Issue No. 27 - Modern Acoustic
Transcription
Issue No. 27 - Modern Acoustic
ALSO: OUR FAVES OF ’09 The Avetts, the House of Blues, the Big Surprise Tour, and more! PAGE 6 Modern Acoustic WWW.MODERNACOUSTIC.COM MUSIC AMD MUSIC-RElATED ISSUES THAT MATTER DEC. 2009 - Issue 27 I survived Dragonforce PAGE 4 FR OM We all have have things we have lost tolerance for. Animated kids’ films? No more, thank you. Musical theater? Not unless our kids our in it. Costume parties? No invite necessary. But it is good occasionally to step outside your comfort zone and take in experiences you don’t consider your style. Sometimes they even surprise you. A couple of summers ago, we spent a weekend at a jam-band festival. We are not big fans of jam music but we were interested to see if the groovy vibes of the Grateful Dead era that we knew and loved still existed. (They actually do!) Did we come away loving the music? No. But we were more appreciative of the whole scene. This year we put our mettle to a test by taking our son to a metal concert. Now the metal-est we get is Zeppelin and Hendrix, so this was a real challenge. The question was not only would our ears Can’t get enough T H E ED I TO R be able to take the decibals, but would we be able to tolerate the music and the scene, which has never appealed to us. So how did it turn out? You’ll have to read all about it in our review beginning on Page 4, but we will tell you we were pleasantly – and amusingly – surprised. Something that might not surprise you is that we have picked our favorites for this year and they include albums by Eilen Jewell and the Avett Brothers. We have written about both bands in depth, reviewing both their albums and concerts. It makes us happy just thinking about them. We had a great time at shows this year, seeing performances by Regina Spektor, Grace Potter, and the Avetts at the House of Blues, Kathleen Edwards at the Paradise, Steve Earle at the Berklee Performance Center, and the metal extravaganza with Dragonforce at the Palladium in Worcester. Check out our annual list of favorites L I VE S H O T Photo by Adam Kassirer which begins on Page 6. Finally, just in case you hadn’t gotten your complete musical fill from this issue, we offer a review of the new release from – gasp! – Gillian Welch and David Rawlings. It’s actually the first release from David Rawlings, with help from Gillian Welch. Hey, at least they have finally released something new. And with it, we can slip back into our comfort zone. Rich Kassirer, editor Modern Acoustic in your life? just click on the links below! ON THE WEB www.modernacoustic.com PAST ISSUES www.modernacoustic.com/ past_issues.html PLUS: MySpace: www.myspace.com/modernacoustic Photos: www.flickr.com/modernacoustic 2 MODERN ACOUSTIC ON THE BLOG ON FACEBOOK www.modernacoustic. blogspot.com www.facebook.com/pages/ Boston-MA/Modern-Acoustic/ 72843547134?ref=ts Videos: www.youtube.com/modernacoustic T-shirts and more: www.cafepress.com/modernacoustic Herman Li of Dragonforce at the Worcester Palladium. Photo by RICH Kassirer MODERN ACOUSTIC 3 TESTING MY hen my son Adam asked me to take him and his friend to see his favorite metal band, I was a little nervous. Not because I was worried that my 13-yearold would be safe among a rowdy crowd of leather-and-black-clad metal types or that we had to travel 60 miles to the rough-andtumble town of Worcester. No, I was worried whether or not I could survive four hours of loud, head-banging music. But not only did I survive the three bands – Taking Dawn, Sonata Arctica and Dragonforce – I actually enjoyed myself. No, I didn’t come away loving the music, but I had a great time being a fly on the wall at an event I never would have gone to. Here is my experience (in chronological order). W Metal PhotoS by RICH Kassirer Dragonforce – (from left) Herman Li, ZP Theart and Sam Totman – rocks the Palladium. It turns out they were industrial fans used to blow the band members’ hair back for effect! HELLO WORCESTER The Palladium is a great venue to see a show. It’s an old theater with a few tables, but mostly just standing room on tiered levels, so you can see over the people in front of you. There is plenty of floor space for moshing. The show wasn’t sold out so there was ample room to move around. ‘WE F-ING HATE/LOVE YOU’ The first band on was Taking Dawn, who immediately made my night. If you were to parody a metal band (can you say Spinal Tap?), these guys were it. After the first song, the singer shouts to the mildly interested crowd, “You guys F-ing suck! Get loud, Massachusetts!” Following the second song, “Massachusetts, you guys suck! We wanna see you either punch the guy next to you or show us your tits!” Seriously, that was supposed to inspire us? How about play some good tunes. They lambasted fans after nearly every song of their six-tune set, and then 4 MODERN ACOUSTIC ALL THE STAGE IS THEIR WORLD Dragonforce’s Vadim Pruzhanov and Sonata Arctica’s Henrik Klingenberg. as they are walking off the stage, the dude shouts “Massachusetts, we love you!” Really. PUMPING IT UP Heavy metal, even more than rock ’n’ roll, is predominately a guy thing. The crowd at this show was probably 75 percent guys, maybe more. I understand the ol’ guitar-as-phallus, the tight leather pants, the shirtless, bulkedup guitar player. But who are these bands trying to impress? PROG-METAL MANIA Next up was the Finnish power metal group Sonata Arctica, definitely a step up in quality. The group is led by a singer who reminded me of a mix of Eddie Vedder (Pearl Jam) and Ian Anderson (Jethro Tull) for the hardcore set. The band’s sound was more arty, more melodic, like an overly heavy Yes. BLOWN AWAY Finally, it was time for Dragonforce, the band we came to see. Dragonforce, I’ve learned, is more than its music. Yes, they are known for their speed-metal prowess (see Favorite Quote, Page 7). The guitarists certainly can play their instruments fast. But they are also a show. Before the band came out, the roadies set up a number of boxes on the front lip of the stage, but from my vantage point, I couldn’t tell what they were. The band’s stage setup was dramatic, with cool effects lighting that included strobes and ricocheting beams of light and a fog machine. A riser, probably a foot high and 10 feet long, allowed the guitarists to leap up and off after particularly speedytastic solos. THEY WILL, THEY WILL ROCK YOU The two guitarists, Herman Li and Sam Totman, are a blast to watch. Li is Asian and not who you’d picture as a typical metal player. But he can play, running his fingers from both hands up and down the neck during solos. Totman was clad in the funkiest glowin-the dark green and yellow leopard-printed spandex. His best moments included high leaps off the riser, playing the guitar lying on his back next to the drummer, and drinking his beer attached to his mike stand from a long straw. DUELING KEYTARS Vadim Pruzhanov, the keyboard player, not to be out done, was a show of his own. Standing behind his huge organ (no pun intended) on a high riser in the back, he could be seen in silhouette jumping, pinwheeling his arms and pounding the keys. His big moment came a little over midway through the show when he and the keyboard player for Sonata Arctica stepped to the front in a duel of keytars. It was awesome. THEY WILL SPLASH YOU Singer ZP Theart has a big voice, but has little to do during the extended guitar and keyboard solos. He fills his time by running offstage to fetch plastic water bottles, then running back onstage, splashing fans and tossing the bottle into the crowd. My guess was he was trying to splash the women, but I don’t know for sure. CROWD-SURFING ‘CATCHERS’ The crowd surfing was a unique experience for me, having never seen it live. Not sure if this is typical, but it hit Adam and me the same way, like something out of “Catcher in the Rye.” As the kids rode to the front of the crowd, the burly security guards would snatch them up and deposit them safely on the ground, like Holden Caulfield in the corn field. THROUGH THE – SORRY, MAN – FIRE AND THE – OOPS, SORRY AGAIN – FLAMES For the encore, fans were rewarded with Dragonforce’s most popular song, “Through the Fire and the Flames.” An extended, multiple face-melting guitar solos extravaganza that had fans pumping their heavy-metal salute in time to the beat. Beams of white light blasted through the crowd as the guitarists reeled off scorching solos. During those solos, the singer was doing his water-bottle thing and then trying to punt the bottles into crowd, but twice hit security guards at the side of the stage. A YouTube video catches the scene perfectly, and you can hear Theart apologizing to them. A classic moment and a great finish to a really fun night. (See THE VIDEO HERE) MODERN ACOUSTIC 5 A Ye h! PhotoS by RICH Kassirer Our faves of 2009 The Big Surprise Tour at the House of Blues. Favorite CD “I and Love and You,” the Avett Brothers; “Sea of Tears,” Eilen Jewell. The Avetts’ mountain music has just enough punky attitude. Yes, we realize the band’s sound has been scrubbed a little cleaner than in the past, thanks to legendary producer Rick Rubin, but “I and Love and You” still comes off fresh and exciting, and new to those of us who hadn’t been paying attention before. As for “Sea of Tears,” Eilen’s timeless voice gets backing from some of the most-kickass late-’60s and early-’70s guitar-based sounds from a band who appears to have totally found its groove. (Read our album reviews: Avetts HERE; Eilen HERE) Surprise CD “Friend of a Friend,” David Rawlings Machine. Since we’ve been waiting six years, anytime there is new music from Gillian Welch and David Rawlings it is a surprise. (See album review, page 8; check out DaVE’s music here) Memorable concert moment Regina Spektor blowing the shofar as part of her encore. Favorite Concert photo Dragonforce guitar player Herman Li Regina Spektor at House of Blues. 6 MODERN ACOUSTIC (see Live Shot, Page 3) Favorite Concert Best time at a show Big Surprise Tour. We went to see Gillian and David. We also got to hear the Felice Brothers, Old Crow Medicine Show and Justin Townes Earle – all together sharing the stage in one big hoedown. The highlight was a concertending full-on version of “It’s a Long Way to the Top (If You Wanna Rock ’n’ Roll).” Regina Spektor at the House of Blues, Dragonforce at the Worcester Palladium. Anytime you can experience music with your kids, it’s a good time. (Watch OUR video HERE; read our CONCERT review here). Favorite venue House of Blues Boston. We have mixed feelings about this. We love small clubs for their intimacy and HOB is a corporate rock club that holds a couple thousand people. But we saw six shows there this year – from Regina’s Spektor’s pin-drop quietude to the jamGrace Potter at the House of Blues. rock of Grace Potter -- and the sound was perfect every time. Even when there were nearly 15 musicians on the stage for the Big Surprise Tour, we could hear every instrument and vocal nuance. While you do have to stand most of the time, the sightlines are surprisingly very good. One thing: $6 for a can of Bud? That’s why corporate rock really sucks. A special shoutout to the Palladium in Worcester. We had never been there before and it’s a pretty cool place to see a show. (read our GRACE concert review HERE) (read our REGINA concert review HERE; see Page 4 for our Dragonforce review). Favorite quote Q. How would you respond to some critics saying that “Inhuman Rampage” is just playing fast at the expense of taste? VadimPruzhanov, Dragonforce keyboard player: We love to shred and shredding is what we do. There are plenty of bands that play mid-tempo power metal whilst looking at their fretboards and not move at all. If it’s too fast, you’re too fucking old! (FROM SAVIORSOFROCK.COM) Favorite new artist The Low Anthem. This R.I. band caught our attention with their song “Charlie Darwin.” We look forward to their next album. (Check out the LOW ANTHEM HERE). Better Late than Never Steve Earle. We’ve known about Steve for a long time. But after seeing him at the Berklee Performance Center, we realized he is the real deal, a folk Steve Earle at Berklee. singer with that political drive to keep going. (READ OUR concert REVIEW HERE; STEVE’S MUSIC HERE) MODERN ACOUSTIC 7 CD REV I EW WELCOME TO THE MACHINE It’s been six long years since Gillian Welch and David Rawlings have released an album. Their avid fans, us included, have been asking – no – begging for some new music. Yes, we have scoured YouTube for clips of a tune we call “Throw Me a Rope.” We have downloaded various quality concert audio of another unrecorded tune called “Knuckleball Catcher.” And we have gone faithfully to their performances at the Newport Folk Festival, the Big Surprise Tour, and anywhere else within a 100-mile radius. And yet we kept wondering: Where is the new album? Well, it arrived recently. It wasn’t what we expected, but it was more than a pleasant surprise. Instead of Gillian at the helm, Dave Rawlings gets a chance to be the frontman of his first Dave Rawlings Machine album, “Friend of a Friend.” The album continues the duo’s basic sound – a mix of old-timey, country and bluegrass – adding fiddle, banjo, and bass from their friends in the band Old Crow Medicine Show. Dave’s soprano voice takes the lead throughout with Gillian providing the backup. It’s a nice change that works well especially on the slower numbers, like the opener “Ruby.” You’d expect Dave’s guitar to be showcased, but that really isn’t the case here. He gets a few licks here and there but for the most part, he keeps the band orientation front and center. Other songs that stand out are his upbeat, Ryan Adams collaboration “To Be Young (Is to Be Sad, Is to Be High),” the hoedown “It’s Too Easy,” and the standard “Monkey and the Engineer.” The highlight of the album is Dave’s “Method Acting/Cortez the Killer” pairing, a 10-minute dream that bridges the generation gap between Bright Eyes and Neil Young. A great combo. We saw this done live and it really is mesmerizing. While this album not quite what we expected, it’s nice to hear new tunes from these guys. Let’s hope it doesn’t take another six years for Gillian to come out with her new album! (WATCH OUR VIDEO OF “METHOD ACTING/CORTEZ THE KILLER” HERE; CHECK OUT HIS MUSIC HERE) 8 MODERN ACOUSTIC T H E L I S T S So happy together Other memorable concerts Jenny Lewis at House of Blues We knew Jenny had a great voice, but we were amazed that in concert she hits all the notes, whether singing a solo gospel number or fronting her full-tilt rock band. (Read our CONCERT review HERE; check out her music HERE) The Avett Brothers at the House of Blues We’d heard that seeing these guys live is a different experience than hearing their albums. And it is true. The energy level is ratcheted up to the point where you can’t help but dance. (Read our CONCERT review HERE; check out TheIr music HERE) Kathleen Edwards at Paradise This was our second time seeing Kathleen. She puts on a great show, stomping around the stage and firing off funny stories about life on the road. (Read our CONCERT review HERE; check out her music HERE) Eilen Jewell doing Loretta Lynn songs at Lizard Lounge We almost didn’t go to the show, but at the last minute changed our minds. And we’re glad we did. (Read our CONCERT review HERE; check out her music HERE) PhotoS by RICH Kassirer The Avett Brothers at the House of Blues. Other memorable albums Erin McKeown, “Hundreds of Lions” Erin has a spark, a wit, and a way with songs like no other. Take a listen to “(Put the Fun Back in) the Funeral” and “The Rascal” and try not to smile. (Read our album review HERE; check out her music HERE) Regina Spektor, “Far” We thought we’d never love a Regina album as much as we did “Begin to Hope.’’ But, lo and behold, “Far” hooked us. It has so many great tunes full of her M A 5 - amazing vocal acrobatics. One listen to “Eet” or “Dance Anthem of the ’ 80s’’ and you’ll be hooked too. (Read our album review HERE; check out her music HERE) Kasey Chambers and Shane Nicholson, “Rattlin’ Bones” Kasey is a nationally known folk-pop singer; Shane, her husband, is apparently known mostly in their native Australia. This album, a mix of folk, blues and bluegrass, really stands out for the way their voices meld into one. The best songs -- “Jackson Hole,” “The Devil’s Inside My Head” – are romping tunes filled out with some furious banjo picking. (Read our album review HERE; check out TheIr music HERE) S O N GS Song that helped us survive this issue: 1. “January Wedding,” “I and Love and You,” the Avett Brothers. A wonderful little ditty of a love song. 2. “Long Distance Runaround,” “Fragile,” Yes. Reaching way back to someplace way back in my brain. 3. “To the Dogs or Whoever,” The Historical Conquests of Josh Ritter,” Josh Ritter. Still a blast to listen to. 4. “The Rascal,” “Hundreds of Lions,” Erin McKeown. Erin sure knows how to have fun – even when she’s mad! 5. “A Man Needs a Maid/Heart of Gold,” “Live at Massey Hall 1971,” Neil Young. A great solo acoustic version. MODERN ACOUSTIC 9