Composition at the Academy Autumn 2013
Transcription
Composition at the Academy Autumn 2013
Composition at the Academy Autumn 2013 An update from Philip Cashian, Head of Composition As the new academic year fast approaches we’re looking forward to a packed schedule of seminars, projects and concerts for the Autumn 2013 term and I’m delighted to welcome all our new students who are joining the department. Last term ended with John Richards and Dirty Electronics; a project in which nine of our students built their own instruments (one of which used a three metre sheet of paper as an amplifier) and created pieces which they performed at our end of year Composers Platform concert at The Forge in Camden to a packed audience. We are very much looking forward to our Visiting Professor, Sir Peter Maxwell Davies, joining us for a week in October and November for classes and seminars as well as a visit from eminent Norwegian composer Rolf Wallin. Following on from the success of last year’s Mainly New concerts featuring Martijn Padding, Hans Abrahamsen and Morgan Hayes, Rolf will be doing some teaching and giving a lecture as well as introducing a concert of his music on 17 October. Oliver Knussen will be our featured composer in the Spring term and will be giving a masterclass and attending two concerts of his music. Judith Weir will be visiting in October to lead a workshop with the Blossom Street Singers prior to them working on six new student pieces and Academy alumnus Martin Suckling and Swedish composer Rolf Martinsson will be coming in to talk about their work. will Huw Watkins, Alex Wood and Richard Watkins for whom students will be writing horn trios for later in the year. We will also be starting collaborations with choreographers in the dance department at Roehampton University, film makers from the London Film School and animators from the Bristol School of Animation. A number of our students have had recent success outside the Academy including Xiaotian Shi who has won first prize in the Transatlantyk Film Music Competition in Poland During the Autumn term and Rubens Askenaar who students will be having pieces after attending the Campos do workshopped by the Academy Jordão Festival in Brazil won the Symphony Orchestra, the Manson composition competition. He has Ensemble, the string orchestra, also been selected to have his the percussion department work performed in the MATA and a student brass dectet. In Festival in New York City next addition the new music ensemble year. Following hot on the heels of CHROMA will be begin working David Coonan whose Sarcasm’s with six students on new work as No.1 was workshopped by the London Symphony Orchestra back in April (and has an RTE National Symphony Orchestra commission for next year), James Moriarty is a participant on the LSO Panufnik Young Composer Scheme and will have an orchestral piece workshopped by them next February. Academy composers have been busy at the Tête a Tête Opera Festival with Tom Floyd’s opera MICROmegas having its premiere on 10/11 August as well as Laura Bowler’s Size Zero Opera giving the premiere of Academy alumnus Darren Bloom’s opera Kettlehead. Richard Bullen’s The House of Asteria received its first performance at LSO St Lukes in May with Loré Lixenberg and ensemble and Richard was one of four Academy composers to write new choral pieces for the Voices in the Garden project at this year’s Dartington International Summer School. Dates for the diary: composition department open day on 26 September, Academy Manson Ensemble/London Sinfonietta perform Gruppen at the RFH on 6 October, Composers Platform Concert 11 November. www.ram.ac.uk/composition