PDF Issue - Windy City Media Group
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PDF Issue - Windy City Media Group
THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 AUG. 6, 2008 • vol 23 no 47 www.WindyCityMediaGroup.com AIDS Quilt 20 Years Later LGBTAs Go Green HIV Numbers 40% Above Estimates By Bob Roehr page 6 New HIV infections in the U.S. topped 56,000 a year in 2006—about 40 percent more than previous estimates. The Centers for Disease Control and Prevention (CDC) released those numbers at a hastily arranged telephone news conference Aug. 2 after an embargoed paper in a special issue of the Journal of the American Medical Association (JAMA) was made public early. The CDC said the total number of new infections is not increasing; rather, it said that its previous estimates were inaccurate. The revised figures reflect use of better technologies that identify recent infections, those that have occurred within the last six months, and affect estimates of when older infections occurred. A draft of the report was prepared last fall and news of the revised numbers began circulating almost immediately, but the CDC refused to release them pending full peer review and publication. The previous estimate of 40,000 new infections a year was generated more than a decade News on PEPFAR, HIV travel banpage 5 and a half ago and was never changed. Most knowledgeable observers have long believed them to be an underestimate. The new numbers show no significant changes in the demographics of the groups most affected; 73 percent are male while 53 percent of total infections are attributed to men who have sex with men (MSM). People of color are disproportionately affected, with rates per 100,000 persons of 83.7 among Blacks and 29.3 among Hispanics, compared with 11.5 among whites. The retrospective analysis went all the way back to initial infections in the late 1970s. It showed that new infections in gay men peaked Turn to page 4 ‘Mad’ about Bryan Batt page 7 by AMY MATHENY Student Athlete Photos August 6, 2008 #956 page 30 n Hot Market nightspots Market Days Are Here Again! inSIDE Celebrate Halsted Street with the crazy kids of Nightspots! page 33,48 Is this John McCain? page 30 It’s gonna be a Catfight at the Belmont stage on Saturday! page 18 pick it up take it home www.WindyCityQueercast.com One of the Midwest’s largest annual events will take place when Northalsted Market Days happens Aug. 9-10; hundreds of thousands of people are expected. Read our profiles of two acts slated to perform on pages 24-25. Photo from 2007 Market Days by Kat Fitzgerald. PHOTO BY JAMES PORTO The hottest show on television you may not be watching ... yet. Set in the early 1960s advertising world in America, “Mad Men,” which airs on AMC, has won many awards, including the Golden Globe for Best TV Series-Drama. The series authentically captures a time when men were men and girls were girls; and when smoking was not bad for you—nor was a noon cocktail at the office. Bryan Batt plays Salvatore Romano, a man that today’s audiences will recognize as a closeted ad exec, but he adjusts to being just one of the boys, though maybe one with more flair. Amy Matheny: Tell me about Salvatore. Bryan Batt: Salvatore is the art director at [ad firm] Sterling Cooper. He tries to fit in with the good ol’ boy network of men at the office, but he has a secret. The writing on the show is absolutely brilliant. ... People [are] blown away by the beauty of the show and the cinematography of it and the sets and the costumes and the look. The writing is so subtle and these great little teases are given as the story goes along, and it’s just intriguing. Everyone who’s watched it is hooked. The problem is getting everyone to watch it. But Salvatore … at that time, there page 24 Turn to page 28 “SEE THIS SHOW!” – E! 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WHEN A GREAT DEAL MATTERS , SHOP ROB PADDOR’S... index News HIV numbers skewed PEPFAR; HIV travel ban Lawrence Hall’s Pleasant AIDS Quilt after 1988 display LGBT business symposium The LGBTA green movement National news Quotelines Chicago Gay History Views—Monroe; Letters 4 4 5 6 6 7 8 8 9 10 ENTERTAINMENT Stage Door Jonny Theater Driehaus Museum Knight at the Movies Disc and That Chris Willis interview Pop Making Sense Market Days: Brigade, Choir Bryan Batt of ‘Mad Men’ Restaurant review: Urban Cafe 11 12 19 20 21 22 23 24 28 28 1SUBARU DEALERSHIP # ALL NEW 2008 SUBARU IMPREZA 2.5i SEDAN OUTBACK WAGON Air Conditioning, Power Windows & Locks, CD Player, ABS, 170-hp Subaru Boxer Engine, All Wheel Drive & More! MSRP $17,640, 8JA, #4161 26 29 30 Lawrence Hall Youth Services’ Kevin Pleasant is a one-man department when it comes to LGBT services. See page 5. Photo by Liz Granger 0 BALLOON PURCHASE % 15,051** $ ** APR OR 119 $ 00* /MO. 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Hyde U.S. Global Leadership Against HIV/AIDS, Tuberculosis, and Malaria Reauthorization Act of 2008 is part of the President’s Emergency Plan for AIDS Relief (PEPFAR). In 2004, Congress approved $15 HIV numbers still highlight racial disparities By DAVID ERNESTO MUNAR MEXICO CITY (Aug. 2)—Forty percent more people in the United States were infected with HIV than previously estimated in 2006, federal researchers announced ahead of the 17th International AIDS Conference. The analysis, published in the Aug. 6 issue of the Journal of the American Medical Association (JAMA), determined that 53 percent of 2006 infections resulted from male-tomale sexual contact. By race and ethnicity, 45 percent were believed to occur among Black individuals and 17 percent among Hispanics. Rumors about the new figures led federal officials to lift an embargo on the data ahead of the official briefing to reporters about the research findings. AIDS advocates noted that only four of 49 HIV prevention interventions endorsed as “effective or highly effective” by CDC researchers target gay men. And none of the 49 were designed for gay men of color. “Where infection rates for other populations are holding steady or showing slight declines, HIV infections among gay men tragically continue to climb, said Jim Pickett, AIDS Foundation of Chicago advocacy director. “This is a direct result of years of policy and programs that demonize and ignore the sexual health needs of gay men, especially African-American and Latino gay men who bear the brunt of the epidemic in the U.S.” David Ernesto Munar is on assignment covering the International AIDS Conference in Mexico City for Windy City Times. He is a vice president at the AIDS Foundation of Chicago and chairs the board of the National Association of People with AIDS. Read the entire report at www. WindyCityMediaGroup.com. billion in PEPFAR funding for HIV/AIDS work abroad, and this bill reauthorizes the program. Sens. John Kerry, D-Mass., and Gordon Smith, R-Ore., procured the provision to repeal the HIV travel ban, the Associated Press reported. Activists have long criticized the ban as draconian, a relic of a period fraught with misunderstanding and fear of AIDS. In an article published in the Los Angeles Times, the executive director of Immigration Equality, Rachel Tiven, said, “It’s hard today to put yourself back there and imagine the kind of ignorance and misinformation that was prevalent in the early 1990s. People believed the most fantastical, unrealistic things about gays. Congress has finally cleared the way to reverse that series of bad decisions 20 years ago.” Immigration Equality is a New York-based advocacy group that fought to lift the ban. In 1987, the Department of Health and Human Services (HHS) put HIV on its list of diseases that bar entry into the U.S. In 1991, HHS proposed removing HIV from its catalog, but the proposal was met with political backlash. According to a letter from 160 AIDS and health groups that urged Congress to repeal the travel ban, “in the early 1990’s, when, after careful consideration of the public health consequences, HHS sought to loosen these restrictions, Congress reacted by codifying the ban in our nation’s immigration laws.” In 1993, Congress passed a law in the Immigration and Nationality Act that required the HHS to keep HIV on its travel ban list. Since AIDS is not airborne, critics like Immigration Equality say that there is no reason that it should join more contagious banned illnesses. Additionally, critics argue that Congressional legislation regarding HIV in the Immigration and Nationality Act is inconsistent and unfair. According to the open letter from 160 AIDS and health groups, “To this day, HIV is the only medical condition listed in the Immigration and Nationality Act as a basis for inadmissibility. By contrast, the admissibility status for any other disease is left to the discretion of the Secretary of Health and Human Services, based upon the risk the illness poses to the public health.” Now activists look to HHS to fully overturn the ban. According to the Los Angeles Times, “[the HHS] prohibition is separate from the congressionally imposed travel ban. But with the overarching ban by legislators repealed, federal health officials are no longer bound by law to keep HIV on the list.” The American Immigration Lawyers Association (AILA), a national association of immigration lawyers, called for HHS to release a statement. According to a press release, AILA president Charles Kuck said, “We urge the Department of Health and Human Services to take the next step and remove HIV from the list of diseases that bar people from coming to the U.S.” At the moment, HHS Secretary Michael Leavitt has made no public statements about whether the agency intends to adjust its list. According to a story published July 30 by the Washington Blade, “An HHS spokesperson last week agreed to make inquiries into Leavitt’s position on the issue of repealing the HIV ban, but the spokesperson did not get back with additional informa- Fine Custom Cabinetry and Furniture Custom designed and meticulously crafted Residential & Commercial 773-542-5676 Proud Members of Our Community Douglas &Wood 4115 W. Ogden Ave., Chicago www.DouglasandWood.com tion by press time.” On July 30, the Los Angeles Times also tried to reach spokespeople at HHS and Centers for Disease Control and Prevention (an HHS component) to no avail. At press time, Leavitt had still made no public statement. Various advocacy organizations have written press releases detailing their reactions to the Lantos-Hyde Act. The American Civil Liberties Union (ACLU) “applauds the President and Congress… for end[ing] a shameful era in American immigration policy,” but did not admit any dissatisfaction with the bill. In contrast, other organizations called for alterations. The Center for Health and Gender Equity (CHANGE), a group committed to reproductive and sexual health and rights, expressed unhappiness with the bill. According to a press release, the organization said, “we continue to be disappointed that … a Democratic-led Congress is continuing to impose arbitrary funding direc- HIV from cover about 1985, then declined dramatically with broad adoption of safer sex practices within the community. “Infections have, in fact, been rising among men who have sex with men as the data show a steady increase since the early 1990s,” said Kevin Fenton, who heads up the National Center for HIV/AIDS, Viral Hepatitis, STD, and TB Prevention at the CDC. “These data among men who have sex with men point to an urgent unmet need.” Reactions Community outrage has been fueled by the games that CDC played in withholding the numbers for months on end, the limited effectiveness of its prevention efforts, and a bipartisan political response that has neglected the domestic epidemic while focusing overseas. “These new estimates paint a soberingly accurate portrait of the AIDS epidemic and reveal an utter lack of investment in prevention research and programs, especially for gay men and African Americans,” said Mark Ishaug, president of the AIDS Foundation of Chicago. Funding for CDC HIV prevention, $750 million, has been stagnant for years and since 2002 the purchasing power of those dollars has declined by 19 percent. The imbalance is further demonstrated by the fact that domestically, only 4 percent of federal HIV funds go to prevention, while the international U.S. program PEPFAR dedicates 22 percent of its money to prevention. “Rather than investing in domestic HIV prevention, the U.S. government has cut funding to state and local heal departments more than $28 million since fiscal year 2003,” said Julie Scofield, executive director of the National Association of State and Territorial AIDS Directors. Gene Capello, executive director of the AIDS Institute, said the current CDC HIV prevention budget has been cut $3.5 million from last year and President Bush’s budget for next year proposed an additional $1 million in cuts. n nightspots pick it up, take it home tives to encourage abstinence-only programs over effective, comprehensive prevention interventions.” CHANGE advocates for changing the stipulation that organizations that receive federal funding need to pledge opposition to prostitution, calling the practice “a requirement that subverts public health best practices.” According to the United Nations Programme on HIV/AIDS (UNAIDS), at least 74 countries have some kind of HIV-specific laws that restrict the entry of people living with the virus, but the U.S. ban is among the strictest. The Department of State granted a blanket waiver July 30-Aug. 10 for HIV-positive people to travel through the United States to the International AIDS Conference in Mexico City. The conference that has not been held in the United States since 1990 because of travel restrictions. “Neither the U.S. House of Representatives nor the U.S. Senate has proposed any increased funding for HIV prevention. This is completely unacceptable, particularly in light of the new incidence numbers.” He called upon Congress to increase domestic HIV prevention funding by at least $30 million as a necessary first step. “An awful lot of money is being spent,” but we don’t know how much of that is being spent effectively, said Ernest Hopkins, the federal lobbyist for the San Francisco AIDS Foundation. “It becomes very difficult to advocate for more resources if we haven’t evaluated what we are already doing.” Walt Senterfitt, cochair of the national prevention group CHAMP, said it isn’t just the need for more money but of how that money is spent. “Jesse Helms-era restrictions on proven means of effective prevention, the pernicious intersection of HIV and major social injustices” such as racism and homophobia are important contributing factors that must also be addressed. “Better numbers tell us that we need to better target and tailor our scarce prevention dollars,” said Craig E. Thompson, executive director of AIDS Project Los Angeles. “Gay men and other men who have sex with men of every race and ethnicity are the single largest group affected by HIV/AIDS in this country. Underfunded, ‘cookie-cutter’ prevention is no longer viable if we want to control the epidemic in the United States.” Housing Works President Charles King said, “This should serve as a bombshell wake-up call to both Senators Obama and McCain that America’s response to domestic AIDS has failed. We need a comprehensive, national blueprint for ending AIDS and that blueprint is a national AIDS strategy.” Obama has committed to formulating a national strategic plan on AIDS and has spoken publicly on the issue, but McCain has done neither, Phill Wilson, executive director of the Black AIDS Institute said in a conference call with reporters last week. SERVING THE NEEDS OF HIV+ INDIVIDUALS • LOWEST PRICES • FINANCIAL ASSISTANCE • COUNSELING • CONFIDENTIALITY THORNDALE PHARMACY 1104 W THORNDALE, CHICAGO (PH) 773-561-6660 (FX) 773-561-6685 FULL SERVICE WE SHIP ANYWHERE DR. JAY L. HAMMERMAN, R.PH. Aug. 6, 2008 Kevin Pleasant. Photo by Liz Granger Lawrence Hall’s one-man department helps LGBTQ youth By LIZ GRANGER Last year, Lawrence Hall Youth Services received a $75,000 grant from the United Way of Metropolitan Chicago. With the funding, Lawrence Hall started its LGBTQ program. The program offers support for LGBTQ youth, trainings for staff at Lawrence Hall and various workshops and forums. Through a series of seminars, the Lawrence Hall LGBTQ program aims to create a sense of community. Youths have met at career breakfasts; a get-to-know-you lunch at Wishbone; a voter registration drive; and a workshop about sexuality, spirituality and religion, along with other events. They also met at a makeup application seminar last winter (“R U The Au Naturale Beauty Or The Diva In Painted Face?”). Robert White, a local makeup artist, conduct- ed the workshop. White works for Linda Johnson Rice at Ebony Magazine, and he’s worked in film and with celebrities. “This was a way to help promote diversity in relationships, and self-esteem,” said Kevin Pleasant, LGBTQ and diversity coordinator for Lawrence Hall. “[The workshop] was intended for our trans residents, but female and male residents who wear makeup also participated. We had fun.” Pleasant is in charge of a one-man department—he is the department—that coordinates LGBTQ activities for Lawrence Hall, a child-welfare agency that cares for about 1,100 children in its school, residences or other programs. The seminar provided another way for Pleasant to promote unity. “I was at that workshop watching the room divided—heterosexual females over here, trans girls over here, boys scattered on the other side. I watched the heterosexual girls laugh and whisper about the trans girls,” Pleasant said. “After the end of these three sessions, I saw people exchanging numbers, laughing and talking, building relationships with people they probably would have continued to ridicule.” The United Way grant allowed Pleasant to expand a program he founded: Free 2 B Me, a support group for LGBTQ youth. Pleasant says that the grant “officially started” Lawrence Hall’s LGBTQ program, allowing Free 2 BeMe to become one element under an umbrella of services. Now, Lawrence Hall does a six-month training facilitated by Live Oaks where some of the staff become trainers on LGBT issues. In July, they also got funding to do peer-mentor trainings for their youth, in the form of a $55,000 grant from the Polk Brothers Foundation. The United Way grant expired in December. Last year, Pleasant was able to host a number of events for the LGBTQ program: career breakfasts; a get-to-know-you lunch; a voter registration drive; and a workshop about sexuality, spirituality and religion, along with other meetings and discussions. Coming up, youths can expect a “Power of Voting Forum” hosted by Rick Garcia from Equality Illinois Sept. 10. Pleasant also has plans for a “Let’s Talk About Sex Forum,” a workshop about STD/HIV awareness and prevention. There will be participants from the University of Chicago, and a mobile van providing STD testing to Lawrence Hall youths. Pleasant came to Lawrence Hall in 2004. He got the idea for LGBTQ services from Karen Jackson, a manager for the center’s residential program. Jackson realized that Lawrence Hall’s LGBTQ youth had an extended set of needs that needed to be addressed. Youths needed support when they were thinking about coming out, a safe space to discuss identity issues, specialized healthcare and a sense of community. Pleasant is big on building community. “When you say ‘LGBT’ in Chicago, people say, ‘North Side. Halsted Street,’” Pleasant said. “Not everyone can afford to live in this gay-identified community on the North Side. They can’t do it. Where do I go on the South Side, or the West Side or the suburbs? If I am being harassed, who do I call? Where is the closest police station? Where is the closest emergency room? Where do I go for eye exams? Where do I go for educational support?” Pleasant took his youths to Wishbone Restaurant, 3300 N. Lincoln, for the get-to-know-you lunch because he wanted them to learn about safe, supportive resourcces outside of Boystown. For Pleasant, “Halsted is just an easy pitch.” Pleasant keeps the LGBTQ/Diversity Resource Library in his office. It takes the form of two cases full of books, periodicals and DVDs about being “straight, gay, Black, white—whatever you are.” He’s just ordered about 50 more books and movies. Working as a one-man department, Pleasant makes himself available to students all day. Some students call him late Saturday nights when they have a problem. “It’s not about me,” Pleasant said. “We talk about pitching and choosing our battles, but I don’t have that luxury. When I go home at night, I go home to a partner who loves and adores me, food in my refrigerator, a roof over my head, and maybe five dollars in the bank to do whatever I want with. These youths don’t have that, so I have to fight the battles that they put before me. If I pick and choose, they lose.” For more information on Lawrence Hall Youth Services, 4833 N. Francisco, see www. lawrencehall.org or call 773-769-3500. No more ‘Meth Coffee’ in Illinois Meth Coffee is no available to Illinois residents, according to The Chicago Tribune. Illinois Attorney General Lisa Madigan sent a letter to San Francisco company Doll God, LLC, demanding that it stop marketing and selling Meth Coffee, a product that her office’s press release says “blatantly glorifies drug culture.” Meth Coffee, contrary to its name, does not actually contain methamphetamine. Its Web site says that the drink “may promote feelings of mania, zania, euthanasia, fantasia, and all manner of paranoia.” Previously, Madigan’s office helped stop the sale of the energy drink Cocaine, among other products. TPAN names new client services director Test Positive Aware Network (TPAN) has announced Bill Farrand as its new director of client services. Farrand, a master’s degree student at Northeastern Illinois University, began his TPAN career as the coordinator for the Illinois HIV Services Directory; he later became the HIV prevention coordinator for the agency. Visit www.tpan.org or call 773-989-9400. No doubt, Northalsted Market Days brings good times. After you have enjoyed the fest, be sure to stop into City Volkswagen on Irving Park. You can take a spin in the hottest new VWs and you’ll be amazed at our remarkable low leases and finance rates. Come see how City Volkswagen is Showin you the love. 5330 W. Irving Park Road cityvwchicago.com I 1-888-VOLKSWAGEN 5 6 Aug. 6, 2008 Images from the 1988 Navy Pier AIDS Quilt display. Photos by Lisa Howe-Ebright AIDS Quilt: 20 years after Navy Pier By John Lendman It was a steamy, hot July morning—one for the record books—in Chicago of 1988. The location chosen was under two rusty, water-damaged sheds at the old Navy Pier. Volunteers, dressed in stark white uniforms, worked for months to prepare for the four-day event, said Lori Cannon, who remembers the extensive care she and the steering committee took in protecting the anticipated display. The decaying sheds at the old pier were transformed that weekend, given new life, Cannon recalls, from almost being torn down and forgotten. “It became a remarkable cemetery,” she said. Last month marked the 20th anniversary of what would become the largest display of intri- cately sewn quilt panels, each commemorating a life lost to AIDS. Cannon, who helped organize the historic display with the NAMES Project Foundation’s Chicago Chapter, said she scheduled various readers—from clergy members and Rabbis to mothers and athletes—to recite the names on each of the 12-foot-square panels of colorful fabric. “It had been an insightful weekend, a challenging weekend, but mostly it had been a beautiful weekend,” said Cannon, who describes herself as an old lion of the LGBT community. “There is nothing more powerful than approaching a panel … they are all reminders, they are all very important, they are a national treasure.” Modesto “Tico” Valle, the current executive director of the Center on Halsted, recalls his position 20 years ago, as chair of the NAMES’ educational outreach program. It was humbling for people to hand over panels they created to commemorate a loved one to the NAMES Foundation for safe-keeping, Valle said, and it was rewarding to be able to soften hearts and educate people on the devastation of the epidemic. “It was very emotional because it was the beginning of the epidemic,” Valle said. “From that came the birth of many organizations such as Open Hand and Chicago House—It was eyeawakening, people really wanted to get involved and make a difference.” Twenty years later, it seems, a new generation of younger people who grew up viewing AIDS as a manageable disease are not aware of the quilt’s significance until they stand at the foot of the panels, Valle said. “For many of us who survived that battle, the quilt has been very powerful to us,” he said. “There is a generation that didn’t grow up with it basically. But today, if you take the quilt into schools, it still inspires, motivates and moves [young] people into action.” Valle said the Center on Halsted hosts panel displays of the quilt on World AIDS Day and National HIV Testing Day and that there are currently quilt displays throughout Illinois through school initiatives. The NAMES Project Foundation’s Chicago Chapter, 2855 N. Lincoln, offers seamstresses and quilting workshops by request to assist in creating quilt panels, said Cannon. “There is never a time limit for making a panel for a loved one,” Cannon said. “Whenever a person feels they’re ready … the quilt is there however you want it to comfort you.” To find out more about the AIDS Memorial Quilt, see www.aidsquilt.org. Coming out of the commercial closet By JERRY NUNN Community Marketing, Inc. hosted its Gay & Lesbian Market Symposium July 31 at the Hyatt Regency, 151 E. Wacker. The symposium—which aimed to help attendees better comprehend gay and lesbian consumers—featured forums and workshops that focused on everything from marketing on the Internet to promoting equality. One forum was entitled “GLBT Images In Advertising: Punchline or Bottom Line?” Michael Wilke, who is founding executive director of the Commercial Closet Association, led the discussion. “In history, advertising has not led the way for stereotypes,” Wilke said. His visual presentation covered minorities and how they can be portrayed in the media. Wilke also stated that “change is everywhere. Advertising doesn’t show us reality. We are low on the list of priorities. “ Wilke also spoke of the training programs that he does for corporate companies to make them aware of how images reflect our world. He brought up the point that age is a big factor in stereotypes. Snickers, Holiday Inn and car-company commercials were shown to have controversial images. Wilke commented that it has become a joke that every year the Super Bowl will have a gay commercial (such as the Snickers one, which featured two men munching on opposite ends of a single bar). “Sometimes you can go too far,” Wilke explained. Snickers spent a colossal amount of money only to remove the advertising quickly because of the controversy. Wilke finished his segment on a powerful note: “We are not just the punchline but we are the bottom line.” Among other workshops were “Changing Hearts and Minds: A 101 on the Gay & Lesbian Alliance Against Defamation,” which featured GLAAD senior director of media programs Rashad Robinson; and “Chicago connections that work for you: The Center, The Chamber and the Local Media,” which had Center on Halsted Executive Director Modesto “Tico” Valle, Chicago Gay & Lesbian Chamber of Commerce Executive Director Christina Pinson and Windy City Times Publisher Tracy Baim as its panelists. For more about Community Marketing, Inc., see www.CommunityMarketingInc.com. Aug. 6, 2008 LGBTA buildings join green movement by LIZ GRANGER By now, you probably know that green is the new black. You’ve noticed that forgetting to tote canvas bags to the market became a gaffe about two seasons ago, a blush-worthy blunder when your local farmer who specializes in organic Asian greens chides, “Are you sure you need the plastic bag?” You probably saw An Inconvenient Truth a long time ago, in the Stone Ages when even some of your moderate friends thought it was bollocks. Last week you heard Al Gore start the chant: “100 percent renewable within 10 years, 100 percent in 10….” You’ve seen a vast constituency in Africa ban plastic bags; then, Europe and Asia followed suit. Now, in the United States, the ordinances trickle in (with San Francisco—our reliable progressive mecca—breaking ground, of course). The mayor is on board. Mayor Daley wants Chicago to be the greenest city in the country, but you learned about that eons ago when he started talking about green roofs. You know that City Hall installed beehives, and that the Hummers on Wacker are something socially appropriate to chuckle at with co-workers. You wonder, though, what is new in Chicago’s green scene? Plenty. Wendy Berger Shapiro runs a site called Green Bean (greenbean.typepad.com). On Green Bean, Shapiro and a team of volunteers profile up-andcoming green projects in the area. They catalog the landscapers, architects and developers who work on each project, so readers who are interested in green-building have a resource to find like-minded individuals. Right now, Berger Shapiro is writing a piece about the first green McDonald’s in the world, set to open in Chicago. She can’t talk much about it, “but they’re doing some really cool things.” Berger Shapiro runs Green Bean on her own time; she is not paid. Between doing triathlons and running LBS Equities, LLC, she pencils in long hours on the site. Earlier this summer, she decided that she needed help, and sent out a message for potential volunteers to meet at her office for dinner. “I have a conference room that seats six or eight people, and I had no idea if anybody would show up,” Berger Shapiro said. “Before I knew it, we were pulling in chairs. I had 10 Helen Cameron (top); the interior of Uncommon Ground at Devon. Photos by Liz Granger people come.” Berger Shapiro says that the meeting helped her realize how quickly eco-friendly communities are growing. “You have a sense that you’re a part of the beginning, not really first wave, but a real creation of something,” Berger Shapiro said. Helen Cameron knows about green community building. She and her husband own Uncommon Ground, a coffee shop/restaurant/bar/acoustic venue. On Dec. 3, a new location opened in Rogers Park on 1401 W. Devon, but the new site isn’t just a coffee shop/restaurant/bar/acoustic venue; it is also green. The decks at Uncommon Ground (Devon) are made of recycled wood. The host stand, fireplaces and tabletops are made from fallen trees salvaged from Jackson Park. They use local ingredients whenever possible, and are starting a vegetable garden on the roof to serve homegrown foods. Solar panels heat the building’s water. “They were an investment, but we got rebates from the state and in two or three years they will pay for themselves,” Cameron said. Cameron also has two beehives on the roof, tended by neighbor Liam Ford. (People can read about Ford’s beekeeping experiences at chicagobeeblog.wordpress.com.) This year Uncommon Ground suffered an unfortunate “queen fiasco,” Cameron said. The queen quit laying eggs. “It was awful,” Cameron said. “We had to kill her and install a new queen. I couldn’t kill her myself, but we couldn’t leave her alone either. She can’t survive without the hive.” Normally, Ford and Cameron might expect about 100 lbs. of honey each year, but there’s no telling what the hives might turn up after the queen incident. The Center on Halsted (an LGBTQ resource center) is also very green. Along with the tenets “reduce, reuse, recycle,” Center on Halsted employee Tom Dow might say that flexibility is a green attribute. Just as Cameron can’t expect 100 lbs. of honey poured neatly into bearshaped bottles, Center on Halsted couldn’t rely on the colors of their recycled carpets. Since most carpet is not biodegradable, the Center on Halsted found a company that recycles carpet from old buildings and sells it at highly reduced rates. “You’ve got to be a little flexible with the décor, though,” Dow said. “You’re not always sure what you’re going to get until a few weeks before it’s delivered.” At Center on Halsted, they solved that problem creatively, by decorating the floor with a multicolored checkerboard of carpet that fit into the overall color scheme. Flexibility. Technology also helps Center on Halsted be the greenest it can. Sensors throughout the building read natural light levels, and adjust the electric bulbs accordingly. Sensors monitor car- Center on Halsted’s lobby. Photo by Liz Granger. 7 bon dioxide levels, and adjust heating, cooling and ventilation systems. The concrete contains fly ash, a coal by-product. The roof is full of succulent plants that reduce rainwater and heating and cooling costs. The gym includes a giant screen door that can be opened to the outside on nice days instead of cranking up the air conditioning. Natural sunlight prevails. The groundbreaking thing about Center on Halsted’s green improvements, though, is its graywater system, the first in Chicago. “We couldn’t go to the green permits program and ask for a license to do a graywater system,” Dow said. “There was no exact permit for what we wanted, and now we’re the test case for the state. Every time something unexpected happens, about twelve people have to come out here and examine it.” The graywater system works by collecting rainwater, filtering it with chlorine and ultraviolet light, and then piping the water to the building’s toilets. By common estimates, one-third of the U.S. purified household water supply is used for flushing toilets, about three gallons per flush. Berger Shapiro estimates the premium for building green is about a 10-15 percent cost increase. So why do Uncommon Ground and Center on Halsted shell out the cash? “It’s money well-spent,” Cameron said about the green fixtures at Uncommon Ground. “We want to set a green example, and once enough people start building green, costs go down for everyone.” PASSAGES JoAnne McAllister/Digory JoAnne McAllister/Digory died peacefully July 3. She is survived by her family and many dear friends. Many will remember her as the friendly and efficient bartender at bars such as Baton, The Loading Dock, Sundays, Redoubt and others. She retired from bartending in the ‘90s and used her time to help other people with HIV live better lives. Both TPAN (Test Positive Aware Network) and Open Hand named her “Volunteer of the Year” for her unwavering dedication to serving the diverse clientele of these agencies. There will be a celebration of her life Fri., Aug. 8 (on what would have been her 64th birthday), at 10 a.m. at Bethlehem United Church, 2746 N. Magnolia, to raise some laughter. Anyone wishing to make a donation should direct it to Vital Bridges/Groceryland c/o Lori Cannon; call 773-271-5110. Crowned the largest LGBT resort in the Midwest, the Dunes offers a wide variety of accommodations - plus a main bar complex featuring the country’s top DJ’s, a cabaret with live entertainment, game room/bar, multi-level outdoor patio bar and outdoor pool and pool bar. The Dunes is a rare and special place where friends of all walks can find themselves, lose themselves and most importantly be themselves. It doesn’t matter who you are, everybody’s welcome. There is something special about Summer in Saugatuck, MI that makes it one of the most popular destinations for GLBT tourist, something difficult to define but easy to recognize. Best of all, it’s everywhere you look. It’s in the diverse and plentiful shops, restaurants & accommodations. It’s in the arts and the people. It’s in the world-renowned beaches. It’s in the Dunes Resort. Aug. 6, 2008 Mass. allows gay out-of-state couples to marry by LISA KEEN, KEEN NEWS SERVICE There was a small mystery surrounding the latest big victory in same-sex marriage in Massachusetts during the past week—and there were some big hints that, if proponents of same-sex marriage equality can preserve and defend their state’s constitution for four years, the battle may be done, at least in that state. First, the victories: The Massachusetts House voted 118 to 35 Tuesday, July 29, to join the Senate in repealing a state law that has been used to prevent out-of-state gay couples from coming to Massachusetts to obtain marriage licenses. Moreover, the Massachusetts legislature then passed an “emergency preamble” to the legislation repealing a law used to keep out-of-state gay couples from marrying in the state. The law, signed by Gov. Deval Patrick July 31, went into effect immediately. Massachusetts was the first state to allow same-sex couples to obtain marriage licenses, in May 2004. But California, in June of this year, became the first state to enable gay couples— resident or non-resident—to obtain marriage licenses. “This is huge,” said Arline Isaacson, co-chair of the Massachusetts Gay and Lesbian Political Caucus and a key lobbyist on gay civil rights matters before the legislature. “This sends a really loud, strong message that, not only will we not discriminate against people in Massachusetts, but, just as importantly, Massachusetts will not enable other states to discriminate. That’s big.” The state constitution stipulates a bill becomes law 90 days after the governor has signed the legislation. Before the emergency preamble was passed late July 30, that meant out-of-state couples who wanted to marry in Massachusetts would have to wait until Oct. 29. To be considered an “emergency law,” a piece of legislation must be passed with an “emergency preamble” that sets forth “the facts constituting the emergency” and contains a “statement that such law is necessary for the immediate preservation of the public peace, health, safety or convenience.” The Senate bill, passed July 15, did not include such a preamble nor did the House bill. And everybody seemed to suggest it wasn’t going to happen. Melissa Threadgill, a spokesperson for MassEquality, a statewide gay organization leading the marriage fight, said she did not know whether the organization has sought such a declaration. Isaacson said there is no strong interest in asking for it. “It adds another layer on to the process,” said Isaacson. “And while we’d have loved an emergency preamble, the fact of the matter is that [the bill will] go into effect in three months and that gives people time now to plan their weddings.” The constitution allows for the governor to unilaterally declare the legislation to be treated as emergency legislation, but Becky Deusser, a spokesperson for the governor, said she was not aware of that option and that she never heard of any discussion for Patrick to do so. Now that the governor has signed the legislation with an emergency preamble, the mystery about when the law goes into effect is solved. Still, there is a little mystery left: could there be yet another referendum—this time to reinstate the 1913 law. Gary Buseck, legal director for Gay & Lesbian Advocates & Defenders, the gay legal group that led the historic lawsuit that led to equal marriage rights in Massachusetts, said he doesn’t think, as a legal matter, a referendum can be held on the 1913 repeal. Politically, of course, it would be an awkward sell, given that Rep. Byron Rushing, a wellrespected African-American civil-rights leader, said the repeal was not only a matter of “fairness and equality,” but an eradication of a vestige of a discriminatory law originally aimed against Blacks. The so-called “1913 law” was enacted in 1913 to discourage interracial couples from obtaining marriage licenses in Massachusetts and then returning to their home states where such marriages were prohibited. Rushing noted that the law went virtually unused until May 2004, when then-Republican Gov. Mitt Romney ordered its enforcement as a way to stop gay out-of-state couples from obtaining marriage licenses in Massachusetts. The state supreme court upheld Romney’s use of the law, but his successor, Patrick, put it on his hit list. Read the entire article at www. WindyCityMediaGroup.com. Read the latest in world news and the national roundup at www.WindyCityMediaGroup. com. 5233 N. Clark (773) 769-9299 port this language by continuing to provide “My position is, it’s not the reason her with a platform.” — Gay & Lesbian Alliance why I’m running for president of the United Against Defamation President Neil Giuliano, States. And I think that two-parent families July 25. are best for America. Because I think—well, I think that it’s—it is important for us to emphasize family values. But I think it’s very important that we understand that Once again, Ann we have other challenges, Coulter has made too. I’m running for president of the United States a cynical and because I want to help desperate bid with family values. And I for attention. think that family values —GLAAD President are important, when we Neil Giuliano talking about have two-parent—families Coulter’s gay slur that are of parents that about John Edwards are the traditional family.” — Presidential candidate “Congratulations to all of us: May John McCain when asked, “What is your posiequality live long and prosper.” — George tion on gay adoption?” on ABC News’ This Week Takei, who played Sulu on the original Star Trek, with George Stephanopoulos, July 27. Forty-five as he and partner Brad Altman picked up a marstates and the District of Columbia have no reriage license June 17 in West Hollywood. strictions on gay adoption. “I just think John Edwards is an incredibly creepy individual and the very definition of faggy.” — Pundit Ann Coulter in a July 23 appearance on KOA radio in Denver. “Once again, Ann Coulter has made a cynical and desperate bid for attention by using a vulgar, dehumanizing anti-gay slur. More and more, fair-minded Americans believe that there’s no place for this kind of bigotry, and Coulter’s shrinking media platform only confirms how out of step she is with the rest of the country. GLAAD urges the media to shine a spotlight on Ann Coulter’s history of using anti-gay slurs, and the media outlets that sup- QUOTE on... “It would be nice to live in a world in which maleness and femaleness were firm and unwavering poles. People can be forgiven for wanting to live in a world as simple as this, a place in which something as basic as gender didn’t shift unsettlingly beneath our feet. But “From the beginning, my whole scene broke out in the gay clubs. ... I have to give credit where credit is due.” — Singer Donna Summer in an interview published by the Northampton, Mass., gay newspaper The Rainbow Times, July 3. “My own death threats have declined considerably. I think I’ve become rather boring now to the public at large on this particular issue (gay) so I’m thought to be unremarkable.” — Openly gay actor Sir Ian McKellen to the BBC, July 13. —Assistance: Bill Kelley gender is malleable and elusive, and we need to become comfortable with this fact, rather than afraid of it.” — New York Times op-ed contributor Jennifer Finney Boylan, in an Aug. 3 article about the Beijing Olympics organizers’ announcement to have a “gender determination lab” to test female competitors suspected of being male. We Bring the Showroom to You® ÇÇÎ{ä{n{ä£ Have your premiums increased recently? See me: Charles T. Rhodes, Agent 2472 N. Clark [email protected] www.womenandchildrenfirst.com Parking Available Wheelchair Accessible BY REX WOCKNER iLÀ> Ê°Ê ÕÀ« ÞÊ * Thursday, August 14 7:30 p.m. Ann Slavick Hour Chicago Friday, August 15 7:30 p.m. Sandra Tsing Loh Mother on Fire: A True Motherf%#$@ Story About Parenting! 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Groups of people come of age at a particular historical moment, and it marks them forever, creating a bond. I grew up in an environment where everyone spoke of “the immigrant generation.” We all knew what it meant: The old folks were different from the young. African Americans of a certain age speak of growing up under Jim Crow, in the segregated South; it shaped them in profound ways. Journalists write about baby boomers or Generation X. Tom Brokaw pens a best-selling book called “The Greatest Generation.” A large group of aging Americans speak of “the sixties” in a way that says “it made us who we are.” Within the LGBT world, notions of generations circulate too. People refer to the Stonewall generation or the separatist generation to describe an experience that distinguishes them from other gays or lesbians. Whatever the label, the assumption is that our generation, however defined, makes us who we are. As we move through life, the world changes, and we don’t. It’s as if we’re trapped forever in a bygone time. I think what draws me to Valerie Taylor, the pulp novelist I wrote about in my last column, is that she resisted this pigeonholing. Though she lived to be 84, she flat-out refused to remain stuck in the box of a particular coming-of-age experience. She always remained a woman of the moment, a woman who changed with the times. Velma Nacella Young (Taylor’s birth name) was born in 1913 in Aurora, Ill., when it was still a small town beyond Chicago’s sprawl. Her family had little money but plenty of books and, when Velma had the chance to attend college, she seized it. Two years at Blackburn College in Carlinville, Ill., gave her credentials to teach at country schools. They also made her a socialist. This was in the middle of the Depression, and lots of Americans were seizing socialist ideas of economic justice. In small town America in the 1930s, there weren’t many images of lesbian life. Nor was it common then for a woman to support herself. And so Velma Young, like who knows how many women-loving-women of her generation, got married. She had three sons with her husband, William Tate. But he proved to be “an alcoholic no-good bum” and, after 14 years of marriage, Velma took her sons and left. While much of white America was entering the “Father Knows Best” era of idealized family life, she was breaking out of the housewife box. Writing was her way out. Velma had been composing stories and poems since childhood. In 1952, using the pseudonym of Valerie Taylor, she published, in her words, a “raunchy heterosexual love story” titled Hired Hand. With the $500 she received for it (a solid chunk of cash in those days), Taylor—as we’ll now call her—“went out and bought two dresses and a pair of shoes, got a job, and consulted a divorce lawyer. ... That was a good little royalty check,” she recalled, many years later. Despite the huge sales of pulp novels, authors did not receive a fair share of royalties, and Taylor always needed a day job to support herself and her sons. But she wrote steadily, moving decisively into the lesbian pulp genre. She published Whisper Their Love, and then The Girls in 3-B. In the 1960s, Taylor wrote a series of linked novels with unambiguous titles like Stranger on Lesbos and A World Without Men. The increasingly overt subject matter of her books reflected the change in Taylor’s life after leaving her husband. She was now romantically interested in women. But lesbians in Chicago in the 1950s, as Taylor reminisced, “didn’t have the underground network the men had ... There was a lot of loneliness.” Lesbians as well as gay men were cautious about revealing themselves: “in those days, you’d lose your job if you ever came out,” and a single mom raising three teenagers could not risk being out of work. Over time, Taylor developed a circle of friends. But her first sense of lesbian “community” came through The Ladder, a magazine produced by the Daughters of Bilitis, a lesbian homophile organization. It began publishing in 1956, as the lesbian pulp boom was taking off. From its start, The Ladder paid attention to lesbian culture and literature, and it reviewed Taylor’s work. Taylor came to know Barbara Grier, who wrote most of The Ladder’s literary columns. She also corresponded with lesbian writers like May Sarton, Elsa Gidlow and Jeannette Foster. Taylor’s visibility as a writer meant that many small-town lesbians wrote to her and asked for advice in meeting other lesbians. She’d tell them to sit at a drugstore lunch counter with a copy of The Well of Loneliness or with a Beebo Brinker lesbian pulp. If a woman exhibited signs of interest, she was probably a lesbian. Such were the challenges of building community in the 1950s. Maybe it was a yearning for community that impelled Taylor, in the mid-1960s, to do something most lesbians and gay men of her generation were unwilling to risk. She joined the small but courageous homophile movement. Since a Daughters of Bilitis chapter never sank deep roots in Chicago, she participated in Mattachine Midwest, helping to edit its newsletter. Her columns reveal a feisty personality who didn’t mince words. When Time printed a particularly ugly antigay article, Taylor opined: “The pages are too stiff to wrap garbage in and the magazine is no good for anything else.” Writing about the many syndicate-run gay bars in Chicago, she said “they prey on gay people.” When lesbian feminism and gay liberation exploded into life in the early 1970s, most of Taylor’s generation kept a distance and remained discreetly in the closet. Not Taylor. She jumped in with both feet. In 1973, she was one of the featured speakers at the noon rally at Civic Plaza during Pride Week. Acknowledging that she was older than almost everyone else there, Taylor introduced herself as a representative of “the gay grandmothers of America.” The next year, she helped Marie Kuda organize the first of several annual Lesbian Writers Conferences that brought together women from around the country. Taylor gave keynotes at more than one of them. Her message to the younger generation was powerful, visionary and sometimes unsettling. “The whole world should be our subject matter,” she told those at the conference of writers. “All of life belongs to us.” For Taylor, feminism and gay liberation weren’t for the faint hearted. “Revolution is never a straight-line process ... a great many people get hurt.” She wanted folks to think big: “We need not choose between the struggle for world peace and the fight for women’s liberation. ... The entire world is our battlefield.” Taylor spent the last decade and a half of her life in the warmer climate of Tucson. Sometime in the 1980s, she wrote an essay in which she asked “Have you ever wondered what happened to old Amazons?” The question grew out of experience. In 1980, Taylor learned that Jeannette Foster, the pioneering lesbian scholar, was incapacitated and in need of financial help. Taylor established a Sisterhood Fund and raised money from lesbians around the country to support Foster in the last year of her life. In 1993, Lee Lynch, a younger lesbian writer, did the same for Taylor. “I knew my sisters wouldn’t let me down,” an 81-year-old Taylor told an interviewer. “There really is a lesbian community all over the place.” She might have added that she had helped build it. Copyright 2008 John D’Emilio Desi nin interiors is my passion. Creating spaces that are beautiful and functional. Homes, offices, restaurants, hotels. Bringing dreams to life through design. How do I take my vision and make it my reality? The Interior Design Program at Harrington College of Design. 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For those American citizens who reside in congested crime-ridden urban areas riddled with drug and gang warfares, as I do, this recent ruling brings a heightened concern about personal safety. But this ruling also brings a heightened concern about 8 personal safety for those of us who rely on hatecrimes laws to protect us from the bigoted actions by our fellow citizens. “I can see some crazed fool come into a bar where gays hang out or my homeys and shoot the hell out of us,” Adam Williams told me. Williams is an African-American transman who has been the victim of both gay-bashing and racial violence. Feeling more vulnerable than ever in his life with this recent Supreme Court ruling Williams tell me he’s going to carrying a gun with him. “Ain’t nothing out here to protect you now. I don’t trust the cops ‘cause they beat the shit out of you with other officers watching,” said Williams, referring to the news about the cop beatdown of Duanna Johnson, an African-American transwoman, in a Memphis booking room that was captured on a surveillance video. “I’d be stupid not to go packing now.” Williams lives in Oakland, just outside of San Francisco, and he’s going to check out the San Francisco chapter of Pink Pistols. As a national organization that encourages the LGBT community to arm itself to prevent hate crimes, the Pink Pistols are also a social gun club. On the San Francisco Pink Pistols Web site, it invites the community to learn how to shoot: “We are a group of primarily gay shooters, who are welcoming to all. One need not be an experienced shooter, nor own a firearm. So if you are interested in learning to shoot in a non-threatening gay friendly environment (one member is a certified firearm instructor) then click on for the date of our next shoot.“ Pink Pistols brandishes the mottos “Armed gays don’t get bashed” and “Pick on someone your own caliber.” The group’s message is a hot-button issue swirling in the LGBTQ community: Can gun-toting solve gay-bashing? “They’re trying to get urban gays and lesbians to not be afraid of the one instrument that, when used properly and legally, can save their lives,” Jeff Soyer, a Pistols member of the Vermont chapter, told Alternate 101. Libertarian activist Douglas Krick founded Pink Pistols in the anti-gun town of Boston. Although Pink Pistols have 48 chapters in 32 states and 2 countries, it not well received here in Boston, one of the most gay-friendly but top crime-ridden cities in the country. “I don’t believe arming ourselves is a sustainable response to a subculture of hate towards homosexuality. We are not going to settle our scores as a community by having a shoot-out at the OK Corral,” stated Sue Hyde of the Boston office of the National Gay and Lesbian Task Force to the Southern Voices in 2002. But Jonathan Rauch, the gay journalist whose headline article in the March 13, 2000, Salon Magazine Pink Pistols borrowed its name from, thinks differently. And he illustrated his point by reminding us of the 1998 killing of Mathew Shepard. “Shepard was small, helpless and childlike. He never had a chance. This made him a sympathetic figure of a sort that is comfortingly familiar to straight Americans: the weak homosexual,” Rauch told Orange County Weekly in 2003 The Pink Pistols are considered the lunatic fringe of the LGBTQ community and are often compared to the Black Panthers and Jewish Defense League, all movements in response to hate crimes and discrimination against their groups. And their advocacy of guns is understandable. Self-defense is a human right. And great spiritual leaders have spoken out on the subject. For example, the Dalai Lama said, “ If someone has a gun and is trying to kill you, it would be reasonable to shoot back with your own gun.” And Jesus stated in Luke 22:36, “Let him who hath no sword, let him sell his tunic and buy one.” We feel most vulnerable when we have no means to defend ourselves from attacks both systematically and individually coming toward us. Organizations like the Pink Pistols offer a seemingly viable tool to stem gay violence. However, guns will never be the great equalizer for an embattled group. They may, for a fleeting moment, deter our enemies but they will never permanently protect us from them. But guns do, however, signal to us that we might need to take another course of action. letters The next step Family affair To Whom It May Concern: Dear Sens. McCain and Obama: On July 30, President Bush signed into law the President’s Emergency Plan for AIDS Relief (PEPFAR) bill, which, among other things, allows America to lift its shameful 20-year ban on immigrants, refugees and visitors with HIV. Now, only 11 countries in the world have such a ban, most of which are human-rights violators such as China, Libya, and Russia. This is an important step toward making our nation’s immigration laws more impartial. However, the ban is not yet lifted. The law bars those with “communicable diseases of public significance” from entering the United States, and it is up to the Department of Health and Human Services (HHS) to decide which diseases belong on that list. In order for the HIV immigration ban to be lifted, as our Congress and our President intend, HHS must remove HIV from the list. HHS proposed removing HIV back in 1991, but met massive outrage from religious conservatives.We do not know how HHS will rule now, or how long this process will take. Until then, a ban on those with HIV is still in place. The AIDS Legal Council of Chicago will be watching the HHS process closely and working with local community organizations to keep the community informed as changes are made. Until then, we will continue to help immigrants with the current HIV waiver process. In light of recent events, I want to be certain that our presidential candidates truly understand the great diversity of American families and how best to meet their needs. As a lesbian mother and the executive director of Family Equality Council, I know how hard parents work to raise happy, healthy children. Regardless of their sexual orientations and gender identities, regardless of how many parents or caregivers are present in a family, all parents begin each day with their children at the forefront of their thoughts. On behalf of diverse families, I present you with the following information on the variety of family types that exist in this country and ask for your plan to recognize, respect, protect and celebrate all of the loving families you seek to represent. Policymakers, researchers, child-welfare professionals and advocates agree that strong families build strong societies. The problems we face are due to the lack of recognition of the many types of families and relationships that exist and the eroding support systems that protect all people in this country. We need a president who understands the complexity of American families and has real, workable solutions to the challenges we face. Despite the images we may see in the media, in our schools and in our daily lives, American families are not all composed of married moms and dads raising their biological children: —Thirty-seven percent of parent households with children in the home are not headed by married, heterosexual couples. —Since 1940, grandparents have been the primary caregivers (without biological parents in the home) for approximately 2 percent of all Ann Hilton Fisher Executive Director, AIDS Legal Council of Chicago children in this country, some 1.6 million children today. —Forty percent of all children will likely be raised by unmarried partners living together for a portion of their lives. —Lesbian and gay parents are raising four percent of all adopted children in the United States, as well as three percent of all children in foster care. American families have real and immediate needs which require policies that recognize and protect them, not ignore and penalize them. These families, whether they are headed by LGBT parents, grandparents, single parents, unmarried parents or others, will continue to share in the joys and challenges all families face. They will do their jobs as well as they always have, but they would certainly benefit from a president who encourages social support for them and government recognition. For all families in this country to thrive, we envision economic opportunities and living wages for all; quality, affordable and accessible healthcare; quality and affordable childcare for all children; public schools that lift our students up; and safe and affordable housing. Until grandmothers and grandfathers can easily access the government benefits intended to keep their grandchildren healthy and safe; until LGBT parents can have their relationships universally and unquestionably recognized; until unmarried parents can access benefits without penalty or derision, we will not be doing justice by the millions of American families that do not fit a small minority’s notion of what a “real” family is. Jennifer Chrisler Executive Director Family Equality Council VOL. 23, No. 47, Aug. 6, 2008 The combined forces of Windy City Times, founded Sept. 1985, and Outlines newspaper, founded May 1987. PUBLISHER & Executive EDITOR Tracy Baim Assistant Publisher Terri Klinsky MANAGING Editor Andrew Davis Business manager Cynthia Holmes Director of New Media Jean Albright ART DIRECTOR Kirk Williamson account managerS: Amy Matheny, Suzanne Kraus, Kirk Williamson, Terry Wiegel, Diane Mareci, Georg Coleman Promotions director Kathleen Ulm NIGHTSPOTS MANAGING Editor Kirk Williamson SENIOR NEWS REPORTER Amy Wooten National Sales Rivendell Media, 212-242-6863 TheatER Editor Jonathan Abarbanel Cinema WRITER Richard Knight, Jr. BOOKS WRITER Yasmin Nair SENIOR WRITERS Bob Roehr, Rex Wockner, Marie J. Kuda, David Byrne, Cathy Seabaugh, Tony Peregrin ARTS & ENTERTAINMENT WRITERS Mary Shen Barnidge, Jim Edminster, Steve Warren, Lawrence Ferber, Mel Ferrand, Tim Nasson, Scott Morgan, Catey Sullivan, Zachary Whittenburg, J. S. 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Resource Guide ONLINE www.WindyCityMediaGroup.com www.WindyCityMediaGroup.com www.WindyCityQueercast.com Windy City Times is Chicago’s only gay publication with independent, outside audit verification of circulation by the nationally recognized firm, Verified Audit Circulation. Aug. 6, 2008 11 GOINGS-ON WINDY CITY TIMES’ ENTERTAINMENT SECTION Aug. 6, 2008 11 TOUR OF ‘BEAUTY’ Jonathan Abarbanel reviews the musical Dangerous Beauty on page 13. MUSEUM Driehaus call. Page 18. SPORTS MOVIES State of ‘Shock.’ Page 20. In the picture. Page 30. Photo by Jeff Sheng Stage Door Jonny By Jonathan Abarbanel Jonny’s theatrical friends at the Mayslake Forest Preserve in Oak Park, who have operated the summertime First Folio Shakespeare Festival for 13 years, are making a change to reflect the growth and development of their institution. From now on, the company will be called the First Folio Theatre, a name change that confirms the troupe’s expansion to year-round operation and a repertory beyond Shakespeare alone. Two years ago, the company began to take advantage of the magnificent Peabody Mansion on the Mayslake grounds, staging works by Wodehouse and Poe within the lavish rooms of the 1920s house, which slowly is being restored. Now, for 2008-2009, First Folio has announced its first-ever four-show season, including works by Coward, O’Neill and Shakespeare (outdoors as usual, next summer) and a spooky Dracula adaptation. Jonny offers his congratulations to First Folio co-founders Alison Vesely and David Rice. Dracula won’t be the only fellow in a cape flapping about as the new theater season begins: Lifeline Theatre will reopen its summertime hit, The Mark of Zorro, Sept. 27 for a two-month run at Theatre Building Chicago in the very heart of Boystown. This is the first time in its 25-year history that Lifeline has transferred and reopened a show. Jonny himself hasn’t seen this show yet, but Windy City Times critic Mary Shen Barnidge gave it very high marks, describing leading man James Elly as “the gallant with the angelic face and the lightning rapier.” Sometimes it’s difficult to ascertain precisely what Ms. Barnidge is saying, but Jonny believes she means he’s cute and knows how to whip it out. The Aug. 3 lead article in the travel section of the prestigious Sunday New York Times was about—hold on—Saugatuck-Douglas! And the long story didn’t have one word about the sub- stantial gay presence in the twin Lake Michigan resort towns. Jonny can’t imagine the Times writing about Fire Island or Provincetown and failing to mention the LGBT part of the mix. We know better, however. We know that LGBT men and women regularly head around the curve of the lake to enjoy the Eastern shores. Indeed, those spending an end-of-summer weekend in Michigan might want to stop by the Acorn Theater in Three Oaks, Mich., which so often draws on top Chicago talent. On Aug. 8-9, one can catch monologist Donna Blue Lachman presenting her wonderful piece “The Trouble With Peggy: Pieces of Guggenheim,” in which Lachman plays not only art guru Peggy Guggenheim but also many of the mostly male artists she befriended (such as Jackson Pollack, Marcel Duchamp and Max Ernst). Then, on Aug. 23, the Acorn offers an evening of opera under the direction of (and featuring) bass-baritone Bob Swan. And just past Labor Day, the Acorn presents Chicago’s own diva, Joan Curto, in a Sept. 6 program, “Brassy, Sassy, and Classy: the Songs of Ethel Merman and Mary Martin.” Visit www. acorntheater.com. The annual Johnny Mercer Songwriters Project, now in its third year at Northwestern University, concludes Aug. 16 with a grand public cabaret concert at Pick-Staiger Concert Hall on the school’s Evanston campus. The Johnny Mercer Celebration Concert will feature Tony Award winner Heather Headley (a Northwestern grad), Broadway composer Andrew Lippa, singer Lari White and the famous Chicago cabaret duo of Beckie Menzie and Tom Michael. Tickets are $30. Celebrated American songwriter Johnny Mercer wrote “That Old Black Magic” and “Accentuate the Positive” among many other hits. See www. amtp.northwestern.edu/mercer.html for more info. Readers know that Jonny never stoops to tooting Jonny’s own horn ... at least not until now. Your Jonny has become quite the in-demand, celebrity guest speaker about town, and in the next two weeks you will have several opportunities to hear—and see!—Jonny in the flesh. On Thurs., Aug. 14, Jonny will deliver a lively 90-minute lecture, A Critic Looks at Hamlet, at Oakton Community College at 2:30 p.m. to conclude the college’s three-week Hamlet Festival. Two days later, Aug. 16, at 4 p.m., Jonny will moderate a panel discussion at Theatre Building Chicago on the development of new musicals. Finally, at 7:30 p.m. on Mon., Aug. 18, Jonny will be emcee for Musical Mondays at Drury Lane, A Tribute to the Ladies of MGM. Leading ladies of Chicago cabaret will perform songs associated with Judy Garland, Debbie Reynolds, Ann Miller The Mark of Zorro. and more ... all introduced by Yours Truly, in a tux no less! Doors open at 7 p.m. and these Musical Mondays have been selling very well, so Jonny urges you to seek details at www.chicagocabaret.org. Note: This, dear readers, is Jonny’s last hurrah. At the end of August, Jonny will have the honor of beginning a new part-time career teaching theater at the University of Illinois at Chicago. In order to accommodate a teaching schedule, Jonny must relinquish several other obligations, among them authorship of this twice-monthly column. Jonny hopes, dear readers, that you have had as much fun reading this column as Jonny has had writing it, and that you’ve found it entertaining and informative. Jonny loves you all! Thank you! CRITICS’ PICS Co-Ed Prison Sluts, Annoyance Theatre; through Aug. 29. South Park wins the grossout war while Urinetown is a better spoof of musical theater. Still, this revival of our longest-running musical is a fine nostalgia trip and piece of Chicago theater history. SCM Esperanza Rising, Chicago Children’s Theatre at Goodman, through Aug. 10. This large-cast stage version of Pam Munoz Ryan’s novel makes the story too simple, but the production—which kicks off Goodman’s Latino Fest—is very well told, with colorful staging and live mariachis. JA Superior Donuts, Steppenwolf Theatre, through Aug. 24. The good guys lose plenty before they win—sort of—in this smart, ruminative, comedy set in Uptown, but that’s about as upbeat as we can expect from Pulitzer-winning playwright Tracy Letts. MSB —By Abarbanel, Barnidge and Morgan 12 Aug. 6, 2008 Glengarry Glen Ross. Photo by Jan Ellen Graves THEATER REVIEW Glengarry Glen Ross Playwright: David Mamet At: Redtwist Theatre (fka Actors Workshop Theatre), 1044 W. Bryn Mawr Phone: 773-728-7529; $22-$30 Runs through: Aug. 24 BY MARY SHEN BARNIDGE You see, there are these real estate agents, competing for business in a tight market, and the geezers are worried that the young hustlers are surpassing them in sales, putting their livelihoods in jeopardy—yes, it’s Glengarry Glen Ross, David Mamet’s 1984 Pulitzer Prize-winning study of greed, testosterone and white-collar male behavior. The author was writing of his times, of course, but conditions in today’s society—economic uncertainty, skepticism toward land as an investment, hostility toward West Asians—are not dissimilar to those a quarter-century past. What’s different is that juggling money in seven-figure increments is no longer the exclusive province of men, nor are the cutthroat tactics encouraged by such activity. Mamet, speaking through his agent, granted permission to Redtwist Theatre’s selective crossgender casting with the stipulation that “not a single word of the text [be] changed.” Under Adam Webster’s direction, the female actors retain their masculine names and pronouns, but make no attempt to disguise their own vocal ranges or mannerisms. Rather than crippling SPOTLIGHT the text’s dynamic, however, this break with convention amplifies the psychological warfare unfolding before us. Office manager Williamson’s phlegmatic veneer emerges as icier for residing in a severely suited schoolmistress-surrogate. Aaronow’s meek capitulation to his colleague’s bullying is far more apparent when he is allowed to collapse almost into tears. And if a bedazzled client cannot resist the seduction of a sleekly dressed stranger’s graphic disquisition on body fluids, sybaritic sex and seizing the moment, imagine his response when Ricky Roma’s sermon is preached by a statuesque woman wearing a Medusa hairdo and shoes with heels suitable for cardiac surgery. Brian Parry’s Shelly Levene, Eric Hoffmann’s Dave Moss and Jeff Helgeson’s James Lingk more than hold their own on the minuscule Redtwist stage. However, its restrictive dimensions reduce the action’s physical demands, allowing performers the leisure of savoring their words while still bringing the running time to an unhurried 90 minutes. Jacqueline Grandt’s Macchiavellian Roma dominates the stage nevertheless, with sturdy support from Erin Shelton as the flinty Williamson, Debra Rodkin as the wimpish Aaronow and Filonna Thomas as the blustering (but curiously passive) police officer Baylen. The results make for a portrait of desperate corporate outlaws, relying on shit-eating smiles and spitpolished shoeshines, so intimate that we are relieved when the players relax at curtain call to reassure us that it was really—would I lie to you?—all just play-acting. Faust “Temptation greets you like your naughty friend,” reads the poster for the Chicago Dance Crash version of Faust and, to make the point unavoidable, Mephistopheles (aka Satan) is portrayed as a female vixen, Mephisto. Well, it always was about youth and sex, right? After all, the peak of Christopher Marlowe’s Dr. Faustus is his liaison with Helen of Troy. But Chicago Dance Crash bases its version on Goethe’s more deeply spiritual telling, which places Faust between a just, logical God and the ardent, seductive Satan. Incorporating 21st-century sensuality, artistic director Kyle Vincent Terry juxtaposes ballet and hip-hop dance styles performed to a progressive rock/hip-hop score. Faust runs through Aug. 10, Theatre Building Chicago, 1225 W. Belmont; 773-327-5252; $20. Aug. 6, 2008 13 pleasant and sometimes grand but always bland. Of 22 numbers, only five struck me as notable in some way. The Renaissance-flavored orchestrations often sound like lute or harp and reeds, but it’s rather generic pop stuff built on chords and rhythms rather than on memorable melodies. It’s efficient music that serves the show well but has little emotional weight. THEATER REVIEW The People’s History of the United States Playwright: Andrew Park and the ensemble At: Quest Theatre Ensemble, 1609 W. Gregory Phone: 312-458-0895; Free, but reservations requested Runs through: Aug. 24 Dangerous Beauty. THEATER REVIEW Dangerous Beauty Playwright: Jeannine Dominy (book), Michele Brourman (music), Amanda McBroom (lyrics) At: Ethel Barber Theatre, Northwestern University (Evanston) Phone: 847-491-7282; $30 Runs through: Aug. 17 BY JONATHAN ABARBANEL I love richly costumed plays and movies that plunk me down in some past era, yet I was unmoved by Dangerous Beauty despite its intelligence and superior production values. Part of my critical task is to discover why, if I can, since this world premiere is considered a developmental production as part of Northwestern University’s American Music Theatre Project. Fashioned by a female triumvirate, the show is based on a book by Margaret Rosenthal (The Honest Courtesan) and 1998 film before it. I know neither work, so what I see on stage is what I get, as I suspect it will be for most people. Set in Venice, Italy circa 1580, Dangerous Beauty is a fictionalized biography of Veronica Franco (1546-1591), a courtesan of Venetian nobility, a published poet of distinction and the subject of a Tintoretto portrait. Other characters are drawn from life as well, particularly members of the powerful Venier family. The politics and society of 16th-century Venice were intricate to say the least, as the tremendously wealthy city-state saw its military fortunes fall and its famously licentious cultural life attacked by the Inquisition. Dangerous Beauty conveys all the required information surprisingly well, save for an Act II scene of bald political exposition. Very much a character-driven story, Dangerous Beauty develops its heroine as deeply as a non-musical play, while even its hero—Marco Venier—is complex for a musical. The attention lavished on character development in Act I necessarily makes Act II a rush of incidents and plot elements—an avalanche of action that works because of the strong characters. Still, as this show isn’t a finished product, some adjustment to the scene structure and division between Act I and Act II might be considered. So here we have a work of careful construction and obviously intelligent book and lyrics, given a lavish and handsome physical production with a talented cast (young Broadway veteran Jenny Powers as Veronica is the real deal in looks and voice). Why didn’t it bite me in the butt? Two things, I think. First, not only is it filled with exposition about politics and society, but it also tells me—rather than shows me—what attitudes about love and passion should be. I’m not swept away. For example, Veronica and Marco already are in love at the start, so I don’t see them fall in love. Then, I found the music BY SCOTT C. MORGAN You can view Quest Theatre Ensemble’s The People’s History of the United State as a fun historical pageant filled with patriotic poetry, puppetry and song. Or you could just write it off as naive and left-wing American agitprop. Either way, you have to admire the chutzpah of director Andrew Park and the Quest ensemble to condense more than 230 years of American history into a revue for kids and adults. The show has plenty of segments that successfully crystallize moments of American history in a song or iconic sound bite. There are many moments that make you swell with pride at watching iconic American texts being enacted (or at least remembering what was drilled into you in history class). Quest also deserves commendations for not shying away from some of the darker aspects of American history like the Trail of Tears and Jim Crow discrimination. Then there are a few clunking misfires when complex issues get a simple glib treatment. Take, for instance, the wrong-headed (if very entertaining and well-performed) segment on the Great Depression. After an actor wearing a President Franklin D. Roosevelt mask pops out of a big box marked “New Deal,” a bevy of chorus girls wearing oversize dollars clamor on to sing and dance “The Gold Digger’s Song” (a.k.a. “We’re in the Money”). That gross simplification of 1930s federal programs instantly bringing prosperity is appalling, as is the use of the song and its originally ironic context from the escapist film Gold Diggers of 1933. A segment on Sept. 11, 2001, also fails. David Korzatkowski sings to his one-year-old son, Daniel, no doubt to symbolize the new era of fear and confusion many Americans feel nowadays. But Daniel ended up sabotaging the tone of the whole number by unintentionally waving and mugging to the audience. If you can get over the CliffsNotes condensation of history, you can find plenty to admire. Better yet, it can serve as a great starting point for discussing aspects of American history with kids and teenagers. As always, Quest’s artistic creativity stands out with its distinctive lumpy masks and towering puppets. They’re used to great stylistic effect with their towering Abraham Lincoln, along with the nimble trio of George Washington, Benjamin Franklin and Thomas Jefferson. The large cast is also a multitalented lot, singing, dancing and performing on musical instruments (sometimes even while wearing those cumbersome masks). There isn’t a dull moment because there is so much swirling around you. So even if it isn’t perfect, Quest’s History of the United States undeniably entertains and reminds you of the significance of history on who we are as Americans today. And in an election season, it’s a timely reminder. 14 Aug. 6, 2008 Fair Use. Photo by Peter Coombs THEATER REVIEW Fair Use Playwright: Sarah Gubbins At: Steppenwolf Theatre First Look Repertory of New Work at the Merle Reskin Garage, 1624 N. Halsted Phone: 312-335-1650; $20 Runs through: Aug. 10 BY CATEY SULLIVAN Nothing matches the deliciously painful euphoria of the Great Maybe. And few have articulated it with the humor, grace and precision of playwright Sarah Gubbins in Fair Use. As powerhouse attorney Sy notes in Gubbins’ snappy, provocative romantic comedy, the “maybe” is something you don’t want to lose—ever. “Maybe” is that exquisite state of mind and heart that compels you to hold out for a hero in the wrong person. Lose it and you extinguish that stubbornly blissed-out belief that Little Ms/Mr. Surely- Gonna-Break-Your-Heart will turn out to be your happily-ever-after. Give up the “maybe” that sustains such reckless, irrationally insistent love and you might as well douse the pilot light, turn up the gas and stick your head in the broiler. With Fair Use, Gubbins pins a hetero/lesbo love triangle predicated on an exhilarating, crushing maybe to a backdrop of plagiarism lawsuit. And before we go any further, it’s critical to note that Fair Use isn’t finished. Directed by Meredith McDonough for Steppenwolf’s First Look Repertory of New Work festival, it’s got snap, verve, wit and a way to go before it’s ready for a fullfledged production. What First Look offers is not a polished finished product but the opportunity for audiences to be part of the product’s formation. As unfinished plays go, Fair Use is rich with provocative potential and marked by sharp insight and hilariously astute dialogue. The second half is troublesome, but Gubbins has the chops to fix it. The triangle love, lust and loss is set in the offices of a powerhouse law firm. A Cyrano-like plot involving love letters authored by one person STAGES 2008 The 15th Annual Festival of New Musicals in Progress Theatre Building Chicago 1225 W. Belmont Ave. Chicago, IL 60657 www.theatrebuildingchicago.org Box Office - 773-327-5252 Enjoy concert and studio productions of new musicals in progress. Be a part of the creative gathering of authors, actors, artists, theatre producers and musical theatre lovers 9_D G Q j ^9 _D G Friday, Saturday, Sunday Q j ^ August 15, 16, 17, 2008 9_ Theatre Building Chicago is an incubator for developing and emerging creative talent in theatre. Stages08_WCT.indd 1 8/2/08 8:00:13 AM and credited to another is juxtaposed against a potentially Constitution-altering case involving plagiarism. The cast here is absolutely first-rate, anchored by Kelli Simpkins as an attorney whose wry braininess is matched by a glorious touch of the poet. Equally wonderful is Halena Starr Kays, who is an absolute joy as a hyper-intelligent, straight-shooting literary and romantic consultant and aspiring “bike dyke.” Where Fair Use stumbles is in its later scenes. The key hetero relationship is underwritten and, as such, is never believable. A bit involving voice disguise and a three-way phone call aspires to be the comedic climax of the piece, but comes across as the kind of sitcom schlock predicated on the assumption that the audience is stupid enough to swallow the most preposterously implausible inanity. Finally, the law case so tantalizingly started in the first act sputters out on the sidelines in the second. All that said, Fair Use truly constitutes a must-see: The performances are terrific and Gubbins’ writing is packed with insight and humor. In short, it’s a show you want to be in on the ground floor for. And there’s no “maybe” about that. THEATER REVIEW A Night of Burlesque Featuring Desdemona: A Play about a Handkerchief Playwright: music by Stephanie Sherline, lyrics and additional material by Shannon Latimer, script by Paula Vogel At: The Mill at Stage Left, 3408 N. Sheffield Phone: 1-800-838-3006;$20 Runs through: Aug. 23 BY MARY SHEN BARNIDGE There’s more to burlesque than nubile nymphets in scanty undies, though the eye-candy element is the most familiar component of its presentation. An evening of comme-il-faut burlesque begins with variety acts, usually with a risqué slant, as a prelude to a feature-length spoof of high-brow entertainment—opera, ballet, the Theatah—likewise engineered for good, clean, ribald fun. The first in this production by The Mill is supplied by Shannon Latimer and Stephanie Sherline’s vaudeville patter and 1920s-homage songs—the bubbly “Pillow Fight (Two Girls Just Playing Around)” introducing the major personae, an exuberant “Venice Is For Lovers” establishing our locale, and the sweetly torchy “Be My Lieutenant” (“Keep me safe and warm/ You know how I love a man in uniform”), which acquaints us with the relationships in the “burletta” provided by Paula Vogel’s 1979 diatribe titled Desdemona: A Play About a Handkerchief. Vogel’s misanthropic inversion of Shakespeare’s classic drama—in which Desdemona does the naughty at Bianca’s brothel and Emilia saves up for her happy widowhood—can be a showcase for performers, as in the 1995 Heliotrope production. It can be a vehicle for strident hyperfeminist propaganda, as in the Thunder Road production in 1996, or a sensitive exploration of cloistered feminine subcultures, as TriArts interpreted it in 2000. But The Mill (fka Experimental Theatre Chicago) is the first to hold a burlycue lens up to a text sour enough, if taken seriously, to give Florence King the pip. And what a relief it is that they do! After the initial wink-and-giggle tone puts us in the mood for frivolity, the comedic timing imposed on the dialogue render the cat-pissy commentary— Othello’s stingy, Iago’s got a small dick, Lodovico’s a libertine—no more odious than a bevy of Mean Chicks dissing their adolescent peers. To be sure, we know things that they don’t, but our dread of the untimely thwarting of carefully-laid plans doesn’t manifest itself until imminent disaster becomes unavoidable (as tragedy always does). The Mill makes do with its small budget, reproducing its genre’s sumptuous furnishings within the stark confines of the Stage Left storefront— red velvet curtains, lacy shimmies, frilly petticoats and music director Sherline and her guitar bravely standing in for the Folies Bergère orchestra. Under Jaclyn Biskup’s direction, however, the “Mill Missies” ensemble sparkles with a sunny ebullience that renders its inevitable capitulation to the darkness all the more regrettable. ONLINE THIS WEEK... THEATER REVIEW OF: —Dancing at Lughnasa www.windycitymediagroup. com Lily Tomlin at Rosemont Theatre Nov. 1 One of America’s queens of comedy, the legendary (and out) Lily Tomlin, will take the stage of the Rosemont Theatre, 5400 N. River, Sat., Nov. 1, at 8 p.m. for “An Evening of Classic Lily Tomlin.” The one-night-only performance is a free-wheeling one-woman show featuring “guest appearances” by some of Tomlin’s best-known characters. Tomlin’s first television appearance was on The Gary Moore Show (1966) and in 1969 she joined the sketch-comedy TV hit “Laugh In,” where she became known characters such as the devilish six-year old Edith Ann and telephone operator Ernestine. Her film credits include Nine to Five, I Heart Huckabees, Nashville and A Prairie Home Companion. Tickets are $37.50-$75. Call Ticketmaster at 312-559-1212; visit Ticketmaster outlets or the Rosemont Theatre box office; or visit www.Ticketmaster.com. Evan D’Angeles. Broadway vet now at Bailiwick Broadway veteran Evan D’Angeles has replaced George Andrew Wolff as Quasimodo in Bailiwick Repertory’s The Hunchback of Notre Dame. The production is Dennis DeYoung’s musical adaptation of the Victor Hugo classic. D’Angeles has been in such Broadway productions as Miss Saigon and Pacific Overtures. Wolff is now performing at Chicago Shakespeare Theater in Willy Wonka and the Chocolate Factory. Tickets for Hunchback, which runs through Aug. 31, are $25-$45. See www.bailiwick.org or call 773-883-1090. Aug. 6, 2008 15 ON SALE THROUGH JANUARY 11 5 EASY WAYS TO BUY TICKETS: and visit Best Seats 2. (312) 902-1400 3 . All Broadway In Chicago box offices and Ticketmaster retail locations 4 . Groups (20+): (312) 977-1710 5 . $25 rush seats day of show at box office or online Photo: Joan Marcus 1. , 18 W. Monroe, Chicago • JerseyBoysChicago.com Original Cast Recording On Aug. 6, 2008 K?<G<FGC< PFLBEFN Meet the many talented individuals who work hard every week to provide you topnotch news and entertainment coverage from Windy City Media Group. ^ li if \ A` d < [d `e jk \i Af _e ; Ë<d b: fi\ Z\ DXi ;Xm`[9 p ie\ DXipJ_\e9Xie`[^\ Y \e kk fe `c`f `d X KiXZp9 D \ YXe YXi Xe8 \ _` N i\ e Xk_ p Xi Afe _i f\ I Y 9f Z_ QX I\ m% @ j ` Xm ; n \ [i 8e c k Xi[ _ \`[ E `e\ THE VOI CE OF CHI dXe If jj =f i l\c e C>9K M\k\i JXclk\Xej [ N, BI AND TRANS COMMU NITY SIN CE 198 5 ;Xc\p Gi`[\ Ëj I\Z\gk` fe gX^\(' B`dY\i CfZb\ c\p Gi`[\= Xk \jk Xb\ YfiX_C I\m%;\ gX^\,) join the n nightsp pride revol uSSION ots g`Zb`kl g kXb\`k_ fd \ i g%Zfd *5.% s6/, ./ X`i `eE d PXj q^\iXc[ BXk=`k Fn\eB\\_e\e K\ii`J Z _c`Z_\e D`b \F d\p\i ËJl cc`mX e gX^\j* *$*0 nnn%N `e[p:`kp \ be `X>ifl FLI) ''/G I@;<@ "5$ )&5 JJL< *7 8 */*%4 5*58 :$ :5 3 * 5 *. && 4/ 3*/"55)" 70-6/ )- "-& 456%& 5&&3.64*$ //&65 /5-"8 *"/ )*450 3*"/F :&3%"/$& OUSFQ 3 "$5*7 SFOFV *46 58 / S % 3 & * 5 3 &3 5") 70-6/ 5) *3 -&55:& 456%& 5&&3.) 6 0 4 */ $0 /5-"8 *"3 /4 )*450 3*"/F :&3%"/$& OU 3 "$5*7 *4583 SFQSFOFVS * 5 &3"5) 70-6/ 456%& 5&&3.64*$ &5& /5-"8 *"/ )*450 3*"/F :&3%"/$& OU 3 "$5*7 *4583 SFQSFOFVS * 5 &3 70-6/ 5&&3. 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Learn more in the coming weeks about these folks and many more from Windy City Media Group. nnn%N`e[p:`kpD\[`X>iflg%Zfd 18 Aug. 6, 2008 70% SOLD 70% SOLD Aug. 6, 2008 19 The dining room (above) and front parlor (right) of the Driehaus Museum. MUSEUMS Touring the Driehaus By LIZ GRANGER The darkness struck me first. The curator opened the entrance doors, and we stood in the middle of a gleaming marble foyer. The blinds in flanking rooms were drawn to protect the fabrics and art. Handmade Edison bulbs kept the lighting, though electric, low. A flame trembled in the fireplace, but it was only an orange cloth whipping in a hidden fan. I needed a few minutes to realize that the fire wasn’t real. I should say that the Driehaus Museum is romantic. Originally known as the Nickerson Mansion, its builder spared no expense. The house cost $450,000 to build between 1879 and 1883—a time when the average American family made $380 a year. Nickerson used 17 different types of marble and had doorways carved from single pieces of wood. Marquettry, waynescotting, frieze, candelabra: The mansion is full of words most people don’t use anymore. Richard Driehaus is a Chicago philanthropist and investor who rescued the mansion from disrepair. He calls the building “a splendid survivor among the hulking high-rises of River North.” His office—Driehaus Capital Management LLC— is located across the street from the museum. Driehaus’ office is another restored building in a neighborhood of modernism, a stone edifice complete with a fenced courtyard that houses manicured gardens, a vintage limousine and a fountain of spitting lions. Driehaus says that “classicism has a mysterious power,” and puts his name on many historic preservation projects throughout Chicago. He visited the Nickerson Mansion with a friend when it was an art gallery. Driehaus wanted to buy a bust of Abraham Lincoln, but his friend told him “forget the bust, buy the house.” Samuel Nickerson built the mansion. He came from Chatham, Mass., and made his fortune in wholesale alcohol, buying a distillery when he moved to Chicago in 1858. Nickerson profited from providing liquor and ordnance for the Union Army during the Civil War. After the war, he retired from the liquor industry and went into banking and railways. He lived in the mansion until 1900, and then sold it. The building was put up for sale again in 1916, and remained on the market for three years. One hundred prominent Chicagoans eventually bought the house and donated it to the American College of Surgeons, who occupied the building until 2003, when they sold it to Driehaus for restoration. Driehaus’ refurbishment took five years, and set a record: The house was the first building in the world to be cleaned by laser. The laser technique is common with sculptures, but is extremely labor-intensive. The Nickerson mansion is made of porous stone that turned black from coal fires and factories within 10 years after completion of the house. Restorers feared that the stone might be damaged if cleaned with liquids, and were not willing to take the risk. They coated the windows with ultraviolet film, replaced tattered cloth with period-appropriate fabrics, commissioned carvings for wood that had disappeared and installed gallery lighting in the least obtrusive way possible. The result is a dramatic structure that lives up to its old nickname: “The Marble Palace.” Promotional materials dub the building “the grandest residence ever built in Chicago.” David Bagnall, the musuem’s curator—who is young, well-educated and Welsh (complete with the accent)—took me on a private tour. The museum is set to open in the fall and is available for limited previews this summer. If you’re lucky, Bagnall will be your guide. Pausing during the tour to lower the lights and wind a clock, Bagnall explained the history of the mansion and significance of the things inside. “We’re not telling the story of the Nickersons in this house,” Bagnall said. “When they lived here, every horizontal surface was covered with vases and such. We think the house speaks for itself without the walls and surfaces hidden, so we’re creating a period environment instead of emulating their lifestyle.” Walls on the first and second floors are covered in traditional finishes and papers, but third-floor rooms have been upholstered in monochromatic cloth. This is to hang photos as the museum fills with more artifacts. The currently displayed photos capture the phases of the Nickerson Mansion. Although Nickerson was something of a sophisticate, the home’s second owner did not boast the same refinement. Lucius George Fisher, who owned the house from 1900 to 1916, enjoyed game hunting. He covered the walls in animal heads and floors with skins. A photo taken during the Fisher era shows a walrus head and bearskin rugs. Today, although the Driehaus Museum will serve as a venue for its namesake’s art collection (which includes one of the largest collections of Tiffany works in the world), it also harbors some of the quirkiness installed by its original owners. For example, the Nickersons were “quite concerned with security,” as Bagnall put it. Every lock in the house is numbered, and there is a corresponding key for each lock. I saw plates numbering up to 418. Imagine the size of that key ring. The Nickerson Museum a gift, a refuge of classicism that has survived some challenging years. “Although this building is a landmark, only the exterior is protected,” Bagnall said. “Had developers bought this building, they could have torn out the interiors and turned the place into luxury apartments.” Stepping into the opulent building restored to its former glory is unlike taking an elevator to the top of the Sears Tower or boating along the Chicago River. The Driehaus Museum represents a rare niche in Chicago, and comes highly recommended. The Driehaus Museum is located at 40 E. Erie. Summer preview tours are available on Tuesdays and Wednesdays between 11 a.m. and 1 p.m. Call 312-932-8665, visit www. DriehausMuseum.org or e-mail [email protected] for more details. BRACE YOURSELF LAST CHANCE! GILBERT & GEORGE ENDS SEPT 1 View exquisite design gallery © JMM 18K MILWAUKEE ART MUSEUM 35 years, 2,429 original commitment designs sculptured for partners who proudly own one. CHICAGO’S most prestigious designer. Visit My Website For Extensive Details Gay – Lesbian – Trans Gender – Heterosexual Apostasia, 2004 (detail). The Rubell Family Collection, Miami. © Gilbert & George. Sponsored by Donald and Donna Baumgartner, Suzanne L. Selig, Lynde B. Uihlein, Lehmann Maupin Gallery (New York), and Sonnabend Gallery (New York) A Tate Modern, London exhibition in association with the Milwaukee Art Museum mam.org 20 Aug. 6, 2008 KNIGHT AT Eliza Dushku in Bottle Shock. THE MOVIES Bottle Shock; Pineapple Express By Richard Knight, Jr. I’ve been waiting all year for an American made queer indie to rave about but haven’t found it yet. In the meantime, I’ll gladly settle for a nonqueer one like Bottle Shock, which is going the self-distribution route. That means the film is going to need plenty of audience attention and critical hosannas (like the one that follows) to make it a hit—both of which it deserves. Bottle Shock (a term that refers to what happens to wine after it travels a great distance) was scripted by director Randall Miller with his wife Jody Savin and is based on a true story. It follows what led in 1976 to California’s Napa Valley becoming known as a world-class maker of wines thanks to a blind Paris wine-tasting contest (the “Judgment of Paris”). Alan Rickman plays Steven Spurrier, the fussy British owner of a failing wine shop in Paris who knows his wines but can’t get respect from his snobby colleagues. So Steven decides to create a competition pitting French wines against those from the Napa Valley, hoping the results will put his store and himself on the map. Spurrier arrives in Napa and roams the valley in a beat-up yellow Gremlin (leased, apparently from Rent-a-Wreck). After suffering a flat tire, he makes the acquaintance of Jim Barrett (Bill Pullman), a vineyard owner and former real estate attorney who is just about to go broke. Jim is helped out by his wayward hippie son, Bo (Chris Pine), the local ne’er-do-well and chick magnet; and the much more adept Gustavo (Freddy Rodriguez from TV’s “Ugly Betty”). A pretty blonde intern (Rachael Taylor), a comely bar owner who knows her grapes (Elizha Duzku) and a Maria Callas-fixated winemaker (Miguel Sandoval) are also part of the mix. From the start, Spurrier, a self-admitted snob, and the wary Barrett are at odds, but Bo and the others see the competition as a chance to put Napa on the map. There are plot complications galore (a love triangle, a father-son falling-out, etc.) but this is basically a David-and-Goliath story—and a particularly satisfying one. When things go bad for the characters (as they inevitably do in these movies), it feels absolutely exhilarating when they finally turn things back around. The movie, scored with a jaunty New Age sound by Mark Adler and ‘70s hits (by the Doobie Brothers and others), is helped enormously AD PAID FOR BY A GRANT FROM THE ILLINOIS DEPARTMENT OF PUBLIC HEALTH We’re HERE for You. Whoever you are, find your Center here. Center on Halsted offers a diverse range of cultural programs and life-enhancing services, including the most comprehensive statewide resource for free, confidential and anonymous HIV testing, information, mental health services and referrals. Spanish-speaking professional counselors provide callers with accurate information in easy-to-understand terms within a safe and nurturing environment for everyone. State of IL HIV/AIDS & STD Hotline Whoever you are, find your Center here. 3656 north halsted street l chicago www.centeronhalsted.org Check out our monthly calendar of events. Daily 8 a.m. to 10 p.m. 1-800-AID-AIDS (1-800-243-2437) HIV Testing & Prevention Program Available days, weekends and evenings. Appointments preferred, walk-ins taken. 1-773-661-0910 by the performances of Rickman and Pullman in the leading roles. Rickman is like a modern-day George Sanders (the actor who won an Academy Award for Best Supporting Actor in All About Eve). He can annihilate with a syllable (he’s the female equivalent of Judi Dench) while Pullman is taciturn to a fault. When, at last, we see Rickman smile and Pullman realize that he’s finally produced a world-class wine (in separate sequences), the moments are priceless. Pine, as the young lead, is fine if not as memorable— his performance is hampered by his disfiguring shoulder-length, blond hippie wig, which is so patently fake. When Bottle Shock comes to DVD, it’s going to make a perfect pairing with Sideways—although Bottle Shock is much more accessible, much less acidic in tone and more traditionally satisfying. Basically, it’s like a merlot versus a cabernet sauvignon. Because it’s such a rewarding movie, it’s tempting to trot out all the adjectives generally used to describe a good wine. Not being a connoisseur, I’ll just say that it left me with a very pleasant buzz. One can also expect a pleasant buzz or, rather, a contact high after sitting through the haze of Pineapple Express, the homage to stoner comedies of decades past. With the rise in popular- ity of adolescent adult comedies, it was only a matter of time before the stoner flick returned to the local cineplex. The cult of Judd Apatow (who produced the movie and wrote the story, along with star Seth Rogan), which started with lowbrow laughs, continues to find them in this silly and flimsy (but too-long) film that revels in the glory of reefer madness. James Franco plays a brain-addled dealer who describes his new special weed, called Pineapple Express, as “God’s vagina” because it’s so good. Seth Rogan is his constant customer, a process server who uses disguises to get his job done. Rogan accidentally witnesses a drug killing and, soon, murderous drug dealers and bad cops are after the mismatched duo. Gary Cole, Rosie Perez and a host of expert comedic performers have small roles. Danny R. McBride is particularly funny as Red, a drug dealer who seemingly can’t be killed. Franco is sweet and daffy and finally registers playing something other than his patented white-bread male ingénue while Rogan is, well, Seth Rogan—the same character he’s played in his previous movies. There’s not much variety or versatility in his performances but his raucous vitality scores big-time with the audience, and many of the scenes work simply because of the offbeat, unexpected chemistry between the two performers. The movie has the same short attention span as a stoner—appropriate given that it revolves around toking up. And Franco and Rogan’s characters light up in almost every scene (although when the duo sells to a group of street-smart junior high kids, the result is funny but ultimately uncomfortable). The final shoot-out, however, is much too long and the buzz wears off long before the credits roll. Check out my archived reviews at www. windycitytimes.com or www.knightatthemovies.com. Readers can leave feedback at the latter Web site, where there is also ordering information on my book of collected film reviews, Knight at the Movies 2004-2006. Aug. 6, 2008 21 Disc and That: Recent and upcoming DVDs —Back Soon (already out; $19.99): Gay-film vet Matthew Montgomery (Gone, but Not Forgotten; Socket) stars in this gay romance about two “straight” men who fall in love with each other. Among the special features are a photo gallery and an audio commentary. —The Boondocks: Season Two (already out; $49.95): The second season of the popular Shine a Light: The Rolling Stones. Adult Swim show on the Cartoon Network—itself based on Aaron McGruder’s controversial comic strip—is out on DVD. This set contains 13 una sex worker named “Irina Palm” to financially cut, uncensored episodes. Extras include various help with her grandson’s medical treatment. featurettes, bonus episodes and “minisodes.” Wait until the neighbors find out... —Bra Boys (Aug. 12; $17.99): Plenty of bare —Kiss of the Spider Woman: Collector’s torsos abound in this documentary film that foEdition (Oct. 21; $34.99): In a reissue of this cuses on a notorious Australian surf gang known Oscar-winning film, the late Raul Julia stars as as the Bra Boys. (Don’t think undergarments, by Valentine, a macho political prisoner who shares the way; the group is named after its home subthe cell with an effeminate gay man, Molina, urb, Maroubra.) Moreover, Russell Crowe narrates played by William Hurt. This edition includes the film, which has won awards at various film a featurette, “Tangled Web: Making Kiss of the festivals. Spider Woman,” that is nearly three hours long. —Dexter: The Complete Second Season —Miss Pettigrew Lives for a Day (Aug. 19; (Aug. 19; $39.98): Our favorite serial killer $29.98): Frances McDormand stars as the title (portrayed by Michael C. Hall of “Six Feet Uncharacter, who flits from job to job as a govder”) has a new set of problems in the series’ erness. She eventually becomes an assistant to second season, from choosing between lovers a young American gold-digger and entertainer to someone else’s discovery of his underwater named Delysia Lafosse (Amy Adams). In his recemetery. view of the movie when it was out in theaters, —Gossip Girl: The Complete First Season Windy City Times movie critic Richard Knight, (Aug. 19; $59.99): Manhattan’s elite teens are Jr., called it “a delightful little comedy.” under the always-watchful eye of the blogger —Reno 911: The Complete Fifth Season (alknown as “Gossip Girl” in this guilty-pleasure TV ready out; $39.98): Lieutenant Jim Dangle and series. Special features include featurettes such the rest of the bumbling officers are back for as “A Gossip Girl Wedding” as well as music vid16 episodes (on three discs) that involve everyeos and a gag reel. thing from the department hiring a former sex —Irina Palm (Aug. 12; $27.99): In this slave to the police dealing with a bounty hunter. Strand Releasing film, Marianne Faithfull 12:03 stars PMAmong 08_06_windy:05_28_08 7/23/08 Pagethe1 hilarious extras are featurettes (inas Maggie, a middle-aged widow who becomes cluding “Cop Psychology: Inside the Minds of Reno’s Deputies”) and commentaries. —Sea Monsters: A Prehistoric Adventure (already out; $19.98): For those of you who love nature documentaries, this one is up your alley. This family-friendly National Geographic project—narrated by actor Liev Schreiber— explores prehistoric oceans. While the program only runs 40 minutes, it is jam-packed with details. Extras include an interactive timeline. —Secretary (already out; $14.98): Faves Maggie Gyllenhaal and James Spader co-star in this movie (originally out in 2002 but featuring new packaging) about the professional and increasing personal relationships of a boss and his assistant. Special features include a behindthe-scenes featurette, an audio commentary and a photo gallery. —Shine a Light: The Rolling Stones (already out; $34.99): Famed director Martin Scorsese helmed this documentary, which centers around the band’s plans for a very special New York City gig in 2006—a benefit hosted by Bill and Sen. Hillary Clinton. Buddy Guy, Christina Aguilera and Jack White appear during the concert, but the rough-and-tumble guys from England command the stage the entire time. “Start Me Up,” “Jumpin’ Jack Flash” and “Sympathy for the Devil” are among the tunes on the set list. —Street Kings (Aug. 19; $29.98): Keanu Reeves and Academy Award winner Forest Whitaker star in this urban crime thriller, in which a veteran cop finds himself trapped in a web of conspiracy and betrayal. Special features for the movie—which also stars Hugh Laurie (TV’s “House”) and hottie Chris Evans (The Fantastic Four films)—include alternate scenes, deleted scenes and 10 vignettes. —Terminator—The Sarah Connor Chronicles: The Complete First Season (Aug. 19; $29.98): This three-disc set stars British actress Lena Headey (300) as Sarah Connor, (quite literally) the muscular role immortalized by Linda Hamilton. The TV series picks up two years after the movie Terminator 2: Judgment Day, with Sarah and her 15-year-old son, John (TV’s “Heroes”), on the run and preparing for a possible war against the machines. Summer Glau (Firefly) costars as a terminator sent to help John. —Two Fat Ladies (already out; $59.99): On DVD for the first time, this four-disc set is the complete collection of the most popular cooking show in BBC history that was a Food Network hit in the United States. Jennifer Paterson and Clarissa Dickson Wright—two outspoken women— rode around the British countryside aboard a motorcycle and sidecar, and prepared dishes for everyone from diplomats to lumberjacks. Special features include a documentary tribute to Paterson, who passed away in 1999 while filming the series’ fourth season. —Ugly Betty: Season Two (Sept. 9; $59.99): The “diva-licious” LGBTA TV series set in the world of high fashion is coming out with its second season, complete with drama and comedy. However, it’s the bonus features that will have fans salivating; among the extras are “On Set with the Besties,” which features best friends Marc and Amanda (Michael Urie and Becki Newton); and “Wilhelmina Slater: Love To Hate Her,” in which Vanessa Williams talks about playing the fashionista. —Andrew Davis Two Fat Ladies. MICHAEL FEINSTEIN AUG 17 JANE MONHEIT SING GERSHWIN HITS PAVILION $40 LAWN $15 UB40 MAXI PRIEST AUG 20 PAVILION $40 LAWN $15 BACKSTREET BOYS AUG 24 GIRLICIOUS LAWN ONLY–$15 DONNA SUMMER HER NAME SAYS IT ALL AUG 30 PAVILION $50 LAWN $20 AUG 31 SQUEEZE AIMEE MANN PAVILION $40 LAWN $15 WWW.RAVINIA.ORG • 847-266-5100 AUGUST 7 AUGUST 8 Buy tickets at JAMUSA.COM • All Ticketmaster Outlets 312-559-1212 • online at ticketmaster.com or The Chicago Theatre Box Office MELISSAETHERIDGE.COM ® 22 Aug. 6, 2008 Chris Willis: He’s got the music in him sible to penetrate) Hot 100, Pop 100 and Top 40 Mainstream charts in addition to becoming YouTube’s most popular video of all time in the electronic music category. But—divine intervention aside—how did it get there? In a recent interview, the wide-eyed Willis spilled the milk on his storied past, including his pursuit of all things musical, raising God’s roof and how being gay ultimately turned him away, why he’ll never be considered a one-hit wonder, processing his success and the most important lesson he’s learned so far. Like how it’s never too late for that one big break. Mikey Rox: Although the mainstream public is just learning your name, you’ve been performing professionally for the better part of 20 years. What influenced you to pursue music? Chris Willis: A couple things. My parents were very musical—my mom played piano and my dad By Mikey Rox Rejoice! Chris Willis—gospel singer-turneddancehall hitmaker—finally has something to celebrate. After years of lending his effervescent vocals to some of the world’s most successful acts—including Kelly Clarkson, CeCe Winans, Kenny Rogers and Quincy Jones—the powerhouse, along with his internationally known producing partner French DJ David Guetta, at last has earned a spot among the Billboard elite. In fact, just several weeks after its release, “Love is Gone,” the club banger that’s lifted Willis on high, has peaked on the perennial (and nearly impos- Chris Willis. AmericanAirlines, We know why you fly and AA.com/rainbow are marks of American Airlines, Inc. oneworld is a mark of the oneworld Alliance, LLC. ACCEPTANCE Never goes out of style American Airlines is a trendsetter. We are the first and only airline to score 100% on the HRC’s Corporate Equality Index for six years in a row. Because doing the right thing is always in fashion. Book now at AA.com/rainbow.™ M8030-2_8.5x11-4C-Bleed.indd 1 3/4/08 1:38:12 PM was a musician—so there was always music in our house. But it probably wasn’t until MTV happened that I was like, “Ah, that’s what I want to do.” That was probably my biggest influence. MR: As an aspiring artist growing up in Dayton, Ohio, what experiences helped shape who you are today? CW: I started out in gospel, so we were always in church. I just kinda got involved—the local scene, singing in groups—and my brothers and sisters and I used to sing as a quartet, so we were constantly involved in music. In high school, it was show choir. When I went to college in Alabama I was involved in choirs and groups there; I just kept being involved in music, never really thinking about it as a career until after I finished school. My first job as a singer was out in California with a group that sang in churches, and we did, like, 300 concerts a year for two years. That was the point where I was like, you know what, I can do this for a living. MR: How did your sexuality affect your gospel career? CW: Very hard. I was very much in the closet, and I had all this angst inside. I always felt like God really understood—but that wasn’t the message I was receiving in the church. So, when I moved out on my own I really internalized that message that God makes us who we are and that it’s up to us to embrace that or not. I chose to embrace all those things as freedom, and that freedom begat the freedom I experience now. MR: Did being gay have anything to do with you transitioning from gospel to more mainstream music? CW: Absolutely. I think there’s this unspoken denial that you go through in gospel—maybe so in other musical art forms too—but I just felt for me it just wasn’t easy to keep perpetuating that. MR: Would you be able to make it as an out gospel artist today? CW: I don’t really think about it that much. I just chose to go in another direction—and I’m really grateful that I did. MR: I don’t want to jinx you, but how do you plan to avoid being a one-hit wonder? CW: Strangely enough, [“Love Is Gone”] is the only song that’s a big hit in America, but we’ve actually had four or five songs that were huge hits in Europe already. I don’t really think about it too much. I’m such a ‘live in the moment kind’ of person—the pressure obviously is on to recreate what you’ve done—but I pretend like it didn’t happen and just try to write the best song I can come up with. Ya know, I do what I love to do. If people love it, great. If they don’t— and it’s a great piece of work that I love and it’s gonna have legs—then it’s gonna do what it’s gonna do anyway. MR: What’s been the best of your journey so far? CW: The journey is an education. I always want to be in a position to learn something new. I love the travel— MR: What have you learned? CW: Not to take yourself too seriously. Because, ya know, it’s music, and I think when you read Billboard—and we were just at Billboard today, and it’s very serious business, a lot of money involved—but if you focus on that, it’s very easy to get frustrated. I really just try to dwindle things down to a matter of fun. If I’m not having fun, I don’t want to be involved. But as long as I’m having a good time and people respond to that—and it’s reflected in my work and my songs—that, I think, is the biggest lesson: Make it fun—have fun! Visit Mikey Rox at www.mikeyrox.com. Read the entire article at www. WindyCityMediaGroup.com. Aug. 6, 2008 23 POP MAKING SENSE On Sat.-Sun., Aug. 9 and 10, Northalsted Market Days offers an array of local artists, queer icons and divas to delight the scantily clad crowd. Some of the draws include the bluesrock sound of the Kimi Hayes Band, hunky out singer-songwriters Ferras and Eric Himan, the Windy City’s disco vocal powerhouse Linda Clifford, freestyle girl group Expose and Tony Award winner Jennifer Holliday. For a more detailed schedule, please visit chicagoevents.com. Queer-fronted country quintet Devin & the Straights takes to the stage on Sat., Aug. 9 at 6 p.m. at Northalsted Market Days. On the group’s solid self-titled debut, the guys pay homage to Lakeview establishment Town Hall Pub on “Cowboy Night.” Devin & the Straights delivers timeless country and bluegrass music, tipping their hats to the greats like Hank Williams and Dolly Parton. Also performing at the festival in Boystown Sat., Aug. 9 is out Chicagoan rocker Dylan Rice. He will return on Wed., Aug. 13 to Lilly’s, 2515 N. Lincoln, for a special solo acoustic show, sharing the bill with Nashville-based talent Tori Sparks. The Chicago-born Sparks has a nearbreathless voice on “Cold War,” but then busts out a full-bodied chorus. Even “Under the Rug” has a sweeping, optimistic tone to it, whereas “Out of the Void” is ever so final. Produced by David Henry (R.E.M., Ben Folds, Cowboy Junkies), her latest album, Under This Yellow Sun, would translate seamlessly to a live setting. Looking for the ultimate party compilation? DJ Max Rodriguez culminates mixes and covers for the feel-good nonstop set Party Groove: Pride 08. This Centaur Release has reworkings of ‘90s club hits (“Hold That Sucker Down,” “Fine Day,” “People Hold On”) as well as noteworthy upbeat takes on recent radio staples (“Bleeding Love,” “4 Minutes,” “Apologize”). Rodriguez, who spins at the New York hotspot Splash, has also done the honors in this series previously. Pride 08 is out now. Somebody recently asked me what song sounds like it samples Donna Summer’s “I Feel Love” and Depeche Mode’s “I Feel Loved” with the lyrics “I don’t speak words, I feel love.” Lo and behold, it is one of my favorite club tracks so far this year. X-Press 2 follows up “Give It” and the mega-hit “Lazy” with “Kill 100.” This number does not have the warm Ibiza feeling of its predecessors. Guest vocalist Rob Harvey from the British outfit The Music provides dark, moody Dirty Vegas-inspired vocals. Found on XPress 2’s album Makeshift Feelgood, “Kill 100” also appears on the duo’s double-disc greatest hits and mixes retrospective Raise Your Hands. Chicago’s shining star, Jennifer Hudson, gives eager fans a peek to her forthcoming debut album with the new single, “Spotlight.” Don’t worry, it is not a remake of the Madonna jam of the same name from the ‘80s. Here, Hudson has the hook of the year with her “hee-hee”s. Dance-floor enthusiasts, keep an eye out for the Johnny Vicious remix, which is destined to be a late-summer anthem. “Spotlight” and its mixes are now available on iTunes, while Hudson’s highly anticipated self-titled debut is slated for a Sept. 30 street date via Arista Records. On a recent trip to Toronto, I ran into queer guitarist Stefan Olsdal from the British alternative-rock trio Placebo. He said they were in Canada recording new album with a new drummer. The already written material will have a rock edge to it in the style of PJ Harvey and My Bloody Valentine. Olsdal also promises that Placebo will take to the road again soon. Placebo’s 2006 opus, Meds, features Alison Mosshart from the Kills on the title track and the remake of Kate Bush’s “Running up That Hill” had its video—consisting of a collage of fan clips—come out last year. Former Moloko frontwoman Róisín Murphy had one of the best albums of 2007 with Overpowered. Chocked full with funk, R&B and electro-soul, this import-only release’s fourth single is the pop gem “Movie Star.” The clip is nothing short of a camp classic worthy of Pee Wee’s Playhouse. Here, there are gender-benders, wigs with too much hairspray, a love scene with a giant plush lobster and lots of mandatory bad overacting. The end product for “Movie Star” is a wonderful salute to B-grade zombie movies and videos of the ‘80s like “Love is a Battlefield.” After chart success in the early ‘90s, Cathy Dennis has turned into a hit-writing factory for other artists. She has been behind numerous songs, including Britney Spears’s “Toxic” and Kylie Minogue’s electro-anthem “Can’t Get You out of My Head,” as well as the theme from American Idol. Now Dennis can claim having penned her first #1 hit with Katy Perry’s “I Kissed a Girl.” Per an interview with Billboard magazine, the redheaded Brit will return to singing with her forthcoming band, Sexcassettes. Best known for her top 10 hits “Touch Me (All Night Long)” and “Too Many Walls” as well as a cameo on TV’s “Beverly Hills, 90210,” Dennis stepped behind the spotlight stateside after her underappreciated sophomore album, Into the Skyline. Now, where is Dennis’s onetime contemporary, Tara Kemp? Jennifer Hudson. GROSSINGERVOLVO.COM VOLVO MODEL YEAR END CLEARANCE THE FUTURE OF CAR BUYING IS HERE NOW! • Over 250 Volvos to choose everyday • Free pick up and drop off of your vehicle for service • Shop & buy your Volvo from home • Free car washes for life • 3 day/150 mile satisfaction guarantee on pre-driven vehicles • State-of-the-art service facility • We service all makes and models • Huge selection of luxury pre-driven vehicles SEE THE ALL NEW VOLVO C30 ASK ABOUT GROSSINGER’S EXCLUSIVE GAS PROGRAM! 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At the end of every routine—which involves a fun, upbeat, elite-level routine with pyramids, dances and more—members carry Spirit Buckets in search of donations from the crowd. The brigade chooses one organization to raise funds for at every performance. The specific organizations are often groups that provide services to people with life-threatening challenges, such as organizations that raise money for cancer or HIV/AIDS research. These groups include Chicago House, TPAN (Test Positive Aware Network), BEHIV (Better Existence with HIV) and Howard Brown Health Center, among others. “One of the most important aspects of our fundraising is, when we raise money, 100 percent of the money goes to that organization,” said Ric Martel, 40, who is a co-manager for the 2008 Spirit Brigade, which is now in its sixth year and has raised more than $20,000. The brigade raised about $3,000 for the Susan G. Komen Breast Cancer Foundation over Pride weekend. Co-manager Richard Flack is the group’s founder, having had experience with cheer organizations in different cities. “The first couple of seasons, it was a relatively small group of people. But we’ve now grown to 25 members,” Martel said. “We never intended, 2008 Northalsted Market Days or perceived to be, a gay group. Yes, many of the members are openly-gay and of course we [perform at] high-profile [gay] events like the [annual] Chicago Gay Pride Parade, but we’re not 100 percent gay.” The group is split 50-50, male-female. All of the men are openly gay and there is at least one lesbian. Members range in age from 21-50 and they cross the ethnicity spectrum. “Anyone who demonstrates the level of commitment to put in the time to practice, that’s the kind of person we’re looking for. [Membership] has nothing to do with sexual orientation, age, race or sex,” said Martel, who attended Maine East High School and the University of Illinois, and now lives in Rogers Park. He works in the housing division at the AIDS Foundation of Chicago. “We have an elite-level performance and we’re not doing this just for our own personal glory or the applause from the crowd; it really is about our level of commitment to raising money and awareness for the groups that we are raising money for.” The team practices for four hours every Sunday at the Fitness Formula Club in East Lakeview. The Spirit Brigade is on the sidelines for all Chicago Force home football games, played at North Park University. The Spirit Brigade will hit about 12 events this summer, including Northalsted Market Days, the Chicago AIDS Walk, the Milwaukee AIDS Walk, the Chicago Marathon and more. Chicago Spirit Brigade. Photo courtesy of the organization Item Of The Month Great ‘Scot’: Band to play at Market Days by AMY WOOTEN Chicago indie-pop collective Scotland Yard Gospel Choir doesn’t sound a lick like its name. They aren’t Scottish. They aren’t even a choir. They are, however, one of Chicago’s biggest recent breakout bands. Scotland Yard Gospel Choir’s self-titled sophomore album (Bloodshot) is a who’s who of the Chicago underground. The album, which features over 50 different artists, is catchy, unique and intense, touching on heavy issues like mental illness, drug abuse and sexual identity while maintaining its pop sensibility. Windy City Times spoke to the band’s ringleader and songwriter, Elia Einhorn, about the band’s start, influences and more. Windy City Times: You guys formed back in 2001. How did it happen? What was the idea behind it, and what did you first sound like back then? Elia Einhorn: Back then, we were a folk duo. A friend of mine from another band, Matt Kerstein, and I, who had just disbanded from my first band, decided to play folk music influenced by the Aerosmith anthology. It took about two months before we could put my old band on top of our folk duo, so then we got a drummer, violin, a female singer, cello and bass. Then we were a real band and it kind of went from there. We’ve been around for a little while, but it’s funny—the momentum didn’t really get started until about 2004. Maybe late 2003, which was when we put out our first record. Then we toured a bunch. We played with the Arcade Fire and some bigger bands like that. Then it took us about four years to put out another record. During which time, we signed onto Bloodshot, which was awesome. Then we got another album out. When we got that out, that’s kind of when the band really grew together, I think. WCT: When did you sign to Bloodshot? EE: 2007. We have been working on a record of our own. We had gone through some changes in the band—some personnel changes. We went through the record and threw out half of the record on two different occasions because we didn’t think it was up to snuff and where we wanted to go. Then we signed with Bloodshot in 2007 and delivered them a finished record. We put it out and his the road. We played six weeks through the U.S. We played with Tommy Ramone (The Ramones), we came out with Harvey Pekar—the American Splendor writer. We played with some of the guys from the Lemonheads. It was fun. It was a real American indie rock experience—hanging out with these characters around the country. WCT: How do you think the band has grown since you first formed? EE: I think back then we were just happy to play music that sounded like other people. I think we were kind of paying homage to our influences. But now, I think that there’s been such a mixture of things I listen to that you can’t discern it into music any more. I finally wrote the songs that I’ve always wanted to write. WCT: What do you think helped you do that? EE: I think it was time to be honest. I think it was time to try different song styles and approaches. WCT: Speaking of influences, your music touches on many different issues. And some of these are kind of dark, but I wouldn’t necessary call your music dark. EE: Yeah, there’s that dichotomy there. WCT: One of the issues that is touched on is sexual identity [the song “I Never Thought I Could Feel This Way For a Boy,” which is really important to our readers. I was kind of wondering whose influence that was from the band? EE: Oh yeah, that’s mine. All the songs on the record I wrote, and they are all exactly about my life or the lives of the people around me. That one was just written about me and having for a guy that I felt that I wasn’t supposed to have, and I didn’t feel comfortable telling my friends about. Thankfully, I got to a point where I felt comfortable. I’ve had that feeling of being the perpetual outsider, on and off, my whole life. I think that really contributed to it. WCT: That’s definitely a theme that our readers can relate to. EE: It’s one of the saddest things in the world, and the faster people can get over it, the better. It’s not easy. WCT: What are some other aspects of your life that you think have really influenced your music? EE: I think one of the biggest things is I was born in Wales, and was partially raised there. Half of my family lives there; they are still over there. Listening to the Manchester bands really influenced my songwriting. Bands from the Manchester scene like the Happy Mondays, and more than that, bands like the Stone Roses and The Smiths. Those are the bands I grew up listening to. Mary, from our band, pointed out recently that I read almost exclusively American authors and listen almost exclusively to British songwriters and bands. I had never noticed it. WCT: What’s your favorite local record shop? EE: Reckless Records—there’s no doubt about it. I’ve spent a lot of money there. I was just there yesterday. I live in Lincoln Square, so I also spend a lot of time at Laurie’s Planet of Sound. Catch indie rock band Scotland Yard Gospel Choir at Market Days on Sun., Aug. 10. Visit www.myspace.com/scotlandyardgospelchoir for more about the band. Read the entire interview at www. WindyCityMediaGroup.com. Scotland Yard Gospel Choir. To see more and for more information, go to www.LeatherArchives.org Aug. 6, 2008 25 2008 Northalsted Market Days The 27th annual Northhalsted Market Days, the Midwest’s largest two-day outdoor street festival, is quickly approaching. The festival is set to take place Aug. 9-10, from 11 a.m.-10 p.m. each day, on Halsted Street between Belmont and Addison. This year’s suggested gate donation has been raised from $5 to $7. There are over 30 entertainment acts to appear at Market Days this year. The schedule is as follows: Belmont Stage Entertainment Saturday 12 p.m.—Yvonne Doll & The Locals 2 p.m.—Chicago Spirit Brigade 3 p.m.—Kimi Hayes Band 6 p.m.—Dot Dot Dot 8 p.m.—Powder Sunday 12 p.m.—Pulsation Band 3 p.m.—R.O.T.C. 4 p.m.—Dropmore Scarlet 7:30 p.m.—Cat Fight 3 p.m.—Everelle 4 p.m.—sixteen candles 7 p.m.—Linda Clifford 9 p.m.—Jennifer Holliday Addison Stage Entertainment Saturday 12 p.m.—Spyder Monkey 1:30 p.m.—The Trash Martinis 3:30 p.m.—Dylan Rice 5 p.m.—IADT Fashion Show 6 p.m.—Devin & The Straights 8:30 p.m.—Eric Himan Sunday 12 p.m.—Chicago Gay Men’s Chorus 1:30 p.m.—Dime Store String Band 2:35 p.m.—Chicago Spirit Brigade Eric Himan. Photo by Andrew Davis Roscoe Stage Entertainment Saturday 12 p.m.—Alicia Wiley 1:15 p.m.—Chicago Spirit Brigade 2 p.m.—Carey Ott 4 p.m.—Hey Champ 6 p.m.—Ellen Miller 8 p.m.—Expose Sunday 12 p.m.—Tamara Bedricky 2 p.m.—Scotland Yard Gospel Choir 3 p.m.—Heavy Manners 4:45 p.m.—R.O.T.C. 5:30 p.m.—Ferras 8 p.m.—Think Floyd The Jazz Oasis Saturday 12 p.m.—Lakeside Pride Jazz 2:30 p.m.—Soulio 5:30 p.m.—Gayle & Nick Bisesi Sunday 12 p.m.—Clark Street Band 2:30 p.m.—BMR4 5 p.m.—Matt Pinozzotto Guitar Trio Visit www.chicagoevents.com or call 773-8683010 Entertainment news Manhunt, one of the most popular hook up sites for gay men, has been poking fun of the fact that D-List comedian and actress Kathy Griffin has been giving the site the cold shoulder. Manhunt has been trying to get a hold of the gay-friendly Griffin to see if she wants to join in on a marketing campaign for one of their sister Web sites, but so far, she hasn’t returned a single call. In response to her supposed lack of response, Manhunt recently put up a banner ad that reads, “Does Kathy Griffin think Manhunt is on the D-List?” The ad features a Griffin look-alike. Lesbian actress Heather Matarazzo (Welcome to the Dollhouse; TV’s “Exes & Ohs”) is engaged to musician Carolyn Murphy, 365Gay.com reported. Matarazzo’s publicist, Lisa Jammal, told E! News that “Heather proposed to Carolyn; then Carolyn proposed to her.” Christina Applegate—who played Kelly Bundy on TV’s “Married with Children” and is the star of ABC’s “Samantha Who?”—is battling breast cancer, according to CNN. The star’s publicist released a statement, however, saying that “the cancer is not life-threatening. Christina is following the recommended treatment of her doctors and will have a full recovery.” According to the Huffington Post, out lesbian comedian and former daytime talk show host Rosie O’Donnell might get herself a variety show. According to reports, NBC and O’Donnell are in the midst of discussion a live variety show starring her. 26 July 30, 2008 REAL ESTATE FOR SALE OUT OF TOWN Call Lars, your man in Michigan Now’s the time to buy! Beachside Party Pads, Relaxing Waterfronts, or Serene Wooded Acreage. Small City Cottages or Private Palaces. Whatever your cup of tea, Come talk to me! Today’s Featured Property: Just Blocks from the Beach! St. Joseph, MI $108,900 Great downtown bungalow! Walk to the park, Lake Michigan beaches, shops and restaurants! Move-in ready!!! New flooring, plumbing, roof, paint, kitchen and bathroom. All appliances included. Relaxing front porch, rear deck and yard. 2 beds, 1 bath, 1000SF. Must see inside! Great value! 90 minutes from Chicago. Serving Your Real Estate Needs Across Southwest Michigan Lars Petzke Realtor, GRI, ePRO ShipStreetRealty.com larspetzke.blogspot.com C: 269-369-6348 St. Joseph, MI 90 minutes to Chicago E: LPetzke@ ShipStreetRealty.com FABULOUS HARBOR COUNTRY COTTAGE: Near Downtown New Buffalo. Hand crafted Arts and Crafts cottage. 2 Bdrm w/ Studio. Private retreat. Please contact for details and photos. 602-295-8331 traveleer@mac. com for photos (9/03/08-8) SAUGATUCK, MICHIGAN NEW BUFFALO BLOWOUT SALE WALDEN WOODS!: Four remaining cottages reduced to less than cost. Buy as is and finish yourself or we will finish. Custom built, charming, and private with upscale ammenities. 3 bedrooms, 2 baths, all cedar with huge screened porches. Reduced $55,000 to $345,000. Call Sue/Joe @GPS Realty 269-469-3700. (2/27/08-4) MILLER BEACH HOME: Two new homes minutes to Lake Michigan in a quiet eclectic community. Homes sit on over an acre of woods and sand dunes. 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HUTCHINSON - FABULOUS 2ND FLR APT: Large 2BR+ den. Gut Rehab, Wood Floors, Fireplace, DW, CA, W/D. Large Front Porch 1/2 blk to river. Lincoln Square. Free WI-FI! Available Sept. 1. $1,430/mo. 773-478-3547 (08/06/08) THREE BEDROOM FOREST PARK 3BR/1BA $1,300/MO: Large master br with hwf and walkin closet. 2 parking spaces included. Tenant pays hot water heater & cooking gas plus electric. Landlord pays heat & water. Call Joyce 708-218-0848. (08/06/08-2) RELAX OR ENTERTAIN : At a cozy country estate minutes from the Chicago N.W. train lines. English cottage brick, stone and cedar retreat is nestled in the woods on 2.5 acres. Nature out every window. Terrace, patio, screened porch, tree deck overlooking ravine and creek. 3BR/3BA. 2 story/2.5 car garage. 24/7 infrastructure service. Security cameras. Flexible lease. Pets welcome. Call Rob Corsello, Starck Realtors, 847-540-7532. (08/20/08-4) Nor Townthhoside mes Starting $389,00 at 0 Barbara O’Connor 773.883.2444...find your way home! Grand Opening Promotions! • First 5 Buyers Get a FREE Scooter • Developer Pays All First Year Real Estate Taxes and Assessments West Rogers Park Townhomes HOUSE Wooded lane leads to turnkey getaway on 2.5 completely private acres in Saugatuck, Twp., MI. This 1,100 s.f., year round home is 5 minutes from downtown Saugatuck. 2 BRs, 2 BAs on 2 levels. Main level w. LR w. vaulted ceiling, dining area w. glass sliders to rear deck, kitchen, BR, BA w. shower stall. LR, dining area and kitchen have hardwood floors. Upper level open loft BR, full BA and dressing area. Full, unfinished basement w. newer furnace, washer/dryer. Central air and new roof. $219,900 Contact: Chris at 269-857-1296 or [email protected] Photos available by e-mail. BEAUTIFUL RIVERSIDE ENGLISH BRICK: For Sale, $429,000, or rent, $2,300/mo plus utilities. Beautiful 3 bedroom 1.5 bath 1930 English Brick in historic, friendly Riverside. Perfect commuter location, 20 minutes to Union Station. Original character and integrity intact in this home with stained glass and leaded windows, hardwood floors, updated kitchen with stainless appliances, granite counters, maple cabinetry, original cast iron drainboard sink and terra cotta floor. French doors to sunny sitting room, and wood burning fireplace. Paver patio overlooks beautiful mature rear yard in addition to second floor sundeck. For more info and picture link, call Michael 312-806-2204 (8/06/08-3) CONDO UNIQUE DUPLEXED LOFT: Upgraded to the max Hardwood throughout plus plazma TV, surround sound Ipod CLASSIFIEDS ADvertise here BUSINESS OPPORTUNITY ADVERTISE HERE: Want to advertise your product, service, etc. to thousands of readers? Place an ad in the Windy City Times! We offer affordable rates, convenient service, and as a bonus, your ad runs in our online section for free. To place an ad, contact Cynthia at 773-871-7610, [email protected], or go to our website www.WindyCityMediaGroup. com. HOME BASE BUSINESS MONEY! TRAVEL! AND FINANCIAL FREEDOM!: Free lifetime luxury vacations! Earn $ 1,000 to $ 3,000 profit per sale as a director. For more information call 219-221-6264 Overview 800-628-8015. (10/22/08-13) VALLARTA GAY HOTEL: Extremely successful gay hotel in Puerto Vallarta seeks partners for major expansion. Excellent opportunity for high proffit. Six years in operation, with real estate already owned. Call toll free 1-866-388-2689. (8/06/08-12) Announcements NEW LESBIAN WEB SITE NOW READY TO USE : Ldigest is the new and exciting web site, created by a lesbian for lesbians. You can view and post events, referals, discuss on many forums (including a dating forum). A login is required. Email [email protected] to get yours. The site is www.ldigest.com. (8/20/08-4) CLEANING SERVICES CHESTNUT CLEANING SERVICES: We’re a house cleaning service for homes, small businesses and small buildings. We also have fabulous organizational skills (a separate function at a separate cost that utilizes your assis- Open Thursday: 4-7 pm & Saturday-Sunday: 12-4 pm 2,400 Square Foot, 3-4 Bedroom Units with 2-Car Garages The only New Construction Townhome Project in West Rogers Park GCL# TGCO63953 6320 North Sacramento • www.sacramentosquare.com www.bairdwarner.com Information not guaranteed and subject to changes and withdrawals without notice. 4040 N. Lincoln Avenue • Chicago, IL 60618 • 773.549.1855 tance) for what hasn’t been cleaned in many months or years due to long-term illness, depression, physical/ mental challenges, for the elderly, if you have downsized and more. Depressed about going home to chaos? We can organize your chaos, straighten out your chaos, help you make sense of your chaos and finally clean what is no longer chaos. Can we help you? Bonded and insured. Chestnut Cleaning Service: 312-332-5575 (5/24/09-tk) COUNSELING LICENSED PSYCHOTHERAPY: 20 years experience providing counseling and clinical hypnotherapy. I specialize in relationship issues, childhood trauma, and recurrent patterns that inhibit potential. Individuals and couples. Starla Sholl, LCSW, PC, 773.878.5809, [email protected] www.starlasholl.com. SOLUTION FOCUSED COUNSELING: Solution focused counseling for individuals and couples in affirming, empowering environment. Experienced with depression, anxiety, body image issues and relational challenges. Lakeview. 2nd Story Counseling. 773.528.1777 www. mychicagotherapist.com. (9/17/08-8) RELATIONSHIPS CAN LAST: We specialize in helping you sift through what is not working in your relationship so that you can maximize the good. With over 20 years of experience serving Chicago’s LGBTQ communities, we offer safe, confidential counseling for drinking and drug related concerns, past or present abuse, coming out and coming out of marriage. Please call Dr. Margo Jacquot at 847-759-9110 ext. 10, or email at [email protected]. (9/10/08-12) CLASSIFIEDS COUNSELING cont. HELP WANTED ARE YOUR RELATIONSHIPS NOT WHAT YOU WANT THEM TO BE?: tTherapy can help you achieve satisfying relationships and a better quality of life. Treating depression, anxiety, trauma, sexual concerns, LGBTQ issues, addictions, stress management and conflict resolution. Close to CTA. Ample street parking. Andersonville/ Rogers Park. Call 773-275-7710. (7/22/09-52) UNDERCOVER SHOPPERS: Retail and dining establishments need undercover clients to judge quality and customer service. Earn up to $100 a day. Please Call 1-800-491-7969 (8/13/08-4) DECKS AUTO SALES Come work for the best! Grossinger Volvo is looking for sales people to sell from one of the largest inventories in the Midwest. Our new management team needs motivated people to sell new and pre-driven vehicles. Benefits include: · Demo · Great pay plan · Health · 401k · Aggressive advertising Call Dennis at 815-861-2287 or email [email protected] INTERPRETER FITNESS PERSONAL TRAINER: Rachel Lavin, M. A. Realize your goals through 12 week success programs. Lose weight, get in shape and be the best you can be. CORRECTED NUMBER: 773-251-7874 (PP1/08/09PP) For your American Sign Language/English interpreting needs: To consult with you or your company with your ADA needs. Diana Thorpe CI/CT/NIC Master, Nationally Certified Interpreter, 773-401-1339, or email [email protected] [P-TB] July 30, 2008 27 LANDSCAPING TRAVEL TOUCH OF EDEN GARDENS: Create your garden masterpiece. Organic, sustainable designs. Weekly, monthly or seasonal maintenance. Certified Master Gardener, Illinois Green Industry Association. Member Landscape Design Association. Lesbian owned. Chicagoland, North. 773-478-3177 (9/17/08-8) SOUTH HAVEN MICHIGAN RENTAL: Victorian Home for rent, completly furnished, large yard, fireplace. Walk to downtown, river, Kal-Haven bike trail, sandy beaches. Quiet neighborhood, 3 bedroom - 1 bath, sleeps 6 adults, No pets or smokers. Avail. weekly or weekend package. Contact: [email protected] for info. (08/20/08-4) CASH PLANNING THAT TRIP TO CAL-I-FORN-I-A?: We guarentee the best online travel rates and $$$cash$$$ back!!!! Check out www.bookingfriend.com/myron. Cruises, flights, hotels, car rental, last minurte trips, attraction tickets. Want 50% off your travel? Your one stop travel shop. Visit WWW.MARKETMAXINTL.COM/ MYRON and learn how today. (08/20/08-8) NEW BUFFALO: Enjoy 2 or 3 bedroom cottages, 5 blocks from the lake. Full kitchens, central air, decks; all linens and dinnerware supplied. Check out www. envoytravel.com/envoyresorts.htm, call Envoy Travel 312-787-2400 or 800-44-ENVOY. (S) MASSAGE THERAPY POWER MASSAGE: Deep, strong, and rejuvenating with lean muscular athlete. In calls and house calls with table. Late hours ok. Convenient location. Relocated practice from NYC. Treat yourself. www. PowerMassageChicago.com. Marc, 312-440-1972. (PP4/15/09PP) YOU OWE IT TO YOURSELF!: Experience the therapeutic benefits of deep tissue/wellness massage by a licensed GBM professional. Relieve stress, feel better! Non-sexual. South Shore Area. In, $65/hr. or $85/1.5 hrs.; out, add $20. 773-933-7219 or 773-576-4659. (PP2/19/09PP) GENDER FRIENDLY HEALING TOUCH: Gender friendly amazing healing touch by male and female therapists (No ‘clock watchers’ here) Zone out to that special quiet place! Deep tissue, Swedish, TuiNa, QiGong, Structural Integration. Worth much more than the $55 requested per hour. 312-808-1602 10:30am to 9pm. (8/06/08-4) PHOTOGRAPHY PHOTOGRAPHER AVAILABLE: Portraits. Nudes. Figurative. Headshots. Personal. Color. B&W. 25 years experience. “I’ll work with you to get the shots that are just right.” Info: 312-260-7935. website: www.morrowphoto. com. (1/28/09-26) PSYCHIC JANICE MICHAEL SPIRITUAL COUNSELOR: Helps you to take a peek into your past lives, present and future! 312-409-7487 www.janicemichael.com (8/13/08-4) WINDOW TREATMENTS WONDERING WHAT to do with those windows?: Call me! I take care of it all from design through installation, customizing to your needs. JOSEPH RICE Interiors, Inc. Full Decorating Services with a specialty in window treatments for over 24 years. 773-273-2361. (12/31/08-sk) 28 Aug. 6, 2008 BATT from cover was no option for men and women who were gay. I honestly don’t think Sal really thinks he’s gay. He’s battling with that inside. He has desires that he has completely suppressed. In today’s world we look at that and go, “What’s the problem?” but so much has happened in the way of gay rights. The series touches on that, but also women’s rights, African Americans... It was a very oppressive time, and we like to … say, “Oh those were the golden years.” You know, it wasn’t so golden. It wasn’t so wonderful. It looks beautiful. AM: Mad Man really does have it all—sexism, racism, homophobia, anti-Semitism. It’s shocking as a modern audience to see how acceptable it all was. Is that an odd reality for all of you on the set? BB: Oh, yeah. Sometimes the lines we have to say, it’s like, “Uh, I can’t say this.” But it is accurate. It is how people spoke back then. I remember in the ‘70s growing up, I would hear people making racial or misogynist or homophobic comments, and you wince, but back then, it was the norm. Ruth’s Chris Steakhouse [which started] where I’m from in New Orleans—it was in the ‘80s when they finally took off the Wop Salad. I don’t believe people change that quickly. It’s how we mask that has changed. It’s the political correctness. AM: How did you get the role? I heard that you turned down the initial audition. BB: Yeah. I lived in New York, and five years ago my partner of 19 years, Tom Cianfichi, and I decided to open a home furnishings/high-end gift shop on our favorite street in New Orleans, Magazine Street. My family is there and my friends are there. We went on vacation when Katrina hit and could not get back. My godchild, who worked for us, boarded up our store [and] our carriage house, and my mother’s flight was cancelled, so she drove my mother to Texas. That kind of heroism, I don’t know how you pay someone back for that. Tom says we’re going to take her to Paris. So we planned this wonderful trip. So the [“Mad Men”] audition came up and I said “No, I’m in Paris.” I decided for the first time in my life not to let show business run my life. I basically said, “If they don’t find anybody, I can come 10 days later.” That’s what happened. They didn’t find [the actor] they wanted and I went in and I auditioned. It’s a rare thing. I had one audition and that was that. AM: So it was [meant to be] your role. BB: I believe that. I lived through 9/11, lived through Katrina and the aftermath. … It puts things in perspective. A friend said years ago that as an actor, we will always be there for show business, but it’s so obvious that show business will not always be there for us. So you have to have a life, and use your other talents. People generally want to put us in a category; you’re gay, straight, white, Jewish, Christian, whatever. Or you’re an actor, doctor, lawyer, shop owner. Life is too long and wide to just do one thing, so I try to keep busy. AM: As a gay man do you feel a responsibility [in] present[ing] the man who didn’t have options? BB: Yes I do, and thank God that [writer/ executive producer] Matthew Weiner is so brilliant and has such a vision for him. He has never made into a joke [as] on so many other sitcoms and dramas [that], “Oh, he’s gay! Ha-Ha.” I wouldn’t do it if that’s the part because, in my opinion, what’s so funny about being gay? It’s your humor that makes you gay. [This role] is done with honor and dignity, paying homage to these people [who] had to live these very difficult lives. I interviewed art directors and spoke with men of that time, and they said that there were two options: either get married and pretend to be heterosexual or ... commit suicide. There were no [other] options. AM: In one episode in the first season, they explored his struggle. I thought it was so Bryan Batt. beautiful and heartbreaking. BB: Yes; I was quite pleased with it. Once again, the writing is such genius that you really just have to do the scene. It’s all right there. The actor I play opposite, Paul Keeley, is fantastic as well. AM: He’s on a potential dinner date, right? BB: It was an accidental dinner date. I was supposed to be going over to P.J. Clarke’s to celebrate one of the secretaries moving up the ranks. But I go through this building because I wanted to see this architecture that [the character] Elliot had told me about, and I see him at the bar and we talk, and he says, “Let’s have a drink and what are you doing for dinner?” So we sit down and we talk, and he’s clearly trying to pick me up, and I’m not getting the messages. I’m just not open to the messages, until he touches my hand. And then I just freeze. My little wall comes down and it really is sad. In fact, someone stopped me at a Rite Aid and said, “Oh, I’m so sorry for you.” I’m like, “What? Why?” I thought that it was something personal, and they said, “Why can’t your character Salvatore just be who he is?” So many people ask me, “When is he coming out?” And just being in the world of the show, I think, “Are you kidding? He can’t come out, there’s no way.” Therefore, there’s the drama. AM: The show seems to be about everybody having a secret. Some were revealed at the end of season one. No one is really what he or she appears to be. What can we look forward to in season two? BB: We explore a lot of the characters’ home lives—not just the office. There are consequences for the actions in this lifestyle that we are living. If you drink and smoke like crazy, it’s going to take a toll. Living lies? You’re going to get caught. And we skip a couple years. There are new characters, guest stars and great storylines. But one thing about the show is what you expect to happen doesn’t happen. AM: The show looks so authentic … every detail. What does it feel like to walk around in that world? BB: It feels like you’ve really gone back in time, and then you turn around and somebody [is] texting somebody. The costumes by Janie Bryant are just amazing. The women wear the corsets, the bullet bras and garters. It must be so uncomfortable. We have these gorgeous suits, but they’re cut very slim. You really can’t jump too far, you’re not as free and I think that reflects how society was at that time. It was very closed-up. Ties were very narrow and lapels were very narrow, and the views were very narrow. This is at the time when people were starting to question that. AM: You [have] starred in many Broadway shows, [including] Sunset Boulevard, Beauty and the Beast, La Cage aux Folles [and] even the Cat in the Hat in Seussical. So you can sing! How do you handle all the smoking on the set? BB: Well, they are herbal cigarettes, so there’s no tar and nicotine, but they stink and they’re nasty. I was a non-smoker for the longest time. People smoke a lot out here. Once in a while, I’ll have a regular cigarette. I forget because my hands are used to, on set, just always having a cigarette, so when we’re off on a break or something, I’ll reach for a cigarette and start to smoke, and I’ll be like, “What am I doing?” But from what I understand there’s no danger in them. There’s been such a loathing of cigarette smoking. I remember there was talk about wanting to take out any scene in any of the Lucy shows where they smoked, and they smoked a lot in I Love Lucy. It was part of our culture. It was what people did. AM: Talk to me about playing Darius in Jeffrey on stage and on film with Patrick Stewart. Was that the most divine experience ever? BB: It was! It’s very similar to this. It remains, just like “Mad Men,” as one of the highlights of my life. We did not know whether people were going to rise to their feet laughing and crying at the end, or run screaming from the theater. [The play] was something that had not been touched. It was an AIDS comedy. Then I got to do the film with Patrick Stewart, and it was just heaven— the entire experience. I’m still friends with a lot of the cast. It was my first major role on film. I remember my favorite bit of direction Christopher Ashley gave me. He said, “Forget there’s a camera, and just meet Patrick Stewart’s level.” Um, OK. I’ll try that. AM: Your shop is called Hazelnut in New Orleans. [And] you appeared on the Style Network’s “Guess Who’s Coming to Decorate”… BB: We were just in House Beautiful for favorite house for June. AM: What feeds this design work for you? BB: I have always done it. I’ve never really trained professionally, but I would always find myself redoing my apartment and all my friend’s apartments. Then when the opportunity arose, Tom, who had a history of retail on Madison Avenue and work in design and I … just opened our shop. The store is very eclectic. But it’s just another journey. We’ll see where it leads. So far, it’s been fantastic. Season two of “Mad Men” is current running on AMC; season one is out on DVD. For more about Bryan Batt’s store, visit hazelnutneworleans.com and catch up with Batt at bryanbatt.com. To listen to the full interview, visit www. windycityqueercast.com. Bryan Batt (left) in Mad Men. Jenny Urban of Urban Cafe. RESTAURANT REVIEW Urban Cafe offers tasty pleasures by Jean Albright Jenny Urban, a Windy City Times 30 Under 30 honoree in 2007, has opened a hot new restaurant near El Gato Negro on Irving Park Road. Urban Cafe, 1467 W. Irving Park (just west of Southport), offers a delightful decor (currently with art by Carol James) and inexpensively priced meals. It’s a small storefront, but hopefully Urban can expand. They offer a great Intelligentsia coffee blend, plus friendly service (order at the counter), a kids’ menu (and a kids’ table) and catering. The extended hours mean you can find them for coffee, lunch, dinner and weekend brunch. Chefs Jenny and Fred served up a tasty brunch this past Sunday, including Brioche French toast for $5, a Southwest omelet for $6.50, blueberry pancakes for $5 and a traditional eggs Benedict for $6. Portions are small, but certainly adequate for most people. And the food is inexpensive enough that you won’t feel bad for ordering extra sides or even an entree. Add a bagel and lox for $3.50, or tofu hash for $6, and sides are $2 extra, including maple sausage links, biscuit, hash browns or bacon. The lunch and dinner menu offers interesting treats including appetizers such as Austin queso, beer-battered onion rings, and grilled Mediterranean flatbread. Salad choices include a harvest salad for $7.50, shrimp for $10.50, and pasta for $6. Sandwich selections include a roasted garlic burger for $7.75, grilled portabella burger for $7, pesto panini for $7.50 and ham-and-swiss panini for $7.50. Entrees run the range from Thai fusion steak tacos for $9.75, tofu stir-fry for $8.75, grilled steak chimichurri for $11 or bowtie pesto for $9.50. Jenny and her cafe are off to a terrific start. Stop by any time for great atmosphere, service, and food. Urban Cafe is located at 1467 W. Irving Park; the phone is 773-327-9427 and the Web site is www.urbancafechicago.com. The hours are: Tues.-Fri.: 7 a.m.-9 p.m.; Sat.Sun.: 8 a.m.-9 p.m. (brunch served Sat.Sun., 8 a.m.-2 p.m.); and Monday: closed. Aug. 6, 2008 29 WHAT TO DO? Wednesday, Aug. 6 Mary’s Attic Eating Raoul - The Musical, 8 p.m., $15, 5400 N. Clark St., HamburgerMarysChicago.com Women and Children First Bookstore Angelic Organics Learning Center screening of The Real Dirt on Farmer John. 5233 N. Clark St., 773-769-9299, www.womenandchildrenfirst.com Thursday, Aug. 7 Chicago Theatre Melissa Etheridge in concert. And Aug. 8. 8 p.m., 175 N. State St., tickets at Chicago Theater box office or Ticketmaster.com, 312-559-1212 Mary’s Attic Eating Raoul - The Musical, 8 p.m., $15, 5400 N. Clark St., HamburgerMarysChicago.com Women and Children First Bookstore Josef Steiff, co editor, and contributors of Battlestar Galactica and Philosophy: Mission Accomplished or Mission All Frakked Up? 7:30 p.m., 5233 N. Clark St., 773-769-9299, www.womenandchildrenfirst.com Friday, Aug. 8 Bethlahem United Church Memorial for JoAnne McAllister/Digory. 10 a.m., at Magnolia and Diversey Crew Beijing Olympics opening ceremony, 7 p.m., 4804 N. Broadway, WorldsGreatestBar.com Hunters Nightclub Where the Boys Are: The Beach Party Weekend. Tan line contest at 10:30 p.m., raffle and duck game to benefit Center on Halsted. 1932 E. Higgins Rd., Elk Grove Village, 847-439-8840 Lakeshore Theater Queer Queens of Qomedy, a gay and lesbian comedy show. Featuring Poppy Champlin, Julie Goldman and Dana Eagle. 8 p.m., $20 advance, $25 at door, 3175 N. Broadway, 773-472-3492 Old Town School of Folk Music Janis Ian performs. 8 p.m., $21-$25, 4544 N. Lincoln Ave., 773-728-6000 for tickets Or Chadash Shabbat Services. Every Friday. 8 p.m., Emanuel Congregation building, 5959 N. Sheridan Rd., 773-271-2148, [email protected], www.orchadash.org Women and Children First Bookstore Joanne Passet, author of Sex Variant Woman: The Life of Jeanette Howard Foster, reading. 7:30 p.m., 5233 N. Clark St., 773-769-9299, www.womenandchildrenfirst.com Saturday, Aug. 9 3160 The Tajma Hall show, with special guests Monica Munro & Aurora Sexton, 3160 N. Clark St., 773-327-5969 Center on Halsted A discussion of faith, gender identity and expression for the trans community and their allies. 2-4 p.m., 3656 N. Halsted St., registration suggested to [email protected] Lakeshore Theater Varietease, a queer cabaret hosted by Backdoor Aly and featuring Miss Tamale, Mae the Bellydancer, The Honey Buns, Red Hot Annie, Mz. Bea Haven, Jack N-Jinx and more. 10:30 p.m., $15, 3175 N. Broadway, tickets at www.lakeshoretheater. com or 773-472-3492 Northalsted Area Merchants Association Market Days. And Aug. 10. 11 a.m.-10 p.m., on Halsted from Belmont to Addision, more info at www.chicagoevents.com Sunday, Aug. 10 Barbara’s Bookstore E. Lynn Harris reads from his newest book, Just Too Good to Be True. 2 p.m., 1100 Lake St., Oak Park, 708-848-9140 Hydrate Chicago Spirit Brigade, 1 p.m., DJ Rodney Becker, 12:30 - 2:30 p.m., DJ Brett Locascio, 2:30 - 4:30 p.m., ROTC, 5:30 p.m., DJ Alyson Calagna, 4:30 - 7 p.m., DJ Chris Cox, 7 - 10 p.m., DJ Alyson Calagna, 10 p.m. - 4 a.m., 3458 N. Halsted St., HydrateChicago.com Northalsted Area Merchants Association Market Days. 11 a.m.-10 p.m., on Halsted from Belmont to Addision, more info at www.chicagoevents.com Nerds at Heart Dating for Queer Nerds. Play board games including Homogenius and show off your trivia quiz skills with other smart LGBT singles. Aug. ‘In the Life’ to show Paglia, Bernhard The Aug. episode of the PBS show “In the Life,” entitled “Talking It Out,” will expand to a full hour, and will pair social critic Camille Paglia with entertainer Sandra Bernhard. Also, “In the Life” host Michael Billy, and Richard Kim, associate editor of The Nation, will look at the hard-hitting issues affecting the LGBTQ community in the context of the maturing of the movement, as it seeks to retrieve the power of its roots; and Dr. Marjorie Hill, CEO of the Gay Men’s Health Crisis (GMHC), and actor Wilson Cruz will explore the status of the AIDS epidemic and confront the myth that the crisis is over. The episode will air in Chicago Fri., Aug. 29, at 10:30 p.m. See www.wttw.com. GenderPAC Cook-off celebs on WCT video Former “Top Chef” contestant Josie SmithMalave and “Project Runway” alumnus Nick Verreos not only posed for photos for Windy City Times—but they are also featured in a video interview! Readers can now watch Smith-Malave and Verreos talking with WCT’s Emmanuel Garcia at www.youtube.com/watch?v=OHye91hClsY. Thurs.-Fri., Aug. 7-8 7-10 p.m., $20 advance/$25 at door, The Spot, 4437 N. Broadway, register at www.nerdsatheart.com or 312-2656085 Monday, Aug. 11 Hamburger Mary’s hamBINGO, with hostess Regina UPright, a weekly charity event. Every Monday. 8-10 p.m., 5400 N. Clark St. Tuesday, Aug. 12 Mary’s Attic Eating Raoul - The Musical, 8 p.m., $15, 5400 N. Clark St., HamburgerMarysChicago.com Lesbian Brunch Group Tuesdays on the Terrace at Museum of Contemporary Art. 6 p.m., 200 E. Chicago Ave., RSVP required to [email protected] or see gaypros.meetup.com/283 Wednesday, Aug. 13 Lilly’s Songwriter Tori Sparks with special guest Dylan Rice. 9 p.m., doors 8 p.m., 2515 N. Lincoln Ave., 773-525-2422 Mary’s Attic Eating Raoul - The Musical, 8 p.m., $15, 5400 N. Clark St., HamburgerMarysChicago.com Thursday, Aug. 14 Mary’s Attic Eating Raoul - The Musical, 8 p.m., $15, 5400 N. Clark St., HamburgerMarysChicago.com Women and Children First Bookstore Ann Slavick: Hour Chicago. 7:30 p.m., 5233 N. Clark St., 773-769-9299, www. womenandchildrenfirst.com Friday, Aug. 15 Affinity Intimate Sessions of Erotica featuring author Fiona Zedde, Janice “Jano” Layne and Femstress Coco. 5650 S. Woodlawn Ave., Garden Level, 773-324-0377, www.affinity95.org Empty Bottle Midnight Cabaret: Vampires! Magic! Burlesque! Featuring queer burlesque performers, drag kings and more. $15-$30 sliding scale, 1035 N. Western Ave., www.femmecollective. com The Femme Collective “Femme2008: The Architecture of Femme,” an inter- Pantheon Award recipients named Chicago’s Leather Archives & Museum recently named the recipients of its Pantheon of Leather Community Service Awards. Hollywood’s Jeanne Barney received the Lifetime Achievement Award. Baltimore’s Glenda Rider was named the Woman of the Year. Chicago’s very own Rick Storer was named Man of the Year. Atlanta’s Jack Stice (deceased) received the Forbear Award. San Francisco’s Folsom Street Events received the Large Non Profit Organization of the Year Award, while Detroit’s Leather Institute for Education (LIFE) was named the Small Non Profit Organization of the Year. Among the many other awards given that evening were the Small Club of the Year, which went to Chicago’s Windy City Boys Troop, and the President’s Awards, one of which went to Chicago’s Phillip Redmond. In addition, Andrew Love was recently named Mr. Olympus Leather 2008. Mistress Sabrae was named Ms. Olympus Leather 2008, and Rocco was named Mr. Midwest Rubber 2008. The awards show was held at the Leather Archives on July 20. Local zine seeks submissions Bound to Struggle Volume 3, a local zine of works by those who practice kink and radical national conference celebrating queer femininities. Through Aug. 17. Chicago Wyndham O’Hare, 6810 N. Mannheim Rd., $75 through July 15 and then $95 for late registration, register at www. femmecollective.com Or Chadash Shabbat Services. Every Friday. 8 p.m., Emanuel Congregation building, 5959 N. Sheridan Rd., 773-271-2148, [email protected], www.orchadash.org Women and Children First Bookstore Sandra Tsing Loh: Mother on Fire: A True Motherf%#$@ Story about Parenting. 7:30 p.m., 5233 N. Clark St., 773-769-9299, www.womenandchildrenfirst.com SHE IS THE ONLY ONE Melissa Etheridge will perform at Chicago Theatre, 175 N. State. Saturday, Aug. 16 Center on Halsted Relationship Enrichment Retreat Day. 9 a.m.-6 p.m., $165 per couple, $90 for individuals, $15 early registration discount (July 20 deadline), 773-472-6469 ext. 158 to register and for info Equality Illinois Join EI’s cycling team for Rolling on the River, Illinois’ Bike Ride for the Environment at Kendall County Fairgrounds in Yorkville, Ill. E-mail [email protected] for info, see www.rollingriverride.org Lambda Legal Into the Woods event in Galien, Mich. Cocktails, dinner and music. 6-9:30 p.m., 773-486-6920 for info and tickets or www.lambdalegal. org/woods Lesbian Brunch Group Camping and whitewater rafting in Wisconsin. Through Aug. 17. $45 for rafting and $8 for camping, RSVP required to [email protected] or see gaypros. meetup.com/283 Lincoln Park Lagooners Drive-In Movie Night. See www.lincolnparklagooners. org Women and Children First Bookstore Sappho’s Salon: A Provocative Night of Lesbian Diversion featuring Fionna Zedde and Andrea Askowitz with guest host Jolie du Pre. 7:30 p.m., $7-$10 includes refreshments, 5233 N. Clark St., 773-769-9299, www.womenandchildrenfirst.com politics, is seeking submissions. Personal essays, comics, poetry and theoretical works about word play, the queering of words and power and sex welcome. No photographs are wanted. Send submissions to Simon Strikeback, 1433 W. Lunt #1N, Chicago, Ill. 60626 or s.strikeback@ gmail.com. Janis Ian to perform Folk legend and lesbian singer/songwriter Janis Ian will perform at the Old Town School of Folk Music in August. Ian will perform at Old Town School of Folk Music’s Gary and Laura Maurer Concert Hall, 4544 N. Lincoln Ave., on Fri., Aug. 8, at 8 p.m. Tickets are $21-$25. Ian, known for her classic folk song “At Seventeen,” recently penned a memoir, Society’s Child. For tickets see www.oldtownschool.org or call 773-728-6000. LGBTQs invited to see ‘Ocho Puertas’ The Institute of Puerto Rican Arts & Culture (IPRAC) is inviting the LGBTQ community, as well as family and friends, to the screening of the film Ocho Puertas Sat., Aug. 9, at the Humboldt Park Boat House, 1359 N. Sacramento. The film is a musical-documentary that re- Sat.-Sun., Aug. 9-10 BUTT SERIOUSLY... Hundreds of thousands of people are expected at Northalsted Market Days, which will take place on Halsted Street between Belmont and Addison. Photo from 2007 Market Days by Kat Fitzgerald members the long-gone Ocho Puertas nightclub in San Juan, Puerto Rico—a popular spot (19601980) for famous figures like Liza Minnelli, Burt Bacharach and Marlene Dietrich. There is free admission, popcorn and parking. For more information, call 773-486-8345 or email [email protected]. Opera performance rescheduled Opera star Christine Brewer, who was set to perform at Center on Halsted this month, has rescheduled for Thurs., Sept. 25, from 6:30-8:30 p.m. Brewer will perform at Center on Halsted’s John Baran Senior Center, 3656 N. Halsted. The SAGE Night at the Opera event is free. RSVP to Serena Worthington at 773-472-6469 ext. 160 or [email protected]. Lesbians to bring laughs An all-lesbian comedy revue is coming to the Windy City. Comic Poppy Champlin is bringing her Queer Queens of Comedy show to Lakeshore Theater, 3175 N. Broadway, on Fri., Aug. 8, at 8 p.m. The show features Champlin, as well as Julie Goldman (LOGO’s “The Big Gay Sketch Show”) and Dana Eagle (Comedy Central’s “Premium Blend”). Tickets are $20 in advance and $25 at the door. Call 773-472-3492. 30 Aug. 6, 2008 Jamie, one of the student-athlete subjects; Jeff Sheng and Brandon Watson. SPORTS Photographing LGBT amateur athletes By Ross Forman Jeff Sheng started playing tennis at age 6, continued through high school, then hung up his racquet before attending Harvard University in the late 1990s. Before his first class at Harvard, Sheng took a community college course in photograph. “It was a way to do something completely different,” said Sheng, now 27 and living in Los Angeles. Sheng’s fascination with photography morphed and, ultimately, he meshed it with his sporting past. “I just fell in love with photography; I saw it as a way to really touch people in a different way from my friends who would be lawyers or businessmen. I just thought there was a way to make a difference, using film and photography,” Sheng said. In late 2003, a year after graduating from Harvard, Sheng started photographing openly gay and lesbian high school and college athletes. He emailed friends, roommates, associates and even friends-of-friends to see if they knew anyone who identified as an athlete and was openly gay or lesbian. “It started slowly,” recalls Sheng, who is gay. “The climate [today] is much different from what it was five years ago. Back then, there were very few high school and college athletes who were out and open.” In his first year, he photographed about 12 athletes, finding some via Google searches. “It was a huge trust thing between me and these student-athletes,” Sheng said. “My initial goal was 30 athletes; I thought getting 30 athletes [photographed] would be a huge success.” In 2004, about a year into the project, “the homophobic climate, so to speak, seemed to settle over America,” he said. And while he slowed down his athletic search in 2004 and 2005, many athletes found him and his project via the Internet. And they approached him about being photographed. “It was strange: they were contacting me and that really motivated me on this project,” he said. Sheng has now photographed about 60 openly gay and lesbian athletes. His goal is 100—so he can showcase the images in a book that he hopes to release in 2009. Sheng has, in the meantime, featured his images across the United States on his Fearless Campus Tour, which started a couple years ago at the University of Florida; his pictures were seen in a campus hallway by thousands. “I was terrified that people would vandalize the photos, but that never happened, and the photos were out [in the public access areas] 24 hours a day. In fact, when they were first put on display, I gave the university a second copy of all pictures, just in case. But thankfully those [extra] photos were never needed.” Sheng’s Fearless Campus Tour—where schools can display the photos in a highly-trafficked area on campus, such as a gymnasium, studentcenter or Starbucks—has graced the walls over more than 25 campuses. Sheng photographed 20 student-athletes in 2007; he already has snapped pictures of 10 more this year. “It’s challenging with a full-time teaching job, but the teaching job is enabling me [financially] to continue the project,” said Sheng, who teaches photography and Asian American studies at UC-Santa Barbara. The average photo shoot costs $850 and Sheng is self-funding the entire project so far. To date, he said he’s spent $20,000 to $30,000 of his own money for the project. “As a high school senior, I started to deal with my sexuality a little more. That’s why the project is very personal,” Sheng said. “My [high school] experience on the tennis team was not that great in terms of getting along with my teammates. Sure, we got along, but I always kept [my sexuality] hidden and they were incredibly homophobic. “I remember, as a freshman, a senior on the team came out, and his experience was so bad that he quit the team.” Sheng came out near the end of his freshman year in college. His first boyfriend was on the water-polo team and was closeted. After six months, they broke up “because of the stress,” Sheng said. The water-polo player came out his junior year in 2001, Sheng said. Sheng earned a degree in filmmaking and photography at Harvard, and his undergraduate thesis was about another gay relationship he had in college. He ultimately graduated with highest honors. “I want to do this project because I think it is really meaningful socially,” said Sheng, who photographs all of the athletes immediately after an intense workout because, “I want to hit the intersection of sexuality and athleticism. Right after a workout, I really feel like you can identify with the person.” Sheng does not reject anyone who wants to be photographed. “The project is about inclusion,” he said. “I really want people to feel like, when they look at the athletes photographed, that they see people who they know, people who they can identify with. That’s very important to me. And that’s why I want to include all ethnicities, all body types.” Sheng said the Fearless Campus Tour has, surprisingly, been better received within the straight world than the gay community. “It’s odd: When straight people see the project, they are absolutely fascinated by it. Unfortunately, the only criticism I have gotten is from a small segment of the gay population, for whatever reasons. That’s frustrating,” he said. Sheng will be in China this summer for the Summer Olympics, where he will be blogging alongside openly gay former National Basketball Association (NBA) player John Amaechi. Sheng, who speaks Chinese, will, of course, have a camera or two with him for the threeweek adventure. “I’m going to write about human rights, LGBT issues, etc.,” Sheng said. “It will be a lot of fun; I’m really looking forward to it.” Sheng first met Amaechi at Williams College, where Sheng had a photography exhibition and Amaechi was the keynote speaker at a forum. The two have since become such good friends that Amaechi introduced Sheng to the man who eventually became his boyfriend—Brandon Watson, 25. “John and I have become really good friends, particularly because we’re both working toward the same thing: equality in athletics,” Sheng said. “I’m doing it through my photography; he’s doing it with his speaking.” Olympics testing to ensure gender Organizers of the Beijing Olympics have set up a controversial sex-verification laboratory to analyze certain female competitors, according to the Chinese news agency Xinhua. The lab will be like those set up in Sydney and Athens in previous Olympics. Not everyone is behind this, The New York Times reported. Northwestern University associate professor Alice Dreger, who specializes in medical humanities and bioethics, said, “Real people are going to be hurt by this—real Olympic athletes who have spent their whole life waiting for this moment.” In fact, the test has come under increasing scrutiny from many who feel that the testing is not only unethical but also invasive. ‘Rolling on the River’ Aug. 16 “Rolling on the River”—a cycling event billed as a “ride for the environment”—will take place Sat., Aug. 16, at the Kendall County Fairground, Yorkville, at 6 a.m. Among the features are one-day scenic rides of various lengths (15, 25, 45, 62 and 100 miles); a post-ride meal and party; and live music. There will also be camping, canoeing and kayaking as well as an expo. Individual registration is $70 ($30 registration and $40 minimum donation). Team registration is $60 ($30 and $30, respectively) per individual; teams have four or more cyclists. Among the teams that will participate is one from Equality Illinois; there is still time to join that squad. See www.RollingRiverRide.org. 9th Annual Senior Cup Softball Sept. 7 Chicago will host the largest amateur gay sporting event of the year designed specifically for athletes 40 years and older. Teams and players from across the United States and Canada will converge in Chicago to compete in this competitive athletic event. The Senior Cup softball competition will begin Sat., Sept. 6 and will end with the championship games the following day. Pre-activities will begin Fri., Sept. 5, with the registration party to be held at the North End, 3733 N. Halsted. The festivities will culminate with an awards presentation at Halsted’s, 3441 N. Halsted. Registration is now closed. All games will played at the Waveland softball diamonds in three divisions. 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