Forecast - Info
Transcription
Forecast - Info
hp2 1 (The) Design Title Ideas Brainwave Solutions Atrappe (The) Draft (The) Outline Apercu (The) Sketch Creative Process SketchUp Pie in the Sky Mock Up Scribble Marquette Vivid Imagination Blueprint Forecast Flash of Genius (The) Modell Trail (The) Brainchild Prototype Brainstorm Future Plans Moods Paper versus digital – haptical, cost intensive, nonelectronic collectors item versus multi-media, easy to share - easy to forget, unlimited virtual space your choice cost effectiveness work effort fun factor sex appeal overall reach coolness factor acknowledgement durability timewise paper digital Preview Resume Skizze 2 We invited artists to submit material in form of sketches, mod- els, texts, manipulated photos, anything that best describes a yet to be conceived artwork. The only requirement, was that the sketches had to be of a work in progress. The participants‘ submissions are part of this InfoPunkt publication Forecast, that is published in digital form as well as a limited print edition. First Name Family Name Year of Birth Residence First Language Clémence Peggy Hayley Emily Olivia Cosima de La Tour du Pin Pehl Silverman Shinada Erlanger zu Knyphausen 1986 1983 1986 1985 1990 1988 Berlin Leipzig New York Providence New York Berlin / Leipzig French German English English English Spanish 3 4 C l é m e n c e de La Tour du Pin 5 Packing and con·di·tion·ing the idea: the work provided includes images for an online advertising campaign. Research files are currently available as separate elements in the Dropbox, feel free to select the ones that are the most connected. In my Forecast Google Drive, you have access to my online diary, with further material, until August 15. 6 avatar, disfjmx, poorimage, belief, 74 0 2 nrmia, gmnastic, fiction, false, variation, virtual, itjitrjy, lkrjre, skyzo, dimethyltryptamine 0—20 seconds : a scratchiness, tkl2gy, mixed reality, waste, second life, effervescent, mainStream, ghrt, (New Intuitive Time Zone), plants or plantlike forms, antioxidant 750 ml, SPAM, the eight banners, search engine marketing, trick banner, floating ad, synaptic vesicular fraction[52], popups and popunders, frame ad, stimergic behaviour in social movement. timebased image imagelink second hand opinion Show 1 Show 2 Show 3 Show 4 Show 5 B8_c150212_1.gif 7 floating ad Viewers are forced to see the ad. Even if they try to click out of it as quickly as possible there is still a few seconds where they have to look at it. http://cs.sina.com.cn/minisite/2013bluemoon/index.html spam http://themadhouseofcatsandbabies.com/wp-content/uploads/2013/08/spam.jpg NITZ http://www.furtherfield.org/lexicon/nitz stimergic behaviour in social movement http://en.wikipedia.org/wiki/Stigmergy synaptic vesicular fraction http://faculty.washington.edu/chudler/gif/synani1.gif eight banners http://en.wikipedia.org/wiki/Eight_Banners 8 http://info-punkt.eu/forecast/59_banners.pdf 9 P P e e g g h y l 10 ... i am done. i scan this and send it to you. you can comment it then. i can not give comments. don’t do sketches usually. thats why i chose to show it this way – pictures + thoughts (like in mind). also it feels a little girly and not professional, but well i am not from portland... 11 12 13 14 2 For quite some time now I have been working with special modelling clay. It comes in many colors. I use the clay for collages. It is ovenhardening. There is a series of African masks which I extended with this modelling clay. I am very happy with this piece. I would like to enlarge this wallpiece to a room installation. There are a lot of possibilities. I will sketch out one of them here: Short explanation: I thought about rolling out the modelling clay very thin and long with my noodle machine. Afterwards coat or mask the wooden sticks with the clay. The sticks don’t lose their shape in the process. But they lose their surface (appearance). Covered completely, I put them in the oven. Every piece has its own color. The clay is hardening in the oven. Stick and clay merge. Then I will group all of the wooden sticks together to a bonfire. See sketch. It will take 60 hours... maybe more, maybe less... 3 Modelling clay: seen it in blue color, there are many more colors available, all of them very “bright-colored” (here: rolled out: very thin & very long) You can buy them in a chunk of 56 g, approximately this big (small): you constantly go to the shop to buy more! Ingredients are PVC & softener 4 Presently the most important tool of Peggy Pehl... I mostly use the lasagna crank - I am going to need it... maybe more often maybe less 6 Sticks from the wood: I have to collect them, so many that it looks like a real good bonfire 15 16 17 H a y l e y S i l v e r m a n E m i l y S h i n a d a 18 Here is Adam half-printed. This is one of the first photographs we took 2 1/2 years ago when this project began. We have since amassed 67 GB of images. The confluence of our efforts and differences has created a third thing with a vitality of its own – originally inspired by tales of synthetic or magically created lifeforms the project has begun to mirror it's subjects. Its soft guppy like features sparkling through the spinners of the Epson mega-jets. 19 20 21 22 O l i v i a E r l a n g e r 23 june25.txt i dragged my text h of my screen. all x out to fit the widt e corners. i see is white. at th bo ur head in an oven . if you put yo ad in the computer he y m t pu e I'v g today I'm sittin acted. evitability i get distr i'm dialed in but in you die. a rainbow cascade. all i want to see is n't escape myself. over the screen. ca infinitude falling all op in f ww w. ch un kt wr iti hh ng se o f k 1. ill m i tx n .co yb g t ou l m a ck ww t.c h o o w. m les fo go .in am ud fo d a es tas alo ire te. ne .co co wi m m th in yo ter u . lo co ck m 10 an d 0% no Pe RE tf rfe re AL ef ct Si lo Bo tti w ng un wh To da on en uc rie m hi co s y Re . ng m H al pr an wi Am es ds th On se . er m d to i y ca p In E n o y fy he es Gi . rm ou rls rJ . ot hu ea he nd n rs s. re Ki dp m er on ce o. nt re al. ear i heard a first stepped in i sw we en wh ? ue bl or it pink a C or A. but n't remember, was i could say, it was ne we walked into, i do was more familiar with music maybe looked up. Everyo if i multiple times as we on ati br vi long extended note. ry to di au llucinated this whatever it was i ha looking up. same thing? ds that do not p to appreciate the sto ne yo er ev at is not there, soun es th do ht e lif lig e ur iat yo ec in pr n ap Whe stop to life will everyone When else in your exist. ve me five bucks g order? you say gi in ep ke le? of re tu na that the e nature of spectac al. why is that? is at money. Is that th th e ar ve u ha yo er on ng lo ati it was like a carniv ip no line, is it antic at shows you th in t it ke wa tic d a an u yo irs ve sta and ill gi u climb the ocrastinations? y necessary? As yo to, distractions, pr ey are the tickets reall on m y m ve gi all I ever paying for? Is that a darker rectangle. is room there was th In . om ro er rk We went into a da e. ze from the other sid sure I was not I could feel a bree . rk da struggled to make e I th as in e rs bl ge rta an fo m str co at I looked n by not rushing. was too un ing my appreciatio ze this but really I ali ow xu sh d se an to e, try nc d ul sta I co polite di s view, keeping a ed out. blocking someone quickly so we walk y ett pr e er th of t ou t ge to ed nt But I wa ould probably ought to myself i sh th i d an le ng cta re misty le appeared in that nice ghosts of peop stop taking drugs. lo o xt sculptures: Materials for my ne y foam 5 white egg memor ls tai 1 cat o nine llar 1 iridescent dog co ritzer sp th wi n fa i in m 1 10 tic tac's s e on it the front 5 golden finger tip print of a palm tre a s ha at th ht lig a color changing 3 flesh lites 1 cow hide 2 cowboy hats 24 infopu nkt2.t xt theres alumin um foa runnin g m suede foam whip w ith a m etal ha its fun ndle ny wa lking h ere i w as talk wormh ing to o myself portal le tessera ct a wrin k transp le in time arent c olumn baudrillard telemorphosis.txt sleepin g transp next 2 my e arent c olumn lectronics. TELEMORPHOSIS - baudrillard banality and its celebratory status capture us all within self referential spectacles of life and death "parallel worlds of doubled up delirium" "Digital Body -> screen promiscuity onscreen double" question our own relationship 2 deliriums of self referential closed circuit exchanges liberate ourselves from our own fascination with lowest common denominator of existence the banality of existence itself phantasmatic illuslusion of live sex Disappearing- either we demand not to be seen immerse ourselves in the delirious exhibitionism of its nullity. we make ourselves nothing, a loser in order to be seen as nothing, the ultimate protection against the necessity of existing and the obligation of being ones self. succeed in creating out of this extreme disenchantment of life out of this loss of any symbolic space an object of contemplation. of awe struck observation and perverse desire. goudataste.com alonewithyou.com wormhole portal tesseract a wrinkle in time transparent column 25 gy lo h no ug rs ch ro ve th Te se ru Co t er Th .tx ye iv ck ak lE un e re s Fu te B or G II na ts ng ns ing W er en izi Se itt alt nm p m til an iro U rti ns a e r to nv ng ot d E Fi eur rte ry N po nso s an Se s Tr sh ge a s Lu im tip s s er er id 15 ng ov A 0sFi e C ring -1 d or y a ns ate E e Se Pl ar /H m d le ds ea ol C u cr G e ar b d 10 alM r E an e h m H lve A oa f E Si ils er IV um ta ain in ne fN I nt i o m lu o n ite rs Co i rs - A Cat sh L aine ex lo Pl - Fle ont cs co in c a g 26 baudrillard telemorphosis.txt TELEMORPHOSIS baudrillard banality and its celebratory status capture us all within self referential spectacles of life and death “parallel worlds of doubled up delirium” “Digital Body – screen promiscuity onscreen double” question our own relationship 2 deliriums of self referential closed circuit exchanges liberate ourselves from our own fascination with lowest common denominator of existence the banality of existence itself phantasmatic illuslusion of live sex Disappearing – either we demand not to be seen immerse ourselves in the de lirious exhibitionism of its nullity. we make ourselves nothing, a loser in order to be seen as nothing, the ultimate protection against the nec essity of existing and the obligation of being ones self. succeed in creating out of this extreme disenchantment of life out of this loss of any symbolic space an object of contemplation. of awe struck observation and perverse desire. goudataste.com alonewithyou.com wormhole portal tesseract a wrinkle in time transparent column 27 28 C o s i m a z u Knyphausen 29 the German Clinic, there is a beauty salon. Service includes manicure, pedicure and waxing. Around eight women and a rather mature, effeminate malereceptionist work there. My aunt Beti told me I should Meanwhile, the morning show. always ask for Betty there. They once showed an interview She waxed the quickest and best. of actor Diego Muñoz talking about his new soap opera where I went to her once and kept going for years. ( My middle name is he played the role of a woman or rather the one of an uncovered also Beatriz ). Betty was often not waxed under man. He claimed the critics her armpit. I could spot it were “ surprisingly positive ” and that all his friends were very whenever she bent over me to retouch my underarm with a pair tolerant and supportive of his work. And yes, walking with high of tweezers. The short sleeve of her uniform opened right above heels is very difficult and he seized every chance he had to my nose, revealing the interior before my eyes. sit down and rest. Then, cheerful tunes started playing and all the men present in A typical question that upper class the show’ s studio started dancing kids ask themselves is: “ ... and clumsily wearing woman’ s shoes. who cooks and cleans for the clean ing ladies? ” All depiladoras agree on the fact that no one can Saint Expedite Saint Expedite wax her own bikini line. make this go by quickly. In school, we all wore wool pantyhose in the winter. During Inside the Pueblo del Inglés the last spiritual retreat before (“ The English Town ”), a little our religious confirmation shopping Center in the eastern we spent the night in the sister’ s sector of Santiago in front of nunnery. Before we went to Synopsis: They‘ re looking all over for the Saint that did miracles in a beauty salon uptown, where she waxed hairy upper class women. 30 31 sleep, there was a spontaneous contest on who had the hairiest legs underneath the pantyhose. One of the nuns, according to the girl that asked her, assured that despite of the habit she “ most certainly ” also depilates. Not for God or anyone (certainly not for men); for herself. There is a common expression in the Chilean slang: whenever something starts getting difficult, it becomes “ hairy ”. Berni was the most hairless of all and yet the most obsessed with the perfect depilation. Around that time, her oldest sister had a crush on a university classmate she named ‘hairy guy’. “ I love hairy guys ”, she would say, “ the hairier, the better ”. (“ Yes, hairs in the back too! ”) At some point someone dared to ask Alice W., if her chapeta was also redhead. We remembered that anecdote the day she became a nun. Titi would even grow hair on her fingers. If she didn’ t wax her legs but used a razor instead, she would grow thick ‘cannons’ that were black as gunpowder. When my grandmother advised If she shaved in the morning, by the evening you saw the dots. me that my first waxing had to be when the moon was thin, it Sometimes in the summer she was already too late. would let one or two days go by and wore skirts and feminine The Spanish conquered America shoes anyway. C. would then ask and creoles inherited the problem me: “ how does she not notice? ”, of hairs. and then add: “ I would die ”. In our class, the last to depilate was Cata M. Her legs were covered with blonde hairs that shined against the sun. Candy would sometimes forget to remove the hot wax because she would turn around to watch TV and stay like that, watching. My friend Caro García during my last visit: „waxing is fucking medieval. Now everyone is doing laser “. 32 33 Sinopsis: Andan buscando por todas partes a la santa que hizo milagros en un centro de estética, donde trabajaba depilando a las mujeres peludas del barrio alto. Mientras tanto están dando el matinal. Una vez entrevistaron al actor Diego Muñoz por su nueva teleserie, en la cual hacía el papel de una mujer, o más bien el de un hombre encubierto. Declaraba que la crítica era „asombrosamente“ positiva y que contaba con el apoyo de sus amigos, todos muy tolerantes con su trabajo. Y que sí, caminar con tacos sí era muy difícil y que entre cada toma aprovechaba de sentarse y descansar. Luego dieron una música alegre y todos los hombres presentes en el estudio se pusieron a bailar torpemente con zapatos de mujer. es el recepcionista. Mi tía Beti me dijo una vez que vaya siempre con „Betty“, que es la que depila más rápido y mejor. Fui una vez y seguí yendo por años (Mi segundo nombre, por lo demás, es Beatriz.) Muchas veces, Betty no estaba depilada bajo el brazo. Esto yo lo veía cuando se inclinaba sobre mí para examinar mi axila y retocar con una pinza el resultado de su trabajo. La manga corta de su delantal quedaba justo a la altura de mi nariz, permitiéndome perfecta visibilidad hacia el interior. Una de las monjas, según la que le preguntó, afirmaba que a pesar del hábito, ella „desde luego“ también se depilaba. No para Dios ni para nadie más (menos para los hombres); para sí misma. Cuando mi abuela me aconsejó que la primera vez debía depilarme en luna menguante ya era demasiado tarde. Los españoles conquistaron América y le heredaron a los criollos el problema de los pelos. La Berni, la más lampiña de todas, era la Una pregunta típica más obsesionada con que se hacen los niños la depilación perfecde la clase privilegiata. En esa época a da es: „y a las nanas, su hermana mayor le ¿quién les cocina y les encantaba un compalimpia la casa?“ ñero de universidad Todas las depiladoras al que llamaba „el están de acuerdo en peludo“. “Me encantan que nadie se puede los peludos”, decía, depilar a sí misma el “mientras más peludo, rebaje. mejor”. („¡Sí, también en la espalda!“) San Expedito En el colegio, en San Expedito invierno, usábamos el Del curso, la Cata M. haz que pase rapidito. uniforme con pantys fue la última en depide lana. Durante el larse. Tenía las piernas Hay un local dentro último retiro espiricubiertas de pelos del Pueblo del Inglés, tual antes de nuestra rubios que brillaban al frente a la Clínica confirmación alojamos sol. Alemana, en el sector una noche en el mooriente de Santiago. nasterio de las monjas. Existe un modismo Se ofrece servicio de Antes de ir a dormir chileno en el que, podología, manicure hubo un concurso cuando las cosas se y depilación. Alredeespontáneo de quién ponen difíciles, se dor de ocho mujeres tenía bajo las medias ponen „peludas“. trabajan ahí y un señor las piernas más pelumaduro y amanerado das. A la Titi hasta le salían pelos en los dedos de la mano. Si no se depilaba las piernas con cera y usaba la Gillete en vez, le salían unos „cañones“ gruesos y negros como la pólvora. Si se la pasaba en la mañana, en la tarde ya se veían los puntitos. A veces, en el verano, dejaba pasar uno o dos días, pero se ponía igual polleras y zapatitos femeninos. La C. me decía: “¿cómo no cacha?” Y luego decía: “yo me muero”. En algún momento alguien se atrevió a preguntarle a la Alice W. si la “chapeta” también la tenía colorina. Nos acordamos de esa anécdota el día en que se hizo monja. A Candy a veces se le olvida sacar la cera porque se da vuelta a ver la televisión y se queda así, viendo. Mi amiga Caro García durante mi última visita: „la cagó la hueá medieval depilarse con cera. Ahora todo el mundo se depila con láser.“ 34 35 In 2011 Leipzig-based offspace Info-Punkt borrowed its name from a former insurance office that was to be rented to host an exhibition. Although this original plan was never realized the name stuck and various exhibitions have been held since in the living room of an apartment nearby. Run by three artist friends, Info-Punkt recently left this venue and now focuses on art related publications. Imprint Forecast – an Info-Punkt publi cation featuring sketches, concepts and ideas for future artwork by Clémence de La Tour du Pin, Peggy Pehl, Hayley Silverman & Emily Shinada, Olivia Erlanger and Cosima zu Knyphausen Graphic design by Pia Christmann, edited and curated by Hendrik Niefeld, published by Info-Punkt, Leipzig, October 2013 Special thanks to Anne Fellner, Burkhard Beschow, Philippa zu Knyphausen, Judith Lavagna and Helen Paul All materials presented in this publication are licensed under a Creative Commons AttributionNonCommercial- NoDerivs 3.0 Unported (CC BY-NC-ND 3.0) [email protected] www.info-punkt.eu 36 Timeline info-punkt.eu Bird of Paradise 1 Anne Fellner & Burkhard Beschow December 16, 2011 Flat Anthony Antonellis & Ronny Szillo 2 info-punkt.eu/blog May 19, 2012 3 info-punkt.tumblr.com 4 Drywine Anne Fellner & Burkhard Beschow October 26, 2012 One World Paul Barsch, Tilman Hornig & Brad Troemel longlist.info-punkt.eu April 5, 2013 5 Forecast Clémence da La Tour du Pin, Peggy Pehl, Hayley Aviva Silverman & Emily Shinada, Olivia Erlanger, Cosima zu Knyphausen September, 2013 We Outsorced Everything And Now We’ re Bored. hp2 FUTURE 37 38 A print version of this publication is available upon request. Photos by MV 39 40 http://info-punkt.eu 41