ASID Newsletter - Donna Marcotte Consulting

Issue No. 39: November 2003
The Newsletter of the ASID Student Chapter at Houston Community College
Kitchens—The Design is in the Details
By Mary Calvin, owner of The Cabinet Studio and Leia Milller, The Cabinet Studio
N
ot many years ago the kitchen
was thought of as a purely
utilitarian space. The main thrust of
the design was the work triangle and
the newest interior fittings that made
working in the kitchen more convenient.
Today, style and personality are an
important part of the design. Homes
are designed with open floor plans,
which makes the kitchen a central
part of the living space. Most families spend the majority of their time
in the kitchen. Kitchens need to
function first as a place to cook, but
also as a place to eat, watch TV, do
home work, pay bills and entertain.
A contemporary kitchen design by Mary
Calvin (Photo by Mary Calvin)
November 2003
Every client has specific needs to
consider when planning their
kitchen. It’s up to you as a designer,
to determine the feel, the ambiance,
the style, and how the client plans to
use the room. Having a beautiful,
functional kitchen that supports their
lifestyle can change their whole
experience.
Because kitchens are an integral part
of the adjoining space, clients want
cabinetry that looks more like furniture and less like kitchen cabinets.
Wood has become the number one
finish again. It adds warmth and
texture to a room, whether it is a
light maple or a rich cherry, and
clients appreciate that added texture
and warmth.
Currently Houston has several design trends working: the soft contemporary style, the modified Arts
& Crafts style, and the more ornate,
old world style. The details—while
very different from one another—
are important in all three styles.
The current contemporary style is
warm with clean lines that blend
simple forms and minimal moldings. A rich, dark cherry or light,
warm maple with a square-frame,
recessed-panel door is one of the
most popular styles. Stainless steel
hardware, appliances, and accents
are an integral part of this look.
When clients ask for the modified
Arts & Crafts style, they are looking
for a relaxed, comfortable and very
livable kitchen. The square-framed
recessed-panel door with either a
warm maple finish or a white
painted finish will often fit the request. The moldings have a simple
detail. Family treasures are casually
displayed to add to the cozy family
feel.
The old world style kitchen is for a
client who likes some formality or
sophistication. The goal is often to
have the room look furnished. This
is done through the use of ornate
door styles, layers of crown molding, turned posts, carved corbels,
and furniture toe kicks. A raised
panel door with applied molding,
finished in a rich, distressed, glazed
cherry gives this kitchen the sophisContinued on page 4.
Inside this Issue:
November Calendar ............ 2
From the President............... 3
From the Editor .................... 3
Rose’s Resource Report:
Enkeboll Designs ................. 5
Thomas Pheasant ................ 7
After the Show .................... 8
Giving Thanks ..................... 8
October Meeting Recap:
Lighting Unlimited .............. 9
Honor Society Inductees ......10
In the Spotlight:
Marsha Brown....................11
November 2003
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Happy Thanksgiving
No classes-holiday
ASID Student
Chapter Meeting
ASID Professional
Chapter Meeting
30
HCCS ASID
Student Chapter Officers
President: Bonnie Jackson
[email protected]/713.995.8386
Vice President: Misty Shedd
[email protected]
832.922.1064
HCCS ASID
Student Chapter Meeting
Tuesday, Nov. 11, 2003
11:00AM to noon
Room SJ 323
Guest Speaker: Mary Calvin,
owner of the Cabinet Studio,
speaking on kitchen design
Secretary: Veronica Sudol
[email protected]/713.772.3470
Treasurer: Amy Rose
[email protected]
713.838.0544
Newsletter Editor: Donna Marcotte
[email protected]
281.679.5843
HCCS Student Advisor: Dennis
McNabb, ASID, IDEC
[email protected]
For student membership information,
contact one of the Student Chapter
officers.
Parliamentarian: Kitty Cobb
[email protected]/713.468.6020
2
About ASID
The American Society of Interior
Designers (ASID) is a non-profit professional society representing the
interest of interior designers and the
interior design community. For more
information, visit the website at
www.asid.org or the Texas Gulf
C o a st C h ap t e r ’s we b s i t e a t
www.asidtgcc.org.
About this Newsletter
Design Central is published by the
membership of the Houston Community College Interior Design Department, PO Box 667517, Houston, TX
77266-7517.
This year, Design Central will be
published on or about the first school
day of each month of the academic
year (except for December and May)
beginning in September of the Fall
semester.
The deadline for submission of articles for publication is the 15th of the
month. Send articles for publication to
the newsletter editor, preferably by
email as a Microsoft Word document.
All articles submitted may be edited
for clarity, appropriateness of content,
and length. When possible, the author
will be consulted in these decisions
but publication deadlines may prohibit
this.
Design Central
November Events
From the President…
“Nothing Beats Hearing from the Source” by Bonnie Jackson
November 11. ASID Student Chapter meeting. 11:00AM to Noon.
SJAC 323. See notice on page 2.
November 18. ASID Professional
Chapter meeting. “Designing Outdoor Living Environments.” 11:30
to 1:00, lunch. $5.00 for students.
Info/RSVP 713.626.2743.
November 27 – November 30.
Thanksgiving holiday at Houston
Community College. All school
facilities are closed.
HCC ASID Student
Chapter Holiday
Party
Saturday, Dec. 6, 2003
7:00PM to 11:00PM
Pot Luck Dinner
Ornament Exchange
Watch your mailbox and
the bulletin board for
details.
A
s you know, our theme for this
year’s student ASID meeting
series is “Resources: the Nuts & Bolts
of Interior Design.” And so far this
year, we’ve heard from many wonderful resources.
Our October meeting was held at
Lighting Unlimited where we heard
from Bernard Woolf and his team of
lighting professionals (see page 6).
In Dennis McNabb’s Materials, Methods and Estimating class, we have
also been on many field trips. This has
been a great way to see firsthand just
how custom draperies, bedding, furniture, and more are produced, and to
hear directly from the resources on
how they work with designers and
what the designer’s role is in their
processes.
Many thanks to the folks who have
opened their workrooms to us includ-
Also this month, we had the privilege
to meet, hear, and visit with renowned
interior designer, Thomas Pheasant
(see page 5). Following his presentation, Mr. Pheasant took time to meet
with the students, answer our questions, and offer advice—a truly rare
opportunity. Many thanks to Mr.
Pheasant and to Marjorie Darmitzel,
showroom manager, and all the folks
at Baker Knapp & Tubbs, who hosted
the event on our behalf.
I hope you’ve enjoyed this semester’s
activities and found them valuable.
From the Editor…
“Details! Details! Details!” by Donna Marcotte
p
utting together this newsletter
each month is always an exercise
in details, but, this month, I was confronted with the topic of details at
every turn—in Mary Calvin’s article
on kitchen design; in Amy Rose’s
report on Enkeboll Design; and in
Thomas Pheasant’s presentation on
his furniture design. So I guess we
should listen when told to pay attention to details—always good advice
for interior designers.
November 2003
ing: Carol Addiego at
Perfect Quilts, Steve
Addiego at G&S
Workroom, David
Longwood at Design Furniture Mfg.,
and R.J. “Sam” Simpson, maker and
conservator of fine furnishings. And,
of course, many thanks to Dennis for
arranging these trips.
W
e won’t be
publishing a
newsletter in December. That’s our customary practice to allow time for final
exams, projects, and holidays. We’ll
be back in January for the Spring
2004 semester and the rest of the
wonderful ASID events we have
planned. On behalf of the ASID student chapter leaders, happy and safe
holidays to you and your families.
3
Kitchen Design
(Continued from Page 1)
ticated ambiance that the client
wants.
Today’s clients want their kitchen to
reflect their personalities. They want
a place to cook and entertain that
makes them feel comfortable.
An Overview of Mary’s Career
ary Calvin started her kitchen
design career in1975, in Salem, MA. After her first year, she
returned to Houston to continue her
work. In 1980, Mary opened The
Cabinet Studio Inc. at 9709 Katy
Freeway (its current location). She
has worked for many clients in the
Memorial, River Oaks and West
University area over the last 23
years.
During the first 10 years of business, Mary was responsible for all
of the general contracting for her
firm, which, during those years, did
kitchens, baths, and additions. For
the last 13 years she has specialized
in kitchen and bath design and installation.
For Mary, one of the most rewarding parts of being in business for so
long is the opportunity to work for
clients on their second and third
projects with her. She has recently
added entertainment centers and
home offices to her showroom,
which expands the opportunity for
repeat business.
Mary is designing a new showroom
that will open in January 2004.
Cabinet Innovations will be located
in suite 219 at The Decorative Center and will display a large selection
of Wood-mode cabinets and Brook
Haven cabinets, a less expensive
custom line, and a great line of bath
furniture. Please come by and see
the fabulous new showroom.
M
At the Cabinet Studio, Mary Calvin also
designs home offices. (Photo by Mary Calvin)
Many thanks to Mary Calvin for contributing this article and to Leia Miller,
her assistant, for writing Mary’s career
overview.
Arts & Crafts style kitchen by Mary Calvin (Photo by Mary Calvin)
4
Design Central
Rose’s Resource Report: Enkeboll Designs
“Adding Details of Distinction” by Amy Rose
H
ave you ever wondered, while
admiring elaborate structural
woodcarvings, how you could incorporate them in your current design project
without flying in a European master
craftsman? No need to search the globe;
we have a great resource right here in
the USA—Enkeboll Designs, where
you will find an extraordinary selection
of highly crafted architectural woodcarvings including arches, moldings,
rosettes, mantels, panels and onlays.
Why use pre-fabricated particle board
or PVC columns when you can specify
a carved wood fluted column with a
Corinthian capital, or a decorative oak
corbel? These architectural elements
can add extraordinary detail and distinction to existing structures. Kitchen and
bathroom cabinets can be made to resemble traditional hand-crafted furniture. Onlays, decorative features used
on flat panels and doors, can add punch
in an otherwise lackluster room. Using
Enkeboll products, you can achieve a
truly custom design for your client’s
project, at a fraction of
the time and cost of
custom hand-crafted
design. And the results will be unlike
anything your clients might see in a
“do-it-yourself” design center.
Raymond Enkeboll, the founder of the
company, has earned a national reputation for the quality and style of Enkeboll’s merchandise. The company is
headquartered in Carsen, California
with over 500 products available for
your design needs. The range of carving
designs can be specified in your choice
of various woods such as hard maple,
red oak and cherry.
Enkeboll’s wide variety of architectural
woodcarvings are available in a 2020
electronic catalog format to drop the
precise measured product into your
computerized design rendering. A full
color catalog with specifications is
available for a small fee if you call Enkeboll directly. Their website is quite
informative but not as detailed as the
catalog.
The German-born architect Ludwig
Mies van der Rohe is attributed with
saying, “God is in the details.” Remember, decorative moldings and architectural elements can be the finishing
touch for your next design project. It’s
the details that can set your design apart
from the competition.
Contact Info for Enkeboll Factory &
Showroom:
16506 Avalon Boulevard
Carson, CA 90746-1096
Tel: 800.745.5507 or 310.532.1400
Fax: 310.532.2042
[email protected]
All information in this article is from
www.enkeboll.com.
Photos on this page are used with permission from Enkeboll Designs.
Special thanks to Richard Enriquez from
Enkeboll Designs for his help in providing
information to prepare this article.
November 2003
5
The first faces you saw: April Harkin (L) and Amy Rose (R)
checked in guests at the entrance to the Baker Showroom.
Kitty Cobb (standing) was the photographer for the evening (except for this photo).
After his presentation, Mr. Pheasant stayed and
talked with students, answering questions and
offering career advice.
Bonnie Jackson (HCC ASID Chapter President), Dennis McNabb
(HCC Student Advisor) and Barry Streets (Chair of Committees
HCC ASID)—all key in making this event happen.
Renowned interior
designer Thomas
Pheasant spoke at the
Baker Knapp & Tubbs
showroom about his
design philosophy
and the line of furniture he designed for
Baker. Proceeds from
the event will benefit
the scholarship fund
for the ASID student
chapter at Houston
Community College.
Thomas Pheasant and Marjorie Darmitzel,
Baker showroom manager, pause for a photo.
Volunteers from the HCC ASID student chapter pose with honored guest, Thomas Pheasant.
(L to R) Veronica Sudol, Kitty Cobb, Brenda Kerr, Bonnie Jackson, Donna Marcotte, Thomas
Pheasant, Misty Shedd, Lisa Nixon Sparks (rear), and Vicki Lynn Sam.
6
Design Central
The Thomas Pheasant Affair was a Splendid Evening
By Donna Marcotte
O
n Thursday, October 23, 2003,
more than 80 people gathered
at the Baker Knapp & Tubbs showroom in the Decorative Center
Houston to hear renowned interior
designer Thomas Pheasant speak
about his interior design philosophy
and about the line of furniture that
he has designed for Baker.
Prior to Mr. Pheasant’s presentation,
guests gathered in the Baker showroom for wine and hors d’oeuvres
and to view many pieces from the
“Thomas Pheasant for Baker” furniture collection. Guests also had a
chance to meet and talk with our
guest of honor.
Mr. Pheasant—a fourth-generation
Washingtonian and interior designer
known for his mastery of the monochromatic palette and simple, uncluttered designs—may have easily
been mistaken for a banker, in his
classic charcoal grey suit and crisp
white shirt. However, once he began
speaking, his passion for design was
evident.
While passionate about his topic, he
was also quite easygoing and entertaining, with a self-deprecating
sense of human. Mr. Pheasant, who
has appeared in Architectural Digest
many times, is well known for his
use of a neutral color palette. He
joked that friends and colleagues
tease that his color schemes range
from “white to beige” and, for many
projects, his design strategy consists
of painting the walls white, adding
some white furniture and fabric, and
getting published in AD.
M
r. Pheasant began his presentation by showing photos
from some of his Architectural Digest layouts and giving an overview
of his design philosophy. Some important aspects of his philosophy
include: the strong use of form and
shape giving his pieces a sculptural
quality; preference for a pale, neutral color palette offset with rich,
November 2003
dark woods creating a contrast that lets
you appreciate the forms; and the importance of order and symmetry. He
explained that when rooms are ordered
and symmetrical, it makes the inhabitants feel relaxed and calm, even if they
are not consciously aware of the design
elements.
Mr. Pheasant then treated us with
“before and after” photos from some of
his personal design projects, including
some from his own apartment in Paris.
I think these before and after views
provided an even greater appreciation
for the impact of his design.
While he has been designing custom
furniture pieces for his clients for many
years, Mr. Pheasant told us about how
he came to design a line of furniture for
Baker, and a bit about the process. He
explained that, when faced with
designing furniture without a specific space in mind, he eventually
had to design an entire house. With
a space in mind, he began creating
individual furniture pieces and focused on creating pieces that could
be used for multiple purposes in
different rooms, for example, a dining table that might also be used in
an entrance hall. He also said, since
designing the line, he has experimented with different details—such
as embroidery and hardware—to
add further distinction to the pieces.
As an outgrowth of the furniture
line, he has also created fabric,
lighting, bedding, and accessories.
While these were not initially requested by Baker, it seems once Mr.
Pheasant’s creative energy started
flowing, there was no stopping it.
Mr. Pheasant closed his presentation
with an opportunity to ask questions. At the end of the formal presentation, he remained for almost an
hour, speaking with the students,
answering our questions, and offering advice. He urged us to travel as
much as possible to experience and
appreciate other cultures.
T
he ASID Student Chapter at
HCC would like to thank Mr.
Pheasant for sharing his time and
knowledge with us, and for allowing
us to use this event as fundraiser for
our interior design scholarship fund.
We would also like to thank
Marjorie Darmitzel, Houston showroom manager for Baker Knapp &
Tubbs, and her entire team, for hosting the event on our behalf.
And many thanks to our ASID Student Advisor, Dennis McNabb, for
making this event possible.
Background information on Thomas
Pheasant is from the Baker page on
www.kholerinteriors.com.
Photos on this page are used with
permission from Baker Knapp & Tubbs.
7
Thomas, “After the Show”
By Donna Marcotte
O
prah Winfrey keeps her cameras rolling after her “official”
show ends and uses that footage to
create her “Oprah After the Show”
show. We had a bit of that happening ourselves, when, after Thomas
Pheasant finished his official presentation, he stayed and spoke with
us at length, answering questions
and offering advice.
I was fortunate enough to be there to
listen. As I was summarizing some
of what he said for several of you
who could not stay, I decided this
was definitely another worthwhile
column for this edition of Design
Central.
So I am recapping some of Mr.
Pheasant’s words of wisdom. Please
keep in mind, this is my summary of
what I understood him to say. But I
was listening very closely (actually,
I was hanging on every word) and
believe I’ve correctly captured the
essence.
Remember the client. Mr. Pheasant
explained, as designers (and people)
we have our own styles, but we
must always remember the needs
and desires of our clients. Even
someone like Mr. Pheasant, who is
sought out by clients for his distinctive style and reputation, must consider his clients and meet their
needs.
When looking for work, be prepared. Mr. Pheasant spoke of a
young woman who he hired at his
firm. He explained that as a recent
college graduate, she had some industry experience but not an extraordinary resume. However, she
wrote an excellent cover letter—
good enough for him to call and
speak with her. That phone conversation impressed him enough to
invite her to Washington for an interview, and he has since hired her.
In speaking of her and this experience he used the word “prepared”
several times. He explained she had
done her research; she knew about
him, his firm, and his design philosophy.
The night prior to our Houston
event, Mr. Pheasant was speaking at
another Baker event in Dallas. His
employee that he spoke of was in
New York City, representing Mr.
Pheasant at the opening night of a
show house. She was speaking to
visitors about a room Mr. Pheasant
had designed and she had helped
him install. I’d say she is prepared!
Travel, and experience other cultures. He said this in his main presentation and reiterated it at the “after
show.”
There was a lot more—more than I
can print here. Catch me in the halls;
I’d be happy to tell you about it.
Giving Thanks for Helpful Folks
By Donna Marcotte
I
John O’Dell and Misty Shedd
8
n addition to our HCC ASID
student chapter volunteers who
helped out at the Thomas Pheasant
event, we had help from a couple of
other guys.
Chapter secretary Veronica Sudol’s
husband, Taylor, accompanied his
lovely wife to the event, and we
kept him busy directing traffic, carrying a variety of things, serving
wine, and cleaning up.
John O’Dell, chapter vice president
Misty Shedd’s “significant other,”
has been to so many ASID events,
we are considering making him an
honorary member—even if he is not
in the interior design field.
Many thanks to Taylor and John and
to all the ASID chapter members
who volunteered to help out at this
event.
Taylor and Veronica Sudol
Design Central
October Meeting at Lighting Unlimited was Brilliant
“Off-campus ASID Chapter Meeting was a Festive and Informative Occasion” by Donna Marcotte
I
n October, our student ASID
chapter members had the privilege and pleasure to be the guests of
Mr. Bernard Woolf, owner of Lighting Unlimited, and have our
monthly chapter meeting at his
showroom, located at 4025 Richmond Avenue, here in Houston.
Mr. Woolf, along with his wife
Geraldine and son Justin (who are
principles in the business) and his
team of incredible lighting professionals, dazzled us with a delightful
lighting “meal.”
To accommodate our group, the
evening was divided into 5 lighting
topics each represented by the
course of a meal. We divided into
small groups and each group spent
15 minutes on a course/topic, then
rotated onto the next.
Our menu began with “Starters,”
which included a warm welcome
from Bernard and his team, and an
overview of the evening’s events.
Next, it was on to “Appetizers”
which featured Kent Beardsley and
Shane Ransom talking about light
emitting diodes (LED) and fiber
optic lighting systems. Then it was
the “Pasta” course of residential
lighting, presented by showroom
manager, Darlene Fautt. Our
“Entrée” consisted of a discussion
on monorail, cable and low-voltage
lighting systems presented by Justin
Woolf, followed by a “Dessert” of
basic recessed lighting planning
given by our host, Bernard Woolf.
We finished off the evening with a
“Coffee & Cake” introduction to
dimming systems provided by senior lighting designer, Gerry Bullock.
Lighting Unlimited showroom manager Darlene Fautt shows ASID members some beautiful crystal chandeliers.
In addition to our glorious meal, we
were sent home with “goody-bags”
of brochures and information about
lighting.
Many thanks to Jose Velez, who
helped arrange the meeting, and to
Bernard, Geraldine and the wonderful team at Lighting Unlimited!
November 2003
Lighting Unlimited owner Bernard Woolf explains the basic options and planning considerations for recessed lighting to HCC ASID members.
9
Two ASID Members to be Inducted Into Honor Society
“Kudos to Vicki Lynn Sam and Veronica Sudol” by Donna Marcotte
V
icki Lynn Sam and Veronica
Sudol, both students in the
Interior Design program at HCC,
will be inducted into the Omega
Sigma Chapter of Phi Theta Kappa
International Honor Society on No-
Vicki Lynn Sam
vember 7, 2003, 6:30 p.m., at the
HCCS-West Loop campus. Faculty and students are invited to the
induction ceremony.
The Omega Sigma Chapter of Phi
Theta Kappa (PTK) is the honor
society for two-year colleges. To
become a member, a student must
have a 3.5 or higher GPA. PTK
members are eligible to apply for
$35 million in transfer scholarships offered by 600 senior colleges and universities. PTK's mission statement says: "The purpose
of Phi Theta Kappa is to recognize and encourage scholarships
among associate degree students.
To advance this purpose, Phi
Theta Kappa provides opportunity
for the development of leadership
and service, for an intellectual
climate to exchange ideas and
ideals, for lively fellowship for
Veronica Sudol
scholars, and for stimulation of interest in continuing academic excellence."
Other PTK members from the
Interior Design program include
Bonnie Jackson and Amy Rose.
Congrats to all of our scholars!
LGI Oriental Rugs
7026 Old Katy Rd
Houston, TX 77024
(713) 862-4434
8570 KATY FREEWAY
SUITE 119
HOUSTON TEXAS 77024
713.464.9554 FAX 713.464.1248
10
Design Central
In the Spotlight: Marsha Brown
By Claudia Sundin
F
or the more mature readers of
this column, hmm…let’s say
over 30 years old, have you ever
wondered if it's too late to make a
career change and follow your
dreams? Perhaps you felt you were
too old, spent too much time investing in that "other" career, or just
didn't have the confidence to do it?
Well, Marsha Brown made such a
change. Although interested in interior design since the ripe old age of
10, her parents discouraged her because “there is no money in that
field." (Gosh, I hope everyone is
wrong about that!) Originally from
Fort Smith, Arkansas, Marsha
moved to Houston in 1986.
After spending "several" years in
the bookkeeping and accounting
fields and working with her brothers
in a construction business, Marsha
pursued what she had always
dreamed of—a career in interior
design. She did a lot of research into
schools offering interior design programs, then chose HCC because of
its FIDER accreditation and, of
course, its outstanding reputation.
Marsha graduated from the HCC
Interior Design program in 1999,
and this go-getter hasn't wasted any
time since. After graduation, Marsha
worked in the Decorative Center for
Lee Jofa and Edward Fields. She
credits her growing knowledge of
color from these jobs as well as getting invaluable experience in the
service side of the design field.
She began working at Expo Design
Center as a kitchen and bath designer, and earlier this year, she was
promoted to a project superintendent, which involves being a liaison
between contractors, interior designers, and customers. And—as most
of you know—since spring 2001,
Marsha has also taught part-time in
the Interior Design program here at
HCC. This semester she's teaching
one course in the evening.
November 2003
But life isn't all work and no play
for Marsha. She is quite the jock in
her free time. Her hobbies include
baseball, basketball, kayaking on
Lake Houston, and camping.
Her advice to interior design students? "Network. Be involved with
as many people in the field as possible, including architects, contractors, other designers and ASID. You
receive education from these resources that is an ongoing learning
experience. And when you’re ready,
go on as many interviews as possible. Know what's out there and what
people are looking for."
Well, right now, I'm still practicing
my drawing. This is Claudia Sundin,
first year "mature" student reporting!
RAMIREZ TILE & MARBLE
♦ Natural Stone,
♦ Ceramic tile, & brick
♦ All floors/walls inside &
♦
out
Showers, &
backsplashes
Phone: 832-752-0486
Office: 281-499-5550
Ben Ramirez
Tile Contractor
11
Houston Community College
ASID Student Chapter
PO Box 667517
Houston, Texas 77266-7517
Houston Community College does not discriminate on the basis of race, color, religion, national origin, sex, age or disability.
No meeting or newsletter in December. Look for us again in January 2004. Happy and safe holidays to all!
Lighting Unlimited owner Bernard Woolf shows HCC ASID student chapter member Juanita Nunez a sampling of the extraordinary lighting available in his showroom. Mr.
Woolf and his team hosted our October ASID chapter meeting. See story on page 9.
12
Design Central