2004 ANNUAL REPORT - Vancouver Art Gallery

Transcription

2004 ANNUAL REPORT
Message from the Chair
Message from the Director
2004 in Review
Exhibitions
Temporary
Permanent Collection
Travelling
2004 Acquisitions
Publications
Public Programs
Thank You
Financial Statements
Board of Trustees
Gallery Staff Complement
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Tina Modotti, Labour 2, 1927, silver gelatin print, Gift of Claudia Beck and Andrew Gruft
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MESSAGE FROM THE CHAIR
This has been a year of tremendous excitement and accomplishment
at the Vancouver Art Gallery. Beyond another exceptional slate of
exhibitions and programs and a record nineteenth consecutive
deficit-free year, in 2004 we also made significant strides forward
with our Master Planning process, a major undertaking to build
on our position as one of Canada's premier visual arts institutions.
We are blessed not only with one of the finest locations any gallery
could have, but with residence in one of British Columbia's most
charming historic buildings. The “Take the Gallery to Court” campaign
in the early 1980s culminated in Arthur Erickson's $20-million
renovation to our courthouse complex, creating a unique home for
the visual arts that has welcomed more than four million visitors,
including some 400,000 schoolchildren, since the Gallery opened
in 1983.
However, since that time there have been virtually no major capital
improvements to our facility. Aging and antiquated systems, seismic
deficiencies and a serious shortage of space threaten our future
viability. It is clear that we must act, decisively. We are faced with
three basic options: to operate within our current facility, which is
increasingly constraining our ability to meet the ever-growing
needs of the public; to renovate and expand in, around, under or
above our present space in the block bounded by Robson, Hornby,
Georgia and Howe Streets (known as Block 51); or to consider a
move to a new location.
Our primary energies have been directed toward renovating and
expanding within Block 51. After an exhaustive international
competition, we selected Michael Maltzan Architecture of Los Angeles,
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working with Henriquez Partners of Vancouver, to assist us in a
review of various Block 51 options. Concurrently, the Board is
reviewing potential opportunities and costs at other sites in the
downtown area. Our preferred outcome, clearly, is to stay where
we are. Our central location and the charm of the historic courthouse
buildings offer advantages that would be nearly impossible to
duplicate elsewhere.
As the Master Planning process goes on, we are continuing to consult
with and seek the advice of our various stakeholders, neighbours
and other interested parties. In the coming months, as our studies
and evaluations come to a conclusion, we look forward to sharing
information and working with all those who have an interest in
ensuring the continued success of this great institution.
As always, I offer my profound gratitude and appreciation to the
donors, sponsors, volunteers and Gallery staff who work so hard
on behalf of the Gallery. In particular I wish to recognize the
exemplary leadership of Gallery Director Kathleen Bartels. It is a
distinct pleasure to be associated with each of you, and I salute
your contributions on behalf of the Board of Trustees.
I also extend my personal thanks to my colleagues on the Board.
As the Gallery continues its planning to prepare for the exciting
opportunities of the decades to come, your work to ensure we
chart the right course continues to be invaluable. It is a privilege
to work with you all.
George Killy
MESSAGE FROM THE DIRECTOR
Each year as we look back on the Gallery's accomplishments and
our work within the community, I'm struck by the amazing —and
continually expanding—confluence of international art influences
in Vancouver. It is remarkable to realize that perhaps no other city
our size in the world is more cosmopolitan in its creative energies
and support for the visual arts.
Artists, collectors, commercial gallery owners, patrons and
donors, the academic community—all have poured their passion
into Vancouver's astonishingly prolific and inspired history of art
making. For nearly three-quarters of a century, the Gallery has
played a privileged role in this pursuit of excellence. 2004 was
another landmark year in our progress as an institution, marked
by exciting collaborations and a determined commitment to
explore visual art and its impact, far beyond conventional notions.
Our 2004 program showcased the power of art to link north and
south, east and west, and to link the past with the present and future.
International eclecticism shone in exhibitions such as The Divine
Comedy: Francisco Goya, Buster Keaton, William Kentridge and the
wonderful survey Baja to Vancouver: The West Coast and Contemporary
Art, a partnership between the Gallery and institutions in San Diego,
San Francisco and Seattle.
Massive Change: The Future of Global Design examined the possibilities
and challenges of the future in dramatically thought-provoking
ways, and drew enthusiastic crowds of highly engaged visitors to
the Gallery-including many first-timers. The Massive Change:
Visionaries symposium, hosted by the renowned commentator
Charlie Rose and the Massive Change curator and famed designer
Bruce Mau, further explored notions of design and its transformative
effect on people and environments all over the world. Organized by
the Gallery, Massive Change is now embarked on a major international
tour that includes Toronto and up to five venues in the United States,
Europe and Japan, and that will ultimately reach as many as
one million visitors.
The Gallery's collection was highlighted in the presentation of some
800 objects generously donated in 2003 by two Vancouver art
world luminaries, J. Ron and Jacqueline Longstaffe, as well as in
The Shadow of Production, a compelling companion piece to
Massive Change. The past year also included another milestone
acquisition for the Gallery: 463 outstanding historical, modern and
contemporary photographs meticulously assembled over three
decades by the Vancouver collectors Claudia Beck and Andrew Gruft.
Through such generosity, the Gallery now holds one of the most
important public collections of photography in North America.
The year 2004 was a particularly powerful step forward in our
continuing effort to connect audience with ideas and-always-to
offer up a fascinating, enjoyable, stimulating experience. At the
heart of everything we do are the exceptionally talented artists
who consistently engage, challenge and delight through their
work. The Gallery extends deep gratitude to them and to our
many supporters for inspiring, sustaining and sharing such a
wonderful ongoing journey.
Kathleen S. Bartels
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Bubaº, Karin, Two T.V.'s and an Ashtray [from series Florence and George], 1998, chromogenic print, Vancouver Art Gallery Acquisition Fund
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Curator of Massive Change, Bruce Mau leading an exhibition tour.
Photo: Dave Roels
Installation view of the Wealth and Politics Economy in Massive Change.
Photo: Robert Keziere
2004 IN REVIEW
EXHIBITIONS
The Vancouver Art Gallery presented an outstanding
The beginning of the year was marked by innovative linking of
series of exhibitions in 2004, drawing record-level
historical and contemporary art through the themes of war,
audiences and unprecedented critical acclaim.
politics and humour. Guest curator Trevor Smith of the New
The much-anticipated world premiere of Massive
Museum in New York brought together William Kentridge,
Change: The Future of Global Design and the Massive
Buster Keaton and Francisco Goya in The Divine Comedy, which
Change: Visionaries symposium hosted by Charlie
was presented alongside Canvas of War, a major survey of
Rose and Bruce Mau were a phenomenal success,
Canadian war art.
drawing attention from prestigious international
media such as Time magazine, The Los Angeles
The Gallery’s commitment to contemporary art was evident in
Times and The New York Times. The exhibition
the much-anticipated survey Baja to Vancouver: The West Coast
drew more than 55,000 visitors and prompted the
and Contemporary Art, successfully launched at one of our busiest
Gallery to extend its operating hours during the
and most exciting openings. This collaboration between four
holiday season. Along with A Modern Life, which
West Coast institutions in Vancouver, Seattle, San Francisco and
addressed the rich intersection of art and design
San Diego featured works by thirty-three of the region’s foremost
in post-World War II British Columbia, it was a
artists. The Gallery also mounted the third installment of NEXT,
powerful launch of the Gallery's design program.
an experimental series focusing on emerging contemporary
artists from the Pacific Rim, with Lines for the Next Exhibition, a
2004 IN REVIEW
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COLLECTION
commissioned video work by the Vancouver artist Robert Arndt.
Over the course of the year, the Gallery acquired
Throughout the year, staff worked to complete a site-specific
some 500 works valued at nearly $3,000,000. Of these,
online project by the internationally renowned Canadian artist
463 were photographs from the Claudia Beck and
Janet Cardiff, winner (with George Bures Miller) of the Fourth
Andrew Gruft collection. Assembled with great
Benesse Prize at the 2001 Venice Biennale.
insight and dedication over the past thirty years, their
collection of historical, modern and contemporary
Permanent Collection exhibitions in 2004 foregrounded many of
photography is outstanding in scope and quality,
the generous gifts to the Gallery. In the spring, Determined
dating back to the medium's invention in the mid-
Pursuit: Highlights from the Longstaffe Collection gave audiences a
nineteenth century and encompassing significant
chance to see a selection from more than 800 works donated to
works by contemporary artists from Vancouver, the
the Gallery by J. Ron and Jacqueline Longstaffe, two of our
US and Europe. Gruft and Beck's enormous
greatest benefactors. Our popular summer exhibition Andy
generosity in making this acquisition possible
Warhol: Prints and Drawings from the Warhol Museum also included
solidifies the Gallery's position as keeper of one of
some 40 works from the Gallery's permanent collection. The
the foremost public collections of photography in the
growing depth and breadth of the collection was revealed in the
country. Many other outstanding historical and
fall exhibition The Shadow of Production, which addressed themes
contemporary works were donated including an
of industry, work and leisure.
Emily Carr painting from her early French period,
gifted by the Estate of Anna K. Jetter. We are
extremely grateful to all of our donors for their
generosity in supporting the Gallery's ongoing
efforts to build an exemplary collection. Thank you!
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2004 IN REVIEW
EXHIBITIONS
TEMPORARY EXHIBITIONS
THE DIVINE COMEDY:
Francisco Goya, Buster Keaton, William Kentridge
January 24 - April 25, 2004
A Vancouver Art Gallery exhibition produced in association with the Art Gallery
of Western Australia, Perth
Curated by Trevor Smith, Curator, New Museum, New York (formerly of the
Art Gallery of Western Australia)
This exhibition explored the relationship between comedy and violence,
laughter and tears through the work of three artists from dramatically
different historical periods and artistic backgrounds. Black comedy,
absurdity and satire are threads that connect the work of these
disparate figures and serve as filters through which each expresses
his relationship to a tumultuous world. The exhibition investigated
the shifting connections between aesthetics, politics and humour
through Goya's late eighteenth-century etchings, Keaton's silent
films of the 1920s, and Kentridge's recent animated drawings,
prints and sculptures.
EXHIBITIONS
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Installation view of The Divine Comedy
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Alex Colville, Infantry near Nijmegen Holland, 1946, Canadian War Museum, Beaverbrook War Art Collection
CANVAS OF WAR: Masterpieces from the Canadian War Museum
February 21 – May 16, 2004
Organized and circulated by the Canadian War Museum and the Canadian
Museum of Civilization with the generous support of the Donner Canadian
impact of war on the daily lives of those who served during these
wars and lived through them. The works reach beyond merely
illustrating military experience and provide a unique history of
Canadian painting.
Foundation
Artists: Eric Aldwinckle, Cyril Barraud, Alfred Bastien, Aba Bayefsky,
Curated by Laura Brandon, Curator, Canadian War Museum
Harold Beament, William Beatty, Bruno Bobak, Molly Lamb Bobak, Miller
Brittain, Leonard Brooks, Albert Cloutier, Alex Colville, Charles Comfort,
This exhibition demonstrated the importance of Canada's war art
programs in representing the country's major contributions during
the first and second world wars, which shaped Canadian social,
political and personal identity for generations to come. The exhibition
presented a wide range of perspectives on military conflict and
traced the history of Canada's involvement in the two world wars.
Rather than the heroic commemoration usually associated with
official representations of battle, many of these works show the
Patrick Cowley-Brown, Maurice Cullen, Frederick Etchells, Orville Fisher,
Kenneth Forbes, Colin Gill, Paul Goranson, Lawren P. Harris, Edwin
Holgate, E.J. Hughes, Robert Hyndman, A.Y. Jackson, Frank Johnston, Eric
Kennington, Tony Law, Arthur Lismer, Manly MacDonald, T.R. MacDonald,
Donald Mackay, Pegi Nicol MacLeod, Harrington Mann, Mabel May, Innes
Meo, Alfred Munnings, Rowley Murphy, C.R.W. Nevinson, Jack Nichols, Will
Ogilvie, William Orpen, George Pepper, James Quinn, Moses Reinblatt,
Gyrth Russell, Algernon Talmage, Austin Taylor, Campbell Tinning, John
Armstrong Turnbull, Fred Varley, Norman Wilkinson, Tom Wood.
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Installation view of Robert Arndt’s Lines for the Next Exhibition
NEXT: Robert Arndt
NEXT : Robert Arndt is the third exhibition presented in NEXT: a series on
emerging artists from the Pacific Rim
Curated by Melanie O'Brian, Assistant Curator, Vancouver Art Gallery
(currently Director/Curator, Artspeak Gallery, Vancouver)
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The Vancouver Art Gallery commissioned a new work by Robert Arndt
for the NEXT series, investigating the gallery as a type of theatre
within which art events are “staged.” Arndt’s installation consisted
of a projected film and accompanying photographic documents
that centred on the re-presentation of lines from Elia Kazan’s
1954 film On the Waterfront, which starred Marlon Brando, to
reflect a moment between regret and realization. Arndt’s reference
to this famous cinematic moment alludes to the failures of a
character and to the history of conceptual and performance art.
Since graduating from Emily Carr Institute of Art & Design in 1998,
Arndt has exhibited his work locally, nationally and internationally.
A MODERN LIFE: Art and Design in British Columbia 1945-1960
Organized by the Vancouver Art Gallery
Vancouver Art Gallery in 1949. Thus, A Modern Life recalled an
exciting historical moment when creators and exhibitions
successfully straddled the fields of fine and applied arts.
Curated by Ian Thom, Senior Curator, Historical, Vancouver Art Gallery, and
Artists/Designers: Fred Amess, Françoise André, Sybil Andrews, Peter
Alan C. Elder, Curator of Canadian Crafts, Decorative Arts and Design at
Aspell, Alistair Bell, B.C. Binning, Bruno Bobak, Molly Lamb Bobak, Alice
the Canadian Museum of Civilization, Ottawa
Bradbury, Jerry Brusberg, Stanley Brunst, Robin Bush, Robert Calvert,
May 15 – October 11, 2004
Jean Clarke, Stanley Clarke, Peter Cotton, Reginald Dixon, Murray Dunne,
A Modern Life reflected on the post-war period in British Columbia
in which local craftspeople, architects, designers and artists
worked in dynamic engagement with one another. Consisting of
two sections relating to Geometric Abstraction and Organic Form,
the exhibition drew extensively from the painting collections of the
Gallery and also included a number of works of design borrowed
from private and public collections. In its installation, this exhibit
referred to several important exhibitions organized in the late
1940s and 50s that cultivated ideas of modernity as an integral
aspect of everyday life, including Design for Living held at the
Lilias Farley, Orville Fisher, Herbert Gilbert, Jack Hardman, Lawren Harris,
E.J. Hughes, Robert Hume, Patricia K. Irwin, Don Jarvis, Ann Kipling,
Beatrice Lennie, Thomas Kakinuma, Zoltan Kiss, Roy Kiyooka, John
Koerner, William Koochin, George Kuthan, Eric Loewe, Sasha Makovkin,
Jock Macdonald, Rex Mason, Earle A. Morrison, Mouldcraft Plywoods,
Wayne Ngan, Toni Onley, Leonard Osborne, Mary Osborne, Frank Perry,
Margaret Peterson, Llewellyn Petley-Jones, Joe Plaskett, Paul Rand, Hilda
Ross, Jack Shadbolt, David Shilleto, Herbert Siebner, Douglas C. Simpson,
Gordon Smith, Alfred Staples, Strahan and Sturhan, Takao Tanabe, Ron
Thom, Lionel Thomas, William Weston, James Sidney Harold Willer.
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Installation view of A Modern Life
Installation view of Baja to Vancouver:
The West Coast and Contemporary Art
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BAJA TO VANCOUVER: The West Coast and Contemporary Art
June 5 – August 29, 2004
Collaboratively organized by CCA Wattis Institute for Contemporary Arts,
San Francisco; Museum of Contemporary Art, San Diego; Seattle Art
Museum; and Vancouver Art Gallery. Partial funding for the tour provided
by the Peter Norton Family Foundation and the Department of Foreign
Affairs and International Trade of Canada
Curated by Daina Augaitis, Chief Curator/Associate Director, Vancouver
four West Coast institutions and examined work made during the
last four years by thirty-three emerging and established artists.
This region, from Baja California, Mexico, to Vancouver, Canada, is
internationally recognized as an important locus of artistic production,
home to many artists, artistic communities and art schools. The
art in Baja to Vancouver not only embodied a range of West Coast
sensibilities, it offered revealing portraits of the people and places
on the western rim of North America and presented evidence that
the West Coast is a unique cultural region.
Art Gallery; Lisa Corrin, Deputy Director of Art, Seattle Art Museum; Ralph
Rugoff, Director and Matthew Higgs, Curator, CCA Wattis Institute,
Artists: Michael Brophy, Delia Brown, Brian Calvin, Russell Crotty, Roman
California College of Arts, San Francisco; Toby Kamps, Curator of
de Salvo, Trisha Donnelly, Stan Douglas, Sam Durant, Thomas Eggerer,
Contemporary Art, Museum of Contemporary Art San Diego
Kota Ezawa, Harrell Fletcher and Miranda July, Evan Holloway, Chris Johanson,
Brian Jungen, Tim Lee, Ken Lum, Liz Magor, Matt McCormick, Roy McMakin,
This exhibition surveyed a broad range of recent representational
art from the states and provinces comprising the West Coast of
North America. The exhibition was collaboratively organized by
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Mark Mumford, Shannon Oksanen and Scott Livingstone, Michele O'Marah,
Marcos Ramírez ERRE, Glenn Rudolph, Steven Shearer, Catherine Sullivan,
Larry Sultan, Ron Terada, Althea Thauberger, Torolab, Yvonne Venegas.
ANDY WARHOL: Prints and Drawings from the Warhol Museum
June 5 – September 6, 2004
Organized by the Vancouver Art Gallery and The Andy Warhol Museum,
one of the four Carnegie Museums of Pittsburgh
Curated by Daina Augaitis, Chief Curator/Associate Director; Ian Thom,
Senior Curator, Historical, Vancouver Art Gallery; and the staff of The Andy
Warhol Museum
Andy Warhol is without doubt the most famous American artist of the
twentieth century, and his work reflects on the artificiality of popular
culture, especially its preoccupation with celebrity and consumerism.
This exhibition featured more than 200 works on paper, from rarely
seen early drawings to iconic prints of Chairman Mao, Marilyn Monroe
and Liz Taylor, and offered a look at Warhol’s transformation from
commercial illustrator to Pop artist. While Warhol changed the
way we look at everyday life, he also challenged preconceived
notions about the nature of art and the role of the artist. His work
continues to offer a contemporary commentary on our obsession
with stardom and the marketplace. A significant number of works in
the exhibition were taken from the Gallery’s permanent collection.
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Installation view of Andy Warhol: Prints and Drawings from the Warhol Museum
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MASSIVE CHANGE: The Future of Global Design
October 2, 2004 – January 3, 2005
Project by Bruce Mau Design and the Institute without Boundaries,
commissioned and organized by the Vancouver Art Gallery
Massive Change: The Future of Global Design was a groundbreaking
exhibition that described design as a form of philosophical inquiry
and investigated its capacity, power and promise. The exhibition took
a radical look at how rapidly evolving technologies have created
the potential for design to effect change on a global scale and
how this has placed us at the beginning of a new, unprecedented
period of human possibility. The exhibition translated the ideas
communicated by Bruce Mau’s compelling new design manifesto
into provocative and immersive modules: urbanization, information,
the image, movement, manufacturing, energy, materials, markets,
the military, wealth and politics, and even life itself. It used objects,
sound, video, still photography, computer and satellite images,
interactive technology and three-dimensional constructs over two
floors of the Gallery to explore the global impact of design. The
Vancouver Art Gallery exhibition was part of a larger constellation of
projects, including an international tour, a Phaidon Press publication,
an international speakers’ series, a website and a radio series.
Installation view of the Materials Economy of Massive Change
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PERMANENT COLLECTION EXHIBITIONS
DETERMINED PURSUIT: Highlights from the Longstaffe Collection
Artists: Joseph Albers, Karel Appel, Jean Arp, Francis Bacon, Donald Baechler,
Maxwell Bates, Iain Baxter, Suzanne Bergeron, B.C. Binning, Paul Emile
Borduas, Claude Breeze, Jack Bush, Emily Carr, Christo, Chuck Close,
Greg Curnoe, Robert Davidson, Gene Davis, Jacques de Tonnancour, Beau
Curated by Daina Augaitis, Chief Curator/Associate Director,
Dick, Jim Dine, Peter Doig, Jean Dubuffet, Paterson Ewen, Gathie Falk,
Vancouver Art Gallery
Brian Fisher, Charles Gagnon, Yves Gaucher, Betty Goodwin, Richard Hamilton,
David Hockney, Reginald Holmes, E.J. Hughes, Robert Indiana, Gershon
This exhibition highlighted the significant gifts to the Gallery that
J. Ron and Jacqueline Longstaffe made over the past three decades.
Starting in 1978, Mr. Longstaffe donated more than 800 works to
the Gallery, valued at over $5 million. The donation has profoundly
influenced the content and size of the Gallery’s permanent collection,
especially in modern and contemporary Canadian art, as well as
American and European graphics. The collection is particularly
significant in that it places BC artists in a national and international
context, revealing the similarities and differences in approaches to
modern ideas that prevailed over the second half of the twentieth
century, notably abstraction and Pop Art.
P E R M A N E N T C O L L E CT I O N E X H I B I T I O N S
Iskowitz, Jasper Johns, Allen Jones, Alex Katz, Elsworth Kelly, Edward
Kienholz, Roy Kiyooka, Dorothy Knowles, John Koerner, Gary Lee-Nova,
Les Levine, Sol LeWitt, Roy Lichtenstein, René Magritte, Agnes Martin,
John McCracken, Clark McDougall, Jean McEwen, David Milne, Joan Miro,
Guido Molinari, Henry Moore, Michael Morris, Robert Murray, N.E. Thing
Co., Claes Oldenburg, Toni Onley, Roman Opalka, Parr, Alfred Pellan, Bodo
Pfeifer, Pablo Picasso, Christopher Pratt, Mary Pratt, Robert Rauschenberg,
Bill Reid, Ad Reinhardt, Jean-Paul Riopelle, Marianna Schmidt, Jack Shadbolt,
Gordon Smith, Michael Snow, Frank Stella, Richard Sumner, Takao Tanabe,
Joe Tilson, Joanne Tod, Simon Tookoome, Claude Tousignant, Harold Town,
Victor Vasarely, Andy Warhol, Robert Young.
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Installation view of Determined Pursuit: Highlights from the Longstaffe Collection
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Emily Carr, French Landscape,
1911, oil on canvas, collection of
the Vancouver Art Gallery, donated
by the Estate of Anna K. Jetter
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Janet Cardiff, Eyes of Laura [detail], 2004, website
Vancouver Art Gallery Acquisitions Fund, the Media Arts Commissioning Program of the Canada Council for the
Arts the Canada Millennium Partnership Program of the Millennium Bureau of Canada and the British Columbia
2000 Community Spirit Fund
EMILY CARR: Art, Place, Culture
EYES OF LAURA
February 22, 2003 – April 2006
October 2004 – October 2005
Curated by Bruce Grenville, Senior Curator, Vancouver Art Gallery
Curated by Daina Augaitis, Chief Curator/Associate Director; Ian Thom,
This is the third in a series of public art commissions for the
Vancouver Art Gallery. Eyes of Laura is a web-based project by
the artist Janet Cardiff, born in Canada and now living in Berlin.
This experimental work is based on a complex real-time narrative
that unfolds over the period of a year on the grounds of the
Gallery. At the centre of the project is a security camera installed
on the Gallery's roof. In Cardiff’s fictional narrative, a security
guard secretly shares access to this camera through a
private/unofficial web site, which can be accessed by online
visitors through a web interface. As it blurs private/public space
and virtual/real experience, the project confronts the complex
influence of technology on the imagination.
Senior Curator, Historical; Cheryl Meszaros, Head of Public Programs,
In order to address the full spectrum of Emily Carr’s career and
her impact on the art world, this long-term installation presents
the breadth and depth of the most significant aspects of the artist’s
practice. Through an examination of the themes of art, place and
culture, the exhibition provides a multi-layered investigation into
Carr’s primary significance as an instigator of West Coast modernism.
Viewers can see who Emily Carr was, how her career developed
and what legacy she left behind, as well as understanding her
profound relationship to the land.
Eyes of Laura is live on the internet at www.eyesoflaura.org
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From The Shadow of Production, Stan Douglas Onomatopoeia, 1986, modified player piano, player piano roll, slide projection, Vancouver Art Gallery Acquisition Fund
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TRAVELLING EXHIBITIONS
THE SHADOW OF PRODUCTION: Work from the Collection
October 30, 2004 – January 16, 2005
Museum of Contemporary Art San Diego, CA
January 18 – May 16, 2004
CCA Wattis Institute, San Francisco, CA
September 22 – December 11, 2004
Curated by Grant Arnold, Curator, Vancouver Art Gallery
Drawn from the Gallery’s collection, this exhibition presented ideas
about work and leisure, and featured modern and contemporary
painting, sculpture, printmaking, photography and video. Artists
represented in the exhibition included early twentieth-century
figures who celebrated the value of labour in their depictions of
resource extraction, evincing an almost mystical optimism about
the dynamism of modern life. This confidence in technological
progress was countered by contemporary works that highlight
the dystopian aspect of industrialization, use standard industrial
materials, address issues of gender in relation to production,
or engage with money—the fuel of production.
RODNEY GRAHAM: A Little Thought
Art Gallery of Ontario, Toronto
March 31 – June 27, 2004
Museum of Contemporary Art, Los Angeles, CA
July 25 – November 29, 2004
E.J. HUGHES
McMichael Canadian Art Collection
November 29, 2003 – February 15, 2004
Art Gallery of Greater Victoria, BC
Artists: Manuel Alvarez Bravo, Sybil Andrews, Roy Arden, Mowry Baden,
March 11 – June 13, 2004
Percy Bentley, Edward Burtynsky, Kati Campbell, Emily Carr, Allyson Clay,
Max Dean, Stan Douglas, Dan Flavin, Jochen Gerz, Mattie Gunterman,
Andreas Gursky, Arni Haraldsson, Lawren S. Harris, Lewis Hine, Image
Bank, Mary Kelly, Mark Lewis, Ken Lum, Kevin Madill, Scott McFarland,
Myfanwy MacLeod, Nathalie Melikian, Paul Rand, Ruth Scheuing, Stephen
Shearer, Brandon Thiessen, Stuart Thomson, Philip Timms, Glen Toppings,
John Vanderpant, Neil Wedman, Lawrence Paul Yuxweluptun.
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2004 ACQUISITIONS
ABBOTT, Berenice
Rhinelander Row I, 1936
silver gelatin print
Gift of Claudia Beck and Andrew Gruft
ALVAREZ BRAVO, Manuel
El Sonador, 1931 [printed late 1970s]
Construction Old and New, 1936
Los Agachados, 1934 [printed 1975]
ADAMS, Ansel
Tetons and Snake River, 1942
[printed 1970s]
Recuerdo de Atzompan, 1943
[printed late 1970s]
Morning, Merced River Canyon,
c. 1950 [printed later]
Half Dome and Moon, 1960
[printed c. 1975]
Fern Spring, Dusk, c. 1961 [printed 1974]
ADAMS, Kim
Squid head [proposal models], 2000
plastic and wood
Vancouver Art Gallery Major Purchase
Fund, the Canada Millennium Partnership
Program of the Millennium Bureau of
Canada and the British Columbia 2000
Community Spirit Fund
ADAM-SOLOMON, Antoine Samuel
Octave Feuillet, c. 1876–94
woodburytype
AGAM, Yaacov
Fusion V, nd
plastic and paper
Donated by the Estate of Anna K. Jetter
ALBERS, Joseph
Diptic, 1934
woodcut
Anonymous Gift
ALBIN-GUILLOT, Laure
Jean Cocteau (L’Eternel Retour), 1947
silver gelatin print and gravure
Vancouver Art Gallery Acquisition Fund
La Abuela, Nuestra Abuela, 1952
[printed late 1970s]
AMITTUK, Davidialuk Alasua
Legend of Lumak, 1963
stonecut
Gift of Victor Scott
ANNAN, Thomas
Old Closes and Streets of Glasgow,
taken between 1868–77, 1868–1877
[printed 1900]
Book with 50 photogravures
ANONYMOUS
Untitled [trees], c. 1850
calotype negative
ANONYMOUS
Untitled [trees], c. 1850
three salted-paper prints from
a calotype negative
ANONYMOUS
Masset: general view from river, c. 1891
cyanotype
Old Grave, c. 1891
cyanotype
SS Sir James Douglas, c. 1891
cyanotype
Lighthouse, c. 1891
cyanotype
Cape Mudge with Indians in Cave, c. 1891
cyanotype
Chris Gergley, Burnside Project, Portland, Oregon, 2001, chromogenic print, Vancouver Art Gallery Acquisition Fund
Totem Poles, Massett, c. 1891
cyanotype
Carmanah, B.C., c. 1891
cyanotype
ARDEN, Roy
Marble, c. 1983
chromogenic print
Gift of Bill Jeffries
Jeweller's Vitrine, c. 1983
chromogenic print
Soil Compactor, 1992
archival inkjet print
ARNAJUK
[Bird], nd
stone
Gift of the Jack and Doris Shadbolt Estate
ARNDT, Robert
Lines for the Next Exhibition, 2003
edition #1/4
high-definition video transferred to DVD;
2 transmounted light jet prints;
offset lithographs
Anonymous Gift
AVEDON, Richard
Andy Warhol, artist, New York City 8.20.69,
1969
BARKER, George
Canadian Falls in Winter, 1875
silver albumen print
Niagara - both falls, 1870s-1880s
BAXTER, Iain
Still life with Iron, Board and Bottle, 1965
intaglio and graphite on paper
Gift of Madeleine Nelson
BELL, Alistair
Houses in Paris, 1960
watercolour, graphite and crayon on paper
BERGHEIM, Peter
Jerusalem-Tyropoan Valley, c. 1885
BINNING, B.C.
Musicians, c. 1945
ink and watercolour on paper
Gift of Jessie Binning
BREEZE, Claude
Island Sketch #6, 1968
acrylic and ink on paper
Gift of Peter Hendrie
Eagle Island, boats in foreground, 1945
ink on paper
BREUKELMAN, Jim
Untitled, from Distances, 1976
Plants, power poles, two houses, 1943
ink on paper
Nude, 1942
ink on paper
Table and Still Life, 1942
graphite on paper
Jessie having tea, two dogs, 1942
ink on paper
Five dinghies, moored sailboat, tree,
1941–42
graphite on paper
Neville Reid, 1941
graphite on paper
Still Life, 1938–39
graphite, conte and charcoal on paper
Untitled [from Hot Properties], c. 1985
chromogenic print
BLUME, Anna and Bernhard
Mahlzeit (Bild 1, 2, 3, 4), 1974/90
silver gelatin prints (4)
Gift of Ann and Marshall Webb
Parking Attendant, c. 1980
hand-coloured photo on canvas
BOURKE-WHITE, Margaret
Untitled [landscape with snow], c. 1951
BRANDT, Bill
Tic-Tac Men at Ascot Races, 1930s
[printed later]
BRAUN, Adolfe
Aletsch Glacier, c. 1865
Pass in the Alps, c. late 1860s
Vallée de la Maderan, c. late 1860s
Near the top of Col du Geant,
c. late 1860s
AC Q U I S I T I O N S
BROOKER, Bertram
The Way, 1927
oil on canvas
BRUSA, G. B. (attributed)
Venezia - Canal Grande dal Leone Bianco,
19th c.
Venezia - Canal Interno Rio S.S. Apostoli O Della Guerra, 19th c.
Venezia - Palazzo Ducale, 19th c.
Venezia - Scala del Giganti di Fronti,
19th c.
BUBAª, Karin
Two T.V.'s and an Ashtray [from series
Florence and George], 1998
chromogenic print
Exterior Study at Night #16
(Stacked Chairs), 1998/2002
chromogenic print
Gift of Bob and Petra Woods
Ivy House, Boxes and Foxes, 2003
chromogenic print
Gift of the Artist
Ivy House, Photographs and Red Car, 2003
chromogenic print
Gift of Anne Morse and Jeremy Caddy in
Memory of John and Elizabeth Caddy
Ivy House, Hangers, 2003
chromogenic print
Ivy House, Twin Guest Beds, 2003
chromogenic print
BULLOCK, Wynn
Navigation Without Numbers, 1957
CALDER, Alexander
Untitled (Spirals), 1969
lithograph
Gift of Monty J. Cooper
CALLAHAN, Harry
Chicago, 1960 [printed c. 1971]
New York, 1960 [printed c. 1971]
CAMERON, Julia Margaret
The Seven Stars, 1870
CAPA, Robert
Liberation of Paris, 1944
[posthumous print]
CARJAT, Etienne
Jean-Francois Millet, 1814–1875, 1876–84
woodburytype
Louis — Leon — Cesar Faidherbe
c. 1876–84
woodburytype
CARR, Emily
French Landscape, 1911
oil on canvas
CARTIER-BRESSON, Henri
Alicante, Spain [prostitutes], 1933
[printed later]
Old Woman With Flag, New England, 1947
[printed 1970s]
Delhi 1948, Crowds Paying Homage to the
Ashes of Mohatma Gandhi as they are
Being Taken to the River Ganges by Train,
1948
Funeral of a Kabuki Actor, Japan, 1965
[printed 1970s]
Untitled [couple dancing], nd
CELMINS, Vija
Comet, 1991
linocut
Gift of Andy Sylvester
CHARLESWORTH, Sarah
Herald Tribune, September 1977, 1977
26 silver gelatin prints
Gift of Sandra L. Simpson
CICCIMARRA, Richard
Figures, c. 1966
conte and oil on paper
Heads, c. 1966
conte and oil on paper
Paris, August 25–26, 1944, 1944
[posthumous print]
Near Wesel, Germany, March 24, 1945,
1945 [posthumous print]
30
CLARK, Larry
Untitled [man threatening man on bed
with nosebleed] from Tulsa, 1971
[printed later]
Untitled [man threatening woman in
bathroom] from Tulsa, 1971
[printed later]
Accidental Gunshot Wound from Tulsa,
1971 [printed later]
COHEN, Becky
Untitled [from Venus and Mars], late
1970s
Untitled [swimmers], late 1970s
CUCCIONI, Tommaso (attributed)
Pius IX Giving his Blessing from the
Balcony of St. Peter's, c. 1860
CUMMING, Robert
Ground Level Exit, Croesus Complex Stage #12, Movie Pilot, “Shack” Universal
Studios, California, 1977
Submarine Conning Tower, Stage #27 Series Pilot, “Operation Petticoat”,
Universal Studios, California, 1977
Whaling Ship, Stage #27, Movie Pilot,
“Busters”, Universal Studios, California,
1977
CURTIS, Edward Sheriff
Cowichan House Front, 1912
photogravure
Setting of the Net - Quinault, 1912
photogravure
Shores of Shoalwater Bay, 1912
photogravure
Crests of a Nimpkish Family, 1914
photogravure
Tenakak House, Harbledowns, 1914
photogravure
31
Simmons, Laurie & Allan McCollum, Actual Photo, 1985, azo dye print, Gift of Alison & Alan Schwartz
EMERSON, Peter Henry
The Fowler's Return, 1886
platinum print
EVERGON
Untitled, 1979
collage
FALK, Gathie
Low Clouds, 1972
oil on plywood
FARMER, Geoffrey
Undifferentiated mass with small figures,
repeated, inadequate, sluggish, ultimately
abandoned and then taken up again
(middle), 2004
digital chromogenic print, transmounted
FILLIOU, Robert
Hand of Claes Oldenburg, c. 1967
FOX TALBOT, William Henry
Loch Katrine, 1845
salted paper print from a calotype negative
FRANK, Robert
Café, Beaufort, South Carolina, 1955
[printed 1977]
Los Angeles, 1955–56 [printed 1970s]
Chicago Convention, 1956 [printed later]
Celmins, Vija, Comet, 1991, linocut, Gift of Andy Sylvester
DAHL, Hendrick
Untitled [Art Deco interior], c. 1930s
DATER, Judy
Imogen Cunningham and Twinka, Yosemite,
1974
Kunio, Yosemite, 1975
DEAL, Joe
Untitled View (Albuquerque), 1975
Untitled View (Albuquerque), 1975
DEAN, Max
Drawing Board, 1976
found objects, metal, paper, plastic,
textile and wood
Gift of Letia Richardson
DOBAI, Sarah
The Campaign, 1994
4 chromogenic prints
Tool / Loot, 1977
lithograph and lithographic crayon on
aluminum plate
DU CAMP, Maxime
Thebes, Karnak, Portique du Temple de
Khons, 1849–52
salted paper print
Two Hands for CAR, 1977
metal, photographs, found objects, paper
and plastic
Thebes, Louqsor, Groupe de Colonnes dans
le Palais, 1849–52
salted paper print
DE MEYER, Baron Adolf
Portrait of Olga #4, c. 1900
platinum print
DUSCHENES, Julie
Coal Piles, Vancouver [I], 1990
acrylic on board
Mrs. Wiggins of Belgrave Square, nd
platinum print
Coal Piles, Vancouver [II], 1990
acrylic on board
Wellfleet, Massachusetts, 1962 [printed
1970s]
Memphis, 1955 [printed later]
Yale Commencement, New Haven Green,
New Haven, Connecticut, 1955
[printed later]
32
FRITH, Francis
English Cathedral, nd [after 1864]
GOWIN, Emmet
Edith, Danville, Virginia, 1971
Gormer Glacier, nd [after 1864]
GRICE, Art
Sonoma Coast, 1970
Matterhorn, nd [after 1864]
FULTON, Christopher
Cariboo Cameron at the Cameron Claim,
B.C., 1863
GENERAL IDEA
(AA Bronson, Jorge Zontal, Felix Partz)
Pharma©ology, 1994
lithograph
When the Fur Flies, 1988
textile
Test Pattern T.V. Dinner Plate, 1988
ceramic
General Idea (Middelburg Tile), 1985
ceramic
Nazi Milk, 1979/90
chromogenic print
Kevin Staples / Anya Varda, 1977
3 Polaroid photographs
Cocks and Flowers, 1976–77
9 Polaroid SX-70 photographs
Untitled, 1972
Untitled, 1973
Untitled, 1973
Untitled, 1973
Untitled, 1973
Untitled, 1975
GUTCH, John Wheeley Gough
Untitled, c. 1850s
salted paper print
Untitled, c. 1850s
salted paper print
HALL & LOWE
Untitled, [Kicking Horse Lake] nd
Eggs and Shaving, 1976–77
9 Polaroid SX-70 photographs
HARALDSSON, Arni
Chilco Towers, Vancouver, 1993
chromogenic print
GENTHE, Arnold
New Orleans, 1926
HARRIS, Salmon
Ford Script, 1970
acrylic on canvas
GERGLEY, Chris
Burnside Project, Portland, Oregon, 2001
chromogenic print
HATOUM, Mona
Static Portrait - Matt, 2000
Polaroid photograph
GIBSON, Ralph
Untitled [from Déjà vu], 1972
[printed later]
Static Portrait - Christi, 2000
Polaroid photograph
GOLDBERG, Michael
Walk / Run, c. 1972
vacuum-formed plastic
33
HAUSMANN, Raoul
Derriere Forms, 1931
HEGG & CO. (Eric A.)
11 photographs of mining in Dawson,
Yukon Territory, c. 1898
silver gelatin prints
HENDERSON, Alexander
From the Bridge at R. du Loupe en bas,
c. 1870
Victoria Bridge from Wharf, nd
silver albumen print, stereograph
HENDERSON, Alexander, and unknown
photographer
Untitled [Album leaves with 6
photographs],
c. 1860–1899
silver albumen prints
HEPWORTH, Barbara
Oblique Forms, 1969
lithograph
Bequest of Virginia Sturrock
HILL, David Octavius & Robert ADAMSON
David Roberts, Landscape taken at Grey
Friars Churchyard, c. 1845
calotype
Untitled [Unidentified group with two
women and two men], c. 1845
calotype
Horatio McCulloch, c. 1845 [printed 1916]
carbon print
HINE, Lewis Wickes
A Young Spinner in a Southern Cotton Mill,
c. 1910
Western Union Bicycle Messenger, nd
HITCHENS, Ivon
Arno One, 1965
acrylic on canvas
Bequest of Virginia Sturrock
HOCKNEY, David
Excelsior (Venice, Lido), 1970–75
chromogenic print
HOFFMAN, D.W.
Serenading General Madero, c. 1913
Group from General Villa's Command,
c. 1913
HUNT, Tom
Bak'was mask, 1998
western red cedar, acrylic paint and tufts
of horsehair
Anonymous Gift in Memory of Thomas
Harris Hunt
JACKSON, William Henry
Lower Falls, Yellowstone, 1871
Cottonwood Grove Camp Near Denver Before Starting Survey, 1873
JAMES, Geoffrey
Untitled [pinhole photograph, Vancouver],
1998
JOHNS, Jasper
Usuyuki, 1982
lithograph
Gift of Toni and Hildegard Cavelti
JONES, Barrie
Hockey Shot, Marrakesh, 1977
azo dye print
KANDINSKY, Wassily
Blau, 1922
lithograph
Anonymous Gift
KERTESZ, Andre
The Kiss, Lovers, Budapest, May 15th,
1915, 1915 [printed later]
Satyric Dancer, 1926 [printed later]
KHALDEI, Yevgeny
After Bombing, 1945 [printed later]
KINSKI, Imre
Untitled [courtyard], 1929
KIYOOKA, Roy
Untitled, nd
KLAUKE, Jürgen
Wirklichkeitskompromiss, 1999
KOERNER, John
City on a River, c. 1953
oil on canvas
KOLB, Emery C. & L. ELLSWORTH
Self Portrait with Grand Canyon Dory, 1913
LYON, Danny
Uptown Chicago, 1965 [printed 1975]
hand-coloured silver gelatin print
KRIMS, Leslie
Uranium Robot, 1976
toned silver gelatin print
Cell Block Table, 1967–68
Limb Piles, Limb Smiles, c. 1976
Macaroni Cures Cancer, c. 1976
Macaroni Cures Cancer, 1976
Park in Paris, 1977
KRUGER, Barbara
We will no longer be seen and not heard,
1992
photo-lithograph with aluminum foil collé
LANGE, Dorothea
Portrait of a Woman, South Dakota, 1939
[printed mid-1960s]
LARSS, Par Edward & Joseph DUCLOS
7 photographs including Gold Run Hotel
and Below Lower Discourse, c. 1900
LEESON, Benjamin W.
Marcas and Wife, 1914
Anonymous Gift in Memory of Thomas
Harris Hunt
LEVITT, Helen
Untitled, c. 1940
Untitled [two men on rooftop, New York],
1976
dye transfer print
LUMMIS, Charles
Dance at Cochito Pueblo, 1888
cyanotype
Three Convicts, Texas, 1967–68
MACDONALD, James Williamson
Galloway (Jock)
The Black Tusk, Garibaldi Park, B.C., 1932
oil on canvas
Gift of Michael J. Audain and
Yoshiko Karasawa
MCPHERSON, Robert
The Coliseum, with Meta and Portion of Via
Sacra, nd
NAMAJA, Kinaku (attributed)
[Bird], nd
stone
Gift of the Jack and Doris Shadbolt
Estate
MCWILLIAMS, Al
Ear, 1992
chromogenic prints, lead and beeswax
NE THING CO.
ACT#19, Marcel Duchamp's Total Art
Production Except his Total Readymade
Production/ ART#19 Marcel Duchamp's
Total Readymade Production, 1968
felt pen and collage on silver gelatin
print
MICHALS, Duane
Nude on a Bed, 1970
The Pleasures of the Glove, 1974
MCFARLAND, Scott
Man with Aerator, 1999
chromogenic print
MILNE, David
Beaver Stumps, 1945
watercolour and graphite on paper
View Study: Pinus Sylvestris, 1999
chromogenic print
Cobalt, Black and Green, 1948
watercolour and graphite on paper
Cabin with Motion Light, 2000
chromogenic print and video
MODEL, Lisette
Famous Gambler, French Riviera, 1937
[printed later]
Barrel Brace, 2001
chromogenic print
MACKENZIE, Landon
Tracking Athabasca (Space Station)
…Falls Said To Be The Largest in the
Known World So Far, 1999
acrylic on canvas
Gift of the Artist
Tracking Athabasca (Short Lines) ~
Network of Stoppages ~, 1998–99
acrylic on canvas
Gift of the Artist
Untitled [artist's book], 1996
ink on paper
Gift of the Artist
Untitled [artist's book], 1996
ink on paper
Gift of the Artist
MAN RAY
Alphabet Pour Adultes, 1970
36 lithographs, silver gelatin print, wood,
portfolio case
MARKOV-GRINBERG, Mark
Unforgettable, 1945 [printed later]
MODOTTI, Tina
Labour 2, 1927
ACT#201, The World's and Moon's Longest
Telephone Call, Content Ignored, Photo
taken at Time of Call from.., 1968
print
ACT Certificate: Contour Plowing of all
Farmlands Globally, 1968
print
ART Certificate: David Smith's Cube XXVII,
1968
print
NEWCOMBE, William
The Crazies, 1955
watercolour on paper
MORRIS, Michael
Between the Frames, 1978
9 azo dye prints
NITSCH, Hermann
Untitled [from Theatre of Orgies and
Mysteries] c. 1978
chromogenic print
MORRISON, Alex
Poached, 2002
chromogenic print
NORMOYLE, Michelle
Ben Johnson [from TV series], nd
MUYBRIDGE, Eadweard
Plate 624 from Human and Animal
Locomotion - man on horse, 1887
collotype
Locomotion - two men wrestling, 1887
collotype
Locomotion - woman dressing, 1887
collotype
NADAR (Gaspar-Felix Tournachon)
Ferdinand de Lesseps, c. 1865
woodburytype
34
Jack Shadbolt, The Choice, 1984, hand-dyed wool tapestry, Gift of Sun Life Financial Inc.
NOTMAN, William - Studio
Mountains at Revelstoke, 1884–1909
Kicking Horse Valley near Varney's work,
1884–1909
“Castle Rest”, “Nobby”, “Welcome” and
“Alex” Bays, 1000 Isles., after 1884
The Spill, Mount Royal Park, Montreal, 1889
Untitled [Joseph a sa mere dierre 16 ans
de 23 Decembre 1887], 1887
Illecillewaet Glacier, 1887
hand-tinted silver gelatin print
Untitled [Winter scene, snowshoe group
outside cabin], c. 1884
35
Notre Dame, Montreal, c. 1882
Victoria Square, Montreal, c. 1882
Portraits Busts - Man and Woman,
c. 1868–1880, (woman) c. 1869
Montreal, 1868
McGill Street, Montreal, c. 1868
Chaudiere - Ottawa (from the Canadian
Handbook and Tourist Guide or other book),
1866
Niagara (from the Canadian Handbook and
Tourist Guide), 1866
Suspension Bridge, Niagara (from the
Canadian Handbook and Tourist Guide),
1866
Welcome address to returning volunteers
from the Fenian raids, Champs de Mars,
Montreal, 1866
Moose Hunting, Early Morn, the Surprise,
1866
Moose Hunting, Night, Asleep in the
Cabane, 1866
Moose Hunting, the Breakfast, 1866
Moose Hunting, the Death, 1866
Moose Hunting, the Old Hunter, Aged 83
Years, 1866
Moose Hunting, the Return, 1866
Moose Hunting, the Three Guides, 1866
Colonel, The Honourable John Prince,
Judge of the District of Algoma, 1865–68
Sir William Francis Williams, KCB
Commander in Chief of Forces in British
North America, 1865–68
Untitled [2 cabinet cards, Boston actors],
nd
Whirlpool Rapids from Bridge, Niagara, nd
Horseshoe Falls from Goat Island Niagara, nd
James Williamson Galloway (Jock) Macdonald, The Black Tusk, Garibaldi Park, B.C., 1932, oil on canvas, gift of Michael J. Audain and Yoshiko Karasaura
36
Montmoren Falls, nd
NOTMAN, William McFarlane
Sir Donald (Alt. 10,808) and Illecillewaet
Glacier, 1904
American Falls, from Inspiration Point
Niagara, nd
Great Cedar Tree, Stanley Park,Vancouver,
1897
Untitled [Eastern Canadian images –
Quebec, Montreal, Niagara and a
composite photograph], nd
8 silver albumen prints
Victoria, B.C. from Parliament Buildings,
1897
2 silver albumen prints
NOTMAN, William - Studio (cont’d)
Lieutenant Co. Phillips, nd
Montreal and Mount Royal from Notre
Dame, nd
Montreal from Mount Royal, nd
Montreal Harbour - Victoria Bridge in
distance, nd
Quebec from Point Levis, nd
Queen's Avenue from Parliament Bldg.,
Toronto, nd
Old Trapper, nd
Portrait of Owen Young, nd
platinum print
NOTMAN, William - Studio (attributed)
Victoria Glacier at Mt. Lefroy, c. 1897
NOTMAN, William - Studio (Artwork
attributed to Eugene L'Africain)
The Bounce, 1887
NOTMAN, William - Studio (Artwork
attributed to William Haggerty
1874–1934)
The Gatineau in Lachine Rapids, c. 1908
37
Looking up Kicking Horse to end of track,
c. 1884
OLLMAN, Arthur
Untitled [Tijuana], late 1970s
chromogenic print
ONLEY, Toni
Night Hawk, 1960
oil and paper on board
Lake Agnes, c. 1897
PARKS, James George
Indian Camp, Green Island, 1864
Castle Crags and Hazel Peak, c. 1897
St. Fraisis, 19th C.
Mount Sir Donald, c. 1897
View of Harbour, Montreal, 19th C.
Cree woman with a travois and horse, 1887
PARSONS, Simeon H.
Untitled [two views of iceberg], nd
Bow River Falls, Banff on the C.P.R.,
1884–1909
silver albumen print or chlorobromide
print
Bow Valley from Banff Hotel, 1884–1909
PAUL, Tim
Puk-mis mask, 1998
western red cedar, acrylic paint, horsehide with mane attached
Anonymous Gift in Memory of Moses
Smith
Field Peak, 1884–1909
PENNER Bancroft, Marian
Dennis and Susan: Running Arms to a
Civil War, 1978
Lower Kicking Horse Canyon Near Golden
on C.P.R., 1884-1909
PENNY, Evan
No One - In Particular, 2001
chromogenic print
Mountains at Canmore, 1884–1909
PETLEY-JONES, Llewellyn
Mountain Site, Banff, Alta., 1950
oil on canvas
Gift of Peter Ohler
NOTMAN, William McFarlane (cont’d)
Mountains at Laggan, 1884–1909
Sicamous Lake, above Narrows, 1884–1909
Medicine Hat Bridge, Saskatchewan River,
c. 1884
Kicking Horse Pass, end of track, c. 1884
PHIPPS, Lynn
Untitled [two art students, foreground,
sketching, man passed out across street],
1970
PONTING, Herbert G.
Packing a Sledge, 1910–11
PUDLAT, Innukjuakju (attributed)
[Seal], nd
stone
Estate
PUDLAT, Pudlo
Blue Muskox, 1979
lithograph
QILLAQ, Jamasee
[Human/bird/walrus transformation], nd
stone
Estate
QINNUAYUAK, Lucy
Chasing Geese, 1965
stonecut print
RAUSCHENBERG, Robert
Untitled, 1983
collage and photo-transfer on paper
Atrium, 1980
collage and photo-transfer on paper
RAY-JONES, Tony
Derby Day, Epsom, 1967
Beauty Contest, Southport, 1968
Butlin's Holiday Camp, Scarborough, 1968
Weighing of the Mayor, High Wycombe,
1969
RICHTER, Gerhard
Teydelandschaft, 1971
lithograph
RIDLEY, Sarah
Untitled, c. 1982
paper, plastic and textile
RIOPELLE, Jean-Paul
Untitled, 1947
ink and watercolour on paper
ROBERTSON, James & Felice A. BEATO
Grenadier Camp in the Distance, 1855
Interior of the Redan, 10 Sept. 1855, 1855
ROSS, Best & Co.
High Trestle for B.C. Railroad, nd
SIMMONS, Laurie & Allan MCCOLLUM
Actual Photo, 1985
azo dye print
Gift of Alison & Alan Schwartz
SOURKES, Cheryl
Select Language, 1980s
RUBEN, Abraham Anghik
Bear and Raven, 2003
stone
Gift of Appleton Galleries
Actual Photo, 1985
azo dye print
STEELE & CO.
Untitled [sawmill], nd
Polar Bear, 2003
stone
Gift of William and Shirley Corbeil
RUWEDEL, Mark
Big Maria Mountains, Black Point –
A Ceremonial Circle, 2000
SALOMON, Erich
Verhandlungspause, 1928–31
SANDER, August
Interessanter Hausflur in Mainz im
deutscher Haus, c. 1932
Actual Photo, 1985
azo dye print
Actual Photo, 1985
azo dye print
Actual Photo, 1985
azo dye print
Actual Photo, 1985
azo dye print
Actual Photo, 1985
azo dye print
Actual Photo, 1985
azo dye print
SCHAEFER, Carl
Pears on Blue Plate, 1950
Actual Photo, 1985
azo dye print
Wheatfields in Hanover, 1951
Actual Photo, 1985
azo dye print
SEMCHUK, Sandra
Maquette for Seeing my father see his own
death, Yuma, AZ, 1983
chromogenic prints
SIMMS, Brian
Untitled, 1974
SHADBOLT, Jack
The Choice, 1984
hand-dyed wool tapestry
Gift of Sun Life Financial Inc.
Still Life Black, White and Ochre, 1960
SHAMES, Stephen
Lenny/Window, 1973 [printed 1976]
Tear Gas Grenade, Berkeley, 1970 [printed
1976]
SHORE, Stephen
Victoria Avenue and Albert Street, Regina,
Saskatchewan, 1974
chromogenic print
SINGER, Danny
Chinook, 2003
transmounted archival inkjet print
Gift of the Artist
Delia, 2004
Gift of Trudy and Daniel Pekarsky
Brock, 2004
Anonymous Gift
SISKIND, Aaron
Neat, we've been asking the landlord to
paint for two years (from Harlem
Document), c. 1937–40 [printed later]
Cabaret Strip Dancer (from Harlem
Document), c. 1937 [printed later]
Untitled (from The Most Crowded Block in
the World), c. 1940 [printed later]
STEINER, Ralph
Untitled [landscape], nd
STERNFELD, Joel
Buckingham, Pennsylvania, 1978
chromogenic print
STREET, Shari
Holes in Wall, 1970s
chromogenic print
Pink Moon, 1970s
chromogenic print
Rainbow, 1970s
chromogenic print
Red Sky, 1970s
chromogenic print
SUDEK, Josef
Untitled [Prague panorama], nd
Untitled [shell and wall], nd
SZILASI, Gabor
Untitled [bus], 1972
(TV) Montreal, 1974
TABER, Isaiah West
Indian Grave and Totems near Fort
Wrangel, Alaska, 1889
Sitka from the Islands, Alaska, 1889
TANABE, Takao
Untitled, 1959
gouache on paper
THIESSEN, Brandon
BT1003, 2004
28 dollies covered in hardwood flooring,
wood crate
Gift of the Artist
THOMAS, Lionel
Christ's Entry into Jerusalem, 1958
pastel chalk on paper
Gift of Brian Dedora
THOMPSON, Stephen Joseph
Vancouver Harbour/CPR docks, nd
THOMSON, John
Old Furniture, 1878
woodburytype
The Street Locksmith, 1878
woodburytype
TOPLEY, Horatio Nelson
Visit of Duke and Duchess of York 1901 at
Shaganappi Point, Calgary, 1901
TRUAX, Karen
Star-studded Day, 1973
hand-tinted silver gelatin print
TRUEMAN & CAPLE
Pacific Express Descending Western Slope
of Rockies along Kicking Horse River,
C.P.R., nd
C.P.R. in the Fraser Canyon, showing
4 tunnels below North Bend, nd
ULATITAK, Eulalie
[Bird], nd
stone
Estate
UNKNOWN
[Walrus], nd
stone
Estate
UNKNOWN
[Walrus], nd
stone
Estate
UNKNOWN
[Bear], nd
stone
Estate
38
Garry Winogrand, Centennial Ball, Metropolitan Museum, 1969, silver gelatin print, Vancouver Art Gallery Acquisition Fund
URSULIAK, Howard
Backyard (693 West 26th Avenue,
Vancouver), 1998
Untitled (2 vacuums), 1994
chromogenic print
Untitled (boxed snacks), 1991
chromogenic print
Untitled (corridor), 1998
chromogenic print
Untitled (bound blue table), 1998
chromogenic print
VALLÉE, Louis Prudent
Break-neck steps; St. John Street; Snow
in Streets; Citadel from Jesuit & Wharf,
Montmorenci Falls; Natural Steps at
Montmorency; Interior of the Basilica
c. 1867
silver albumen stereographs
VISHNIAC, Roman
Mamarosh Sziget, Romania, 1935 [printed
later]
Munkatch, The Study in Rabbi's House,
1936 [printed later]
Father bringing 6 am boy to Heder,
Munkatch, 1938 [printed later]
(also known as Father Bringing Boy to
Cheder, Mujkachevo)
WADDELL, Stephen
Man in White Suit, 2001
chromogenic print
Pedestrian I, 2002
chromogenic print
Pedestrian II, 2002
chromogenic print
WARHOL, Andy
Jackie II, 1966
screenprint
The Jewish Street, Warsaw, 1939
[printed later]
Untitled (bound brown table), 1998
chromogenic print
39
Max Dean, Tool/Loot, 1977, lithograph and lithographic crayon on aluminum plate, gift of Letia Richardson
WEEGEE (b. Arthur Fellig)
Untitled [ambulance stretcher and man
with bandaged head], c. 1940s
Jefferson School, NYC, c. 1946
(also known as Women Listening to Bunk
Johnson Concert, Stuyvesant Casino)
Johnnie Ray, c. 1956
Montmartre [man singing], 1958–60
Montmartre [romantic couple], 1958–60
WEINER, Lawrence
DE VERBEELDING, LOOK & FEEL KUNST
LANDSCHAP NATUR, 2004
offset lithograph [posters]
published by De DAG Verbeelding,
Antwerp
Gift of the Artist
paper, plastic, metal [buttons]
produced by De DAG Verbeelding,
Antwerp
Gift of the Artist
paper [stencils]
produced by De DAG Verbeelding,
Antwerp
Gift of the Artist
WITH ALL DUE INTENT/COM TADA A
INTENCÁ0, 2004
offset lithograph [poster]
published by Cristina Guerra
Contemporary Art, Lisbon
Gift of the Artist
EVERY TIME WE SAY GOODBYE WE DIE A
LITTLE, EVERY TIME WE SAY GOODBYE WE
WONDER WHY A LITTLE, DO STOP AIDS,
2004
offset lithograph [poster]
published by CUSP
Gift of the Artist
WESTON, Edward
Manuel Galvan, Mexico, 1924 [printed by
Cole Weston, 1970s]
Point Lobos, 1946 [printed by Cole
Weston, 1970s]
WEYLER, Rex
The Apartment Dwellers, 1974
chromogenic print
WHALE, Robert R.
An Unexpected Encounter, c. 1880
oil on canvas
Gift of Dr. Rodrigo Restrepo
WHITE, Minor
Lake Road, Rochester (Bridge
Construction), October 19, 1957, 1957
WIDDICOMB, Robert
Untitled, late 1970s
chromogenic print
Untitled, late 1970s
chromogenic print
WINOGRAND, Garry
Centennial Ball, Metropolitan Museum, 1969
Untitled [Woman Seated, Museum of
Modern Art, New York] nd
WONG, Viviane
Landscape in the Chinese Style, c. 1970
ink on rice paper mounted on silk
WOOD, Kelly
Dirty Sucker, 1996
transmounted chromogenic print
ZICHY, Count Theodore
Untitled, c. 1948
40
Margaret Bourke White
The New Tractor, Tractorstroi, USSR, 1930
Promised Gift of Claudia Beck and Andrew Gruft
41
PUBLICATIONS
CATALOGUES AND BROCHURES
THE DIVINE COMEDY: Francisco Goya, Buster Keaton, William Kentridge
20-page catalogue with b&w images; essay by Trevor Smith considering the work of Goya, Keaton and
Kentridge in relation to their shared deployment of humour in the face of challenging subject matter
NEXT: Robert Arndt
Full-colour, single-fold brochure in the NEXT series, with essay by Melanie O'Brian
150-page catalogue with essays by Matthew Coolidge, Douglas Coupland, Office for Soft Architecture,
Ralph Rugoff and Matthew Stadler; 115 colour images, biographical notes, list of works and short
texts on each artist by the five curators; co-published with CCA Wattis Institute for Contemporary Art,
San Francisco, Museum of Contemporary Art, San Diego and Seattle Art Museum
P U B L I CAT I O N S
42
RODNEY GRAHAM: A Little Thought
208-page catalogue with 155 colour and 70 b&w images; essays by Grant Arnold, Jessica Bradley,
Cornelia Butler, Lynne Cooke, Diederich Diederichsen, Sara Krajewski and Shepherd Steiner;
co-published with the Art Gallery of Ontario and Museum of Contemporary Art, Los Angeles
ROBERT SMITHSON IN VANCOUVER: A Fragment of a Greater Fragmentation
88-page catalogue with 12 colour and 62 b&w images; essays by Grant Arnold, Christos Dikeakos,
Rodney Graham and Robert Linsley
A MODERN LIFE: Art and Design in British Columbia, 1945–1960
180-page catalogue with 80 colour images of most works in the exhibition; essays by Rachelle
Chinnery, Allan Collier, Alan C. Elder, R.H. Hubbard, Sherry McKay, Ian Thom and Scott Watson;
co-published with Arsenal Pulp Press
OTHER PUBLICATIONS
Annual Report 2003
52-page annual report
with b&w images
Art Auction 2004
116-page full-colour
catalogue of works in
the 2004 auction, with
biographical notes by
Paloma Campbell
Glance: News and Events
of the Vancouver Art Gallery
Members' newsletter
published three times a year
43
P U B L I CAT I O N S
PUBLIC PROGRAMS
Students touring Massive Change. Photos: Dave Roels
For Public Programs at the Gallery, it was both a year of
fabulous “firsts” and a year in which the Gallery's relationships
with its many diverse communities grew and deepened.
The most acclaimed event of the year in Public Programs was
Massive Change: Visionaries. An evening keynote address by the
grandfather of futurism, Alvin Toffler, was followed by a day-long
public dialogue in which some of the greatest thinkers and practitioners of our time engaged in stimulating conversation on topics
ranging from environmental sustainability to the possibilities of
moving the North American military machine into the service of
world peace. Working with ten speakers, moderators Bruce Mau
and PBS talk show host Charlie Rose constructed a provocative
and entertaining day of conversation for an audience of more than
1,000 people at the Vogue Theatre.
The new International Lecture series was also launched in the
fall of 2004, with a lecture by celebrated artist Diana Thater, who
spoke on issues of nature, technology and embodiment in her
work. The annual Heller Lecture was delivered by Thomas
PUBLIC PROGRAMS
Sokolowski, Director of the Warhol Museum in Pittsburgh. Reesa
Greenberg, Peter Plagens and Molly Lamb Bobak were among the
Gallery's many prestigious guest speakers this year.
A powerful new Teen Initiative was launched in conjunction with the
Massive Change exhibition. The Gallery worked with our Teachers'
Advisory Committee and various partners, including Pacific
Cinémathèque, to develop a two-day symposium for 100 secondary
students from four schools in the Lower Mainland. A month after
their first visit, students returned to the Gallery to present their
responses to the issues addressed by Massive Change, which
ranged from films to mixed-media work.
supersunday, the Gallery's monthly family day, celebrated its ninth
birthday in October with hands-on activities based on exhibitions
on all four floors of the Gallery. Highlights for the year included a
performance inspired by Baja to Vancouver with the Vancouver
Youth Theatre and MainDance's performance about Massive Change.
44
Evening keynote address by Alvin Toffler
The Gallery continued to nurture its many-faceted relationships
with children and families by offering a kidstop and family guide for
Canvas of War and Andy Warhol. Massive Change was accompanied
by the launch of the first audio guide ideapad for kids.
Our relationships with teaching communities and the thousands of
students they nurture into maturity continued to grow throughout
2004. The third annual week-long Teacher Institute held in conjunction
with UBC’s Department of Curriculum Studies was bursting with
teachers who became excited about art. The Professional Days
offered to individual schools increased in both number and rigour.
Record-breaking numbers of new Canadians used the English as a
Second Language tours, and the tours and workshops for schoolaged children were once again booked to capacity throughout the year.
Partnerships and collaborations are integral to the Gallery’s ability
to offer a variety of programs.
45
Bill Buxton, Esther Dyson and Bruce Mau during Massive Change Visionaries. Photo: Dave Roels
HIGHLIGHTS of 2004 include:
• Subversive Laughter: a symposium on art, comedy and politics
produced in collaboration with the UBC Institute for European
Studies.
• 3rd Annual Canadian Art Vancouver Gallery Hop: a day that
celebrates contemporary art in Vancouver's galleries and kicks
off each year with a panel discussion at the Vancouver Art Gallery.
• Under Exposure: New Music from the Western Front: a series that
offers Gallery visitors the opportunity to experience new music
and meet some of Vancouver's music innovators.
The ever-popular Animateurs continued to enlighten and engage the
public with their warm and friendly manner and their informative,
entertaining and, at times, provocative daily talks in the galleries.
The exciting and rewarding work of Public Programs would not
be possible without the dedication of nearly twenty full-time and
part-time staff and more than 120 volunteers, who plan, prepare
and deliver the programs to the public.
PUBLIC PROGRAMS
THANK YOU
The Vancouver Art Gallery is a
not-for-profit organization and
generates nearly 60% of its
income from non-governmental
sources. Its broad base of
community support includes
contributions from individuals,
foundations and corporations
in British Columbia, throughout
Canada, and beyond. This support
is essential to the Gallery's
continued success in exhibitions
and educational programs, and
it is with deep gratitude that we
recognize the generosity of our
lifetime and 2004 supporters.
LIFETIME CONTRIBUTORS
$500,000 or more
Mr. Michael J. Audain and
Ms. Yoshiko Karasawa
$250,000 or more
Anonymous
Mr. George and Mrs. Karen Killy
$150,000 or more
Anonymous
Mr. and Mrs. Peter Brown
Mr. Elias M. Doumet
Mrs. Gordon T. Southam
Estate of Dr. Max Stern Painting Trust
Mr. Milton and Mrs. Fei Wong
Mrs. Mary Margaret Young
OUR SUPPORTERS
ENDOWMENT GIVING
ANNUAL CONTRIBUTORS
Individual Leadership
VANCOUVER ART GALLERY
FOUNDATION
Visionary Circle—$100,000 or more
The Vancouver Art Gallery Foundation
was established in 1998 with the goal
of creating a permanent fund that will
offer a predictable base of annual
support for the Gallery in perpetuity.
The Endowment Fund is guided by the
Board of Directors and managed by the
Vancouver Foundation. About 5 percent
of the income earned by the fund is
distributed to the Gallery each year to
support its exhibitions and programs.
Board
Michael J. Audain, CHAIR
Michael Alexandor, SECRETARY
Jack Adelaar
George I. Killy
Gordon MacDougall
Michael O'Brian
Don Rix
Contribution of $2,000,000 or more
Audain Foundation – The Audain
Curator of British Columbia Art
Contribution of $500,000 or more
The Christopher Foundation
The Estate of Doris Kathleen Shadbolt
—The Jack and Doris Shadbolt
Publication Endowment
The Rix Family Foundation - The Rix
Family Internship Endowment
Mr. Gerald and Mrs. Sheahan McGavin
Michael O'Brian Foundation
Gordon and Marion Smith Education
Endowment contributors
Mr. Ronald and Mrs. Ardele Cliff
The Estate of Nora Doutre Gourlay
Mr Gordon and
Mrs. Barbara MacDougall
Mr. John D.L. MacKay
Mr. Garth and Mrs. Lynette Thurber
Contribution up to $10,000
Virginia and Michael Alexandor
Miss Marjorie A. Murray
Mr. Daniel and Mrs. Trudy Pekarsky
Phillips, Hager and North Investment
Manager
LIFE BENEFACTOR ENDOWMENT FUND
Mr. and Mrs. Robert Annable
Jerry and Merla Beckerman
Mr. and Mrs. Samuel Belzberg
Mr. and Mrs. Peter J. G. Bentley
Mr. and Mrs. Bruce Branch
Mr. and Mrs. Robert G. Brodie
Mr. and Mrs. Ronald Laird Cliff
Mr. F. Peter Cundill
Mr. and Mrs. David K.J. Heffel
Mr. and Mrs. Robert Heffel
Mr. Paul and Mrs. Edwina Heller
Mr. David E. Lemon
Mr. Ed Life
Mr J. Ronald and
Mrs. Jacqueline Longstaffe
Mary and Ian McDonald
Mr. and Mrs. Gerald A. McGavin
Dr. David I. McLean and Dr. Siu Li Yong
Mr. and Mrs. David McLean
Mrs. Kathleen Meek
Elizabeth and John Nichol
C. Michael O'Brian
Dr. and Mrs. Eleanor Rix
Mr. and Mrs. Kenneth Woods
Director's Circle—$25,000 or more
Mr. Jake and Mrs. Judy Kerr
Mr. Michael O'Brian
Mr. Milton and Mrs. Fei Wong
Curators’ Circle—$10,000 or more
Mr. Gary R. Bell
Mr. Sam and Mrs. Sylvia Ketcham
Mr. Lawrence and Mrs. Sherry Killam
Dr. Kevin B. Leslie
Dr. Donald and Mrs. Eleanor Rix
Collectors’ Circle—$5,000 or more
Mrs. Marti Barregar
Mr. F. Peter Cundill
Mr. Rick Erickson
Philip Lind, O.C.
Ms. Jill Gardiner and Ms. Mary Taylor
Mr. Paul and Mrs. Edwina Heller
Mr. C. Bagley and Mrs. Virginia Wright
Ambassadors—$2,500 or more
Virginia and Michael Alexandor
Mr. and Mrs. Donald Atkins
Barbara and David Gillanders
Dr. Marla Kiess
Mr. and Mrs. William L. Sauder
Mr. Geoffrey Scott and
Ms. Leslie Stowe
Mr. Peter and Mrs. Opal Wong
Benefactors—$1,200 or more
Mr. William Acorn and
Ms. Sherallyn Miller
Jack and Maryon Adelaar
Ms. Susan Almrud
Anmar Fund
Daina Augaitis
Brian and Kathleen Bartels
Wallace and Dorothy J. Beck
Roberta Lando Beiser
Mr. Stephen and
Mrs. Katherine Bellringer
Mr. Samuel and
Mrs. Frances Belzberg
46
Winslow and Betsy Bennett
The Honourable Lance W. Bernard
Val and Dick Bradshaw
Christopher and Judith Braun
Kathleen and Laing Brown
Phyllis A. Buell
Mr. Michael and Mrs. Darlene Calyniuk
Mrs. Ann Cameron
Ms. Louise Cecil
Mr. Richard and Mrs. Patricia Charles
Peter and Ann Cherniavsky
Mr. Robert and Mrs. Janine Chilcott
Mr. Wayne Clarke
Leslie Cliff and Mark Tindle
Kenneth and Barbara Cross
Mr. Christos and Mrs. Sophie Dikeakos
Colin and Anne Dobell
Mr. Tony and Mrs. Lynne Du Moulin
John de C. Evans and Barry Umbrite
Mr. A. William Everett
Mr. David A. Freeman
Mr. Henning and Mrs. Brigitte Freybe
Mr. Sven and Mrs. Juliette Freybe
Ms. Evelyn G. Froese
Moreno and Dagmar Gabay
Ms. Jacqueline Gijssen and
Dr. John Nightingale
Mrs. Helen R. Gooderham
Mrs. Grace Gordon-Collins and
Mr. Ernest Collins
Ms. Kitty Heller
Mr. and Mrs. James R. Houston
Mr. Donald and Mrs. Patricia Hudson
Mr. and Mrs. Roderick Hungerford
Mr. Robert M. Ledingham
Mr. Robert and Mrs. Lily Lee
Mr. Ralph and Mrs. Lucy Lewis
Beth Ann and Nick Locke
John and Marian MacFarlane
Friedel and Martin Maché
Mary and Ian McDonald
Joseph E. and Arlene McHugh
Mr. and Mrs. Frank Mingie
Paul Moore, F.M.A., F.C.S.I.
Rosemary Nault and Paul Conder
Coleen and Howard Nemtin
Dr. Michael and Mrs. Elizabeth Noble
Ruth Norris
Mrs. Heather C. Notman
John and Helen O'Brian
Mr. Arne Olsen
Mr. Mark Osburn
Mr. Joshua and Mrs. Marla Pekarsky
Mr. John and Mrs. Margaret Pitts
Ms. Catherine Robertson and
Mr. Alex Shorten
Dr. Martin and Mrs. Grace Robin
Mrs. Annette Rothstein
47
Mr. and Mrs. Peter Paul Saunders
Cathy and David Scott
Bonnie and Don Sheldon
Mr. and Mrs. Donald Shumka
Mr. Joseph Sieh
Mrs. Gloria Smith
Mr. E. Sonner
Peter and Alison Speer
Mrs. Gordon T. Southam
Cheryl Stevens
Dr. Ian and Mrs. Jane Strang
Andy Sylvester
Edie Thompson
Nicholas and Vaughan Thornton
Mr. and Mrs. Garth Thurber
Mr. and Mrs. Leon Tuey
H. P. Wakefield
Mr. Bruno Wall and
Ms. Jane MacDonald
Mr. William and Mrs. Zoe Wong
Chris and Lib Wootten
Mr. Wesley Yuen and
Mr. Patrick K. Prinster
Friends—$600 or more
Ms. Myra Andrews
Mr. Shawn and Mrs. Jessica Bouchard
Ms. Jacqueline Flanagan
Ms. Judy Gale
Mr. James and Mrs. Margaret Malkin
Mr. John and Mrs. Peggy McLernon
Lindsay Mearns
Mr. and Mrs. G. Edward Moul
Ms. Anita Ng
Dr. and Mrs. H. Peter Oberlander
Cecilia Pereyra and Sebastian Touza
Mr. Noel St. John Rebera
Audrey Sojonky
Mr. John R. Taylor
Mr. Gary Wagenheim and
Dr. Carolyn P. Egri
Mr. Eric and Mrs. Shirley Wilson
Dr. Gerald and Mrs. Shery Wittenberg
Supporting Members—$300 or more
Anonymous (2)
Ms. Sima Abelev and Mr. Peter Raivich
William and Barbara Armstrong
Mr. Frank and Mrs. Lynn Beck
Dr. Dan and Mrs. Arlene Birch
Mr. Brian and Mrs. Mikell Callahan
John and Helen Chaston
Ms. Leila Day
Mrs. M. E. Douglas
Mr. Dale C. Essar
Estelle Fogell
Mr. and Mrs. Leonidas E. Hill
Mrs. Barbara C. Hopkins
Mr. Ronald and Mrs. Barbara Howard
Mr. William and Mrs. Renata Humphries
Ms. Jane M. Irwin and Mr. Ross K. Hill
Rita L. Irwin
Ms. Carol M. Jutte
Penelope A. Koch
Mr. Jack Lutsky and
Ms. Susan Mendelson
Mr. Peter Lutsky and
Ms. Shari Goldman-Lutsky
F. B. Malkin
Mr. Julian Marlowe
Dr. Tom and Mrs. Joy McCusker
Dr. Hugh and Dr. Mary Miller
Mr. Gilles and Mrs. Julia Ouellette
Vera Pech
Dr. William and Mrs. Ruth Ross
Ms. A. Rowles
Ms. Paula Santos
Mr. Kilgour and Mrs. Joyce Shives
Dr. Jane Silvius
Mr. J. E. Smith
Ms. Nancy Stuart-Stubbs
Ms. Dawn C. Taylor
Ms. Mollie Thackeray
Mr. Paul and Mrs. Barbara Vassallo
Dr. Hugh and Mrs. Janet Wynne-Edwards
Ms. Christina Yli-Luoma
Mr. Tony C. P. Yue
Baja to Vancouver: The West Coast and
Contemporary Art
PRESENTED BY:
Audain Foundation
FUNDING FOR THE TOUR PROVIDED BY:
Foreign Affairs Canada
Peter Norton Family Foundation
ADDITIONAL SUPPORT BY:
The Canada Council for the Arts
Visiting Foreign Artists Program
Massive Change:
The Future of Global Design
VANCOUVER PRESENTATION SPONSOR:
American Express Foundation·
FOUNDING SUPPORT:
Altria Group, Inc.
ADDITIONAL SUPPORT:
Vancouver Foundation
Eyes of Laura
SUPPORTED BY:
The Canada Council for the Arts
Media Arts Commissioning Program
Program Sponsors
Animateur Program
PRESENTING SPONSOR:
Tribute Donors
The Great-West Life Assurance
Company
IN HONOUR OF PETER WONG
School Programs
Heather Sirlin and Alan Kenney
PRESENTING SPONSOR:
IN MEMORY OF J. RON LONGSTAFFE
Arbutus Gardens Holdings 2 Ltd.
Daina Augaitis
Mr. Gary Bell
Mr. Laing and Mrs. Kathleen Brown
Equinox Gallery
Chris and Lib Wootten
IN MEMORY OF CAROL L. MCCARRON
Vancouver Elementary School
Teachers' Association
IN MEMORY OF LYNDA MERON
TELUS Communications
ADDITIONAL SUPPORT PROVIDED BY:
Imperial Oil Charitable Foundation
supersunday
PRESENTING SPONSOR:
HSBC Canada
Kidstops and Family Guides
PRESENTING SPONSOR:
BC Hydro
Into the Classroom
PRESENTING SPONSOR:
TD Bank Financial Group
Learning Centres
PRESENTING SPONSOR:
The Great-West Life Assurance Company
SPONSORS
Exhibition Sponsors
Andy Warhol: Prints and Drawings from
the Warhol Museum
PRESENTED BY:
Industrial Alliance Pacific Life
Insurance Company
Weyerhaeuser Canada Limited
Massive Change Visionaries
SUPPORTED BY:
Consulate General of the United States
MDC Partners
Yosef Wosk, O.B.C.
OUR SUPPORTERS
Media Sponsors
BC Parent News Magazine
CBC Radio One 690
CBC Radio Two 105.7
CBC Television
Fairchild TV and Talentvision TV
Knowledge Network
Lamarr Transit Advertaising
Preview: The Gallery Guide
Vancouver Magazine
The Vancouver Sun
Western Living
Z95.3FM
Corporate Leadership
Patron—$35,000 or more
Arbutus Gardens Holdings 2 Ltd.
Leader—$10,000 or more
Christie's Canada Inc.
Cromwell Restoration Ltd.
Equinox Gallery
Herman Miller Canada Inc.
RBC Financial Group
Advocate—$5,000 or more
Commonwealth Insurance Co.
KPMG LLP
Paul Kuhn Fine Arts
Riverside Forest Products
West Fraser Timber Co. Ltd.
Investor—$2,500 or more
Altamira Investment Services
Davis & Company
Marin Investments Ltd.
Supporter—$1,000 or more
Bing Thom Architects
Borden Ladner Gervais LLP
Cundill Investment Research Ltd.
DDB Canada
Denbigh Design Fine Art Services
Ernst & Young
Fairchild Television
Grosvenor Canada Limited
Heffel Gallery Ltd.
Print Works
Reitmans (Canada) Limited
OUR SUPPORTERS
FOUNDATIONS,
ASSOCIATIONS AND
GRANTING AGENCIES
GIFTS OF ART
Major Donors of Art
The Andy Warhol Foundation for
the Visual Arts
Associates of the Vancouver Art Gallery
Audain Foundation
The Birks Family Foundation
The British Council
The Christopher Foundation
City of Vancouver
Deux Mille Foundation
Government of Canada:
Canada Council for the Arts
Assistance to Art Museums and
Public Galleries
Assistance to Culturally Diverse
Curators for Residencies in
Visual Arts
Canadian Heritage
Museums Assistance Program
Cultural Spaces Canada
Young Canada Works
Canada France Accord
Foreign Affairs Canada
Visiting Foreign Artists Program
Summer Career Placement Program
Greater Vancouver Regional District
The Hamber Foundation
The Kaatza Foundation
Larkspur Foundation
Province of British Columbia:
British Columbia Arts Council
Gaming Revenues
RBC Foundation
The Rix Family Foundation
The Simons Foundation
Vancouver Foundation
Vancouver Arts Stabilization Team
Lifetime gifts of $5,000,000 or more
Mr. J. Ronald and
Mrs. Jacqueline Longstaffe
Lifetime gifts of $1,000,000 or more
Claudia Beck and Andrew Gruft
Mr. John and Mrs. Eve Davidson
Mr. W. Maurice and
Lifetime gifts of $500,000 or more
Anonymous (1)
Mrs. Jessie Binning
Mrs. Toni Ann Chowne
The Estate of Kathleen Reif
Mr. John Nichol
Alison and Alan Schwartz
Mr. Stuart and
Mrs. Clemencia Shepard
Ms. Sandra L. Simpson
Mr. Keith Westergaard
Mr. Laing and Mrs. Kathleen Brown
Mr. Cordell Couillard
Mr. Ian Davidson
Mr. Thomas J. Deutsch, Mr. P. C.
Devlin, and Mr. Peter K. Jensen
The Estate of John Parnell
Mr. Henning and Mrs. Brigitte Freybe
Mr. John Petch, QC
Mr. Gerald and Mrs. Doris Radowitz
Mrs. Doris Shadbolt
Takao Tanabe
A. Bernard Coady, Daryl K. Seaman,
and Donald R. Seaman
Mr. Toni and Mrs. Hildegard Cavelti
Mr. Jack Diamond, O.C.
Gluskin Sheff and Associates Inc.
Dr. Abraham Greenberg
Mrs. Naomi Greenberg and
Ms. Judith Greenberg
Mr. Geoffrey F. Hyland
Mrs. Anna K. Jetter
Mr. Morris and
Mrs. Miriam Kaplansky
Ms. Ann Kipling
Ms. Jane Mastin and Mr. James Funk
Mr. James Mastin and
Mrs. Barbara Mastin
Toni Onley
Dr. Rodrigo Restrepo
Mr. Larry I. Ruskin
Gordon and Marion Smith
Mr. Ian H. Wallace
Lawrence Weiner and
Alicia Zimmerman
Mr. Ira and Mrs. Lori Young
2004 Donors of Art
Anonymous (3)
Mr. Ronald Appleton
Ms. Claudia Beck and
Mr. Andrew Gruft
Mrs. Jessie Binning
Ms. Karin Bubaº
Mr. Toni and Mrs. Hildegard Cavelti
Mr. Monty Cooper
Mr. William and Mrs. Shirley Corbeil
Mr. Brian Dedora
Mr. Peter M. Hendrie
Mr. Bill Jeffries
Mrs. Anna K. Jetter
Ms. Landon Mackenzie
Mr. Peter Macnair
Ms. Anne Morse and
Mr. Jeremy Caddy
Ms. Madeleine Nelson
Mr. Peter Ohler
Dr. Rodrigo Restrepo
Ms. Letia Richardson
Alison and Alan Schwartz
Mr. Victor Scott
The Estate of
Jack and Doris Shadbolt
Ms. Sandra L. Simpson
Mr. Danny Singer
Ms. Jay Stewart
The Estate of Virginia Sturrock
Sun Life Financial Inc.
Mr. Andrew Sylvester
Mr. Brandon Thiessen
Ann and Marshall Webb
Mr. Lawrence Weiner
Bob and Petra Woods
48
ART AUCTION 2004
The Vancouver Art Gallery would
like to gratefully acknowledge
the following individuals, artists
and organizations for their
generous donations to Art
Auction 2004. The $475,000
raised from the event support
the Gallery's exhibitions and
public programs.
ART AUCTION COMMITTEE
Michael O'Brian, CHAIR
Maryon Adelaar,
CO-CHAIR, TICKET SALES COMMITTEE
Susan Almrud,
CO-CHAIR, EVENING COMMITTEE
Rick Charles,
CHAIR, SPONSORSHIP COMMITTEE
Colleen Nemtin,
CO-CHAIR, TICKET SALES COMMITTEE
Wesley Yuen,
CO-CHAIR, EVENING COMMITTEE
Christos Dikeakos
Barbara Gillanders
Judy Kerr
Sam Ketcham
Barnaby Killam
Sherry Killam
Janet Kolanko
Sarah Macaulay
Nicole Mackenzie
Jim Mouzourakis
Maria Anna Parolin
Carolann Rule
Gloria Smith
Petra Tode-Woods
Paul Vassallo
SUPPORTING SPONSOR
Haywood Securities Ltd.
CONTRIBUTING SPONSORS
RBC Investments through the
RBC Foundation
Deans Knight
Capital Management
DONORS
Anonymous
Alex Abdilla
Michael Abraham
Jane Adams
Air Canada
Amelia Alcock-White
Vikky Alexander
49
Clayton Anderson
Araxi Restaurant and Lounge
Holly Armishaw
The Art Emporium
Peter Aspell
Atelier Gallery
Bau-Xi Gallery
Shannon Belkin
Gary Bell
Bis Moreno Restaurant
Bishop's Restaurant
Bistro Pastis
Bjornson Kajiwara Gallery
Blue Water Café
Susanna Blunt
Dempsey Bob
Roberta Bondar
Norah Borden
Nicholas J. Bott
Mandy Boursicot
Dianne Brehm Cacchioni
Jim Breukelman
Jane Brookes
Bruce Mau Design
Bobbie Burgers
David Burns
Buschlen Mowatt Gallery
Jessica Bushey
Caldwell Snyder Gallery
Dr. Jean Carruthers Aesthetic
Facial Ophthalmology
Catriona Jeffries Gallery
Chambar Belgian Restaurant
Rick and Pat Charles
Christopher Cutts Gallery
Victor Cicansky
Cin Cin Restaurant
Circolo Restaurant
Douglas Coupland
Chris Cran
Cori Creed
Russell Crotty
Cru Restaurant
Judith Currelly
Robert Davidson
Denbigh Design
Diane Farris Gallery
Christos Dikeakos
Domaine Chandon
Douglas Reynolds Gallery
Douglas Udell Gallery
Marcel Dzama
Eagle Spirit Gallery
Edge Wines
Elliott Louis Gallery
Equinox Gallery
John Evans
Extreme Limousine, All Terrain
Adventures Ltd.
The Fairmont Jasper Park
Lodge
Gathie Falk
Neil Farber
Feenie's Restaurant
The Fish House in Stanley
Park
Five Sails Restaurant at the
Pan Pacific Hotel
Caio Fonseca
Four Seasons Hotel, Vancouver
Four Seasons Hotel,
Los Angeles at Beverly Hills
Linda Frimer
Gallery Jones
Germaine Gaucher
Mark Gilbert
Jim Gislason
Tania Gleave
Ann Goldberg
Douglas F. Good
Grace Gordon-Collins
Rodney Graham
Angela Grossmann
Harrison Galleries
Adam Harrison
Hilary Haseltine
Heffel Gallery Ltd.
Lisa Henriques
Holt Renfrew
J. Bradley Hunt
Shawn Hunt
Ian Tan Gallery
Il Caminetto Restaurant
Il Giardino Restaurant
Jane Irwin
IVL Technolgies
Kathryn Jacobi
Joie Gastronomic Guesthouse
and Farm Cooking School
Kim Kennedy Austin
Tiko Kerr
Davida Kidd
Sherry Killam
Ann Kipling
Klatle-Bhi
Lisa Klepack
Torben V. Kristiansen
Lake Breeze Vineyards
Don Li-Leger
The Litho Shop
Scott Livingstone
Long Beach Lodge Resort
Lumiere Restaurant
Andrew McDermott
John Macdonald
Indra McEwen
Scott McFarland
Natasha McHardy
Ellen Mackay
Jason McLean
Myfanwy MacLeod
Kyla Mallett
Marion Scott Gallery
Jamie Maw
Maxxium Canada
Umberto Menghi
Merit Travel Group
Victor Miles
Mira Godard Gallery
Al Molina
Monte Clark Gallery
Alex Morrison
Nairbo Investments Inc.
Naramata Bench Winery
Association
Frederick M. Nicholas
Christian Nicolay
Sheila Norgate
Sharon Norman
Michael O'Brian
Shannon Oksanen
Yukiko Onley
Opus Hotel
Pacific Audio Visual Institute
Pan Pacific Whistler Lodge
Alice Park-Spurr
Paul Wong Projects
Ross Penhall
Vessna Perunovich
Petley Jones Gallery
David Pirrie
Scott Plear
Poets Cove Resort and Spa
Mary Pratt
Lucy Pullen
Quattro Restaurants
Rendezvous Gallery
The River Leagues Wilderness
Rafting Explorations
Rick Rivet
Robert Mondavi
Select Wines
David Robinson
Rocky Mountaineer Railtours
Barry Shelton
Shoshana Wayne Gallery
Simon Patrich Gallery
Danny Singer
Skinworks
Gordon Smith
Sonicblue Airways Inc.
Sonora Resort
Carmelo Sortino
Starfish Glassworks
STATE Gallery
Ken and Lorraine Stephens
Adrian A. Stimson
Stanimir Stoilov
Stump Lake Guest Ranch
Susan Whitney Gallery
Tansay Jewels,
Ynot Jewels
Mikel Temo Greko
Ron Terada
Thai Gems
Erika Toliusis
Claude Tousignant
Tracey Lawrence Gallery
Trattoria Restaurant
TrépanierBaer Gallery
Morna Tudor
Marco Tulio
Jim Turner
United Flower Growers
Association
United States Consulate
General
Vancouver Opera
Vancouver Symphony Society
Vancouver Wine Vault Inc.
George Vergette
Vij's Restaurant
Allan and Faigie Waisman
Ken Wallace
Neil Wedman
Laura Wee Láy Láq
West Restaurant
The Wickaninnish Inn
The William Tell Restaurant
William Wegman
Z.Z. Wei
Carl D. White
Winchester Galleries
Winsor Gallery
Chris Woods
Craig Yeats
Lawrence Paul Yuxweluptun
ARTISTS
Alex Abdilla
Michael Abraham
Jane Adams
Amelia Alcock-White
Vikky Alexander
Clayton Anderson
Holly Armishaw
Peter Aspell
Allain Attar
Shannon Belkin
Claude Philippe Benoit
Susanna Blunt
Dempsey Bob
Roberta Bondar
Norah Borden
Nicholas Bott
OUR SUPPORTERS
Mandy Boursicot
Neil Boyle
Gene Brabrant
Dianne Brehm Cacchioni
Jim Breukelman
Jane Brookes
Bruce Mau Design
Bobbie Burgers
David Burns
Arnold Burrell
Jessica Bushey
Bernard Cathelin
Dale Chihuly
Victor Cicansky
Douglas Coupland
Chris Cran
Cori Creed
Russell Crotty
Judith Currelly
Jack Darcus
Robert Davidson
Chris Dikeakos
Jae Dougall
Marcel Dzama
Janieta Eyre
Gathie Falk
Neil Farber
Donald M. Flather
Caio Fonseca
Sam Francis
Linda Frimer
Eldon Garnet
Yves Gaucher
Mark Gilbert
Jim Gislason
Tania Gleave
Ann Goldberg
Grace Gordon-Collins
Rodney Graham
Angela Grossmann
Adam Harrison
Hilary Haseltine
Lisa Henriquez
Bradley Hunt
Jane Irwin
Kathryn Jacobi
Kim Kennedy Austin
Tiko Kerr
Davida Kidd
Janet Kigusiuq
Ann Kipling
Klatle-Bhi
Lisa Klepak
James Lahey
Don Li-Leger
Scott Livingstone
Andrew McDermott
John Macdonald
Jean McEwan
OUR SUPPORTERS
Scott McFarland
Natasha McHardy
Jason McLean
Myfanwy MacLeod
Kyla Mallett
Vicky Marshall
Victor Miles
Regan Morris
Alex Morrison
Christian Nicolay
Sheila Norgate
Sharon Norman
Shannon Oksanen
Alice Park-Spurr
Ross Penhall
Vessna Perunovich
David Pirrie
Scott Plear
Susan Point
Mary Pratt
Lucy Pullen
Rick Rivet
David Robinson
Jack Shadbolt
Barry Shelton
Cindy Sherman
Danny Singer
Gordon Smith
Carmelo Sortino
Adrian Stimson
Stanimir Stoilov
Donald Sultan
Mikel Temo Greko
Ron Terada
Erika Toliusis
Claude Tousignant
Morna Tudor
Marco Tulio
George Vergette
Ken Wallace
Neil Wedman
Laura Wee Láy Láq
William Wegman
Z.Z. Wei
C.D. White
Paul Wong
Alan Wood
Chris Woods
Max Wyse
Craig Yeats
Don Yeomans
Lawrence Paul Yuxweluptun
PARTICIPATING GALLERIES
Art Beatus Gallery
Art Emporium
Atelier Gallery
Bau-Xi Gallery
Bjornson Kajiwara Gallery
Buschlen Mowatt Gallery
Catriona Jeffries Gallery
Diane Farris Gallery
Douglas Reynolds Gallery
Douglas Udell Gallery
Elliott Louis Gallery
Equinox Gallery
Harrison Galleries
Heffel Gallery
Ian Tan Gallery
The Litho Shop
Marion Scott Gallery
Monte Clark Gallery
Petley Jones Gallery
Portfolio Gallery
Simon Patrich Gallery
Starfish Glassworks
STATE Gallery
Tracey Lawrence Gallery
TrépanierBaer Gallery
Verge Gallery
Winsor Gallery
Winchester Galleries
Susan Whitney Gallery
ADDITIONAL
SUPPORTERS
OFFICIAL PAINT
Benjamin Moore
OFFICIAL STORAGE
Bekins Moving and Storage
(Canada) Ltd.
CONTRIBUTING HOTELS
Carmana Plaza
Crowne Plaza Hotel
Fairmont Waterfront
The Four Seasons Hotel
Hyatt Regency Vancouver
Listel Vancouver Hotel
Opus Hotel
Sheraton at the Wall Centre
Sylvia Hotel
Wedgewood Hotel
Westin Grand Hotel
INDIVIDUALS
Jan Adaskin
Daina Augaitis
Jim Brickley
David Brown
Corrine Corry
Jen Eby
Fred Hazel
Stephen Heatley
Kitty Heller
John Horton
Patricia Hudson
Sylvia and Sam Ketcham
Ursula Kunz
Elisa McLaren
Jason McLean
Katherine M. Murrell
Anthony J. Petullo
Caren Reynolds
Wes Robinson
Gary Sim
Judith Steedman
Purdy's Delights
Robson Square
Science World
Dr. Sun Yat-Sen Garden
Tourism Vancouver
UBC Department of
Computer Sciences
Vancouver East Cultural Centre
Vancouver Museum
Vancouver Opera
Vancouver Symphony
Vogue Theatre
VOLUNTEERS
The Vancouver Art Gallery is
enriched by the dedication and
enthusiasm of our volunteers
who contribute their time
and efforts to this institution.
Often nominated by our visitors
for excellence in service, 390
volunteers donated over 16,450
hours in 2004. Gallery volunteers
excel in providing information,
education and guidance in
many areas throughout the
Gallery. We are grateful for
their continued support.
Due to space constraints, we are
unable to list all contributors,
but we are truly grateful for
every contribution, large and
small.
ORGANIZATIONS
Allegro Café
BC Tourism
Bell Canada
Daniel Le Chocolate Belge
Early Music Vancouver
Emily Carr Institute of Art
& Design
Gray Line of Vancouver
Heffel Fine Art Auction House
Holt Renfrew
Jessel BMW
The Memory Project N.P.O.
Opus Framing and Art
Supplies
Pacific Cinémathèque
50
FINANCIALS
AUDITORS' REPORT
To the Members of the Vancouver Art Gallery Association
We have audited the balance sheet of the Vancouver Art Gallery
Association as at December 31, 2004 and the statements of
operations, changes in net assets and cash flows for the year then
ended. These financial statements are the responsibility of the
Association's management. Our responsibility is to express an
opinion on these financial statements based on our audit.
We conducted our audit in accordance with Canadian generally
accepted auditing standards. Those standards require that we plan
and perform an audit to obtain reasonable assurance whether the
financial statements are free of material misstatement. An audit
includes examining, on a test basis, evidence supporting the
amounts and disclosures in the financial statements. An audit also
includes assessing the accounting principles used and significant
estimates made by management, as well as evaluating the overall
financial statement presentation.
51
In our opinion, these financial statements present fairly, in all
material respects, the financial position of the Association as at
December 31, 2004 and the results of its operations and its cash
flows for the year then ended in accordance with Canadian generally
accepted accounting principles. As required by the Society Act (British
Columbia), we report that, in our opinion, these principles have
been applied on a basis consistent with that of the preceding year.
Chartered Accountants
Vancouver, Canada
February 11, 2005
A U D I TO R S ’ R E P O R T
VANCOUVER ART GALLERY ASSOCIATION BALANCE SHEETS
GENERAL FUND
December 31, 2004 and 2003
ACQUISITION FUND
VANCOUVER ARTS
STABILIZATION TEAM
FUND
TOTAL 2004
TOTAL 2003
Assets
Current assets:
Cash and cash equivalents
Grants, interest and accounts receivable
Prepaid expenses
Inventories
$
Capital assets (note 4)
437,890
627,757
251,628
482,642
$
965
–
–
–
$
–
–
–
–
$
438,855
627,757
251,628
482,642
$
979,910
329,699
273,770
337,877
1,799,917
965
–
1,800,882
1,921,256
365,799
–
–
365,799
361,029
$
2,165,716
$
965
$
–
$
2,166,681
$
2,282,285
$
771,101
368,008
561,485
$
118,886
22,500
337,500
$
–
–
(898,985)
$
889,987
390,508
–
$
1,297,405
371,595
–
Liabilities and Net Assets
Current liabilities:
Accounts payable and accrued liabilities
Deferred revenue (note 6)
Interfund balances
Long-term liabilities (note 12)
Net assets (deficiency):
Invested in capital assets
Unrestricted
Externally restricted (note 7)
Endowment
1,700,594
478,886
(898,985)
1,280,495
1,669,000
–
631,300
–
631,300
–
365,799
99,323
–
–
–
(1,109,221)
–
–
–
–
898,985
–
365,799
(1,009,898)
898,985
–
361,029
(654,229)
898,985
7,500
465,122
$
2,165,716
(1,109,221)
$
965
898,985
$
–
254,886
$
2,166,681
613,285
$
2,282,285
Commitments (note 13)
See accompanying notes to financial statements.
Approved on behalf of the Board:
Trustee
F I N A N C I A L S TAT E M E N T S
Trustee
52
VANCOUVER ART GALLERY ASSOCIATION STATEMENTS OF OPERATIONS
GENERAL FUND
Revenue:
Admissions
Special events (note 8)
Corporate sponsorships
Exhibition loan fees
Fundraising (note 10(b))
Gallery Store (note 9)
Investment income (note 3)
Memberships
Other
Public programming
Rentals and restaurant lease
Vancouver Art Gallery Foundation (note 10(a))
$
1,612,906
537,218
684,993
20,000
591,487
1,747,745
41,003
345,030
121,447
164,096
268,553
73,500
6,207,978
ACQUISITION FUND
$
–
–
–
–
–
–
353,373
–
4,298
–
–
–
357,671
Years ended December 31, 2004 and 2003
LIFE BENEFACTORS FUND
$
–
–
–
–
–
–
–
–
–
–
–
–
–
TOTAL 2004
$
1,612,906
537,218
684,993
20,000
591,487
1,747,745
394,376
345,030
125,745
164,096
268,553
73,500
6,565,649
TOTAL 2003
$
980,768
110,277
298,625
50,000
942,025
1,526,415
528,633
288,453
75,551
61,847
278,189
21,703
5,162,486
Grants:
BC Arts Council
512,300
BC Gaming Commission
40,000
Canada Council
273,700
City of Vancouver
2,033,642
Department of Canadian Heritage
177,941
Department of Foreign Affairs and International Trade
22,768
Greater Vancouver Regional District
8,500
Other
56,672
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
–
512,300
40,000
273,700
2,033,642
177,941
22,768
8,500
56,672
512,300
45,000
357,500
1,966,975
114,073
–
7,000
217,323
3,125,523
9,333,501
–
357,671
–
–
3,125,523
9,691,172
3,220,171
8,382,657
506,224
–
611,565
1,064,397
2,180,547
1,369,665
1,077,725
1,307,075
245,100
896,089
–
–
–
645,375
–
–
–
–
–
–
–
–
63,197
–
–
–
–
–
–
–
–
–
–
–
–
7,500
506,224
645,375
611,565
1,064,397
2,180,547
1,369,665
1,077,725
1,307,075
245,100
896,089
63,197
7,500
540,820
2,706,712
643,248
1,049,765
1,039,473
1,276,645
1,074,494
1,282,690
5,071
868,227
35,248
7,500
9,258,387
708,572
7,500
9,974,459
10,529,893
75,114
(350,901)
(7,500)
(283,287)
(2,147,236)
(75,112)
–
–
(75,112)
(66,008)
–
–
–
–
898,985
(358,399)
$ (1,314,259)
Expenses:
Administration and finance
Art acquisitions
Board and management services
Curatorial and programs
Exhibitions
Gallery Store (note 9)
Maintenance and security
Marketing, development and visitor services
Master planning
Museum services
Sundry acquisition costs
Transfer to Vancouver Foundation
Excess (deficiency) of revenue over expenses
before the undernoted
Amortization of capital assets
Vancouver Arts Stabilization Team Grant (note 7)
$
2
$
(350,901)
$
(7,500)
$
53
VANCOUVER ART GALLERY ASSOCIATION STATEMENTS OF CHANGES IN NET ASSETS
GENERAL FUND
INVESTED
IN CAPITAL
ASSETS
UNRESTRICTED
Balance, beginning of year
$ 361,029
Net change in investment in capital assets
Balance, end of year
ACQUISITION
FUND
$ 104,091
$ (758,320)
(75,112)
75,114
(350,901)
79,882
(79,882)
$ 365,799
$
99,323
LIFE
BENEFACTOR
FUND
$
7,500
VANCOUVER ARTS
STABILIZATION TEAM
FUND
$
898,985
(7,500)
–
–
–
–
$(1,109,221)
$
–
$
898,985
$
TOTAL
2004
TOTAL
2003
613,285
$ 1,927,544
(358,399)
(1,314,259)
–
$
–
254,886
$
613,285
VANCOUVER ART GALLERY ASSOCIATION STATEMENTS OF CASH FLOWS
2004
2003
Cash provided by (used in):
Operations:
Deficiency of revenue over expenses
Items not involving cash:
Amortization of capital assets
Vancouver Arts Stabilization Team Grant
$
(358,399)
$
(1,314,259)
75,112
–
66,008
(898,985)
(298,058)
22,142
(144,765)
(407,418)
18,913
27,462
(249,144)
(49,756)
460,924
(184,057)
(1,092,473)
(2,141,807)
–
–
631,300
(79,882)
1,413,390
179,391
–
(81,097)
551,418
1,511,684
Net change in non-cash operating working capital:
Grants, interest and accounts receivable
Prepaid expenses
Inventories
Accounts payable and accrued liabilities
Deferred revenue
Investments and financing:
Decrease in restricted investments
Gerald and Sheahan McGavin Capital Grant to the Arts
Increase in long-term liabilities
Purchase of capital assets
Decrease in cash and cash equivalents
(541,055)
Cash and cash equivalents, beginning of year
Cash and cash equivalents, end of year
(630,123)
979,910
$
438,855
1,610,033
$
979,910
54
VANCOUVER ART GALLERY ASSOCIATION NOTES TO FINANCIAL STATEMENTS
1. Purpose of the Organization:
The Vancouver Art Gallery Association (the “Association”) is a not-for-profit
organization incorporated in April 1931 under the Society Act (British Columbia).
Its objectives are to establish and maintain an art gallery for the perpetual
benefit of the City of Vancouver and its citizens. It is a registered Canadian
charity for Canadian income tax purposes.
(v)
assured. At December 31, 2004, the Association has recorded $82,896
(2003 - $203,434) of pledges as revenue and accounts receivable.
Capital assets:
Capital assets are recorded at cost and are amortized on a straight-line
basis over the useful life of the asset. The useful lives of assets are as
follows:
ASSET
2. Significant accounting policies:
The preparation of financial statements requires management to make estimates
and assumptions that affect the reported amounts in the financial statements
and the disclosure of contingent assets and liabilities. Significant areas requiring
the use of management estimates include the determination of the useful lives
for amortization of capital assets and the net realizable value of inventories.
Actual results could differ from these estimates. Outlined below are those
policies considered significant:
(a) Fund accounting:
These financial statements include the undernoted funds which are
segregated for purposes of carrying on specific activities as described below.
(i) The General Fund reflects the results of general operations of the
Association.
(ii) The Acquisition Fund was established with bequests from donors and
receives income earned by The Vancouver Art Gallery Endowment Fund
for Acquisitions of Art administered by the Vancouver Foundation (note 3).
(iii) The Life Benefactor Endowment Fund was initially established during
1989 and the income from the Fund is intended to finance special
projects as determined by the Board of Trustees in consultation with the
Life Benefactors.
(iv) The Vancouver Arts Stabilization Team Fund was established from
restricted contributions received from the Gerald and Sheahan McGavin
Capital Grant to the Arts (note 7).
(b) Basis of accounting:
(i) Cash and cash equivalents:
Cash and cash equivalents consist of cash and highly liquid investments
with terms to maturity of three months or less at the date of inception.
(ii) Prepaid expenses:
Prepaid expenses are comprised primarily of exhibition expenditures
that have been paid by the Association and relate to exhibitions to be
held the following year. Prepaid expenses also include insurance costs
paid during the year, which relate to the following year.
(iii) Inventories:
Inventories are comprised primarily of books, jewellery, paper products,
gifts, reproductions and clothing held for sale in the Gallery Store and
are stated at the lower of cost and net realizable value.
(iv) Revenue recognition:
The Association follows the deferral method of accounting for contributions which include donations, bequests and government grants. Under
this method of accounting, revenue received which relates to a future
period is deferred and recognized in that subsequent period.
Endowment contributions are recorded as direct increases in net assets.
Exhibition loan fees are recognized as revenue when received, except for
the portion relating to a future period which is deferred and recognized
in that subsequent period.
Unrestricted contributions are recognized as revenue when received or
receivable. Pledged amounts are recorded as revenue when the amount
to be received can be reasonably estimated, typically when signed
pledge forms are received, and ultimate collection is reasonably
55
RATE
Computers
Equipment
Furniture and building fixtures
Vehicles
3 - 5 years
3 - 10 years
5 - 25 years
5 years
The Association is responsible for the management of these assets
and enjoys beneficial ownership thereof. Title to the majority of these
assets is vested in the City of Vancouver.
(vi) Pension plan:
The Association maintains a defined contribution plan for its employees.
Pension plan costs for the employees of the Association are funded
annually and charged to operating expenses. These costs totaled $112,165
during 2004 (2003 - $106,243).
(vii) Employee future benefits:
The Association accrues its obligations under employee benefit plans
and the related costs as the underlying services are provided.
(viii) Collection (see note 11):
Additions to the collection are charged as an expense of the
Acquisition Fund in the year of acquisition.
(ix) Donated works of art, materials and services:
The Association receives donated works of art, materials and services,
the value of which is not reflected in these financial statements.
(c) Comparative figures:
Certain comparative figures have been reclassified to conform with the
financial statement presentation adopted in the current year.
3. Endowment funds:
Endowment funds, administered by the Vancouver Foundation, are permanently restricted and consequently not included as assets of the Association in
these financial statements. These funds at book and market values comprise:
2004
2003
$ 5,505,200
$ 5,505,200
201,164
365,000
566,164
201,164
357,500
558,664
Book value
$ 6,071,364
$ 6,063,864
Market value
$ 9,076,080
$ 8,827,803
The Vancouver Art Gallery Endowment
Fund for Acquisitions of Art
The Vancouver Art Gallery Endowment Fund:
General
Life Benefactor
N OT E S TO F I N A N C I A L S TAT E M E N T S
3. Endowment funds (continued)
Under the terms of these endowment funds, the Association receives investment income earned on the capital. Income of $353,373 (2003 – $464,434) from
The Vancouver Art Gallery Endowment Fund for Acquisitions of Art has been
credited to the Acquisition Fund. Income of $33,424 (2003 – $36,056) from the
General and Life Benefactor components of The Vancouver Art Gallery
Endowment Fund has been credited to the General Fund.
7. Gerald and Sheahan McGavin Capital Grant to the Arts:
Under a five year agreement with the Vancouver Arts Stabilization Team (VAST)
dated February 25, 1998, the Association was entitled to receive a grant of
$179,797 each year for a five year period. As at December 31, 2003, the total
grant had been received by the Association. In accordance with direction
received from VAST, and based on a resolution passed by the Association
Board, the Association has restricted the $898,985 for a period of three years
ending December 31, 2006 to be used as a working capital reserve.
4. Capital assets:
ACCUMULATED
AMORTIZATION
2004
NET BOOK
VALUE
$ 179,290
272,175
$ 147,105
175,010
$ 32,185
97,165
332,374
5,702
95,925
5,702
236,449
–
COST
Computers
Equipment
Furniture and
building fixtures
Vehicles
$ 789,541
$ 423,742
$365,799
2003
NET BOOK
VALUE
$
54,132
95,243
8. Special events:
The Association performs certain fundraising activities considered to be ancillary
to its ongoing operations. These activities, which generated an excess of
revenues over expenses of $537,218 (2003 - $110,277), have been presented in
the statements of operations on a net basis. The gross revenues and expenses
related to these activities are as follows:
211,052
602
$
361,029
5. Line of credit:
The Association has an available operating line of credit of $365,000 which bears
interest at the prime rate. As at December 31, 2004, the balance outstanding
on this operating line is nil (2003 - nil).
Sales
Expenses
Excess of revenue
over expenses
ART AUCTION
EXTRAORDINARY
2004
2003
2004
LOTTERY
2003
$
685,869
220,463
$
275,440
199,270
$ 232,858
161,046
$ 216,062
181,955
$
465,406
$
76,170
$ 71,812
$ 34,107
9. Gallery Store:
2004
2003
6. Deferred revenue:
Sales
2004
Canada Council Grant
City of Vancouver
Corporate sponsors
Department of Canadian Heritage
Exhibition loan fees
Other
Private foundations and trusts
$
$
54,800
265
90,266
139,810
2,000
101,867
1,500
390,508
$ 1,747,745
$ 1,526,415
48,660
924,164
380,645
16,196
1,369,665
70,953
843,867
356,489
5,336
1,276,645
2003
$
$
89,750
20,807
70,500
59,944
15,000
114,094
1,500
371,595
Expenses:
Administration
Cost of goods sold
Salaries and employee benefits
Satellite stores
Excess of revenue over expenses from operations $
378,080
$
249,770
As at December 31, 2004, included within the Canada Council Grant is $22,500
(2003 - nil) in deferred revenue relating to the Acquisition Fund.
56
10. Related parties:
(a) Vancouver Art Gallery Foundation:
The Vancouver Art Gallery Foundation (the “Foundation”) was incorporated
in March 1998 under the Society Act (British Columbia) and is a registered
charity under the Income Tax Act. Its purpose is to receive, hold and invest
bequests, donations, gifts, funds and property, the income from which
supports the programs, operations and activities of the Association.
The Association's Board of Trustees appoints the Board of Directors of the
Foundation. The Foundation has not been consolidated in the Association's
financial statements.
The financial position and operating results of the Foundation are as follows:
2004
Assets
$
Liabilities
207,933
2003
$
117,048
Net assets
$
Revenues
Administrative expenses
Donation to the Association
Transfer to the Vancouver Foundation
90,885
11. Collection:
The Association is responsible for the management of the Vancouver Art
Gallery collection and fine arts reference library. The collection comprises
paintings, drawings, sculptures, photography, prints and other visual art
materials. Ownership of the collection is vested in the City of Vancouver.
12. Financial instruments:
Financial instruments of the Association are comprised of cash and cash
equivalents, grants, interest and accounts receivable, accounts payable and
accrued liabilities and long-term liabilities. The carrying value of the Association's
financial instruments, other than long-term liabilities, approximates their fair
value due to their ability for prompt liquidation or settlement in the near term.
The fair value of the non-interest bearing long-term liabilities at December
31, 2004 is approximately $514,000.
11,651
15,802
$
(4,151)
$ 2,458,790
(8,895)
(73,500)
(2,279,895)
$
318,135
(1,248)
(21,703)
(716,143)
$
$ (420,959)
96,500
13. Commitments:
The Association is committed to minimum lease payments on operating leases
for the years ending December 31 as follows:
2005
2006
2007
$
18,395
18,395
2,477
The Foundation's donation of $73,500 to the Association is included in
accounts receivable at December 31, 2004. The Foundation also maintains
endowment funds, which are permanently held and administered by the
Vancouver Foundation, and receives income on these funds. The balance of
these funds at December 31, 2004 is $3,577,147 (2003 - $1,197,000).
In addition, as at December 31, 2004, included in accounts receivable is
$39,059 (2003 - nil) relating to donations received by the Foundation that
are attributable to the Association. These amounts are in addition to
donations from the Foundation and have been received by the Association
subsequent to year end. As at December 31, 2004, included in accounts
payable is $29,737 (2003 - nil) relating to donations received by the
Association that are attributable to the Foundation.
(b) Associates of the Vancouver Art Gallery:
The Associates of the Vancouver Art Gallery (the “Associates”) are devoted
to raising funds for the Association through social, educational and service
enterprises. During the year, the Associates donated $53,210 (2003 $54,000) to the Association.
57
BOARD OF TRUSTEES
2004–2005
Photo: Dave Roels
EXECUTIVE
ELECTIVE TRUSTEES TO SERVE TO 2005
George Killy
Sam Ketcham
BOARD CHAIR:
VICE CHAIR:
PAST BOARD CHAIR & CHAIR, GOVERNANCE/NOMINATIONS: Merla
Barbara Cole
CHAIR, ACQUISITIONS: Chris Dikeakos
CHAIR, FINANCE/AUDIT: Peter Speer
SECRETARY:
Beckerman
Barbara Cole
Chris Dikeakos
Judy Kerr
Sam Ketcham
Sherry Killam
Michael O'Brian
Grace Robin
Peter Wong
ELECTIVE TRUSTEES TO SERVE TO 2006
APPOINTIVE TRUSTEES TO SERVE TO 2005
Rick Charles
Michael Geller
Barbara Gillanders
George Killy
Kevin Leslie
Eric Savics
Audrey Sojonky
Peter Speer
B OA R D
David Aisenstat
Bill Everett
Jill Gardiner
ASSOCIATES REPRESENTATIVE
Lynne DuMoulin
58
GALLERY STAFF COMPLEMENT
DECEMBER 2004
Photo: Dave Roels
ADMINISTRATION
Kathleen Bartels, DIRECTOR
Keary Shandler, ADMINISTRATIVE ASSISTANT TO THE DIRECTOR
Chris Wootten, ASSOCIATE DIRECTOR
Liz Massil, ADMINISTRATIVE ASSISTANT / SECRETARY TO THE BOARD
Julia Moser, Manager, HUMAN RESOURCES
Lynda Wigmore, ACCOUNTING ADMINISTRATOR (P/T)
Lori McLeod, PAYROLL AND BENEFITS CLERK (P/T)
Cruella Deville, ACCOUNTING CLERK (P/T)
Darcy Morrisseau, ACCOUNTING CLERK (P/T)
Layne Kirkpatrick, NETWORK ADMINISTRATOR
CURATORIAL
Daina Augaitis, CHIEF CURATOR/ASSOCIATE DIRECTOR
Angela Mah, ADMINISTRATIVE ASSISTANT
Louisa Russell, CLERK TYPIST III
Bruce Grenville, SENIOR CURATOR
Ian Thom, SENIOR CURATOR, HISTORICAL (P/T)
Grant Arnold, CURATOR
Monika Szewczyk, ASSISTANT CURATOR 'A' (P/T)
Leah Best, ASSISTANT CURATOR 'A' (F/T)
Deanna Ferguson, CURATORIAL ASSISTANT (TEMP P/T)
Rajdeep Gill, CURATORIAL RESIDENT (TEMP)
GALLERY STORE
Stephanie Yada, GALLERY STORE MANAGER
Suzana Barton, ACTING STORE MANAGER
Sharon Young, ASSISTANT STORE MANAGER
Jordan Strom, STORE ASSISTANT (P/T)
George Febiger, STORE ASSISTANT (P/T)
Chad Yelenik, STORE ASSISTANT (P/T)
Laura Chiarenza, STORE ASSISTANT (P/T)
Erica Krahn, STORE ASSISTANT (P/T)
Leslie Carroll, STORE ASSISTANT (P/T)
AUDIO VISUAL / GRAPHICS
Wade Thomas, AUDIO VISUAL TECHNICIAN III (F/T TEMP)
Deborah Burns, MEDIA ARTS TECHNICIAN (P/T TEMP)
CONSERVATION
Monica Smith, CONSERVATOR
Beth Wolchok (P/T)
LIBRARY
Cheryl Siegel, LIBRARIAN (J/S)
Lynn Brockington, LIBRARIAN (J/S)
Joanna Spurling, LIBRARY ASSISTANT (P/T)
BUILDING MAINTENANCE
Clarence Lafortune, HEAD OF BUILDING MAINTENANCE
Gary Grewal, STATIONARY ENGINEER I
Manuel Pacheco, BUILDING SERVICES WORKER
Nancy Naidu, BUILDING CLEANER (P/T)
Gopal Sami, BUILDING MAINTENANCE WORKER (P/T)
DEVELOPMENT
Rosemary Nault, DEVELOPMENT DIRECTOR
Beth Ann Locke, MANAGER OF MAJOR GIFTS
Betty Hum, EVENT SPECIALIST
Cecilia Pereyra, DATABASE COORDINATOR
Jessica Bouchard, DEVELOPMENT OFFICER,
MARKETING
Diane Robinson, HEAD OF MARKETING & PUBLIC RELATIONS
Colette Warburton, MARKETING AND PROMOTIONS MANAGER
Julie-Ann Backhouse, COMMUNICATIONS SPECIALIST
Susan Lavitt, MARKETING COORDINATOR
Robin Naiman, RENTAL COORDINATOR
MEMBERSHIP & ANNUAL GIVING
Daria Sidjak, DEVELOPMENT ASSOCIATE
Bobbi Parker, ASSISTANT TO THE DEVELOPMENT DIRECTOR
59
MUSEUM SERVICES
Jacqueline Gijssen, HEAD OF MUSEUM SERVICES
Liz Bruchet, CURATORIAL ASSISTANT (TEMP P/T)
S TA F F
PHOTO IMAGING
Trevor Mills, PHOTOGRAPHER II
Danielle Currie, RIGHTS AND REPRODUCTIONS COORDINATOR (P/T)
Tim Bonham, PHOTOGRAPHER I (P/T)
PREPARATION
Glen Flanderka, SENIOR PREPARATOR III
Bruce Wiedrick, SENIOR PREPARATOR III
Keith Mitchell, PREPARATOR II
Michael Trevillion, PREPARATOR II
Paula O'Keefe, PREPARATOR II
Dwight Koss, PREPARATOR II (P/T)
PUBLIC PROGRAMS
Cheryl Meszaros, HEAD OF PUBLIC PROGRAMS
Marie Lopes, ADULT PROGRAMMING
Sarah Holmes, PROGRAMMING ASSISTANT
Susan Rome, COORDINATOR: FAMILY AND YOUTH PROGRAMS
Susan Hoppenfeld, COORDINATOR: FAMILY AND YOUTH PROGRAMS
Sean George, SENIOR ANIMATEUR (P/T)
Anita Bidinosti, SENIOR ANIMATEUR (P/T)
Cindy Maines, COORDINATOR OF VOLUNTEERS
Nadia Thibault, GROUP BOOKING ASSISTANT
REGISTRATION
Susan Sirovyak, REGISTRAR - COLLECTIONS (P/T)
Jenny Wilson, REGISTRAR - EXHIBITIONS AND LOANS
Bita Vorell, ASSISTANT REGISTRAR, DOCUMENTATION (P/T)
Kim Svendsen, REGISTRATION ASSISTANT (TEMP P/T)
RECEPTION
Sherrin Einmann, RECEPTIONIST
Tory McDonald, RELIEF RECEPTIONIST (P/T)
SECURITY / VISITOR SERVICES
Tom Meighan, SECURITY/VISITOR SERVICES MANAGER
Hilton Goodes, ASSISTANT SECURITY SUPERVISOR
Kulvinder Lehal, ADMISSIONS CLERK (P/T)
Beth Oliver, ADMISSIONS CLERK (P/T)
Diane Atkinstall, SECURITY ATTENDANT (PT)
Paul Murray, ADMISSIONS CLERK (P/T)
The following list includes the names of people who
contributed to the Vancouver Art Gallery in 2004
through their work in contract or temporary positions,
as well as other regular employees who left the
Gallery during 2004.
Irina Balmus
Jodine Baluk
Sherrard Bostwick
Christine Bourquin
Jennifer Browning
Derek Brunen
Paloma Campbell
Andrea Corno
Francesco Cuglietta
Eric Deis
Christine D'Onofrio
Mary Ellen Fisher
Chris Frey
Laurryn Gerzymisch
Christine Giesbrecht
Sally Gregson
Jason Guihan
Rory Gylander
Janine Haddix
Pantea Haghighi
Jennifer Harrison
Claudia Hazzard
Linda Henningson
Karen Henry
Catherine Holdaway
Yoonhee Jahng
Ana Johnson
Eileen Kage
Paul Kajander
Jasmina Karabeg
Kristina Kudryk
Gretchen Ladd
S. Khan Lee
Yun Li
Lea Matkin
Andrew McCord
Storma McDonald
Lori McGillivray
John McIntosh
Robert McNealy
Stephanie McWilliams
Fiona Mowatt
Miriam Neeboda
Emilie O'Brien
Amy Pelletier
Louise Perrone
Lisa Persad
Maureen Powell
Kathryn Ricketts
Alexandra Rippert
Helen Royblat
Liz Scully
Andre Seow
Matthew Smith
Jim Stamper
David Steiner
Sherry Stewart
Tom Svab
Amanda Szabo
Kara Uzelman
Emily Weekes
Gwen Wing
Steve Wood
Geraldine York
Liz Zloklikovits
750 Hornby Street, Vancouver, BC V6Z 2H7
www.vanartgallery.bc.ca
INFORMATION
Gallery Administration
Fax
604 662 4700
604 682 1086
Open daily
10 am - 5:30 pm
(closed Mondays from October until March)
Thursdays
10 am - 9 pm
Info Line
604 662 4719
Gallery Store
Open daily
Thursdays
604 662 4706
10 am - 6 pm
10 am - 9 pm
Gallery Café
Open daily during Gallery hours
604 688 2233
Art Rentals
Monday - Friday
Saturday
604 662 4746
10 am - 4 pm
12 pm - 4 pm
Library & Slide Library
Monday - Friday
604 662 4709
1 pm - 5 pm
Gallery Rentals
604 662 4714
Group Tour Bookings
604 662 4717
Volunteer Office
604 662 4708
Photography: Trevor Mills or Tim Bonham unless
otherwise identified.
Design: Jen Eby
Printing: Hemlock Printers Ltd.
This report is printed on Mohawk Options 100% post
consumer waste recycled paper.
Savings derived from using postconsumer recycled
fiber in lieu of virgin fiber:
15 trees not cut down
676 lbs. solid waste not generated
43.31 lbs. waterborne waste not created
1321.16 lbs. atmospheric emissions eliminated
6371.63 gallons water/wastewater flow saved
8,634,406.60 BTUs energy not consumed
COVER IMAGE:
Roy Arden, Soil Compactor, 1992, archival inkjet print,
S TA F F , C O N T R I B U TO R S A N D I N FO R M AT I O N
60

2004 ANNUAL REPORT - Vancouver Art Gallery

Transcription

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