Sweet Apocalypse
Transcription
Sweet Apocalypse
Sweet Apocalypse Currently based in Berlin (by way of LA, NYC and London), Matt Lambert is a filmmaker, photographer, artist and head of video for London-based, multidisciplinary art collective, Bare Bones and last but not least the photographer for our current issue’s captivating main male fashion story, “Totgeburt”. – a conversation with Matt Lambert interview Sophia Rotas How do you relate to light? How do you relate to darkness? I grew up in LA on Punk Rock. Its teeth, tone and angst are ever present in everything I do. The aesthetic and intuitive process of the work I do with Bare Bones continues to echo the fucked-up and photocopied texture of the gig fliers and albums that littered my walls as a teenager. Even in my more polished work, I try to keep a darkness and grit to the images and scenes overall. I then overdosed on German Expressionist Cinema and countless contemporary painters and photographers whom I connected to for one reason or another. Saying all that, I don’t feel my work is all that dark. It more possesses a lack of light and color, creating reductionist imagery that can often convey a narrative in a much more refined way. The simplification of subjects gives the viewer a chance to study scenes under a sort of microscope. What is the best tool for you to connect with your subjects/models? Going out, traveling, being online and beer. What is your relationship to your models? The majority of people I shoot are friends or at least they become so afterward. There’s a very blurry line and I rarely consider them models. Any textbook advice how to dominate on a set when you are shooting? I’m never interested in dominating, but rather building a trust and intimacy with whoever I shoot. What do you think has been the most significant transformation in your work? The most significant transformation has actually happened this year after finally settling into my own in Berlin. This city has slowed me down, forced me to pull from my gut and be more honest with myself. In turn, I’ve been more 68 01 productive than ever. I live in a bubble compared to my lives in LA, NYC and London, and have become much less concerned about what other people are doing outside of a close group of peers. Name the top 5 most exciting thing that happening around you right now and deserves recognition: The upcoming release of my latest short film “Heile Gänsje”, my collaboration with Gio Black Peter’s new publication “Satanica”, a new video in development with Patrick Wolf, more exhibition with Bare Bones and creating a new mythology with my new group ‘Vitium Contra Naturam’ What is your take on portraying violence? I grew up surrounded by violence – a violence masked in layers of code and subculture in LA. A lot of my films work to understand and deconstruct something I didn’t have the visual tools to express when growing up. Violence can be one of the purest and simultaneously most complex, primal actions. This duality is something that intrigues me as well as it does in my works dealing with sexuality. In my read sex is important because its one of the last things that are not boring in this planet, but in your works, how would you place sexuality? Sexuality influences the ideas behind a lot of my work and it evolves in parallel to mine. I’m interested in getting to the core of the human condition and sexuality is a pretty direct main to it. In the “WAR” music video or the “umasan” there is this apocalyptic, distopian taste, which constantly haunts your works. What is attractive for you in a post apocalyptic world? It becomes much clearer to observe humans under a microscope when removed from their reality – it unifies us. 69 01 photographer Matt Lambert stylist Sophia Rotas hair & make-up Jana Oheimb-Rosta @ NUDE agency assistants Jannis Birnser, Alex blume models David Metcalfe, Dan Rumpf, special thanks to: Kimi de Bont @ X X X - BERLIN showroom Affa Osman @ IZAIO models 70 01 vest with black pearls / Giuseppe Virgone Lenny Muller @ IZAIO Berlin www.nerohomme.com 71 71 01 est with black pearl / Gieseppe Virgone black leather visor / Fleet Ilya 72 01 73 01 black tank top / Giuseppe Virgone black satin trousers / Dont Shoot The Messengers claw boxer / Bjørg Jewellery 01 74 75 01 black tank top / Giuseppe Virgone black satin trousers / Dont Shoot The Messengers 76 01 77 01 black hoodie / Asger Juel Larsen black jumper / Dont Shoot The Messengers 78 01 79 01 black hoodie / Alexandra Groover black jumper / Dont Shoot The Messengers 80 01 81 01