LIGHT FEEDS THE FUTURE

LIGHT FEEDS THE FUTURE
CHANGE YOUR LIGHT FOR OUR COMMON FUTURE
THE HUMAN LIGHT
THE RESPONSIBLE LIGHT
THE GOOD LIGHT
THE HISTORY
THE INNOVATION
THE DESIGNERS
THE NETWORK IDENTITY
THE COMPETENCE CENTERS
MADE IN EUROPE
COMMUNICATION
DESIGN AND PRODUCTS
1960 - 1970
1970 - 1980
1980 - 1990
1990 - 2000
2000 - 2010
2010 - 2016
INNOVATION AND QUALITY
THE HISTORY
The Human Light
The Responsible Light
The Innovation
The Good Light
The Designers
11st January 1960
1
st
1
st
product
The History
catalogue
1
st Artemide headquarters
Milan
Via della Moscova, 16
Alfa
Sergio Mazza
1962
Ro
BBPR
Omega
Vico Magistretti
Vistosi glassware
Chi
Emma Schweinberger
1965
Polluce
Anna Fasolis
Enzo Mari
The Competence Centers
The Network Identity
MADE IN EUROPE
COMMUNICATION
DESIGN AND PRODUCTS
1960 - 1970
1970 - 1980
1980 - 1990
1990 - 2000
2000 - 2010
2010 - 2016
INNOVATION AND QUALITY
THE HISTORY
The Human Light
The Responsible Light
1967
Nesso
Giancarlo Mattioli
Gruppo architetti urbanisti città nuova
The Innovation
The Good Light
The Designers
The History
The Competence Centers
The Network Identity
Selene
Vico Magistretti
Eclisse
Vico Magistretti
Compasso d’Oro
1969
1969
Fato
Gio Ponti
Chimera
Vico Magistretti
MADE IN EUROPE
COMMUNICATION
DESIGN AND PRODUCTS
1960 - 1970
1970 - 1980
1980 - 1990
1990 - 2000
2000 - 2010
2010 - 2016
INNOVATION AND QUALITY
THE HISTORY
The Human Light
logotype Artemide
(Emilio Fioravanti)
The Responsible Light
The Innovation
1970
Boalum
The Good Light
Livio CAstiglioni
Gianfranco Frattini
The Designers
The History
The Competence Centers
The Network Identity
Mezzoracolo
Pregnana Milanese factory
and Artemide Headquarters
Gae Aulenti
1972
Tizio
Richard Sapper
Patroclo
Gae Aulenti
1975
MADE IN EUROPE
COMMUNICATION
DESIGN AND PRODUCTS
1960 - 1970
1970 - 1980
1980 - 1990
1990 - 2000
2000 - 2010
2010 - 2016
INNOVATION AND QUALITY
THE HISTORY
The Human Light
The Responsible Light
1976
The Innovation
The Good Light
The Designers
Aggregato
Enzo Mari
The History
The Competence Centers
The Network Identity
Camera
Ernesto Gismondi
1977
Sintesi
Ernesto Gismondi
1978
Onfale
Luciano Vistosi
1979
Megaron
Giancarlo Frattini
MADE IN EUROPE
COMMUNICATION
DESIGN AND PRODUCTS
1960 - 1970
1970 - 1980
1980 - 1990
1990 - 2000
2000 - 2010
2010 - 2016
INNOVATION AND QUALITY
THE HISTORY
The Human Light
The Responsible Light
The Innovation
The Good Light
1980
The Network Identity
Ernesto Gismondi
1982
Callimaco
Ettore Sottsass
Shogun
Mario Botta
Aton barra
Ernesto Gismondi
1985
Michele De Lucchi
The History
The Competence Centers
Aton terra
Cyclos
The Designers
MADE IN EUROPE
COMMUNICATION
DESIGN AND PRODUCTS
1960 - 1970
1970 - 1980
1980 - 1990
1990 - 2000
2000 - 2010
2010 - 2016
INNOVATION AND QUALITY
THE HISTORY
The Human Light
The Responsible Light
1987
The Innovation
The Good Light
Tolomeo
Michele De Lucchi
Giancarlo Fassina
Artemide R&D
The Designers
The History
The Competence Centers
The Network Identity
Compasso d’Oro
1989
1988
Mikado
Alexander Ferdinand Porsche
133 System
Ernesto Gismondi
Zen
Ernesto Gismondi
1989
Nestore
Carlo Forcolini
Montjuic
Santiago Calatrava
n
MADE IN EUROPE
COMMUNICATION
1960 - 1970
1970 - 1980
1980 - 1990
1990 - 2000
2000 - 2010
2010 - 2016
DESIGN AND PRODUCTS
INNOVATION AND QUALITY
THE HISTORY
The Human Light
The Responsible Light
The Innovation
The Good Light
The Designers
Andrea Anastasio
Aton barra
The History
1990
Giocasta
The Competence Centers
The Network Identity
Tolomeo
Ernesto Gismondi
Michele De Lucchi
1991
Callimaco
Ettore Sottsass
Motjuic
Santiago Calatrava
Shogun
Giocasta
Mario Botta
Andrea Anastasio
Melissa
Toni Cordero
Artemide
Compasso d’Oro
1995
Surf
Neil Poulton
Chimera
Vico Magistretti
1990
Artemide
European Design Price
1995
1995
Artemide:
Compasso d’Oro
1995
Megalit
Artemide Architectural
Metamorfosi technology
Ernesto Gismondi
Innovation Patent
MI96A000284
Esperia
Ernesto Gismondi
1996
MADE IN EUROPE
COMMUNICATION
1960 - 1970
1970 - 1980
1980 - 1990
1990 - 2000
2000 - 2010
2010 - 2016
DESIGN AND PRODUCTS
INNOVATION AND QUALITY
THE HISTORY
The Human Light
The Responsible Light
The Innovation
The Good Light
The Designers
The History
The Competence Centers
The Network Identity
Prometeo
Aldo Rossi
Lesbo
1998
Angelo Mangiarotti
ra System
Foster & Partners
ADV:
Cannes bronze Lion
Surf
Neil Pouton
Innovation Patent
PCTIT0000184
1999
e.light
Ernesto Gismondi
Innovation Patent
MI96A000284
Yang
Carlotta de Bevilacqua
2000
MADE IN EUROPE
COMMUNICATION
1960 - 1970
1970 - 1980
1980 - 1990
1990 - 2000
2000 - 2010
2010 - 2016
DESIGN AND PRODUCTS
INNOVATION AND QUALITY
THE HISTORY
The Human Light
The Responsible Light
The Innovation
2000
Sui
The Good Light
The Designers
Carlotta de Bevilacqua
The History
Kaio Led
Ernesto Gismondi
The Competence Centers
The Network Identity
Led
Led
Dioscuri
Michele De Lucchi
2002
Sextans
Rota & Pedretti
DZ Licht
Rigel
Carlotta de Bevilacqua
Talo
Neil Poulton
2003
Nur
Ernesto Gismondi
2004
Tian Xia
Carlotta de Bevilacqua
Innovation Patent
MI2002A001393
Pipe
Herzog & De Meuron
Compasso d’Oro
2004
MADE IN EUROPE
COMMUNICATION
1960 - 1970
1970 - 1980
1980 - 1990
1990 - 2000
2000 - 2010
2010 - 2016
DESIGN AND PRODUCTS
INNOVATION AND QUALITY
THE HISTORY
The Human Light
The Responsible Light
The Innovation
2005
The Good Light
Mesmeri
The Designers
Eric Solé
The History
2006
Metacolor
Ernesto Gismondi
The Competence Centers
The Network Identity
Cadmo
Karim Rashid
2007
Mercury
Ross Lovegrove
Solar Tree
Ross Lovegrove
Pirce
Giuseppe Maurizio Scutellà
Nord Light
2008
Altrove
Carlotta de Bevilacqua
Chocolate
a.g.Licht
Picto
2010
MADE IN EUROPE
COMMUNICATION
1960 - 1970
1970 - 1980
1980 - 1990
1990 - 2000
2000 - 2010
2010 - 2016
DESIGN AND PRODUCTS
INNOVATION AND QUALITY
THE HISTORY
The Human Light
The Responsible Light
The Innovation
The Good Light
2010
Ciclope
Alessandro Pedretti
The Designers
The History
The Competence Centers
The Network Identity
Chilone
Ernesto Gismondi
Led Net
Doride
Michele De Lucchi
Karim Rashid
Cosmic leaf
Ross Lovegrove
Algoritmo
Carlotta de Bevilacqua
Paola di Arianello
Innovation Patent Pending
MI2009A000677
MADE IN EUROPE
COMMUNICATION
1960 - 1970
1970 - 1980
1980 - 1990
1990 - 2000
2000 - 2010
2010 - 2016
DESIGN AND PRODUCTS
INNOVATION AND QUALITY
THE HISTORY
The Human Light
The Responsible Light
The Innovation
Pad
The Good Light
Carlotta de Bevilacqua
The Designers
Innovation
Patent Pending
MI2010A000609
The History
The Competence Centers
The Network Identity
Copernico
Carlotta de Bevilacqua
Paolo dell’Elce
Innovation Patent Pending
MI2010A000610
2011
Demetra
Naoto Fukasawa
Halo
Karim rashid
Lotek
Javier Mariscal
>>> VIDEO
2012
IN-EI ISSEY MIYAKE
Issey Miyake + Reality Lab
Compasso d’Oro
2014
>>> VIDEO
Innovation
Patent Pending
MI2010A000610
Cata
Carlotta de Bevilacqua
Empatia
Carlotta de Bevilacqua
Paola di Arianello
>>> VIDEO
2013
MADE IN EUROPE
COMMUNICATION
1960 - 1970
1970 - 1980
1980 - 1990
1990 - 2000
2000 - 2010
2010 - 2016
DESIGN AND PRODUCTS
INNOVATION AND QUALITY
THE HISTORY
The Human Light
The Responsible Light
The Innovation
The Good Light
2014
Equilibrist
Jean Nouvel
The Designers
The History
The Competence Centers
The Network Identity
Eggboard
Ilio
Giovanni Giacobone
Massimo Roj
Ernesto Gismondi
>>> VIDEO
Incalmo
Carlotta de Bevilacqua
MADE IN EUROPE
COMMUNICATION
1960 - 1970
1970 - 1980
1980 - 1990
1990 - 2000
2000 - 2010
2010 - 2016
DESIGN AND PRODUCTS
INNOVATION AND QUALITY
THE HISTORY
The Human Light
The Responsible Light
The Innovation
Sisifo
The Good Light
Scott Wilson
The Designers
The History
The Competence Centers
The Network Identity
Null Vector
Carlotta de Bevilacqua
Laura Pessoni
2015
Discovery
Ernesto Gismondi
LIGHTING FIELDS 4
2015
Meteorite
Pio & Tito Toso
Cata Tir
Carlotta de Bevilacqua
SPECTRAL LIGHT
Philippe Rahm
>>> VIDEO
GLASS
COLLECTION
>>> VIDEO
ARTEMIDE MAGAZINE
2015
MADE IN EUROPE
COMMUNICATION
1960 - 1970
1970 - 1980
1980 - 1990
1990 - 2000
2000 - 2010
2010 - 2016
DESIGN AND PRODUCTS
INNOVATION AND QUALITY
THE HISTORY
The Human Light
The Responsible Light
The Innovation
Tycho
The Good Light
Michele De Lucchi
The Designers
>>> BLOG
The History
The Competence Centers
The Network Identity
LA PETITE FAMILY
AMELUNA
Quaglio Simonelli
Mercedes - Benz Style
>>> VIDEO
2016
Silent Field
Carlotta de Bevilacqua
Laura Pessoni
LIGHTING FIELDS 5
2016
Patent Pending N° 102016000025996
LOT REFLECTOR
Tapio Rosenius
>>> VIDEO
ARTEMIDE MAGAZINE
2016
Alphabet of Light
BIG
Patent Pending N° 102016000026002
>>> VIDEO
Patent Pending N° 102016000025996
THE HUMAN LIGHT
Light is a daily presence in our lives.
The relationship between people, light and the
environment has always been central in Artemide’s
vision and it has been developed over the years.
This ranges from the aspects aimed at the well-being of the
individual and their perception of spaces, to tackling the
issues associated with environmental
sustainability.
The Human Light
The Responsible Light
The Innovation
The Good Light
The Designers
The History
The Competence Centers
The Network Identity
The Human Light is light capable of following theflow of
individuals’ behaviours and emotions. It is
designed for the psychological well-being of people,
offering new qualities, emotions and awareness to our
lives and opening up an innovative and responsible
vision of the future.
Light becomes a mouldable raw material with The
Human Light, an active instrument to support the Self, a
means of regaining stimuli and sensations.
The self-awareness in the relationship between light and
people must be interpreted not only as a right to flexible
management within everybody’s reach, but above all as an
obligation.
ADV Campaign 1998
gnata a sviluppare ed adottare sistemi di
nazione che perseguano l’obiettivo della
THE RESPONSIBLE
ma efficienza
energetica.LIGHT
le scelte progettuali sono focalizzate verso
nico obiettivo: migliorare la qualità della vita
omo eECO-EFFECTIVENESS
il suo rapporto con l’ambiente.
Maximum
devoted
to design
andconsumi
mbito di una attention
politicaisdi
riduzione
dei
production process: responsible use of resources,
getici emeticulous
in anticipo
a and
vincoli
normativi,
choicerispetto
of processes
technologies
with a
quattro
di azione
cui si traduce
viewletoaree
achieving
an energyinbalance.
etamente
l’impegno di Artemide:
LONG TERM
The Human Light
The Responsible Light
The Innovation
The Good Light
The Designers
Designing for the long term through careful planning of
Effectiveness
the entire life cycle of the product, promoting
internal technical
training using
experience
ma attenzione
al processo
di the
progettazione
accrued
the research into sustainability
duzione:
usoin responsabile
delle risorse,
The History
The Competence Centers
The Network Identity
RESPONSIBLE
CONSUMPTION
ata scelta
dei processi
e delle tecnologie
cultureenergetico.
and offer instruments for a suitable
’otticaTodispread
bilancio
choice and a rational use of light, judging it in terms of
energy saving and affordability.
term
QUALITY
ttare per
la lunga durata attraverso un’attenta
Quality is a fundamental choice for a more lasting
ettazione
dell’intero ciclo di vita del prodotto
relationship with the product and as a prerequisite in
uovendo
la formazione
tecnica interna,
the search
for authentic environmental
innovation.
zando le esperienze maturate nell’ambito
erche sulla sostenibilità (LCA, analisi delle
LED - design Michele
Lucchi
logie,Tolomeo
dei processi
etc.)Desviluppate
con centri
erca universitari.
onsible Consumption
ndere cultura e offrire strumenti per una
consapevole (TCO, LENI) e un utilizzo
nato della luce, qualificandola in termini di
mio energetico ed economico.
ity
alità come un diritto fondamentale per un
orto più duraturo con il prodotto e come
sito indispensabile per la ricerca di una
ntica innovazione ambientale.
LCA (Life Cycle Assessment)
LCA is a strategic approach used to assess the
potential environment impact that a product has
during all the stages of its life cycle: selection
of raw materials, processing, transport and
assembly, packaging, distribution, use phase,
disposal and recycling.
Ci troviamo in un momento in cui
l’evoluzione The Innovation
Artemide.
della tecnica offre interessanti opportunità per
lo sviluppo di generazioni di prodotti concettualmente
nuovi. Tuttavia nel campo della luce oggi il progresso
tecnologico non è più accessibile a tutti, è più complesso e richiede interpreti competenti: la creatività
del designer deve necessariamente confrontarsi con
un team specializzato. Per questo motivo Artemide
1
si è dotata negli anni di una struttura di ricerca
troviamo
un momento in cui l’evoluzione
We find ourselves at a time when
The numerous
forininventions
e sviluppo dove trovano
posto Ci
lepatents
più
diverse
della
tecnica
offre
interessanti opportunità per
the evolution of technology offers
e specializzate competenze
tecniche,
that accompany
the laboratori
development
lo sviluppo di generazioni di prodotti concettualmente
accreditati e sistemi
di qualità certificati.
interesting opportunities for the
of Artemide’s
products
and the
nuovi.
Tuttavia
nel campo della luce oggi il progresso
si espleta
nell’utilizzo
development of generations Se da un lato l’innovazione
international awards
in the
field
of
tecnologico
non
dei LED e delle sorgenti a risparmio energetico, è più accessibile a tutti, è più comof conceptually new products.nell’uso di materialiinnovation
plesso
e richiede
interpreti competenti: la creatività
and
sustainability
are
e tecniche di
produzione
innovative,
del
designer
deve
confrontarsi con
Nevertheless, in the field of light
testament to
thequalità
persistence
their
nell’attenzione all’efficienza
e alla
della of necessariamente
un
team
specializzato.
Per
questo
motivo
Artemide
2
today technological progress performance,
is no
dall’altro
ricerca
e innovazione
tecnoprojects
for the
future.
si è dotata
negli
anni di una struttura di ricerca
in senso umanistico
l’obiettivo
longer accessible to everyone;logica
it is sono inteseInnovation
is made
ofcon
people,
of
e
sviluppo
dove
trovano
posto le più diverse
di dare continuamente un contributo alla qualità
more complex and requires skilful
their culture and
skills, but above
e
specializzate
competenze
tecniche, laboratori
della vita dell’uomo e del pianeta. Il progetto è per
interpreters: the designer’s creativity
accreditati
e sistemi di qualità certificati.
it comes
from
continuous
Artemide ricerca eallcultura,
parte
dalla
convergenza
Se
da
un
lato
l’innovazione
si espleta nell’utilizzo
must necessarily be measureddiagainst
experimentation
and from
shared
una costante innovazione
tecnologica
e di aun
dei
LED
e
delle
sorgenti
a
risparmio
energetico,
that of a specialist team. For approccio
this
di tipo antropologico.
vision. It is also with a view to this,
nell’uso
di materiali e tecniche di produzione innovative,
I numerosi
brevettithat
di invenzione
che
reason, over the years Artemide
has
the project
hasaccompagnano
been putall’efficienza
in place
nell’attenzione
e alla qualità della
lo sviluppo
dei prodotti Artemide e i riconoscimenti
3
equipped itself with a research
and
for a new Campus
and Laboratory
performance,
dall’altro
ricerca
e innovazione tecnointernazionali in campo di innovazione e sostenibilità
development structure wheretestimoniano
there
logica
sono
of tensione
thought. progettuale
This
building
isintese
in thein senso umanistico con l’obiettivo
la sua
verso
di
dare
continuamente
is space for the most diverse iland
construction
phase
and can
futuro. L’innovazione
è fatta di
persone,
dellaalso
lorobe un contributo alla qualità
della
vita
dell’uomo
specialist technical expertise,cultura
accredited
e competenza
maasoprattutto
unae del pianeta. Il progetto è per
seen as
expression èofdata
the da
efforts
ricerca
e cultura, parte dalla convergenza
sperimentazione continua
e da Artemide
una
condivisa.
laboratories and certified quality
and the desire
ofuna
avisione
company
to
grow
di
costante
innovazione
tecnologica e di un
In quest’ottica anche il progetto per il nuovo campus
systems.
according
to
a
holistic
and
multiapproccio
di
tipo
antropologico.
e laboratorio di pensiero in fase di edificazione può
I numerosi
brevetti
di invenzione che accompagnano
approach,
pursuing
essere visto come disciplinary
una testimonianza
dello
sforzo the
lo
sviluppo
dei
prodotti
e i riconoscimenti
4
On one hand, innovation is delivered
of disustainability
and energyArtemide
e della volontà diprinciples
un’azienda
crescere secondo
internazionali
in
campo
di
innovazione
e sostenibilità
in the use of LEDs and energy-saving
un approccio olistico
e multidisciplinare,
seguendo
efficiency,
withtestimoniano
the emphasis
on
la sua tensione progettuale verso
i principi
dell’efficienza
energetica,
light sources, by using materials
and della sostenibilità
research eand
experimentation.
il
futuro.
L’innovazione
ponendo
alla sperimentazione. è fatta di persone, della loro
innovative production techniques
withattenzione alla ricerca ecultura
e competenza ma soprattutto è data da una
attention devoted to efficiency and
sperimentazione continua e da una visione condivisa.
In quest’ottica anche il progetto per il nuovo campus
the quality of the performance. On the
1 COPERNICO, Innovation Patent n. MI2010A000610
e laboratorio di pensiero in fase di edificazione può
other hand, research and technological
It is a variable-geometry lighting fixture that uses specific mechanical joints.
visto
come
una testimonianza dello sforzo
joints have double function either foressere
orientating
the several
sections
innovation are understood in aThese
of the fixture itself and to feed the power supply
to
all
the
LED
branches.
e della volontà di un’azienda di crescere secondo
humanistic sense with the aim
of
un approccio olistico e multidisciplinare, seguendo
2 EPHEMERYS, Innovation Patent n. MI2012A000610
It is a lighting fixture with the optical designi based
on thedella
light guiding
principi
sostenibilità e dell’efficienza energetica,
continually making a contribution
system that places the LED light source in free air outside the luminaire,
ponendo
alla ricerca e alla sperimentazione.
towards the quality of life for people
and maintains the light distribution in the diffuser
centralattenzione
part.
THE INNOVATION
and the planet. Artemide’s project
3 PAD, is
Innovation Patent n. MI2010A000609
The Projector is based on LED technology with a system that integrates
both research and culture, starting
fromand electronics. It integrates the active special power supply
both optical
1 COPERNICO,
Innovation
Patent n. MI2010A000610
together with the optical system. The projector
uses a thermal
conductive
the gathering of constant technological
a variable-geometry
back in heat exchange function and also uses Ita is
diffuser
with integratedlighting fixture that uses specific mechanical joints.
These joints have double function either for orientating the several sections
light emission lenses .
innovation and a cultural approach.
of the fixture itself and to feed the power supply to all the LED branches.
4 CATA, Innovation Patent n. MI2012A000605
2 EPHEMERYS,
Patent n. MI2012A000610
The Projector based on LED technology is developped
on theInnovation
optical
It is a lighting
fixture with the optical design based on the light guiding
catadioptric principle with double collimating mirrors
and light
system that places the LED light source in free air outside the luminaire,
guiding system.
and maintains the light distribution in the diffuser central part.
5 Artemide Campus (2015)
COPERNICO
Innovation Patent
n. MI2010A000610
eno
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etnemlau
ossergorp
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edimetr
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PAD
Innovation Patent
n. MI2010A000609
ozzilit
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The History
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CATA
Innovation Patent
n. MI2012A000605
4
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THE GOOD LIGHT
Artemide.
Artemide.The
The Good
Good Light
Light
Psychological light
light
The Human Light
Physiologicallight
light
Physiological
LaLaluce,
luce,variando
variandocolore
coloreootemperatura,
temperatura, costruisce
costruisce
By varyingemozioni
colour or
temperature,
light builds
emotions
emozioni
eerelazioni.
relazioni.Le
Leradiazioni
radiazioni
luminose
luminose
che
cheraggiungono
raggiungonoi inostri
nostriocchi
occhivengono
vengonotrasformate
trasformate
and relationships.
ininimpulsi
impulsielettrici
elettricieetrasmesse,
trasmesse,mediante
mediante ilil nervo
nervo
ottico,
ottico,
cervello.
cervello.
Da
qui
quisisiour
origina
origina
una
serie
The radiations
ofalallight
thatDa
reach
eyesuna
areserie
didiinput
inputche
chevengono
vengonotrasmessi
trasmessiaatutto
tutto l’organismo.
l’organismo.
transformed
into electric
impulses
and transmitted
InInparticolare,
particolare,
quando
quando
gli
gliimpulsi
impulsi
raggiungono
raggiungono
l’ipotalamo,
l’ipotalamo,sisidetermina
determinaun
unincremento
incremento della
della
to the brain
via the optic
nerve. From
here a series
serotonina,
serotonina,neurotrasmettitore
neurotrasmettitoredeputato
deputato al
al controllo
controllo
del
deltono
tonodell’umore.
dell’umore.
Quando
gli
gliimpulsi
impulsi raggiungono
raggiungono
of inputs are
originated
thatQuando
are transmitted
to the
l’epifisi
l’epifisisisiassiste
assistead
aduna
unariduzione
riduzionedella
della melatonina,
melatonina,
entire body.
In particular,
when
impulses reach
ormone
ormone
sensibile
sensibileal
alciclo
ciclothe
giorno-notte.
giorno-notte.
Conseguenza
Conseguenza
tali
talireazioni
reazioni
neurofisiologiche
the hypothalamus
theydidibring
aboutneurofisiologiche
an increase in
è èuna
unavariazione
variazionesignificativa
significativadel
del tono
tono dell’umore
dell’umore
serotonin,inainfunzione
neurotransmitter
thateedella
controls
moods.
funzionedella
dellaquantità
quantità
della qualità
qualità
di
di luce
luce
acui
cuièèesposto
espostoun
unindividuo.
individuo.Progettare
Progettare la
la luce
luce
When theasignifica
impulses
reach
the
epiphysis
we
have
a
significaandare
andareoltre
oltrel’aspetto
l’aspettopuramente
puramente funzionale
funzionale
dell’illuminazione
abbracciare
abbracciare
una
unais
dimensione
dimensione
reductiondell’illuminazione
in
melatonin, aeehormone
that
sensitive to
più
piùampia
ampiache
chefaccia
facciacapo
capoaauna
unanuova
nuova attenzione
attenzione
the day-night
cycle. Thepercettiva.
consequence
of these neuroper
perl’esperienza
l’esperienza
percettiva.
LaLaconoscenza
conoscenzaeeconsapevolezza
di
diArtemide
Artemide su
su
physiological
reactions
isconsapevolezza
a significant
variation
in
questo
questotema,
tema,legate
legatealle
allericerche
ricerchesviluppate
sviluppate dagli
dagli
anni
anni90’
90’ad
adoggi
oggi
conuniversità,
università,
centri
di
di ricerca,
ricerca,
mood depending
on
thecon
quantity
andcentri
quality
of light to
esperti
espertidididiverse
diversediscipline
disciplinescientifiche
scientifiche (medicina,
(medicina,
which an biologia,
individual
is exposed.
biologia,psicologia,
psicologia,
antropologia)
antropologia)hanno
hanno portato
portato
sviluppo
sviluppo
disistemi
sistemimeans
didiilluminazione
illuminazione
innovativi.
innovativi.
Designingallo
aallolight
for dipeople
going beyond
the
Metamorfosi,
Metamorfosi,A.l.s.o.
A.l.s.o.eeMy
MyWhite
WhiteLight
Light sono
sono sintesi
sintesi
purely functional
aspects
of lighting
and embracing
tra
trainnovazione
innovazione
tecnologica
tecnologica
eeattenzione
attenzione
all’uomo
all’uomo
e eaiaisuoi
suoibisogni
bisognipsicologici
psicologicieefisiologici.
fisiologici.
a broaderNon
dimension,
with
a
new
attention
towards
Nonsono
sonoprodotti
prodottima
mamezzi
mezziper
per creare
creare scenari
scenari
luminosi
variabili
variabilicon
concui
cuiinteragire
interagire ee vivere
vivere
perceptiveluminosi
experience.
il ilrapporto
rapportocon
conlalaluce
lucein
inmodo
modo nuovo,
nuovo, più
più diretto
diretto
Artemide’se econsapevole.
knowledge
consapevole.and awareness on this topic
LIGHT RADIATION
The Innovation
The Designers
The History
ELECTRICAL IMPULSE
The Competence Centers
The Network Identity
BRAIN
HYPOTALAMUS
EPIPHYSIS
SEROTONIN
MELATONIN
PSYCHOLOGICAL LIGHT
PHYSIOLOGICAL LIGHT
LIGHT
LIGHTRADIATION
RADIATION
EYES
EYES
ELECTRICAL
ELECTRICALIMPULSE
IMPULSE
1414
The Good Light
EYES
have led to the development of innovative lighting
systems. This is associated with the research developed
from the 1990s to today with universities, research
centres and experts in various scientific disciplines
(medicine, biology, psychology, anthropology).
Metamorfosi, A.l.s.o. and My White Light are
BRAIN
BRAIN
a synthesis of technological innovation and attention
to people and theirHYPOTHALAMUS
psychological needs.
They are not
EPIPHYSIS
HYPOTHALAMUS
EPIPHYSIS
products, but means of creating variable light settings
SEROTONIN
MELATONIN
SEROTONIN
MELATONINwith light in
to interact and experience
the relationship
an aware and direct way.
The Responsible Light
Read the TOG story >>>
psychological light
physiological light
THE GOOD LIGHT
The Human Light
Spectral Light by Philippe Rahm
“Electromagnetic impressionism”. In proposing a design
of light spectra that will combine specifi c and distinct
wavelengths, we have found ourselves using techniques
comparable to the Impressionism of Claude Monet and the
Pointillism of Georges Seurat.
The Responsible Light
The Innovation
The Good Light
The Designers
The History
The Competence Centers
The Network Identity
In setting out to break up the units of reality, we are seeking
to arrive at a new synthesis through a few electromagnetic
chemical components.
With this method we want to initiate a reappraisal of
architecture and design, renouncing the picturesque in favor of
a new synthesis of truth, economy and beauty.
We have adapted different spectra to the needs of the various
“inhabitants” of the home (people, pets, birds, plants). We
present the wavelengths of these spectra that are required to
see, to grow and to photosynthesize.
Prompted by the current interest of design in the immaterial,
we want to create a new spectrum of lights that conforms
to biological and environmental values, by putting together
wavelenghts that we can regard as healty, necessary and
economic.
THE DESIGNERS
The Human Light
The Responsible Light
The Innovation
The Good Light
The Designers
The History
The Competence Centers
The Network Identity
THE NETWORK IDENTITY
The Human Light
The Responsible Light
The Innovation
EUROPEAN AND NORTH AMERICAN
PRODUCTION FACILITIES
1
2
3
4
5
6
The Good Light
Artemide Pregnana Milanese - Milan (IT)
Artemide Telgate - Bergamo (IT)
Artemide Glass Factory, Vetrofond Srl - Venice (IT)
Artemide Architectural Sas - Saint Florence (FR)
A&A - Paks (HU)
Artemide Manufacturing North America
- Montreal (CA)
The Designers
The History
The Competence Centers
The Network Identity
15
14
11
9
10
4
6
7
18
17
8
2
16
12
5
1 3
13
23
WORLDWIDE SUBSIDIARIES
22
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
Artemide Italia - Milan (IT)
Artemide Illuminazione - Zurich (CH)
Artemide Handelsgesellschaft - Vienna (AT)
Artemide France - Paris (FR)
Artemide Gmgh - Fröndenberg (DE)
Artemide Deutschland - Fröndenberg (DE)
Artemide SA - Barcelona (SP)
Artemide GB - London (UK)
Artemide Scandinavia - Copenhagen (DK)
Artemide Agency - Moscow (RU)
Artemide Inc, Hicksville - New York (US)
Artemide Ltée, Quebec - Montreal (CA)
Edimetra - Buenos Aires (AR)
Artemide Middle East - Dubai (UA)
Artemide HK Ltd - Hong Kong (HK)
Artemide Trading Shanghai - Shanghai (CN)
Artemide Japan, Tokyo (JP)
Artemide Lighting India, Mumbay (IN)
20
21
24
19
SHOWROOMS: LIGHTING COMPETENCE CENTERS
The Human Light
The Responsible Light
The Innovation
The Good Light
The Designers
The History
The Competence Centers
The Network Identity
1
2
3
7
6
9
10
5
4
11
13
23
16
1 Adelaide
2 Amsterdam
3 Buenos Aires
4 Bejing
5 Bruxelles
15
6 Chicago
7 Copenhagen
8 Dubai
9 Frankfurt
10 Hong Kong
19
8
12
14
18
17
11 Istanbul
12 Kuala Lumpur
13 Los Angeles
14 London
15 Melbourne
16 Mexico City
17 Miami
18 Milan C.so Monforte
19 Milan Via Manzoni
20 Montreal
34
35
21 Moscow
22 Mumbai
23 New York
24 Paris
25 Prague
20
21
22
25
28
29
31
26
27
30
36
37
38
26 Rome Via Margutta
27 Rome Via Pisanelli
28 Seoul
29 Singapore
30 Sydney
24
32
33
39
31 Thessaloniki
32 Taipei
33 Taichung
34 Tokyo
35 Toronto
36 Treviso
37 Warsaw
38 Wien
39 Zurich
THE BEST IS YET TO COME
The Human Light
The Responsible Light
The Innovation
The Good Light
The Designers
The History
The Competence Centers
The Network Identity
THANK YOU