comparison test of three plössl eyepiece types brandon, televue, gso

COMPARISON TEST OF THREE PLÖSSL EYEPIECE TYPES
BRANDON, TELEVUE, GSO REVELATION
The past three decades has been witness to an ocular cornucopia. Eyepieces in manifold variety have appeared on the market,
designs and brands to suit all pockets and preferences. Forty years ago choice was restricted to a handful of astronomical types. If you
wanted anything else only war surplus offered viable alternatives. The generally acknowledged top dogs prior to the mid 1970's were
Abbe Orthoscopic, Monocentric and for wide angle views, Erfle. Planetary observers habitually opted for the Orthoscopic. There were two
popular brands which were advertised fairly extensively. One was the Cave Orthostar, an Abbe type asymmetric orthoscopic retailed by
Thomas Cave and also Coast Instrument. Coast went bankrupt in 1962, but Cave’s Astrola firm marketed the Orthostar into the early
70’s. Gailland Corp. sold Gailland Orthos, also an Abbe type, during the late 50’s, 60’s and early 70’s. During the 70’s University Optics
introduced their “Professional Series” Orthos, also an Abbe type, which sold quite well. Meade followed in the late 70’s with their
“Research Grade” Orthos.
Cave Orthostar Orthoscopic 10; 16; 26.6mm
University Optics Pro Orthoscopic 4; 6.8; 10.2; 16; 28mm
University Optics König 6.5 series II; 8; 12; 16; 24mm series I & Meade Research Grade Orthoscopic 7; 10.5mm
note the physical similarity between the UO Pro Ortho & UO König series I & Cave Orthostar and Meade RG Ortho
So where did the Plössl feature? Quite simply it didn't. The only readily procurable "Plössl" eyepieces were war surplus Symmetrical
eyepieces removed from sighting or predictor 'scopes. Edmund Scientific in the 50’s & 60’s bought thousands of war surplus M-70 tank
telescopes, and stripped out their 32mm Brandon eyepiece which they fitted into a 1 1/4-inch adaptor, and sold for $5.95 as a “Type
III Kellner [Plössl]”.
The Symmetrical eyepiece comprised a pair of achromatic doublets separated by approximately 20% their focal length. The
arrangement produced a ghost image. Reflection between the doublets (even when antireflection coated as they were in many WWII
types) emerged almost parallel to the eye beam. The object under observation was dogged by a pallid companion wherever you
placed the image within the field of view.
During the mid 1970's something happened to change the reputation of the humble Plössl and raise it from its pariah status to a must
have eyepiece. As far as I have been able to ascertain Eugene Cross was the first to deliberately market an astronomical eyepiece
purely on a brand name, the Clavé Plössl. Cross Optics created a brand image. A set of Clavé Plössls was what observers were
supposed to aspire to. And like all branded goods they came with a price tag to match. The, "If you need to ask you can't afford", sort of
price tag.
The origins of the Clavé Plössl reputation date back to a remark by Jean Texereau in his 1957 English edition of “How to Make a
Telescope”. In 1965, a firm in New Jersey by the name of Special Optics began pushing the Clavé Plössl but the high prices did not
attract many buyers.
The design however did not originate with the Parisian firm Ets Clavé (Kinoptique), but Carl Zeiss Jena. It was designed by Albert König
during the late 1930's and patented in Germany on January 28th 1938 Serial No. 251,464. König filed a US patent on January 18th
1939 on behalf of CZJ and registered on October 8th 1940 as 2,217,281.
König's
interest
surface
surface
patent describes two 4 element designs, a 3-1 Orthoscopic and an asymmetric 2-2 Plössl. It is the second design that is of
because König had reworked the symmetrical arrangement, placing the doublets almost in centre contact, and choosing
radii and thicknesses so as to eliminate ghosts, formed either by the image or the counter reflection off the cornea. The eye
was flat, and the doublets were made from three different Schott glasses.
During 1946 CZJ was divided, with the Jena division in East Germany under Soviet occupation, and a newly formed Carl Zeiss
Oberkochen in the Allied occupied West. Ets Clavé acquired the König Plössl design and tooling and commenced manufacture under its
own name.
Eugene Cross subsequently transformed the reputation of Ets Clavé from a parochial inward looking French firm to a brand leader. But
does the design merit the hyperbole?
In September 1979, Leo Henzl jnr. the West Coast representative for Optical Techniques Inc. conducted a comparison test between his
own branded König (2-1 Zeiss design by König derived from the 1940 patented design), Brandon Orthoscopic (a design by Chester
Brandon in 1942 and a mirror image of König's 2-2 Plössl), and the Clavé Plössl.
I found little to choose between either, but opted for the König because I considered the Clavé Plössl lent a warm hue to planetary
images, whereas the König and the Brandon gave a colder hue, which I preferred.
By the late 70’s true asymmetric Abbe type Orthoscopics were becoming expensive although arguably not quite so expensive as the
Clavé Plössl. Nevertheless Eugene Cross' branding exercise displaced the Abbe Orthoscopic, so much so that almost any eyepiece
bearing the appellative "Plössl" promoted somewhere in the title, boosted sales. Hence for instance the 2-1-2 so called 'Super Plössl'
(Erfle II). I possess three AstroPhysics Plössl (Symmetrical) from 1979; 30, 40 & 70mm purchased on the crest of Plössl frenzy.
Cross eventually lost the exclusive franchise from Ets Clave, to S&S Optika and Roger Tuthill. Albert Nagler waded into the feeding
frenzy with his TeleVue Plössl, a design registered in 1984, US Patent 4,482,217 November 13th. Nagler's design is nothing more than
a Symmetrical, and in the 26mm focal length which forms the basis of his invention, the doublets have a 1mm spacing. Only two glass
types and three different lens radii are used.
One sometimes, in the 50’s and 60’s, saw a Symmetrical designated Plössl, no one paid much attention. It was Nagler, who in
adopting the Plössl designation for his Symmetrical and heavily advertising it as such, cashed in on the Clavé’s reputation.
It is interesting contrasting the advertising claims of TeleVue and the actualité. The König asymmetric Plössl uses Schott SF10, SK5 &
F2 glass, Albert Nagler's Symmetrical uses Schott SF5 & SSK5 or equivalent, neither being high index glasses, but standard crown and
flint. It is König's choice of SF10 for the leading element of the field doublet, which is a high index glass, that defines its inherent
quality, and bear in mind the König design (which is a true Plössl - being asymmetric) preceded Nagler's Symmetrical design by 46
years!
Chester Brandon's design followed König's design which may be used either way round! Brandon arrived at his design whilst working at
the Frankford Arsenal. His choice of three high index glass types and four different lens radii is retained to this day. Chester Brandon
advertised the Brandon Orthoscopic in Sky & Telescope throughout the 1950’s. He had the market on eyepieces in the United States in
that decade, except for war surplus. In focal lengths 4; 6; 8; 12; 16; 24; 32mm, Brandons were priced at $15.95. The Brandon
reputation exceeded that of any other 1950’s eyepiece. Brandon moved his business from Malverne NY in the early 50’s to California,
then around 1955-56 to Puerto Rico and renamed his firm “LIBRASCOPE”. In 1966 Don Yeier bought the remaining Brandon inventory
and all rights and reintroduced the Brandon, which had not been available since 1962 following Brandon’s retirement in early 1963.
How well does the Brandon and TeleVue Plössl eyepiece design perform on the bright planets? After being subjected to the unending
TeleVue advertising hyperbole I set about attempting to resolve this question. Knowing what I do I could scarcely be an unbiased
arbiter. I detest unsubstantiated advertising claims; I intensely dislike American advertising braggadocio, it smacks of the snake oil
salesman. Observational tests were carried out by a member of my local astronomical society. I merely guided him in what to look for
during the comparison test. Oh, and just to throw a spanner in the works, I introduced a set of Taiwanese GSO Revelation Plössl.
Exactly! Just what can you expect for your hard earned money? Is the Brandon really worth the asking price of the only all US made
eyepiece? Is the TV Plössl significantly better than the GSO? Would it prove a revelation?
Cost of acquisition:
VERNONscope
TeleVue Optics
GSO Revelation
1 1/4" Parfocal Brandon Oculars 32, 24, 16, 12, 8
1 1/4" Parfocal Plössl Oculars
32, 25, 20, 15, 11, 8
1 1/4" Parfocal Plössl Oculars
32, 20, 15, 12, 9, 6
boxed in hardwood case $1095
(no case) £463
boxed with 5 filters in aluminum case £89
Manufacturer's specifications (as presented on company’s website):
BRANDON
Four element designs give a flat, beautifully corrected 50° field of view.
Optical elements are exactingly ground and hard-coated with magnesium fluoride.
Precision metal parts are black-anodized for antireflection and machined to standard 1 1/4" diameter.
Parfocal mechanical designs - no need to refocus when changing eyepieces.
Comfortable exit pupil distance for observing ease.
Threaded at the base to accept all 1 1/4" VERNONscope Mounted Glass Filters.
Rubber eyecups eliminate stray light, roll down for eyeglasses.
TELEVUE PLÖSSL
Focal Length
32
25
20
15
11
8
Apparent Field
50º
50º
50º
50º
50º
50º
GSO REVELATION PLÖSSL
Eye Relief
22
17
14
10
8
6
Focal Length
32
25
20
15
12
9
6
Apparent Field
52º
52º
52º
52º
52º
52º
52º
Eye Relief
22
22
20
13
8
6
5
Reviewer’s comments:
All three makes have black anodized aluminium barrels, and internally chased sleeves, and blackened lens edges.
All selected focal lengths in each set are parfocalised.
TV & GSO are multicoated on all air-glass surfaces whilst Brandon are bloomed.
TV & GSO have hard chrome steel sleeves with undercuts and standard filter threads.
Brandon use a filter thread peculiar to VERNONscope.
All are fitted with fold down eyecups, and possess recessed eye lenses.
All eyepieces are supplied capped at both ends.
CALIBRATION DATA:
GSO Revelation Plössl
TeleVue Plössl II
VERNONscope Brandon Ortho
Nom
Fe'
32
20
15
12
9
6
20
15
11
8
32
24
16
12
8
Cal
Fe (1)
32.0
20.0
16.0
12.0
9.4
6.0
20.6
14.9
10.6
7.7
31.4
24.0
15.4
12.0
8.0
Field
stop
1.055
0.671
0.495
0.420
0.305
0.226
0.672
0.490
0.350
0.254
0.999
0.851
0.465
0.347
0.234
App
fov(2)
47º.3
48º.2
44º.2
50º.4
46º.5
54º.6
46º.7
47º.1
47º.4
47º.3
45º.5
51º.1
43º.1
41º.1
41º.6
Eye
@f/6 Eye
lens
(3)
Relief(4)
0.980 0.90 20
0.665 0.52 11
0.487 0.35 7.6 no defined field edge
0.415 0.29 5.6
0.330 0.21 4.3
0.225 0.17 3.3 no defined field edge
0.696 0.57 12.7
0.499 0.36 7.5
0.358 0.33 7.6
0.254 0.22 5
1.140 0.87 20 eyecup 0.75 ID vignettes field
1.070 0.72 15 eyecup 0.75 ID
0.607 0.38 9
0.497 0.30 7.6
0.307 0.18 4.3
notes
(1) calibrated focal lengths (mm) obtained from exit pupil measurement using optical comparator and WO Megrez90
(2) apparent field of view calculated from field stop diameter (inches) and calibrated focal length
App fov
ϑ=
6 −1 e
sin
π
2
e=
Ed
Fe
where Ed is field stop dia.
the measured apparent fov differs between that stated for the design, typically being less. It also varies between different focal lengths within each set. The GSO Plössl 15 & 6 had
misplaced field stops.
(3) minimum eye lens diameter (inches) @ f/6
€
€ dia. El
minimum eye lens
€
ϑ
=  2Er tan  + E p

2
where
Er
is eye relief
Ep
is exit pupil @ f/6
∴E p =
Fe
6
The Brandon 32 & 20 eyepiece rely on a 3/4-inch aperture in the eyecup to define the useable eye lens diameter.
(4) measured eye relief (mm). The eye relief values presented by TeleVue and GSO tend to be optimisitic, and are presumably based on the optical design rather than the physical
configuration. Eye relief was measured from the surface of the eyepiece to the cornea, not the surface of the eye lens itself.
€
€
€
€
OBSERVATIONAL
TESTS
NOMINAL
FOCAL LENGTH
GSO Revelation Plössl
32
20
15
12
VERNONscope Brandon
Orthoscopic
TeleVue Plössl II
9
6
20
15
11
8
32
24
16
12
8
Field stop definition
sharp
sharp unsharp
sharp
sharp
unsharp
sharp
sharp
sharp
sharp
sharp
sharp
sharp
sharp
sharp
Field stop fringing
none
pale
green
pale
blue
none
pale
blue
none
lemon
yellow
yellow
green
lemon
yellow
yellow
green
none
yellow
green
blue
none
yellow
green
Field illumination
even
even
uneven
even
even
uneven
even
even
even
even
even
even
even
even
even
Field accessibility
100%
100%
80%
100%
100%
80-%
100%
100%
100%
100%
100%
100%
100%
100%
100%
Internal reflections
yes (1)
none
yes (2) slight (2) slight (2)
none
none
none
none
none
none
none
none
none
none
Field scatter
none
none
none
slight
none
none
none
none
none
none
none
none
none
Field Curvature
none
none
slight(3) slight(3) slight(3) slight(3) slight(3) slight(3) slight(3) slight(3) slight(3) slight(3) slight(3) slight(3) slight(3) slight(3) slight(3)
Lateral Colour
none
Astigmatism & coma
sag(5)
sag(5)
sag(5)
sag(5)
sag(5)
sag(5)
sag(5)
sag(5)
sag(5)
sag(5)
sag(5)
sag(5)
Distortion
neg (6)
neg (6)
neg (6)
neg (6)
neg (6)
neg (6)
neg (6)
neg (6)
neg (6)
neg (6)
neg (6)
ex
ex
ex
ex
vg
vg
vg
vg
ex
ex
none
none
none
none
none
none
none
none
none
none
Contrast & Transmission (7)
Ghosting
o/corr(4) o/corr(4) slight(4) o/corr(4) o/corr(4) o/corr(4) o/corr(4) o/corr(4) o/corr(4)
notes:
(1) off field stop
(2) off field lens lock ring
(3) modest positive Petzval Sum (field convex to eye)
(4) overcorrected - red outwards from 70% field radius; undercorrected - blue outwards at field boundary
(5) negative astigmatism - sagittal dominates - image becomes arcuate at field boundary
(6) slight negative (barrel) distortion, exceeds Abbe Ortho @ f/5
(7) ex = excellent vg = very good
none
o/corr(4) o/corr(4)
none
o/corr(4)
sag(5)
sag(5)
sag(5)
neg (6)
neg (6)
neg (6)
neg (6)
ex
ex
ex
vg
ex
none
none
none
none
none
FIELD TESTS:
I organized a Star Party at New Moon weekend commencing September 26th 2008 at Lane Ends bird sanctuary near Pilling, Over Wyre,
on the coast of Morecambe Bay, Lancashire, England. The night was clear, with a little cirrus, and a slight mist. Sky darkness I
estimated to be 20.6 mag / square arcsec, ZLM 5.8 and Seeing: Antoniadi II.
Tests were made on a Megrez 90 semi-apo (f/6.9) and a 254mm f/4.7 Newtonian. The optical quality of both telescopes was well
above the Rayleigh criterion.
The comparisons were made by an observer relatively new to the hobby, who had acquired the necessary observing skills, yet
someone unfamiliar with these specific eyepieces. The observations were made blind, that is, I did not tell the observer which eyepiece
make he was using. I arranged the three sets into focal length groups, and handed each group in random order and left the observer
to rank them according to image clarity, contrast, and field performance (fidelity across the fov). At no time was the observer prompted
as to which make he was using, or its supposed hierarchical ranking.
Observation tests were conducted on Jupiter (Seeing II-III) and its Galilean satellites and a pair of field stars. The planet was
examined centred, and allowed to drift across the fov.
ranking with 10-inch f/4.7 Newtonian in order of performance
best on left, worst on right:
(judged on the final seven criteria in observational tests table)
rank A
rank B
rank C
8mm TV Plössl
9mm GSO Plössl
8mm Brandon
12mm GSO Plössl
11mm TV Plössl
12mm Brandon
15mm GSO Plössl
16mm Brandon
15mm TV Plössl
ranking with 90mm f/6.9 Semi-apo in order of performance
best on left, worst on right:
(judged on the final seven criteria in observational tests table)
rank A
rank B
rank C
8mm Brandon
9mm GSO Plössl
8mm TV Plössl
12mm Brandon
11mm TV Plössl
12mm GSO Plössl
16mm Brandon
15mm GSO Plössl
15mm TV Plössl
the Brandon performed markedly better at f/6.9 than f/4.7
observational tests were confined to Jupiter
FINDINGS & DISCUSSION:
At the design focal ratio (f/7) the Brandon Orthoscopic was the better eyepiece at medium powers, matched to the seeing, followed by
the GSO Plössl which in turn had the edge on the TV Plössl. At the faster focal ratio f/4.7 the performance of the Brandon was
noticeably less good, with the GSO Plössl taking the lead. The performance of all the eyepieces deteriorated at f/4.7 compared to
f/6.9.
The lower definition and edge quality of the Brandon at f/4.7 did not come as much of a surprise. What did intrigue was the quality of
the GSO Plössl compared to the TV Plössl. Mechanically there is not much to choose between either brand. The TeleVue is marginally
better made, with tighter tolerances in locating the field stop. This however is not reflected in its optical performance.
The Brandon came into its own at f/6.9 which is very close to the design f/7 limit. Definition was noticeably superior in the Brandon
than the TV Plössl or the GSO Plössl, and the GSO Plössl had the edge on the TV Plössl at f/6.9.
My tests exemplifies the law of diminishing returns, for whilst the Vernonscope Brandon Orthoscopic perform noticeably better at f/6.9
than the TV Plössl, the difference in cost is not in proportion to the difference in image quality; one cannot say the Brandon
Orthoscopic works three times better than the TV Plössl.
However by far the best value is the GSO Plössl. It consistently outperformed or rivalled the TV Plössl at roughly half the price, even
less if bought cased via Amazon. Not only does the GSO Plössl represent the best value, it ranks overall a better planetary eyepiece
than the TV Plössl, exceeded only by the Brandon which costs almost ten times more.
CONCLUSION:
In the introduction I explained the reasons why the Plössl eyepiece deservedly had an indifferent if not downright poor reputation
amongst Lunar & planetary observers during the immediate post war period. I also explained the difference between a true
asymmetric Plössl and a Symmetrical. From the post war period through the early 1970’s the Abbe Orthoscopic and Brandon
Orthoscopic had a well deserved reputation amongst Lunar & planetary observers. I have explained the reasons why their reputation
became eclipsed by the Plössl, be it a true Plössl (which very few are) or the Symmetrical design masquerading as a true Plössl.
When conducting side by side trials of the Clavé Plössl with Leo Henzl jnr. in September 1979, I concluded the König I rivalled the
Brandon and the Clavé. However the comparison was made using an OTI Quantum 6 at f/15. This to my mind begs the question, how
well does the König I compare to the Zeiss Abbe Orthoscopic on a modern f/7 apo? In the appendix I have included three eyepiece
design descriptions taken from the forthcoming Zeiss Optical Handbook. Compare the Zeiss Abbe Orthoscopic to the Zeiss König I.
What little difference there is would be too subtle to be detected visually. Note also the slightly inferior performance of the Plössl, when
designed as a Symmetrical, like the TeleVue Plössl.
Based on my previous experience and these recent trials I can only conclude that the Abbe asymmetric style Orthoscopic favoured by
the earlier generation of Lunar & planetary observers, i.e. Cave Orthostar and UO Pro Orthoscopic, would outperform the much vaunted
and over-hyped TV Plössl. Furthermore the completely disregarded Zeiss König I eyepiece, sold by University Optics in the late 1970’s,
would easily out perform the TV Plössl and give the Zeiss Abbe a good run for its money, there being so marginal a difference in their
optical properties.
I have also provided a historical perspective to the designs of the König, Brandon and TV Plössl, and reasons why, despite TeleVue’s
advertising claims, the TV Plössl is only a Symmetrical, and consequently incapable of a noticeably superior performance. I have been
made aware of the reputation of Plössl eyepieces in general and the TV Plössl in particular. My findings leave no doubt that the
reputation is unwarranted. When it comes to the detection of low contrast detail and preservation of low contrast details in planetary
images (Jupiter in this instance - a difficult object owing to its low surface contrast) there is nothing about the TV Plössl design to
commend its preferred status to either the Zeiss Abbe Orthoscopic or Zeiss König I, or the Brandon Orthoscopic.
Chris Lord
APPENDIX: Optical design and trigonometric ray trace of the eyepiece designs reviewed
© Handbook of Optical Systems Herbert Gross Wiley-VCH Berlin 2009:
Abbe Orthoscopic:
Konig orthoscopic:
Plossl orthoscopic: