Paul Carrack Tours U.K. Venues with New Line Arrays
Transcription
Paul Carrack Tours U.K. Venues with New Line Arrays
GLOBALNEWS Technology Boost Lets Leona Lewis’ Dynamic Range Shine Through Paul Carrack Tours LONDON — Soulful vocalist and performer Leona Lewis has been on a 14-date tour of the U.K. with an SSL L500 console and K-array Slim Array technology, chosen by FOH engineer Dave Wooster. Her latest I Am show provides Wooster with around 65 inputs from the stage. According to Wooster, the show absolutely benefitted from the L500’s clean signal path and comprehensive internal FX Rack: “The effect on Leona’s vocal was very noticeable in the system. I think the 96k Hz operation makes a difference, but the preamps make a huge difference as well, and whatever SSL has done on the EQ is stunning. You really hear the HF,” Wooster said. “With Leona, I have to deal with a massive dynamic range within every song. The mix has to be able to go right down to almost nothing and then build to everything. When she whispers, I get a load of low-end from the mic that I don’t need, and when she’s screaming, there’s too much high-end and not enough lows. The dynamic EQ from the internal FX rack sorts that out. Then across her stem — which includes her reverb and delay returns, as well the main vocal path — I put an SSL Bus Compressor; it’s very good.” The P.A. setup centers on K-array’s innovative Firenze Slim-Array components. Featuring DSP-based acoustic steering and wide-bandwidth, these enclosures are less than eight inches deep. Wooster was impressed by the combination of the SSL L500 console and K-Array components. “In the 33 years I’ve been doing this,” he said, “I’ve never mixed on a system this good.” FOH engineer Dave Wooster has been mixing Lewis with an SSL L500 console. The U.K. tour setup included K-Array’s Slim Array speakers. INTEGRATED DESIGNED TO EMPOWER ENGINEERS WITH CUSTOMIZABLE USER INTERFACE OPTIONS , CONTROL MONITORING OF MUSICIAN ’ S PERSONAL MIXERS M-48 PERSONAL MIXING MANAGER CUSTOMIZABLE CONTROL SOFTWARE BIRMINGHAM, U.K. — Paul Carrack, whose voice is heard on Squeeze’s “Tempted” and his own hit, “Don’t Shed a Tear” from his One Good Reason solo album, wrapped up a U.K. tour with a P.A. system centered on ProAudio Technology’s VT20 line array system. Leeds-area soundco Isophase Audio provided the gear for the 34-date tour. At stops like the Birmingham Symphony Hall, the setup included 32 VT20 elements and eight VS18 subwoofers for the main P.A. with four HT16 Tops for near fills. Only two Delta 20.4-DSP amplifiers were needed to power the 32 VT20 main array elements. Starting out as the frontman and main songwriter for the band Ace, along with Squeeze and his solo efforts, Carrack has performed as part of Roxy Music and Roger Waters’ backing group, The Bleeding Heart Band. He has also written songs performed by the Eagles, Diana Ross, Tom Jones and Michael McDonald, among others, and has worked extensively as a session musician. ◀ ◀ ◀ REMOTE IPAD APP* & CONTROL U.K. Venues with New Line Arrays Isophase Audio provided ProAudio Technology’s VT20 system. It’s shown here in this video still. London Venue, The Lexington, Goes Uptown, Gear-Wise *iPad, iPhone and iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries. App Store is a service mark of Apple Inc XI-EXPANSION CARDS SUPPORT: ProAV.Roland.com/OHRCA Stand Strong Every night around the world, sound professionals are working hard to produce a great show. And we work hard to make the strongest, most reliable stands for you, because we know that’s just what you expect. That’s why K&M stands are the pro’s choice, used by more sound production companies than any other. Premium Quality · Eco-Friendly · 5-Year Warranty LONDON — The Lexington has upgraded its downstairs lounge with Martin Audio’s CDD (Coaxial Dispersion Driver) components. Supplied by LMC Audio, the main P.A. in the American-themed bar includes four 10-inch CDD10 coaxials mounted on four pillars, supported by two ultra-compact 5-inch CDD5s and a CSX212 dual-12 sub for DJ monitoring. When Lexington’s owner, Stacey Thomas, sought a replacement for the “noisy” and unfocused system downstairs, LMC Audio’s JP Cavaco encouraged Thomas to give the CDD system a try, touting its better definition. “The coaxial design keeps the enclosure size compact and unobtrusive, and the unique CDD technology ensures the audio is consistent across the desired audience space,” Cavaco said. “The installation market must recognize the need to minimize sound pollution, and CDD technology is perfect.” Lexington sound engineer Joe Hawley credited the CDD for “a far more focused sound in the center of the room,” adding that it lets him “keep the bar area quiet and focus the sound elsewhere as required.” Using the DX0.5 system controller, “building a preset specifically for us was easy,” he added. “All we had to do on the DX0.5 was minor level adjustment and limiting on the inputs.” US Distribution Connolly Music (800) 644-5268 km-america.com · connollymusic.com The Lexington upgraded with Martin Audio’s new CDD system. 20 MAY 2016 • fohonline.com