Traditional gods



Traditional gods
Traditional gods
kino lau
Hawaiian religion
Religious belief pervaded every aspect of daily life . Hawaiians viewed nature and
natural forces with great respect, as these elements in the island environment were
intricately associated with supernatural beings. Many objects were kino lau, body
forms of the gods. Both objects and humans could possess a supernatural force
called mana, associated with the authority and privilege that descended from the
In early Hawai`i, a multitude of gods and demigods guided the actions of all
Hawaiians. Hawaiians honored the four great gods shared with other Pacific
- Kane, Kanaloa, and Lono. Special dedication to Lono occurred
cultures, Ku,
- known as the war god, was present and
during the Makahiki period, while Ku,
called upon during the remainder of the year. Kanaloa and Kane were thought to
have arrived in Hawai`i as young adventures with a lust for exciting exploration.
Kanaloa presides over ocean waters and Kane is the patron of fresh water.
Personal and family gods, as well as deities associated with specific occupations,
or to a special location abounded. Spiritual and human realms mingled and were
Most images of Hawaiian gods were carved from wood or stone. Images found at
heiau, sacred places or temples, could be well over six feet tall. Many other ki`i,
carved images, especially those representing family gods were much smaller.
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Temple du Roi dans la Baie Tiritatea
Louis Choris, traveling on the ship of Captain von Kotzebue recorded Ahuena Heiau on the Island of Hawai i in 1816. This illustration
clearly shows how wooden religious images were placed and revered before the arrival of western missionaries in 1820.
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Baskety figure of Hawaiian god
Feathered gods
Hawaiians used exquisite feathers to create items of a very special nature. Unique to Hawai i are
basketry images covered with feathers of rare Hawaiian birds. These were made by weaving a
head and neck from rootlets of the `ie`ie plant, then covering this with a fine mesh to which
bundles of feathers were tied. Such images are very rare, and only seventeen are known to exist
throughout the world.
- Feathered basketry images are said to represent the god Kuka`ilimoku,
the famous war god of
Kamehameha the Great. This association is based on one such image found at Bishop Museum that
is linked by history to Kamehameha. The young warrior received the famous feathered
- Kuka`ilimoku
from the powerful chief Kalaniopu`u, who named him second in succession to his
kingdom. It is said that as Kamehameha the Great rose to power, he was encouraged and supported
by the authority associated with the feathered Kuka`ilimoku image.
This image is finished with mother-of-pearl shells and wooden pegs to represent eyes, and 74
- - feathers are
canine teeth that circle the mouth. What remains of the red `i`iwi and yellow `o`o
found in tiny clusters tied to the netting. Crowning the image are tufts of human hair.
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In May 1825, Lord Byron, commander of the H.M.S. Blonde, arrived in Hawai i with the
bodies of Kamehameha II and his wife, Kamamalu.
Both had died of measles during a visit
to London. Byron and his crew were invited to visit the once sacred site of the chiefs known
as Hale-o-Keawe. The men were granted permission by Chief Kalanimoku to take “any
curiosity ” they desired . It is believe that the expedition naturalist, Andrew Bloxam ,
received several items which remained with his family for nearly a century . The
Bloxam image returned to Hawai i and was given to the Bishop Museum in 1924.
Hawaiian wooden image, Bloxam Image
Replica of original at Bishop Museum
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- - was most often recognized as the war god of Kamehameha the Great,
the he had great influence in agriculture and other aspects of daily life. This replica of the
famous Ku- image at Bishop Museum was created in 1964 for travel to the New York
World's Fair. It closely replicates the original kii (image) now display in Hawai i.
The original image was collected by missionaries to Hawai i at a time when their influence
caused dramatic change in Hawaiian religion, social structure, and lifestyles. By the 1830s,
barely a decade after the arrival of Christian missionaries, traditional Hawaiian images
were being collected as curiosities, or hidden away by native Hawaiians who feared their
Two images almost identical to the one at Bishop Museum exist in museums outside of
Hawa i i. The kii upon which this replica was based was purchased from the American
Board of Commissions for Foreign Missions in 1895.
Hawaiian wooden image, Kûkâ`ilimoku
Replica of original at Bishop Museum
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