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SCENE SCENE WESSEX WESSEX wessexscene.co.uk 11th Ocotber 2002 - ISSUE 757 - PRICELESS DOUBLE OR QUITS vic es to “we ld Un s ive h s rs tu ou ity d of ld e So n ut h t ha s s av mp to oo e nB us n in e es r sS ” er Halls Accomodation Crisis Cat Brown & Jonathan Walsh Over 500 students will be turning up for the start of lectures this term with the matter of where they will be housed still hanging in the balance. It is currently unclear whether the blame for this crisis lies with the Accommodation Office or in a fault with the Admissions process, but the fact that there are considerably more students arriving than rooms to put them in proves that there has been a serious breakdown in communication somewhere along the line. Of the 500+ students involved in the fiasco, around 300 have been housed in shared rooms in South Stoneham Tower, and a further 170 have been similarly accommodated in Traditional Halls and in Clarkson House. Another group are, at time of writing, being put up at Chilworth Manor and in Bed & Breakfast accommodation around Southampton. As bad as being displaced as across the city may seem, there Johnathan Walsh www.wessexscene.co.uk PAGE 2 Wessexscene.co.uk SCENE WESSEX FRESHERS WEEK IN PICTURES If you’re in a picture, contact the Wessex Scene to claim a prize! Photography by Simon Blazquez, Tim Thornton & Peter Wood SCENE WESSEX Scrub my back? Halls bathrooms are now pushed to double capacity Accomodation crisis cont........ are students in still worse situations: up to 60 students whose study is based in Southampton have been housed at Erasmus Park Halls in Winchester - 12 miles away. The University initially promised that a shuttle bus service would be provided between the two cities, but as this proved unsuccessful it has now been promised that the students affected will receive a one-month Blue Line bus pass to use for commuting to their place of study. Business Services is the Department within the University responsible for the Accommodation Office, as well as for Catering Services, which bring you Garden Court and the Piazza. Business Services’ plan was to keep South Stoneham Tower and Traditional Halls empty this year, as both are run down and desperately in need of renovation. Several of the rooms are still being rewired, and have obviously not been cleaned since last term. Another problem to consider is the shared facilities: instead of the twelve students normally sharing two showers on a floor in South Stoneham Tower, the number is now twenty-four. How can twelve students be expected to share one shower and still make it to lectures on time? When a student housed in Traditional Halls was asked to comment, she joked: “It’s bad enough sharing a room, but don’t even mention the washing facilities”. But unfortunately, this is no laughing matter. One student, arriving for the first year of a nursing course, received no accommodation information whatsoever prior to her arrival in Southampton. She turned The Wessex Scene was brought to you by; Editor in Chief: Kate Messer News Editor: Nigel Massen News Asst.: Ellie Harrison-Read Features: Adam Charlton Clubs & Socs: Sarah Bennett Sport: Laura King Edge: Tim Houghton Edge Asst.: Rich Heap PAGE 3 Wessexscene.co.uk up on Monday, the registration day for her course, with a car full of belongings expecting a ‘single study bedroom’ as stated in the University prospectus. Unfortunately for her, the single study bedroom allocated to her that she has paid for has been modified to sleep two people. This has been achieved by removing the desk in order to fit in a second bed; “We tried rearranging the furniture, but soon discovered that it’s physically impossible to fit a desk in here with both beds”. So the room is no longer a single, and neither of the inhabitants will be able to study. The situation is made worse by the fact that the students’ room-mate is a medic who will also be working shifts, “This is ok as a temporary measure, but as we both do shifts, it’s only going to get worse.” It is unclear exactly when the decision to make students share rooms in these Halls was taken, but it is apparent that it was a long time before any of the affected students were notified. In a letter of complaint received from one parent: “... I imagine the shock of receiving a phone call at 2pm yesterday [Saturday 28th October], exactly 20 hours before we expected to arrive at the University to say that our daughter had been allocated a shared room in New College campus from next Friday [4th October]?” When asked to comment on this, David Berry (Deputy Director of Business Services) said: “we should have told students sooner, perhaps as soon as we started to order the extra beds”. At the suggestion of issuing compensation to the students that have Contact Us At: [email protected] Advertising Vicky McManus [email protected] been affected by this fiasco, Business services admit: “We’re not going to give out compensation, it’ll only put Hall fees up next year”. Surely the University should be paying for its own mistakes, and not passing the burden on to students who have not even applied to come here yet. By Monday 7th, it was known how many students would not be turning up for the start of the semester, and therefore how many empty rooms there will be. The order of priority in which students will be moved into these rooms is: 1) Students currently housed in Chilworth Manor - a luxurious hotel -presumably because this is costing Business Services a great deal of money. As David Berry put it: “The first thing we need to do is get people a place in Halls. The second thing is to get them a single place in Halls”. 2) Students in shared accommodation, starting with those needing to be moved for medical/welfare reasons, then those in South Stoneham Tower and Traditional Halls. Those in Clarkson House will be left until last, as “the facilities are better there”. 3) Students in Winchester and in lodgings (mainly insurance choice students). The exact cause of the dramatic rise in student numbers is unknown, but it seems likely that the Government’s removal of the cap on numbers of students that Faculties are allowed to admit may be at the root of the problem. With over 500 students being admitted to the University through clearing this year - the average being 100 in previous years - it is perhaps unfair to place sole blame on the Accommodation Office for the current situation. With the Government planning to increase university participation to 50% of the population, the situation is only likely to deteriorate in the coming years. The Students’ Union has been chasing Business Services and the Admissions Office for answers but we, like the students involved, were only informed of the problem in the days leading up to Freshers’ Week. As soon as the immediate accommodation crisis has been resolved we will be making all efforts to investigate the reasons behind what has happened to prevent the same thing happening in future years. The Student’s Union would like to extend its gratitude to the JCRs and the Halls staff for working as hard as they have in the circumstances. The views expressed are those of the authors and not necessarily those of Southampton University Students Union (SUSU) PAGE 4 SCENE WESSEX Wessexscene.co.uk Freshers’ Faces Ellie Harrison-Read Name: Javier Clemente Name: Lydia Palmer Name: Eleni Pappa Name: Catherine Loh Age: 23 Age: 18 Age: 25 Age: 18 From: Spain From: Bromley From:Athens, Greece From: Malaysia Course: Acoustics at ISVR (Institute of Sound and Vision Research) Course: Occupational Therapy Course: Post-graduate information systems Course: Maths with Actuarial Science Qu: Halls - communal paradise or communal purgatory? Qu: What is the most desirable item on sale in the Union shop and why? Qu: Which chat-up line have you heard the most since coming to the University? Ans: I was offered an ERASMUS studentship and I’d heard that ISVR is the best place in Europe for studying acoustics in Europe. So as you can imagine, I jumped at the chance. Ans: Paradise, definitely. Mine is really nice and I’m getting on well with everyone. No one’s stolen any of my food - yet. Ans: I’d have to say muffins - the big, double chocolate ones. Name: Kiwi Fu Name: Craig Bryant Name: Sebastien Daruty Age: 18 Age: 18 Age: 20 From: China From: Portsmouth From: Mauritius Qu: Why did you choose Southampton? Course: Management Qu: Which event are you most looking forward to in Fresher’s week? Ans: I’ve heard that there is a huge fair on the 4th of October with loads of freebies. I’m really looking forward to the pizza - its my favourite food, I love it! Ans: Well, it wasn’t directed at me, but I heard a guy asking a girl if she had a ladder in her tights or was it a stairway to heaven. I thought that was classic considering she was wearing trousers. Name: Charu Sharma Age: 20 Course: Maths and Finance Qu: How do you rate the Southampton totty? Ans: I’ve just got here but I’m sure it’s all good. Nicer than what I saw on the train on the way up anyway. From: India Qu: Which stereotype about Freshers do you plan to either live up to or disprove? Ans: Well, I’m certainly planning on getting very drunk at some point. I’m also doing the ‘friendly fresher’ thing, so hopefully I’ll have some good mates to carry me home if I get paralytic. Ans: The degree, without a doubt. I can party all I want in India, but my resources have been put into this degree and that’s what I’m here for. With the effort I’m putting in, I expect first class! Name: Annie Baskaville Age: 19 From: Lee-on-Sea Course: Medicine Qu: Are you prepared to let the rest of the student population know if you’ve pulled any of your flat-mates? Ans: Oh go on then, but I’ve been terrible. I’m the only girl out of a group of six and I’ve already had four of them! The fifth one is - how shall I put it - a bit of a geek. I think I’ll manage to restrain myself. Course: MA English Qu: In a choice between a first class degree and a first class social life, which one comes out on top? Do you hail from afar? Got a pic of yourself and a brief bio? Send it in, go on, you’ll be famous! SCENE WESSEX PAGE 5 Wessexscene.co.uk GIRLFRIEND FROM HELL Beryl’s photo casebook no. 2 Through the frosted pint glass Your essential guide to the stars Holly Boulton & Laura McKinnon Taurus They may be playing ‘Like a Virgin’ on the dance floor but that’s certainly not how you’re feeling this month. Remember - if you can’t be good, be careful, you horny thang. Sagittarius You are at a crossroads my friend. Make sure to look both ways and remember - it’s always best to take the road with the most pubs on it. Pisces You may be feeling like a fish out of water but keep swimming. You’ll find your depth (we recommend pint size depths for starters). Aries To all the Aries freshers out there - STOP walking around campus in groups of 20+. It’s not cool. It’s not hard. Pack it in. Capricorn Lets go for the mature approach this month Capricorns and try to remember their names on the night before that awkward next morning encounter. Libra Take your parents advice and keep a balanced diet. Make sure to balance that pint to shot ratio out correctly. Got a problem? Dear Beryl, Dear Simon, I’ve been going out with my girlfriend since our first year in halls and we’ve always got on really well. Recently she’s started to behave a little eratically - she shouts out in public places, often using really offensive swearwords and blashphemy. I’m too scared to take her anywhere, I definitely can’t introduce her to my parents. What can I do Beryl? How can I make her behave more... appropriately. It’s only a matter of time before she’s arrested or gets in a fight, this has gone too far. I can’t take any more profanity from the girl I love - she’s turning into a nutter. Cor blimey guvnor, swears like a trooper does she? Got a mouth like a sewer load of shh, err, rudeness? Filthy cow! I never like to make a diagnosis from one letter and a few pictures but it looks like your sweetheart is suffering from Tourette’s Syndrome, it’s a combined vocal and multiple motor tic disorder - obvious really. Anyway, take her along to a friendly psychologist or seek the advice of her GP. Alternatively dump her in favour of someone with better manners, a faster car, more cash, bigger tits and better legs. Go look for a girl with the voice of an angel, Charlotte Church maybe. Did I mention I’m single... Beryl Simon Something you’d rather no one knew about? An embarrassing secret? A dirty disease? A crush on a family member? Or maybe you just need some relationship advice from a friendly voice. E-mail Beryl, Southampton’s very own student agony aunt. The Worlds Number 1 Mature Student Agony Aunt e-mail: [email protected] Cancer To all the smokers: you might be away from home, your parents might not know that you smoke but try to contain that smoking habit else your star sign’s name might get the better of you... Gemini Earth is full. Go home. Leo You know what you should be doing; working budgeting etc. SHOVE IT. You’re a Leo go party. Aquarius If that minger at the end of the corridor starts to look vaguely human, STOP - Step away from the alcohol. Virgo Your creative side may be buzzing but be careful; there’s a fine line between ‘alternative’ and ‘fancy dress’. Scorpio Have no fear. Unless you’re ginger (in which case, get yourself down to Boots and acquaint yourself with Wella Chestnut Brown). PAGE 6 Wessexscene.co.uk CRIME CAPERS IN AND AROUND THE PORTSWOOD GHETTO Nigel Massen BURGLARY The last two weeks have seen an alarming wave of crime in Portswood suggesting that local burglars are tuned-in to the academic calendar. On the evening of Monday 30th a student house in Alma Road was broken into via the front door. Unfortunately not one of the seven 2nd year boys from the house was in to scare the thieves away and they made off with a haul including a laptop, DVD player, minidisc player, clothes and a watch. Police took details and offered advice on crime prevention. They were lucky it seems, further down Alma Road on the following evening Samantha was home alone. Thankfully she had bumped into one of her recently burgled neighbours and was on her guard. At 01:30 she heard someone on the front path of her house and looked out of the window to see a man in his 20’s with a screwdriver. She shouted, “can I help you”. He offered a lame excuse asking for directions and then moved off. Whilst he was still to be seen loitering up the road Samantha called the police, explained that she was alone, got her crime reference number and waited for some assisstance - none came; the police never turned up. SUSU OVER PRESIDENT DONE Cowardly thieves have struck at the heart of the Students’ Union, relieving the President, Tim Rowlandson, of his laptop computer. A broken window is the only evidence of what possibly could be an inside job; either that or a very lucky tealeaf was just passing by. Anyone know whodunit? Answers on a postcard to the Wessex Scene. CLOWNING AROUND The following day our brave heroine had the good fortune to spot an officer of the law in Alma Road, she recounted the events of the previous night. Even though he was the beat officer for the area he was oblivious to both the attempted burglary and the previous night’s successful break-in. His response suggested there was little the police could do and that student’s houses always get burgled in freshers’ week. The popular student drinking den Clowns was the victim of a break-in last week. Rumour has it that a video and some booze were stolen, however, the manager of Clowns refused to discuss the matter with our reporter even after she waited for half an hour to see him! I hope he doesn’t think we done it. A more likely source of hostility is due to the Union withdrawing Athletic Union nights from said drinking establishment. STUDENTS TERRORISED Accomodation problems were soon forgotten by freshers’ celebrating their first Friday night in Southampton at Stoneham Bar. Three baseball bat weilding locals smashed windows and shouted abuse as students looked on in terror. Sadly this is all we have come to expect from the more pikey contingent of the Flowers Estate, an area which increasingly resembles a warzone, largely ignored by the police and closed off to all but armed militia. NO MOOT POINT Ellie Harrison-Read If you don’t know your statutes from your soap operas and you think the Judiciary is a type of soft drink, then it may be that mooting is an activity that you’re not overly familiar with. But thanks to two very gifted students from Southampton’s faculty of law this could all change, as the art of mooting looks set to do for the University what curling did for the Olympic team. For the sake of those who require further explanation as to what it means ‘to moot’- and lets hope there are no law students among you - the term refers to the staging of a hypothetical legal case for the sake of developing skills key to the court room. Jodie Mittell and Ellie Fargin, both studying second year law, used the public speaking skills garnered from internal mooting contests held annually at the University to take on competitors at a national level. The event, fronted by The English Speaking Union, is a knock-out competition of four rounds taking place over seven months, in which Universities from across the country battle it out for the title of mooting champions. The final took place at the Royal Courts of Justice in The Strand, in front of a packed public gallery and an impressive bench that included Lord Steyn and Nicholas Roberts QC. Despite daunting conditions and an inarguably well-fought attack from Sheffield, the Southampton duo stormed to victo- ry, winning the moot with a performance worthy of national acclaim. As well as the prestigious title of champions, Jodie and Ellie were also awarded the coveted sterling silver Observer Mace as well as £1000 each of prize money and a further £1000 to the University’s Law faculty. Southampton will retain the mace, and the honour, until next years’ finals where they will also be given the role of competition adjudicators. The triumph is a huge achievement for the girls and the department of law, proving as it does that out of the sixty-four universities taking part, none could out-moot the Southampton team. The girls have claimed to be ‘ecstatic’ with the win, which has proved them to be less of a law unto themselves as in a league of their own when it comes to arguing their case. SCENE WESSEX WESSEX SCENE ROMPS HOME Ellie Harrison-Read It could be said that it’s about time the Wessex Scene won something. And it looks as though the time may be upon us for the efforts of last year’s Editor in Chief, the delectable Pete Wood, and Joel ‘The Webmaster’ Stobart, to be duly awarded. The Student’s Union has received the exiting news that Wessex Scene online has been nominated for the prestigious Guardian Student Media Awards and NUS/ Independent Student media awards in the media website categories. Vindication of the site’s success comes in the number of hits that it has received in its first year - a cool 2 million is the latest figure. A-BROAD EDUCATION Stephan Malessa Wednesday saw the University awash with Freshers like every other day at the start of term, but these new students were contending with more than just a new city and some unfamiliar faces. The middle of Freshers’ week was designated International Students Welcome Day, meaning that the Highfield Campus played host to students from all over the world as they took part in a programme of events designed to introduce them to both Southampton and to Britain in general. The Vice-Chancellor of the University, Bill Wakeham, gave an emphatic welcoming speech to a packed lecture theatre, introducing the unsuspecting students to what might be termed as the eccentric British sense of humour “Especially for the overseas students this might be a bizarre culture. Experience the British education!” They got further introduction from Clare Best - International students’ advisor, and from the Students’ Union President, Tim Rowlandson. “You get out of the University what you put into it”, was his wisely offered advice. But before the international students were able to get something out of the University, they needed to be shown around it, which they were thanks to the help of guides from the Students’ Union. Students were happy to share their opinions on how the event went, “It’s a nice day and a good idea for introducing us. But much of the information they provided I already knew”, said Martin Chocron an MBA from Argentina. Emanuele Braco from Italy had his own view on the day: “This is a good chance to get to know people. And that is the aim of this day, isn’t it?” The students had their pockets stuffed with information and advertisements for freshers’ week, the freshers’ fayre and much more, as well as their heads loaded with information about accommodation, opportunities for working, health issues and learning, provided by the staff of the University and the Students Union. Besides that, they got to learn more of the famous names, cities, and facts and figures about Britain as they took part in a tea quiz in the marquee. “It’s good to communicate with people from all over the world”, said Zhou Xin, an economy student from China, whilst his friend Shen Qings added: “It is all easier then I thought it would be.” Thilo Koch and Jost Grünwald, both engineering students from Germany, were impressed by the care that staff from the University had put into the day: “They take you by the hand here. At my home university they are not so friendly, polite and relaxed.” My opinion of the day matches their sentiment. I would like to thank the Student’s Union and members of the University staff for conducting a truly successful welcome for the international students. My only criticism is that I would like to see more integration between the British and International contingents of the University. As Bill Wakeham said, they are here to learn something about the British culture, and perfecting a true blend of cultures would create the perfect opportunity for this. Letters to the Editor, A Right to reply Dear Editor, A big pat on the back for running such a detailed and witty lead story on the Union Refurbishment (“FAN-TASTIC”) - without a doubt the biggest change to the Union in a long time... .......I’m looking forward to enjoying my retirement, slumped in a chair in the “pipe-smoking atmos- phere” of ‘The Bridge’...albeit with a cigar! Stephen Edwards Union President 2001-2002 Letters may be edited for clarity and to address the pressing needs of limited space. To read Stephen’s letter in full, and other stories, log on to: www.wessexscene.co.uk SCENE WESSEX PAGE 7 Wessexscene.co.uk Autumnal Treats at The Mayflower! English National Ballet will be returning to The Mayflower in the Autumn with a stunning Triple Bill (12 & 13 November) and a brand new production of The Nutcracker (14 - 16 November). With only two performances the Triple Bill (12 & 13 November) and five performances of The Nutcracker (14 - 16 November) seats are likely to go quickly. Wessex Scene can offer lucky readers the chance to get their hands on two pairs of tickets simply by answering the following question.. Which famous composer wrote The Nutcracker? Box office details: The Mayflower, Commercial Road, Southampton, SO15 1GE Ticket enquiries: 023 8071 1811 [email protected] or www.themayflower.com Action packed and bursting with adventure The Scorpion King promises to take you on a voyage full of conflict, vengeance and destiny. Set over 5000 thousand years ago in 5 Cases of Kingfisher Larger Up for Grabs On Tuesday 22nd October 2002 the Kingfisher Curry Bus will pull up in Southampton as part of the fun filled action packed week, which aims to promote Indian Cuisine and to raise money for the international charity, Action Against Hunger. The public will see the red, distinctly branded double-decker Kingfisher Curry Bus touring the city during the day before stopping at P.O.S.H. (Port Out Starboard Home), 1 Queensway, Southampton ñ an Indian Colonial style Restaurant. The proprietor and his staff will be pulling out all the stops to prepare sumptuous specialities for customers that evening and for the remainder of the week. Be sure that you come and join in the fun and enjoy a truly ethnic meal at P.O.S.H on Tuesday 22nd October 2002. Plus a hamper of Kingfisher and other prizes are up for grabs. But remember to book well in advance! For further information log onto www.kingfisherworldcurryweek.co m. To win 1 of the 5 cases of Kingfisher Lager you must be over 18 and need to answer the following question: What date will the Kingfisher Curry Bus arrive in Southampton? ancient times the epic tale of The Scorpion King sees The Rock star as the assassin Mathayus who dares to challenge the wicked Memnon, Steven Brand (Casualty). Enjoy the thrilling combination of an exhilarating plot, daring action sequences and an adventure to rival all others. It is this which makes The Scorpion What deadly sport is The Rock better known for? LA LUPA Southampton’s Best Restaurant † • Great Atmosphere • Superb à la carte • Pizza • Pasta • Theme Nights • Fully Air Conditioned Every Thursday – LIVE MUSIC Every Friday – Our Resident MAGICIAN Students favourite Meet, Greet and Eat venue in Southampton La Lupa boasts the only open Pizza Oven in Southampton providing succulent pizzas cooked in the traditional Italian style A N Y PA S TA o r PIZZA only £ 5 * *with Email all competition answers to [email protected] King such a hit, and Wessex Scene just happen to have a copy to give away! To win, simply answer the following question... valid NUS Card BOOK NOW ON 023 8033 1849 123-124 HIGH STREET SOUTHAMPTON SO14 2AA FAX: 023 8022 3400 www.lalupa.co.uk † As voted by Daily Echo readers Night & Day Awards PAGE 8 Wessexscene.co.uk SCENE WESSEX S Legalise? WX Forward your responses to WSX@wesThe central theme for this issue revolves around the topic of drugs. Included are various articles, not all negative towards drug use in their content, which hopefully will raise awareness of this important issue. Devil’s Advocate asks whether drugs should be used recreationally Andy Farmer looks at the effects of drug-taking. Driving Ambition is not included this issue, but rest assured, it will return in the near future. Other articles featured look at the increasing problems of drug-rape and preventative methods that can be taken, as well as a special report on studying for a degree whilst coping with a disability. Remember to contact me if you want to be part of the WsX team. Enjoy the articles. Adam Charlton. Ian Joyner Britain has some of the strictest drug laws in Europe, yet suffers with one of the highest drug addiction rates, so it appears the current laws are falling short of reducing the drugs problem. Leaders: Should heroin be legalised in this country? Drug Rape: Catherine Jones looks at the fastest growing crime against women and the difficulties convicting those responsible. Regulars: Devil’s Advocate: Should illegal drugs be used recreationally? Special Report: Home Secretary David Blunkett recently downgraded cannabis possession to a non-arrestable offence, giving weight to the arguments of some of the more radical backbenchers that all drugs should be legalised. The idea that heroin could be legalised is not simply based on the principle that people should be able to do what they want to their own bodies, a principle that is used by many who advocate freedom to use drugs recreationally. Prohibition forces heroin users to seek their fix from black market sources, often supplying impure and unsafe forms of the drug. Users invariably turn to crime to fund their habit and pay black market prices for the drug. If heroin were prescribed legally to users under a policed and inspected system, many believe that drug-linked crime would be reduced, and the dealers forced off the streets with no demand for their illegal supplies of the drug. The issue of legalising any drug is made all the more difficult by the sheer number of different types of drug in use today. Schemes such as the licensing of heroin could not necessarily be applied to other, more recreational, drugs as users have different motivations for using and different levels of addiction. However, even to consider part-legalisation as a possibility, along with the realisation that prohibition has not worked, is a step in the right direction to make the use of drugs safer and reduce the amount of crime linked to drugs. At a recent conference organised by the North Wales Drug and Alcohol forum, a senior police chief was outspoken in his belief that heroin should be sold under licence in attempt to reduce drug-linked crime. Epilepsy: Dealing with disabilities whist at university. DRUG RAPE Catherine Jones ‘ROHYPNOL’- a name that is becoming all too well known, and for all the wrong reasons. Its use has been widely documented because of its links with attacks known as ‘drug rape.’ Rohypnol (or Roofies) is a tranquilliser which causes sedation, muscle relaxation, the slowing of responses and amnesia. Used as a ‘date rape drug’ it is frighteningly effective. Sedation kicks in approximately 30 minutes after it is taken and lasts several hours. The victim is rendered powerless against attack, and its amnesia producing effect leaves the victim confused as to what has happened. It is due to the victim’s lack of memory that it is estimated only 1015% of attacks are reported to the police. Despite such a small number of attacks being reported, chari- ties set up to help victims ‘The Drug Rape Trust’ and ‘The Roofie Foundation’ take thousands of calls every year. Although Rohypnol is perhaps the most well known rape drug, there are many other drugs circulating the pubbing and clubbing scene. The most common is scarily the most easy to get hold of, and often willingly consumed - alcohol. The most commonly used chemical is GHB (Gamma Hydroxy Butyrate). This is a colourless, odourless liquid, and is undetectable. Like Rohypnol, GHB will immobilise victims and leave them helpless long enough for an attack to take place. Drug rape is the fastest growing crime against women, with twice as many calls to The Drug Rape Trust University Campus, the use of rape drugs is increasingly common. PREVENTION IS BETTER THAN CURE This may be advice you’ve heard dozens of times before. But, reading it once more might just stop you or one of your friends becoming a victim. - Never, ever accept drinks from a stranger. You have no way of telling what is in there. in 2001 than 2000. Unfortunately very few cases lead to conviction. In places with a large number of pubs and clubs, or a large - Don’t leave your drinks unattended, even to go for a quick dance. - Watch out for your friends, and avoid going to pubs or clubs alone. - Remember that drugs can be slipped into soft drinks and tea or coffee as well as alcohol. - Think very carefully about who you leave a night out with - are you sure that you can trust them? - If you think that you have been drugged tell someone in authority immediately. - Don’t trust a stranger acting like a good Samaritan - you don’t know what their motives may be. Phone your parents or a partner and ask them to come and get you. Contact Details: The Drug Rape Trust Tel: 01702 317695 www.drugrapetrust.org The Roofie Foundation Tel: 0800 7832980 www.roofie.org.uk SCENE WESSEX Wessexscene.co.uk The Kids Are Alright... Until Now 11th October 2002 TA G IN K ES IN RT BE LI photo - Rich Heap The Libertines... Hell Is For Heroes... Max Tundra... Hem... Barry White 11th October 2002 GIG LISTINGS Tues 15th Oct - The Beatings (& Kinesis) @ Joiners Fri 18th Oct - Beth Orton @ Guildhall Bore yourself into a coma at great expense. Sat 19th Oct - Martin Grech @ Joiners Sun 20th Oct - Goldrush @ Joiners Mon 21st Oct - Hoggboy @ Joiners Tues 22nd Oct - Shed Seven @ Jumpin Jaks Shed Seven? In a converted barn? Ha ha ha. Weds 23rd Oct - Whigfield @ Jumpin Jaks Listen to Saturday Night again. It's staggeringly sh*t. Thurs 24th Oct - Supergrass @ Guildhall Fri 25th Oct - Ian Van Dahl @ Ikon Ian Van Dahl? Ikon? Ha ha ha. Mon 28th Oct - British Sea Power @ Joiners Weds 30th Oct - Hundred Reasons @ Guildhall Thurs 31st Oct - Queens Of The Stone Age @ Guildhall The MOST EXCITING thing happening in Southampton this year. Sat 2nd Nov - Kids Near Water @ Joiners THE EDGE TEAM Editor: Tim Houghton Assistant Editor: Rich Heap Film: Nina Dubravec With: Alex Mattinson, Rob Barbour, Katherine Butler, The Edge S.U.S.U Highfield Southampton S017 1BJ tel: 023 805955230 fax: 023 80595252 e-mail: [email protected] PA G E 2 Welcome to... THE NEWS... The EDGE with EDGE 3am Girl, Rich Heap TOP 20 MASSIVE ATTACK have added to the campaign against the potential war on Iraq by joining September 28th's march through London. "We have to do everything we can to stop this going ahead," said 3-D in an attempt to stop George W. Bush from bombing the crap out of Saddam Hussein. Bald electronic ad music-monger MOBY is also said to be 'uncomfortable' with the prospect of war, suggesting that it may only be so that the U.S. can get their hands on Middle Eastern oil reserves. What an incredibly cynical man. After all, we all know that America would never do something liked that. Don't we? GAY RIGHTS CAMPAIGNERS from the group Outrage!, staged a small protest outside the MOBO awards ceremony against the presence of CAPELTON, TOK and ELEPHANT MAN who have gained notoriety for lyrics which advocate the shooting and burning of homosexuals. "We should stand together united against all forms of discrimination," say Outrage leader Peter Tatchell. Inside, meanwhile, MS. DYNAMITE followed up her Mercury win with three awards (UK Act Of The Year, Best Single and Best Newcomer), while Alicia Keys and Ashanti also picked up prizes. Two posthumous awards were given to Aaliyah (Best Video) and Lisa 'Left-Eye' Lopes (Outstanding Achievement). MISSY ELLIOTT and ALICIA KEYS are playing concerts in Seattle and Cape Town to mark World AIDS Day. On November 7th Missy will play (with Dave Stewart and others) at the Seattle Experience Music Project, and then Alicia Keys will play at the Cape Town Greenpoint Stadium on November 23rd. Both will be shown on MTV on World AIDS Day (December 1st). COURTNEY LOVE has reached an agreement with Universal, which leaves the way open for a Nirvana greatest hits album. Now I don't want to go into the boring legal details but what with this and the recent release of KURT COBAIN's journals, it all seems like an attempt to exploit the moderately sick cultish following which has grown up over the last 8 years. Presumably any diehard fans will have the albums, but it's still released on October 28h. BARRY WHITE has undergone kidney dialysis, with high blood pressure being blamed for his decline in kidney function. According to Island Def Jam, "Once stabilised, he will be a candidate for a kidney transplant." The 58 year old mountainous lurve beast has sold over 100 million albums during a career which spans 30 years. He has been admitted to hospital with hypertension twice before (in '95 and '98), presumably from the excitement of listening to his luxurious chocolate-coated aural pornography. IDLEWILD have confirmed that bassist Bob Fairfoull is out of the band, though luckily there are no signs that they’ll be splitting up. ALIEN ANT FARM have had a bus crash and are, apparently, struggling to play guitar... no change there then. Other good news is that PHIL COLLINS has quit touring forever and that HEAR'SAY have 'had enough' after two years. According to Shrek they were "travelling three hours to a roadshow only to get booed” which is, by all accounts, unsurprising. Oh, and professional tosser ROBBIE WILLIAMS has signed a deal worth £80 million, the biggest in UK history, quite a coup considering his last three albums have been self-indulgent ego masturbatory rubbish. Famous Peoples Name Anagrams 1. Stolen Caravans (Vanessa Carlton) 2. Neon Islamabad (Osama Bin Laden) 3. Thick Mob Avarice (Victoria Beckham) 4. Lager While Ill (Geri Halliwell) 5. Midas Sunshade (Saddam Hussein) 6. Brutal NYC Knob (Tony Blackburn) 7. Guerrilla (Uri Gellar) 8. Geriatric Anus Hail (Christina Aguilera) 9. Iraq Geniuses Lie (Enrique Iglesias) the edge wants you! 10. Koreans Govern Sins Free CDs! Free entry to gigs! Meeting the stars! (Avril Lavigne) Working for The EDGE may sound like an unattainable and glamorous lifestyle, but it’s not (unattainable, that is...). If you’ve got opinions on music or films and want to write, or want to go along to gigs and take photos, then you’re exactly who we’re looking for. Whether you’ve just arrived or wrote for us last year, e-mail us on... [email protected] ...and we’ll chuck some CDs your way. But if that’s not enough then it will also (1) make you more attractive to the opposite sex and (2) look great on your CV (Sven Goran-Eriksson) 11. Imagined Union (Dannii Minogue) 12. Vaginal Liver 13. Pakistan Melon Mortar (Tara Palmer-Tomkinson) 14. Alchemic Gore (Michael Greco) 15. Chloric Signal (Craig Nicholls) 16. Back In Tour (Kurt Cobain) 17. Screwy Diehard (Richey Edwards) 18. Harlem Halts Arms (Marshall Mathers) 19. Presbyterians (Britney Spears) 20. Grim Chanter (Martin Grech) 11th October 2002 albums JJ72 I To Sky (Lakota) THE DATSUNS The Datsuns (V2 Music) The Lord works in mysterious ways and, on this record, it becomes perfectly obvious why He degined not to deliver a pair of testicles to Mark Greaney’s parents’ Irish home as his shrill hamster-like helium-induced vocals juxtapose perfectly with darker musical backing. It is a combination that captures those rare atmospherics that most indie bands, including Coldplay, have failed to render. The fact is that, even without Greaney’s idiosyncratic vocals, this would still be a good album, yet he makes it a prospect different from anything else. On Serpent Sky and the single Formulae everything fits together in Muse-like contrast (except without the 12 minute classical piano solos), whilst on the other hand Sinking is the perfect example of a moody slow burner, while Seventh Wave builds up slowly to its uncontrollable conclusion.This is a great album with an all-consuming majesty that should, partially at least, restore some faith in Irish music after Ronan and co. Bring your daughter to the slaughter because the offspring of AC/DC are marching over the horizon with air guitars and comedy wigs because, ladies and gentlemen, hair metal is back in the form of The Datsuns, an album so unashamedly retro it hurts. It’s not new and it’s not clever but it rocks, as the second track would suggest, like an MF From Hell. On viagra. In the back of a pimp’s suspension-less car. This is big, dumb Kiwi stadium rock, with all the extended stadium-sized electric guitar riffs you could possibly hope for as part of this shallow, hedonistic experience, and though it won’t be pushing back boundaries, it couldn’t do what it does much better. In Love (with backing vocals from The Von Bondies’ girls) is the obvious choice for the single, and Freeze Sucker and Sittin’ Pretty are both comedy mock rock at their finest. Dude, you’ll not find a better reason to get speakers that go up to 11. 9/10 RH LITTLE HELL Demonic Advisory Centre (Double Dragon Music) “Don’t touch the monkeys, they got diseases .. “ starts Hemotoxic. What? How good is this album? It’s a few blokes and a girl, but it doesn’t sound like The Bellrays or No Doubt, and played in a smoky bedroom after a heavy night it sounds cool as f*ck. Little Hell are a garagerockesque kick up the arse, with the most uplifting use of “It’s getting worse” as a hook that I’ve ever heard.The lyrics are mildly insane ( “I will sock it to you – destruction of tissue”) and this album gets steadily better on each listen. It’s exciting and spunky and, ooh, it makes me all happy inside! This debut brims with genuine passion and rock ‘n’ roll energy, and the most infectious hooks this side of the leper’s fishing club. On Music Masochists, Little Hell sing that they are “sick of music, of corporate sounds, of all the boy bands and girl groups .. I hate this business, so full of sh**e”. They’re doing this cos they care, maan. Listen to them. and to do that you’re going to have to go and buy the album, so do it. 9/10 RB BUY THIS. Or Else! THE BOGGS We Are The Boggs We Are (Rykodisc) July of this year saw the death of author, historian and musicologist Alan Lomax. During his lifetime Lomax recorded such massively influential and important figures as Leadbelly,Woody Guthrie, Son House and Blind Willie McTell. It is in no small part due to Lomax that American folk music enjoys the renaissance that it is doing today. The Boggs are part of that tradition, and with the release of this, their debut album recorded and mixed in just two days, they haul the blues kicking and screaming back in front of yet another new generation. Singer and guitarist Jason Friedman penned all the tracks himself, including the rollicking opener, ‘Whiskey and Rye’, a classic ode to the hardship of agricultural life in the deep south (despite The Boggs originating from New York City). The tempo slows slightly for the next track two tracks ‘How Long’, and ‘On the North Wood Ground’ which deal with familiar blues themes such as encounters with the devil and digging the grave of a dead girlfriend.The combination of upbeat versus sets the pattern for the remaining tracks. One of the most impressive things about the record is the recording technique, which manages to perfectly capture the feel of those early blues records recorded by Lomax and his contemporaries - The Boggs have taken the brave but logical step of recording the entire album in mono. The 20 track album is punctuated throughout by occasional untitled instrumentals which show off the vintage guitar picking of Friedman, or, as in the case of track 11, the accordian playing of fellow Bogg, Ezekial Healy.The highlights come, however, when banjo, traps, harmonica, washboard guitar and gravelly vocals combine to stunning effect on ‘Poor Audrey James’, and when on the final song, ‘Pauline, Pauline’, Friedman closes out the album with a pining ode to a distant lover.The stark combination of guitar and vocals makes for a truly chilling finish. the combination of Alan Sparhawk and Mimi Parker’s twin vocals, excellently showcased on the likes of the atypically upbeat ‘Canada’ and the interminably dark song ‘The Lamb’. If you were to only buy one Low album, then I would probably recommend ‘Secret Name’ or ‘Long Division’ over ‘Trust’, but then, if you were to only buy one Low album, then this really isn’t the band for you anyway. The sheer brilliance of their songs is truly a force to be reckoned with, especially in this sadly fickle age of twoa-penny retro guitar bands. though, Queens also has her other band, Lo Hi, to concentrate on. Here the gender roles are reversed, with Martin Owens of Speedball Baby taking on the role of skin-hitter, while Queens wrestles with the mic and guitar. Say It More is actually Lo Hi’s second album, and with the addition of Jens Jurgenson on guitar and Justin Holub on bass it signals a move away from the sparser rhythm and blues of their debut ‘Kind of Feel Like A Good Thing’ towards a fuller garage-rock sound. In fact, if you were to find Lo-Hi jamming in a suburban garage you’d probably also find that the rest of the street had moved out and the houseprices had taken a nose-dive, which is surely as accurate an indicator of a good band as any other. OK, so unless you’ve never experienced the joys of rock and roll record before this is unlikely to be a life-changing experience, but it’s a fine record nonetheless. 9/10 TH 8/10 RH NIGHTMARES ON WAX Mind Elevation (Warp) My first introduction to the world of George Evelyn’s Nightmares on Wax came on a distinctly wet evening, way back at Glastonbury 1997. Not being particularly impressed (although it has to be said that my taste in music back in those days now seems vaguely embarrassing) I promptly forgot all about them until a year or two later when I bought myself the triple vinyl Warp compilation, “We Are Reasonable People”, which features the wonderfully infectious NOW tune “Fishtail Parker”. Becoming something of a Warp records addict, I eventually got around to investing in Evelyn’s second album, “Smokers Delight”. Unfortunately, this is probably the worst Warp release I have ever heard, a CD of endlessly repeating drug (and dub) induced loops, with that most dangerous of offenders, the aimless noodle, occasionally scribbled on top. So it was with mixed expectations that I approached NOW’s latest album “Mind Elevation”. Thankfully it didn’t quite have me gnawing my own leg off in boredom, but by the same token it isn’t exactly the most inspiring album in the world either. The best moment comes when Evelyn forays into the world of pop with the cliched but infectious “Date with Destiny” and the reggae-styled “Know my name”, featuring vocals from soulful chanteuse Chyna B. The rest, though, is yet more of the same, which leads me to the conclusion that this CD is for (that most mythical of creatures) the Warp completist or (that most modish of creatures) the trendy wine-bar owner only. 5/10 TH LOW Trust (Rough Trade) The record label may have changed (this is Low’s first for Rough Trade, following their departure from the excellent Kranky) but the music stays the same - well, more or less. But, considering that Low are the finest bunch of post-shoegazing slocore rockers you’re ever likely to find, this really isn’t that much of a problem. Low’s real strength lies in 8/10 TH LO HI Say It More (Tigerstyle) Boss Hog’s male/female guitar/drums pairing of Jon Spencer and Hollis Queens is the perfect antithesis to The White Stripes sickeningly dull drek. These days, 7/10 TH PA G E 3 11th October 2002 s in g l e s a l b u m s THE SHINING True Skies (Zuma) does seem to offer something unique. Away from all that sweet piano and cliched lyrics, Avril offers something much more demanding-a mix of school-girl innocence and rock-chick rebellion. With raw talent like this she certainly won't be taking any sh*t from anyone. If you ever needed an excuse to burn your Cast and Charlatans records, as well as consign Oasis to the history books and give up on yet another Stone Roses reunion, then The Shining are that band. Now, I don’t know if they’re from Manchester and, frankly, I don’t care. If they aren’t then they should be, and if they are then they’ve given us the best, ballsiest, gutsiest Northern indie record this year bar none. With fervent all-consuming mantras that would appeal to the youth of every generation, The Shining look like they’ve got the Dovesian combination of good guitar-based songs and widespread appeal, and hopefully that’ll prove to be right on the mark as, for a change, this is an album that actually has something about it, with a zeitgeist that engulfs lead singer and listener alike. If they manage to break into the mainstream, the future looks bright for these Northern lights. 9/10 KB 8/10 RH AVRIL LAVIGNE - playing guitar in a wind tunnel AVRIL LAVIGNE Complicated (BMG/Arista) This brilliant single comes from a Canadian prodigy who seems to be on the same wave-length as Alanis Morrisette except she's that little bit younger and more feisty. Following on from a string of young female singer-songwriters from the States she really THE PATTERN Nothing Of Value (Wichita) While Nothing Of Value isn’t the best song of this stripped down rock ‘n’ roll movement, it’s still pretty good in an indie way. And the video’s got young German men synchronised swimming in Speedos. Nice. 7.5/10 RH ALICIA KEYS Girlfriend (BMG) Anyone who’s a friend of Alicia Key’s earlier singles are advised to steer well clear of this. Unless, that is, you’re after a poor imitation of J.Lo’s bland back catalogue, which this closely resembles.After Alicia’s exhilerating collaboration with Eve on “Gangster Loving”, it is somewhat surprising to hear such unimaginative tosh from one who clearly has talent. Perhaps Ms Key’s penchant for bizarre and no doubt expensive fashion experiments have necessitated another single for purely financial reasons. God only knows it’s not for musical ones. 2/10 LB INME Underdose (Music for Nations) Underdose has an exciting first five PA G E 4 seconds, as the bouncy riff kicks the song off, but once the drums come in EXACTLY WHERE YOU EXPECT, nothing interesting happens beyond the angst-ridden, subCreed screaming. “It’s all gone wrong! You spoiled the perfect fumes!” What the f**k are you talking about?! They were clearly put together from an aggressive lyrics magnetic poetry kit. Utter crap. 1/10 RB FEEDER Come back around (Echo) This sounds a lot like a slightly limp-wristed Foo Fighters tune. So if you like limp wrists or the Foo Fighters there’s a chance you’ll like this. 6/10 AGR MCALMONT AND BUTLER Bring It Back (EMI:Chrysalis) Let's go Starsky. Let's get into a cheesy 70s cop show then change to The Lighthouse Family trying to be Marvin Gaye. It wants to be feelgood but only made me feel good when I removed it from the PC and obliterated it with the office gullotine. 3/10 RH BOWLING FOR SOUP Drunk Enough To Dance (Music For Nations) I really, really, really wanted to hate this. As The Edge’s emo skatepunk metal boy I feel it is my duty to protect the world against these kind of ‘punk’ bands.All the signs are there; Texans Bowling For Soup are all ugly as sin, in a knowing “ooh, how ugly are we!” way, and the album has two songs with girls’ names in the titles, and a song called She’s Got A Boyfriend. Having said that they’re uplifting and (usually) catchy as hell, despite the novelty lyrics (“You make me wanna be a homosexual”, “all I’ve got’s a moped”). The songs are cheery and fast, and you can’t ask much more of a pop-punk band. True, they’ll never have the songs of The Ataris, and I doubt they’ll rise up from their novelty comedy-punk niche, but this album will sound great every summer. It’s original like George Bush is intellectual, but it’s better than sodding Busted. 7/10 RB THE LIBERTINES Up The Bracket (Rough Trade) I’m in danger of O.D.ing on The Libertines, what with the interview and live review (see centre pages) and now the album review but, luckily, my mind is being concentrated by the mains-connected nipple clamps that’ll fry my upper torso if I stop typing for at least two minutes. And though their beauty lies in the live performance, the album has some darker numbers tempering your desire for a good ol’ knees up.True, it can sound like Joe Strummer (including, often, the incomprehensibility) fronting a pub rock band but that’s doing The Libertines a disservice as, for example, Radio America is a touching folky lament and The Good Old Days has a touch of funk. So whilst all the live favourites are here (except, disappointingly, What A Waster), perhaps this is the link between their riotous live performance and their idealistic core beliefs. Hmmm. But if you like the sound of The Jam mixed with The Clash and Chas and Dave, married to unpolished production values, then Up The Bracket is for you. understand?/When things that once were beautiful/Are bland’ Don’t worry, we understand. 5/10 TH MICHAEL J. SHEEHY No Longer My Concern (Beggars Banquet) I have to admit that, having never heard of Sheehy before, I was extremely sceptical upon reading the press blurb accompanying this CD telling me that the main inspirations for the album were “drinking, fucking and tragedy”. I mean, how many Nick Cave wannabes do 7.5/10 RH THE DELGADOS Hate (Mantra) When The Delgados originally started their fledgling Glasgow record label Chemikal Underground it was with the intention of putting out their records. But it was records from later signings such as Mogwai and Arab Strap that stole the limelight and truly brought Chemikal Underground to the attention of the wider record buying public. Since then both of those bands have left the CU stable and now even the founders themselves have signed to Mantra, perhaps in search of a wider audience. With their fourth album, Hate, they pretty much pick up where their last album The Great Eastern left off. With the nearly-title-track ‘All you need is hate’ The Delgados make an unsubtle jibe at the Fab Four - thankfully the song itself isn’t anywhere near as irritatingly jaunty as ???? era Lennon and McCartney. The 16 strong list of additional guest musicians (as well as a choir) gives some indication of the record’s intentions, although admittedly these aren’t quite as bloated as Spiritualized’s Jason Pierce. In fact the songs stick to a pleasant but tried-and-tested formula meaningful vocals + swelling strings + Scottish indie sensiblity + slightly experimental production by Mercury Rev’s Dave Fridmann = songs that appeal to everyone but engage no-one. Ironically,The Delgados sum it up best themselves in the song ‘The light before we land’: ‘Don’t you we really need in this world? Thankfully, Sheehy’s attitude to religion is distinctly less po-faced than the raven haired doom-meister, as evidenced on the wry “Ballad of the Pissed Apostle”, with the brilliantly acerbic couplet “Oh sweet Jesus, what have I gone and done/While they nailed you to the cross, I was out runnin’ ‘round having fun” underpinned by a husky blues guitar riff. Elsewhere, Sheehy shows us his gentler side with the likes of the misleadingly titled “Distracting yourself from the doom”, a pianoled lullaby which is enough to make even the most cold-hearted melt, and the equally lonely “Modest Beauty”. Those of us who have the attention span of a gnat will find this record boring, but for everyone else it should prove to be a more than diverting album. 8/10 TH Finding out about Shell will really take you places. Join us for the evening to find out about the exciting employment and pre-employment options Shell has to offer. We’ll give you an insight into the career opportunities available and you’ll also have the chance to chat to current Shell employees over food and drinks. Whatever year of study you are in, whatever discipline, you’ll be more than welcome. And did we mention that we’ll also be giving away a top-of-the-range mountain bike on the night? Thinking about a better future? www.shell.com/careers Date: 29th October 2002 Venue: Time: 18:30 University of Southampton – Staff Dining Room PA G E 5 11th October 2002 STATUTE OF THE EDGE CAUGHT UP WITH THE LIBERTINES TO SEE IF THEY REALLY ARE THE BEST NEW BAND IN BRITAIN PETE DOHERTY DOHERTY AND CARL BARAT BARAT - two boys in the band The Libertines’ tourbus is a pokey little thing, consumed by smoke residue, but this is where Carl Barât and Pete Doherty have spent their day so far. They’ve only just arrived at The Joiners, after travelling down from Southend-on Sea from the previous night’s gig. What was that like? “Yeah, it’s nice,” Pete begins. “They decided to build a town and fill it full of arseholes.” “The gig was good though,” adds Carl. “Yeah, the gig was good. The crowd at the gig were good, but there were lots of muscle vests though; the kind of people that if they were in Soho in London you’d keep your backs to the wall.” “Not in that sense.” “But you can always get misconceptions and misconceive. Like there were these huge four fellas who were quite old really but were all massive. You wouldn’t want to step on their shoes. I was just getting a really bad vibe off them, but then one came over was really nice, even though through the gig they’d just stood there staring at us evilly.” In retrospect this all seems too media-savvy. After all, I’m being told to forget my misconceptions before I’ve had the chance to warm the seat but, then again, it’s understandable as The Libertines are a muchmisunderstood band. On record and on stage they’re foul-mouthed Union Jack toting Cockernee patriots, but in interviews they come JOHN with his amazing immovable face PA G E 6 across as pretentious wannabe philosophers as much due to journalistic misrepresentation (and probably laziness) as Pete’s wild tangentialism. And then again they’re the band that has a bust-up or a fall-out every other week, but are any of these the ‘real Libertines’? First, the patriotism question; when all of the mosthyped bands are foreign, do they feel the need to represent Britain? “I think we should turn the world into a big game of Risk,” says Carl. “If you’re going to think of it like that then yeah, we’ll take the English crown, but I don’t think anyone cares that much.” “We’re in a band to get away from those kind of schoolyard things,” confirms Pete. But Englishness is a big part of your image. “Oh yeah,” says Carl,“but it’s just who you are. It doesn’t really matter. I mean, we’re patriotic about some things...” “We’re patriotic to an idealised view of the nation, but not one that exists where I live. It’s a spiritual nation...” So they’re only such an archetypally ‘English’ band because of both an accident of birth and something that has been forced upon them by a lack of fashionable young English bands. It’s about rep- resenting who they are rather than the whole nation.They are, however, idealistic which is how we come to the much talked about(in their interviews at least) Arcadian Dream, but what is it? “It’s in your heart,” begins Pete, the band’s in-house philosopher. “It’s in whatever vision you have of it. I don’t want to sound like a religious cult or anything, because it’s not about worship. It’s about free- “We’re patriotic to an idealised view of a nation” dom and release.” But what is it? “It was the last refuge of two dreamers. It was the only alternative to the bottom of a canal at one point. It was all that was left.” Okay, so that’s the abridged version but, as far as I understand it, they are striving to reach their Arcadia (a.k.a. total freedom and purity) through music. It’s their guiding principle, and has been since their lowest moments together. It’s thought-provoking stuff, far away from the pretentious pseudohippy art school drivel that it can often appear to be. You just know that they take this seriously but, then again, you have to experience it: “You know when you’ve got this family secret or this distant auntie that sounds really incredible but noone feels the need to talk about it because everyone just knows it,” Pete says. “Like, you marry into someone else’s family and the best things for them to do is meet the auntie themselves and say, “Why didn’t you ever tell me about that?” and you say, “Well now you’ve met her and found out for yourself.”” So that’s the Arcadian Dream, as far as I understand it. It’s what guides The Libertines, and it’s what inspires them to create and find fulfilment in their music, but that’s enough philosophy. Except to say that on their journey to Arcadia they’re keeping a set of journals, the Albion logbooks. But how much of their influence comes from art and literature? “Unintentionally and subconsciously I think a lot of it must do,” Pete replies. “It’s not like we sit down and think, “Well, this dead poet has inspired the whole of the band” but maybe an author or filmmaker. Anything that can inspire you, or just tantalise you, and make you think, “Sh*t, how did I ever live before hearing that sentence?”” Okay, moving on. Every other week the NME reports another Libertines-related argument, but is life like that? “If you spend two and a half months on tour and play together 11th October 2002 LIBERTINES and live together and have spent every day together for the last seven years it’s going to get a bit tense sometimes, isn’t it? I don’t like all of this stuff about us fighting all the time. I mean, do they want to see a f*cking bunch of people having a scrap? If you want to see a scrap go and watch ultimate fighting.” And it’s true, through the course of the interview they have two mini-’arguments’, but they’re just brotherly-style things. The first is because, err, Carl went to the bank and Pete thought that there was money that Carl was hiding in their joint bank account... “It’ll probably be in the NME next week that there was a bit of a fight at the bank,” Pete says. “You could probably send this to the NME actually,” Carl later confirms. And the second? It’s about Carl, apparently, blagging his way into gigs. “I just wanna have a good knees-up,” says Carl, “and I can do this at a gig, but Pete knows this and accuses me of being a f*cking Hello! Magazine reader, which is just bollocks.” “I’m just jealous because he gets Sadie Frost down his trousers,” Pete adds, “and I just get random birds. From Norwich.” “She just asked to come into my trousers. It’s not like I said,“Hey, I’m a ligger. Come down my trousers.”” What’s clear is that they aren’t going to break up soon and that it’s all being blown out of proportion. “Yeah. Old proportion’s coming in for a hard time,” says Carl. Yet even though, at the moment, there seems little chance that they’ll be splitting up. But if it came to that then they wouldn’t have PETE tries to do a Linda Lovelace THE LIBERTINES The Joiners’ Arms Wednesday 18th September trouble walking away from the band (“There’s no shackles,” says Pete). But they’ve got what many groups crave; a shared vision and a tight family-like structure. After all, pre- “He gets Sadie Frost down his trousers and I just get random birds. From Norwich.” gig preparation consists of trying to “achieve a sense of togetherness” (Carl), which may explain why, during gigs, they don’t talk to the audience in case it interferes, but that’s just speculation. But at this point Pete’s been called away to do a Swedish phone interview, so lets have a chat about him and, more precisely, his psycho ex that’s now suing for the lyrics to a song (The Horror Show): “Basically, we just found a scrap of paper on the floor... and the first line was really good... and we asked her if we could use it and she was like, “Yeah.Whatever.” And then we started to get famous and... she decided that she wanted a piece of the pie.” What’s the current situation with that? “We put her on the T-shirts. She’ll probably... show her face again. She can have some money if she really wants. She can have one line’s worth.” So is it important for them to make a load of money, then? “Well, I can fall into a cliché with that can’t I? We’re in it for the music, man! I don’t know. As something to put the bread on the table then good, but the aim has always been to write good songs.” Okay, so it may be cliché but, quite frankly, they’re allowed one. After all, they’ve got a collective vision that inspires life in the band and, through my limited experience, are a unique proposition. They’re not the Strokes bandwagon jumpers that the 70s sound, black leather jackets and Rough Trade recording contract would suggest and are, in fact, just individuals trying to find fulfilment. And, as far as I’m concerned, we can only wish them well with that, though we don’t need to actually like what they’re doing as well. But with a live performance as good as theirs, it’ll be hard not to like them as well. It’s always a nice surprise to walk into a packed Joiners’, with the annoying and time-consuming fight for a drink offset by the fantastic intimate atmosphere. But, with The Libertines playing, it shouldn’t really be any surprise. After all, these are NME cover stars.These are the visceral young men taking on the Union Jack toting mantle from the likes of The Who,The Jam and Blur.This is, let’s not forget,“the best new band in Britain.” But last time they were here, in May, it was a very different scene; before the covers, the articles and the hype a half-empty Joiners’ was left slightly disappointed by these four men who were, apparently, postStrokesian black leather jacketed bandwagon jumpers. Four months on, however, all has changed. The Libertines are exonerated and, for this evening at least, a pub full of enthusiastic and enquiring punters loves them. It’s all so poetic. Yet it all starts so similarly as they come on later than expected. But this time the buzz and enthusiasm has had no chance to wane and, though they may be playing to those who want to love them, that doesn’t take anything away from one crucial fact; they are brilliant. So, as expected, there’s no audience banter, but it doesn’t matter with a set that is tight, precise and honed to perfection. It’s enough to make you forget about the Starbucks culture of the nearby high street as everything seems so perfectly 1970s. From the black leather jackets of The Ramones (and others), to the unhinged feel of the Sex Pistols, and the frontline pogoers from, well,every 70s punk gig. Even down to the retro obscenities of debut single What A Waster which, when brought out of The Libertines’ surprisingly large armoury (cynics should note they had 25 to choose from for forthcoming album, Up The Bracket), takes the atmosphere up another level. But songs has been the band’s strong point all along, with I Get Along, Up The Bracket and The Boys In The Band just three of their best offerings. These are all given great run outs, notan easy task when Doherty is in the middle of the stage at his (apparently) uncontrollable best. It is a beautifully exciting sight to behold, though the only thing is that, at points, they seem to be trying too hard (like with softly-spoken bassist Hassall’s immovable facial expression.) But I guess that it’ll seem more natural the closer they get to Arcadia. Or something (read the interview to find out moret!) But that doesn’t matter as tonight they are heroes, creating an endless supply of sycophants streaming into the cavernous downstairs area trying to cop of with, or at least chat to, their new favourite band member. Trying to preserve the memory, it was better to leave that sickly atmosphere and disappear Civic Centre-ward, with their future looking brighter than even the illuminated clock tower. Supergrass will have to raise their game at the Guildhall (Oct 24th) with these young men in support. All text and live photos by RICH HEAP PA G E 7 This is Citigroup. Last year, Brian rebuilt his computer. to our Technology Presentation on This year, Brian helped design a worldwide trading network. Wednesday 30th October 2002 at At Citigroup, we can make careers happen—sometimes very quickly. 18:30 in the Blue Room, Staff Social That’s because, as the world’s leading financial services firm, we value tal- Citigroup would like to invite you Centre. Please sign-up via the careers service. ent and innovative thinking. The choices at Citigroup are only as limited as your aspirations and imagination. To find out more about careers at Citigroup, go to Citigroup.com. © 2002 Salomon Smith Barney Inc. Member SIPC. Citigroup and the Umbrella Device are trademarks and service marks of Citicorp and are used and registered throughout the world. Salomon Smith Barney and Citibank are affiliated companies under the common control of Citigroup. Citibank and Salomon Smith Barney are equal opportunity employers M/F/D/V. PA G E 8 all sewn up.. New York’s Hem take on the wide open space of London’s Queen Elizabeth Hall 11th October 2002 HEM + LINCOLN Queen Elizabeth Hall 27th September London based six-piece Lincoln are an unusual prospect. Combining an apparent love for shambolic indie-rock (think The Pastels or the TV Personalities) with an equal interest in Americana, the most striking thing about the band is their unusual instrumentation. As well as the standardised guitar/bass/drums/vox line-up, the keyboardist also doubles as trombonist, while guitarist and bassist both have a trumpet playing alteregos, recalling in many ways the expanded live set-up of Calexico. At it’s best, Lincoln’s music is a soulful mariachi-inflected affair, complimented by the occasionally silken female vocals. Unfortunately, though, they too often feel the urge to veer off into a messier darker side, in which the lyrics get drowned out by the wash of distorted guitars - and not drowned out in a My Bloody Valentine way either, but more in a “I got my mate’s brother to work the mixing desk for us” way. Overall, though, it was pleasant enough. When Hem’s debut album, Rabbit Songs emerged on the Setanta label in October last year, it somehow managed to escape the attention of all but the most ardent alt. country fan. Guitarist Gary Maurer is a seasoned studio-wizard who has engineered the likes of Jon Spencer’s Blues Explosion and Luna. During the spring of 1999, however, he teamed up with pianist Dan Messe and guitarist Steve Curtis to make an album that would reflect their love for traditional American music. All that was needed was a singer, who they found in the form of Sally Ellyson, an inexperienced vocalist who nevertheless won herself the job by singing lullabies on to Messe’s answering-machine. One of them, ‘Lord blow out the moon please’ opens the album. In the summer of 2001, as ‘Rabbit Songs’ was nearing completion, the studio where Hem had been recording caught fire. Refusing to accept that they might be about to lose everything, Maurer dashed into the blazing building to rescue the master tapes, escaping only moments before the roof collapsed. Tonight, in the slightly calmer atmosphere of the Queen Elizabeth Hall, the core Hem quartet is joined by drums, violin, upright bass and pedal-steel guitar. Their fan base also appears to have swelled over the past 12 months, as they are playing to a near packed auditorium.And while they appear rather awkward when first taking the stage, when it comes to the art of songwriting, Hem know exactly what they’re about. For the most part, the set comprises tracks from the debut. Songs such as ‘When I was drinking’, a beautiful piano driven ballad of lost loves and loneliness, and ‘Betting on trains’(with the heart wrenching lines ‘I held a silver dollar tight inside my fist and let you go/I’ve counted all the things I’ve lost that point to this and let you go’) are the perfect vehicle for Ellyson’s gorgeous voice. Unlike Lincoln, where the vocals just seemed to dissolve into the surrounding haze, here they literally float around the room refusing to become muddied.And with ‘Stupid mouth shut’, perhaps the most straight-up countrified track in their armoury, Hem recall the likes of the Cowboy Junkies and even Emmylou Harris. As well as treating us to almost all of Rabbit Songs (including the piano and violin instrumental duet ‘Half-acre’), Hem also perform tracks from their most recent release, ‘I’m Talking with my Mouth’, a covers EP featuring songs from the likes of Elvis Costello (‘Red Shoes’) and Bruce Springsteen (‘Valentine’s Day’). It also contains one of the highlights of this evenings performance, Johnny Cash’s ‘Jackson’, in which slide-guitar and vocals combine to spell-binding effect. If there was any justice in the world then Hem would be giving Avril Lavigne a run for her money at the top end of the charts. As it is, they might just have earned themselves a few extra column inches in the national monthlies. Tim Houghton Hem’s Sally Ellyson, with guitarists Maurer and Ellis Photo - Tim Houghton PA G E 9 HELL IS FOR HEROES 11th October 2002 FROM THE ASHES OF SYMPOSIUM CAME A BAND, BUT WHO THE DEVIL ARE THEY? What are your ambitions for 2003? TOM - I think it’s just to tour a lot really and to play to as many people as possible but no major goals. The album’s (The Neon Handshake) coming out in February next year, though. shelf. And that’s coupled with the fact that we were away for three months making the album so we came back and had some catching up to do on the tour. So we haven’t released that much but we feel like we’ve done a bit recording-wise and we’ve got an album that we’re proud of. We’ve made the loud bits as loud as possible, and the quiet bits as quiet as possible for that contrast. T - Most of the pressure comes from ourselves really because we want to play good shows every night and making sure it’s good is the only real pressure we get. We don’t want to give ourselves too high expectations. JUSTIN - Well, we’re not the most kind of prolific songwriters in the world but we make up for it through a high level of quality control, so even though we don’t write that many songs, whenever we do write a song that we’re not all bowled over by, we leave it on the You were nominated for Best British Newcomer by Kerrang! Were you bitter that The Cooper Temple Clause won? FIN - Oh absolutely. (laughs) No, they’ve done really well this year playing in big venues and having a big album.They had a head start on us anyway. Do you feel pressure for your first album? Why haven’t you released much until now? J – Generally, the only criteria we have sonically is making it as loud as possible. And making the quiet bits as quiet as possible for that contrast. But the only kind of genre that we’d put to it is rock, just because it is guitar-based music. Anything more concentrated than that becomes more tricky. TOM - won’t be pinned down So for all the people who haven’t heard you, how would you describe your sound? T – I don’t know.We’ve just got lots of dynamics going on so it’s hard to pin it down and I’m not sure that I’d want to. I think you can hear some of our influences but I we’re just trying to get our sound together. J - I remember the awards as being really drunk and going up to them and, you know how when you get drunk then you can get a bit over the top in your kind of niceties and stuff and I was going up to them and saying stuff like “Oh, I’m so glad you won it” and I think he could have possible interpreted it as me being completely bitter and twisted like, “Oh, I’m so glad you won that f*cking award.” I was just being drunk and happy. I hope they didn’t take it the wrong way because they’re really nice guys. Do you regret signing to a big label? J - I think before we got signed we always imagined ourselves on a smaller label but the reality is that for us to survive as a band we need the money. And since we’ve been with our label they’ve been pretty fucking cool to us; they’ve never ever told us to write hits pop songs or go away and come back and sound like Stereophonics. They knew what they were getting into when they signed us and they knew what sort of band we were and they just let us get on with it. And they’ve been signing all the cheques which is good. So who’s the best band you’ve toured with? J – Probably Hundred Reasons or the Icarus Line. I mean, when it comes to supporting bands we can’t be that precious. As long as noone’s telling us what to play then we’ll pretty much go anywhere, play anywhere, with anyone. But there is a line that we wouldn’t cross… we said “No” to Wheatus. JUSTIN - Kelly Jones wouldn’t move around this much... or at all PA G E 1 0 All Photos - Rich Heap WITH award nominations, a cult following, and a banged up 80s Dodge van bought off ...Trail Of Dead The EDGE meets Hell Is For Heroes’ Justin, Fin and Tom downstairs at The Joiners... FIN - shortly before realising his right hand had melted Hundred Reasons have made it big this year, so have they inspired you? J – Yeah. We toured with them at the end of last year and got quite close, and I think it’s amazing what they’ve achieved in the last year and that makes us think that there is hope for us and other rock bands after all.They’re just really nice guys and I don’t think anyone could deserve what they’ve got more because they’ve worked their HELL IS FOR HEROES The Joiners Arms Wednesday 2nd October Do nice guys finish last? Well, in this new wave of exciting British rock bands, no. First there was Hundred Reasons and now, snapping at their heels, Hell Is For Heroes. So they may not have an album out (yet) but does anyone care? Well not tonight, as HIFH have come to Southampton (their first time) on a mission to rock the good folks who sacrifice their Wednesday trek to Rhinos. Three songs in, after guitarist Will suggests that the good people at the Joiners only know how to ‘indie’ (a style of musical appreciation based around head-bobbing and pint- f*cking arses off. Do you ever wish you weren’t in the band? J - No, not really. I mean when you’re on tour you’ve always got your highs and lows but during your lows you just kind of check yourself and go, “Whoa. This is what any band would want,” just getting to go on tour and play shows every night is just such an amazing privilege. holding... I ‘indie’), they set out to ‘rock’ and prove him wrong by creating the most violent Joiners moshpit your good correspondent has ever seen. And to be honest I was too busy enjoying their exciting show to think about what they ‘sound like.’ If pushed I’d describe it as hard energetic rock who, if you see them live, will not disappoint. They’ll probably get lumped into the emo metal scene (if they haven’t already) and will turn out to be its leading lights. If Hell Is For Heroes don’t make it big in 2003, I’ll pierce my nipples with the two (not one) free badges I picked up after the show, without anaesthetic or proper sterilisation procedures. All Text By RICH HEAP 11th October 2002 Max Tundra - a.k.a. Ben Jacobs’ - latest album ‘Mastered by Guy at the Exchange’ is one of the most downright weird albums of the summer, combining Squarepusher-style beat thrashes, sixties pop, Destiny’s Child-esque R’n’B (with vocals courtesy of sister Becky) and about a million different instruments (all played by Jacobs). The Edge caught up with the original actionpacked mentallist... What were your favourite TV shows when you were a kid? Well, I don’t know if you remember a TV show called Bod, that was a kind of favourite.When I got to secondary school, I actually got the nickname Bod - I seem to remember doing vague impressions of Bod as a child and the nickname stuck, so some people still call me Bod today. What are your lasting memories of your childhood? I’m not sure really. I had a very indoors kind of a childhood really. I wasn’t very sporty and I didn’t used to go out and play very often. The other kids used to kick a football around in the street or ride around on their bikes and stuff but I wasn’t really into that, so I used to just geek about on my computer really. I go out these days, of course, but not really as a child. What were your earliest musical influences? I was lucky enough to grow up in a house where there was a massive record collection - my mum’s and dad’s records were all just in the front room piled up, and I just used to dip into them. Quite early on I discovered the delights of Steely Dan, who still shape my listening habits to this day. Obviously when I was very young I heard the Beatles, because there were loads of Beatles seven-inches lying around and stuff like that. The first electronic thing that I started listening to was the Art of Noise. Their first album, ‘Who’s Afraid of the Art of Noise?’ was kind of the first album to use samplers all the way through. What was your relationship with [your sister] Becky like when you were young? Well, we used to hate each other really. I used to kind of beat her up all the time and nag her and try and get her in trouble with my Mum but it was always me who ended up getting a smacked bottom in the end. I got my come’uppance pretty much every day.We didn’t get on at all until we were teenagers when we kind of figured out that it was alright. why I did it. I really like to challenge myself wherever possible, because I think I produce the best music I can whenever I’m quite stressed out and whenever I’m doing stuff which is a total hassle to make. When it gets too easy I try to stick another spanner in the works, and this time it was writing lyrics and learning how to sing. Was it difficult to persuade her to sing on your record then? Not that difficult, but if I’d asked her ten years ago she would have probably told me to “f*ck off”, but seeing as we’re friends now it was almost like a logical conclusion. We’re having a lot of fun now driving around together and doing all these live dates and getting to know each other better. Did you find it hard to come up with the lyrics? It took ages because I’ve never really studied English. I was kind of spurred on by listened to the cliched rubbish on daytime radio, and I thought to myself ‘Here’s someone in the top ten, and every single line of this song is a totally overused phrase or cliche’ and it made me realise that my lyrics are actually a little bit wittier than that so it kept me going really. When you are writing a song do you try and think it all up in your head before you try and put it down on record, or do you mess around for hours with various instruments? I try to reproduce as faithfully as possible the music which appears in my mind. The songs are pretty much fully formed when I hear them in my head. Sometimes I hear certain instruments and noises appear in certain places which, if I want to be true to myself, I have to try and learn how to play rather than cut corners. So if I hear a song in my head I feel a responsibility to carry it out exactly as it was intended, which might involve forcing myself to learn new musical instruments. On ‘Mastered by Guy...’ you sing on nearly all the tracks which is completely different in that respect to ‘Some Best Friend...’. Did you find that a difficult transition to make? At first I did, but that’s the reason It’s been said before that you fit about 10 albums-worth of material into a single 40minute album, which is pretty short by today’s standards isn’t it? Well, since the invention of the CD people have felt obliged to bombard us with 74 minutes worth of music, and when it comes down to it a lot of it is filler. So there’s absolutely no reason why albums need to be that long. If you run out of ideas there’s no reason why you should try to expand it to try and fill up a double vinyl-pack for example. Most of the classic albums in history are just single pieces of vinyl. Do you think that a lot of artists are just lazy by repeating the same ideas over and over again? I think that probably about 99% of the music that I hear is very formulaic, so once you’ve heard the first two minutes of a track, you can usu- Getting chippy with it - Max t enjoys good old English Haute cuisine ally predict what happens next. It usually happens in multiples of four, and then there’s the chorus and then it repeats itself. I’m astonished that so many people adhere to these tried and tested formulas. Your music often gets grouped together with the whole Warp/Rephlex records scene. How much is programming and sequencing part of the way that you work? I try and think of songs in terms of the finished article rather than by the process which is used to achieve. I try to make the notion of programming irrelevant, so that when I’m playing a real instrument it might sound like it’s being sequenced and vice-versa. I continually get compared to Aphex Twin, which is really bizarre because I don’t sound anything like him. Every review of any record I’ve ever put out says something like ‘Aphex-Twin-meets-whoever’, and I think that unfortunately Richard James, nice though he is, has become like the spokesperson for anyone who has ever used a sequencer on any of their music. Who do you think is still making interesting albums in that field? Well, in electronica there’s no-one, but if you expand that to mean people who use sequencers then I think people like Timbaland and The Neptunes who are producing R’n’B style albums which are much more forward thinking and experimental than so much laptop stuff that people are coming out with at the moment. You once did a B-side titled ‘Song for Alan R. Splet’, named after the guy who did the soundtrack for ‘Eraserhead’ with David Lynch. What films have influenced you? Well, obviously Lynch plays a big part. I think he’s been getting better and better recently. ‘Lost Highway’ and ‘Mulholland Drive’ are his two best films. And ‘Brazil’ by Terry Gilliam is my favourite fim of all time. Films like ‘Brazil’ I will always go and see at the cinema if they’re ever on. Have you ever been approached to do a soundtrack? I did get a near-miss quite recently. There’s a new film coming out, called Morvern Callar by Lynne Ramsey, and I did very nearly get a track from my first album called ‘Carbon Cones’ into it but in the end I lost out in the final edit.That’s my closest scrape yet. I’d love to score a whole film though. That’s one of my greatest ambitions. I’m really excited about how music and visuals work together. I’m intrigued by the artwork on the new CD. Who is Dando Moore? He is the cousin of my sister’s exboyfriend. He does this excellent comic-book style artwork, so I did a rough sketch for him of what I wanted the album cover to look like - although I can’t really draw too well - and then he produced the real thing from that. You’ve said before that you like to sing to yourself and whistle to yourself a lot. Does it ever get on anyone else’s nerves? I am a big whistler around the house, but the people I’m living with haven’t really mentioned it. In fact, since I moved in everyone else seems to whistle a little bit more, so it must be catching. PA G E 1 1 11th October 2002 FILM THE IMPORTANCE BEING EARNEST beginning, but as you get used to them something more is needed to keep the quality of the film going and it is not the axe and excessive amounts of blood that Evans introduces. He also relies on the fact that this may actually happen in real life, maybe I am being a bit too idealistic here, but I think it is rather unlikely, even in America. OF Director: Oliver Parker Starring: Rupert Everett, Colin Firth, Reese Witherspoon, Judi Dench. Oscar Wilde’s ‘The Importance of Being Earnest’ is undeniably one of his finest works. An elegant farce which draws on mistaken identities and parodies the absurdity of the English class system, it is a timeless play full of quotable lines. (eg: ‘All women become like their mothers. That is their tragedy. No man does. That’s his.’) The story is that of two men who are not called Earnest, yet claim to be.There’s slightly more to it than that of course, but without delving any further into the superfluous plot, let us just say that it is extremely funny, and extremely clever. So, match a brilliant play with an allstar British cast, and what do you get? Unfortunately, not the result one might expect.Thankfully, Oliver Parker chose to remain faithful to the original text, which means that the film is not at all short of humour. Oscar Wilde’s wit and genius shine through with every line delivered. Furthermore, the costumes are lovely, and so is the setting. Sadly, what lets the film down in no small way is the acting. Judi Dench in particular is atrocious as the shrill Lady Bracknell. She overemphasises every word, as though she were trying to steal the show with her exaggerated acting. In fact, she does steal the show, but in an altogether ghastly way. Colin Firth, on the other hand, (handsome as ever), is rather more brilliant as wannabe-Earnest Jack, and makes up for Dench as much as is humanly possible. ‘The Importance of Being Earnest’ is a funny, pleasant, and aesthetically pleasing adaptation of Wilde’s play. However, it would be very difficult indeed to stick to the original text and not be funny at all. Oliver Parker has succeeded only in making a good film out of a brilliant play. Tim Houghton THE BOURNE IDENTITY Director: Doug Liman Starring: Matt Damon, Franka Potente, Chris Cooper, Julia Stiles. The eighties version of The Bourne Identity was one of my favourite films when I was younger, so I was rather interested to find out what this updated version of Robert Ludlum’s novel was like. Especially since it has received so much hype compared to the cheaply made TV version. Jason Bourne, played by Matt Damon, is found at sea by a French PA G E 1 2 Nina Dubravec fishing boat, with two gunshot wounds in his back. After regaining consciousness Jason suffers from amnesia and the only thing giving him any kind of clue about his formeridentity is a chip in his back, which contains the details of a bank account in Zurich. In Zurich he attempts to learn something about his past, but is instead confronted with more questions since his safety deposit box contains passports from various countries and large sums of money. He is also rather surprised by his fighting skills and his ability to speak many languages, however he doesn’t quite click that he may be some kind of secret agent until he has the whole of the CIA chasing after him and the girl he has paid to give him a ride to Paris. As we find out, although it is still a mystery to Bourne, he is a CIA assassin who failed in one of his jobs to kill an African president and now the whole incident needs to be covered up- by having him ‘removed’. The Bourne Identity has more action than I can remember the old version having,although it is not quite your typical James Bond style action film. All the location shots were filmed in Europe, which makes it look less glossy and not entirely Hollywood. Franka Potente (of Run Lola Run), who plays the German girl that drives him to Paris and coincidentally falls in love with him, is also not your usual action movie babe, for a start she can act, and adds to the European influence in the film. If you take The Bourne Identity for what it isan action thriller, you will enjoy it, and the Mini car chase will make you think twice about the Mini’s full potential. Nina Dubravec MY LITTLE EYE Director: Marc Evans Starring: Jennifer Sky, Laura Regan, Kris Lemche and Stephen O’Reiley Although not released in America, I was still rather excited about going to see this film, due to its good reviews in the UK. Perhaps if I had gone to see it without having read any reviews I would have enjoyed it a bit more... My Little Eye is a very modern film, in terms of the content, but also in terms of the technology used for filming. Digital film is used to create the effect of a wall mounted surveillance camera, which follows the story of five young people isolated in an old house in the middle of nowhere. In the style of Big Brother, they applied to share the house for six months whilst being broadcast on an Internet site, the prize being $1million. The only catch is if one of them leaves, they all lose. Only a few days away from their prize, the housemates get more and more paranoid as it appears that the ‘company’ in charge is bringing up secrets from their past to scare them into leaving. They start discovering more about the mysterious website and this is where the film becomes gory and the death count rises by the minute. Although rather innovative and scary at the beginning, mainly due to the use of sound and editing, the film lacks any kind of innovation near the end as it simply surrenders itself to a traditional slasher film. The zooming sounds of the camera as well as the emphasised crashing noises make you jump near the LOST IN LA MANCHA Starring:Terry Gilliam, Johnny Depp Directed by: Keith Fulton and Louis Pepe Documentaries that make it on to big screen are few and far between. Good ones are even rarer. Eleanor Coppola’s Hearts of Darkness (the making of Apocalypse Now!) and Jim Jarmusch’s Year of the Horse (a Neil Young road movie) are the only two that readily spring to this clogged up mind, anyway. Lost in La Mancha is comprised of on-the-set footage of ex-Python Terry Gilliam’s adaptation of Cervantes’ canonical novel, retitled The Man Who Killed Don Quixote. And in case you’re wondering why you’ve never seen the film, it’s because it was never made. After a decade of scheming and months of pre-production, Gilliam was forced to shut down production after just six days, and hand over the rights to the film to the insurance company. This fact is, of course, why Lost in La Mancha is so much more watchable than Fulton and Pepe’s previous Gilliam documentary,The Hamster Factor (a.k.a. The making of 12 Monkeys). That the budget of $32 million - the biggest for any European film - is only half of what the ambitious project requires only adds to the mayhem - and serves to remind both audience and Gilliam of the spectre of his 1988 turkey, ‘The Adventures of Baron Munchausen’, which ran up a bill to the tune of $46 million. The teeth-gnashing failure of The Man Who Killed Don Quixote is living testament to the veracity of sod’s law. Just so you get some sort of idea, here are a few of the crises that torment the film crew. 1.The horses won’t do what they’re told 2. A major set location sits alongside a NATO bombing range - the patrolling F16s never fail to intrude at vital moments 3.A flash flood destroys the set and many pieces of equipment 4. Lead actress Vanessa Paradis never shows up for rehearsals or even filming. It later transpires that she hasn’t even signed a contract. Throughout the movie the tension mounts between the everoptimistic Gilliam and his faithful but weary sidekick Phil Patterson; so much so that the comparisons between the pair and the fictional Quixote and his man-servant Sancho Panza are played on too heavily by Fulton and Pepe. The final straw comes, however, when it transpires that Rochefort, who must do most of his filming on horseback, has a severe prostate infection and requires extensive surgery. And despite Gilliam’s valiant efforts, it becomes painfully obvious to all concerned that his dream is finished. “We can’t make this film - not the film you want to make, anyway” shouts Patterson to Gilliam, shortly before quitting. Tim Houghton SCENE WESSEX PAGE 21 Wessexscene.co.uk Bizarre Should Drugs Be Used Recreationally? World YES NO Matthew Heath Alex Moss Katherine Butler Caroline Johnson If recreational drug use became less of a taboo and a common place past time I believe our society, especially this university, would be a much more fulfilling place to spend time (and there would be more of it!). The neurotic bonds of everyday life would be broken and student’s minds and spirits lifted to new levels of peace and togetherness-no need for those pesky security guards spoiling our fun. It is also a lot cheaper than alcohol and isn’t taxed either thus reducing the annoyance of paying through the nose twice when spending government loans on booze. The music scene shall surely flourish, enhancing the inspiring sounds of Hendrix, Marley and Armstrong (to name a small few) with our newfound open minds into another world. As well as drugs’ contribution to music let it be said that if it weren’t for opiates we wouldn’t have Alice in Wonderland which I believe is the only book on wonderland ever written! When sharing life-altering experiences people relate in a positive fashion stripped of the falseness, games and scripts we so often have to endure and thus creating an enlightened existence of harmony and togetherness. Drugs also are a useful form of rebellion allowing new generations to be different than their parents producing new cultural trends, as Hendrix put so well, “I’ve got my own world to live through and I ain’t gonna copy you”. In areas with thriving drug cultures an important local economy develops and a fantastic network of communication providing new employment opportunities (dealers, lawyers, mafia, police and many more). The benefit to the government would be increased control as people have a reduced need for education as they can’t remember anything. The money saved on lectures could be spent on a hash bar during refurbishments. And as it is illegal it makes a dull life exciting! For hundreds of years now people have been using drugs for recreation as well as medical purposes. Obviously these days the drugs have a tendency to be perhaps a little more potent, however there are many good reasons why we should still use drugs in a recreational manner. There is no doubt that recreational drug use is not a new thing. However it is now thought to have risen by 30% in the last five years due to the increasingly widespread availability of recreational drugs like Ecstasy. Some researchers do not seem concerned by this serious increase. They define recreational use of drugs as “non-dependent, not using hard drugs.” Judith Aldridge, one leading researcher says, “Most are careful and rational consumers who plan their drug use to occur with friends in places they feel safe and sercure.” What a nice picture this paints of drug use. Funnily enough there are reasons why these questionably “soft” drugs are illegal to use. Do the harrowing pictures like that of Leah Bettslying in a coma after an ecstasy tablet not affect the 56% of teenagers who admit taking ecstasy in a nightclub situation. However many times you use drugs like ecstasy and amphetamines, it only takes once for the consequences to be tragic. On top of this, the longterm effects of recreational drugs are unquestionable. However users try to limit their drug use, even with Cannabis, people may become both physically and psychologically addicted to it. Then there are the worse effects such as memory loss, paranoia, depression, increased blood pressure and insomnia. The risks cannot be stressed enough-not only for the user themselves but for those around them too. Just look at a most recent case, that of Jade Slack, aged 10, who died after apparently swallowing up to five ecstasy tablets whilst playing at a friend’s house. These tablets were just left on an upstairs table -a recreational drug user it seems who was neither “careful” nor “rational” in their usage. You wonder how much more tragic things need to get before these drug users wake up and realise the true consequences of their actions? As young people we are constantly being bombarded with statistics, research and opinions on the recreational use of drugs, all trying to persuade and manipulate our young minds into the ‘correct’ opinion concerning them. The debate over the laws governing drugs seems to have become continuous, and increasingly heated. For a start drugs seem to bring out the best in a lot of people, especially those with a creative nature about them. Don’t believe me? Well what about Kurt Cobain, music wouldn’t be the same if it weren’t for his drug induced guitar playing. Picasso was rumored to dabble in drugs and he has given us some of the most imaginative pieces of artwork ever, sure they look drug induced but they are still inspiring to millions. Then there are the great actors of today that had, or still have, a drug habit. John Belushi was a comedic legend until he finally snuffed it, sorry no pun intended. After all who can forget his side splitting roles in such films as Animal House, a must see movie for all students, and Blues Brothers, simply a must see movie because of Belushi and a thin Dan Akroyd. Then there are today’s actors like Charlie Sheen, Christian Slater, and Brad Renfro who are all still with us and frequently dazzle us with their drug induced performances. Secondly drugs are permitted to be used recreationally in certain countries like Holland. Britain is renowned for having a stiff upper lip, is it not possible that if we started to use drugs in a recreational manner that we would lose this reputation and gain one of being laid back and cool like our European contemporaries. Students of Southampton join forces in trying to prove this theory TAKE DRUGS FOR S***S AND GIGGLES. While this debate is raging the use of drugs has become a standard option to help people have fun, relax, even to socialise; as people are introduced to each other through drugs. They have even become a source of incredibly bad chat-up lines. The popularity of drugs is reflected in the media. Fictional characters using drugs are portrayed on television, in books, and celebrities are constantly owning to having taken some type of recreational drug. As the profile of drugs increases, the attitude of society towards them seems to be becoming increasingly more tolerant. Who has the right to dictate what others do in their free time? So what is the result of this attitude - that drugs are okay? The fact remains that there is sufficient scientific evidence to show the harm which drugs can do to the body and personality, such as the most recent research which shows that the use of ecstasy can lead to Parkinson’s Disease. All one needs do for confirmation of the damage which drugs can do is to look at the state of Ozzie Osbourne. The taking of drugs is no longer glamorous. Books and films such as Trainspotting have revealed them in their revolting reality. Who can forget Renton and his anal opium suppositories? Perhaps most importantly of all, scientists do not yet fully know the long-term effects of drugs. By sampling them you are donating your bodies to research. Hands up who wants to be a human guineapig. We wish to emphasise that the views in this column are not necessarily those of the writers, the WSX editor, the Wessex Scene in general or the Union’s. The intention of Devil’s advocate is to encourage debate and discussion for the sake of argument. Dairy Death Luigi Ferrari, a prosperous Parisian grocer, was jailed for two years in 1978 for stabbing his wife to death with a wedge of cheese. Hot Stuff Sometime during the late night of July 1, 1951, Mrs. Mary Reeser, aged sixty-seven, of St. Petersburg, Florida erupted in flames and burned up in her bedroom. No one knows quite why. All that remained of Mrs. Reeser when she was found in the morning was a small pile of smoking ash and one very shrunken skull. Experts estimated that it would have taken a fire of 3,000 degrees to have thoroughly carbonised the woman, yet the heat had been localised to the corner of the room where she had been sitting. ‘Never have I seen a body so completely consumed by heat,’ said leading investigator Wilton Korgman, who added rather fatuously, ‘This is contrary to normal experiences.’ Mrs. Reeser was not struck by lightning. Nor did she come in contact with inflammable liquids or an electrical source. Beyond that, no one knows what happened- and at this date it’s not likely anyone ever will. An even more baffling case of spontaneous combustion came in 1938 in Chelmsford. Phyllis Newcombe, aged twenty-two, was dancing with her fiance at a local gathering when in full view of several witnesses she suddenly burst into flames. On the Job Felix Faure, the French President, died from exertion: his heart gave out while he was putting to use a specially designed sex chair. Cold Turkey After a woman fainted at a checkout counter at a supermarket in Nuremberg, West Germany, it was discovered that she had been trying to smuggle a frozen turkey out of the store under her hat. She was taken to hospital with suspected brain damage. PAGE 22 Andy Farmer I spent a fair few evenings in my 1st year smoking copious amounts of ganja with my friends, and we thoroughly enjoyed ourselves in the process! Inhibitions were lowered, stress was eased, and compulsive laughter flowed. This resulted in lots of fun and many good times chatting about nothing and revealing crazy secrets. This summer I went to Creamfields dance festival in Liverpool with several of my good friends. After some thorough research on The Internet and in scientific journal New Scientist, I decided that Ecstasy was nowhere near as dangerous as the Daily Mail makes out. Sensible use would have prevented pretty much every E-related death you’ve ever heard about. I ordered my pills, and attended the festie. I sensibly took only half a pill a time, just to be safe, and followed all the Wessexscene.co.uk recommendations I could find on safe Pilling. I danced from 9pm till about 6am, and I had the time of my life. I felt such an overwhelming empathy for everyone. I was the friendliest person I’ve ever known; I had an open mind and bags of confidence. As far as I was concerned I was the coolest person around. I love to have a little bit of a dance anyway, but with the confidence and energy that I had whilst “loved up” it was the most enjoyable night of my life. For me, it was the feeling of being with all your friends, happy and content as can be, but for an Sometimes there is hope within distant places. For this is how Sanita Lama has always spent her life and for the foreseeable future her distant dream shall remain just that -a distant dream. Nepal is a most beautiful country but its beauty equals that of its poverty and for millions of children alike, education is a distant dream. Sanita’s family was for the earliest part of her life able to live of the land and support a family of five. It was during these years that she was truly content. By the age of seven, Sanita’s mother and sister had died owing to illness. All that remained of her family was her father. Illness had torn her family apart. What little hope that existed in the heart and minds of Sanita and her father that they could one day escape poverty and provide a prosperous future with a little bit of hard work and luck for future generations, had been stolen in the dying breathes of her mothers life. Sad as this is, this is not an uncommon sight outside the Kathmandu Valley. Inside the Kathmandu Valley, there are thousands upon thousands of children whose roots originate from villages such as Sanita Lama’s. Inside the Kathmandu Valley there experimentation with drugs and make a batch of Mega Muffins. We made our muffins, and consumed the lot. We most definitely felt the hallucinogenic effects of the drug! Time slowed down. 1 minute felt like 1 hour. I went to the toilet and back, thought it had taken me hours when it actually took 3 minutes. The walls were bending and colours So why are these drugs illegal? Why not let everyone broaden their horizons? In truth, not everybody can handle their drugs. They are easy to get addicted to, and can have severe side effects if misused. Sensible use of alcohol is no more than 21 units per week at regular daily intervals, and look at how we handle that. 40,000 people die from alcohol PROJECT 9 are countless children who work 14hour days so that they may survive. Many of these children do not see the money that they have earned because it is their parents whom require it. Sanita Lama was one of the many children who was forced into child labour due to poverty and not as some might claim a lack of love. For four years she courageously worked in a carpet factory so that she might survive. I can further name and describe 16 such children who have suffered the indignity of such events. All 17 children have been rescued by the Nepali Rug Mark Foundation, which rescues and rehabilitates children until class eight. Unfortunately for these children, school does not finish until class 10. As students in the UK, it is very difficult for us to truly understand this -though let us try. After all, what would you do if WESSEX were looking particularly strange. At one point we were rolling around on the floor for a very long time laughing at perhaps the funniest thing that has ever happened (although I am not quite sure what!) Although this was not the most pleasurable activity of my life, it was quite an experience. Character building, and experiment worthy. The way I figure it, I am at a time of my life where I can experiment with sex drugs and music with the minimum of consequences compared to the rest of my life. I have no career to wreck, no examples to set. DRUGS entire night. Whatever made me happy, E made it 10 times better. The ways I could be friendlier, and more confident than ever have stuck in my day-to-day life. It sounds quite sad, but it actually has changed my view on life and the way I see people. A couple of weeks ago, a good friend and I decided to continue our Ian Wickens ‘Time slowed down. One minute felt like an hour.’ SCENE the University wrote you a letter telling you that you could not study the final year of your degree course because the Government was withdrawing ALL financial support? There would be bedlam of course. In Nepal there is just an unnerving silence and sense of despair -followed by tears. Rug Mark is not to blame for its inability to finance the education of these children. They are unable to because they do not related deaths every year. I know far too many people who get violent when drunk for my liking. If widespread acceptance was gained of drugs such as Ecstasy, LSD, Marijuana, then use would not be such a serious matter as it is today. Regular use would be more common, addictions would most likely increase. Sensible use would not be as likely. I feel that although drugs such as Ecstasy are illegal, we can all have a lot to gain from sensible occasional use. Moral issues oftan provoke extreme views, and drugs are no exception. The following websites have some slightly biased views to absorb: www.ecstasy.org www.trashed.co.uk www.new-scientist.co.uk www.urban75.com have the money to support all the hundreds of children they try to help until class ten. Anita, Sapana, Lila and Mamta were all told to return home several months before they could finish class eight and what did they return to? Weaving carpet factories. They are all still children and deserve to be so. Can you imagine spending your childhood weaving carpets from 4:30am in the morning until darkness, day after day until the miraculous could arrive? Where is the happiness in coping with the cuts and bruises from the thread? Where is the self-respect in watching the rich kids attending school each morning? There is none. There is only the suffering and the humiliation of having nothing. Project Nine was formed to help provide education to these 17 children so that they may, god-willing reach distant dreams. We have successfully raised the money necessary to sponsor all 17 children, until the end of class nine but we must still raise a further £5400 to reach our target. So far £1400 has already been raised but £4000 still remains outstanding. Project Nine must successfully raise the money by April of 2003 or Sanita Lama and all her friends shall return to the carpet factories once again -at the age of 15. If you think that you can help or would like further information; email me at [email protected] SCENE WESSEX PAGE 23 Wessexscene.co.uk Dealing with Epilepsy Lindsey Brown This summer I graduated from Southampton University with a law degree. It was an emotional day for myself, my friends and my family as I had struggled through my three year course whilst dealing with the effects of my disability at the same time. I had been diagnosed with epilepsy in 1998. Many people have very stereotyped views of people with disabilities, however I (along with hundreds of others) am testament to the fact that a disability need not stop you from achieving your goals or realising your ambitions. Most people know that epilepsy causes seizures, and it is obvious that their unpredictable nature can interfere with coursework and revision. However that is not where the difficulties end, the copious amounts of medication I take in an attempt to control the seizures makes studying difficult. I find it difficult to remember things such as what the lecturer has said thus making it difficult to write coherent notes, as well as losing large amounts of memory as a result of a bad seizure. It is common for me to forget how to spell simple words or how to even form individual letters. However I managed to get through, mainly because the University is so supportive. If the law faculty had not proven to be so fantastic, I would never have got through my degree, and it is even less likely that I would be about to commence a PhD. Obviously, support is important from your family and your friends, yet I have found invaluable assistance in surprising areas, for example the ladies that work in the law faculty office. The law department provides such an accepting environment it is unsurprising that they can be found to be bending over backwards to accommodate people with all manners of disabilities mobility difficulties, dyslexia, chronic medical conditions, or mental health illnesses - all needs are listened to, understood and accommodated. They pro-actively explored whether I needed any adjustments to enable me to take complete the course dis- creetly and without any fuss. They showed understanding and, most importantly, faith in my academic ability. I am sure that not all departments or faculties are this supportive to their disabled students, but they should be. The support you need is probably out there, even if you’re not sure where to find it. In addition, the Disability Discrimination Act Part IV should help students by getting education providers to think more creatively about the support that they can provide to disabled students. In addition to the support received from the law faculty, the Disability Services also gave me tremendous aid and encouragement. Although the department is overstretched and overworked, there is usually someone to answer any queries you may have, and if not they will get back to you as soon as possible. They can advise you on applications for Disabled Student Allowances and can counsel your department on how to help and support you. They have also set up a ‘Study Skills Mentoring’ scheme. This is a unique one-on-one way of developing learning strategies that prevents Who Nose Best? Cyrano De Bergerac at the Nuffield Theatre26th September- 19th October Set in the 17th Century, Cyrano De Bergerac is a re-working of Rostand’s original swashbuckling comedy of passion, heroism and sacrifice that questions society’s perception of true beauty. Though heroic in many ways, the central character, Cyrano, fails to compete in society’s beauty test due to his elongated nose that defies gravity. However, his poetic manner gives him an inner beauty that is unrivalled. Cyrano duels whilst composing a poem at the same time, refusing to destroy his opponent until the rhyme can be completed. The beauty of words and life are inextricably linked in the play and is infused with a love of language, of verse and of wit. The core of the play revolves around the triangular relationship between Cyrano, Roxane and Christian and the emotional tension that runs throughout the entire play. Cyrano’s love for Roxane is as big as his nose, though her heart has been captured by the handsome soldier Christian. The play takes an unexpected twist when Christian asks Cyrano to help him woo Roxane with the poetic words that he lacks. The cast of Cyrano De Bergerac is a strong collaboration of many talented actors. Unsurprisingly Simon Robson steals the main limelight with his excellent portrayal of the witty and complex character Cyrano. His loud confident voice gives an unrivalled stage presence and his manner is faintly reminis- cent of Fraser Crane with his complicated language and educated persona. His humour and ‘panache’ draws in the audience in a way that helps us understand and relate to his character. Cyrano De Bergerac is unique in the various emotions that are evoked. The audience is thrown into a journey of humour, romance, swash-buckling action and ultimately, tragedy. The emotional tension that runs throughout the entire play keeps the audience in suspense right up until the final scene. This entertaining and masterful dramatic writing is a thrilling journey with one of the all-time great, complex and flamboyant heroes. your disability interfering with your studies. It also provides someone to talk to about any problems (and they can offer practical help) and they make great dissertation proofreaders too! Although it was arguably me that climbed every mountain on the path to graduation, there have been so many people supporting me, carrying my bags if you like or dangling carrots in front of me (I may not look like a mule but I am equally as stubborn!). Since I received my results many people have commented on my determination and perseverance, though I rather see it as stubbornness and pigheadedness! I truly believe that it has been my overwhelming desire to graduate that has got me through all the difficulties I have faced over the last three years. When I first began my law degree I was determined not to receive any ‘special treatment’, not to use my disability as an excuse or to exploit it. However I realised at the end of my first year that the only person I was cheating was myself. Maybe it takes a stronger person to admit they need help and then proactively pursue it to enable you to make your ambitions a reality. PAGE 24 Wessexscene.co.uk SCENE WESSEX Get It Off Your Chest: Have a Debate Phil Whittington A Club for All Alex Bazin Welcome to Southampton (and for those of you who are not freshers, welcome back). As the dust from freshers week settles, and you start to wade through the thousands of flyers that you collected at the bunfight, you may find yourself asking what is the Clubs and Societies department and why do we exist? Well in a sentence; We fund and oversee all of the non-sporting groups that affiliate to the students union. In English this means that all of the Departmental, Political, Performing Arts, Religious, Social and International societies that exist for your social and cultural needs, are looked after by us. As well as this we also act as a central contact for those who wish to join societies or wish to set up a society that we don’t have yet. This year is an exciting year for clubs and societies, with the addi- tion of a Student Activities sabbatical to share the workload we can expand and offer more for our societies and their members. We will be having the first set of societies honours for those societies and individuals who have made great improvements over the year and deserve our recognition. These will be presented at the joint AU and Clubs and Societies ball in March. Continuing on the social theme our societies will be welcome at the Gold night on Wednesdays at the union, where in addition to having a fantastic time, they can earn money for their society. Finally I will be lobbying the university for better space for us to meet, discuss, rehearse and perform. If you have any questions about getting involved or have an idea for a brilliant new society, or anything else for that matter get in touch with me at [email protected]. Busy at the Bunfight: Southampton students are spoilt for choice with the huge array of clubs and societies on offer.... A Lifesaving Lift to your CV As employers are beginning to look more and more for areas of experience other than academic achievements, student lifesaving has become one of the fastest growing diversions for students of all ages. Southampton University Lifesaving Club is one of the most successful student lifesaving groups in the country and, as at the beginning of every year, we are currently recruiting new members to gain valuable qualifications, join our exciting socials and take part in some of the most fun inter-university competitions you will find anywhere. Qualifications achieved by SULSC members during the last year have included the National Pool Lifeguard Qualification, RLSS Lifesupports 1 to 3 and the Bronze Medallion amongst several other, well recognised awards. These cover first aid and water-based lifesaving and lifeguarding from beginner to advanced levels. This means that anyone is welcome in SULSC regardless of experience. About 6 times a year, members of the lifesaving club, including competitors and people who are just there for the fun of it, travel to other universities to compete in lifesaving competitions. This is also a chance to meet loads of people and always an excuse for a wild night out courtesy of the host club. As well as being very successful in recent competitions (5th in last years Nationals) SULSC’s annual boat party is the most eagerly awaited social event The Lifesaving team pose for a pic at the Nationals in Nottingham on the ‘club circuit.’ During the summer term, the lifesaving club starts open water training on Bournemouth Beach on Wednesday evenings. This will also give you the opportunity to do your RLSS Bronze and Silver Cross open water exams.The Lifesaving Club also has close links with Bournemouth Lifeguards. Any member with a current Bronze Medallion can go across to Bournemouth at weekends and assist Bournemouth Lifeguards patrol Bournemouth Beach from the beginning of May through to the end of September. Club nights are Tuesday 8-10pm for qualifications and Sunday 9-10pm for fitness\competition training. All take place at New College Pool. For more information contact Neil Mackin - [email protected] Or just turn up! “Free speech is the whole thing, the whole ball game. Free speech is life itself”, is the quote that currently is on the front of the Debating Society’s Website. It is something that Salman Rushdie said off the cuff in an interview with a Guardian journalist back in 1990. After all, he is a guy who knows a thing or two about freedom of speech and he is absolutely correct when he says it. Southampton Debating Society is here to provide a forum for debate for all the students here. This coming year we will, as we have in previous years, meet once a week with a motion to discuss. People who wish to speak form teams with each other and argue one side of the debate and compete to see who can be the most convincing. We also send teams away to compete against other universities in Inter-Varsity matches on a fairly regular basis. This year we will be varying our motions so that there is something for everyone. We will be looking at a few political things such as attacking Iraq, some moral issues like foxhunting and also this University’s decision to disaffiliate from the NUS. Do you have an opinion on any of these and fancy speaking? If so or you have any other ideas for other topics you would like to debate or see debated then please let me know. If you want to join but don’t feel confident enough to speak yet then still come along and there won’t be any pressure to speak unless you want to.Our first meeting will be Tuesday 8th October, in the Committee Room (Level 2, Union Building) at 7.30pm. After the debate, we will of course be going to the Student Union Bar. Also this year, in a departure from recent years, we hope to be getting some famous speakers down here. None is presently confirmed, though check the website for details throughout the year. I urge everyone to come along and give it a go. It’s an excellent way to meet new people, have a laugh in the bar and hone a skill that will be useful for the rest of your life. If you are interested or have any questions then please email me at [email protected] Finally I want to wish everyone, particularly the Freshers, a fun and productive year. Hope to see you at Debating Society. Don’t be shy, email the stories from your club or society to [email protected] o.uk and let everyone know about it! SCENE WESSEX PAGE 25 Wessexscene.co.uk Roaming Tiger Southampton representative at important sporting forum in South Africa On his return, I asked Tiger a few questions about his experience in South Africa and his new role as a sporting politician.... What did you think of South Africa? It is without a doubt a very beautiful country. It is a real shame that this beauty is still clouded by the aftermath of Apartheid and there were times when the experience became quite emotional. How has your experience in South Africa changed you? I think I’m a lot more appreciative now of the opportunities that I have had by growing up in Britain. Whether the surroundings made a difference is uncertain, but the 6th FISU Forum certainly tackled the issue of discrimination head on. In the picturesque and political setting of South Africa, 120 delegates from over 30 countries gathered to share views and opinions on the role and world of student sport. FISU (Federation International du Sport Universitaire) is the International governing body of Student Sport. This 6th Forum presented an opportunity for two British students to attend as representatives of British Student Sport. Tiger de Souza (Vice President Student Activities) made it through the selection process and found himself a political delegate in Cape Town on 7th September. What brought about this change? I think learning more about apartheid first hand and visiting places like Robben Island, District Six and the townships had a huge impact on me. Especially, watching the kids from the township playing sport barefoot. I now aim to try asnd make a difference. How are you planning on doing that? Personally I feel that we as students hoard vast amounts of old kit. We throw away perfectly good trainers and football boots and I hope that I will be able to encourage donations of sports clothing and equipment from local charities, schools and students and that we will be able to take that over to South Africa this summer and help improve the sporting opportunities in townships. The conference itself was broken down into sections. The mornings were taken up with presentations made by a variety of guest speakers on issues from Doping and Performance Enhancing drugs through to the role that Student Sport can play in tackling the issues of HIV and Aids. This was followed by discussion on the issues raised in smaller groups and the groups presented their findings to the Forum the following morning. However, The findings of the group were that FISU could do more to represent students and student sport and needed to expand its horizons beyond its elite International program. It was further suggested that this could be achieved through greater links with the student body that it represents. And so historically this Forum Hockey Team Aim to ‘put things right’ Jon Shafe qualities of his predecessor. The Men’s 1st XI hockey team are aiming to improve upon a disappointing season last year. Existing stars of the team include J. Unwin, J. Bowes, H. Reed Herbert and C.Ridley who will be joined by new freshers to produce a side of real quality. A balance between compassion and composure needs to be found in order to sustain the high standard of hockey that was only barely glimpsed last year. It would be justified to conclude that last season was disappointing for Southampton 1st XI hockey. Edged out in the BUSA league to the institute and a quite embarrassing position in the local Saturday table did not reflect the quality fielded. This coming season therefore provides a perfect chance to put things right and begin to establish Wessex as a Hockey side to be reckoned with. Hoops for hope one of the most important issues raised at this Forum was the lack of Student Representation on an International level. The students felt that this issue needed urgent addressing and held an extra meeting in order to debate this issue further. This task is likely to be made more difficult because of an injury to Dave Hemsley, last year’s captain which looks to sideline him for the whole season. A consistent performer last season and a popular captain, Hemsley has had to hand his role over to Roger Ellison who has both the ability and leadership The local Saturday league should be looked at by the team as a chance to experiment with both new players and formations and whilst results are important, performance is their main objective. Consistent performances will then create a platform to create a versatile side that can sparkle in the more important Wednesday BUSA league. The 1st XI is more than equipped and capable of achieving the results needed for a very successful season, they have the talent and now consistency on the pitch is the aim. mn olu c s ’ r o t i d E with Laura King Hi again! Term has unfortunately started so its time for the hard work to begin! I hope you all enjoyed freshers’ week and all you first years have settled in ok. (and recovered from those first week hangovers!) Now that everyone is back from the summer break and fully recouperated the serious business of sport can begin again too! This month we have the excitement of the Walkabout Cup to look forward to. Loads of different sports and the opportunity to thrash (again!) our Institute rivals. Our brave sportsmen and women will be wanting lots of people to come and cheer them on so get along to Wellington on the 13th and get behind the team. Transport there and back is provided so there are no chose to constitute an International excuses! Student Council for Sport. This announcement was made in the It was good to see so many Freshers closing presentation on the last day at the bunfight on Saturday. I hope of the Forum and was issued in the you all enjoyed it and that you had Cape Town Declaration. In addi- the opportunity to meet sports club tion, Tiger was elected the President members and find out a bit more of this International body and as a about various sports and their sociresult both Southampton and eties. Britain will play a pivotal role in the development of student sport on an Congratulations to Tiger for being voted the president of the international level. International Student Council for Any students that are interested in sport. It will hopefully help to finding out more about this Council improve university sports and also or would like to play an active role help to place Southampton on the in its development, should contact sporting map. Tiger on [email protected] PAGE 26 Wessexscene.co.uk intra mural it’s fun.....its run for you! Ben Durrant Intra Mural sports are a great way for students of any sporting persuasion or for those who just want a laugh to get involved in ‘friendly’ team sports, during both the winter and summer periods. Intra Mural sport is run primarily for the university community and for non-university team players, so even if you don’t think you’ll be good enough, why not just give it a go, what’s the worst that could happen? Well apart from minor injuries that is! Getting involved in the sport is easy; all you have to do is form a team within a department (see departmental notice boards), within halls of residence, or just amongst your mates! You can pick up team registration forms from the DSR, sign the ‘CONTACTS’ list on the intra mural notice boards, or attend the relevant registration meeting (see table below). SCENE WESSEX 8000 of you do it every week! The sports take place on a variety of days, so there really is no excuse not to have a go, even if you’re only mildly interested. So what’s stopping you, sign up soon, register a team, and so what if you get battered each week, its always an excuse to drown your sorrows or celebrate down the pub!! BADMINTON (mixed) sports hall BASKETBALL sports hall HOCKEY (mixed) Wellington NETBALL (women) sports hall RUGBY Wide Lane SOCCER (11 a side) Wide Lane SOCCER (5 a side) sports hall SQUASH (mixed) S.U. building, lvl. 1 VOLLEYBALL (mixed) sports hall sports hall Tuesday 16.30-19.00 Friday 12.00-14.00 Sunday 10.30-12.00 14.00-16.00 12.00-13.00 Thursday Sunday 10.00-12.00 14.00-16.00 Wednesday 14.00-16.00 Sunday 10.00-12.00 14.00-16.00 Mon/Tues 12.00-14.00 Friday 20.00-22.00 Wednesday 12.00-14.00 SPORTY? your talents are needed! Want to coach? Need the opportunity to gain qualifications and have fun at the same time? Vo l u n t e e r coaching could be the answer. Becky, is the new DSR Sports Development Officer, and she is looking for volunteers to coach children in a variety of sports. There are a range of opportunities available such as officiating leagues and involvement in the Young Officials Programme, chances to attend sporting occasions such as Wimbledon and free National Governing Body sports coaching awards. Volunteers are also needed to run school leagues, assist in youth centres and coach people with disabilities. Becky is keen to stress that volunteering can be tailored to fit around peoples individual schedules and does not have to take up very much time. It looks great on a CV and can also lead to careers in sport and part time coaching jobs. It can also help to build essential skills such as leadership, teamworking, initiative and self awareness, as well as communication skills, particularly with children. If this appeals and you would like to find out more information, Becky Dance is based at the Department of Sport and Recreation, 38 University Road. Alternatively she can be contacted on 02380 597 168 or at [email protected]. Mountaineering Comes to Southampton Southampton University Athletic Union are one of only 6 venues to have been chosen to host one of the British Mountaineering Councilís illustrated lectures. This will take place on Tuesday 12th November at 6.45pm in the Lanchester lecture theatre, building 7 on the Highfield Campus. The lecture may be of interest to anyone who participates in hill walking, climbing or mountaineering as it will illustrate skills and ideas for the winter outdoor season. Speakers are Andy Perkins (IFMGA guide) and Helen Teasdale from Plas y Brenin outward bound centre. Tickets cost five pounds fifty each and will be available on the door. Laura King Go to the gym, that is! Between 6000 and 8000 people are estimated to use the SUSU fitness suite every week, meaning that over 1000 of us pass through every day. The majority of these users are students with staff making up only around 800 of the weekly total. on the game. Two of these machines have been ordered on trial and will be available from the beginning of November. An electronic card system may also be introduced in the next few months. The system will allow the users fitness programme to be Due to this demand and an increase in the number of students at Southampton, the fitness suite has been enlarged three times in the last four years and it is now over double its original size. Most of the current equipment will be moved to the new sports centre on its completion in December 2003. The new gymnasium will be roughly twice the size of the current one with around 100 stations. Some exciting new pieces of equipment will also be appearing soon. A revolutionary new computerised exercise bike is to be tested in the cardio room. This has a screen on which it is possible to play computer games of the type available on a Playstation 2 console. A choice of games will be available and the resistance level of the pedals will adjust automatically with progress entered on to it and it then records each workout when placed in the holder on a machine. This means that the user can review their workout and also adjust their programme with their fitness instructor if needed. It will be particularly useful to those working towards a specific event or goal or those on a weight loss course. Air resistance machines are also being considered for the weights room. These provide an alternative to metal weights and may be especially useful to those recovering from an injury as they are slightly more maneuverable. Around 1000 students pass through the fitness suite each day New equipment and expansions to the gym are entirely funded by proceeds from the 14 000 sports membership cards. These have also assisted the fitting of new fitness facilities at Glen Eyre Halls and at the Southampton Oceanography Centre. The gym is open from 8am until 9pm weekdays and 9am until 8pm weekends. Sports cards are available from the Department of Sport and Recreation. SCENE WESSEX Wessexscene.co.uk PAGE 27 SPORT WESSEX wessexscene.co.uk 11th Ocotber - ISSUE 757 - PRICELESS Oar-some! Bunfight fun for all! Deep in the depths of the Southampton Students Union Sports Hall, a large collection of sporty people collected to represent the 70 or so sports club. The day was aimed at freshers and they turned up in droves, seemingly keen to try the many weird and wacky sports on offer. Several of the clubs were keen to Row your boat away at Saturday’s Sports Bunfight SPORTS CARD MEMBERSHIP SCHEME 2002/2003 You need a sports card to take part in a any kind of university sport, from playing on the rugby team to once a week aerobics. It also provides savings on the many sports facilities available as well as being necessary for Itra mural sport. There are three kinds of card available: something to suitt both the more and less active person. SPORTCARD: free use of indoor and outdoor courts/pitches, partcipation in Intra mural sport and to make casual bookings up to 7 days in advance. ANNUAL COST: student: £17.00 staff: £23.00 alumni: £40.00 SWIMFITCARD: free use of swimming pool, fitness suite and weights room, attendance at fitness classes and participation in Intra mural sport. 25% discount on selected DSR coaching courses. ANNUAL COST: student: £36.00 staff: £42.00 alunmi: £58.00 SPOFITCARD: advantages of both the above cards and 50% discount om selected DSR coaching courses. ANNUAL COST: student: £46.50 staff: £58.00 alumni £84.00 Users of the fitness suite and weights room must attend an induction courseand pay the relevant fee before using these facilities. recreate their sports, even if it meant dargging a full size yacht into the hall, or sitting precariously balanced in a canoe. The day was a huge success and this should be mirrored in a large turnout for the many sports trials, taking place over the next few days. One can only hope that this will lead to Southampton creeping further up the BUSA ladder.