Issue 5 - Island Stage Magazine

Transcription

September/October 2014
M
A
G
A
Z
I
N E
KONSHENS
+
Bugle
Amlak Redsquare
Kazam Davis
Malakhi & Fyahrain
Festival Highlights
www.island-stage.com
46
55
52
58
37
Follow Island Stage
@IslandStage
Advertise With Us Today!
‘Where The Islands Come To Play’
[email protected]
Letter From the Editor
Greetings!
Today’s world is filled with events that can make us uneasy and fill us with fear,
if we allow it to. It’s true that much of what we are seeing on the news as well
as online and in our news feeds is troubling, and some events are horrific. We
must remember that while danger is real, fear is not. Fear is the opposite of
LOVE. Both cannot exsist together.
Music and the arts in general have never been more important to the human
phyche. It has always been said that music is THE universal language. It is
true. I have never seen anything UNITE people around the world the way music
does.
Reggae Music continues to grow and bring people together on a global scale.
The riddims, the word sound, the message and the talent I see, are truly a
positive force. I see some good things happening, and I see some issues that we will need to continue to resolve.
One issue that I want to talk about is the fact that we are not purchasing music the way we used to. With sites like
Pandora, Spotify and Sound Cloud, just to name a few, one can listen all day to the music of their choice without
paying a dime, and believe me when I tell you, these sites do not pay much ‘per play’. Artists are now forced to tour,
which is not a bad thing.. However, there are many talented artists around the globe who have not yet been offered
the opportunity to tour.
We must continue to support our favorite artists, not only by sharing on social networks, but actually purchasing the
music. Think about it, a single being offered for sale by an artist ranges between .99 cents to $1.29. You may not
realize how important each of those .99 cent purchases are.
Artists send me new EPs to download and listen to every day. I still purchase the music. Why? Because I want the
artist to continue to make the music that I Love.......
Love & Blessings,
Susan Underwood
We Live For This!
A Few Reggae Festivals
Sierra Nevada World Music Festival
2014
Article and photos by Sista Irie
“Celebration of Culture, Art, Music and Humanity”
Living in the “Live Music Capital of the World,” one rarely needs to travel outside Austin, Texas to hear the greatest,
most captivating music in the universe. Austin is a living gumbo of musical cultures and performance art combined
with a historical legacy unparalleled in America. Surrounded by festivals such as the South by Southwest Film and
Music Conference, Austin City Limits Festival, Austin Reggae Festival, Pachanga Music Fest, Urban Music Festival,
Louisiana Swamp Thing and Crawfish Festival, Carnaval Brasileiro and multitudes of venues featuring world renown
performers, one would have to be deeply impassioned or half crazy to travel in search of musical fulfillment.
And yet, every year, during the summer solstice, I am drawn to a world music festival deep in the hills of northern
California, tucked away in Mendocino County and situated in the quaint little town of Boonville. The Sierra Nevada
World Music Festival beckons music aficionados both spoiled and craving to navigate the winding countryside with
the sole purpose of attending a three day celebration of culture, art, music and humanity. The experience is both
contagious and addictive.
Celebrating the festival’s 21st Anniversary this past June exemplifies the depth of
organizational experience and human synchronicity required to produce and sustain
a festival through the many cycles of evolving musical trends and community mores.
The festival is built on the devotion of reggae and world music fans embellished by
their love for a culturally diverse and ethnically rich experience. Their commitment
is nurtured by performances of old time legends, cutting edge rising stars and
modern age stalwarts rooted in the consciousness of one love and human dignity.
The opening tribute recognizing the Pomo Native Americans promotes a spiritual
grounding, respecting and dignifying the values embraced by indigenous peoples,
simultaneously reflecting alignment with critical Rastafarian principles. Native
Americans and Rastafarians have both experienced extreme ravages of racism,
cultural imperialism and oppressive laws that inhibit freedom of thinking and action
while perpetuating the political machinery that rewards inequality, capitalists and
politicians. It is only appropriate that SNWMF opens with the prayer and dances of
the Pomo Native Americans who have full understanding and experience of the very
Babylonian doctrines that have disrespected and disadvantaged those whose earthly
desire is to live in harmony with the Creator and Mother Nature.
This year, the SNWMF proudly presented and supported a special offering to reggae
music industry professionals, a “Reggae Business Discussion” held a few hours before
the gates opened to the public. The panel included a commendable list of industry
experience, Lloyd Stanbury, Jamaican Entertainment Attorney and legal counsel to
Chronixx, David Baram, New York based Entertainment Attorney and legal counsel
to Bunny Wailer, Bob Andy, revered legendary reggae singer-songwriter and music
producer, Warren Smith, CEO of SNWMF and moderator Sista Irie, photojournalist,
reggae radio host and radio program producer. The panel was staged in response
Island Stage Magazine
to the concerns of
performers, music
producers, managers,
promoters and fans
regarding the decline
in Reggae music
business activity and
revenues within the
North American music
market. Over fifty
persons representing
a range of music and
media professionals,
including radio
programmers and
DJs, TV producers,
photographers,
magazine writers,
record label
executives, music
distributors,
show promoters,
booking agents,
artist managers,
and attorneys
participated in the
panel discussion. A
vibrant discussion
pursued, one that will evolve by ongoing panels across
North America. Issues raised included the lack of
professionalism by key players within the industry,
tax obligations of show promoters and international
performers, the rise of homophobic lyrics and impact
on artists and touring, lack of knowledge of the
changing reggae industry by promoters and media,
reduced emphasis on excellent songwriting and
music production and the shift to digital and internet
driven technology in music production, promotion
and distribution. An official Reggae Business Network
in North America (RBN-NA) will be established in the
near future inviting those who attended to become
Issue 05 September/October 2014
seed members.
Rootical Grounding
This year’s lineup offered a wide
variety of founding
fathers, including
Ska Godfather
Derrick Morgan,
Original Jamaican
Deejay Josey Wales,
legendary toaster
and creator of the
beloved Stur Gav
soundsystem Uroy,
rocksteady and early
reggae pioneers
Carlton and the
Shoes, Gladiator
singer and solo
artist Clinton Fearon,
cherished three part
harmony group The
Tamlins, reggae’s
legendary riddim
twins Sly & Robbie,
early danchehall
vocalist Barrington Levy, UK rocksteady singer,Carroll
Thompson, and the prolific and well respected singer
songwriter Bob Andy. Such an astounding collection
of early reggae contributors and historic music makers
results in an enhanced knowledge of ‘the roots’
serving as formal education for a younger generation
while gratifying an aging generation whose experience
and love for early Jamaican music never fails. The
‘roots’ is a healing tonic enriching the heart and soul
of a society whose love for musical talent combined
with socially conscious messages infuses love, hope,
unity and increased spiritual living.
PAGE
10
Here Come the Rasta
Youths!
musical excellence
and talented singers
have made a new
appearance.
Kabaka Pyramid and
the Bebble Rockers as
well as Raging Fyah
left no doubt that
the current Jamaican
reggae evolution
known as the Reggae
Revival is a musical
force changing the
landscape of reggae
music coming out
of Jamaica. Their
energetic, fresh and
musically rich talent
was fully appreciated
by those who attended
the Village Stage
on Friday night
(Kabaka Pyramid
and Bebble Rockers)
and the Valley stage
(Raging Fyah) early
Saturday afternoon.
Many Reggae
Revivalist musicians
such as those in Raging Fyah studied at the Edna
Manley College of the Visual and Performing Arts
demonstrating a new generation of professionally
trained players. Kabaka Pyramid is a serious social
activist thinking with intellectual perspectives on the
music industry as well as the significance of Rastafari
demonstrated in a radio interview on KAZI 88.7 FM,
Austin, with Sista Irie the Sunday before the festival.
Raging Fyah brings another level of musical excellence
not only live onstage but fully demonstrated with the
release of their new cd ‘Destiny’ that will fully inspire
and encourage even the most cynical fan about the
state of reggae music. High level professionalism,
RASpect Due
The critical
importance and
ongoing contributions
of Rastafari infused
singers and musicians
Morgan Heritage,
Tarrus Riley, Dean
Fraser, bassist Glen
Browne, Mykal Rose,
Chuck Fenda, and
UK based Black Slate
fused the conscious
vybz with musical
perfection. Fans
were fully engaged,
crowding around
the stages reflecting
heartical devotion
and unabashed
adoration. These
artists must be fully recognized as it is they who kept
the Rasta Reggae flag waving during a time of chaos
and fragmentation. Their music allowed and inspired
reggae fans to remain faithful to the principles and
spiritual attraction that roots reggae incited among
believers in the early seventies. They have contributed
significant importance to the ongoing energy allowing
Reggae Revivalists to catch a fyah and rise to the
crest. The integration of old, current and new reggae
artists is the re-formation of an ailing industry and has
blessed reggae fans with a history and future that has
renewed energy to grow to new unrestricted heights.
PAGE
11
“Twice” as Nice
yet, he has grown in
musical stature since
his work as a sound
engineer with UB 40
soon after college.
A vibrant singer and
performer, UK based
Bitty McLean has
grown in reputation
through the years
and his appearance
at SNWMF will result
in a more established
base of fans within
the US.
UK sweetheart, Hollie
Cook, appearing at
SNWMF a second
time in two years
delivered delightful
tidbits from a recent
cd release entitled
“Twice.” This cd has
recently become
one of my favorite
new releases and
will be included on
many playlists to
come. Hollie’s style
is a uniquely blended
fusion reminding
fans that talented
reggae women are a
critical contribution
in a historically male
driven industry. Her
professional savvy,
little girl delivery and
emotional appeal
speaks to both
women and men in
a seductively haunting manner. Musically, the roots,
dub and jazz integration along with smooth vocal
delivery reminiscent of Sade will add a vitalized love
energy and diversity to the roots/dancehall styles
currently leading Jamaican based reggae charts.
Trodding on
Saturday night’s
headliner Shaggy
performed in front
of a roaring crowd.
His musical choices
infused with less than
conscious repertoire
seemed out of
place and not fully
appreciated. One
must understand Shaggy is not a roots reggae artist
so his selection within a festival so closely bound to
positive lyrics may just be poor placement. Shaggy,
much like other sexually driven artists represents a
side of Jamaican music, and deserves appreciation
for the quality of musical presentation outside the
focus of lyrics. Whether or not he should have been
included on the SNWMF could be debated. No matter
what, Shaggy always rates high with me due to
his ongoing charity for the Bustamante Children’s
Hospital and that he never promotes violence.
Bitty and Tallawah
The word Bitty may imply small in Jamaican
language, however, Bitty McLean gave one of the
most talked about performances during the three
day festival. Bitty McLean was given the nickname
Bitty as a young boy due to his small stature, and
I was unable to attend all the stages and see all the
PAGE
12
talent offered this
year. Those artists
not mentioned in this
article sadly were
individuals or groups
that I was unable
to observe. My
apologies
The SNWMF remains
a festival that I
have come to love
for many reasons.
Yes, I will leave the
confines of Austin,
Texas to remain a
consistent devotee.
Many who attend
have become family
to me. We come
together much like
a family reunion.
Special appreciation
goes out to other
photographers and
media people who
work in concert
with each other to
provide a unified mission. In unity we deliver visual
and auditory images that will go down in history to
document the evolution of reggae and world music.
Special thanks to Warren and Gretchen Smith, Daniel
Frankston, and all SNWMF staff who contribute in
unimaginable ways to enrich our lives. Thank you
reggae fans for supporting the music en masse.
Without you, the beat would not go on.
See additional photo slideshow at:
http://www.island-stage.
com/2014/07/07/sierra-nevada-world-musicfestival-2014/#1
PAGE
13
SLC, 2014
Reggae Rise Up SLC 2014
stirred great emotion in
me and made me feel truly
blessed to be there before
him watching his magic fill
up the packed park. He sang
a mixture of well-known
past hits mixed with some
of his new stuff, all some of
the most beautiful, positive,
uplifting and hypnotizing
music I have ever had the
pleasure of hearing live. He
started the night off on the
stage in layers comprised of
a hat and jean jacket, full
sleeved shirt and by the end
of the night he had peeled
off all of his layers, until it
was just him standing before
us in a tank top and at the
height of that performance
he dove into the crowd who
received him with joy and
gratitude. Matis ended the
night with his hit “One Day”
, sending out such a needed
message in our world at this
time with all that surrounds
our brothers and sisters in Israel and beyond.
Photos © Melanie Stratton
Article by Alyssa Corbeil
Nestled in the middle of Salt Lake City’s historical
Liberty Park is where Reggae Rise Up’s 2 day festival
has found its home for over the past 5 years. But this
year was different, with numbers of festival goers
almost tripling in size toppling over 17,000 lending a
sense of great truth to its namesake…Reggae Rise Up
indeed.
When one thinks of Salt Lake City Utah, Reggae
music is not the first thing that comes to mind…
or the second or the third….but I think it necessary
to elaborate just a bit on the subculture of this city,
which is made up of an assortment of neo-hippies,
naturalists, punk rockers and outdoorsy laid back
folk…lovers of great times and good music…reggae
lovers.
The first night of the festival brought about an
entirely different energy than the second night, yet
both ample in good vibes and in great music. Hirie
was singing on stage when we arrived, her sweet
Hawaiian voice carrying through the air before we
even walked through the gates. Temperatures flirted
with the dry 100 degree mark and everyone onstage
and off were glistening with sweat in the midday
heat, but it seemed to bother no one as Hirie had
already attracted a very large, very happy crowd with
her melodic island sounds. We caught up with the
petite yet larger than life Hirie and her keyboardist
backstage and asked her what message she wanted to
share most through her music and she told us to “be
true to you…and to never give up!”
Into the evening we enjoyed rock and jazz emanating
through the tried and True Island sounds of bands
such as The Expendables, who also incorporate a nice
undertone of heavy metal into their compilations,
giving them a truly unique sound that was adored by
all.
The second day of the festival was jam packed,
vendors booths consistently full and even more of the
good vibes being spread around.
The main event on the first night was Matisyahu who
put on a performance under a full super moon, that
PAGE
16
Stephen Marley “Raggamuffin” put on a
great show as usual…and gave us quite
a treat by sharing half of the set with his
son Jo Mersa Marley whose lyrics and vibe
swept over us like a fresh exciting rain in
the sun. All the while, they waive the Rasta
flag onstage. After his set, Down-to-Earth
Stephen and his crew casually walked
around the festival talking to people and
checking out the merchandise that the
vendors had to offer.
The crowd thickened after the sun went
behind the mountains to welcome Slightly
Stoopid onto the stage. They rocked the
rest of the night away and even came
back on stage to offer up quite an encore.
Everyone in the crowd was lighting up and
paying tribute positivity abound as great
music once again brings people from every
walk of life together to celebrate life…. in
the middle of Salt Lake city might I again
mention…Rise Up Reggae indeed, Rise Up!
RRU is expanding to Tampa Florida. Tickets
are now on sale! Get yours here – http://
bit.ly/reggaeriseup to see Rebelution,
Collie Buddz, Zion I Crew, BALLYHOO!,
Rootz Underground, Los Rakas and more
on September 27th at Raymond James
Stadium
see additional photo slideshow at:
http://www.island-stage.com/2014/08/05/
reggae-rise-slc-2014/#1
Reggae on the River
2014
ROTR 2014
photos by David Wendlinger
article by Hal Wendlinger
Reggae on the River represents to some a trip to the
mountains of Northern California for a weekend packed
full of Reggae music, unique merchants and savory food.
To many more people though, “ Reggae,” represents an
annual pilgrimage to spend time in the fresh air amongst
close friends and family on the banks of the Eel river at
one of the most unique festival venues around.
The festival got underway Thursday with the first of
four Native American blessings upon the grounds as
the rivers weekend inhabitants settled into their new
camp spaces. With temperatures above 100 degrees,
most festival goers were wading in the river by the time
California’s own Los Rakas came on stage mid-day.
Even the most dedicated shade seekers couldn’t resist
the energy radiating from the stage as their hard beats
and lyrical involvement drew in the crowd, quite a treat
for those fans who hadn’t previously heard their music.
As the day wore on and the heat slowly diminished those
in the crowd were presented with the music of Jahdan
Blakkamoore as well as the Courtney John Project.
As the last bit of sunlight disappeared behind the hills,
the stage gave way to Gaudi and Danny Ladwa with
Michael Rose coming on close to midnight to end
Thursday with a bang.
For those festival goers who didn’t purchase the four
day wrist band, Friday was the first day that the
general population was allowed inside and they were
welcomed with a fantastic lineup. The early afternoon
was highlighted by Megah Banton and his powerful
voice but the 100 degree temperatures limited the crowd
size. As the evening continued on and the temperature
cooled slightly, Fishbone took the stage and provided a
great soundtrack for the crowd to dance and sing along.
The legendary rhythm creating duo of Sly Dunbar and
Robbie Shakespeare were many fans highlight of
the evening, but the majority of the fans who
gathered close to the stage were there to see
Gentleman who has treated the Reggae on the
River crowds of years past to memorable shows
time and time again.
After an epic Friday night it would be a safe
assumption to believe that Saturday would be a
little less strong of a lineup, that however, was
not the case. As a veteran of many shows I cant
put many days of music I’ve witnessed above
this particular Saturday. The up and coming 11
member band, Abya Yala woke the audience
up and served as the perfect lead up to the
Ganja farmer himself Marlon Asher, his crowd
involving smash hit was the early highlight
of the day that was filled with memorable
moments. As three o’clock rolled around Etana
took the stage and delivered a passionate set
that captivated the audience with her conscious
lyrics and stage presence. As many of you are
aware of, Bunny Rugs the lead singer of Third
World passed away recently. Taking the stage
as the sun ducked behind the mountains the
crowd was swept with emotion as the band
played 96 Degrees in the Shade with new
frontman AJ Brown, there was very few dry
eyes in the crowd. It just so happened that on
this magical weekend of the 30th anniversary
of Reggae on the River that one of the most
influential artists of all time, Jimmy Cliff was
performing on the night of his 70th birthday. As
he walked on the stage and sat down behind his
drum, there was a hush in the crowd. In classic
fashion, Cliff gave his heart and vocal soul to the
appreciative crowd.
For the regular readers of Island Stage, Sunday
especially resinated with those who have read
the fantastic Lucky Dube tribute. In a haunting
moment, the incredible wordsmith Mutabaruka
delivered a heartfelt tribute to Lucky on what
would have been his 50th birthday. Gyptian
was the next artist up and the energy
level picked up substantially as the crowd
stirred into a frenzy. As the veteran artists
Israel Vibration entered the stage the
crowd packed towards the stage to get
closer to the legendary artists. I-vibes
thrilled the crowd with a passionate set
of classic hits as well as newer songs.
As ‘Reggae’ concluded, the hours ticking
down, Alpha Blondy and the Solar
System rocked the crowd to the point of
a near riot. Alpha normally draws a large
crowd, but this night in particular the fans
gathered for an epic performance and that
is exactly what they received.
Reggae on the River proved to be, once
again, a memorable and epic experience
for all lovers of reggae music. All who
were in attendance left the venue with
a craving for more Reggae music, and
ideally the desire to share this wonderful
musical experience with their friends. I
hope to see you there next year!
Konshens
Up Close
Konshens ~ From The Hotel Room
BY: MALIIKA WALKER
How would you define Konshens as an artist? Try
to fit him in one musical category. Konshens is an
artist that will not be defined by the box you put
him in. Konshens = Versatility. His versatility as an
artist is what attracted me to his music. Hit songs
in Konshens catalog include Walk and Wine, Rasta
Imposta, as well as the song Music (taken from his
upcoming album From the Hotel Room).
Konshens career began in 2005 as a member of
SOJAH, a duo with his brother Delus. The group
released a single that was a major hit in Japan, Pon
Di Corner. This hit single led to the album Real Talk,
which was only released in Japan. Konshens also
got the opportunity to tour Japan and experienced
performing in front of an audience where no one
understood the language he spoke but still felt the
power of one vibration through the performance.
Sojah released an album, in Europe, in 2009.
Konshens and Delus then decided to “spread and
attack” by releasing music as solo artists while still
remaining a group.
Konshens released a few hit singles and collaborated
with reggae veteran, Tarrus Riley, on the hit tune
Good Girl Gone Bad. His debut solo album, Mental
Maintenance was released in 2010 to positive reviews
on his SubKonshus label (distributed by VP Records).
Konshens has continued to release singles and tour
extensively. It is always great when an artist decides
to give back to the community. He has participated
in community work in his native Jamaica as well
as Uganda. Konshens sneaker line, Konz876, was
launched in 2013 and he became the ambassador of
Pepsi in March 2014.
© Reggae Reflection
This fall, Konshens is set to release his eagerly
anticipated follow up album titled From The Hotel
Room. Island Stage recently got a chance to speak
with Konshens about the beginning of his career,
his message to the youth, and his upcoming album.
Here is our conversation.
I love your music and I wanted to get started
talking about your start. What or who inspired
you to enter the music industry?
2004 would be the year I started even considering a
career in music. My older brother was basically an
artist already and we started going to the late Sugar
Minott’s studio R.I.P. I was basically just following
him. I was not an artist then. I was good with
constructing words, good in English and I was a huge
fan of Beres Hammond. I was a ghostwriter for my
brother until I started falling in love with the whole
concept of being an artist and that is how I got my
start.
SOJAH recorded the hit song, Pon Di Corner, at
Cash Flow Studios. The success of this song in
the Japanese market led to a month long tour of
Japan.
Even with the success of that song or just before the
success of that song, while going to the studio, I was
not really an official artist. I was still just following
my brother. We had 9-5 jobs and basically took all of
our pay and bought studio time, did demos, videos
and such. The track Pon Di Corner was actually our
first official recording that we did and through the
internet I guess it became number 1 in Japan.
What was it like to tour Japan? I know it was
your first time touring a foreign country?
Yes it was the very first time being an artist, it was
the first time going on stage, it was the first time
going anywhere outside of Jamaica other than the
US. It was a bunch of first times for me.; the first
time stepping off of a plane and people recognizing
me. The first time hearing people loving my songs,
even though they don’t speak the language. It was
big; it was a huge eye opener to see the power of
reggae and dancehall music in the world.
To Her With Love is just a beautiful song.
Besides your daughter, what influence has
women had in your life growing up that
impacted and inspired you to record such a
beautiful song?
What inspired the lyrics to your hit single
‘Winner”. I know it was actually one of your
first hits.
When my daughter was born it was basically what
I was thinking at that time. The world was going
through a recession so everybody was about money
finding different ways to make money and keep their
money and not just money for bills.
My mother and aunt were the women that impacted
me the most growing up. I have always been exposed
to women outside of my family if I may say so. I
think they helped to prepare me for dealing with the
women of today in so many ways. Being exposed from
so young I went to a coed school. I was already in a
coed situation growing up. Women liked me and they
still do. I am what you would say pretty experienced
and it was like training for today.
It was a whole different hunger for me when my
daughter was born. That was just me venting and
saying what was on my mind at the time, and I think
most of the people in the world shared the same
opinion at the time. That’s the reason why the song
felt so heavy.
Let’s talk about your single, Rasta Imposta.
I feel like there are a lot of imposters that
walk around and are just trying to profit off
of the Rasta image. Did you have a personal
experience or any general observation that led
you to record that song?
I am always curious about how a man having
a daughter can affect their perspective on
their view on life. How has having a daughter
impacted how you see the world and how you
see people?
We were just coming from the success of Winner
and then after that there were a few reggae songs
that I did and nobody knew what I looked like. Most
people thought that I was a Rasta and it so happened
that a very prominent Rasta in the industry said to
me that because I was constantly touring Europe, “
youth you know seh if yuh grow u natty still it a wok
betta for your career.” At the time you know it was
the Richie Spice, Chuck Fenda and Capleton, Rasta
artists were prominent in reggae music and the man
was telling me to grow loc’s because it would work out
better for me. I was like no I’m not a Rasta. I know
Rastafarians take the Rasta way of life seriously so
it would be like a slap in the face to them and to my
culture if I was to do that and I know I do not believe
in Selassie. Being something I am not will never sit
well with me so I recorded the song. More power to
them if that (being an imposter) is what they want to
Well the child really forces you to look at the world
from a different angle in the sense that the hunger
drive and the responsibility is something that pops up
right in front of your face. You can’t look past it, you
can’t look over it, but having a girl directly changes,
well let me not speak generally, directly changed the
way I look at women and how I deal with women and
the things I say to woman. It changed everything and
I’m like a counselor now? So I think my daughter has
softened me up a little bit. Give thanks.
PAGE
40
do, it just never sat well with me.
How do you feel about the reggae revival
movement?
I like the movement but I don’t see it as a reggae
revival movement I just see it as artist doing good
music and having support. I think that is the most
important thing because there is really no artist
development and there is nobody supporting the artist
in Jamaica. You find more people who sit by the side
and criticize when a youth is trying to do something.
They are just artists that are doing good music
whether it be reggae, dancehall or whatever. One in
particular is Chronixx. I think he has huge support
and I hope it continues because the bigger he gets
the bigger the whole industry gets. Most artist don’t
understand that so they keep trying to just focus on
themselves and that is good but it will not be good for
the industry.
What would you like the public perception of you
to be as an artist?
I just think me as an individual has a responsibility
to really emphasize the balance on myself as an
artist like showing the different sides like these songs
you are highlighting. They are songs that you love
but they are not necessarily the biggest songs or
the songs that come to mind when you think about
Konshens.
When you think about Konshens you think gal dem
dis and dat. Nothing is wrong with that but in order
to move the masses I need to show that Konshens is
also a power with singing and touring with love and
the Realest Song. That’s just my focus now.
©Reggae Reflection
PAGE
41
You recorded the hit song Good Girl Gone Bad
with Tarrus Riley how did that collaboration
come about?
What can fans expect from your new album?
Basically taking the listener on the road, on the roller
coaster that I have been on. Most of the album was
recorded on the road, in hotel rooms, so that is the
concept of the album. When people hear the album
title, From The Hotel Room, they may think it alludes
to something sexy but it’s not that. The album is
really about me having to take my studio on the road
with me, all over the world. The songs on the album
were recorded in hotel rooms of different countries
with a different vibe and mindset. Each song captures
the vibe I was on in each country, what I was feeling
at that time. You can just expect it to be as calm and
as hype at the same time.
Great artist, great producer, Russian basically made
the connection. Tarrus was already reaching out to
me and I was reaching out to Tarrus but it was not
working out. Russian is a mutual friend, I was on
tour and he showed Tarrus the track and both of us
thought it was great. When I came back to Jamaica
we went to the studio and added my parts it was like
school to me.
The whole vibe of the song just fed into the people
and the people just pick up the energy same time and
the song just work. It was a great experience.
I love your song, Music, and the truth you share
in the lyrics. What is your view on the impact
music can have on the world?
Now I know you have a new album coming out
titled From the Hotel Room. When is it coming
out because I thought it was supposed to
release sometime in July.
I can’t tell you two things that are more important
than music. As artists we write the soundtrack of
people’s lives. Imagine a movie without music playing
in the background. It helps make people think. It
helps warm people’s hearts. Music helps set peoples
moods whether we need to be hyped up or calmed
down. Music is the most important thing in life and
it’s hard to look at it any different. Without music, we
would all be lost.
The date keeps changing and you know that’s what
happens when you have an independent artist who
keeps acting out of his crazy mind. It is finished but
every time I listen to it I feel like it needs that one
arrangement or whatever but when I release it I want
to be completely ready.
The album before that was Mental Maintenance and
that was my favorite body of work. What happened
was I released it and then I went on tour and the tour
was not to support the album it was booked prior to
that album. That was my best work ever and it got
pushed to the side. I am keeping that in mind when
I drop the new album. I want to make sure that I
am not touring and we do the promotion properly. I
want to release the project on a date that will make
everything work the way it is supposed to work so it
will release this fall.
The music industry has evolved to artists
distributing their own music. I know you have
SubKonshus Music. How do you feel about this
evolution?
I think it’s good. I think it’s great to have complete
control over your projects. I also think it’s good to
have experienced support. I think it’s very important
to have experienced support and dancehall artists
need that especially. You can be at the same level
for a while and not move forward. My career was
PAGE
42
basically trial and error. Some things worked and
some things did not. We all need another level of
support to progress to that next step in our careers.
Do you consider yourself a spiritual person?
Why or why not?
A spiritual person? Well I fly for a living so you
can imagine how many times I prayed. I am very
spiritual. I pray a whole lot. I believe that there is
God. Whether it be a Christian belief, Rasta belief. I
do not believe I am religious but I am spiritual.
If you could give one message to Jamaican
youth, what would that message be?
One Word, Ambition. That is the message I give to
the youth, always have ambition because I believe
that is what saved me. I will never just settle for
anything. The youth should always go after what
their want and always give full effort to reach their full
potential. Don’t ever give up. If you can’t get a job,
make your own job.
I know you participated in the Torrington Park
March in 2011. Do you feel artists should get
more involved in their communities?
Definitely. Not just their own communities but
wherever they can make a difference. Yes I
participated in the Torrington Park March but I was
also active in Back to School drives. I also was
involved in a book drive in Uganda. We all should
help society as a whole when we can. I do not mean
just donating money because there are so many ways
to get involved. If you can donate money then great
but there are other ways to touch people.
© Reggae Reflection
PAGE
43
If you had the power to make one wish about
Jamaica reality, what would that be and why?
that one also because we need to focus on improving
the app for the people that already paid for it. So
when the app is updated we will promote that app.
The fans that purchased it will have an update and
new fans will be able to download it.
One wish could not do it for me but if I had to pick
just one then I would wish I had the power to buy
back all the resources that the Jamaican Government
sold. I think that is the biggest problem. Jamaica
basically owns nothing so now they are trying to
squeeze the music industry. They put unnecessary
pressure on artists.
I know you are a soccer fan and you even play
some soccer. What did you think of this years
World Cup?
Well I lost in the finals. It was a shocking World
Cup but there were some great games played. My
favorite player is Lionel Messi so naturally Argentina
is my team but it was a good game. We lost but that
is how it goes sometime. No Jamaica in the cup, and
so it go. The football team in Jamaica need some
support, some development. The players in high
school have no means of support to develop into a
professional. It’s good the women’s team is now
getting support. Hopefully the men will get support
as well at some point.
I am always curious of what artists listen to.
Name the 5 most recent artists/songs you
played from any genre?
What am I not listening to. The most recent music
I listened to was some selections from Creed. I am
listening to Tarrus Riley’s music, Chronnix’s album,
Popcaan’s Everything Nice. I am also listening to my
album and artists coming soon from SubKonshus,
Masicka & Delus.
You became a brand ambassador for Pepsi this
year, signifying the evolution of Konshens of not
just as an artist but a brand people look to with
respect. Describe how you feel about that?
What message would you like to share with
your fans?
I would like to tell them Big Up and thank you for
your support. I look forward to giving you some of
that old Konshens. I am going to pay more attention
to the balance of Konshens as an artist. I just want
to be recognized as a good artist. I have some new
artists coming out so be on the lookout for what’s
coming from SubKonshus Music.
I feel good about that and I think it is something that
is necessary for the reggae/dancehall industry and
I take it very seriously. I am also the ambassador
for LIME. I think branding and pushing your product
to the maximum potential is very important. More
artists need to focus more on this side of things.
Konshens Website: http://www.konshensonline.com/
You also have an iPhone app. How is the app
working out?
I think it’s good but I paused promotions on it
because I think we need to improve some things with
it. Someone was building another app and I paused
PAGE
44
Bugle
Anointed
“Hard work overcome all difficulties yes a true that,
Swift and cyaa endure the race don’t meck it be you that.
Obstacles get in mi way but still mi go through that,
Mi si nuff man give up pon the way but me nah do that.”
Bugle, Reflections
Interview by Maliika Walker
I believe that song was released in 2008 or 2009.
The producer of that song was TJ Records. TJ
wanted to do a record that was something personal,
something that sounded like it came from deep within
my heart. While thinking about TJ’s idea I thought
about my brother who passed away. I then decided
to record a song to my brother. That song ended up
being Pearly Gates. My brother was actually the one
who introduced me to music. I enjoy when producers
come to the table with ideas because it gives me
more experience in collaborating with other creative
people.
One of the reasons I love roots reggae music is the
inspirational lyrics. Roots reggae has the power to
uplift anyone who really listens to the lyrics. Bugle
is an artist that writes lyrics that are meant to
inform and uplift his listeners. After several years
of releasing mixtapes and singles, Bugle released
his debut album, Anointed, earlier this year. Daseca
Productions and Zojak World Wide released the album.
Anointed is a must listen for any lover of positive and
inspirational music. The album includes collaborations
with reggae’s A List; artists such as Julian Marley,
Tarrus Riley, Alaine, I-Octane, Popcaan, and Lady
Saw. Anointed is a smooth listen from the title track,
Reflections, to the perfect closing track, Jah Be
With You.
Has any artist influenced your initial interest to
explore music as a profession? If so who were
those artists?
My greatest influences were Papa San, Bounty Killer,
and Sizzla Kalonji. They had the most impact on my
career.
Island Stage recently got the opportunity to speak
with Bugle about his debut album, what he learned
from touring with Elephant Man, and his views on
today’s music industry and music buying public. Here
is our conversation.
I know you spent some time touring with
Elephant Man in the beginning of your career.
You toured with him before you launched
yourself as an artist. Take us back to what that
experience was like for you.
Why the name Bugle?
Well for those that didn’t know a bugle is a musical
instrument. And I do get the name from the
instrument, but I also get it because I love music so
much that people felt that I should have the name of
a musical instrument. When someone mentioned the
name Bugle it connected with me. When you look at
other instrument names, like the piano or guitar for
example, they do not sound like the name of an artist
as much as Bugle does. That is how I got the name.
Actually, I met Elephant Man as an artist. A producer
wanted me to write a song for Elephant Man. That
was like in 2000, 2001, gave Elephant Man the songs
he was really excited and he ask me to write more
songs for him. We started the tour in the Caribbean
Islands and then we went to America of course. We
also toured Canada. I learned a lot from Elephant Man
because he was teaching me. I’m very observant,
and I love to listen. I would sit and just listen to what
everybody had to say without me saying anything at
all. I mean I absorbed everything I could.
Now, we’re going to go back to ‘Pearly Gates’.
Take us back in time and let’s revisit the creative
process for that song.
PAGE
47
Yes being on that tour with Elephant Man was a great
experience for me. I learned how you are supposed
to be minding yourself when you’re on the road, how
to deal with promoters, how to handle oneself in an
interview. It was great to do all the MTV stuff, the
BET stuff, and all of that.
entitled Anointed, I don’t think it can get any better
than that.
Songs on the album include Tears of Joy, I Don’t
Worry, Jah Be With You. The song titles fit the
album title, Anointed.
Now you’ve been in an artist for a while now.
Why is now the time to release Anointed?
One of my favorites songs on the album is Zion.
One of the lyrics states that, you can’t pay your
way into Zion. Talk a little bit about that.
I don’t do things because other people may have
proceeded that way or because everyone else is
doing it. People were always asking me why I didn’t
put out an album because I had many good songs
but I have released mix tapes. Mix tapes are like an
album. People may have purchased a lot of Bugle
songs on one CD and that is my mix tape. But I
think the time is perfect now for my album. I think
I have matured as an artist. I am ready to tour
and do all the things I am supposed to do with my
album. The album was meant to be released now. I
have asked the almighty for guidance so everything
that is happening in my life is meant to happen that
way.
Zion is one of my personal favorite songs too. You
can get a flight to almost anywhere you want except
a plane to Zion. I would like people to listen to the
songs on the album and get their own perspective on
them because the songs will tell you everything you
need to know. And I’ll go as far as to say the only
currency accepted by Zion is faith. It doesn’t matter
how much money or land you have, you can’t go near
the almighty if you don’t have faith. Your earthly
possessions do not matter to the almighty. If you
don’t have faith, you have no soul.
You included the collaboration with Julian
Marley on the album entitled Move Dem. How
did that collaboration come about?
The album title is a heavy one, Anointed.
When I think of anointed I think of the chosen
one. Why did you name your debut album,
Anointed?
I was told that Junior Gong (Damian Marley) was
interested in me doing something on a song for
them so I went down to Tuff Gong. I played some
songs for them and they really liked my music. It
was explained to me that they were releasing a
compilation album and they were interested in me
doing a song with Julian Marley for this album. When
they played the song for me I was like Whoa, it’s
perfect. I went back to Tuff Gong the next day to
record my verses and they loved it. The video for that
song was just released. It’s a good vibe and has great
energy. I have to big up Junior Gong, Julian Marley,
Stephen Marley and all the Marley’s. Nuff Respect.
Well I am a type of artist that has always written
deep songs lyrics. My music goes deep and takes
the listener places other artists may not necessarily
take them. So when I was recording the album, I
knew the music would have real meaning. I know the
name is perfect because of the type of songs I have
on the album. When you listen to the first song on
the album, Reflections, to the last song, the album
has to be Anointed. It’s not something I planned
because my last mix tape was called Psalms. So
coming from a mix tape entitled Psalms to an album
PAGE
48
What do you have to say about today’s music
industry and the music buying public?
The thing is people have easy access to the music.
People still want the music, so they’re going to get
it however, or whichever way and there’s nothing we
can do about that, because that’s just how it is. I
would also say people will find the time to purchase
something if they really like it, because that is what I
do.
I purchase whatever I want. If I can’t get a hard copy
I go on iTunes and I buy it because I love good music.
I wish more people would support reggae music.
We’re, not selling as much to be on that big stage
collecting our Grammy with the other people. I mean
it’s because of the support, that’s all we really need,
we need to start supporting reggae music more.
All artists can really do is appeal to the consumer to
purchase the music. If you like then spend the ten
dollars to purchase the album. And it will probably
mean more to you than listening to the music for free.
We cannot do anything about the internet and we want
our music to reach the world. We don’t make money
off of record sales, or money off of album sales. We
make money off of shows.
What would you like to say to get people to show
your album some love by purchasing it?
I want to tell each and everyone who didn’t purchase
it yet that we need you purchase it. That’s the first
thing. This album is not just me getting some songs
together, giving the album a title and then put it out.
This is personal, this is close to my heart, this album
is effort, deep within in my writing, comes from my
roots, because that’s me. This album means the world
to me. I’m excited, I’m happy, I’m overwhelmed, I’m
joyful about this album. When people look at me and
say, this album is the best album they heard since
Buju Banton’s Til Shiloh or Sizzla Kalonji’s The Real
Thing. That is an accomplishment for me and I
really, really appreciate it.
Buy the album if you have not bought it yet because
there is a lot of information in the lyrics to help you
keep going in this life. However, I cannot educate
you, no matter what I teach you, if you are not
willing to learn. It is up to you to educate yourself.
The album has songs like Great Day, I know my
day’s going to be great. I know that’s what you
supposed to tell yourself. When we wake up with a
positive energy and say nobody can stop me now.
I’m going to do everything in my power to make this
good, then it’s going to be good. Get the album, it’s
full of inspiration.
PAGE
50
Island Stage
Spotlight
Amlak
RedSquare
‘Di Humble Warrior’
Born and raised in the volatile community of Dunkirk,
East Kingston, Amlak is a young artiste that does the
type of music that constantly hits hard in the ears of
political figures and the system overall.
Ultimately, Amlak’s goal is to be successful in the
music business so that he can contribute to his family
and the Carlyle foundation which helps young people
with talent achieve their goals without the financial
limitations that many face.
As a kid, Amlak was known for entering talent shows
in his community. He usually won these contests
because of his strong delivery. He would practice and
perform songs that his uncle, Spragga Benz, had in
rotation on the local radio stations.
Amlak’s latest release ‘Di Humble Warrior’ has
brought with it well deserved acolades within the
industry. If you haven’t heard it, download it here. You
will be happy you did!
In his teenage years, Amlak went to Excelsior High,
St. Georges College and Dunoon Park Technical High
School. He entertained everywhere he went because
of the ability that he had mimicking his uncle. After
high school, he migrated to America where he went
to college and achieved his Associates Degree in
Computer Applications. During this time, he held
back in entertainment to focus on other goals until
recently in 2008 when his cousin, Spragga’s son, was
murdered in Jamaica.
Carlyle loved music like his father and wanted to be
involved in the industry when he came of age but
sadly, his life was cut short. Amlak was very close to
his cousin Carlyle, and when he died Amlak decided
that he wanted to take up music again to honor the
memory of his life.
After the death of Carlyle, Amlak started writing again
and soon started to record officially with other young
producers as well as doing his own production.
Since his uncle Spragga is the general of the Red
Square Army it was only natural that Amlak aligned
himself with the movement. Amlak grew up on Red
Square corner so that was another clear indication
where his loyalty would be.
PAGE
53
© Jay Smilez
Kazam
Davis
Ancient
Warrior
“The Mission is to keep the music positive and the
message upful”
Restaurant & Lounge, Country Side Club, Jah9’s The
Dub Treatment in February, Augustus Pablo Tribute
Show held in May 2014, HIM Earthstrong celebrations
held at the Bob Marley Museum in Kingston and the
UNIA Mass Celebrations for Marcus Garvey, held at
Liberty Hall. Kazam also performed at the Conscious
Reggae Party held at the One Love Café at the Bob
Marley Museum on August 15, 2014 commemorating
the Birth month of Marcus Mosiah Garvey titled
“AUGUS for MARCUS”.
Born Girma ‘Kazam’ Davis, he is musically known as
KAZAM DAVIS. A humble Rastafarian hailing from the
Twelve Tribes of Israel, KAZAM has a promising music
career which was nurtured throughout his youthful
years. He often recalls singing for family and friends
and later taught himself to play the guitar.
Kazam’s inspiration comes from JAH and the great
Bob Marley. “JAH and music itself are my inspirations.
No one understood what I was going through while
growing up, so I wrote to express my feelings and
what I believed in” said the rising reggae artiste.
In March 2013, Kazam Davis released his latest
single and video titled “Ancient Warriors”. Ancient
Warriors speaks to the warriors in this time, evoking
the warrior spirit inside, chanting the never-ending
joy of upholding justice and truth. This dynamic and
versatile reggae artist is rebelling for a righteous
cause as he endeavors to promote positive music and
the message of JAH to the four corners of the world.
His mission is about spreading peace and love through
conscious lyrics. His message resonates with people
from all facets of life, as he believes his music isn’t
molded to meet a certain crowd or audience; it is
a motivation within him. A talented acoustic guitar
player, mentored by Earl ‘Bagga’ Walker, Kazam was
also a former member of the ‘Jah Children’ band that
performed at venues such as ‘Weekends’ and ‘Livity’ in
Kingston, Jamaica.
Kazam released his first single off his EP titled “Be
Humble, Be Calm” featuring Exile Di Brave which
was launched at his Listening Session held at Nanook
on November 23, 2013. Ancient Warriors will soon
be available on Itunes and other stores. Today, you
can preview the EP on Souncloud. Stay tuned to
Island Stage for link to iTunes at the official release!
He has made outstanding performances on a
number of shows and entertainment events such
as: ‘Conscious Reggae Party’, ‘Jamnesia Live’, ‘Junior
Chamber International Kingston Chapter of Young
Professionals’, Alahambra Inn, ‘TALK at UWI’, Mona
Campus, ‘Liv It Up Festivals’, ‘Kulcha Fest’, ‘Living
Live’ and Inna Di Yaad, Trench Town. In addition,
to commemorate Jamaica’s 50th Independence
Celebration, Kazam performed his song entitled “50”,
a catchy, thoughtful tune written for the historical
occasion at the National Commercial Bank. He has
also performed at South Beach Café in Kingston,
featuring “Jah Ova Evil Movement Live”, Veggie Meals
on Wheels and Club Eras. Kazam also performed at
Jamaica Pegasus Hotel, Alahambra Inn, Comfitanya
This Ancient Warrior is more than ready; he is on the
go, gearing to make his mark in the global positive
vibration of Acoustic message music - Reggae Music,
the King’s Music. Stay tuned to Kazam Davis Music.
PAGE
56
Click the image to be transported to Ancient
Warriors
Malahki and Fyahrain Band
FYAHRAIN band is a group of talented youth,
positive and driven with much passion for music.
They first formed the band in the early part of 2013
and behind the scenes, they are very close friends.
They began playing music from church days and have
excelled and evolved into The Fyahrain Band.
Some of the band members attended Edna Manley
College to further their musical career.
On the drums, we have Jermaine Clark, and guitar
Shane Henry. On first keyboard Omari McFarlane,
band leader, on bass guitar Rasheed Gayle and second
keyboard Dameon Gayle.
PAGE
59
MALAKHI
run around from producers until McDove, though
skeptical at first eventually decided to take the
chance with me”.
With a name that resounds the meaning Messenger
of God, MALAKHI Revolutionist & Reggae Recording
Artist Extraordinaire, delivers his potent lyrics with
the sting of the Forefathers such as Bob Marley,
Peter tosh, Burning Spear, Jah Cure, Stephen Marley,
Midnite, Beres Hamond and Sizzla Kolonji to name a
few.
The unique combination between them gelled with the
advent of a few songs garnering respect from fans
as far as Kazakhstan, Israel, Europe, France, Kenya,
Brazil, Ecuador, Columbia and the tri-states of North
America and South America.
Singles such as NOT FORGOTTON speaks to those
who’ve lost a love one. WORLD CRISIS feat XCI
highlight and addresses some on the root of the issues
that our planet is facing from the ruling political elites
and how we can take a stand.
The name chosen for him by a friend, resonates when
Malakhi delivers his message to his following as if
Martin Luther King or Malcolm X re-incarnated through
him.
His message written from experiences drawn from his
personal life and anything that strikes a chord with
him, whether the inspiration comes from nature, life
or just a word to sound the power, providing comfort,
support for his fans while he identifies with the feeling
of the 99% that faces the challenges that life offers.
LOVE THAT I’M FEELING provides support for those
in a stable or unstable relationship, it brings hope and
restoration. MAN A WARRIOR is for the real warriors
by a real warrior. “Revolutionary is Imminent”, and
STICKY delivers a strong message to the Political
body about the way they conduct the affairs of their
nation.
“I do music for the people, cuz I’m for the
people and if I can’t do that then my life is
worth nothing, mi name Malakhi and I’m the
messenger so certain hype music I won’t do.
Although I am an entertainer, I take what I do
seriously so I’ll leave the fun part to McDove my
Producer”.
Hailing from Westmoreland in the Island Paradise in
the sun Jamaica, he is christened Densil Gayle, The
Real Reggae Revolutionist Malakhi.
As with the most successful recording artists, Malakhi
got his start doing music in the church where he
played keyboard, he then made his transition to bass
then on to a professional backing band that afforded
him the global opportunities to own his skills on the
stage and off with his distinct commanding tone
& witty lyrical style while. His soulful, silky voice
was improved by performing as a wedding singer
enhancing his musical dynamics and range.
“It can be daunting sometimes because I get the
PAGE
60
Island Stage would like to thank the following people.
Without their contributions, this issue would not have
been possible.
Reggae Reflection
Sista Irie
Maliika Walker
Lee Abel
Hal Wendlinger
David Wendlinger
Alyssa Corbeil
Melanie Stratton
Loraine Grant
Christine Wilson
Omari Mcfarlane

Issue 5 - Island Stage Magazine

Transcription

Similar documents

Entertainment

bounty killer - Reggae Sundance Festival

Untitled - The Aggrolites

Yza Ya Bandinfo english

Squirrel Nut Zippers

Albums | Videos | Colabs | Social Media | Contact

neil cowley trio - Christopher Holland`s Cosmic Harmony

Sgt. Pepper`s Lonely Hearts Club Band

MusicConnex Live – Full Media Pack

Interview english

S O C I A L I Z E :

Artist Bios - Reggae on the River Festival

it in Low Definition