LIA KILADIS - Fontainebleau Schools

Transcription

LIA KILADIS
• What year did you attend Fontainebleau?
Summer 1995-96. Assistant for 1996 summer session
Ce que vous a apporté Fontainebleau :
• In which program were you enrolled at Fontainebleau?
Architecture
plus précis et plus coloré. L’environnement
• At which University were you enrolled while attending
Fontainebleau?
Massachusetts Institute of Technology (MIT), Cambridge,
MA (M. Arch, 1997)
Après Fontainebleau, mon travail est devenu
du château, de ses jardins et les exercices de
peinture m’ont appris à affuter mon regard.
Les voyages de découverte de l’architecture
contemporaine à la fin de l’enseignement en
studio m’ont convaincue d’installer mon agence
• What degree did you earn from your University?
Centre Départemental de Gestion du Gard, Nimes, France
(completed in 2007)
en Europe. J’ai rencontré mon futur mari à
• What is / was your profession?
I am principal of Lia Kiladis architecture, a practice based in Paris
and working on residential, cultural, and institutional projects
in France and internationally.
années plus tard.
• Influence of Fontainebleau:
After Fontainebleau my work became more precise, and more
colored. I became better at looking. The influences are easy to
identify: the daily view of the château garden and the exposure
to painting sharpened my eye. The tour of contemporary
architecture at the end of the session convinced me of the
pertinence of practice in Europe. I met my future husband
at Fontainebleau, fell in love, and moved back to France four years
later.
Centre Départementale
Fontainebleau, suis tombée amoureuse et j’ai
déménagé définitivement en France quatre
DIEGO ARIAS
Summer 2012
Ce que vous a apporté Fontainebleau:
• At which University were you enrolled while
attending Fontainebleau?
Virginia Tech
sensiblité artistique.
Finishing Graduate Thesis
The Fontainebleau Program broadened my sensibilites
Roanoke Architecture Museum
légende xxxxxxxxxxxxxxxxx
Le programme de Fontainebleau a élargi ma
LISA CEPISUL
Summer 2012
Architecture
mélange l’architecture et la musique à travers
Ecole d’Architecture de la Ville et des Territoires
à Marne-la-Vallée
I am currently completing a master of architecture
at the “Ecole d’architecture à Marne la Vallée” in France.
Fontainebleau is a unique oportunity to mix architecture
and music through various projects, and to develop our sense
of creativity. It reminded me of how much I love hand drawing!
The international side of this program is definitely its best asset,
and I will never forget all the wonderful architects
and musicians I met, and everything that we learned together.
Airport - China
Fontainebleau est l’unique expérience qui
des projets différents ce qui permet
de développer notre sens de créativité. Cela m’a
rappelé combien j’adore le dessin. La diversité
internationale est le meilleur atout et je
n’oublierai jamais les merveilleux architectes
et musiciens que j’ai rencontrés et tout ce que
nous avons vécu, appris et partagé ensemble.
ROBERT
CLAIBORNE
Summer 1984
Architecture
et a ouvert mon expérience sur le monde.
California Polytechnic State University, San Luis Obispo
Architect_Studio 451, Montreal. Adjunct Professor of Design
at McGill University, Montreal, Canada
The summer of 1984 lives fondly in my memory. My time in
Fontainebleau was the beginning of curiosities and connections
to the world. The travels, the friends, the music, all started then
and continue today. Many of my evenings were spent
in the basement of the Chateau with a bottle of red wine and
a baguette, cutting stone for the wall of mosaic.
I remember Marion Tournon-Branly coming down to the mosaic
gallery and kindly asking me to stop work and leave...
at midnight… and telling me that a young man does not say
‘bonne nuit’ to a woman.
Lansdowne Park Stadium - Ottawa - Canada - 2010 - 14
L’été 1984 reste gravé dans ma mémoire
Les voyages, les amis, la musique, tout a
commencé à Fontainebleau et continue encore.
Je me souviens des soirées dans les caves
du quartier Henri IV sous la responsabilité
de Marion Tournon-Branly…
WILLIAM
M.DEMORAES
• What year did you attend Fontainebleau? Summer 2001
• In which program were you enrolled at Fontainebleau? Architecture
Fontainebleau?
School of Architecture, Urban Design & Landscape Architecture
at City College of New York (SAUDLA AT CCNY)
Senior Project Architect / Manager
Taking projects from Concept sketches through Schematic design
& Construction documents to revealing a successfully completed
building “Duet” – a musical composition for two voices or
instruments.
At Fountainebleau I was taught a new meaning to “Duet”; it became
collaboration, a complement to two different forms of art creating
one masterpiece. Sculpting and Photography, Landscape and Urban
Design, Scenography and Textile, Architecture and Music were some
of the Duets I experienced. Practicing Architecture is a series of Duets.
I have the opportunity to collaborate with all trades in construction &
design, with artist, communities, humanitarian organizations,
with poor and wealthy clients, all on a daily bases.
Fountainebleau has given me that clarity and growth.
School of planning & architecture - Bhopal campus - India
Fontainebleau m’a enseigné une nouvelle
définition du mot “duo” : c’est devenu une
collaboration, un complément à deux
différentes formes pour en créer une seule.
J’ai fait l’expérience de duos en sculpture
+ photographie, paysage + urbanisme,
scénographie + textile, architecture + musique.
La pratique de l’architecture est une série
de duos. J’ai l’opportunité de collaborer avec
toute la main-d’œuvre du bâtiment et de la
décoration, avec des artistes, des communautés,
des organisations humanitaires, avec des clients
fortunés ou moins fortunés, Fontainebleau m’a
éclairé et permis de grandir.
BEVERLY
EICHENLAUB
Architecture
University of Cincinnati, College of Design, Architecture, Art +
Planning; Bachelor of Architecture
Beverly Eichenlaub is a practicing Artist + Architect and is currently
a Masters of Architecture candidate at the Cranbrook Academy
of Art.
Throughout my career, I have explored design and craft at various
scales via architecture, sculpture, and jewelry. I have spent many
years working with fused glass, a passion I can directly attribute
to my time spent in the caves of Fountainebleau hand-cutting
glass for mosaic work. My practice of architecture is evolving
now toward design/build installations. I strongly believe that my
persistent movement toward work that bridges the gap between
design and craft has its roots in my foundational experience as
a student at Fountainebleau.
Holter Museum of Art - Montana - USA
Durant toute ma carrière, j’ai exploré dessins
et croquis à différentes échelles à travers
l’architecture, la sculpture et la joaillerie.
J’ai travaillé le verre en fusion, passion que
j’attribue à mes souvenirs de travail de la
mosaïque dans les caves du quartier Henri
IV. Ma pratique de l’architecture évolue
maintenant vers des installations dessin/
constructions.
WENDY W. FOK
Architecture
attending Fontainebleau? Princeton
Wendy W Fok is an architectural designer, director/designer of
atelier//studio WF, Doctor of Design doctoral program candidate
at the Harvard University Graduate School of Design, and a
Tenure-Track Assistant Professor, enforcing and leading the
Digital Media and Design Program at the Gerald D Hines College
of Architecture, University of Houston, and a Doctor of Design
doctoral candidate at
the Harvard University Graduate School of Design. Fok has
her own design practice, and has also been invited to tutor at
several Architectural Association (AA) Visiting Schools, among
other prestigious design workshops internationally.
As one of the past Premier Prix awardees, the Fontainebleau
opportunity has allowed me to further my design research at a
lifetime experience and fellowship, of which I am pursuing this
Summer of 2013. Fontainebleau was a program that allowed me
to develop friendships and build on my passion of design, while
experiencing the multifaceted and culturally rich town of
Fontainebleau, City of Paris, and other parts of France.
Systematic Narcissism
En tant que premier prix d’architecture en 2008,
je réside en ce moment à la cité des Arts à Paris,
ce qui me permet d’élargir mes recherches
dans le design. L’expérience de Fontainebleau
m’a ouvert des amitiés et accentué ma passion
pour le design, tout en profitant des richesses
culturelles de la ville de Fontainebleau et
d’autres villes de France.
ANDREW
JOHN KAVELAARS
Winner of the Premier Prix de I’Ecole des Beaux-Arts de
Fountainebleau
Fontainebleau?
California Polytechnic State University, San Luis Obispo CA
des Beaux-arts m’a fait acquérir un sens
Archkinetics is the name of my small design studio producing
singular small scale residential projects
au premier prix qui m’a été décerné. Ma relation
Self-confidence in design and life and learning. An overwhelming
sense of design aesthetics and its principleswere discovered
during the summer at Fountainebleau with its varied fine arts
present. This understanding grew and developed while given
the opportunity to live + study in Paris and travel throughout
Europe the following year as part of the Fellowship. An ongoing
relationship with Marion Tournon-Branley throughout the past 32
years has pushed me into areas of self-exploration and expression
that I wouldn’t have discovered otherwise. More to the point is the
understanding and acceptance of the fact that “I am still learning”.
Fontainebleau m’a apporté confiance en moi
dans les études et dans la vie. L’enseignement
esthétique du design et de ses principes. De
plus j’ai eu l’opportunité de vivre à Paris grâce
fidéle de 32 ans avec Marion Tournon Branly
m’a fait comprendre et accepter le fait que « j’ai
toujours à apprendre ».
Final project - rural cemetery + crematorium / New school of architecture and student housing - kyoto - japan - spring 1982
DAVID LEE
Architecture
Fontainebleau?
California Polytechnic State University San Luis Obispo
I am an architectural design prufessional, trumpeter, a student in
the Master of Urban Design program at the City College of New
York, and a lover of New York City.
Fontainebleau offered me the chance to work and travel with
people who continually challenged my way of thinking, expanding
my perspectives wider and wider everyday ofthe program. T
four years since when I attended Fontainebleau, many of these
people are still close to me, providing provocative and new
perspectives, thoughtful discussions and care from where ever they
Fontainebleau impacted my work more profoundly that what can
be taught my any single professor because it greatly altered the
way I view and critique the world that we create.
Barrio de los Paracaidistas
Fontainebleau m’a donné la chance de travailler
et voyager avec des gens qui chaque jour ont
élargi ma pensée et mon univers.
Tous ces contacts restent proches même après
quatre années. Le programme de Fontainebleau
m’a ouvert l’esprit et changé ma façon de voir
et de critiquer le monde que nous créons.
TIMOTHY
K. MATTHEIS
Summer 1982
Architecture
d’explorer différents mediums. Les jardins
Enrolled at California Polytechnic State University, San Luis
Obispo
Principal Architect- WMB Architects Sacramento/Stockton
California
Fontainebleau offered the canvas to explore a variety of artistic
mediums. The gardens of Fontainebleau were the subject of my
first plein-aire watercolor paintings – an endeavor I continue to
this day and which I rely upon to fuel the creative juices in an
otherwise rigorous business environment.
Watercolor image
Fontainebleau m’a offert la possibilité
du château étaient le sujet de ma première
aquarelle en extérieur – une pratique que je
continue encore aujourd’hui et grâce à laquelle
je me ressource.
KWAN SIN
JOYCE MOK
Summer 2012
Fontainebleau?
Chinese University of Hong Kong
Currently working on my architecture thesis CULTURE
IN DISPLAY, in challenging notion of cultural production
appropriates spatial practices. looking forward to graduating
summer of 2013.
It is a wonderful experience to work with architects and
musicians from all over the world. and i am doing mostly
hand-drawings for my thesis presentation, just like
in fontainebleau.
TIMESPACE / superimposition - Hongkong - Macau - Chine
C’est une expérience merveilleuse de travailler
avec des architectes et des musiciens du monde
entier et je fais mes rendus à la main pour ma
thèse juste comme à Fontainebleau.
ERIC NASLUND
Summer 1982
California Polytechnic State University, San Luis Obisbo
I am in a partnership at Studio E Architects in San Diego, California with a fellow Fontainebleau graduate John Sheehan (1983).
L’expérience de Fontainebleau a changé
ma vie et ma carrière. Ma vision du monde
s’est élargie. Je continue à dessiner en suivant
l’enseignement de Fontainebleau et je suis
infiniment reconnaissant de cette expérience.
My Fontainebleau experience changed my life and professional
outlook and dramatically expanded my view of the world and
what was possible. I continue to draw upon the insights and
lessons I gathered to this day and I am thankful beyond measure
for the opportunity to attend.
Housing and Dining Administration Building - University of California - San Diego
MARINA
OVTCHINNIKOVA
Summer 2009
Architecture
du contexte de l’environnement. Quand je
Fontainebleau?
Architectural designer at a small firm in Brooklyn
Architectural designer at a small firm in Brooklyn
My experience at Fontainebleau taught me the importance
of context. In my work, whenever I begin a new project, I always
look at the surrounding environment for inspiration: what
materials, geometric forms and proportions are present at the
site as well as its history. In addition, Fontainebleau taught
me the importance of the relationship between landscape
and architecture .
Pop Up Cafe
Mon expérience m’a enseigné l’importance
commence un nouveau projet, je prends en
compte le matériau, la géographie du site et son
histoire. Fontainebleau m’a appris l’importance
de la relation entre le paysage et l’architecture.
NICHOLAS
QUIRING
Summer2005
Architecture
Je repense toujours aux pavés du château qui
Fontainebleau?
University of Michigan
15 Studio is an architecture and design collaborative founded
in 2007 in Ann Arbor, Michigan.
Fontainebleau has remained one of my most formative
architectural experiences and I’d like to think that
the cobble stones of the Chateau are part of my own
foundation.
Petersen - Jones Residence
Une expérience d’architecture très formatrice.
font partie de ma propre fondation.
JOHN SHEEHAN
Summer 1983
Architecture
positive que j’ai envoyé mon frère étudiant
California Polytechnic State University, San Luis Obisbo
I am beginning the 26th year at Studio E Architects,
a firm I co-manage in San Diego, California with
my college classmate, friend and fellow Fontainebleau grad,
Eric Naslund (Class of ‘82)
My 1983 experience at Fontainebleau was so profoundly positive
that I strongly recommended the program to my younger brother
who was studying Architecture at the University of Cincinnati.
He attended two years later, received the Gran Prix and ultimately
moved to Paris to practice his craft - and is involved in the
program today. I suppose one could say that Fontainebleau
changed the life of my family in general. All for the best.
Fahrenheit - San Diego - California
Mon expérience à Fontainebleau a été si
en architecture suivre la session deux années
plus tard. Mon frère a reçu le prix
de l’architecture en 1985, est resté un an
à la cité des arts et Fontainebleau a changé
la vie de toute notre famille.
TANG CHIN HONG
JONAS
Summer 2008
Chinese University of Hong Kong
Le programme de Fontainebleau a élargi ma
vision de la profession d’architecte, laissant de
coté les grands projets et mettant au contraire
l’accent sur les finitions, la décoration et le
Architectural Designer for Local Institutional Projects in Hong
Kong
développement des sites web. Pour moi ce
Fontainebleau programs stretches my diversity of architectural
profession, shifting away from scale down to product, web and
interior design. I see those bodies of work are central to art
and related much to our sensation of sight. This is in parallel
developmentof our sensation of hearing of our daily life. I see
music and architecture as a medium and skill to start with any
kind of design work.
Parallèlement, nos sensations auditives
Bike Rack Design / Smile - Grin - Chukle
genre de travail est au centre de la création
artistique et très liés à nos sensations visuelles.
quotidiennes se développent de la même
manière. La musique et l’architecture sont
aà la base de toute entreprise de création dans
le domaine du design.
ALBERT ANTHONY
TAPPE
Summer 1951
Architecture
l’architecture des bâtiments civils et leur rôle
University of Virginia
Founded Tappe Associates, Architects
My summer at Fontainebleau introduced me to public and civic
architecture and its role in the defining the built environment
and shaping our view of the physical world. Due to my
experience that summer, public and institutional buildings
have been the focus of my practice. It is wonderful to see the
impact on their communities.
Deree College Library, American College of Greece - Athens - Greece
Mon été 1951 à Fontainebleau m’a conduit vers
dans l’environnement bâti qui forme notre
monde. Grace à cette expérience
je me suis consacré aux édifices publics
et institutionnels. Il est étonnant de voir leur
impact sur les milieux urbains.
SAMANTHA WAN
Architecture
Fontainebleau?
The University of Hong Kong
«Working as a facade architect for a French office, for projects
with great expectations on a performative and innovation
facade. Currently working with OMA on a complex for Beijing,
being bespoke on the materiality to bring the architect’s vision
of homogeneity into reality.»
«In fact, my current job as a facade designer was an outcome
of my thesis, which was a blending of the density I experience
daily in urban Hong Kong, my awareness of the vast temporary
scaffoldings, the joy of being awarded the scenography award
when in Fontainebleau by chanting and acting with trees and
bamboos. Clearly, those few weeks in Fontainebleau brought me
the idea of my thesis, and from that thought came the act of a
year of research, and here I am pursuing the same interest I had
two years ago as a profession. Merci beaucoup Fontainebleau
Schools. Indeed still my most amazing summer ever»
The Dramaturgy of Construction
« Notre équipe a gagné le prix de la
scénographie en 2011 avec notre installation
dans les jardins du château. J’ai alors pris
conscience de la scénographie en psalmodiant
et jouant avec les arbres et les bambous. Cette
expérience m’a conduite à ma thèse et à mon
travail actuel. « Merci beaucoup Fontainebleau,
ce fut un été exceptionnel ».
RON WITTE
Summer1983
Architecture
University Attending While at Fontainebleau: Cal Poly San Luis
Obispo
Architect and Professor, School of Architecture, Rice
University, Houston, Texas, USA
In a word, vast.
Golden House - Princeton - New Jersey
En un seul mot : grandiose.
DAVID M. FOXE
Summer 2006
• In which program were you enrolled at
Fontainebleau?
Fine Arts and composition
Mon séjour à Fontainebleau a cristallisé mon
enthousiasme pour dessiner des formes
élégantes et faire des propositions dans des
lieux historiques. J’ai continué à travailler en
Massachusetts Institute of Technology
tant que professionnel dans le domaine de
Architect at Moshe Safdie Architects / Visiting Lecturer at Tufts
le siège des Nations Unies et des constructions
University / Faculty at Boston Architectural College
My time at Fontainebleau crystallized my enthusiasm for
designing elegantly formed structures and proposing new
interventions in historic settings. I have gone on to practice
professionally on designs and rehabilitation work for the
Massachusetts State House, the United Nations Headquarters,
and also other new buildings in historic campuses. Outside of
work for local firms, I cowrote a structures textbook with a team
that designed innovative sample projects (see image),
I have taught modern architecture and technical design, and
I continue to compose piano and chamber music.
la décoration et de la restauration pour la
Chambre et le Sénat de l’état du Massachussets,
neuves sur les campus historiques. En dehors
de mon travail dans des agences locales, je
coécris un livre sur des structures innovantes,
j’enseigne l’architecture moderne et technique
et je continue à composer des œuvres pour
piano et musique de chambre.
«Entry Canopy» as featured in Form and Forces : Designing Efficient - Expressive Structures
JOHN M. KEREKES
Summer
Architecture
New Jersey Institute of Technology, School of Architecture
I am the principal of a Land Planning and Development firm
specializing in commercial/retail projects in the Northeastern
US.
The Fontainebleau School opened my eyes to a world beyond
the practice of architecture. It helped me understand the
overall process of the built environment. The program guided
me toward a graduate degree in city planning and a law degree
specializing in land use matters.
Shopping center - Sketch color - 2007
L’Ecole de Fontainebleau m’a ouvert les yeux
sur un monde qui va au-delà de la pratique
de l’architecture. Cela m’a permis de
comprendre le processus de la construction
des bâtiments qui nous entourent. Et m’a
conduit à préparer un diplôme d’urbanisme
et de droit spécialisé dans les questions
d’utilisation des terrains.
KENNETH KIM
Summer 1992
Architecture
unique et suivre des cours au château et dans
Carnegie Mellon University
Principal, owner, co-founder, of MOREMAS design studio.
To live in Fontainebleau was a genuine privilege and to work
at the palace and its surrounding gardens and woodlands
simply inspiring. I had the added good fortune to stay the
following year in Paris studying architecture and working at the
L’Academie d’Architecture. I experienced first hand the many
new projects completed or underway at the time and began my
conscious understanding of the contemporary to the broader
history of world architecture.
ESSM (view of entrance hall - built 2011 - photo by Jesús Granada)
Vivre à Fontainebleau a été un privilège
ses jardins une inspiration extraordinaire.
Récipiendaire du premier prix de l’architecture,
mon séjour en 1993 à la cité des arts et mon
travail à l’Académie d’architecture m’a permis
de bien étudier de nouveaux projets en voie
de réalisation et d’ainsi comprendre la relation
qui lie le travail contemporain a l’envergure
historique de l’architecture mondiale.
BARBARA J. HAUGE
• What year did you attend Fontainebleau? :
Summer 2011
• In which program were you enrolled at Fontainebleau? :
Architecture
Je m’en inspire dans les jardins que je crée. Ce
attending Fontainebleau? :
City College of New York
• What is / was your profession? :
As a landscape architect, I am fortunate that my career includes
a good balance of design, lecturing, and pro bono projects
spanning residential, community, commercial and institutional
categories primarily in Pennsylvania, USA.
Le thème de l’année 2001 était le clair/obscur.
phénomène souvent décrit en ombre et lumière
m’a emmenée dans les jardins avec les plantes
et les fleurs éphémères, les saisons qui créent
des sentiments divers dans l’espace. Pendant
l’été des amitiés durables et positives se sont
créées et restent présentes malgré l’absence de
contacts journaliers.
The focus of our projects at Fontainebleau was Clair-Obscur.
This effect sometimes described as light and shadow, for me,
is exemplified in gardens I create using the transitions of the
ephemeral plants/flowers appearing and disappearing through
the seasons to create desired feelings in the spaces. During that
summer, great friendships were forged which remain positive
influences that are clearly permanent though absent of the
luxury of daily contact.
Bird’s eye view of the Indiana University of Pennsylvania’s Outdoor Learning Center - Philadelphia - United States
SEAN BILLY KIZY
Summer 2007
Architecture
Fontainebleau?
University of Michigan Taubman College of Architecture and
Urban Planning
Following a M.Arch from Rice University in the Spring of 2012
and completing the «Weak Form - Strong Subject» Kinder
Institute grant initiative with Albert Pope, I have currently taken
a junior level architect position with OMA in New York City.
Fontainebleau influenced my work and professional mindset
by focusing on a range of architectural agendas. From studying
under several different professors or collaborating with the
musicians on a final performance project, every aspect of my
Fontainebleau experience was centered on an expansion for the
practice of architecture.
Weak Form - Strong Subject
Fontainebleau a influencé mon travail et mon
optique professionnelle en se concentrant sur
divers projets architecturaux.
Les différents studios avec des professeurs
différents chaque semaine, la collaboration
avec les musiciens pour le projet final,
chaque instant font de Fontainebleau une
expérience unique qui a enrichi ma pratique de
l’architecture.
MARVIN BROWN
Summer 2005
Not Enrolled
rencontrer des jeunes artistes, architectes ou
N/A
battus et de leurs racines. J’ai exaucé mon vœu
I wished to have association with young artists (architects,
designers and visual artists) who were making things separate
from «familiar» forms and conversant with fresh motives. An
ability to articulate a root interest through a unique sense of
form, be it devoid of known content or narrative was essential
to that encounter. That experience and those aspects of the
creative process that might be called timeless or universal in
nature were apparent to me at Fontainebleau. I’ve been able to
retain those impulses to the benefit of my work.
Mon souhait depuis longtemps était de
designers qui faisaient des oeuvres différentes
avec des idées innovantes, loin des sentiers
en venant à Fontainebleau en 2005. Mon travail
a benéficié de ce coup de pouce qui me sert
encore aujourd’hui.
«Untitled» - Coated paper - Xeroxgraphy - transfer (drawing) image - cut printed paper collage
PATRICIA CASHIN
Summer 1954
Post graduate from Hofstra University, New York
I continue to paint nonobjective paintings and experimental
work in mixed media (I was an abstract
expressionist, minimalist etc along the way during my career.
Always expressing who I am)
My experience at Fontainebleau made me aware of my passion
for painting and this started me on my path to continue my
studies. Returning from Europe I worked with a number of
artists and for two years I studied with Albert Mullen from the
University of Michigan, entered Wayne State University where
I received my Masters. I later attended a post graduate program
in art and education at Miami University of Ohio. I continue
to paint and show and sell my work.(check my website, www.
patcashin.com).
Sense of Place II «52 x 52» acrylic on canvas
Mon expérience de Fontainebleau m’a rendue
consciente de ma passion pour la peinture
et a changé le cours de mes études. A mon
retour d’Europe, j’ai travaillé avec beaucoup
d’artistes et pendant 2 ans avec Albert Mullen
de l’université du Michigan. J’ai passé mes
diplômes de masters à Wayne University, puis
un diplôme post graduate à l’université Miami
de l’Ohio. Je continue à peindre et à faire des
expositions et à vendre ma peinture.
THOMAS DOBBS
Summer 1987
Fontainebleau?
North Dakota State University
Fontainebleau m’a ouvert les yeux sur
l’interaction entre les arts. Cette expérience
m’a fait découvrir le pouvoir créateur du
mélange des différentes disciplines enseignées
Principal, Hay Dobbs P.A. Architecture-Urban Design-PlanningInteriors, Minneapolis, MN
à Fontainebleau, ce qui nous donne un réel
Fontainebleau opened my eyes to the power of an immersive
cross-discipline learning experience. The experience influenced
and inspired my career where creative firepower fuels a cross
discipline design approach to all we do. We hold a competitive
advantage in many of our markets because of this approach.
I hold dear those memories of listening to colleagues play the
piano over lunch, experiencing Marion’s zeal, hearing peacocks
in the garden and debating design ideas in the café, hotel or
studio.
piano à l’heure du déjeuner, l’enthousiasme
avantage sur les autres.
Les souvenirs des collègues travaillant leur
de Marion Tournon-Branly, les paons dans les
jardins, les discussions des projets au café ou
dans le studio,….ces souvenirs sont encore
présents dans mon cœur.
Principal, Hay Dobbs P.A. Architecture Urban Design Planning Interiors - Minneapolis - MN - United States
MARK KRAMER
Summer 1972
Catholic University of America
d’apprécier comment architecture, art et
For the past 30 years I have blended my career as residential
architect and figurative sculptor using bronze and welded steel
medians.
la cuisine, les rencontres sont encore dans ma
My experience at Fountainbleau and the Chateau gave me
an appreciation of how architecture, art and music could be
blended into a career. The incredible ambiance, the enriching
culture, tasteful cuisine and interesting people have since
remained with me. The summer program became a lifechanging experience and has connected me to France forever.
Mon expérience de Fontainebleau m’a permis
musique pouvaient se mélanger dans une
même carrière. L’ambiance incroyable, la culture,
mémoire et dans mon cœur. Ce programme de
l’été 1972 a changé le cours de ma vie et m’a lié à
la France pour toujours.
The Lyrical Lady, a 25 ft. tall welded steel sculpture representing a woman playing a harp - Gateway to Bethesda - MD
FREDERICK NICHOLS
Summer 1969
University of Virginia, Charlottesville, Virginia, USA
avec les premiers pas de Niels Armstrong sur
Full time artist (Painter, Printmaker)
les jardins et la foret ont eu une influence
My experience at the Ecoles des Beaux Arts, Fontainebleau,
was during the summer of 1969. It was an exciting summer
with the U.S. landing on the moon. We listened to music as we
painted under Idoux. I was experimenting with ideas of circular
perspective, being unaware of Leonardo’s theories. The environs
of Fontainebleau, the forest and the gardens, were the biggest
influence on my career painter for the next forty years. Nadia
Boulange and the community treated us as professionals.
It was the first time I was taken seriously as an artist.
années qui ont suivi. Grâce à Nadia Boulanger,
«Fall, Rapidan» oil / Linen 24 x 36 2013
Quel été passionnant que celui de l’année 1969
la lune ! J’ai découvert les théories de Leonard
de Vinci. Les environs de Fontainebleau,
énorme sur ma carrière de peintre pour les 40
c’était la première fois que l’on me considérait
comme un artiste.
ANTHONY PHILLIPS
Summer 1961
Fontainebleau?
Yale University
ma sensibilité dans la culture française.
Still working and exhibiting; retired but still teaching one class
as Professor Emeritus at the Art Inst. Of Chicago
et pris conscience de mon potentiel et de mes
My summer at Fontainebleau infused my sensibility with
a rich dimension of French culture. My education theretofore
had been formalistic. Studying sculpture with Etienne-Martin,
along with my general experience there, bestowed upon me
an expanded, emotionally-charged awareness of my potential.
A Bird and Two Planes - 2009
Mon été 1961 à Fontainebleau a baigné
Mon éducation était académique. En étudiant
la sculpture avec Etienne Martin, j’ai découvert
capacités.
CHRISTINE
REINKE-ROUSSEAU
Summer 1988
Fontainebleau?
I had just graduated from Columbia University with a Master
of Architecture degree.
Les Ecoles d’art américaines m’ont donné
l’opportunité de voir de l’intérieur l’architecture
et l’art français. Premier prix de l’architecture
en 1988 j’ai décidé que je voulais avoir en plus
une expérience de travail en France. Pour faire
I have my own practice in Paris, France. (www.crrarchitecte.com)
my work ranges from commercial work to hotels, office design
and private residential work. My office manages all phases from
design to construction supervision.
court, je ne suis plus jamais retournée aux Etats
The Ecole d’Art Americain gave me the opportunity to get
an «insiders» view into the making of art and architecture
in France. After receiving the Fontainebleau Prize from the
Académie d’ Architecture which gave me a sabbatical year
in Paris I decided that I wanted to get « French » work experience
too. To make a long story short, I never went back to the US. Paris
has been my home ever since. I find Paris & France as a whole
globally inspiring. . . some days it still feels like I’m living in a
dream. By the way, I was also a Professor from 1995 to 1999 and
then the Assistant Director from 2000 to 2002.
Je suis devenue professeur à Fontainebleau.
B&B Hotel - Competition winner : a new room concept - Italy - 2008
Unis et Paris est devenue mon domicile. Je suis
inspirée par Paris et la France presque comme
dans un songe…
de 1995 à 1999 avec Jean-Louis Nouvian puis
assistante de 2000 à 2002.
Delsey - Store Concept, International whit NORD - 2008
ROBIN
SANFORD ROBERTS
1990 : “Architecture and Theatre Studies”
Fontainebleau?
Louisiana State University, Post Bachelor of Architecture
et des professeurs, du choix des projets,
Theatrical scenic and costume designer and mixed media artist.
des costumes. Cette expérience m’a orienté vers
While at Fontainebleau, I was greatly influenced by the artistic
mentors, creative projects, live theatre and musical performances,
including an inspiring trip to the theatre festival at Avignon.
This exposure opened my eyes to the imaginative world of
theatrical scenic and costume design, which led me to graduate
studies at UCSD and a subsequent career in theatre. I am forever
grateful for the stimulating experiences and the confidence
gained from receiving the “Lounsberry award for creative
excellence”, and I credit Fontainebleau as a turning point in my life
and design career (on the perils and issues of crossing
the International Borders).
En 1990, sous l’influence du festival d’Avignon
des performances avec les musiciens j’ai
découvert l’univers créatif du théâtre et celui
des études de théâtre à UCSD. Fontainebleau
a été un tournant dans ma vie et ma carrière.
“The Boat/El Barco” commission installation at University - California - San Diego
CHRISTINE ROJEK
Summer 1971
Fontainebleau?
University of Illinois Urbana/Champaign, BFA, Painting
moi a la fois magique et encourageante.
Since 1972 I have exhibited widely as well as created and
installed over 30 interactive/kinetic, public scale sculptures
throughout the United States.
donné le courage de combiner la sculpture,
Attending Fontainebleau was a magical and uplifting
experience. The collaborative, whimsical and experimental focus
of the Fontainebleau fine arts instructors gave me the courage
to combine sculpture, dance and sound within my artwork.
When I returned from Fontainebleau I had my first one-person
exhibition in Chicago. Following this exhibit I joined a dynamic
artist’s cooperative where I pursued the interactive work
that I had begun at Fontainebleau. The entire Fontainebleau
experience was at once life and career changing.
“Breeze Keeper” - an interactive - wind - activated public sculpture
L’expérience de Fontainebleau a été pour
L’atmosphère originale, voire ludique, créatrice
et collaborative créée par nos professeurs m’ont
la danse et le son au sein de mon œuvre.
De retour de Fontainebleau, j’ai monté ma
première exposition en solo a Chicago.
Puis j’ai décidé de m’associer a une coopérative
d’artistes ou j’ai poursuivi le travail interactif
que j’avais commencé a Fontainebleau.
Cette année 1971 a changé et ma vie et ma
carrière.
ROGER SHIPLEY
1962, Painting
Fontainebleau?
Otterbein College
Emeritus Professor of Art, Lycoming College; currently a practicing
artist
Fontainebleau added maturity to my art especially in the use of
color in the landscape. I was also influenced musically through my
participation in the choir under the direction of Nadia Boulanger.
I continued my career in art receiving the MFA from Cranbrook
Academy of Art and teaching art at Lycoming College for 43 years. I
continue my career as an artist and can still carry a tune.
«Ocean Breeze»
• Ce que vous a apporté Fontainebleau:
Fontainebleau m’a fait mûrir surtout dans
l’utilisation de la couleur dans les paysages.
J’ai été influencé par Nadia Boulanger en
participant à la chorale. J’ai enseigné pendant
43 ans. Je poursuis ma carrière d’artiste et peux
toujours chanter….
JOHN SPORTORNO
1981
Fontainebleau?
California Polytechnic State University, San Luis Obispo
de vraiment voir et regarder un monde plus
Senior Design Associate, Hawley Peterson Snyder, Architecture,
Interiors, Planning
d’un projet qui inclut la collaboration,
Opportunity to “see” a larger world and gaining an
understanding that the best design processes continue
through the duration of a “project” incorporating collaboration,
constructive criticism, learning, adaption, and compromise.
Sketching, painting, and photography became a joyous and
rewarding experience. Surrounded with examples from the
masters, each new subject became an exciting challenge,
often looking beyond ordinary realism, searching for essence,
personality, mood.
la peinture et la photographie m’ont
«Zion Upper Peaks 2»
Fontainebleau a été l’occasion pour moi
large et de comprendre véritablement que
les meilleures réalisations se font tout au long
les critiques positives, l’adaptation,
l’apprentissage, le compromis. Le croquis,
apporté beaucoup de plaisir et de sentiment
d’accomplissement. Entouré des exemples
des artistes du passé, chaque nouveau sujet
devenait un stimulant défi, car il fallait souvent
voir outre la réalité ordinaire, pour atteindre
l’essence, la personnalité unique et son humeur
propre.
STANLEY WIRPSZA
Summer 1972
Fontainebleau?
The Catholic University of America
Washington ,DC USA
de connaitre le Louvre, la Seine et les châteaux.
Architect to the Federal Aviation Administration
Fontainebleau provided the opportunity to experience the broad
and varied culture of the Louvre, famous bridges of the Seine
and French Chateaus. This provided me with the skills to develop
Architectural designs with a vision to serve the needs of society
and the built environment.
Federal Aviation Administration - Atlantic City Airport - New Jersey
Fontainebleau m’a donné la chance
Cela m’a donné la capacité de développer
des projets qui tiennent compte des besoins
de la société et du bâti dans son environnement.
KENNETH WONG
CHI-KAN
2009
Fontainebleau?
The Chinese University of Hong Kong
Looking for another adventure after practice in Switzerland
and Japan
Une découverte de l’architecture qu’aucun livre ne peut
offrir. L’inspiration, l’imagination débordante et les dessins
à main levée m’ont donné envie de travailler dans des
endroits différents pour mettre en pratique et partager ce
que j’ai appris à Fontainebleau.
It is a journey of discovery of my adherence, passion and curiosity
in Architecture that no books can offer. Inspiring and fascinating
virtuosity, astonishing imagination and outstandibg hand
drawings skill training in the program motivate me to seek for
chances to work in different places to apply and share what
I gained in Fontainebleau and explore new possibilities of my life,
which is beneficial for own pratice in the future.
Urban Biotope - Eco-cultural hub & Kai Tak river regeneration - The desig of sustainable urban space - 2009
NATALIA ZAITSEVA
2009, 2010
Moscow Architectural Institute
de ma perception et de mon imagination.
Now I’m a mother - architect.
School in Fontainebleau expanded the boundaries
of my perception and imagination.
My son Ivan - 7 months - to the March 2013
L’Ecole de Fontainebleau a repoussé les limites
ELEONORA ZILIANTI
2002
Fontainebleau?
City College of New York
Fontainebleau ont stimulé mon énergie
Landscape Architect, principle of Landstudio NY
particulier pour le projet du Rainy Park
Working intensively over a five-weeks period with a diverse,
talented faculty in the inspired setting of Fontainebleau was an
energizing, creatively stimulating experience.
The artist and teacher Marino di Teana has strongly influenced my
design process, particularly for Rainy Park Playground in New York
City. Fountainbleau also had a profound effect on my personal life.
I met a pianist Jim Demko there, and we are now married.
Rainey Park Playground - Queens - New York - 2007
Cinq semaines dans le site enchanteur de
créatrice. Le professeur Marino di Teana a
profondément influencé mon travail en
Playground à New York. J’ai aussi rencontré en
2002 celui qui deviendra mon mari, le pianiste
Jim Demko.
James McCullar,
FAIA
Par l’introduction à la culture française,
Summer 1962 l’architecture et l’urbanisme, Fontainebleau
Fontainebleau?
Rice University
Market est le reflet de cette influence où le jury
Fontainebleau influenced my life and work through the
introduction to French culture, architecture, and urbanism.
The Jamaica Market is a reflection of that influence, where
the jury wrote: «Responding to the social act of place making,
this market is a community force and a community resource...
a beautifully executed civic space.
The Jamaica Market proves that such a huge urban design
success must rely on a marriage of design, policy, and an
involved community.»
communauté, une ressource et un bel espace
«A Solar Monticello» - Completion 1981 - Fayette - Missouri
a influencé ma vie et mon travail. Le Jamaica
a écrit : « en réponse à l’acte social du projet
de place, ce marché est une force de
civique. Le Jamaica Market prouve que le succès
d’un aussi gigantesque projet urbain doit
reposer sur une alliance du projet créateur,
du projet civique et de la communauté
concernée »
MITCHELL LEVY
Student: 1993
Assistant to Director: 1994
Assistant to Director: 2000
Washington University in St. Louis
San Chong Mixed-Used Master Plan: the project is a 2 million
square foot project developing a new downtown location
connecting the rail road with the river: the project includes
a 1 million square foot retail mall, 6 residential towers
and a sky park.
Career: Sr. Vice President at VOA Architecture in New York City,
in charge of special projects and Office management.
Fontainebleau reinforced the ideals that architecture
encompasses many different worlds; art, philosophy, technology,
financial and psychology to solve problems for human use.
Night Aerial SanChong VOA
Fontainebleau a renforcé les idées que
l’architecture englobe beaucoup de sujets :
l’art, la philosophie, la technologie, la finance
et la psychologie pour résoudre les problèmes
du genre humain. Premier prix de l’architecture
en 1993 Mitchell Levy est membre du conseil
d’administration des Fontainebleau associations.

LIA KILADIS - Fontainebleau Schools

Transcription

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