
Michaela Buerger
Mühlbauer
Nina Peter
44 46 48 50
Rosa Mosa
Wubet
Paris Map
Contacts
Pelican Avenue
MASTHEAD
Editor-in-Chief Kira Stachowitsch
Contributing Editors Claudia Hubmann, Aicha Reguieg
Art Director Daniela Bily
Graphic Design Daniela Bily, Viktoria Platzer
English Translation Judith Lacina-Moser
Project Coordinator Florian Ladstätter for AustrianFashion.Net
Austrian Fashion Guide
is published by
MEDIA
Schottenfeldgasse 76
A-1070 Vienna, Austria
Phone +43/1/9291570
EVENTS
Fax +43/1/9291580
[email protected]
Publishing Director Clemens Steinmüller
International Marketing & PR Saleema Abudulai
Printed by
Ueberreuter Print und Digimedia GmbH
A-2100 Korneuburg
Cover photo (c) by
Awareness & Consciousness, Photography: Bettina Komenda,
Photo-Assistant: Michael Strasser, Model: Barbora H. / Exit,
Make-up & Hair: Dalila Riccetti / perfect props
Special thanks to
4
PREMIERE CLASSE
LES TUILERIES - PARIS
FEBRUARY 29TH- MARCH 3RD 2008
WWW.PREMIERE-CLASSE.COM / DESIGN : PIERRE-LOUIS MASCIA
ANd_i
What is so fascinating about aluminium as
working material? The specific weight; its
surface lends itself to different treatments;
the possibilities in the colouring.
Where does the almost brutal strictness
of your jewellery design come from?
I interpret it rather as simplicity – less is
often more! The reduced shapes are, in
my view, more compelling, clearer in their
expression!
Do you think
the term "futuristic" applies to your
designs? They make a futuristic impression
on some people, for me they are rather
contemporary!
SHOWING AT
People´s Revolution
Alexandre Boulais
14, Rue Portefoin
75003 Paris
6 www.and-i.net
PROFILE
Collection “Shade”
Andreas Eberharter’s approach to jewellery is a sculptural one. He is interested
in a new take on moulding and new materials like aluminum and acrylic glass.
He also uses Swarovski pearls and 925
Sterling Silver Round Belcher chains.
AND_i jewellery is eye-catching, strong
and clear in design.
The play with subtle, not instantly
noticeable, nuances of colour forms
the centre of Andreas Eberharter’s new
jewellery collection “Shade” AW 08/09.
He has mainly used anodised aluminium and added charcoal and black to the
palette of silver, gold and ice blue. New
surface structures create a good feel.
The collection “Shade” features long
necklaces incorporating many individual
parts, matching ear jewellery and bracelets, bangles with animal surface structures, dark-metallic shimmering objects,
as well as lighter nuances. The “Shade“pieces of jewellery unite opposites to
form a whole – they are dark, mystical,
matter-of-fact and erotic, yet at the same
time, light, innocent and dainty.
This page: Photo Elfie Semotan
Opposite page: Photo Robert Marksteiner
ANNA AICHI
What was the source of inspiration for your new collection? 70ies
cinema – New Hollywood.
From Alphagirl (a previous
collection’s title) to ... the Black Sweater Brigades.
What
are your personal key trends for the autumn/winter season 08/09?
Shades of black - Transparency - Structure.
PROFILE
The Black Sweater Brigades are all about
cinema. Imagine Sissy Spacek, Diane
Keaton & Cybill Shepherd organising an
underground film festival in their living
room. Inspired by the New Hollywood
Movement, Hollywood’s most exciting
era, when sex, drugs and rock’n’roll met
serious ambitions for change. Old Hollywood glamour was torn down to take a
new look on life itself.
A new kind of transparence breaks through
old Hollywood glamour, oscillating volumes contrast the soft flowing silhouettes,
ritzy mohair next to wild goat hair, transparent lace and sequins combined with fine
knits and jerseys. Strict wool fabrics are
broken up by transparent graphic elements.
Black is paramount – with nude, soft
greys and brown in supporting roles and
a cameo appearance of shocking fuchsia.
Be Cinematic!
SHOWING AT
easternBlock
23, Rue Du Renard
75004 Paris
1 – 8 March 2008
9.30am - 6.30pm
For appointments please contact:
[email protected]
phone +44/7950931810
8 www.annaaichinger.com
Photos Irina Gavrich, Anna Aichinger
NGER
AWARENESS
& consciou
How comfortable does good fashion have to be?
I don’t know the point where you start calling something
“good fashion“?! I think it rather depends on the
purpose of an individual piece. An evening dress does
not necessarily have to be comfortable, an every day
dress, on the other hand, has to be. However, what really
matters is the good quality of the materials.
Is it true to say that your accessories possess a certain
severity that your clothes lack? That sounds somehow
negative and pejorative. I wouldn’t say that the one lacks
something that the other has. I find they harmonise and
enhance each other. It’s the mix that does it.
How close to the body do you construct your cuts?
Sometimes very close indeed, then again quite far away
from it.
PROFILE
Since 2005, the Awareness&Consciousness label has
graced our universe with its sensuous and softly flowing
collections, based on high-quality Jersey materials.
Christiane Gruber studied fashion under Raf Simons,
Victor & Rolf and Jean-Charles de Castelbajac at the
Viennese University of Applied Arts. Having won the
fashion award of the BKA, she acquired international
experience working for Haider Ackermann and A.F.
Vandevorst.
Awareness&Consciousness has been presenting collections
at Paris Fashion Week since 2005. A&C is short for
Accessories & Clothes, the accessoires being created in
close collaboration with the artist Anneliese Schrenk.
10 www.awarenessandconsciousness.com
SHOWING AT
Rendez-Vous Femme
1-3 Avenue Gabriel
75008 Paris
28 February – 2 March 2008
For appointments please contact:
[email protected]
phone: +43/69911709817
Photos Bettina Komenda, photo-assistant Michael Strasser,
model Barbora H. / Exit, make-up / hair Dalila Riccetti / perfect props
sness
barbara H
Do you normally have a clear idea of who your customers are, or are you often surprised as to who
buys your creations? I always try to put myself in my customers’ position to envisage what model would
suit him/her best. There are always surprises, but that is exactly the feedback of my work.
How do you successfully continue a more than a hundred year old tradition? With an attempt at reinterpreting the hat playing with the shapes and details of the past using today’s materials, which satisfy
modern requirements and those of the future.
In your designs, what’s the balance between
the luxury item and the consumer item? The hat should remain an article of daily use, its manufacture
and the quality of the materials should reflect luxury. And this, in my opinion, is the secret of the hundred
year old tradition of the Habig Hat.
PROFILE
The A/W 08/09 collection by the designer
Barbara Habig shows an interpretation of a
timeless sportive luxury. It was inspired by the
20ies: “Charleston, jazz, bob and red lips” and a
journey through the different styles in the Habig
Hat archive which comprises hats spanning the
period between 1865 to 2005. Amongst those
are various bowler hats from around 1900,
Austrian generals’ hats from ca. 1898, the hat of
a wedding dancer (Wedding Ricasoli, Italy, IV.
century) and other rarities.
The exquisite and unusual Habig Hat Collection
is characterised by a mixture of exclusive
and extravagant materials including different
kinds of lambskin, foxskin, velvet as well as
a sophisticated varient of appliquéd felt, all of
which ultra-light and delicate in charater.
The unmistakable signature of the collection
stands for elegance, awareness of life, quality
and individuality.
12 WWW.HABIG.AT
SHOWING AT
Première Classe
Jardin des Tuileries
Rue de Rivoli, 75001 Paris
29 February – 2 March
ABIG
BRANDMAIR
When do you normally have the best ideas for new designs? Whilst I’m working.
Sometimes they are accidents ...
Your fashion should be easy to wear.
Are you never overcome by a desire to create something mad or outrageous? Sure,
sometimes I am.
What’s your favoured material for next winter? Loden.
PROFILE
For her collections, Claudia Brandmair
draws her inspiration from a multitude
of sources. There is no overall theme,
every piece of clothing is supposed to
speak for itself as well as being part of
the whole.
Claudia Brandmair’s fashion is characterised by an idiosyncratic mix of
materials, cuts, shapes and the classic
art of tailoring. Even though she enjoys
experimenting with conventional materials and unorthodox details, her fashion
is eminently wearable. Her purism feels
sexy, her minimalism innovative.
SHOWING AT
SHOWROOMVAGO
10, Rue Charlot
75003 Paris
www.showroomvago.com
phone +33/1/42740176
14 www.brandmair.net
Photos Gregor Ecker
CLAUDIA RO
LUKAS
Is there a particular mood inherent in your designs?
Generally, clear and symmetrical lines evoke positive moods
like stability and balance, or naturalness and optimism. My
whole work is more or less based around these qualities.
Therefore, the manipulation of the beholder is rendered
completely impossible.
Why are many of your
designs changeable? Changeable rather in the sense of
suitable for different occasions. The flexibility and combination
of the individual elements is very important because each part
will be seen – sooner or later – as an “object” in its own right,
and its individuality (in a limited edition) will take centre stage.
What kind of significance would you ascribe to
the term "perfection" in your work? As a designer, I primarily
take on the role of the shaper who determines the form, the
size, the material, the technique, the edition, the colour as
well as the presentation and such, whilst the implementation
is carried out to be highly skilled specialists who constantly
look for the perfect solutions. This interplay of various partners
is determined by a growing common interest in the perfect
development of form, aesthetics and craft.
PROFILE
SHOWING AT
12am – 7pm
t.b.a, please check
www.austrianfashion.net or
www.lukas-by.com
phone +43/69919425734
In her collections Claudia Rosa Lukas expresses herself as a multi-faceted character. She combines minimalism – clean cuts and structured shapes – with female sensuality and persuasiveness. Lukas’ extraordinary eye for detail attracts a wide, discerning audience and surprises with playful technical masterpieces. Every garment is suitable for the fast-paced everyday life yet perfect for a night out. Her repertoire
comprises a blend of ideas where dream and reality are fused to underline the make up of people’s complex
personalities, intellectualism and femininity.
Her choice of materials is determined by wearability and the functionality of the finished article. For that
reason she favours high-quality Austrian and Italian fabrics including wool, silk jersey and cotton.
Since 2004 she regularly presents her collections at the Prêt-à-Porter Fashion Week in Paris and has her
work displayed in showrooms in Japan.
16 www.lukas-by.com
Photos Gregor Titze, model Stefanie / Tempomodels,
make-up / hair Sasa Bambalan / making of, styling Resul, location Ragnarhof
SA
Dernier-Cri
If you absolutely had to, which would you choose and why: Colour or shape? We’d choose shape
because colour is dependent on trends. Shapes are long-lasting and are therefore perfect to embody an idea.
Old or new? Dernier-Cri stands for the discovery of new shapes and solutions and for making
them wearable (e.g. a shirt with an asymmetrical collar). We get our ideas exclusively from all sorts of
different musical styles.
Jeans or jersey? When working on the SS 08 collection MDC, we
realised that denim is extremely versatile. There is a good reason why more jeans are being sold and worn
than other trousers.
PROFILE
In 2006 the designers Anna and Alexander Sova,
who had been working for the Brasilian designer
Marcello Sommer, opened their first shop
“Maison Dernier Cri” in Vienna.
Both describe their style as avant-garde, urban
and minimalist-opulent.
Dernier-Cri’s new AW 08/09 collection, which
ˆ á Porter Femme
will be premiered at the Pret
Paris at Zip Zone Montaigne, deals with the
theme of architecture, with geometric trompe
l’oeuils and uses sports- and streetwear elements.
A certain multi-functionality of clothing forms
another very important aspect. New ways
of fastening, high-tech fabrics as well as an
intelligent cutting method complete the overall
picture of the collection.
Dernier-Cri’s understanding of fashion as a
cross-over industry already led them to taking
part in various art-, film- and music projects.
18 www.dernier-cri-fashion.com
SHOWING AT
Zip Zone Montaigne
Designers Gallery
Avenue Montaigne 15
75008 Paris
EDITH a‘GAY
Do you regard the designer profession as a
service or do you see yourself as an artist?
For me it’s a vocation and I’m very proud
of that. As far as I’m concerned there aren’t
any limits to inspirations when creating
something new. Through my designs, I
want to enable women to express their
individuality in a new way – different from
every day life and more stylishly.
Nevertheless, in my opinion applied arts are
always balanced between artistic freedom
and service industry.
In what
way do you try to re-interpret the themes
of femininity and sexuality? The Edith
A’gay line is individual, intellectual and very
feminine. A special cutting technique allows
for a host of different possibilities to wear a
dress. The woman has the liberty to decide
the aesthetics of a dress according to her
imagination, sensuality and femininity and
adapt it to an occasion. In doing so, she is
helped by the colour psychology and the
choice of exquisite fabrics.
What’s your message for A/W 08/09?
“... We can only ever look at surfaces. What
is beneath them we can only imagine, guess
or know, but we cannot see it.
Every object we perceive, therefore, is in a
fundamental relationship to both the visible
and the invisible. Its surfaces are at the same
time the boundaries to the invisible attached
to it and the nothingness that borders it“.
(Quote (transl.,ed.)from “Die Sichtbarkeit des Unsichtbaren,“ Dr. Hans Dieter Huber)
SHOWING AT
Presentation
28 February 2008
Showroom
Paris / see invitation
phone +33/675729945, email [email protected]
20 www.edithagay.com
PROFILE
Collection “Invisible”
Edith A’gay’s newest AW 08/09
collection “INVISIBLE” transfers
the glow of summery warmth to cold
winter days. At first glance, the fleecelined, fine pure-silk outfits seem like
delicate summer dresses and evoke a
lightness so very untypical of a winter
collection. This aesthetic concept is
supported by the great attention to detail on the inside of many of the items.
They are lovingly and subtly decorated
with various graphic elements which
only become visible when the body
moves underneath.
Your sometimes complicated cuts always
result in clear and simple lines. What’s
the trick? We wouldn’t define our cuts as
ELFENKLEID
complicated. Sometimes it happens that
we design very elaborate cuts. We find it
exciting to incorporate different details into
our designs and end up with clear lines in
spite of this.
Your colour
palette comprises only white/grey/black
and a bit of blue. Do you suffer from
an aversion to colours? No, we don’t
suffer from any aversion to colour. But
in our opinion subtle tones are better at
accentuating shapes and help details to stand
out more. That’s extremely important to us.
According to your view,
are simpler clothes even more able to
underline the personality of those who
wear them than more showy designs? In
our opinion the personality gets a better
chance to come to the foreground that way.
22 www.elfenkleid.com
PROFILE
Collection “Country Miss”
The characteristic feature of the AW
08/09 collection is the use of details
of traditional workwear like knee- and
elbow pads or epaullettes. They can be
either found – not entirely surprisingly
– on shoulders or have also been given
new functions.
Staples of any collection like T-shirts,
shirts and dresses are mixed up in a
patchwork style combining and contrasting denim and popeline with jersey
and a fine knit. Sheepskin also makes
a reappearance in the collection either
as an accessory like e.g. as a belt or has
been directly integrated in the items.
The AW 08/09 collection is based on
the trademark elfenkleid linear cuts
and is dominated by the tones of black,
white, beige, brown, purple and petrol.
SHOWING AT
Rendez-Vous Femme
1-3 Avenue Gabriel
75008 Paris
Photos Joerg Auzinger, make-up / hair Silvia Albegger, model Manuela W./Amt Models
ERIC RAINER
"Form follows function" – does that apply to your work? I try to keep the fashion I
produce practical and simple – but fashion and the motto of “form follows function?”
I don’t know ...
Why have you decided to concentrate on women’s fashion?
There is no reason. I like making men’s fashion, too. For now, it’s women.
Does something like spiritual influence play a part in the coming about of your
creations? No!!
PROFILE
Collection “Seasonal Report
on Autumn/Winter 2008/09”
Urban style meets Moroccan-born intellectuals. God-made fibres like soft satin silk, fine
pure cotton and lightweight church linen appear in combination with man-made fibres and
technically enhanced fabrics. Eric Rainer’s
typical couture touch is expressed in male galabyas (long shirt style) matched with tailored
jackets and dresses, accompanied by dramatic
accessories in taffeta. A great number of different individual layers play with contrasting
materials and volumes. The choreography of
the look features a genuine crossover of lifestyle and design, form and function, the casual
and the elegant. The label is about strictly
contemporary but not shortsighted fashion.
24 www.ERICRAINER.COM
SHOWING AT
Presentation including video:
Zip-Zone Salon Montaigne
15, Avenue Montaigne
75008 Paris
Photos Irina Gavrich, model Lisa Haslinger / Tempomodels
FABRICS INT
What sort of music (if any) are you listening to whilst designing? Radio arabella, radio nrj.
If all of a sudden people stopped buying/wearing your creations would you continue designing?
Because our cultural and design-oriented output isn’t limited to clothing we’d be sure to find a way to bandy about our ideas.
What a role do social and ecological considerations play in your choice
of materials? A very important one. Since starting our work, we’ve been convinced that the use of certain
materials, via a specific cutting technique, result in particular silhouettes onto which you can deliberately
attach coded contents.
PROFILE
The design label ___fabrics interseason
(Wally Salner and Johannes Schweiger)
positions itself between the fields of
contemporary fine art, design/fashion
and (electronic) music. Due to the artistic
approach the collections and their presentations are based on concepts preceded
by intensive research into sociopolitical
phenomena and discourses.
___fabrics interseason is interested in
codes: how they manifest themselves in
the clothing behaviour of the individual
and social groups, how they define identities, and how to read them. The collections
are not only an analysis of these codes but
also serve as an infiltration of an exclusive and individualised sense of fashion
through a wearability which easily adapts
to a range of lifestyles.
SHOWING AT
Agentur V
Galerie Pascal Gabert
11, Rue Du Perche
75003 Paris
Dune
29-201 Wakamiya-cho Shinjuku
Tokyo 162-0827
10 – 16 March 2008
26 www.fabrics.at
Photos Maria Ziegelboeck
ERSEASON
FLOR DE ILL
Up until now, uniform jackets and camouflage patterns could be seen in your collections – do
military elements play a major role for you? My work is not about military but about uniform. I
find it interesting to question individuality/identity with the help of something, which is the exact
opposite of what fashion wants to be. That’s the reason why my designs often include uniform
elements.
With your designs, do you try to hide or accentuate the human body?
Both at the same time. On the one hand, I work in a spatial way where I make an item of clothing
independent of the body and thereby get the chance to shape it freely. On the other hand, there are
designs which move more closely against the body making it noticeable/perceptible. This, in turn,
brings a sensuous component into play, alongside the imaginary/conceptual one.
Since starting out as a designer, what in your work has given you the greatest moment(s) of
happiness? To “see” the things …
PROFILE
SHOWING AT
10, Rue de Saintonge
75003 Paris
1 – 3 March 2008
12am – 8pm
(to be confirmed)
28 www.flordeillusion.at
Collection “Corpus”
Two aspects dominate the works of the
designer Wolfgang Langeder, man behind
the label “Flor de Illusion” who debuted
in Paris in October 2004. Firstly, it is the
pure form of a design, the determination
of which is the starting point of any design
process: “When I create clothing I always
define its form first – I decide if it will
correspond to the human body’s shape
or whether it will gain space itself and
become a sculpture which bonds with the
human being.”
Secondly, the idea of simplicity forms the
other key aspect in his work: “I like simplicity, quietness, clarity and things that
show the essential.”
Photos Elisabeth Grebe / Linz
USION
FLORIAN JE
Is there a cut-off point between a piece of jewellery and an art object which a designer has to observe?
Autonomous artworks always have to be strong and overpower you. However, many pieces of jewellery
make a subtle impression, at the border of the conscious. With my jewellery I want to set free those who
wear it and, following their own ideas, leave them the freedom to make it a part of their appearances, looks
and their lives.
Most of your items are unisex – is it a special wish of yours to get men
into wearing jewellery (in the broadest sense)? I would very much like to make more jewellery for men
because the situation there is pretty dire. In some of the styles of every collections I like to leave some
scope, in various respects.
How do you keep inspiration from turning into an excessively
intellectual concept? Messages, conceptual punchlines, attempts at terminological embroideries bore me to
death. I think I have finally become immune against such things. “Aesthetics” is my magical word – playing
with materials, shapes, colours – tensions, contrasts, harmonies. These are old-fashioned terms, I know, but
that doesn‘t bother me in the least.
PROFILE
FLorian 08w
Les Fleurs du Mal II
Dark Matter
Like last year, in FLorian‘s new winter
collection one is seduced into the dark and
dangerous world of the flowers of evil.
The black leather and the metal chains
of the new designs play on the energy of
fetishes. Black and gold beads lead one
into a dark univers. As a contrast, all eyes
are sucked into the irresistible colours of
desire: violet and lilac.
SHOWING AT
Artcore
37, Rue de Montpensier
75001 Paris
10am – 7pm
by appointment only, phone +43/69912159955
30 www.florian-design.com
WELRY
HARTMANN
What disadvantages are there in working as a duo? Our
work is decisively influenced by our dialogue, the discussions
and the definition of ideas. There is no constraint, rather a
strong symbiosis.
Is your new collection
more Hartmann or rather Nordenholz? Always Hartmann
Nordenholz.
Professionally, what have been
the most important lessons you’ve learned during the time
since Hartmann Nordenholz’s existence? 24 hours is too
short, and, good is not good enough.
PROFILE
Hartmann Nordenholz is a German-Austrian fashion label
founded in the winter of 2000 by Filip Fiska and Agnes
Schorer, named after their grandmothers’ maiden names.
It represents a new form and a new definition of elegance.
Visionary elegance.
Filip Fiska and Agnes Schorer about their view on fashion:
“A connection between theory and high craftsmanship is the
basis of Hartmann Nordenholz. Fashion is a means of personal
expression and development. Each of our collections allows a
momentary glimpse into our “diary of reflexions”. Distance,
silence and dignity are important keywords. Our approach is
critical: we question different forms of the manifestation of
fashion in society. As a result of our conceptual work, there
has to be a perfect product.”
Geometric forms get staggered, come up against each other
and communicate an architectural structure. The construction of surface, the duplication and mirroring emphasise the
graphic look of the collections. Experimental cuts executed in
different materials like silk chiffon, flowing jersey or waxed
wool result in differing volumes and forms.
32 www.hartmannnordenholz.com
SHOWING AT
t.b.a., please check
www.austrianfashion.net or
www.hartmannnordenholz.at
for updates
NORDENHOLZ
MARtina r
You describe your collections as feminine – what is your definition of feminine? Figurehugging.
Does it sometimes happen that you lose your way amongst the
numerous details of your designs when creating clothes? No.
Do you
approach your winter collections in a different way than your summer collections?
Not really. Only, I find a summer collection easier to do.
PROFILE
The label “Martina Rogy” stands for an
exclusive, very feminine fashion line. It
is especially geared towards the confident
modern woman who, inspite of attempts at
levelling all gender differences in today’s
society and workplace, likes to emphasize
her femininity in a subtle and sophisticated
way. The fact that “Martina Rogy” present
a greater than average range of dresses and
skirts in their collections bears witness to
their take on womenswear. They achieve
the desired sophisticated feminine look by
combining extremely simple pieces with
more elaborate, playful ones. Ruffles, pleats,
gathers and artful details expertly placed,
all are employed to enhance this effect. The
garments are almost entirely made from high
quality, skin-friendly natural fibres such as
wool, cotton and silk. These have a very
pleasant, luxurious feel to them and help the
woman who wears them to feel neat even
after the longest and most strenuous of days.
34 www.martinarogy.com
SHOWING AT
Rendez-Vous Femme
1-3 Avenue Gabriel
75008 Paris
Photos Gregor Titze, hair / make-up Sandra Maron
ogy
MICHAELA B
Which role does a certain dramatic aspect play in your collections? Without any
drama life wouldn’t be exciting and it’s a fun thing to create.
In how far are
complicated details important to you? Details simply make all the difference and the value
because they make an item of clothing more elaborate, refined. However, detail already
originates in the choice of material, it starts right at the basis and this has to be perfect.
Who would you love to see in your designs, persons alive and/or deceased?
Lauren Bacall, Julie Christie, Gena Rowlands and in a Kanye West video clip.
PROFILE
Two weeks after graduating from the
fashion class of Raf Simons and Véronique
Branquinho of the University of Applied
Arts, Michaela Buerger turned her back on
Vienna in 2006. She has been living in Paris,
a city she previously came to know during
her studies when she worked for Véronique
Leroy.
In her own label, Michaela combines style,
allure and taste with prime workmanship.
The distinguishing feature in her collection
is a tongue-in-cheek aspect of couture – for
women who are laid-back and cool about
their attitude towards the world and to
themselves. And to men, of course!
SHOWING AT
Rendez-Vous Femme
1-3 Avenue Gabriel
75008 Paris
phone +33/668184397
36 www.michaelabuerger.com
Photos Anna Dabrowska
uerger
MÜHLBAUER
Is the warming function of head gear the
defining feature in your winter range or has the
hat become, above all, a trendy accessory? Both
applies. It’s obvious that the hat has a particular
purpose in winter: to keep you warm. However, to
consider only its function obviously is not enough
for us. On the contrary, we regard it as our main
task to make head gear attractive in a way that it
becomes an indispensable accessory in winter and
summer.
Celebrities create fashion
trends – do you try and model your range
on, let’s say, Sienna Miller’s or Pete Doherty’s
favourite hat? Celebrities (or their stylists in the
background) may create trends but they do not
make fashion. That’s our job. Celebrities choose
to wear our creations, that is what designers
offer them, and show it to the world. Without the
designers’ work there would be no fashion and,
consequently, no fashion trends.
Is it
true that certain faces go particularily well with
hats? Yes, there is such a thing. In any case, I
don’t have one. But according to legend, exactly
these hatters are believed to be able to create hats
that fit any face.
38 www.muehlbauer.at
PROFILE
In 2001 Klaus Mühlbauer took over
the family business, which had been
established in 1903 and been run by
the Mühlbauer family for four generations. He decided to concentrate on the
company’s original business of making
hats and breathed new life into the
old brand and its products. Together
with his sister Marlies he creates the
hat collections supported by an expert
team of hatters and milliners from the
Viennese Manufaktur. Finest craftsmanship and the use of the most exquisite, internationally sourced materials
define the discernibly high standard of
the creations. The path of regeneration
has led to both national and international success.
SHOWING AT
Première Classe
29 February – 2 March
This page: image Tobias Pils, Ferdinand Schmatz
Opposite page: photo Ingo Folie
Nina Peter
PROFILE
Nina Peter’s first glove collection was
launched in Vienna for the AW season 2003.
Nina Peter, who worked in advertising and
PR for a number of years, and Gregor Pirouzi,
who was responsible for several collections
at Vivienne Westwood, Versace and Armani
in the past, are the co-founders of Nina Peter
leather accessories. Following in the footsteps
of Nina’s family, who, as Handschuhpeter,
have a history in glove manufacturing dating
back 164 years, they took the expertise gained
during this period and have created their own,
very personal, interpretation of a contemporary glove. Experimenting with colour and
design, Nina and Gregor have transformed
the normal glove into a unique accessory
item, uniting cutting-edge, punky and sexy
cuts with aspects of functionality.
For the past two seasons, Nina Peter has
also been offering bags, belts and leather
jewellery together with their unique glove
collection.
When you design gloves, how do you
get around the restricted possibilities
of a shape which is anatomically
predetermined? We don’t get around it,
we play with it. For example, we make
use of the unique symbolism of the
fingers in our design “Victory Glove”.
After all, it’s one of our trademarks to
make gloves into an accessory which
does not only fulfil its practical function
but is at the same time a cool style item.
Sometimes the design is to be found at
the back of the hand, like in the sample
images.
In your view, is
there anything like, let’s say, attitude
towards life or or a particular facet of
one’s personality that a wearer can
express especially by means of gloves?
Wearing a Nina Peter accessory helps
anybody to transform a simple outfit into
a cool one – which makes it the ultimate
style accessory, actually.
Who would you deem to be the most
stylish wearers of gloves – alive or
deceased – and why? In the 1920s
there was this US family, the Sitwells.
Not only were they wonderfully stylish
but their men and women had their own
special elegant way of wearing gloves:
trés chique – i gLOVE.
SHOWING AT
Showroom MC2
Catherine Gouin
41, Rue de Saintogne
75003 Paris
phone +33/1/48 040648
40 www.ninapeter.com
PELICAN AV
What idea is behind your concept of presentation? There isn’t a presentation concept as such. What could
be called presentation, or better, the representation of the mood of a collection, generally is there from
the beginning and grows together with the collection. It’s not just an add-on at the end of the generation
process. It’s woven into the collection from the beginning and therefore has equal importance as an end
product.
How important is fashion in all this? Basically, you can completely separate the
fashion and the artwork of the collection. They are independent of each other because each can exist on its
own detached from the other. But they both come from the same thematic source and have been developed
side by side in constant interaction and thus complement each other.
Would you rather be of
your time than ahead of it? It’d be best to be detached from time.
PORTRAIT
pelican avenue was founded in 2004 by
Carolin Lerch, a graduate of the Antwerp
Academy of Fashion and a former assistant
to designer Bernhard Willhelm.
The label’s intention is to question
traditional codes in fashion, to propose
a different approach, to avoid stagnation
and self-satisfaction. It seeks to counteract
constantly changing trends and the
destructive attitude of hypes.
Together with multimedia artist Michiel
Helbig they form pelican video, their video
and multimedia project.
The intention of the pelican project and
its products is to challenge the unknown
rather than develop a certain style or idea.
SHOWING AT
Showroom Antwerp
38, Rue Sainte Croix De La
Bretonnerie
75004 paris
for appointments: +32/473500070
42 www.pelicanavenue.com
ENUE
ROSA MOSA
PROFILE
Salzburg born Simone Springer and Yuji
Mizobuchi from Kyoto are the people
behind the rosa mosa label. Simone
graduated from the Academy of Fine
Arts in Vienna while Yuji studied Buddhist Philosophy in Kyoto and worked
in a whiskey distillery. Both met during
their studies at Cordwainers College in
London in 1997 when they created a
one-off collection of handcarved wooden shoes to be shown at the London
Fashion Week. After graduation from
Cordwainers, they decided to relocate
to Austria and founded their Viennese
studio, which has become the cradle of
all their collections.
rosa mosa stands for individualism,
innovation and the highest level of
craftsmanship. rosa mosa collections are
available through prestigious shops and
department stores throughout the world.
Why is the "hand made" look of
your creations so important to you?
Our shoes are mainly handmade and
produced locally. This process results
in a product that puts individuality
before mass appeal. The look happens
automatically alongside.
And how do you achieve this raw,
immediate look? By the use of simple
shapes, part-untreated materials, artisanal
details, and by developing production
techniques which can’t be carried out
by machines, but have to be finished by
hand.
Your designs are
never a modest decorative accessory
but mostly a strikingly eye-catching
component of an outfit. Does one
possibly have to be courageous to
wear them? Within each rosa mosa line
there is a clear distinction between the
easy-to-wear part and the smaller part of
showpiece objects. In our eyes our shoes
are a timeless means of expression for
individals who relate in a positive way
to the aesthetics which are so typical of
rosa mosa.
SHOWING AT
Première Classe
Micam- International Shoe
Exhibition
Hall 2 Booth Q25, Milan
26 – 29 February 2008
for appointments please call:
+43/6508106274
44 www.rosamosa.com
This page: photo Martin Stoebich, opposite page: photo Yohei Yoshida
wubet
What kind of values do your designs
stand for? It’s all about establishing
WUBET as a brand. My designs put a
high value on the work input of the
individual and the ability to improve
the producers’ living standards.
Communication, marketing and politics
are essential for the understanding of how
we become one world and to preserve our
culture.
Do you think that
regional, traditional clothing is dying
out due to globalisation? In many parts
of the world traditional clothing has been
pushed to the background in everyday
life with the progression of globalisation
of culture and fashion. Nowadays such
clothes are only ever worn on festive
occasions. In other countries, like
Ethiopia, people still wear traditional
items of clothing in a day to day context.
WUBET works almost entirely on the
basis of traditional Ethiopian designs.
We only change the colour scheme of the
traditional patterns to adapt it to the
Western market. “Ethnic chic“ has
become a catchword and is often used in
this context.
In your opinion,
how much influence does fashion have
on the wearer’s life? Fashion has to be
in-your-face, easy to wear, modern, and
has to be sensual. Magazines, lifestyle
features, trendsetters, public relation
consultants, they are all influenced by
fashion. People wearing it want to
identify with what and who is portrayed
there.
PROFILE
Designer Arnold Haas about his work: “I
moved from Vienna to New York in 1998
to become an internationally recognised
stylist and fashion designer. Vis-à-vis my
peers I proved myself to be innovative
and demonstrated a high level of competence and vision in the field of fashion
design. My work has been described as
ingenious, clever and elegant. It has been
received with much acclaim everywhere
in the international design community.
Throughout my career, I’ve displayed a
unique combination of knowledge, talent
and focus. Since 2003 I’ve lived and
worked in Ethiopia.”
SHOWING AT
Première Classe
46 www.wubet.com
Photos Mark Glassner
Franklin D.
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Zip Zone Montaigne
Designers Gallery
15, Avenue Montaigne,
75008
48
2, Awareness&
Consciousness,
Elfenkleid,
Martina Rogy,
Michaela Buerger
Rendez-Vous Femme
1-3, Avenue Gabriel,
75008
3, Barbara
Habig,
Mühlbauer,
Rosa Mosa,
Wubet
Première Classe
Rue de Rivoli,
75001
Ru
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Presentation including video
Zip-Zone Salon Montaigne
15, Avenue Montaigne, 75008
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4, Florian Jewelry
Jac
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Artcore
37, Rue de Montpensier,
75001
4
Quatre Septembre
Jaques Bonsergent
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St-M
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Chateau d‘Eau
Hotel de Ville
Cité
5, Anna Aichinger
easternBlock Showroom
23, Rue du Renard,
75004
6, Pelican Avenue
Showroom Antwerp
38, Rue Sainte Croix de la
Bretonnerie, 75004
7, And_i
St.Paul
9, Fabrics Interseason
People´s Revolution
Alexandre Boulais
14, Rue Portefoin,
75003
Via Agentur V
Galerie Pascal Gabert
11, Rue du Perche,
75003
8, Brandmair
10, Flor de Illusion
Showroomvago
10, Rue Charlot, 75003
11, Nina Peter
Showroom MC2
Catherine Govin
41, Rue de Saintonge,
75003
10, Rue de Saintonge,
75003
49
contacts
2MC Designers Monika Chabicovsky, Martina Chabicovsky; mo-
Biskupwien Designer Brigitte Biskup; mobile +43/650/7405298,
87ER TASCHERL Designers Christian Hotz, Viktoria Euler;
boutique gegenalltag Designer Jasmin Ladenhaufen;
bile +43/664/3518827, [email protected], www.2mc.at
Untere Kirchberggasse 7/6, A-7000 Eisenstadt,
mobile +43/660/6112449, [email protected], www.87er.com
AND_i Designer Andreas Eberharter; Schönbrunner Strasse 62/3,
A-1050 Vienna, mobile +43/664/2246286, [email protected],
www.and-i.net
andrea auer Designer Mag. art. Andrea Auer; Kettenbrü-
ckengasse 10/16, A-1040 Vienna, mobile +43/676/4707270,
[email protected], www.changingroom.at
Andrea Maxa Halmschlager Burggasse 7-9/10,
A-1070 Vienna, phone +43/1/5264627, mobile +43/664/3041444,
[email protected], www.halmschlager.at
Anna Aichinger Weihburggasse 16, A-1010 Vienna,
phone +43/699/12000150, mobile +43/699/12000150,
[email protected], www.annaaichinger.com
Anzüglich Designer Bawi Koszednar; Theobaldgasse 9/1a,
www.anzueglich.at
art point Designer Lena Kvadrat; Westbahnstrasse 3,
A-1070 Vienna, phone +43/1/5220425,
mobile +43/650/5220425, [email protected], www.artpoint.ru
Awareness & Consciousness Designer Christiane Gruber;
Grosse Neugasse 22-24/1/20, A-1040 Vienna,
phone +43/1/9576996, [email protected],
www.awarenessandconsciousness.com
Barbara Habig Wiedner Hauptstrasse 17, A-1040 Vienna,
mobile +43/699/10115233, [email protected], www.habig.at
50
[email protected], www.biskupwien.at
MuseumsQuartier Wien, q21/Electric Avenue; Museumsplatz 1,
A-1070 Vienna, mobile +43/699/11617455,
[email protected], www.gegenalltag.at, www.selfawear.com
Brandmair Designer Claudia Brandmair;
Ramperstorfergasse 30/8, A-1050 Vienna,
mobile +43/699/12190264, [email protected],
www.brandmair.net
Callisti Designer Martina Müller; Lerchenfelder Strasse 92,
[email protected], www.callisti.at
CARMA Designer Karin Henrich; Köllnerhofgasse 2,
A-1010 Vienna, phone +43/1/513 8017, [email protected]
Christine Zehetbauer Adelsberger Modewerkstatt
Designer Christine Zehetbauer Adelsberger; Kärtnerstrasse 4,
A-1010 Vienna; Matzneusiedl, A-2301 Groß Enzersdorf,
www.modewerkstatt.cc
Claudia Rosa Lukas Pramergasse 6/1/22, A-1090 Vienna,
www.lukas-by.com
Dessi’gned Designer Dessi Stoytcheva; Jägerstrasse 3/14,
A-1200 Vienna, mobile +43/676/5246752,
[email protected], homepages.at/dessigned
doppler&michlmayr Designers Petra Doppler,
Maria Michlmayr; Michael Bernhard Gasse 4/10,
A-1120 Vienna, mobile +43/699/11205788,
[email protected], www.dopplermichlmayr.com
Edith A‘Gay Designer Mag. art. Edith Agay;
Schuettelstrasse 19/4/17, A-1020 Vienna, mobile
+43/699/11256325, [email protected],
[email protected], www.edithagay.com
Edwina Hörl 5-39-8-302 Yoyogi, Shibuya-Ku,
Tokyo 151-0053, Japan, phone +81/3/3467/7764,
[email protected],
www.edwinahoerl.com
Elfenkleid Designers Sandra Thaler, Annette Prechtl;
Margaretenstrasse 39/3-4, A-1040 Vienna,
phone +43/1/2085241, mobile +43/699/16152154,
[email protected],
www.elfenkleid.com
filia Designer Filia Manikas; Mittelgasse 6/30, A-1060 Vienna,
phone +43/1/5976539, mobile +43/6764876063, [email protected],
www.filia.at
Flor de Illusion Designer Wolfgang Langeder; Wiesenweg 5,
A-4040 Linz, mobile +43/699/12578542, office@flordeillusion.
at, www.flordeillusion.at
FLorian Jewelry Designer Florian Ladstätter; Götzwiesen 34,
A-3033 Altlengbach, mobile +43/699/12159955,
[email protected], www.beatica.com
Franzthomaspeter Lustkandlgasse 12/Top 10,
A-1090 Vienna, mobile +43/650/3890983,
[email protected], www.franzthomaspeter.com
Elke Freytag Kierlingergasse 31, A-3411 Klosterneuburg,
Galogaza Designer Petra Galogaza; Jadengasse 5/20,
Ely Greg Designer Andrea Gergely; Zentagasse 5/20,
Garage Span Designer Hermine Span; Angerzellgasse 4,
www.elkefreytag.net
www.elygreg.at
Eric Rainer, Designer Rainer Milalkovits;
[email protected], www.ericrainer.com
Eva Blut Schottenfeldgasse 43/28, A-1070 Vienna,
phone +43/1/5240595, +43/699/10255728, [email protected],
www.evablut.org
Eva Kim Heu Dornbacherstrasse 71-73, A-1170 Vienna,
www.evakimheu.com
___fabrics interseason, Designers Wally Sallner,
Johannes Schweiger; Haymerlegasse 6/1, A-1160 Vienna,
phone +43/1/9242449, [email protected], www.fabrics.at
[email protected], www.galogaza.com
A-6020 Innsbruck, phone +43/512/580722,
www.garagespan.at
Gina Drewes Mentergasse 3, A-1070 Vienna, mobile
+43/699/17510510, [email protected],
www.ginadrewes.com
Göttin des Glücks Designers Dessi Stoytcheva,
Monika Bledl, Lisa Muhr, Igor Sapic; Kölblgasse 2/2,
A-1030 Vienna, mobile +43/676/5469001,
[email protected], www.goettindesgluecks.at
Hartmann Nordenholz, Designers Agnes Schorer, Filip
Fiska; Loquaiplatz 11/12, A-1060 Vienna, phone +43/15964321,
www.hartmannnordenholz.com
contacts
House of Boing, Sandra Bamminger Hüte,
Designer Sandra Bamminger; 8a Electric Avenue, Pobox
51936, SW9 8WP London, phone +44/207/2741849, mobile
+44/7946/896410, [email protected],
www.houseofboing.com, www.sandrabamminger.com
House of the ... Designers Markus Hausleitner, Karin
Krapfenbauer, Martin Sulzbacher, Jakob Lena Knebl;
Hellwagstrasse 4-8/4/1/10, A-1200 Vienna,
www.houseofthe.com
Inbestform Designer Mag. Tina Haslinger;
Weyringergasse 21/12, A-1040 Vienna, mobile +43/676/4293808,
www.inbestform.at
Ingrid Thallinger Designer Mag. art. Ingrid Thallinger;
Traungasse 7, A-4810 Gmunden, mobile +43/664/4568381,
[email protected], www.ingridthallinger.at
Ingrid Vien Designer Ingrid Prettenthaler;
KAYIKO Designer Karin Oébster; Windmühlgasse 16,
A-1060 Vienna, phone +43/1/5810219 (Office),
+43/1/5854642 (Shop), [email protected],
www.kayiko.com
Kindl Designer Bernadette Kindl; Koppstrasse 13/21-23,
www.kindl.co.at
km/a Designer Katha Harrer; Helferstorferstrasse 6/4,
A-1010 Vienna; mobile +43/664/2546994,
[email protected], www.kmamode.com
kontiki, Designer Karin Maislinger; Grundsteingasse 12/18,
A- 1160 Vienna, mobile +43/650/7324273, [email protected],
www.kontiki.or.at
Lena Hoschek Sporgasse 22, A-8010 Graz,
www.lenahoschek.com
Kleine Neugasse 10/14, A-1040 Vienna,
www.ingridvien.net
Lila Designer Lisi Lang; Mon Ami – Theobaldgasse 9,
KALCHMANN Designer Doris Kalchmann;
Lila Pix Designers Lili Ploskova (accessories),
Czerningasse 9/1/8, A-1020 Vienna,
www.kalchmann.com
Karin Fronius Hüte Designer Karin Fronius;
www.lila.cx
Nik Sardamov (jewellery); Showroom Lila Pix,
Lindengasse 5, A-1070 Vienna, phone +43/1/9904351,
www.lilapix.net
Margaretenstraße 115, A-1050 Vienna,
www.karinfronius.com
Linda Zlok Gumpendorferstrasse 67, A-1060 Vienna,
KAWAYAN Designers Anna Frances, Anna Mae Dioso;
maiko Designer Maiko Sakurai Karner;
Brunhildengasse 1/1, A-1150 Vienna, mobile +43/699/12741349,
+43/699/15767706, [email protected], www.kawayan.at
52
phone +43/1/5867119, mobile +43/0/6765970288,
[email protected], www.lindazlok.at
Brunhildengasse 1/1/1, OG., A-1150 Vienna, [email protected],
www.maiko.at
The CreaTive PlaTform of viennese eConomy
www.CreaTivesPaCe.aT a ProjeCT by The vienna
Chamber of CommerCe and indusTry
contacts
Mangelware Designer Sandra Schmidt;
Modus Vivendi Designers Chalotte Jakoubek, Monika
Marios Schwab 23-25 Arcola Street, Unit D, Studio 2,
Moodboard Designer Ulla Hinterwirth; Rossauergasse 7,
Novaragasse 17/1/27, A-1020 Vienna,
www.mangelware.net
London E8 2DJ, phone +44/207/2493202,
[email protected], www.mariosschwab.com
MARONSKI Designer Martina Meixner; Geusaugasse 7/3,
www.maronski.at
Martina Rogy Zinckgasse 6/3, A-1150 Vienna,
www.martinarogy.com
Bacher; Schadekgasse 4, A-1060 Vienna,
www.modusvivendi.at
A-1090 Vienna, phone +43/1/9584166,
www.moodboard.at
Mühlbauer Designer Marlies Mühlbauer, Klaus Mühlbauer;
Franz-Josefs-Kai 15, A-1010 Vienna, phone +43/1/5335269,
www.muehlbauer.at
Nina Bernert Design Designer Nina Bernert;
Mayi Designer Mag. Maye Riess; [email protected], www.mayi.at
Phorusgasse 14/16, A-1040 Vienna, phone +43/1/9661374,
[email protected], www.ninabernert.at
Michaela Buerger 4, Passage du Grand Cerf, F-75008 Paris,
Ninali Designers Nina Kepplinger, Ali Rabbani;
Michel Mayer Singerstrasse 7, A-1010 Vienna,
Nina Peter – Hautnah Designers Gregor Pirouzi,
www.michaelabuerger.com
phone +43/1/9674055, mobile +43/699/19674055,
[email protected], www.michelmayer.at
mija t. Rosa Designer Julia Cepp;
Markgraf Rüdigerstrasse 13/2, A-1150 Vienna, mobile
+43/699/12017223, [email protected], www.mija-t-rosa.com
MILCH, Designer Cloed Priscilla Baumgartner;
Neustiftgasse 21, A-1070 Vienna, mobile +43/699/10444641,
+43/650/3737227, [email protected], www.ninali.at
Nina Peter; Agnesstrasse 46B, A-3400 Klosterneuburg,
www.ninapeter.com
Nonkonform und Oppositionell Designer Hilde Fuchs;
c/o VBKÖ, Maysedergasse 2/28, A-1010 Vienna,
mobile +43/1/699/17056405, [email protected],
Studio Yppenplatz 5, A-1160 Vienna, mobile +43/699/10703545,
[email protected], http://milch.mur.at
okki.at Designer Okki Zykan; Mühlgasse 19, A-1040 Vienna,
Modernmartyr, Designer Angela Wiedermann;
paula.paul Designers Birgit Paula Reiger, Bernd Stelzer;
Heindlgasse 3-5/49, A-1160 Vienna, phone +43/650/4904279,
[email protected], www.modermartyr.com
54
mobile +43/699/1 94 10 955, [email protected], www.okki.at
Währingerstr. 188/15/2, A-1180 Vienna, phone +43/1/7103040,
[email protected], www.paulapaul.at
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contacts
Pell Mell (Kay Double U, Odrowaz, ni-ly, van beren),
Designers Karin Wintscher-Zinganel (Kay double U), Bettina
Reichl (Odrowaz), Yü-Dong Lin (ni-ly), Heike Beren (van beren);
Mandellstr. 4, A-8010 Graz, mobile +43/699/17256816,
[email protected], www.pellmell.at, www.assembly-festival.at
Pelican Avenue Designer Carolin Lerch; Pelikaanstraat 104-
rosa mosa Designer Simone Springer, Yuji Mizobuchi;
Ziegelofengasse 17/R2, A-1050 Vienna,
www.rosamosa.com
Sabine K Designer Sabine Karner; Stempfergasse 11,
108, b36 floor 8, B-2018 Antwerp, phone +32/3/2272166,
[email protected], www.pelicanavenue.com
A-8010 Graz, phone +43/316/810174,
www.sabine-k.at
Pia Mia Designers Susanne Dziadek, Andreas Pohnitzer;
Sabrina Vogel Krien 7, A-4150 Rohrbach,
Schönbrunnerstrasse 65/4-5, A-1050 Vienna,
phone +43/1/8904472, mobile +43/650/2020254,
[email protected], www.piamia.at
Pitour Designer Mag. Maria Oberfrank; pitour/combinat/q21/
phone +43/7289/40166, mobile +43/676/5755752,
[email protected], www.sabrinavogel.com
Sandra Gilles “Ginette, das feine Sackerl”, nuit blanche –
MQ, Museumsplatz 1, A-1070 Wien, mobile +43/699/12008920,
[email protected], www.pitour.com
feine Nachtkleider, Designer Sandra Gilles; “la petite boutique”,
Lindengasse 25, A-1070 Vienna, mobile +43/699/19239423,
[email protected], www.sandragilles.com
Pixie Designer Nina Markart; [email protected],
Schella Kann, Designers Gudrun Windischbauer, Anita Aigner;
www.pixie-fashion.net
Popular Designers Elsa Klauser, Ferdinand Klauser;
Zieglergasse 88-90, A-1070 Vienna, mobile +43/664/4567656,
[email protected], www.amipopular.com
Princess In Progress Designer Agnes Giefing;
Kleine Stadtgutgasse 12/10, A-1020 Vienna,
[email protected], www.princessinprogress.at
Ready-Made by Salner, Designer Martina Salner;
Kettenbrückengasse 14/1, A-1040 Vienna,
www.ready-made.info
Ring King Designer Max Grün; Stoss am Himmel 3/1,
[email protected], www.ring-king.com
56
Singerstrasse 6/8, A-1010 Vienna, phone +43/1/5132287,
www.schellakann.com
Schmuckstelle Designer Claudia Steiner;
Kettenbrückengasse 23/3/1, A-1050 Vienna,
www.schmuckstelle.at
Seitner Schmuckdesign Designer Katja Seitner;
Habsburgergasse 1-1a, A-1010 Vienna, phone +43/1/5324103,
www.seitner.co.at
Sesenta y nueve 69 Designer Irina Liakina;
Hainburgerstrasse 29/12/52, A-1030 Vienna,
www.sesentaynueve.at
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contacts
SIXXA Designers Kathi Macheiner, Luisa Hirsch,
Mollardgasse 85A/3/124, A-1060 Wien, mobile +43/660/2431007,
[email protected], www.sixxa.com
sonja bischur jewellery Designer Sonja Bischur;
Schönbrunnerstrasse 30/18, A-1050 Vienna, phone +43/1/5864245,
mobile +49/12120/177058, [email protected]
Sophisticated Designer Sophie Pollak;
Rechte Wienzeile 75/9, A-1050 Vienna, mobile +43/650/2233864,
[email protected], www.sophisticated.co.at
Source-Code Designer Christoph Reschreiter;
Westbahnstrasse 33/7, A-1070 Vienna, phone +43/1/9246621,
www.source-code.cc
Superated Designer Peter Holzinger; Spengergasse 56/10,
A-1050 Vienna, phone +43/1/9669963, mobile
+43/699/12162799, [email protected], superated.com
Susanne Matsché Schmuck Designer Susanne Matsché;
ulliKo Designer Ulrike Kogelmueller;
Hernalser Hauptstrasse 31, A-1170 Vienna,
www.ulliko.com
Ursula Guttmann Klammstrasse 1, A-4020 Linz,
www.ursulaguttmann.com
Ute Huber-Leierer Lustkandlgasse 15/6,
A-1090 Vienna, phone +43/1/3193934,
mobile +43/650/4193934,
[email protected]
Ute Ploier Favoritenstraße 17/26, A-1040 Vienna,
www.uteploier.com
Vera Dittrich Karl-Schweighofergasse 10/9,
www.veradittrich.at
Dunckenstrasse 82, D-10437 Berlin, phone +49/30/44357335,
www.susannematsche.com
Veronika Persché Strickdesign Designer Veronika
Tanja Bradaric Keinergasse 29/15, A-1030 Vienna,
Vivibag Designer Mag. Olivia Riedelbauer;
mobile +43/650/5030184, [email protected]
The Essence Designer Frank Leder, Florian Horwath;
Türkenschanzstrasse 1/15, A-1180 Vienna, Kantstrasse 139
D-10623 Berlin, phone +43/1/9577303, +49/30/65967548,
www.intotheessence.com
Tragwaren Designer Kristina Feuchter, Novaragasse 46/6,
A-1020 Wien, mobile +43/650/8922930, [email protected],
www.memyselfandi.at
58
Persché; Theresiengasse 26/14, A-1180 Wien,
phone +43/1/4096436, [email protected], www.persche.com
Gumpendorferstrasse 88a, A-1060 Vienna,
www.vivibag.at
Wilfried Mayer Designer Wilfried Mayer;
Erdbergstrasse 51/27, A-1030 Vienna, mobile +43/650/8632931,
[email protected], www.wilfriedmayer.net
Wubet Designer Arnold Haas; Schottenfeldgasse 41-43/28A,
www.wubet.com
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AUTUMN / WINTER 2008 / 2009 PRÊT Á PORTER FEMME PARIS

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