`Art of Protest` Sketchbook
Transcription
`Art of Protest` Sketchbook
THE ART OF T S E T O R P . e Situationists th to s n io ct e ith conn ransom d anarchist w n a t is rt e style of a a th h in lis g s n e E lin n d a a aper he His best Jamie Reid is t from newsp y in the UK. cu rl la rs u e ic tt rt le a p g , n turi Sex unk rock His work, fea s, Here's the e image of p ck th llo g o in B n e fi e th d d ose to ph ever Min note, came cl tols album N aton photogra e is P B l x ci e e S C e a th n include in (based o known works The Queen" nd swastikas a e v a se S o n d r o e h "G through e single ique vid safety pin e Pistols and th d d a n a k era”. His un n h u it p w e , th II f o th e e ab onds ic imag of Queen Eliz gle most icon times. He resp n r si u o e h f o "t s s a e d su ribe e key is with her eyes, desc mon spaces to some of th m co rm fo d s re e a iv sh g s and ies and rsion articulate our civil libert we might re-o n h o ic s h w ck a in tt a s y g creasin n ws us wa to the ever-in in direct actio our, and sho d m e u lv h o e v g in a v n e sa s also be ger and ice Bill. rces. Reid ha u passionate an so re l a Criminal Just u e it ir th sp d n d a n a 8 l 2 a litic x, Clause ganise our po g the poll ta in d u cl in s e issu campaigns on D I E R E I JAM SHEPARD FAIREY Frank Shepard Fairey is an American contemporary street artist, graphic designer activist and illustrator who emerged from the skateboarding scene. Fairey became involved with art in 1984, when he started to place his drawings on skateboards and T-shirt. He is best known for his “André the Giant Has a Posse” sticker campaign which later evolved into the “Obey Giant” logo. As with most street artists, the Obey Giant was intended to inspire curiosity and cause the masses to question their relationship with their surroundings. He became more widely recognized during the 2008 U.S. presidential election for his Barack Obama “Hope” poster. BLEK LE RAT Blek le Rat, born Xavier Prou was one of the first graffiti artists in Paris, and the originator of stencil graffiti art. He began his artwork in 1981, painting stencils of rats on the street walls of Paris, describing the rat as “the only free animal in the city”, and one which “spreads the plague everywhere, just like street art”. His name originates from a childhood cartoon “Blek le Roc”, using “rat” as an anagram for “art”. Initially influenced by the early graffiti art of New York City after a visit in 1971, he chose a style which he felt better suited Paris, due to the differing architecture of the two cities. Blek is credited with being the inventor of the life-sized stencil, as well as the first to transform stencil from basic lettering into pictoral art. He has had a great influence on today’s graffiti art and “urban art” movements, the main motivation of his work being social consciousness and the desire to bring art to the people. ist, al activ ic t li o p , t ve been et artis a e h r t s o t d s ase ved a UK b is belie identity remain e is H y . s r k e n t Ba the r his d pain howeve raffiti artist in ’s ctor an 0 e 7 ir 9 d s 1 g e film and wa tol in th as a freehand w e is r r C B Z in tirian read born e. His a k He beg l’s DryB n . o e t n c is s w r o B d n r n of unk bine da dergrou n m as one o u c s l 0 o s 9 t ris ve am early larger B bversive epigr gans. They ha e h t f o u lo part s, includ t and s mbined with s r e a m e t h e t e ocial rialally co cal str al and s ism, anti-impe ccasion ic t o li r o u p , o hum array of lism, anti-fasc m. Additionally n a h it ks apita rchis dealt w his wor r, anti-c ism and, ana t a a h W t it n n ing a oritarian human conditio ypocrisy, bore h t u a it tic the ty, h ism, an , pover ch artis ents of d u n e S o e p r . g m n o are feanatio the c critique dity, and alie e been v a ly h n o y r m a ut r t com ir, absu ocial commen cities througho a p s e d nd s ans. s of dom, olitical a lls, and bridge ew Orle p N f d o n s a k wa wor stine streets, as Pale n h o c u d s e r tu ces ld in pla the wor Y S K N BA BARBARA KRUGER Barbara Kru ger is an Am photograph erican conc s overlaid w eptual artis t. Much of ith declarati Ultra Conde her work co ve captions nsed. Kruge nsists of bla — in white-on r's work pa the viewer. ck-and-whit -r ir e s d She develo fo F u u n tu d ra e photograph Bold Obliqu ps her idea her text call s e w or Helvetica ith pithy an s on a com s attention d assertive puter, later to ideas su frequently a text that ch transferring ch as femin ppropriatin allenges th e results to ism, consum g images fr them in a n images. Mu erism, and om mainstr ew context. ch of individual a eam magaz utonomy an ines and us d ing her bold desire, phrases to frame SITUATIONISTS The Situationist International was an organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists, active from its formation in 1957 to its dissolution in 1972. The foundations were derived from anti-authoritarian Marxism and the avant-garde art movements of the early 20th century, particularly Dada and Surrealism. In their expanded interpretation of Marxist theory, the situationists asserted that the misery of social alienation and commodity fetishism had spread themselves to every aspect of life and culture. They resolutely rejected the idea that advanced capitalism’s apparent successes—such as technological advancement, increased income, and increased leisure—could ever outweigh the social dysfunction and degradation of everyday life that it simultaneously inflicted. The movement reached the apex of its creative output and influence in 1967, marking the publication of the two most significant texts of the movement; The Society of the Spectacle by Guy Debord and The Revolution of Everyday Life by Raoul Vaneigem. These proved greatly influential in shaping the ideas behind the May 1968 insurrections in France; quotes, phrases, and slogans from situationist texts and publications were ubiquitous on posters and graffiti throughout France during uprisings. CHE GUEVARA Born Ernesto Guevara de la Serna in 1928 in Argentina into a middle-class family. He studied medicine at Buenos Aires University and during this time travelled widely in South and Central America. The widespread poverty and oppression he witnessed, fused with his interest in Marxism, convinced him that the only solution to South and Central America’s problems was armed revolution. In 1954 he went to Mexico and the following year he met Cuban revolutionary leader Fidel Castro. Guevara joined and played a key role in the eventual success of its guerrilla war against Cuban dictator Fulgencio Batista in 1959. From 1959-1961, Guevara was president of the National Bank of Cuba, and then minister of industry. In this position, he travelled the world as an ambassador for Cuba. At home, he carried out plans for land redistribution and the nationalisation of industry. A strong opponent of the United States, he guided the Castro regime towards alignment with the Soviet Union. The Cuban economy faltered as a result of American trade sanctions and unsuccessful reforms. During this difficult time Guevara began to fall out with the other Cuban leaders and in 1965 Castro announced that Guevara had left Cuba. Guevara then spent several months in Africa, particularly the Congo, attempting to train rebel forces in guerrilla warfare. His efforts failed and in 1966 he secretly returned to Cuba. From Cuba he travelled to Bolivia to lead forces rebelling against the government of René Barrientos Ortuño. With US assistance, the Bolivian army captured Guevara and his remaining fighters. He was executed on 9 October 1967 in the Bolivian village of La Higuera and his body was buried in a secret location. CND The Campaign for Nuclear Disarmament (CND) is an organisation that advocates unilateral nuclear disarmament by the United Kingdom, international nuclear disarmament and tighter international arms regulation through agreements such as the Nuclear Non-Proliferation Treaty. It opposes military action that may result in the use of nuclear, chemical or biological weapons and the building of nuclear power stations in the UK. The CND was formed in 1957 and since that time has periodically been at the forefront of the peace movement in the UK. It claims to be Europe’s largest single-issue peace campaign. In recent years CND has extended its campaigns to include opposition to U.S. and British policy in the Middle East, rather as it broadened its anti-nuclear campaigns in the 1960s to include opposition to the Vietnam War. The symbol adopted by CND, designed for them in 1958 by Gerald Holtom, became the international peace symbol. It is based on the semaphore symbols for “N” (two flags held 45 degrees down on both sides, forming the triangle at the bottom) and “D” (two flags, one above the head and one at the feet, forming the vertical line) (for Nuclear Disarmament) within a circle. PUSSY RIOT Pussy Riot is a Russian feminist punk rock protest group based in Moscow. Founded in 2011, it has a variable membership of approximately 11 women ranging in age from 20 to 35. They stage unauthorised provocative guerrilla performances in unusual public locations, which are edited into music videos and posted on the Internet. Their lyrical themes include feminism, LGBT rights, opposition to the policies of Russian President Vladimir Putin, whom they regard as a dictator, and links between Putin and the leadership of the Russian Orthodox Church. Their costumes are usually brightly colored dresses and tights with their faces masked by balaclavas, both while performing and during interviews. During interviews they use nicknames such as "Balaclava", "Cat", "Seraph", "Terminator", and "Blondie". In an interview with Gazeta.ru, a band member described their two-minute concerts as performance art, creating images of "pure protest, saying: super heroes in balaclavas and acid bright tights seize public space in Moscow." The E15 Mothers are a protest group formed by several young homeless mothers who met while in temporary accommodation provided by the London Borough of Newham. They were served with a 2 month eviction notice from their mother and baby Hostel in 2013 with no options to be rehoused with the borough. This led to a campaign against the crisis in housing provision across London and the UK, in particular the practice of placing homeless people outside of London and leaving social housing empty. To highlight their protest, they occupied the Carpenters Estate in Newham, adjacent to the Olympic Village. The estate has slowly been emptied of its residents over the last 10 years, so that several hundred empty units of housing remain. E15 MOTHERS THUMBNAILS & CONTENT THUMBNAIL SKETCHES FONTS As the majority of my booklet will be in text (as seen in the thumbnail illustrations), the choice of font used needs to be carefully thought through. To the right are the options that I tested. The lettering needs to be clear and easy to read in order to have the desired impact. Due to the context of the booklet, it needs to be classic in order to maintain a level of professionalism in it’s output yet modern in order to relate to those who are impacted by the booklets content. As the property market and affordable housing issues are very much a modern issue and mainly impact those between the ages of 20-35 years, this will be my target audience. To layer the text, placing words of emphasis at a forward position the font needs to have clean edges and little detailing to maintain readability and clarity. Key facts and figures will be highlighted by bold text so there needs to be a distinctive enough difference between this and lower case. Red lettering will also be used, so the font needs to be clear in upper and lower case in red also. As a variety of sizing is being used for the wording, it is important that even smaller words in lower case and coloured lettering are still clear and visible or else they will get lost behind the emphasized text. Taking all of this into consideration I have decided to use Century Gothic for my final booklet. THE HAMMERSMITH & FULHAM HOME OWNERSHIP CRISIS (ARIAL) the hammersmith & fulham home ownership crisis THE HAMMERSMITH & FULHAM HOME OWNERSHIP CRISIS (CALIBRI) the hammersmith & fulham home ownership crisis THE HAMMERSMITH & FULHAM HOME OWNERSHIP CRISIS (CORBEL) the hammersmith & fulham home ownership crisis THE HAMMERSMITH & FULHAM HOME OWNERSHIP CRISIS (CENTURY GOTHIC) the hammersmith & fulham home ownership crisis THE HAMMERSMITH & FULHAM HOME OWNERSHIP CRISIS (EBRIMA) the hammersmith & fulham home ownership crisis THE HAMMERSMITH & FULHAM HOME OWNERSHIP CRISIS (FRANKLIN GOTHIC) the hammersmith & fulham home ownership crisis THE HAMMERSMITH & FULHAM HOME OWNERSHIP CRISIS (GILL SANS) the hammersmith & fulham home ownership crisis THE HAMMERSMITH & FULHAM HOME OWNERSHIP CRISIS (KALINGA) the hammersmith & fulham home ownership crisis THE HAMMERSMITH & FULHAM HOME OWNERSHIP CRISIS (MYRIAD PRO) the hammersmith & fulham home ownership crisis THE HAMMERSMITH & FULHAM HOME OWNERSHIP CRISIS (TAHOMA) the hammersmith & fulham home ownership crisis THE HAMMERSMITH & FULHAM HOME OWNERSHIP CRISIS (TW CEN MT) the hammersmith & fulham home ownership crisis THE HAMMERSMITH & FULHAM HOME OWNERSHIP CRISIS (VERDANA) the hammersmith & fulham home ownership crisis