Programme Overview Partner / Institutions

Transcription

Programme Overview Partner / Institutions
More information and updates www.berlinartweek.de
Date of information: 29 July 2016 / subject to change
abc art berlin contemporary
Station Berlin
Luckenwalder Straße 4—6, 10963 Berlin
www.artberlincontemporary.com
15—18 SEP 2016
Thu 4—8 pm, Fri, Sat 12—7 pm, Sun 12—6 pm
This September, the ninth edition of abc art berlin contemporary will take place, continuing its commitment
to a format that places the artist and their presentation of work at the center. Founded by a group of Berlin
galleries, abc invites a group of national and international peers to present solo presentations of artists within
their programme. abc has returned to Station Berlin, whose centrally located exhibition spaces reflect
characteristic features of the city – a passion for experimentation and openness to evolution and change,
enabling abc’s continual development and transformation.
abc will focus on a concentrated selection of singular presentations to be exhibited in an architecture
developed by the office of Johanna Meyer-Grohbrügge. A complex of U-shaped units in the large exhibition
hall will create a cabinet-like atmosphere, promoting a direct and deepened engagement with the individual
artistic positions encountered.
The galleries and artists are: Athr: Aya Haidar / Galerie Guido W. Baudach, Vilma Gold: Markus Selg /
Galerie Guido W. Baudach: Tamina Amadyar / BQ: Raphaela Vogel / Buchmann Galerie: Martin Disler / Galerie
Luis Campaña: Dirk Skreber / Capitain Petzel: Monika Sosnowska, Pieter Schoolwerth / carlier gebauer:
Laure Prouvost / Charim Galerie: Lisl Ponger / Mehdi Chouakri: Saâdane Afif / Delmes & Zander: André
Robillard / Dittrich & Schlechtriem: Simon Mullan / Galerie Eigen+Art: Despina Stokou / Ellis King: Ryan
Estep / Konrad Fischer Galerie: Juergen Staack / Galerie Bärbel Grässlin: Secundino Hernández /
Grimmuseum: Alona Rodeh / Galerie Karin Guenther, Galerie Barbara Weiss: Berta Fischer / Galerie Michael
Haas: Dirk Lange / Häusler Contemporary: Roman Signer / Natalia Hug: Alwin Lay / Galería Isla Flotante:
Mariela Scafati / Klemm´s: Sven Johne / Helga Maria Klosterfelde Edition: William N. Copley and Dimitri
Petrov / KM: Simone Gilges / Galerie koal: Yitzhak Golombek / Christine König Galerie: Micha Payer + Martin
Gabriel / König Galerie: Erwin Wurm / Kraupa-Tuskany Zeidler: GCC / Krobath: Sofie Thorsen / Galerie Gebr.
Lehmann: Eberhard Havekost / alexander levy: Fabian Knecht / Linn Lühn: Florian Baudrexel / Galerie Hans
Mayer: Kenny Scharf / Galerie Max Mayer: Henning Fehr and Philipp Rühr / Galería Metropolitana: Joaquín
Luzoro / Meyer Riegger: Robert Janitz / Meyer Riegger, The Modern Institute: Scott Myles / Galerie nächst
St. Stephan Rosemarie Schwarzwälder: Daniel Knorr / Galerie Tobias Naehring: Eva Grubinger / Galerie Neu:
Sean Snyder / neugerriemschneider: Noa Eshkol / Galerie Georg Nothelfer: Madeleine Dietz / Piktogram:
Tomasz Mróz / Profile Gallery: Jarosław Kozłowski / PSM: Ariel Reichman / Dawid Radziszewski: Marcin
Zarzeka / Philipp von Rosen Galerie: Jose Dávila / Aurel Scheibler: Michael Wutz / Esther Schipper:
Christopher Roth / Galerie Thomas Schulte: Julian Irlinger / Gabriele Senn Galerie: Marko Lulić / Sies + Höke:
Press contact: Berlin Art Week c/o Kulturprojekte Berlin GmbH, Klosterstr. 68, 10179 Berlin,
Susanne Kumar-Sinner, Tel. +49 (0)30 24749 – 849, [email protected],
Tanya Jochims, Tel. +49 (0)30 24749 – 819, [email protected]
Marcel Dzama / Société: Sean Raspet, Timur Sí-Qin / Sperling: Andrew Gilbert / Sprüth Magers: Andreas
Schulze / galeria stereo: Roman Stańczak / Galerie Fons Welters: David Jablonowski / Wentrup: Miriam
Böhm / Barbara Wien: Ian Kiaer / Zak Branicka: Joanna Rajkowska
Opening
15 SEP, 4—8 pm
Programme with talks and performances
17 SEP
abc Gallery Night
16 SEP, 6—9 pm, different locations
On Friday evening of abc, Berlin-based galleries will open their doors.
Galerie Guido W. Baudach Yves Scherer / BQ Dirk Bell / Buchmann Galerie Fiona Rae / Capitain Petzel
Sean Landers / carlier I gebauer Sara Barker, Sebastian Diaz Morales / Mehdi Chouakri Sylvie Fleury /
Delmes & Zander Obsession / DITTRICH & SCHLECHTRIEM Roger Ballen, Asger Carlsen / Galerie EIGEN
+ ART Remy Markowitsch / Galerie EIGEN + ART Lab Laura Buckley / Konrad Fischer Galerie Carl Andre,
David Douard / Grimmuseum Mike Hentz / Galerie Michael Haas Zeichnungen. Vom 19. bis zum 21. Jahrhundert / KLEMM´S Jan Groover / Helga Maria Klosterfelde Edition Cécile B. Evans, Yuri Pattison
KM Lily Wittenburg / Galerie koal Ingo Mittelstaedt / KÖNIG GALERIE Daniel Turner, Andreas Schmitten /
Kraupa-Tuskany Zeidler Florian Auer / alexander levy Sinta Werner / Meyer Riegger Björn Braun / Galerie
Neu Cerith Wyn Evans / Neugerriemschneider Mike Nelson / Galerie Georg Nothelfer 3D - Skulpturen und
Objekte / PSM Ariel Reichman / Aurel Scheibler Neil Gall / Esther Schipper Ugo Rondinone / Galerie
Thomas Schulte Birgit Jürgenssen, Katharina Sieverding, Cindy Sherman, Francesca Woodman / Société
Trisha Baga / Sprüth Magers Sterling Ruby, Gruppenausstellung: Louisa Clement, Anna Vogel, Moritz
Wegwerth / Kuratiert von Andreas Gursky / Galerie Barbara Weiss Amelie von Wulffen / WNTRP Hicham
Berrada / Barbara Wien Nina Canell / Zak Branicka Marlena Kudlicka, Diogo Pimentão und Ignacio Uriarte
POSITIONS BERLIN—ART FAIR
Postbahnhof am Ostbahnhof
Straße der Pariser Kommune 8, 10243 Berlin
www.positions.de
15—18 SEP 2016
Thu 6—10 pm, Fri, Sat 1—8 pm, Sun 11 am—6 pm
From 15–18 September, once again POSITIONS BERLIN Art Fair shows its visitors at Postbahnhof what is
important for the international art scene: discovering and rediscovering, quality and a discourse that reaches
both established collectors and a young audience that is enthusiastic about art. The displayed artworks don't
chase after trends, but represent relevance and actuality. Strong emerging and established contemporary
works are presented next to modern art and enter into a mutual dialogue, therefore the fair shakes off
outdated categorizations and invites to take new perspectives. 74 Exhibitors from 13 Countries present their
most concise artistic positions. Both newcomers and galleries with more than 40 years of exhibition history
were selected.
Opening
15 SEP, 6—10 pm
2
Visitor Days
16 SEP, 1—8 pm
17 SEP, 1—8 pm
18 SEP, 11 am—6 pm
Participating Galleries:
55 Limited | Berlin (DE), 100 Kubik – Raum für spanische Kunst | Köln (DE), Galerie Albrecht | Berlin (DE),
Galeria Miquel Alzueta | Barcelona (ES), Galerie Am Meer | Düsseldorf (DE), Galerie Judith Andreae | Bonn
(D), Artax Kunsthandel | Düsseldorf (DE), Galerie Art Cru | Berlin (DE), (AV17) Gallery | Vilnius (LT), Galerie
Bart | Nijmegen (NL), Berlinartprojects | Berlin (DE), Beta pictoris gallery / Maus Contemporary | Birmingham
(USA), Galerie Born | Berlin (DE), Bräuning Contemporary | Hamburg (DE), Brennecke Fine Art | Berlin (DE),
Galerie Burster | Berlin (DE), C&K Galerie | Berlin (DE), Christopher Cutts Gallery | Toronto (CA), Galerie
Horst Dietrich | Berlin (DE), Galerie Robert Drees | Hannover (DE), Drei Ringe | Leipzig (DE), Dr. Julius | ap |
Berlin (DE), Galerie Eigenheim | Weimar/Berlin (DE), Galerie Floss & Schultz | Köln (DE), Frantic Gallery |
Tokio (JA), Galerie Thomas Fuchs | Stuttgart (DE), Fucking Art Gallery | Madrid (ES), Galerie Gerken | Berlin
(DE), Galerie Greulich | Frankfurt am Main (DE), Kunsthandel Ralph R. Haugwitz | Berlin (DE), Galerie Ernst
Hilger | Wien (AT), Jarmuschek + Partner | Berlin (D), Kir Royal Gallery | Valencia (E), Galerie Anja Knoess |
Köln (DE), Galerie Inga Kondeyne – Raum für Zeichnung | Berlin (DE), Kunststiftung Sachsen-Anhalt | Halle
(Saale) (DE), Galerie Ulf Larsson | Köln (DE), Lorch + Seidel Contemporary | Berlin (DE), Galerie Gilla Lörcher
| Contemporary Art | Berlin (DE), Anna Jill Lüpertz Gallery | Berlin (D), Galerie Reinhold Maas | Reutlingen
(DE), Maerz Contemporary | Berlin/Molde (D/NOR), Māksla XO Gallery | Riga (LV), Marke.6 | Weimar (DE),
Gallery Meno Niša | Vilnius (LT), Gallery Meno Parkas | Kaunas (LT), Galerie Martin Mertens | Berlin (D),
Mianki.Gallery | Berlin (D), Galerie Mönch | Berlin (DE), Kunsthandlung Osper | Köln (DE), Galerie PetersBarenbrock | Ahrenshoop (DE), Katharina Maria Raab | Berlin (DE), Radike-Kittelmann | Bad Doberan (DE),
Thomas Punzmann Contemporary | Frankfurt am Main (DE), Galerie Sardac | London (GB), Galerie Alex
Schlesinger | Zürich (CH), Peter-Christian-Schlüschen-Stiftung | Berlin (DE), Schmalfuss Berlin –
Contemporary Fine Arts | Berlin (DE), Galerie Schwarz | Greifswald (DE), Galerie Heike Strelow | Frankfurt
am Main (DE), Galerie Subjectobject | Berlin (DE), Galerie Tammen & Partner | Berlin (DE), Stiftung
Telefonseelsorge | Berlin (DE), Tsekh Gallery | Kiew (UA), Umtrieb – Galerie für aktuelle Kunst | Kiel (DE),
Víctor Lope Arte Contemporáneo | Barcelona (ES), WE Gallery | Berlin (D), Westphal Berlin | Berlin (D),
Michael J. Wewerka | Berlin (DE), Whiteconcepts | Berlin (DE), Wichtendahl Galerie | Berlin (DE), Galerie
Wolfstaedter | Frankfurt am Main (DE), Zellermayer Galerie | Berlin (DE), ZS Art | Wien (AT)
Talks and Performances
16—18 SEP
Art Prize Berlin Hyp
Award Ceremony
17 SEP, 1 pm
Peter-C.-Schlüschen-Preis für Nachwuchsfotografie
Award Ceremony
17 SEP, 6 pm
Exhibition of Berlin Hyp-Award Winner 2015 (during Berlin Art Week but not at the art fair venue)
Wolfgang Ganter
Opening 7 SEP, 6 pm
Berlin Hyp, Budapester Str. 1, 10787 Berlin
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Artist Films at Kino International
Kino International
Karl-Marx-Allee 33, 10178 Berlin
www.kino-international.com, www.haubrok.org
14 SEP 2016, 11 am—midnight
Opening 13 SEP, 10 pm
Berlin Art Week with Monopol and Artist Films
For this year’s Berlin Art Week 2016, the haubrok foundation in cooperation with Kino International is hosting
a 13 hours programme dedicated solely to artist’s films. Artist Films at Kino International will offer a wide
audience the opportunity to get to know outstanding film works by internationally renowned artists. The
programme will be curated by Marc Glöde. Parallel to this event, two exhibitions will be held. The library of
Kino International will feature a solo show by Peter Welz, who has worked intensely with historical film
positions in his artistic work. At Fahrbereitschaft in Berlin-Lichtenberg, the exhibition “between frames” will
be shown, which works with film without film, the cinema in our minds.
Artists: Yuri Ancarani, Kenneth Anger, Vajiko Chachkhiani, Cerith Wyn Evans, Barbara Hammer, Sharon
Lockhart , Sarah Morris, Bruce Nauman, Olaf Nicolai, Stephen Prina, Ugo Rondinone, Christopher Roth,
Erik van Lieshout, Peter Welz, Lawrence Weiner
9th Berlin Biennale for Contemporary Art
www.bb9.berlinbiennale.de
4 JUN—18 SEP 2016
Wed—Mon 11 am—7 pm, Thu 11 am—9 pm
Special for Berlin Art Week
14. SEP 2016 noon - midnight
The 9th Berlin Biennale for Contemporary Art entitled with “The Present in Drag” invites to a finale during
Berlin Art Week with 12 hours of Performances, Lectures and Music with CUSS Group, Nik Kosmas, Trevor
Paglen, Alexandra Pirici, Puppies Puppies, Daniel Steegmann Mangrané and many more at all five venues.
Akademie der Künste
Pariser Platz 4, 10117 Berlin
ESMT European School of Management and Technology
Schlossplatz 1, 10178 Berlin
The Feuerle Collection
Hallesches Ufer 70, 10963 Berlin
KW Institute for Contemporary Art
Auguststraße 69, 10117 Berlin
Blue-Star sightseeing boat of Reederei Riedel
Docking at Märkisches Ufer 34, 10179 Berlin
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Akademie der Künste
Hanseatenweg 10, 10557 Berlin
www.adk.de
Tue—Sun 11 am—7 pm
Käthe-Kollwitz-Prize 2016. Edmund Kuppel
Exhibition 3 SEP—3 OCT 2016
Award Ceremony and Opening 2 SEP, 7 pm
Edmund Kuppel (b. 1947) will be awarded this year’s Käthe-Kollwitz-Preis by Berlin’s Akademie der Künste.
With this prize, the Akademie honours an artist who has done pioneering work on the relationship between
photography and sculpture. His extensive oeuvre circles around photography’s processes of emergence, the
technical conditions and the perception of photography. To mark the award ceremony, the Akademie will be
showing select works by Kuppels created since the end of the 1960s. The exhibition will include sculptural
photographic works, films, videos, individual projection devices and installations for projections and the unique
cabinet of the bistrot photographer Ferdinand von Blumenfeld. The film „Les marches du heros absurd”
(2016) will be premiered as part of the show.
Nasher Prize Dialogues, Berlin
The Work of Sculpture in the Age of Digital Production
Discussion 14 SEP, 5 pm
The Nasher Sculpture Center, in partnership with Berlin’s Akademie der Kunst, presents a Nasher Prize
Dialogues programme: a panel discussion which will explore how digital technology and photographic imaging
affect sculptural practice. The panel will be comprised of artists, curators and writers who either employ or
address digital technology in the creation of sculptural work outright or in New Media work which has
sculptural concerns related to the human figure, spatial perception, and sensory experience. The panel
discussion is part of Nasher Prize Dialogues, a discursive platform which is intended to foster international
awareness of sculpture and of the Nasher Prize, and stimulate discussion and debate. Programme including
panel discussions, lectures, and symposia.
The Art of the Multitude. Jochen Gerz – Participation and the European Experience
Jonathan P. Vickery, Mechtild Manus (Hg.)
Book presentation 14 SEP, 7.30 pm
In this book, writers from Germany, France, the UK, Poland, and Serbia discuss the life work of one of
Europe’s most important artists, Jochen Gerz. His works in public space circle around the emergence of
individual and collective memory, the past and the future of Europe. Through their participative method, they
bring the democratic potential of art to the foreground in a special way. With his artworks, Gerz invites all to
participate, quite regardless of nationality, language, class, or religion. Hence the “multitude” here in the title,
which is used in the originally prepolitical sense as “mixed multitude” from the Bible.
The Ursonate
by Kurt Schwitters
16 SEP, 7pm
Admission € 10 / reduced € 8
Dadaist and creator of total works of art Kurt Schwitters wrote and composed his Ursonate between 1923 and
1932. He himself performed and recorded his work on 5 May 1923 at Reichsrundfunkgesellschaft in Stuttgart.
The score was published, designed by the well-known typographer Jan Tschichold for volume 24 of
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Schwitters’ magazine MERZ. The Ursonata takes up the tradition of sound poetry that was born 100 years
ago at Zurich’s Cabaret Volltaire around the Dadaists Richard Huelsenbeck, Hugo Ball, and Tristan Tzara. To
mark the 100th anniversary of Dada’s founding, Thomas Krüger, Anje Lucks, and the jazz quartet Potsa Lotsa
present their new interpretation of Kurt Schwitters’ Ursonate.
With: Thomas Krüger, recitation
Anke Lucks, trombone and composer
and: Potsa Lotsa
Silke Eberhard, alto saxophone, Patrick Braun, tenor saxophone, Nikolaus Neuser, trumpet,
Gerhard Gschlößl, trombone
Costumes Marie Roth
Berlinische Galerie
Alte Jakobstraße 124—128, 10969 Berlin
www.berlinischegalerie.de
Wed—Mon 10 am—6 pm
Andreas Greiner
GASAG Art Prize 2016
Exhibition 15 SEP 2016—6 FEB 2017
Opening and Performance 14 SEP 2016, 7 pm
Andreas Greiner (b. 1979) is this year’s winner of the GASAG Art Prize. The artist studied under Olafur
Eliasson at his master class for Berlin University of the Arts, also graduating from its Institute for Spatial
Experiments. In his work he addresses phenomena of the natural sciences and humanities, medicine, anatomy
and music. A range of themes from flies, microorganisms, and fattened hens to biological processes,
explosions and musical notation systems is covered by his works. In his exhibition “Agentur des Exponenten”
Greiner describes the relationship of people in our industrial and media society to nature, art and themselves.
In doing so he focuses on the exponential growth, the transformation and the increase of living beings.
DADA Africa
Dialogue with the Other
Exhibition 5 AUG—7 NOV 2016
For the 100th jubilee of the founding of Dada, Berlinische Galerie explores for the first time the Dadaist
reception of non-European cultures and their art. In five sections, around 100 works from collections in
Germany and around the world will be presented. Dadaist works enter into direct dialogue with artefacts from
Africa, Asia, and Oceania. Selected artists: Hans Arp, George Grosz, John Heartfield, Raoul Hausmann, Erich
Heckel, Hannah Höch, Man Ray, Hans Richter, Karl Schmidt-Rottluf. The exhibition will be held under the
patronage of His Excellency Dr. Otto Lampe, Ambassador of the Federal Republic of Germany in Switzerland
and in Liechtenstein, and Her Excellency Christine Schraner Burgener, Swiss Ambassador to Germany.
Modern Visionaries
Paul Scheerbart, Bruno Taut, Paul Goesch
Exhibition 15 APR—31 OCT 2016
The exhibition focuses on texts and designs by three early 20thcentury visionaries. Around 1914, the novelist
Paul Scheerbart (1863—1915) inspired the young architect Bruno Taut (1880—1938) with his ideas for
coloured glass buildings. The painter Paul Goesch (1885—1940), a trained architect, was one of the
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correspondents who contributed to the “Crystal Chain”, that famous forum of utopian construction initiated
by Taut in 1919.
The exhibition brings together about eighty vivid watercolours by Paul Goesch from the Berlinische Galerie’s
own collection, most of them never shown before, along with drawings and texts by Paul Scheerbart, Bruno
Taut and other members of the Glass Chain.
C/O Berlin
Amerika Haus
Hardenbergstraße 22—24, 10623 Berlin
www.co-berlin.org
11 am—8 pm daily
Gordon Parks . I Am You
Selected Works . 1934—1978
Exhibition 10 SEP—4 DEC 2016
Opening 9 SEP 2016, 7 pm
A camera not only takes photographs, it is also a powerful, intelligent instrument against oppression, racism,
violence, inequality and poverty. With his humanitarian view of the world, Gordon Parks (1912 – 2006) was
one of the most important and critical chroniclers of American society and its problems, particularly the
oppression of the black community and the Civil Rights movement. He worked actively for political issues that
today have lost none of their explosiveness. At the same time, Gordon Parks worked for magazines like Vogue
or Life. This fascinating simultaneity of glamour and misery makes his work in retrospect an overwhelming
visual social history of America during the twentieth century.
Adam Jeppesen . Out of Camp
Thinking about Photography
Exhibition 16 JUL—25 SEP 2016
Travelling alone from the North Pole to the Antarctic in 487 days, a journey of absolute solitude, beyond the
traditional experience of space and time, the camera always at hand, to document landscapes and abandoned
worlds. The photographs serve to insure that certain moments are remembered, which still appear like the
puzzling representation of a distorted reality. Did I really experience things that way? Adam Jeppesen
reconstructs his adventure in the current series not via the content of the photographs, but instead by way of
their presentation.
Poppy—Trails of Afghan Heroin
Installation by Robert Knoth and Antoinette de Jong
Brutal gang warfare, deadly addiction, illegal money laundering, blatant corruption, and love for money
coupled with the epidemic spread of AIDS: set up as a multi-media installation, the project Poppy documents
in an impressive way the dark side of globalization, reflected in the faces of dealers, prisoners, prostitutes,
addicts, border soldiers, and policemen. For over twenty years, Robert Knoth and Antoinette de Jong have
been tracing the paths of heroin that lead from Afghanistan through Central Asia and the Balkan to East
Africa, Dubai, and Western Europe, and wind up in the streets of London.
Talents 38 . Method
Sasha Kurmaz / Svea Bräunert
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C/O Berlin is continuing the Talents series under the title ”Method” featuring the works of Sascha Kurmaz
and texts by Svea Bräunert from July 16th to September 25th, 2016. Talents presents young photographers
and art critics on the threshold between education and career. Doing away with rules, causing irritations.
Making everyday occurrences visible. Completely unexpected. Right in the face! The nonconformist actions
of Sascha Kurmaz always take place in public spaces and almost casually break up the monotony of familiar
modes of perception. For the exhibition at C/O Berlin curated by Ann-Christin Bertrand, Sascha Kurmaz'
actions and interventions are not only present throughout the whole of the Amerika Haus but also expanded
into public space.
Deutsche Bank KunstHalle
Unter den Linden 13—15, 10117 Berlin
www.deutsche-bank-kunsthalle.de
10 am – 8 pm daily
COMMON AFFAIRS
Revisiting the VIEWS Award - Contemporary Art from Poland
Exhibition 21 JUL—30 OCT 2016
With COMMON AFFAIRS, Deutsche Bank KunstHalle presents contemporary art from Poland in cooperation
with Polish Institute Berlin, taking the renowned VIEWS Award as a point of departure – Poland’s most
important award for contemporary art, awarded every two years by Zachęta – National Gallery of Art,
Warsaw. All the works shown at this exhibition are by VIEWS Award nominees or winners, including Tymek
Borowski, Anna Molska or Karolina Breguła. COMMON AFFAIRS, curated by Julia Kurz and Stanisław Welbel,
is not conceived as a retrospective; the artists have instead been invited to engage in a process of “updating”,
reflecting the shifts and changes in art in Poland and around the world from the 1990s until today.
With works from: Paweł Althamer, Tymek Borowski, Karolina Breguła, Elżbieta Jabłońska, Rafał Jakubowicz,
Łukasz Jastrubczak, Anna Molska, Anna Okrasko, Witek Orski, Agnieszka Polska, Karol Radziszewski, Janek
Simon, Konrad Smoleński, Monika Sosnowska, Supergrupa Azorro, Iza Tarasewicz, Piotr Wysocki.
Venues:
Deutsche Bank Kunsthalle and Polnisches Institut Berlin, Burgstraße 27, 10178 Berlin
Konrad Smoleński: Untitled, 2016
Guerilla Performance taking place in a context by COMMON AFFAIRS, 17. + 18. SEP 2016
On the occasion of the VIEWS Award exhibition in 2011 Konrad Smoleński presented his video “Energy
Hunters”. The video was made in Santa Monica featuring members of the noise rock band Foot Village.
Shot in an out-of-the-way place, the video consists of sequences showing the California wilderness and the
musicians as actors, creating a sensitive image of the interplay of sound, performance, and image. For Berlin
Art Week, Smoleński returns to Energy Hunters, and links it with his audio-performative project BNNT to a
new work. Key here is that the performance takes place outside the usual exhibition spaces and the city
centre.
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HAU Hebbel am Ufer
HAU1: Stresemannstr. 29, 10963 Berlin
HAU2: Hallesches Ufer 32, 10963 Berlin
www.hebbel-am-ufer.de
Jérôme Bel: "Jérôme Bel" (1995)
HAU2, Hallesches Ufer 32, 10963 Berlin
Performance 15 and 16 SEP 2016, 8 pm
"Jérôme Bel" is a radically pared-down work bringing the author one step closer to the hallmarks of his work,
and dance to its enabling factors: lighting, music and the body. Eighteen years on, the same observation rings
true: 'a body cannot be overlooked'. With this 'given that' as his starting point Bel sought to find out more. He
wanted to pick up on the exchanges, and fluids running through the body. For want of making the body
dance, he maps it out: what are its dates, what are its measurements, and what are the signifiers that
orientate it? And what stage language can bring home its literal presence? With an economy of means
reduced to what language has to say, he serves up a deconstruction of theatrical representation which has
lost nothing of its vital impact. (G. Amavi, 2014)
Jérôme Bel: "Gala"
HAU1, Stresemannstraße 29, 10963 Berlin
Performance 17 SEP 2016, 8 pm
Jérôme Bel’s project "Gala" brings together a group of 18 people on stage of HAU1 – professional dancers and
actors as well as amateurs, gathered together in Berlin. Starting point of the performance are the questions:
how can we bring to the realms of onstage representation individuals and bodies that are all too often
excluded from such a possibility? How can we make best use of all the various resources of this unique
apparatus, the theatre – with its codes, venues, genres and professionals - in order to enlarge the perimeter
of what can be shown in it? The result is a gala that is bitty, patched up, traversed by moments of reflection,
like galleries of living portraits.
Tickets: „Jérôme Bel“: 25/20/15 €; reduced 10 €, „Gala“: 20/15/12 €, reduced 10 €
Box office HAU2: Tel +49 (0)30 259 004-27, Mon—Sat 3—7 pm,
Evening box office: one hour before the performance, Online-Booking: www.hebbel-am-ufer.de
Halil Altındere: "Köfte Airlines" (2016)
HAU2, Hallesches Ufer 32, 10963 Berlin
Halil Altındere belongs to a generation of Turkish artists who have substantially shaped the cultural
emergence of Turkey in the 1990s. His art explores questions of migration, identity and gender as well as the
influence of contemporary Western art movements on the current creative scene of Turkey. Halil Altındere's
latest work shows a group of refugees on top of an airplane. With this work, Altındere is referring to the
usually perilous journeys that innumerable refugees are forced to take on everyday due to the politics of the
EU and many other states. Altındere's work (employing various media such as video, sculpture, installation,
photography and performance) causes a stir by directly and openly criticizing the military establishment and
government policy as well as the patriarchal and nationalist structures prevailing in Turkey.
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Haus am Waldsee
Argentinische Allee 30, 14163 Berlin
www.hausamwaldsee.de
Tue—Sun 11 am—6 pm
Sven Drühl—Simulations
Landscape beyond reality
Exhibition 9 SEP—6 NOV 2016
Today, reality and artificiality are becoming more and more indistinguishable. Sven Drühl’s artistic strategy
resembles that of a visual DJ: he reinterprets, mixes, de-emotionalises, controls and works with contemporary
materials like car finish and silicon. The painter, mathematician, art historian and dancer Sven Drühl (b. 1967)
appropriates images from the collective cultural memory and transfers them into the digital age. With
unconventional means, he is able to show how profoundly “information technologies permeate phenomena in
the physical world.” (Villem Flusser)
me Collectors Room
Auguststraße 68, 10117 Berlin
www.me-berlin.com
Tue—Sun 12—6 pm
My Abstract World
Exhibition 14 SEP 2016—2 APR 2017
Moved by an enthusiasm for intense colour and bold expressive gestures, Thomas Olbricht has spent the last
30 years collecting abstract art in a wide variety of styles. At me Collectors Room, he will present a selection
of his current favourites, drawn from his collection of 350 abstract works by ninety different artists. At the
same time, with the installation of new seating arrangements, Olbricht is transforming the exhibition spaces
into a multi—sensory experience. This will allow the exhibition visitor to relax and have a drink while delving
more deeply into the artworks on display and the reading materials or music – compiled by music and art
publicist Max Dax. My Abstract World brings together a selection of international artists, from established
figures like Bernard Frize, Joseph Marioni and Katharina Grosse to representatives of a younger generation,
including Ali Banisadr, Paul Fägerskiöld and David Ostrowski.
Artists: Etel Adnan, Ahmed Alsoudani, John M. Armleder, Jo Baer, Ali Banisadr, Max Bill, GL Brierley, André
Butzer, Shen Chen, Ouyang Chun, Albrecht Demitz, Paul Fägerskiöld, Mark Flood, Bernard Frize, Andreas
Golder, Kuno Gonschior, Wang Guangle, Henriette Grahnert, Katharina Grosse, Peter Halley, Federico
Herrero, Olaf Holzapfel, Vladimir Houdek, Callum Innes, John Isaacs, Robert Janitz, Imi Knoebel, Caroline
Kryzecki, Robert Longo, Marcin Maciejowski, Joseph Marioni, Sarah Morris, David Nicholson, David
Ostrowski, Daniel Pflumm, Sigmar Polke, Liang Quan, Gerhard Richter, Sterling Ruby, Thomas Ruff, Chen Ruo
Bing, Adrian Sauer, Thomas Scheibitz, Martina Steckholzer, Henning Strassburger, Christine Streuli,
Wolfgang Tillmans, Rosemarie Trockel, Tatjana Trouvé,Brent Wadden, Ekrem Yalcindag, Toby Ziegler, Heimo
Zobernig
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Nationalgalerie—Staatliche Museen zu Berlin
At its three main houses Alte Nationalgalerie, Neue Nationalgalerie, and Hamburger Bahnhof ― Museum für
Gegenwart, the Nationalgalerie presents its collections from the nineteenth, twentieth, and twenty-first
centuries as well as special exhibitions. The Alte Nationalgalerie on the Museumsinsel Berlin covers the art of
the 19th century. As a temporal continuation to this department stands the Neue Nationalgalerie. During
necessary renovations, the Neue Nationalgalerie is closed from January 2015 for several years. The art of the
decades since the 1960s, meanwhile, are presented at the Hamburger Bahnhof – Museum für Gegenwart –
Berlin. Furthermore, the Berggruen Collection at Museum Berggruen features classic modern art, while the
neighbouring Stülerbau to the east houses the Collection Scharf-Gerstenberg, a collection of surrealist art.
Hamburger Bahnhof—
Museum für Gegenwart—Berlin
Invalidenstraße 50—51, 10557 Berlin
www.smb.museum/museen-und-einrichtungen/hamburger-bahnhof
Tue, Wed, Fri 10—6 pm, Thu 10—8 pm, Sat, Sun 11—6 pm
Anne Imhof. ANGST II
Exhibition / Performance 15—18 SEP and 22—25 SEP 2016, 8 pm—midnight
Opening 14 SEP 2016, 8—1 pm
As the winner of the Preis der Nationalgalerie 2015, Anne Imhof is being honoured with this solo exhibition in
the historic hall of Hamburger Bahnhof and her first publication. The exhibition is made possible by Verein der
Freunde der Nationalgalerie and with the generous support of BMW. The “opera” at the basis of the
exhibition is being coproduced by Nationalgalerie – Staatliche Museen zu Berlin and Kunsthalle Basel together
with La Biennale de Montréal.
Carl Andre: Sculpture as Place, 1958—2010
Exhibition 5 MAY—18 SEP 2016
Encompassing more than 300 works, "Carl Andre: Sculpture as Place, 1958–2010" is the largest solo show to
date of this major US artist, who pioneered a fundamentally different concept of sculpture. Carl Andre's
oeuvre is presented in works from over five decades: Approximately 50 sculptures, over 200 poems, a group
of rarely exhibited assemblages known as "Dada Forgeries" and a selection of photographs and ephemera
allow audiences to trace the historical and aesthetic shifts and evolutions in Andre's artistic production.
Gülsün Karamustafa. Chronographia
Exhibition 10 JUN—23 OCT 2016
Gülsün Karamustafa (b. 1946, lives and works in Istanbul) is one of the most important artists of the second
half of the 20th century in Turkey, where her practice has had a major influence on younger generations of
artists since the 1990s. Following the first retrospective of her work at SALT Istanbul in 2013, the Hamburger
Bahnhof—Museum für Gegenwart—Berlin is now presenting the first comprehensive survey of
Karamustafa’s art to be shown in a museum outside Turkey. Spread over 1,000 square metres of exhibition
space, „Gülsün Karamustafa. Chronographia“ presents around 110 works dating from the 1970s to the present
day and encompassing a variety of media, such as painting, installation, performance and video.
The exhibition is supported by the Hauptstadtkulturfonds.
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CAPITAL
DEBT—TERRITORY—UTOPIA
Exhibition 2 JUL—6 NOV 2016
In the shadow of the financial crisis beginning in 2007, the exhibition explores the essence of value. At times
poetic, at times essayistic in its approach, and spanning both time and space, the survey revolves around
Joseph Beuys’s groundbreaking work »DAS KAPITAL RAUM 1970—1977« (The Capital Space 1970—1977)
(1980), on show in Berlin for the first time. Showcasing artworks and music, films and objects drawn from all
over the world, the presentation formulates the urgent question of what capital has been and is – yet, above
all, what it could be.
Julian Rosefeldt. Manifesto
Exhibition 10 FEB—18 SEP 2016
The presentation of Julian Rosefeldt’s film installation Manifesto will be on view at Hamburger Bahnhof—
Museum für Gegenwart—Berlin until 18 September. Manifesto combines 13 films running in parallel to pay
homage to the moving tradition of artist manifestos. Julian Rosefeldt (born in Munich, 1965, lives and works in
Berlin) created film images that bring the artistic beauty and performative energy of artist manifestos to the
everyday life of the present. Towards this end, he created collages of manifestos from the early twentieth
century to the start of the 21st, embodied by Cate Blanchett in various roles.
Neuer Berliner Kunstverein (n.b.k.)
Chausseestraße 128 / 129, 10115 Berlin
www.nbk.org
Tue—Sun 12—6 pm, Thu 12—8 pm
Halil Altındere
Space Refugee
For Neuer Berliner Kunstverein, Halil Altındere developed the Space Refugee Project that with ironic distance
suggests outer space as the ideal place for refugees in the face of European fears of foreign domination. One
of the central components of the exhibition is a film about the former Syrian cosmonaut Muhammad Ahmed
Faris, who flew with the Soviet space ship Sojuz TM-3 in 1987 for a seven-day stay to the space station Mir.
Today, the former hero of the Soviet Union and supporter of the democratic opposition to Assad lives as a
refugee in Istanbul. In his works, Altındere criticizes the military apparatus and government policy as well as
patriarchal and nationalist structures within Turkey. Migration, identity, gender, and questions of the influence
of Western contemporary art currents on Turkish art today shape his work. A project of Neuer Berliner
Kunstverein (n.b.k.) in cooperation with HAU Hebbel am Ufer. Funded by the Kulturstiftung des Bundes in the
framework of Die Ästhetik des Widerstands – Peter Weiss 100, a festival at HAU Hebbel am Ufer, Berlin.
n.b.k. Showroom
Natascha Sadr Haghighian
After undertaking intense research, Natascha Sadr Haghighian creates works that take form in large-scale
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installations, video and audio works, but also in performative interventions in public space or in texts.
Haghighian works frequently with changing collaboration partners, looks through archives, carries out
interviews and conversations and undertakes research trips. Based on questions and studies of systeminherent power relations, she develops spaces and situations, in which alternative forms of knowledge,
political space for action, and lines and social limitations are made available to experience.
Gerwald Rockenschaub
Exhibition 15 SEP 2016—SEP 2017
After the first installation of Thomas Hirschhorn on the façade, n.b.k. continues its project series on urban
space with the Austrian artist Gerwald Rockenschaub (b. 1952 in Königswiesen, lives in Berlin and Vienna). At
the beginning of his international career, Rockenschaub worked in the field of neo-Geo painting, which
appeared as a countermovement to neo-expressionism, reduced its repertoire with the goal of separating the
work from the individual sensitivity of the artist. Rockenschaub thus abandoned work with paint and brush in
the late 1980s, later working with acrylic glass, adhesive foils, and industrially made materials. In confrontation
with art and architectural history and popular culture, the result emerges in large format works. For the
façade of nbk, Gerwald Rockenschaub developed a new intervention that can be seen for the duration of one
year.
Neue Gesellschaft für bildende Kunst (nGbK)
Oranienstraße 25, 10999 Berlin
www.ngbk.de
Wed—Fri 12—8 pm, Sat—Tue 12—7 pm
ENE MENE MUH UND WELCHE STADT WILLST DU?
Contributions to the Berlin elections in the fall of 2016
Opening 9 SEP, 7 pm
Against the backdrop of debates on housing policy, urban development and civic participation, this exhibition
will examine the relationship between politics, economy, and actors in civil society in Berlin over the past
decades. The central motif of the exhibition is the concept of participation, used to reflect upon and link the
experience and practice of various urban policy initiatives. Shelly Arnstein’s model of a “ladder of
participation” will serve as a point of departure for the attempt to articulate new images and forms of selforganization, negotiation and administration of the capitalized city. To accompany the exhibition, several
volumes of "Berliner Hefte zu Geschichte und Gegenwart der Stadt" will be published.
Mitte in der Pampa
Kunst im Untergrund 2016/2017
18 SEP, 4 pm
Opening / Presentation of the work from Elizabeth Wood: „A Migrant´s Journey (After Winterreise)“
Bahnsteig U-Bhf. Cottbusser Platz (U5)
“A Migrant’s Journey (After Winterreise)” is an adaption of the song cycle written by Wilhelm Müller in 1828.
Each line has been selected to follow a narrative and to represent what might today be the experience of a
migrant specifically in centres where there has been visible hostility such as the Hellersdorf borough.
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The text and background pattern will be installed in the windows of the station staff room on the platform at
U-Bhf. Cottbusser Platz. The print is on transparent acrylic film allowing light to pass through from the inside
of the staff room similar to light passing through stained glass.
Schering Stiftung
Unter den Linden 32—34, 10117 Berlin
www.scheringstiftung.de
Thu—Mon 1—7 pm
Yvonne Roeb
IM ÜBER ALL
Opening 14 SEP 2016, 6—9 pm
The Ernst Schering Foundation presents the sculptural world of the Berlin- and Düsseldorf-based artist
Yvonne Roeb. The show's concept resembles a modern cabinet of curiosities. Roeb's fantastical sculptures,
formed from naturalistic, surreal, and artificial elements, are displayed in a tableau of niches. The second part
of the show consists of drawings of the sculptures, reinterpreting the three-dimensional works at the twodimensional level. The cabinets of curiosities of the late Renaissance and the Baroque periods presented
objects of various origins and kinds alongside each other, with works of art being placed next to scientific
specimen. Yvonne Roeb's work fuses artistic, scientific, and nature-related aspects in new ways.
Schinkel Pavillon
Oberwallstraße 1, 10117 Berlin
www.schinkelpavillon.de
Thu—Sun 12—6 pm
Goshka Macuga
Now this, is this the end… the end of the beginning or the beginning of the end? (part 2)
Exhibition 9 JUL—2 OCT 2016
In the second part of her double-exhibition at Schinkel Pavillon, ‘Now this, is this the end...the end of the
beginning or the beginning of the end?’, Goshka Macuga focuses on the relationship between human beings
and technology. The android with the title “To the Son of Man Who Ate the Scroll“ (2016) works as an
interface between a narrative of artificiality and the human perspective. The artist prioritises in her work the
generation of knowledge through language, rhetoric and intellectual exchange as a tool of human cognition. In
both exhibitions, the overcoming of the human body through work on artificial memory and artificial
intelligence is a topic that the artist negotiates and puts up for discussion.
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