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Auction July 9, 2014
featuring
Ansel Adam’s View Camera
1
Our Summer 2014 photographic auction will feature historically
significant cameras, lenses and accessories, from the
DeCockDMorgan Collection and will be conducted
on Wednesday, July 9, 2014
The Revival Auction Company is dedicated to providing
rare, vintage and historical products to collectors and
investors worldwide — ”Preserving the Past”—keeping
a connection to the people, products and events that
shaped our country and world.
To register for internet bidding, or to view the lots, visit
www.proxibid.com/revivalauctions
THE REVIVAL AUCTION COMPANY LLC
LIVE AUCTION BIDS
To download a PDF of the entire catalog, visit
www.revivalauctions.com
(203) 269-0569
Bidders will participate on-line
[email protected]
Wednesday, July 9, 2014
www.revivalauctions.com
Auction starts at 7:00 PM EST
EMAIL, FAX AND PHONE BIDS
revivalauctions.com/bidforms
The Revival Auction Company LLC
6 Cooke Road
Wallingford, CT 06492
92
on the back cover:
This presentation and auction
is dedicated to
AUCTION DIRECTOR
Dean Bertoldi
Liliane DeCock Morgan, photographer.
AUCTION MANAGER
Kristine Bertoldi
2
3
DeCock D Morgan
Collection
This collection of historic photographic
equipment can be traced back through Ansel
Adams and three generations of the Morgan
Ansel Adams
(1902 - 1984)
1942, Adam’s work and reputation developed and he focused on
detailed close-ups as well as large scale images. He spent time in
New Mexico with other artists and began to publish essays and
instructional books on photography.
Willard D. Morgan
(1900 - 1967)
By the 1960s, appreciation of photography as an art form had
expanded to the point at which Adam’s images were shown in
large galleries and museums. In 1974, the Metropolitan Museum
of Art in New York hosted a retrospective exhibit. Adams spent
much of the 1970s printing negatives in order to satisfy demand
for his classic works.
During his career, he utilized many assistants to help on location,
spot and print in the darkroom and to assist running his workshops.
Liliane DeCock, at age 24, started to work with Ansel and learn
the fine art of photography and the making of master prints,
staying with him from 1963 until 1972.
family. Spanning seven plus decades of use,
this equipment has recorded iconic images
of people, events and nature of twentieth
century America.
In 1968, Adams gave her his view camera, and she continued to
use this “second hand” equipment for her entire career.
This collection has never been seen or
Ansel Adams said of Liliane’s photography, “DeCock presents
to us a personal, private world. It is a world of individualistic
beauty and intensity. She communicates to all who will respond;
she relates to no particular pattern of concept or execution. Hers
is fine photography—and what more can one say?”
offered to the public before this auction. In
our research, we could not find an Ansel
Adams view camera that has ever been sold
or available prior to the Arca-Swiss we are
presenting. Willard Morgan’s post-war Leica
is also a rare item, and would be a historically
Adams, Hasselblad and 1946 Cadillac, photo by Liliane DeCock
significant addition to any Leica collection.
Willard Morgan using a Leica at a “LIFE Magazine” party,
photo by LIFE photographer Peter Stackpole
We have done our best to accurately present
the items, conditions and provenance of all of
Ansel Adams in Yosemite, photo by Liliane DeCock
these important pieces. Most of the items in
this collection are considered “professionally
used” equipment, and as such, shows signs of
wear and use. We have not made any effort
to clean, repair, adjust or lubricate any of the
items, instead, leaving all items in “as found”
condition for the discerning collector.
Certificates of Authenticity are available to
the buyers on any of the DeCockDMorgan
Collection items listed.
Call or email with questions.
4
Ansel Adams was a prominent photographer of the American
West, particularly Yosemite National Park, using his work to
promote conservation of wilderness areas. His black-and-white
images helped to establish photography as a fine art, and Adams
as one of the finest and most recognized photographers to date.
Adams, with Fred Archer, are regarded as the developers of the
Zone System—a way to determine proper exposure and adjust the
contrast of the final print. The tonal range, clarity and depth are
hallmarks of his large format photographs.
Adams was the last and defining figure in the romantic tradition
of 19th century American landscape painting and photography.
He grew up in a time and place formed by the presidency of
Theodore Roosevelt and “muscular” Americanism, in a new
nation, particularly in the rugged West.
Commercial success followed the introduction of his first portfolio,
Parmelian Prints of the High Sierras, which included his famous
image “Monolith, the Face of Half Dome.” Between 1929 and
Willard Detering Morgan was a photographer, writer, editor, and
educator and the husband of photographer Barbara Morgan,
known for her documentation of Martha Graham’s dances.
Morgan’s career spanned some of the most influential
developments in the history of American photography. He was
instrumental in introducing the first 35 mm camera in the US, was
an early director of photography at MOMA, a writer and editor of
technical publications on photography (from the Leica Manual, to
Ansel Adam’s Basic Photo Series, Encyclopedia of Photography,
to Encyclopedia Britannica), and was a photo editor at LIFE and
LOOK publications.
When Morgan saw the Leica Model A camera in 1928, he wrote
to E. Leitz in New York City and proposed trading two Leica
cameras and accessories for articles and images that would
feature the Leica camera. In 1928, Barbara and Willard Morgan
set out to capture the Southwest landscape on film. Morgan used
these images to illustrate his articles, becoming the first American
photographer to use the 35 mm Leica as a professional camera.
Morgan was offered a position at E. Leitz, Inca. and moved to
New York City in 1930.
5
In 1931, Morgan lectured throughout the US on the use of the 35
mm Leica camera for Leitz. During this time, he also designed a
new Leica projector to accommodate a 2 X 2 inch slide that would
become the industry standard. He created the Leitz publication
Leica Photography in 1932 and continued to publicize the
Leica camera. He also patented the FocoSlide, a copying device
manufactured by Leitz. In 1934, Morgan and Lester Publishers
was founded, and the Leica Manual was published the next year,
edited by Willard Morgan.
Liliane DeCock Morgan
(1939 - 2013)
Morgan’s skill grew as she also contributed more to the
photographic community of that time. In personal correspondence
Ansel Adams, in the mentor role, once wrote, “I have unlimited
faith in you as a person and as a photographer.” She eventually
instructed in and coordinated the Ansel Adams Yosemite Workshops
and was a founding trustee of the Friends of Photography. By the
early 1970s she was recognized as a fine photographer receiving
a number of awards, including a Guggenheim Fellowship in 1972.
Douglas O. Morgan
(1932 - 2007)
Morgan left Carmel in 1972 after her marriage to Douglas
Morgan, publisher of Ansel Adam’s early technical photography
books, who she had met during a workshop in Yosemite Valley. She
moved to the East coast where she started a family and became
involved in the Morgan family businesses. Working with Douglas
and her brother-in-law, Lloyd Morgan, at Morgan and Morgan
publishers and Morgan Press, she edited monographs of prominent
photographers, edited the Photo Lab Index, and contributed to
many other fine photography titles. At the same time she became
master printer for her mother-in-law, famed dance photographer
Barbara Morgan, who, along with her deceased husband, Willard
D. Morgan, had been a colleague and friend of Ansel Adams for
over 40 years.
Starting in 1936, Morgan worked as the first LIFE magazine
contributions editor and in 1938, as director of exhibits at Life
magazine, Morgan was responsible for the first showing of the
Farm Security Administration photographs.
In 1943, the Museum of Modern Art appointed Morgan the first
director of photography and the newly established Photography
Center. Morgan scheduled Ansel Adams to deliver five lectures at
the Center, eventually convincing Adams to write the books that
Morgan and Lester would begin publishing in 1948—The Basic
Photo Series, which are the first of Adam’s publications to include
the Zone System principles.
Willard and Barbara Morgan had their first child, Douglas Oliver
Morgan, in1932, while living in Gramercy Park, NY and a second
son, Lloyd Brooks Morgan in 1935.
Morgan maintained relationships with Beaumont and Nancy
Newhall, Ansel Adams, Margaret Bourke-White, Berenice
Abbott, Albert Boni, Julien Bryan and many others in the fields of
photography and publishing.
Liliane DeCock, photo by Ansel Adams
Liliane DeCock Morgan became a vital part of the West coast fine
photography world and photographic assistant to Ansel Adams
in the early 60’s. Their association had begun when photographer
Brett Weston had recommended Morgan for a short-term position
spotting prints for his Portfolio IV. Adams wrote, “I was quite
impressed with her work from the start and with her perseverance
in finishing off some four thousand prints. She stayed on with
me for a little more than nine years…” Morgan was a full-time
photographic assistant to Adams from 1963 to 1971, and lived
nearby the Adams home in Carmel, California.
During her time working with Adams. She printed his master
works, prepared prints for exhibitions, traveled with him to
capture images, instructed in summer workshops, and was an
integral part of the social environment that connected scores of
artists, intellectuals, and conservationists of that time. Between
1964 and 1967 Morgan supported Adams and Nancy Newhall
as they captured images and stories for Fiat Lux, the University
of California system’s centennial book. She learned the craft
of photography by apprenticeship as well as through her own
experience traveling throughout the United States. It was a
remarkable ascent considering her challenging beginnings as a
child growing up in Belgium during and after World War II.”.
Willard with his Leica at Bandelier National Monument,
New Mexico, 1928, photo by Barbara Morgan
6
Douglas Morgan at Leitz headquarters, Germany
Douglas O. Morgan was born in New York City on May 7, 1932.
As a child during World War II, he and his brother published a
hand-typeset magazine called The Fresh Egg from the family’s
chicken farm in Scarsdale, N.Y. Filled with articles by relatives
and friends living abroad that described a war-ravaged Europe,
the magazine was distributed to neighbors along with eggs from
the farm.
Their mother, Barbara Morgan, was a photographer whose subjects
included dancers and choreographers like Martha Graham, Erick
Hawkins, José Limón, Doris Humphrey and Merce Cunningham.
Each year Adams would grant Morgan 3-6 weeks of vacation in
which she would travel alone around the continental United States
capturing images of rural America.
Liliane DeCock Morgan and Ansel Adams, ca. 1968
Their father, Willard Morgan, was the first picture editor for Life
magazine, the first director of the department of photography
7
at the Museum of Modern Art in New York and the founder of
Morgan & Morgan, publishers of photographic literature. Douglas
Morgan graduated from Colorado College in 1954 and pursued
graduate work in printing management at what is now Carnegie
Mellon University in 1956. He spent two years in the Army Corps
of Engineers in charge of map-making at the Fort Belvoir printing
center in Virginia.
Mr. Morgan began acquiring antique wood types in the 1950s
while managing an independent printing and publishing house that
showcased 20th century photographers. These woodblock letters
and fonts were commonly used in the mid- to late-19th century
for advertisements, posters and handbills. The collection came to
be called the Morgan Press Type Collection, after the company
he had established with his brother, Lloyd, in 1958—Morgan
Press Inc. Printers and Typographers, in Hastings-on-Hudson,
N.Y. The Morgan Press Type Collection, amassed by Douglas and
Lloyd and their Father, is the largest collection of 19th century
wood type in the United States. The Morgan collection, which
also includes foundry type, along with printers cuts, ornaments,
rules, and dingbats, is now housed today at The National Museum
of American History in Washington, part of the Smithsonian
Institution, and makes some of the collection available to
researchers. Printing, photography, art and design were the life
Lot Index
blood of the family. His mother, Barbara Morgan, was a pioneering
artist who photographed Martha Graham,and his father Willard
Morgan was the first picture editor for Life Magazine, as well as
the first Director of the Department of Photography at MOMA,
and founder of Morgan and Morgan, Inca. (initially Morgan and
Lester) publishers of photographic literature. Among the titles
were the first Leica Manual, Ansel Adams Basic Photo Series and
the Photo Lab Index.
After his father died in 1967, Mr. Morgan assumed management
of Morgan and Morgan and published many more books, including
a monograph series of eminent photographers like William
H. Jackson, Andreas Feininger and Ansel Adams, as well as
instructional photography books. He also published all of Ansel
Adams‘ technical photographic books.
Douglas met Liliane DeCock at an Ansel Adams Yosemite
workshop in the early 1970‘s, married and returned to New York
to run the family business.
Douglas was a pioneering printer and publisher of some of the
seminal photographers of the 20th Century, as well as a compiler
of the country’s largest wood-type collection, an inspiration for
the graphic design revolution of the 1960s.
108. Alpa Schneider-Curtagon, Nr. 7452803, f2.8/35 mm
Alpa
97. Alpa Mod. 5, Nr. 37502, chrome, includes a KilfitMakro-Kilar f2.8/ 4cm lens.
lens, black, caps, case and filter.
109. Alpa P-Angenieux Paris Alfitar, Nr. 675788, f2.5/90
mm lens, silver, caps and case.
98. Alpa Mod. 6, Nr. 34288, chrome.
99. Alpa Reflex II,Nr. A21209, Alpa original leather case.
100. Alpa Mod. 6b, Nr. 40254, chrome, with f1.8/50 mm
AR Kern-Macro-Switar, black, Alpa Lens Nr. 929581.
101. Alpa Mod. 6b, Nr. 41099, chrome with f3.5/75 mm
Schneider Alpa-Xenar Nr. 74543xx, black, real nice.
102. Alpa Alnea Mod. 7, Nr. 30901, chrome, with a f3.5/4
cm Kilfit-Makro-Kilar Nr. 211-1386.
110. Alpa Tele-Xenar Schneider, Nr. 5502956, f3.5/135
mm lens, black, made in Germany, includes front cap.
111. Alpa Alefar Old Delf,t Nr. 355091, f4.5/180 mm lens,
Alpa caps, made in Switzerland.
112. Alpa P-Angenieux Paris Alitar, Nr. 1005662, f4.5/180
mm lens, black, with caps and case.
113. Alpa P-Angenieux Paris Alitar, Nr. 795870, f4.5/180
mm lens, black, with caps.
103. Alpa Mod. 9d, Nr. 49110, chrome, with a f1.8/50 mm
Kern-Switar AR Nr. 423956, silver (A rare lens).
113a. Enna Munchen f4/85-250 mm, Nr. 2142166. One
of the rarest Alpa lenses—according to the Alpa Book, in
104. Alpa Reflex I, Nr. 23390, with collapsible, f2.8/5 cm
Old Delft (Holland) Alfinon Nr. 494994.
105. Alpa Standard, Nr. 13125, with f2.9/50 mm Alfar P.
German—only 132 were made!! Alpa Mount with hood
and caps and case
Canon
Angenieux Paris Nr. 48.677 (Ex+), plus cap. Nice, rare,
126. Canon P silver RF camera, Nr. 505350, with f2/35
first type Alpa Standard camera.
mm Canon lens, black, Nr.12758, with front cap.
106. Alpa Reflex Mod. 9d, Nr. A48459, black, with a
127. Canon 7 silver camera, Nr. 980087, with with Canon
f1.8/50 mm Kern-Switar, silver lens Nr.397070 (Ex++).
f1,2/50 mm canon RF lens, Nr.34264, filter.
Includes the Alpa black Leather case, lens cap and red
128. Canon VI-T, Nr. 618150, silver, with meter, and
Alpa original box.
f3.5/50 mm Serenar collapsible lens, Nr.10466—rare
107. Alpa Prisma Reflex III, Nr. 2492, silver with 45 eyeo
From 1964 to 1967, Liliane
worked with Adams on “Fiat
Lux,” a centennial photo
book for the University of
California, photo taken on
December 1, 1966
8
lens—haze (Ex++) plus cap and original case.
level, black prism, 50/1.9mm Schneider-Alpa-Xenon Lens
Nr. 2368243. A rare camera.
129. Canon S-II silver rangefinder camera, Nr. 18951.
Made In Occupied Japan. Also a f1.9/50 mm Serenar lens,
Nr.31687, flaking inside glass (Ex/+).
9
130. Canon Model VT rangefinder camera, nr. 506593,
41. Leica Ig, Nr. 987344, with 50 mm Bright-Line Finder
85. Leica IIIc, Nr. 414186, (1946-47) with f3.5/50 mm
65. Leitz Elmarit (Canada) – R f2.8/135 mm lens,
with f1.8/50 mm black, screwmount Canon lens,
SBOOI.
collapsible Elmar, Nr. 188491.+
Nr. 2404242.
42. Leica M4, Nr. 1180992, with body cap.
86. Leica M4-P, Nr. 1620406, (1983), with original box,
66. Leitz Wetzlar Elmarit – R f2.8/90 mm lens,
manual, cards, strap, cap and M4-2 motor in box, plus
Nr. 2208397.
Nr.201181, with cap and original case.
142. Canon 3.5/28 mm lens in Nikon RF mount, Nr.
10129, with caps. Rare!
Leica f1.4/50 mm Summilux-M “1913-1983”,Nr. 3158065,
(1981), black special edition lens.
69. Leitz Summaron f3.5/35 mm, Nr. 1556079.
89. Leica Standard, Nr. 261951, (1937), silver
87. Leica f1.0/50 mm Noctilux-M, Nr. 3406354, (1986),
44. Leica M5, Nr. 1351095, black 3-lug in box.
Leica Cameras
24. Leicaflex SL2, Nr. 1388048, black, body cap and box.
25. Leicaflex SL2 Mot, Nr. 1391877, with Leicaflex
Motor, hand grip, and box.
26. Leicaflex SL2, Nr. 1393311, 2-lug, black in box.
27. Leicaflex SL2 50-Year Anniversary, Nr. 1393526/182E, 3-lug, black with box.
28. Leicaflex SL2, Nr. 1423454, black with body cap.
29. Leicaflex SL2 Mot, Nr. 1441439, black with handgrip.
33. Leica “O Series” Replica, Nr. 2677019, with box and
card. Catalogue #10500.
34. Leica Standard, Nr. 241801, chrome with 50 mm
Elmar f3,5 Nr. 331588.
35. Leica II, Nr. 194813, chrome with 50 mm Summar f2
Nr. 314717, Meters scale. Cloudy lens.
37. Leica IIIa, Nr. 30216,1 with Summar f2/50 mm,
Nr. 449325, Meters scale. .
38. Leica Ic, Nr. 459597, with Elmar f3.5/50 mm,
Nr. 772583, 50 mm Bright-Line Finder SBOOI, and box.
39. Leica IIc, Nr. 440342, “Sharkskin.” .
40. Leica IIIf, Nr. 717297, Red Dial with Summicron f2/50
mm, Nr. 1103673.
10
with box, #12544 hood and caps.
45. Leica M6, Nr. 1780395, black, in box.
119. Leica M4, Nr. 1247316, (1969-1970), black paint
46. Leica M6J, Nr. 1960-025, with matching Elmar
with original matching number box.
to Leica M
f2.8/50 mm chrome, presentation case, box, Ever Ready
case and certificate.
47. Leicaflex SL2 Mot, Nr. 1441294, black.
122. Leica M3, Nr. 979093, third type, single stroke (with
Leica L seal), includes Leica f4/21 mm Super Angulon M
90. Leica Elmarit f2.8/90 mm, Nr. 1649236 (1959), only
lens, Nr.1672715, and Leica 21 mm finder SBKOO in box.
267 lenses made in screw mount. Leica Lenses
48. Leicaflex SL2, Nr. 1422496, 2-lug, black.
52. Leica M5 50-Year Anniversary, Nr. 1358293, 3-lug,
black, in box.
77. Leica M5, Nr. 1297998, (1972), black, 2 lugs.
79. Leica M2, Nr. 1164736, (1966), silver, sef timer and
preview.
80. Leica M3, Nr. 1045957, (1962), silver, single stroke,
sef timer, preview, third type meter, marks, with f3.5/35
mm Summaron RF lens, Nr. 1555012, (camera has the
Leica “L” seal).
81. Leica Nr., 1034204, (1961), silver, single stroke, sef
timer, preview, third type.
82. Leica M3, Nr. 805596, (1955), double stroke with
f2.8/90 mm Tele-Elmarit M black.
84. Leica IIIa, Nr. 164709, (1935).
88. Zeiss f4.5/21 mm Biogon lens, Nr. 1856171, converted
11. 35 mm Summaron-Elmar Lens Hood FOOKH.
19. Leica PA-Curtagon-R f4/35 mm, Nr. 2452565.
20. Leica Macro-Elmarit-R f2.8/60 mm, Nr. 2497166,
2-cam, 1:1 ring, in box.
21. Leitz Elcan (Canada), Nr.109-0544, black, f2/2 inch,
no mount. A fairly rare lens.
22. Leitz Telyt-R f2.8/180 mm, Nr. 2456965, 2-cam in box.
23. Leitz Telyt-R f4/250 mm, Nr. 2546794, 2-cam in case.
30. leitz Thambar f2.2/90 mm, Nr. 375157, with filter,
center spot and Leicaflex mount.
31. Leitz Telyt f4.8/280 mm, Nr. 2298475.
94. Leica f5/400 mm Telyt, Nr. 332009, (1937-1955), first
version, screw mount for Visoflex.
117. Leica f2/90 mm Summicron, Nr. 1651493, (1957-1962) screw mount SEOOF,built in hood with caps.
118. Leica f2/90 mm Summicron, Nr. 1580397, (19571962) SOOZI, first version Summicron rare lens
approximately 350 to 400 units were made.
120. Leica Hektor f2.5/125 cm Midland, Nr. 1223301,
Canada with hood and caps.
121. Leica f4/90 mm Elmar, Nr. 2089362, (1964-1968),
three element, with Leica metal hood and caps.
123. Leica f2/35 mm Summicron-M, Nr. 2775065, (1976),
consecutive serial number, black lenses, with hoods and
one matching box. Nice, rare find!
Leica Accessories
32. Leitz Telyt-R f6.8/400 mm, Nr. 2478303, outfit with
mis-matched box and non-original shoulder stock
1. Leica table tripod 14100, black crackle lens hood for
#14188).
35mm PA-Curtagon and 60mm macro-Elmarit-R.
48a. Leica Summicron-M f2/50 mm, Nr. 3359948,
4. Leitz 16860 R focussing macro extension bellows, box,
Germany, with box, case and lens shade.
instructions.
11
5. Leica table tripod #14100, grey enamel (2577)
53. Leica VSPOO (#16685), Leica VTROO (#16686) and
178. Leica Universal “Torpedo” black finder, VISET. For
125. Janua/San Giorgio Genova–Sestri, Nr. 450260. An
UOORF (#165080) Includes VSPOO and UOORF boxes.
focal lengths 3.5 cm, 5 cm, 9 cm and 13.5 cm.
Italian Leica copy camera with f3.5/5 cm collapsible San
6. Leica large field 5X magnifier FOOFV (1936) and
a Shull Speed-O-Copy close-up device designed to be
Giorgio “Essegi” lens (1948-1951) Nr.3 50265. Rare outfit.
54. Leica Visoflex II with a 90 degree prism finder.
179. Leica Universal “Torpedo” black finder, VISOR.
for focal lengths 3.5 cm, 5 cm, and 13.5 cm.
mounted on a tripod or copy stand.
70. Leica Motor Winder R3 #14270, Nr. 17525.
camera, Nr. 406C, with f2/50 mm Xenon Schneider180. Leica black and nickel VIDOM, single piece nose.
8. Quick-Load Kit for Leica M2 and M3, in box.
71. Leitz R f2.8/60 mm lens macro extension tube.
8a. Leica NOOBU negative film viewer, chrome, box.
72. Leica-R, 3 extension tube set #14158-2, #14135 and
8b. Leica NATRA negative film viewer, indicator punch.
11a. M lens to R camera adaoter, #14167.
#14134-1 for macro photography.
73. Leica #12514 lens hood for 35mm PA-Curtagon and
60mm macro-Elmarit-R.
11b. Leica #14135 extension tube.
74. Leitz OZWTO #16492, 1st. version, 1951-1962, double
13. Leitz Wetzlar small ball head #14105.
cable release for Visoflex I.
14. Framefinder RASAL. Well used.
75. Leitz universal focusing mount, OTZFO.
15. Right-Angle Finder for Visoflex II #16460.
76. Abrahamsson “Rapidwinder” for M4 and M6.
15a. Leica OTXBO #16460 right-angle finder for Visoflex.
91. Leica Mooly C Motor, Nr. 5623, (1943-1946), black.
Made for the Leica IIIc, a very rare Leica item!
16. Leitz OZTNO #14088 cable release adapter for
M cameras.
147.Leica 35 mm metal bright line finder SBLOO, with
original box and case.
M cameras.
149. Leica Waist Level finder AUFSU.
150. Leica 2.8cm folding finder for Hektor 2.8 cm,
M cameras.
SUOOQ (1934), in black. Crack front glass.
49. E. Leitz Case #98281, catalog #15, Rockleigh, New
151. Leica 9 cm folding finder SEROO.
York. Rare and hard to find Leitz lens case. Stamped
with E. Leitz Inc.
50. E. Leitz Lens Case #6 catalog #98286. Stamped with
152. Leica 13.5 cm cradle type finder, SOOYV.
153. Leica 5cm finder, SBOOI.
E. Leitz Inca. Rockleigh New Jersey USA, #6.
154. Leica 2.8 cm folding finder for Hektor 2.8cm,
51. E. Leitz leather camera case for M4/M5 #14823.
SUOOQ (1934), in black.
131. Sonne C4 silver Italian Leica copy rangefinder
Kreuznach collapsible lens, Nr.3506411. Leather lifting
in corners.
Leica Copies and Miscellaneous
2. Canon IIc, Nr. 57230,outfit including Serenar f1.9/50
mm, Nr. 32900, Canon Auto-Up, Canon Self-Timer, Model
II, Canon Camera Holder, and miscellaneous filters.
Rare, only a few thousand made.
3. Graflex Century Graphic, No. 523198, with red
bellows, (2) 2 1/4 x 3 1/4 film holders, Graflex RH/10
roll film back. Graftar lens f4.5/103 mm. Nice, complete
package!
7. Kodak Chevron, Nr 003037, 2 1/4 x 2 1/4, Ektar
f3.5/78 mm lens, lens cap.
10. Hugo Meyer and Co. Plasmat convertible lens,
Nr. 463295, f6.1/12 inch and f11/25 inch.
12. Kodak Bantam Special, Nr. 24714, Supermatic
shutter, Ektar f2/45 mm lens, a real art deco beauty!
92. Hensoldt Henso STA, Nr. 10841.
93. Hensoldt Henso Iso, Nr. 5804, (1954-1955) f2.8/ 5cm
IRIAR Col. Dr. Hans Hensoldt Lens, Nr. 01362.
96. Kardon Civilian Camera, Nr. 1611.
114. Silvestri Professional wide angle camera, Nr.
69IHT3. Includes (2) Horsman roll film backs. No lens.
132. Kristal #S Italian Made Leica copy camera, Nr.
1071, with f3.5/50 mm collapsible Kirnar Anastigmat
lens, #52 in rear and case (Ex++). This model is Like the
Kristal 3 with a PC outlet in the front of the body
ca. 1952.
133 Melcon II silver Leica copy camera, Nr. 56513, made
in Japan, with f2/5 cm Nikkor-H-C “Nippon-Kogaku”
lens, Nr. 742432, black (Ex+). Includes original leather
case – “Merguro Kogaku, Kogyo Co. Ltd Japan”.
134. Nicca III camera, nr. 32446, with f3.5/3.5 cm
W-Nikkor-C “Nippon-Kogaku” Tokyo Lens, Nr. 425792m.
135. Leotax D IV camera, Nr. 14120, with 5cm f3.5/5 cm
Simlar Tokyo Opt. Co. collapsible lens, Nr.563892. Rare
lens!
136. Minolta 35 Model II, Nr. 36057, with f2.8/ 45mm
Super Rokkor Chiyako Lens, Nr.139754 (1953), sold with
original case.
137. Honor S1 silver camera, Nr. 70374, with 4cm f2.8/4
cm Olympus Zuiko C lens, Nr.60881, haze. Zuiho Opt.
Co. Ltd Japan with original leather case.
148. Mornay Budd 5cm 3.5 finder, 2341DE. Made in the
USA, model 288 Nr.1107.
116. Rectaflex SLR Nr. 24509B, silver, includes a f2/50
mm Xenon Schneider L lens, Nr. 2286685.
124. Gamma III camera, silver with f2.8/50 mm Som
Berthiot Paris Anastigmat, Nr. 963315.
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13
181. Voigtlander Prominent outfit: Voigtlander
Prominent camera, Nr. B49650, with f1.5/50 mm
Nokton lens, Nr. 3867516, with filter and everready
case. Voigtlander f3.5/35 mm Skoparon lens, Nr.
4049751, with case and caps. Voigtlander f4.5/100 mm
Dynaron lens, Nr. 3947191, with original case and caps.
Voigtlander Turnit finder 339/35 for 35mm and 100 mm,
Voigtlander Prominent 310/49 metal Lens hood with
Voigtlander Prominent filter in original leather case
and a hand held meter in case. Includes original system
case, manuals and cable release. A great, complete
Voigtlander outfit for the collector.
Nikon
Rare and Historical
36. Henry Luce Leica IIIa, Nr. 184480. Owned by TimeLife publisher Henry Luce, with Summar f2/50 mm,
Elmar f4/90 mm, Nr. 756657, Universal Finder VIDOM,
and Micro-Ibso microscope accessory.
55. Arca-Swiss 4 x 5 view camera outfit, owned and used
by Ansel Adams from about 1964 until 1968, then by
his assistant, Liliane DeCock. All of the movements are
functioning correctly, and the bellows appears to be light
tight. The lenses stop down and the shutters are working.
Everything that was in the case has been left there. Items
included in this lot include the 4 x 5 Arca-Swiss monorail
camera (note: Arca-Swiss did not serial number these
138. Nikon S2 black dial, Nr. 6186179, with f1.4/5 cm
units due to their modular construction), Wollensak
Nikkor-s.c black lens and half case.
f6.8/13” Raptar, Nr. 971865, Ilex No.4 Ross Express f4/5”,
Nr. 153041, Kodak Ektar f7.7/203 mm, Nr. RE262L,
139. Nikon S2, Nr. 6137536, with f1.4/5 cm Nikkor S-C
compendium lens hood, (2) Graflex graphic film pack
silver lens.
adapters, filters, extra belloiws, dark cloth and the
original carry/shipping case. This is a rare opportunity
140. Nikon S2, Nr. 6171753, with 1.45 cm Nikkor S-C,
to own an iconic camera used by one of, if not, the most
Nr.360990.
prominent photgrapher of our time—WOW!
141. Nikon w-Nikkor-C silver lens, Nr. 256524, f2.5/
56. Willard. D. Morgan’s post-war Leica IIIC,
3.5cm with front metal black cap, in original case
Nr. 418630, (1946-47) accessories and leather case. This
camera was owned by Willard D. Morgan, Leica Pioneer
143. Nikon f3.5/ 2.8 cm W-Nikkor-C Nippon Kogaku
and then Douglas Morgan, his son.
silver lens, Nr. 347459, with caps and case.
57. Leica M5, Nr. 1348688, and four Leitz lenses. Liliane
144. Nikon f2/8.5 cm Nikkor-P.C Nippon Kogaku lens,
DeCock acquired this camera in 1972 as she married
Nr. 399628.
Douglas Morgan, moved to the east coast, and explored
with hood,caps and case
the 35 mm format. She used this camera throughout the
final 40 years of her life.
145. Nikon f3.5/13.5 cm Nikkor-Q-C Nippon Kogaku
silver lens, Nr. 263521, with hood,caps and case.
58. Zeiss Ikon Hologon ultrawide, Nr. P75969, with f8/15
mm Zeiss Hologon lens, Nr. 4851176, filter and case.
146. Nikon f2.5/10.5 cm Nikkor P-C black lens,
Liliane DeCock Morgan purchased this camera in 1972
Nr. 819579, Nippon Kogaku, with hood and caps.
while on their honeymoon in Germany.
59. Leica MDa, Nr. 1379757. This Leica camera was
purchased by Douglas Morgan for his wife, Liliane
DeCock Morgan, on February 27, 1975 in New York.
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Zeiss
60. Calumet 4 x 5 View Camera CC-4nn, Nr. 22155.
This view camera was owned by Douglas Morgan,
son of famed photographer Barbara Morgan and
photographic/publisher Willard D. Morgan. It was
purchased in 1969 when Douglas attended Ansel Adam’s
Yosemite Workshops and revised Adam’s series of photo
books originally published by his father, Willard.
61. Rolleiflex SL66, Nr. 2911430 medium format camera
owned and used by Liliane DeCock. The tag on the case
has her Dobbs Ferry, NY address.
62. Mamiyaflex C2 Camera Nr. 70769. Owned by Liliane
DeCock Morgan. Includes two lenses, a Mamiya-Sekor
f2.8/80 mm, Nr. 669350 and a Mamiya-Sekor f4.5/135
mm, Nr. 234342.
63. Ednalite #681 lens f9/12 in, Nr. 47880. This lens
belonged to Liliane DeCock, and appears to be for large
format photo processing.
64. Goerz Dagor Lens f6.8/12 in, Nr. 391711. Medium
format lens owned by Liliane DeCock Morgan.
67. Weston Ranger 9 Light Meter (Model 348), Nr. 2505,
(1966) Liliane DeCock acquired this light meter while
working with Ansel Adams from 1962-1972. There is a
special Ansel Adams Zone System dial on this meter, an
option at the time.
68. Honeywell Pentax 1/21 Spotmeter. Owned by Liliane
DeCock Morgan. Likely acquired in late 1960s during
her most active time as a photographer.
83. Leica IIIb, Nr. 328030, (1939), self timer, (Specialites-
Tiranty). Being a Tiranty camera (Sold in Occupied
Paris) it was likely used during WW2.
95. Kardon USA Military Camera, Nr. 213, (1949-1955),
lens, Nr. ES1933, (1949-1955). Back plate says “Signal
Corp US Army, Camera PH-629/UF, Contract No.AF
33(038)”.
9. Zeiss Ikon Super Ikonta BX 533/16, Nr. S17825, Zeiss
Tessar f2.8/80 mm.
155. Zeiss Contarex Professional silver camera,
Nr. K45424, with Zeiss f2/50 mm Planar, Nr.3812757.
156. Zeiss Contarex Super silver camera, Nr. P9445, with
Zeiss f1.4/55 mm Planar, black lens, Nr.3969004.
157. Zeiss Contarex Super camera, Nr. P53858, black
with Zeiss f2/50 mm Planar, Nr.4500818, with metal
hood. Slow shutter.
158. Contarex “Bullseye”, Nr. T88976, silver, Zeiss f2.8/50
mm Tessar, Nr.2993819, silver and black leather.
159. Zeiss Contarex “Bullseye”, Nr. E13766, silver, with
Zeiss f4/35 mm Distagon, Nr.3703207, silver and black
leather (M-). Bent lug.
160. Zeiss Contarex Special, Nr. 9U25281, silver, with
Zeiss f1.4/55 mm Planar, silver, Nr.3186264.
161. Zeiss Contarex Electronic, Nr. G36943, black with
meter with Zeiss f4/35 mm Distagon, black lens,
Nr. 3704384, and hood (Ex++), in box.
162. Zeiss Contarex f4/18 mm Distagon, Nr. 4493017,
black Lens with caps and leather case.
163. Zeiss Contarex f2.8/25 mm Distagon, Nr. 3562213,
silver lens, with cap and plastic bubble.
164. Zeiss Contarex f4/35 mm Distagon, Nr. 3258560,
silver lens, with cap and plastic bubble.
165. Zeiss Contarex f2/85 mm Sonnar, silver lens,
Nr. 3287317, with cap and plastic bubble.
166 Zeiss Contarex f4/135 mm Sonnar, silver lens,
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167. Zeiss Contarex f4/135 mm Sonnar, silver lens,
168. Zeiss Contarex f2.8/135 mm Sonnar, black lens,
Nr. 4219657, with caps.
169. 2Zeiss Contarex f2.8/180 mm Sonnar, Nr. 4328012,
olympia black lens with caps,hood, handle and case.
170. Zeiss Contarex f2.8/180 mm Sonnar, Nr. 4328272,
olympia black lens, with caps, hood, handle and case.
Haze.
171. Zeiss Contarex f5.6/400 mm Tele-Tessar,
Nr. 49965563, black with case grip caps. Rare, less
then 400 pieces made!
172. Zeiss Contarex f2.8/40-120 mm Vario-Sonnar,
Nr. 4240325, black lens with caps, hood, case and
handle.
173. Zeiss Contarex f4/85-250 mm Vario-Sonnar black
lens, Nr. 4542551, with handle and hood.
174. Zeiss Contarex f/250 mm Sonnar, Nr. 3525360. Haze
and fungus.
175. 2694 Zeiss contarex extra film back.
176. Zeiss Contarex bulk film back for S/SE, nr. 1350,
with box. Like NEW.$600 $900 $450
177. Zeiss Contarex electronic motor drive and grip,
Nr. 1429.
Ansel Adams in his favorite location, Yosemite, photo by Liliane DeCock
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Ansel Adams
Lot 55/Adam’s Arca-Swiss
4 x 5 camera, lenses and
accessories
Arca-Swiss 4 x 5
This view camera belonged to,
and was used by, Ansel Adams
from ca. 1964 to 1968.
55. Arca-Swiss 4 x 5 view camera outfit, owned and
used by Ansel Adams from about 1964 until 1968.
This view camera was used by Ansel Adams, then given
to Liliane DeCock, his full-time photographic assistant.
Liliane continued to use this equipment during her
time as Ansels’ assistant, and for her own photography
and travels throughout the United States. It has been
retained by her son since her passing in 2013.
All of the movements are functioning correctly, and the
bellows appears to be light tight. The lenses stop down
and the shutters are working. Everything that was in
the case has been left there.
This is a rare opportunity to own an iconic view
camera outfit owned and used by one of he most
prominent photographers of our time—documented
and all original—WOW!
Estimate: $150,000 - $300,000
Condition: Excellent+
Ansel, getting on in years and starting to suffer from arthritic hands in the
Lot 55/Ansel Adam’s 1960’s Arca-Swiss 4 x 5 view camera and carry case
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1960’s, favored the Swiss-Arca 4 x 5 for its light weight and large controls.
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Ansel Adams
Arca-Swiss 4 x 5
Lot 55/Arca-Swiss 4 x 5 camera, back, left and views
“Under the guidance of Ansel Adams and with a 4 x 5
inch camera lent to her by the artist, Morgan began
Lot 55/(2) Graflex 4 x 5 film backs
photographing the landscape and soon developed a unique
vision and printing style which utilizes the full tonal scale
of the medium with a strong attention to the melancholic
values.” Joseph Bellows Gallery
Lot 55/Wollensak 13” and Ilex 5” lenses with compendium lens shade
Reference is made to this camera in Ansel
Adams “The Making of 40 Photographs”
on page 107 when Adams discusses how
he made the image Arches, North Court,
Mission San Xavier del Baca. He says, “I
have many negatives of this portion of
the mission . . . the one I consider most
successful was accomplished in 1968 with
a 4 x 5 Arca-Swiss view camera.”
“Arches, North Court, Mission San Xavier del Bac,” Tucson, Arizona,
1968, photo by Ansel Adams with the Arca-Awiss 4 x 5
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Liliane using this 4 x 5 camera near
Carmel, CA, ca. 1968
Lot 55/Carry case bearing Ansel Adam’s equipoment label and Liliane’s address
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Ansel Adams
Arca-Swiss 4 x 5
Lot 55/Carry case exhibiting 40 years
of service and travel patina
Liliane capturing images with her Arca-Swiss camera
in Yosemite National Park, CA, 1970
Liliane using the same Arca-Swiss 4 x 5 and tripod
given to her by Ansel Adams
“Liliane worked with the famed
“What she really appreciated about that time and about
photographer, Ansel Adams, for nine years,
Ansel was … that he had a very expansive view of
and began her own photography career
what’s possible,” her son said. “She came to him with
after Adams loaned her a camera. She used
not a lot of experience and [he was] able to see that
a four-by-five inch camera lent to her by
potential and nurture it quietly.”
Adams, and she traveled the country on
vacations to photograph landscapes,” said
In 1972, Morgan received a Guggenheim Fellowship
Willard Morgan, her son.
and her work was exhibited at acclaimed venues
including the Witkin Gallery in New York.
That same year, Morgan was married to her husband,
Douglas Morgan. The two had been introduced to each
Adams having his
beard trimmed by
Nancy Newhall,
who wrote the
accompanying text
for his photographs
in “Fiat Lux”, Photo
by Liliane De Cock,
ca. 1966.
other by Adams.“They got married in Ansel Adam’s
living room in Carmel (California), and Ansel Adams
gave my mother away,” Morgan said. “He was in some
ways like a father figure … he really supported her in
all different ways at that phase of her life.”
Lot 55/View camera and tripod.
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Lot 55/Liliane’s Majestic tripod, probably given to her by Ansel
with the Arca-Swiss view camera. Knobs missing on both cranks.
23
Ansel Adams
Arca-Swiss 4 x 5
Lot 55/Arca-Swiss 4 x 5 camera, right view
Lot 55/Various filters, adapter rings and step-up rings
Items included in lot 55:
1. 4 x 5Arca-Swiss monorail camera
(note: Arca-Swiss did not serial number these
units due to their modular construction)
2. Extra bag bellows
3. Wollensak f6.8/13” Raptar, Nr. 971865
4. Ilex No.4 Ross Express f4/5”, Nr. 153041
5. Kodak Ektar f7.7/203 mm, Nr. RE262L
6. (2) Graflex graphic film pack adapters
7. Tiffen step up rings #6, #701 $ 7 to 8
8. Kodak Series VII to VIII step up ring
9. Kodak Series VII step-up ring 1 7/8 to 47.5 mm
10. Wratten gelatin filters
11. Kodak No. 12 VIII glass filter
Lot 55/Carry case with camera, lenses and all accessories.
12. Work orders for shutter speed tests
13. Dark cloth
Lot 55/Extra bellows and dark cloth
14. Compendium lens hood
Lot 55/Work orders for lens calibration
15. Majestic tripod
16. Original carry and shipping case
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Willard D. Morgan
Leica IIIc
Lot 56/Morgan Leica
IIIc in original leather
hard side case
This camera was used by
Willard Morgan from 1946 to 1950.
56. Willard D. Morgan’s Leica IIIc, Nr. 418630, Elmar 35
mm lens Nr. 1556079, accessories and leather case. As “the”
Leica pioneer in the US, Willard Morgan had established a
long-lasting relationship with E. Leitz, Germany. He used
several of their 35 mm cameras throughout his photographic
career—starting in 1928 with a Leica A. This Leica IIIc was
owned and used by Willard from 1946 to 1950.
In 1950, Willard gave the Leica to Douglas Morgan, his son.
Douglas continued using this camera to document various
US trips and family events.
Considered the “father” of Leica 35 mm photography in the
United States, technical writer and Leica designer, original
Willard Morgan Leica equipment is both historically
important and certainly highly collectible—a pivotal piece
for any collection.
Lot 56/Morgan Leica IIIc
Estimate: $20,000 - $50,000
Condition: Excellent
26
Willard D. Morgan composing a vertical “macro” image of the
Contax Camera sales representative!
27
Willard D. Morgan
Leica IIIc
Lot 56/Morgan IIIc bottom,
vulcanite missing below
the lens
Lot 56/Morgan IIIc
front and back views
1. Leica IIIc 35 mm camera, Nr. 418630
2. Leitz Elmar f3.5/35 mm, Nr. 1556079
3. Body cap
4. Ten (10) Tiffen filters
5. Leica E39 13396 swing out polarizing filter
6. Two (2) Leitz filters
7. Leather case
Willard Morgan, through his photos and articles, was
a pioneer in the use of the 35 mm Leica rangerfinder
format in the US. His contributions as a photographer,
designer, writer and typographer are monumental, and
he is certainly a key figure in the development and use of
the Leica camera. This 1946 Leica IIIc, Nr. 418630 is one
of 3 we have identified as being used by Willard in his
Lot 56/Filters
career—the other 2 are a 1928 Leica A and a 1939 IIIb—
all great pieces of Leica history!
28
Willard D. Morgan, with cigar in hand and Leica in lap
Douglas O. Morgan, Leica IIIc and camera bag at Mesa Verde
29
Liliane DeCock
This equipment list on Morgan and Morgan letterhead,
identifies Liliane’s Arca-Swiss camera as well as a Leica
M4 and lenses. Two of these lenses are included with lot
Leica M5
51. This would indicate she either sold the M4 and bought
the M5, or used two Leica 35 mm cameras.
1. Camera body with leather strap, black
2. Leitz Canada Summicron f2/35 mm, Nr. 2316741, black
3. Leitz Wetzlar Elmar – C f4/90 mm, Nr. 2576575, black
4. Leitz Wetzlar Elmarit f2.8/90 mm, Nr. 2374573, black
6. Leitz Canada Elamrit f2.8/135 mm, Nr. 2325739, black
7. Leather Case
Lot 57/DeCock M5 kit
Lot 57/Undated equipment list
57. Leica M5, Nr. 1348688, and four Leitz lenses.
Liliane DeCock acquired this camera as she
married Douglas Morgan, moved to the east coast,
and explored the 35 mm format. She used this
camera throughout the final 50 years of her life. The
Lot 57/Leitz Elamrit 1:2.8/135
camera was probably purchased during Liliane
and Douglas’ honeymoon to Belgium and Germany
in 1972.
Estimate: $4,000 - $8,000
Lot 57/Leica M5
front, back and
bottom views
Lot 57/Leitz Elmar – C 1:4/90
Lot 57/Leitz Elmarit 1:2.8/90
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31
Liliane DeCock
Zeiss Hologon
58. Zeiss Ikon Hologon
ultrawide, Nr. P75969, with
f8/15 mm Zeiss Hologon lens,
Nr. 4851176, filter and case.
Liliane DeCock Morgan and
Douglas Morgan purchased this
camera in 1972 while on their
honeymoon in Germany. It was
rarely used and is in excellent
condition.
Estimate: $5,500 - $9,000
Condition: Excellent++
Lot 58/Zeiss Hologon, front, back and
bottom views
Lot 58/Zeiss Hologon Camera
Lot 58/Zeiss Hologon case views
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Liliane DeCock
Leica MDa
Liliane DeCock
Mamiyaflex C2
Lot 59/DeCock Leica MDa, back, bottom and
top views
Lot 62/Mamiyaflex C2, front side and back views
62. Mamiyaflex C2 Camera,
Nr. 70769. Owned and used
by Liliane DeCock Morgan.
Includes two lenses, a MamiyaLot 59/DeCock Leica MDa, camera, box and warranty card
Sekor f2.8/80 mm, Nr. 669350,
and a Mamiya-Sekor f4.5/135
59. Leica MDa, Nr. 1379757. This Leica camera was purchased
mm, Nr. 234342. Also included
by Douglas Morgan for his wife, Liliane DeCock Morgan, on
in this kit is a Luna Pro meter,
February 27, 1975 in New York State. Includes box, registration
a Leica large ball head and the
card, and sales slip. Real nice condition.
original canvas case.
Estimate: $1,200 - $2,400
Estimate: $250 - $500
34
Lot 62/Canvas case
Lot 62/Mamiyaflex C2, Leica ball head, 135 mm lens and Luna Pro meter
35
Douglas Morgan
Lot 60/Calumet 4 x 5 with Ilex-Calumet
Series-S Caltar 8 ½” lens
Calumet 4 x 5
60. Calumet 4 x 5 View Camera CC-4nn, Nr. 22155. This
1. Calument view camera, Nr. 22155
view camera was owned by Douglas Morgan, son of famed
2. Ilex 8 1/2” lens, Nr. 2612
photographer Barbara Morgan and photographic publisher
3. Ilex 90 mm lens, Nr. 2729
Willard D. Morgan. It was purchased ca. 1969 in California when
4. Four (4) Graflex 4 x 5 film holders
Douglas attended Ansel Adam’s Yosemite Workshops and revised
6. Metal carry case
Adam’s series of photo books, originally published by his father,
Willard D. Morgan. The camera is in good condition with two
lenses, an Ilex-Calumet Series-S Caltar, Nr. 2612, f4.8/8 ½” (215
mm) and an Ilex-Calumet Wide Field Caltar, Nr. 2729, f8/90 mm.
Lot 60/Ilex-Calumet Wide Field
Douglas traveled with the camera to Germany in 1972 on his
Caltar 90 mm lens
honeymoon with photographer and former Ansel Adams Assistant
Liliane DeCock Morgan. Set also includes four (4) 4 x 5 film
holders and the original metal case.
Estimate: $1,500 - $3,000
Lot 60/Calumet 4 x 5, top, back
and bottom views
Lot 60/Calumet 4 x 5 top view
Lot 60/Calumet 4 x 5 film holders
Lot 60/Metal carry case
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37
Liliane DeCock
Rolleiflex SL66
Lot 61/Rolleiflex SL66 back,
right and left views
Lot 61/Rolleiflex SL66 50 mm and 150 mm lenses
Lot 61/Rolleiflex SL66 complete kit
Lot 61/Prism finder, extra back and hood
61. Rolleiflex SL66, Nr. 2911430, medium format
camera owned and used by Liliane DeCock later
on in her career. The tag on the case has her
Dobbs Ferry, NY address.
1. Camera body, Nr. 2911430
Estimate: $2,500 - $4,000
Lot 61/Rolleiflex SL66 Polaroid Land Pack magazine
#977140, 6cm x 6cm
2. Zeiss f4/80 mm Planar, Nr. 5039912
3. Zeiss f4/50 mm Distagon, Nr. 4687543
4. Zeiss f4/150 mm Sonnar, Nr. 4732744
6. 45 degree prism finder
7. Hood 80 mm - 250 mm
8. Two (2) Film backs, Nr. 23415 and Nr. 2108
9. Various filters
10. Rolleiflex SL66 Polaroid Land Pack #977140
Lot 61/“Morgan”
name tag on case
11. Rollei aluminum camera case
Lot 61/SL66, lenses and accesories in case
Lot 61/Rolleiflex SL66 filters
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39
Liliane DeCock
Ednalite Lens
Liliane DeCock
Light Meters
67. Weston Ranger 9 Light Meter
Model 348 Nr. 2505 (1966) Liliane
DeCock acquired this light meter while
working with Ansel Adams from 19621972. There is a special Ansel Adams
Zone System dial on this meter, an
option at the time. Inside the leather
case is written Liliane’s address at the
time. It was a favorite of Ansel Adams,
finding it perfect for his Zone system of
exposure, developing and printing. j
Estimate: $50 - $100
63. Ednalite #681 lens f9/12 in., Nr. 47880. This lens
belonged to Liliane DeCock, and appears to be for
large format photo processing. Glass is very cloudy.
Estimate: $100 - $200
Condition: Good
68. Honeywell Pentax 1/21
Spotmeter owned by Liliane DeCock
Morgan. Likely acquired in late
1960s during her most active time
as a photographer.
40
41
Liliane DeCock
Goertz Dagor Lens
64. Goerz Dagor Lens f6.8/12 in., Nr. 391711.
Medium format lens owned by Liliane DeCock
Morgan. Heavily used, definite haze, but
functions fine.
Estimate: $250 - $500
Condition: Good
1. Leica table tripod 14100, black crackle paint
Condition: Mint–
42
43
2. Canon IIc, Nr. 57230, outfit including Serenar f1.9/50 mm,
3. Graflex Century Graphic, Nr. 523198, with
Nr. 32900, Canon Auto-Up, Canon Self-Timer, Model II, Canon Camera
red bellows, (2) 21/4x31/4 film holders, Graflex
Holder, and miscellaneous filters. Rare, only a few thousand made.
RH/10 roll film back. Graftar lens f4.5/103 mm.
Estimate: $250 - $500
Estimate: $200 - $400
44
45
4. Leitz #16860 R focussing macro
extension bellows, box and
instructions.
5. Leica table tripod 14100, grey enamel
Estimate: $150 - $300
Condition: Mint–
Condition: Mint–
46
47
6. Leica large field 5X magnifier FOOFV (1936) and a Shull
Speed-O-Copy close-up device designed to be mounted on a
7. Kodak Chevron, Nr. 003037, 2 1/4 x 2 1/4, Ektar f3.5/78
tripod or copy stand.
mm lens and lens cap.
Estimate: $150 - $300
Estimate: $250 - $500
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49
8. Quick-Load Kit for Leica M2
and M3, in box.
Estimate: $60- $120
Condition: Mint
8a. Leica NOOBU negative film
viewer, chrome in box. Mark
from tape on barrel.
Estimate: $75- $150
8b. Leica NATRA negative film
viewer with indicator punch.
Nickel finish.
Estimate: $75- $150
9. Zeiss Ikon Super Ikonta BX 533/16, Nr. S17825, Zeiss Tessar f2.8/80 mm,
with the Albada 133/16 sports finder. Tiny piece of vulcanite missing on
bottom plate.
Estimate: $250-$400
50
51
11. Leitz 35 mm Summaron-Elmar
Lens Hood FOOKH.
Estimate: $50 - 100
11a. M lens to R camera adapter,
#14167. Also for Visoflex lenses.
Condition: Mint–
11b. Leica 14135 extension tube.
Estimate: $35 - $70
Condition: Mint–
10. Hugo Meyer and Co. Plasmat convertible lens, Nr.
463295, f6.1/12 inch and f11/25 inch. Compound V
shutter, largest mechanical shutter ever produced.
Estimate: $950 - $1,600
52
53
12. Kodak Bantam Special, Nr. 24714, Supermatic shutter, Ektar f2/45
mm lens. Small chipping on view finder eyepiece and a tiny nick on top of
viewfinder. A real art deco beauty!
13. Leitz Wetzlar small ball head #14105.
Estimate: $250 - $500
Estimate: $40 - $80
54
55
15. Leitz right-Angle Finder for Visoflex II #16460.
15a. Leica OTXBO #16460 Right-Angle Finder
14. Leitz frame finder RASAL. Well used.
for Visoflex II.
56
57
16. Leitz OZTNO 14088 cable release
adapter for M cameras with box. Three
different engraved versions exist, all
three are listed here.
adapter for M cameras with box. Three
different engraved versions exist, all
three are listed here.
adapter for M cameras. Three different
engraved versions exist, all three are
listed here.
Estimate: $35 - $80
19. Leica PA-Curtagon-R f4/35 mm, Nr. 2452565, hood in box.
Marked “Made for Leicaflex.”
Estimate: $250 - $450
58
59
20. Leica Macro-Elmarit-R f2.8/60 mm lens,
Nr. 2497166, 2-cam, 1:1 ring with box. See lot 71 for the Leitz
21. Leitz Elcan (Canada), Nr.109-0544, black, f2/2 inch, no mount. A very
Wetzlar macro extension tube for R f2.8/60 mm lens.
rare lens, sometimes used in military applications. Threads are 44mm.
Estimate: $250 - $450
Estimate: $600 - $1200
Condition: Mint -
Condition: Mint–
60
61
22. Leitz Telyt-R f2.8/180 mm, Nr. 2456965, 2-cam in box.
23. Leitz Telyt-R f4/250 mm, Nr. 2546794, 2-cam in case.
Estimate: $200 - $400
Estimate: $200 - $400
62
63
24. Leicaflex SL2, Nr. 1388048, black with
25. Leicaflex SL2 Mot, Nr. 1391877, with Leicaflex
body cap and box.
Motor, hand grip and box.
Estimate: $400 - $600
Estimate: $600 - $1,200
Condition: Mint–
64
65
27. Leicaflex SL2 50-Year Anniversary,
Nr. 1393526/182-E, black
26. Leicaflex SL2, Nr. 1393311, black in box.
with box.
Estimate: $300 - $600
Estimate: $500 - $1,000
66
67
28. Leicaflex SL2, Nr. 1423454, black with body cap.
29. Leicaflex SL2 Mot, Nr. 1441439, black with handgrip.
Estimate: $450 - $850
Estimate: $400 - $800
68
69
30.Leitz Thambar f2.2/ 90 mm, Nr. 375157, with filter and
original center spot. The lens elements are removable and can be
used separately. The focussing mount is custom made from Leica
components to allow the elements to be adapted to the Leicaflex. A
31. Leitz Telyt f4.8/280 mm,
unique and rare item! Lens cloudy.
Nr. 2298475.
Estimate: $900 - $2,000
Estimate: $500 - $500
70
71
32. Leitz Telyt-R f6.8/400 mm, Nr. 2478303, outfit with box and newer
33. Leica “O Series” Replica, Nr. 2677019, with letaher case, box and card. Only one roll of film has
original shoulder stock (in box #14188).
been through this camera! Catalogue #10500.
Estimate: $500 - $800
Estimate: $900 - $1,800
Condition: Mint
72
73
34. Leica Standard, Nr. 241801, chrome with
35. Leica II, Nr. 194813, chrome with Summar f2/50 mm, Nr. 314717.
Elmar f3.5/50 mm, Nr. 331588.
Meters scale. Cloudy lens.
Estimate: $200 - $400
Estimate: $200 - $400
74
75
36. henry Luce Leica IIIa, Nr. 184480, (1936). Owned by Time-Life publisher Henry Luce. Hazy Summar f2/ 50 mm with
cleaning marks, Elmar f4/90 mm, Nr. 756657, Universal Finder VIDOM, and Micro-Ibso microscope accessory. Camera
shutter is sluggish. Signs of very heavy usage. A letter from the owner accompanies this lot.
Estimate: $3,000 - $4,500
Condition: Good
76
77
38. Leica Ic, Nr. 459597, with Elmar f3.5/50 mm, Nr. 772583,
37. Leica IIIa, Nr. 302161, with Summar f2/50 mm, Nr. 449325.
50 mm Bright-Line Finder SBOOI, lens cap, original leather
Meters scale.
Leica case and box. Lens has meters scale and is cloudy.
Estimate: $150 - $300
Estimate: $300 - $600
78
79
40. Leica IIIf, Nr. 717297, Red Dial with Summicron f2/50 mm,
39. Leica IIc, Nr. 440342, “Sharkskin.”
Nr. 1103673. Fully serviced by Leitz Rockleigh. Lens is hazy.
Marks on bottom.
Estimate: $200 - $400
Estimate: $150 - $300
80
81
41. Leica Ig, Nr. 987344, with 50 mm Bright-Line Finder SBOOI.
Estimate: $400 - $800
Estimate: $1,500 - $3,000
Condition: Mint–
82
83
44. Leica M5, Nr. 1351095, 3-lug, black in box.
Estimate: $700 - $1,400
Estimate: $500 - $1,000
Condition: Mint–
84
85
46. Leica M6J, Nr. 1960-025, with matching Elmar f2.8/50 mm lens, chrome.
45. Leica M6, Nr. 1780395, black in box.
Presentation case, box, Ever Ready case and certificate. This camera was
Estimate: $850 - $1,350
never used, only removed from packaging to be photographed for “Leica, an
Condition: Mint–
Illustrated History Vol. III”
Estimate: $6,000 - $9,000
Condition: Mint
86
87
47. Leicaflex SL2 Mot, Nr. 1441294, black.
48. Leicaflex SL2, Nr. 1422496, black.
Estimate: $400 - $800
Estimate: $350 - $600
88
89
48a. Leitz Summicron-M f2/ 50 mm lens, Nr. 3359948,
49. E. Leitz Case 98281, catalog #15, Rockleigh, New York.
Germany, with box, case and lens shade.
Stamped with E. Leitz Inc. Rare and hard to find Leitz lens case.
Estimate: $750 - $1,500
Condition: Mint–
90
91
50. E. Leitz Lens Case #6 catalog #98286. Stamped with E. Leitz
51. E. Leitz leather camera case for M4/M5, catalog #14823.
Inc. Rockleigh New Jersey USA, #6.
Includes case, carry strap and box.
92
93
53. Leica VSPOO (16685), helical focusing mount with screw
adapter ring for 50 mm Summicron, Leica VTROO (16686)
aperture setting ring for 50 mm Summicron and UOORF
52. Leica M5 50-Year Anniversary, Nr. 1358293, 3-lug, black in
(165080) adapter ring for lens head of rigid 50 mm Summicron.
box. Slight depression on one end above strap lug.
Includes VSPOO and UOORF boxes and and axtra UOORF ring.
Estimate: $600 - $1,300
Estimate: $100 - $200
94
95
65. Leitz Canada Elmarit – R f2.8/135 mm lens, Nr. 2404242. Has fungus.
Estimate: $250 - $500
Condition: Good
66. Leitz Wetzlar Elmarit – R f2.8/90 mm lens, Nr. 2208397.
54. Leica Visoflex II with a 90 degree prism finder.
Specs of dirt in lens.
Estimate: $100 - $200
Estimate: $250 - $500
96
97
69. Leitz Summaron f3.5/35 mm lens,
Nr. 1556079. Includes both caps.
70. Leica Motor Winder R3 14270, Nr. 17525.
Estimate: $250 - $400
Condition: Mint–
98
99
71. Leitz Wetzlar macro extension
tube for R f2.8/60 mm lens.
Condition: Mint–
73. Leica #12514 lens hood for 35mm
PA-Curtagon (see lot # 19) and
60mm macro-Elmarit-R lenses. Some
minor shiny flecks on rim and inside
of hood.
Estimate: $20 - $40
72. Leica-R, 3 extension tube set 14158-2, 14135
and 14134-1 used for macro photography with the
Leica SL-R camera. Includes one (1) cap.
Condition: Mint–
74. Leitz OZWTO/16492, 1st. version, 1951-1962,
double cable release for Visoflex I.
Estimate: $30 - $60
100
101
75. Leitz universal focusing mount.
Code: OTZFO (16464k).
Condition: Mint–
76. Abrahamsson “Rapidwinder” for M4
and M6 cameras. Utilizes stainless parts
including trigger for use in tropical climates.
Made in Canada.
77. Leica M5, Nr. 1297998 (1972), black, 2 lugs.
Estimate: $200 - $300
Estimate: $500 - $800
Condition: Exceleent
102
103
79. Leica M2, Nr. 1164736, (1966), silver, self timer,
preview, light marks on base and top plates.
Estimate: $400 - $650
Estimate: $500 - $800
104
105
80. Leica M3, Nr. 1045957, (1962), silver, single
stroke, sef timer, preview, third type meter, marks,
with f3.5/35 mm Summaron RF lens, Nr. 1555012,
81. Leica M3, Nr. 1034204, (1961), silver, single
(camera has the Leica “L” seal).
stroke, sef timer, preview, third type.
Estimate: $800 - $1,150
Estimate: $600 - $900
106
107
83. Leica IIIb, Nr. 328030, (1939), self timer,
(Specialites-‐Tiranty), dent on left side. As a
82. Leica M3, Nr. 805596, (1955), double stroke with
Tiranty camera, (Sold in Occupied Paris) it was
f2.8/90 mm Tele-‐Elmarit M black (Ex+ haze).
likely used during WW2. Very rare camera.
Estimate: $400 - $850
Estimate: $600 - $950
108
109
85. Leica IIIc, Nr. 414186, (1946-47) with
84. Leica IIIa, Nr. 164709, (1935).
f3.5/50 mm collapsible Elmar, Nr. 188491.
Estimate: $200 - $400
Estimate: $200 - $400
110
111
86. Leica M4-P, Nr. 1620406, (1983), silver, sold with original box,
manual, cards, strap, cap and M4-2 motor in box. Also includes the
Leica f1.4/50 mm Summilux-M “1913-1983”, Nr. 3158065, (1981),
black special edition lens. Complete with original box, metal hood
87. Leica f1.0/50 mm Noctilux-M, Nr. 3406354,
and caps.
(1986), with box, #12544 hood and caps.
Estimate: $4,000 - $6,000
Estimate: $4,000 - $8,000
Condition: Mint–
112
113
88. Zeiss f4.5/21 mm Biogon lens, Nr. 1856171, converted to Leica M
bayonet mount.
89. Leica Standard, Nr. 261951, (1937), silver.
Estimate: $500 - $900
Estimate: $200 - $400
114
115
90. Leica Elmarit f2.8/90 mm, Nr. 1649236, (1959). Only 267 lenses
91. Leica Mooly C Motor, Nr. 5623, (1943-1946),
were made in screw mount. Includes Leica box, Leica metal hood
black. Made for the Leica IIIc, includes Leica IIIc,
#12575 with front cap, Leica UVA filter, screw mount front and
Nr. 396373. Vulcanite missing on camera. A very
rear caps.
rare Leica item!
Estimate: $800 - $1,600
Estimate: $3,800 - $6,000
116
117
93. Hensoldt Henso Iso Reporter Camera,
Nr. 5804, (1954-1955), with f2.8/5cm
92. Hensoldt Henso Standard, Nr. 10841, (1953-1954), with f2.8/5 cm
IRIAR collapsible Dr. Hans Hensoldt Lens,
IRIAR collapsible lens.
Nr. 01362, and original case.
Estimate: $1,000 - $2,000
Estimate: $1,700 - $3,500
Condition: Mint–
118
119
95. Kardon USA Military Camera, Nr. 213 z
94. Leica Telyt f5/400 mm, Nr. 332009,
(1949-1955), lens, Nr. ES1933, (Ex++, 1949-1955).
(1937-1955), first version, screw
Back plate says “Signal Corp US Army, Camera
mount for Visoflex.
PH-629/UF, Contract No.AF 33(038)”
Estimate: $700 - $1,400
Estimate: $2,000 - $4,000
120
121
96. Kardon Civilian Camera, Nr. 1611,
97. Alpa Mod. 5, Nr. 37502, chrome. Bottom
(1947-1948), includes original cap and
loose. Also includes a Kilfit-Makro-Kilar
leather case.
f2.8/ 4cm lens.
Estimate: $1,500 - $3,000
Estimate: $900 - $1,800
122
123
99. Alpa Reflex II, Nr. A21209, with Alpa original
98. Alpa Mod. 6, Nr. 34288, chrome.
leather case.
Estimate: $750 - $1,500
Estimate: $800 - $1,600
124
125
100. Alpa Mod. 6b, Nr. 40254, chrome, with f1.8/50 mm
101. Alpa Mod. 6b, Nr. 41099, chrome with f3.5/75 mm
AR Kern-Macro-Switar, black, Alpa Lens, Nr. 929581.
Schneider Alpa-Xenar, Nr. 74543xx, black, real nice.
Estimate: $900 - $1,800
Estimate: $750 - $1,500
126
127
102. Alpa Alnea Mod. 7, Nr. 30901, chrome, with a
f3.5/4 cm Kilfit-Makro-Kilar, Nr. 211-1386, some marks,
103. Alpa Mod. 9d, Nr. 49110, chrome, with a f1.8/50 mm Kern-Switar
includes cap.
AR lens, Nr. 423956, (A rare lens). Lens has some cleaning marks.
Estimate: $800 - $1,600
Estimate: $900 - $1,800
128
129
104. Alpa Reflex I, Nr. 23390, with collapsible, f2.8/5 cm
105. Alpa Standard, Nr. 13125, with f2.9/50 mm Alfar P.
Old Delft (Holland) Alfinon, Nr. 494994, haze,
Angenieux Paris, Nr. 48.677, (Ex+), plus cap. Nice, rare, first
light marks.
type Alpa Standard camera.
Estimate: $900 - $2,000
Estimate: $1,000 - $2,000
130
131
107. Alpa Prisma Reflex III, Nr. 2492, silver with 45o eye-level, black prism
106. Alpa Reflex Mod. 9d, Nr. A48459, black, with a f1.8/50 mm Kern-Switar, silver lens,
(one of the earliest Prism SLR’s), with 50/1.9mm Schneider-Alpa-Xenon
Nr.397070, (Ex++). Some paint chips on edge and back of camera, otherwise real nice. Includes
Lens, Nr.2368243, (haze in glass otw Ex++). Includes Alpa original red
the Alpa black Leather case, lens cap and red Alpa original box.
box. Rare camera—one recently sold for $3,600.
Estimate: $900 - $1,800
Estimate: $1,800 - $3,600
132
133
108. Alpa Schneider -Curtagon, Nr. 7452803, f2.8/35 mm
109. Alpa P-Angenieux Paris Alfitar, Nr. 675788, f2.5/90 mm lens, silver,
lens, black, caps, case and filter.
caps and case. Needs Cleaning.
Estimate: $300 - $600
Estimate: $400 - $800
134
135
110. Alpa Tele-Xenar Schneider, Nr. 5502956, f3.5/135 mm lens,
111. Alpa Alefar Old Delft, Nr. 355091, f4.5/180 mm lens, Alpa
black, made in Germany, includes front cap.
caps, made in Switzerland.
Estimate: $175 - $350
Estimate: $175 - $350
136
137
112. Alpa P-Angenieux Paris Alitar, Nr. 1005662,
113. Alpa P-Angenieux Paris Alitar, Nr. 795870, f4.5/180 mm lens,
f4.5/180 mm lens, black, with caps and case.
black, with caps.
Estimate: $225 - $400
Estimate: $225 - $400
138
139
113a. Enna Munchen f4/85-250 mm, Nr. 2142166.
One of the rarest Alpa lenses—according to the
114. Silvestri professional wide angle camera (made in
Alpa Book, in German—only 132 were made!! Alpa
Italy), Nr. 69IHT3. Includes (2) Horsman roll film backs
Mount with hood and caps and case.
(mint-) (1) 6 x 9 and (1) 6 x 7. No lens.
Estimate: $100 - $250
Estimate: $1,000 - $2,100
140
141
115. Robot Royal Mod III, Nr. G-117758, with
f2.8/38 mm Xenar Schneider-Kreuznach lens,
116. Rectaflex SLR, Nr. 24509B, silver, includes a f2/50 mm Xenon
Nr. 3622504.
Schneider L lens, Nr. 2286685. Cleaning marks.
Estimate: $500 - $1,000
Estimate: $400 - $800
142
143
118. Leica f2/90 mm Summicron, Nr. 1580397, (1957-1962) SOOZI, first
version Summicron bayonet mount lens with hood, made in Midland,
Canada. Rare lens approximately 350 to 400 units were made, with a
117. Leica f2/90 mm Summicron, Nr. 1651493, serial number range from 1,459,00 to about 1,650,000. Smooth focusing,
(1957-1962) screw mount SEOOF with built in hood
barrel shows heavy wear, cleaning marks on glass, no haze, no oil on
with caps.
blades. Leica code SOOZI-M #11127.
Estimate: $600 - $1,200
Estimate: $750 - $1,500
Condition: Excellent-
144
145
119. Leica M4, Nr. 1247316, (1969-1970), black
paint with original matching number box. Includes
body cap and Leica leather case. Camera showing
120. Leica Hektor, Nr. 1223301, f2.5/125 cm lens.
brass on edges. A very nice original camera!.
Made in Midland, Canada with hood and caps.
Estimate: $2,500 - $4,000
Estimate: $500 - $1,000
146
147
121. Leica f4/90 mm Elmar, Nr. 2089362,
122. Leica M3, Nr. 979093, third type, single stroke (with Leica L
(1964-1968), three element, with Leica metal
seal), meter marks. Includes Leica f4/21 mm Super Angulon M lens,
hood and caps.
Nr.1672715, and Leica 21 mm finder SBKOO in box.
Estimate: $500 - $1,000
Estimate: $900 - $1,800
148
149
123. A pair of Leica f2/35 mm Summicron-M, black lenses, Nr. 2775064 and
124. Gamma III camera, Nr. 10283,
Nr. 2775065, (1976)—consecutive serial numbers! Includes hoods, caps and one
silver with f2.8/50 mm Som Berthiot
matching box. Nice, rare find!
Paris Anastigmat lens, Nr. 963315.
Estimate: $3,500 - $6,000
Estimate: $1,000 - $2,000
Condition: Mint–
150
151
125. Janua/San Giorgio Genova–Sestri, Nr. 450260.
An Italian Leica copy camera with f3.5/5 cm
collapsible San Giorgio “Essegi” lens, Nr.350265,
126. Canon P silver RF camera, Nr. 505350, with f2/35 mm
(1948-1951). Includes black hood. Nice, Rare outfit.
Canon lens, black, Nr.12758, with front cap.
Estimate: $3,000 - $6,000
Estimate: $300 - $600
152
153
128. Canon VI-T, Nr. 618150, silver, with
127. Canon 7 silver camera, Nr. 980087,
meter, and f3.5/50 mm Serenar collapsible
with with Canon f1,2/50 mm canon RF lens,
lens, Nr.10466—rare lens—haze (Ex++)
Nr.34264, filter.
plus cap and original case.
Estimate: $450 - $900
Estimate: $350 - $700
154
155
129. Canon S-II silver rangefinder camera,
130. Canon Model VT rangefinder camera,
Nr. 18951. Made In Occupied Japan. Also a
Nr. 506593, with f1.8/50 mm black,
f1.9/50 mm Serenar lens, Nr.31687, flaking
screwmount Canon lens, Nr.201181, with
inside glass (Ex/+).
cap and original case.
Estimate: $150 - $300
Estimate: $300 - $600
156
157
132. Kristal #S Italian Made Leica copy
131. Sonne C4 silver Italian Leica copy
camera, Nr. 1071, with f3.5/50 mm
rangefinder camera, Nr. 406C, with f2/50
collapsible Kirnar Anastigmat lens, #52 in
mm Xenon Schneider-Kreuznach collapsible
rear and case (Ex++). This model is Like
lens, Nr.3506411 (Ex++/M-). Leather lifting in
the Kristal 3 with a PC outlet in the front of
corners.
the body ca. 1952.
Estimate: $750 - $1,500
Estimate: $1,500 - $2,500
158
159
133. Melcon II silver Leica copy camera, Nr. 56513,
made in Japan, with f2/5 cm Nikkor-H-C “NipponKogaku” lens, Nr. 742432, black (Ex+). Includes
134. Nicca III camera, nr. 32446, with f3.5/3.5
original leather case – “Merguro Kogaku, Kogyo
cm W-Nikkor-C “Nippon-Kogaku” Tokyo Lens,
Co. Ltd Japan”.
Nr. 425792m.
Estimate: $600 - $1,200
Estimate: $300 - $600
v
160
161
135. Leotax D IV camera, Nr. 14120, with 5cm
136. Minolta 35 Model II, Nr. 36057, with f2.8/
f3.5/5 cm Simlar Tokyo Opt. Co. collapsible
45mm Super Rokkor Chiyako Lens, Nr.139754
lens, Nr.563892. Rare lens!
(1953), sold with original case.
Estimate: $600 - $1,200
Estimate: $400 - $800
Condition: Mint–
162
163
138. Contax IIIa color dial, Nr. R34586, with Zeiss137. Honor S1 silver camera, Nr. 70374,
Opton Sonnar T f1.5/ 50 mm Nr. 712581 and a f2.8/35
with 4cm f2.8/4 cm Olympus Zuiko C lens,
mm Biogon Nr. 1551361. The meter is still moving.
Nr.60881, haze (Ex+/++). Zuiho Opt. Co. Ltd
Glass is very clean. Includes lens caps and the rear cap
Japan with original leather case.
for the Biogon.
Estimate: $1,300 - $2,200
Estimate: $700 - $1,100
Condition: Mint–
164
165
139. Nikon S2, Nr. 6137536, with f1.4/5
140. Nikon S2, Nr. 6171753, with 1.45 cm
cm Nikkor S-C silver lens.
Nikkor S-C, Nr.360990.
Estimate: $400 - $800
Estimate: $400 - $800
166
167
141. Nikon w-Nikkor-C silver lens,
Nr. 256524, f2.5/ 3.5cm with front metal
black cap, in original case.
142. Canon 3.5/28 mm lens in Nikon RF mount, Nr. 10129, with caps. Rare!
Estimate: $300 - $600
Estimate: $1,000 - $1,800
Condition: Mint–
168
169
143. Nikon f3.5/ 2.8 cm W-Nikkor-C Nippon
Kogaku silver lens, Nr. 347459, with caps
144. Nikon f2/8.5 cm Nikkor-P.C Nippon Kogaku lens,
and case.
Nr. 399628, with hood,caps and case.
Estimate: $300 - $600
Estimate: $200 - $400
Condition: Mint–
170
171
145. Nikon f3.5/13.5 cm Nikkor-Q-C
146. Nikon f2.5/10.5 cm Nikkor P-C black
Nippon Kogaku silver lens, Nr. 263521,
lens, Nr. 819579, Nippon Kogaku, with hood
with hood, caps and case.
and caps.
Estimate: $150 - $300
Estimate: $200 - $400
Condition: Mint–
Condition: Mint–
172
173
147. Leica 35 mm metal bright line finder
149. Leica Waist Level finder AUFSU.
SBLOO, with original box and case.
Estimate: $140 - $275
Estimate: $200 - $400
Condition: Mint–
150. Leica 2.8cm folding finder for Hektor 2.8 cm, SUOOQ (1934), in black.
148. Leica 35 mm metal bright line finder SBLOO, with original box and case.
Cracked front glass.
Estimate: $100 - $200
Estimate: $150 - $300
174
175
151. Leica 9 cm folding finder SEROO.
153. Leica 5cm finder, SBOOI.
Estimate: $150 - $300
Estimate: $100 - $200
152. Leica 13.5 cm cradle type finder, SOOYV.
154. Leica 2.8 cm folding finder for Hektor 2.8cm, SUOOQ (1934), in black.
Estimate: $150 - $300
Estimate: $175 - $300
176
177
156. Zeiss Contarex Super silver camera, Nr. P9445,
155. Zeiss Contarex Professional silver camera,
with Zeiss f1.4/55 mm Planar, black lens, Nr.3969004
Nr. K45424, with Zeiss f2/50 mm Planar, Nr.3812757.
(Ex++).
Estimate: $400 - $800
Estimate: $750 - $1,500
178
179
157. Zeiss Contarex Super camera, Nr. P53858,
158. Zeiss Contarex “Bullseye”, Nr. T88976, silver,
black with Zeiss f2/50 mm Planar, Nr.4500818,
with Zeiss f2.8/50 mm Tessar, Nr.2993819, silver
with metal hood (M-). Slow shutter.
and black leather (M-).
Estimate: $1,000 - $2,000
Estimate: $450 - $900
Condition: Mint–
Condition: Mint–
180
181
159. Zeiss Contarex “Bullseye”, Nr. E13766,
160. Zeiss Contarex Special, Nr. 9U25281,
silver, with Zeiss f4/35 mm Distagon, Nr.3703207,
silver, with Zeiss f1.4/55 mm Planar, silver,
silver and black leather (M-). Bent lug.
Nr.3186264.
Estimate: $600 - $1,200
Estimate: $900 - $1,800
Condition: Mint–
182
183
161. Zeiss Contarex Electronic, Nr. G36943,
black with meter with Zeiss f4/35 mm
162. Zeiss Contarex f4/18 mm Distagon,
Distagon, black lens, Nr. 3704384, and hood
Nr. 4493017, black Lens with caps and
(Ex++), in box.
leather case.
Estimate: $1,000 - $2,000
Estimate: $1,000 - $2,000
Condition: Mint–
184
185
164. Zeiss Contarex f4/35 mm
163. Zeiss Contarex f2.8/25 mm Distagon, Nr.
Distagon, Nr. 3258560, silver lens, with
3562213, silver lens, with cap and plastic bubble.
cap and plastic bubble.
Estimate: $900 - $1,800
Estimate: $400 - $800
186
187
165. Zeiss Contarex f2/85 mm Sonnar, silver
166. Zeiss Contarex f4/135 mm Sonnar,
lens, Nr. 3287317, with cap and plastic
silver lens, Nr. 3265284, with cap and
bubble.
plastic bubble.
Estimate: $500 - $1,000
Estimate: $200 - $400
Condition: Mint–
188
189
167. Zeiss Contarex f4/135 mm Sonnar,
silver lens, Nr. 3265064, with cap and
168. Zeiss Contarex f2.8/135 mm Sonnar,
plastic bubble.
black lens, Nr. 4219657, with caps.
Estimate: $200 - $400
Estimate: $350 - $700
Condition: Mint–
190
191
170. Zeiss Contarex f2.8/180 mm Sonnar,
169. Zeiss Contarex f2.8/180 mm Sonnar, Nr. 4328012, olympia black lens with caps,
Nr. 4328272, olympia black lens, with
hood, handle and case.
caps, hood, handle and case. Haze.
Estimate: $1,000 - $2,000
Estimate: $900 - $1,800
Condition: Mint–
Condition: Mint–
192
193
171. Zeiss Contarex f5.6/400 mm TeleTessar, Nr. 49965563, black with case
grip caps. Rare, less then 400 pieces
172. Zeiss Contarex f2.8/40-120 mm Vario-Sonnar, Nr. 4240325, black lens with caps,
made!
hood, case and handle.
Estimate: $1,500 - $3,000
Estimate: $1,500 - $3,000
Condition: Mint–
Condition: Mint–
194
195
173. Zeiss Contarex f4/85-250
mm Vario-Sonnar black lens, Nr.
4542551, with handle and hood.
174. Zeiss Contarex f/250 mm Sonnar, Nr. 3525360. Haze and fungus.
Estimate: $1,250 - $2,500
Estimate: $100 - $200
196
197
175. Zeiss Contarex extra film back.
Estimate: $25 - $50
Condition: Mint–
175a. Zeiss Contarex extra film back.
176. Zeiss Contarex bulk film back for S/SE, Nr. 1350, with box.
Estimate: $25 - $50
Estimate: $450 - $900
Condition: Mint–
Condition: Mint
198
199
178. Leica Universal “Torpedo”
black finder, VISET. For focal
lengths 3.5 cm, 5 cm, 9 cm and 13.5
cm.
Estimate: $200 - $400
179. Leica Universal “Torpedo” black finder, VISOR, for focal lengths 3.5 cm, 5 cm, and 13.5 cm.
Estimate: $200 - $400
177. Zeiss Contarex electronic motor drive
and grip, Nr. 1429.
180. Leica black and nickel VIDOM, finder, single piece nose.
Estimate: $150 - $300
Estimate: $200 - $400
200
201
General Terms and Conditions
Condition
All items are offered “as is.” There is no return privilege, and all sales are final. We have sought to
express a useful, general guide to the condition of each lot. We have also attempted to describe any
damage or restoration, but our descriptions cannot be accepted as absolutely definitive and complete.
The absence of such a reference does not imply that a lot is free from defects nor does any reference
to particular defects imply the absence of others. Such information is given for guidance only and the
condition of any lot, and the nature and extent of any damage or restoration should be confirmed prior to
the sale.
CONDITION RATINGS GUIDE
New ...................... 1
00% new, never used. Sealed in original packaging, with all manuals and
accessories included.
Mint ...................... 9
8-99% of original condition. Almost new, very difficult to find any imperfection.
All boxes and original packaging.
Mint– .................... 9
4-97% of original condition. Lens glass very clean, cosmetically may show very
slight wear and/or signs of use but only under close inspection.
Excellent++ ......... 90-93% of original condition. Shows very slight signs of use, lens glass is very clean.
Excellent+............ 8
7-89% of original condition. Shows slight signs of use, lens glass is very clean but may
have some dust which will not affect picture quality.
Excellent ............. 75-86% of original condition. Average condition, signs of normal use.
Good .................... 6
0-74% of original condition. Appears to have been heavily used with multiple dings,
scrapes, scratches and heavy brassing. Lens glass may have slight fungus, excessive
dust and/or scratches that will likely affect picture quality.
Poor ...................... 4
5%-73% of original condition. Very rough looking, impressions in metal, extreme
finish loss and excessive brassing. Glass will have marks, fungus and/or haze which
will affect picture quality. May need repair to be functional, or only useful for parts.
181. Voigtlander Prominent outfit: Voigtlander Prominent camera, Nr. B49650,
with f1.5/50 mm Nokton lens, Nr. 3867516, with filter and everready case.
Voigtlander f3.5/35 mm Skoparon lens, Nr. 4049751, with case and caps.
Voigtlander f4.5/100 mm Dynaron lens, Nr. 3947191, with original case and
Buyer’s premium
caps. Voigtlander Turnit finder 339/35 for 35 mm and 100 mm, Voigtlander
Online bidders pay a buyer’s premium of 23%.
Prominent 310/49 metal Lens hood with Voigtlander Prominent filter in
original leather case and a hand held meter in case. Includes original system
Offsite bidders pay a buyer’s premium of 20%
case, manuals and cable release. A great, complete, Voigtlander outfit suitable
for
any collection!
Estimate: $750 - $1,500
Condition: Mint
202
203
Estimates and reserves
The estimated prices are the approximate prices expected to be realized, excluding buyer’s premium.
They are prepared in advance of the auction sale and are subject to revision. Furthermore,
they are not definitive and meant only to represent general guidelines. Every item in the auction has a
“reserve” price.
Internet bidding
You will be able to bid in “real time” on-line during the auction. Internet bidders pay a buyer’s premium
of 23.0%. Register for internet bidding at www.Proxibid.Com/revivalauctions
Local taxes
A 6.35% Tax is due on all deliveries made in Connecticut. However, all lots that are delivered outside
Connecticut, by mail or courier, are not charged any USA taxes.
Shipping
The buyer pays all shipping costs, and bears responsibility for any damage or loss during shipment.
However, revival auctions will buy insurance on all shipments on behalf of the purchaser. Buyer is
charged the direct cost of shipping and insurance plus a modest additional fee for packaging and
handling. USA shipments are normally made by insured ups or insured registered mail, or, by special
arrangement, with a courier service such as FedEx, UPS, or DHL. Purchases over $75,000 can be insured
by special arrangement. Note that some countries have limits of insurance and therefore the liability for
shipments above a country’s limit will be the responsibility of the buyer.
Payment
The credit card you submitted to register as a bidder was for verification purposes only—we do not have
access to your credit card information.
FOR US and CANADA BUYERS:
If your are located in the US or Canada, and want to pay by credit card, either send an email
([email protected]) or call (203-269-0569) with your credit card number, expiration date, cvc code
and zip code to process this order.
FOR INTERNATIONAL BUYERS:
We DO NOT accept international credit cards. Please wire transfer your funds.
Payment must be made within five (5) days of the close of the sale. Acceptable payments are made
by bank wire transfer, check, or credit cards. Payment by credit cards is limited to buyers in the
United States of America and Canada, or, by special arrangement, to buyers in other countries. Such
arrangements must be made prior to the auction. Acceptable credit cards are Visa or Mastercard or
the equivalent. All checks and other payments must clear before delivery of purchases unless prior
arrangements have been made.
The following provisions constitute the entire agreement between the Revival Auction Company
LLC, the consignor, and the buyer, and will govern the sale of all property sold through live and
internet bidding at any Revival Auction Company LLC auction conducted in Connecticut and on
line at www.Proxibid.Com/revivalauctions.Com.
1. Buyer’s commission
On-line internet bidders will pay a buyer’s premium of twenty three per cent (23.0%). These commissions
are payable in addition to the winning bid price.
2. Condition of property
All property is sold “as is” without warranty or guaranty of any kind whether expressed, implied or
statutory including without limitation any warranty or guaranty as to character, fitness for a particular
purpose, merchantability, physical condition, or rarity. Prospective buyers must rely solely on their own
inspection and knowledge before bidding to determine such issues as age, quality, character, physical
204
condition, mechanical and electrical function and rarity. There is no return privilege, and all sales
are final.
3. Withdrawal of property
The Revival Auction Company LLC, and consignor reserve, in their unfettered discretion, the right to
withdraw any property from auction before sale.
4. Disputes
Any disputes between bidders shall be resolved by the Revival Auction Company LLC, who may offer and
resell any property over which there is a dispute.
5. Bids, rejection and reserves
The buyer shall be the highest bidder. The Revival Auction Company LLC, may reject any opening bid
they deem too low and withdraw the property from sale. Likewise, in the course of bidding they may
reject any advance as being too low. Generally, the Revival Auction Company LLC, will require that all
bids advance the price by not less than 10%. All items of property will be sold with a reserve which may
be confidential. The Revival Auction Company LLC, may bid on behalf of the consignor to effectuate the
reserve. Responsibility for bidding is ultimately the prospective buyer’s, and the Revival Auction Company
LLC, assumes no responsibility or liability with regard to bidding.
6. Possession, title and risk of loss
Buyer will receive possession of the property only when payment has been made in full and all funds
have cleared. Title and risk of loss will pass to the buyer after the buyer has made payment.
7. Terms of payment and remedies
Buyer agrees to pay for property within five (5) days of sale. Payment must be made in US Dollars (USD)
and may be made in any one of the following: cash, check, credit card, debit card, bank draft or bank wire
transfer. Purchased property will not be released to the buyer until payment in full has cleared. In the
event buyer fails to pay for property, the Revival Auction Company LLC, may in its sole discretion and in
addition and without prejudice to any other right or remedy available to it in law or equity, exercise one
or more of the following rights and remedies:
A.Bring an action against buyer seeking damages for breach of contract including court costs and
attorneys fees.
B. Rescind the sale of the property or any other lot sold to the buyer.
C Resell the property at auction or private sale and bring an action to recover any deficiency
between (i) full amount owed by buyer plus court costs and attorneys fees and (ii) the net
proceeds, after payment of all expenses, received from the resale. If there is a surplus, the
surplus will be paid to consignor.
D. Store the property and release it to buyer only upon payment of the full purchase price plus all
direct and indirect costs of storage.
E. To charge interest at 18% per annum commencing immediately after failing to pay on time.
F. To retain any other lot sold to buyer at auction.
G. To apply any amount owing from the Revival Auction Company LLC, to buyer against the
purchase price and all expenses due and owing by buyer to the Revival Auction Company LLC,
the Revival Auction Company LLC, is likewise be deemed to have a security interest in any
property of the buyer in the Revival Auction Company LLC’s possession to secure payment
of the purchase price and all expenses due and owing from buyer to the Revival Auction
Company LLC.
205
H. To apply any payment made by buyer to the Revival Auction Company LLC, for any purpose
and despite any instructions by buyer as to application, against the purchase price and all
expenses due and owing.
8. Sales and use tax
The total purchase price of all property will be subject to all sales or use tax which the Revival Auction
Company LLC, is obligated by law to collect. A 6.35% Tax is due on all deliveries made in Connecticut.
However, all lots that are delivered outside Connecticut, by mail or courier, are not charged any local
taxes. The Revival Auction Company LLC, is not obligated to collect tax on any item that is delivered
outside the State of Connecticut.
9. Terms of adhesion
By bidding at the auction, the buyer acknowledges and agrees:
A. That the foregoing terms and conditions will represent the entire agreement of the parties,
provided that the terms may be altered or amended by the Revival Auction Company LLC,
prior to or at the time of auction by oral or written announcement or posted notice.
B. That the rights and obligations of the parties will be construed and governed by the law of the
State of Connecticut.
C. That jurisdiction for the resolution of any dispute between the parties related to the auction,
will be exclusively in the state of Connecticut and consents to the jurisdiction of the
Connecticut state courts and federal court for the district of Connecticut.
10. Limitation of liability
The Revival Auction Company LLC’s and consignor’s liability to a buyer shall not exceed the purchase
price actually paid.
11. The Revival Auction Company LLC, as agent only
Except as otherwise specifically stated in writing, the Revival Auction Company LLC, is acting only as an
agent for the consignor. The Revival Auction Company LLC, will have no liability for any breach by either
a consignor or buyer.
Upcoming Auctions
We are currently accepting rare, collectible and historically significant
consignments for a 2014 auctions. Any vintage product of
interest will be considered for inclusion. We are starting to inventory
vintage watches, prints and firearms for future auctions.
Contact us to make arrangements to be part of the next
Revival Auction Company event.
Visit revivalauctions.com/consigning for more information.
Advantages to consigning with Revival Auctions.
1. Your collectibles sell through competitive, open
worldwide bidding, achieving the highest price
commensurate with current market
values and trends.
2. Our advertising strategy targets collectors
successfully worldwide.
3. We offer appraisals, and help you determine estimate
and reserve prices.
4. We can assess your inventory and arrange insured
shipping to our office.
206
207
The Revival Auction Company LLC
6 Cooke Road
Wallingford, CT 06492
208

here

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