Chancellor`s Arts Showcase program - School of Music
Transcription
Chancellor`s Arts Showcase program - School of Music
Thank You University Concert Series presents A collaborative event of this magnitude does not get done without a lot of cooperation and teamwork. In addition to the 100 students involved, we thank the following faculty and staff members for their contribution to this evening’s performances as well. College of Arts and Science Melody Galen Jordan Yount Carla Schlink Department of Art Josephine Stealey, Chair Alexis Callender School of Music Julia Gaines, Director Paul Crabb Tina Price Abby Rehard Christine Seitz Arthur White Department of Theatre Heather Carver, Chair Dory Colbert University Concert Series/ Event Production Services John Murray Madeline Stanley Karlan Seville Department of Theatre Production Staff: Producer: Cat Gleason Assistant Producer: Hannah Atencio Director of Production: Brad M. Carlson Lighting Designer: David Schneider Costume Coordinator: Caitlin Allen Costume Director: Kerri S. Packard Acting coaches/directors: Cheryl Black, Suzanne Burgoyne, Kevin Brown, Cat Gleason, Chris Oliver and Jennie Pardoe “Spirited Wenches” Our hosts and docents for the evening Asher Alt Hannah Atencio Leslie Howard Sara Nolan Clare Stribling Sinquefield Prize in Composition and the Mizzou New Music Initiative The University of Missouri School of Music annually awards the Sinquefield Prize, part of the Mizzou New Music Initiative, to its top student composer. The competition is open to all student composers, undergraduate or graduate, at the University of Missouri. The competition process includes submission of a completed musical work, which is then judged by a panel of professional composers from outside the University. The winner is then expected to compose a new work for one of the School of Music’s large ensembles, which is given its world premiere at the annual Chancellor’s Arts Showcase. The Prize includes a scholarship to the University of Missouri, a cash prize for the production of score and parts, and the opportunity to record the winning composition after the concert. Past winners of the Sinquefield Prize include Patrick Dell (2006), Katie Andres (2007), Mark Woodward (2008), Stephanie Berg (2009), Michael Strausbaugh (2010), Patrick David Clark (2011), Michael Anderson (2012), David Witter (2013), José Martínez (2014), and Trey Makler (2015). The Mizzou New Music Initiative brings together a diverse array of programs intended to position the University of Missouri School of Music as a leading center in the areas of composition and new music. The Initiative is the direct result of the generous support of Dr. Jeanne and Mr. Rex Sinquefield, and the Sinquefield Charitable Foundation. The Sinquefields’ vision is to create an incubator for the composition and performance of new music, and to position Missouri as a major center for the music of tomorrow. The Initiative includes full-tuition scholarships for undergraduate composers; graduate assistantships for a six-member New Music Ensemble; the Mizzou International Composers Festival, launched in July 2010 in partnership with the twenty-member New York-based new music ensemble, Alarm Will Sound; and the Creating Original Music Project (COMP), established in 2006. COMP includes a competition for K-12 composers throughout Missouri and a unique summer camp for high school composers. The 2008 camp was chronicled in the award-winning documentary film, Genius Among Us. Chancellor’s Arts Showcase APRIL 11, 2016 | 7:30 PM MISSOURI THEATRE Celebrating Shakespeare in the Arts Chancellor’s Arts Showcase: Celebrating Shakespeare in the Arts April 11, 2016 • 7:30 PM • Missouri Theatre Upcoming Events Department of Art School of Music Tonight’s event is the second time we’ve collaborated as fine arts departments to present the Chancellor’s Arts Showcase. Last year’s theme of Thomas Jefferson for the initial collaboration was an obvious choice with the event falling on his birthday. This year’s theme again was not difficult to select as many people this month are acknowledging the 400th anniversary of the death of Shakespeare. While the performance of his works primarily fall to the theatrical arts, much music has been influenced by his writings as well. We offer examples tonight of such music, both fine art and jazz, that have been inspired by Shakespeare’s words. The School of Music is always eager to share new music with our audiences and is excited to be offering something new again this evening. Henry Stewart, a graduate student in composition, is this year’s Sinquefield Prize winner and has written a piece for the University Singers using a sonnet by Shakespeare. Instead of describing the piece myself, I invite you to read the program notes by the composer as he talks you through his thought process and influences. The Sinquefield Prize is one of the programs we facilitate through the Mizzou New Music Initiative as a result of the generous contributions from our long-time donors, Rex and Jeanne Sinquefield. We hope you enjoy tonight’s world premiere. Julia Gaines, Director Department of Theatre The Department of Theatre has the unique distinction of being named one of the most prolific programs in the country for theatre research as well as one of only a few departments that offer the BA, MA, and PhD. We continue to foster creativity, enlightenment, and academic investigation as we explore the endless possibilities of theatre and performance. Since Professor Donovan Rhynsburger joined the MU faculty in 1925, this department has been committed to artistic innovation by presenting six to eight productions each year. We are excited to join the celebration of 400 years of performing William Shakespeare’s plays on stages across the globe. Tonight’s monologues and scenes produced by Dr. Cat Gleason are what some might call Shakespeare’s “greatest hits” from an incredibly extensive number of plays written by the Bard. Although some scholars debate about whether each play attributed to Shakespeare was actually penned by him, there is no doubt that the plays have lived on in dramatic history. Every day we see the truth in Shakespeare’s famous line that “all the world’s a stage,” and we are proud to join the School of Music and the Art Department to bring MU audiences an evening featuring this important classical work. The Department of Theatre continues to engage in Shakespeare’s legacy as we open a full production of Much Ado About Nothing directed by Dr. Cheryl Black on our Rhynsburger stage April 27-May 1. We hope that you will join us! Founded in 1877, the Department of Art is home to the George Caleb Bingham Gallery which features works by faculty and students several times each year. Instruction is included in drawing, painting, printmaking photography, graphic design, ceramics, fibers, sculpture, and new media. The Department of Art is pleased to collaborate with our sister programs at MU to present this evening of art, music, and theatre. We look forward with anticipation each year to this memorable event and the unique contribution each of the arts make to the annual theme. The visual arts interpret history in a variety of ways. This year, inspired by the Shakespearian theme selected for the Chancellor’s Arts Showcase, Drawing II students, created an installation entitled Vessels, which consist of several large-scale drawings, suspended and projected into the ornate architecture of the Missouri Theater. Inspired by Shakespearean and Elizabethan costume, the drawing students researched archival material to understand how thespians developed and wore their costumes. The costumes of Shakespeare’s plays act as a kind of architecture to the body of the actors, but also an architecture or vessel that holds the lineage of his plays that have been performed again and again the world over, reimagined and reinterpreted over time. The student’s charcoal drawings and ghostly projections recount a history and presence of this tradition, and of the performance of costume in our imaginations. We hope you enjoy the inventive interpretation the art students have developed. School of Music The Choral Union and University Singers and Columbia Civic Orchestra present Symphony of Psalms by Igor Stravinsky Alexander Nevsky by Sergei Prokofiev Featuring Jane Bunnell, Mezzo-Soprano Conducted by R. Paul Crabb Jenna Braaksma, accompanist April 21, 2016 • 7:00 p.m. • Jesse Auditorium Department of Theatre Jo Stealey, Chair Department of Art - Participating student artists and project description: Inspired by Shakespearean and Elizabethan costume, Drawing II students from the MU Art Department, created Vessels. This installation consists of several large-scale drawings, which are suspended and projected into the architecture of the Missouri Theater. Shannon Cahill, Coleman Hunter, Jordan Finney, Barbara Kern, Madison Love and Julia May with assistance from Professor Alexis Callender designed and executed this contemporary interpretation of the Shakespearian era. Special thanks to Professor Travis Shaffer and his Photo I students, who collaborated on this project, selecting and digitally preparing dynamic costume images to be used as drawing material. Much Ado About Nothing by William Shakespeare directed by Dr. Cheryl Black adapted by Patricia Downey and Cheryl Black April 27 - May 1, Rhynsburger Theater 7:30 pm: April 27 - 30 2:00 pm: May 1 Department of Art Mizzou Botanic Garden sponsored the floral displays in the Missouri Theatre this evening. We would like to thank student designers from the Mizzou Student Chapter of the American Institute of Floral Designers as well as the Columbia Area Career Center floral design students, under the direction of Sherie Rodekohr, for Contributing. April 12-14 • AGAS Presents: Kim Winkle Winkle, interim director of the Appalachian Center of Craft will be offering Professional Development Advice & strategies. Presented by AGAS & ORG. Heather Carver, Chair Chancellor’s Arts Showcase • Page 1 Page 10 • Chancellor’s Arts Showcase Program FRIENDS OF MUSIC DIRECTOR’S CIRCLE Includes annual gifts of $500 or more to the Friends of Music scholarship or endowment funds Mr. and Mrs. Donald A. Allendorf Drs. Ginny and Terry Barnes Dr. and Mrs. David Bedan Dr. Janice Wenger and Mr. Lynn Behrns Ms. Linda Butterfield Cupp and Dr. William B. Bondeson Dr. and Mrs. Winfield J. Burggraaff Dr. and Mrs. Ron Carter Mr. and Mrs. Edward H. Coe, Jr. Frank and Carla Conley Mr. Gary and Mrs. June De Weese Drs. Brady and Anne Deaton Dr. David A. Fleming and Dr. Karen E. Edison Dr. and Mrs. James W. Elliott Ms. Norma J. Fair Mrs. Joan Firley Dr. and Mrs. Robert W. Gaines Dr. and Mrs. Barry Gainor Mrs. Janice Gaston Dr. and Mrs. Bruce J. Gordon Dr. Janet and Mr. Philip Harrison Mr. Stephen H. Hasselriis Dr. Margaret Henrichs Mr. Darrell Hendon Ms. Jacquelyn K. Jones Mrs. Grayson Neate Kabler Jerry and Michele Kennett Professors Ann Harrell and John Lande Mrs. Patricia Lawnick-Ritchie Miss Linda K. Lyle Mrs. Sarah Elaine McCoy Dr. and Mrs. W. Thomas McKenney Ms. Tracey Mershon Dr. Roland P. Meyer Dr. and Mrs. William H. Miller Mrs. L. G. Morehouse Dr. and Mrs. Thor Norregaard Mr. and Mrs. Alan Norton Dr. and Mrs. Gilbert Ross, Jr. Dr. and Mrs. Jack Sanders Mr. and Mrs. Bill Schulz Mr. and Mrs. Paul Steele Dr. and Mrs. Truman Storvick Dr. and Mrs. Gerald Summers Mr. Gary A. Tatlow Mrs. Sue Troutner Dr. Mark and Mrs. Carol Virkler Mr. Jim Weaver Mr. and Mrs. Joel Zahn Ms. Lois K. Zitzmann Introduction Dean Michael J. O’Brien Jean Tartiere as “Christopher Marlowe” Master of Ceremonies The Bard’s Greatest Hits: Shakespearean scenes and monologues Romeo and Juliet, Act III, sc. 1 Macbeth, Act V, sc. 1 Romeo - Alex Givens Tybalt - Michael Bayler Lady Macbeth – Lynett Vallejo The young men of the two waring houses have met in the street. Tybalt of the house of Capulet is looking for a fight with Romeo. Romeo does not want to fight because he has just married Tybalt’s cousin, Juliet. Henry V, Prologue Dr. Charles W. and Mrs. Irene O. Alexander Mrs. Lynne Greene Mr. Erwin R. Sackin Mellodie Wilson and William Allen Oline Cogdill and Bill Hirschman Mr. Joaquin M. Sampson Professor Jerry and Mrs. Joanne Berneche Mr. Stanislav Kolenikov Earl Edward See, Ph.D. Kara Le Fevre Braudis and Scott Braudis Dr. Aarom and Ms. Natalie Kravitz Mr. Robert and Mrs. Barbara Smith Chris and Mike Buehler Reverend Susan Langhauser Dr. Gerald and Mrs. Jan Summers Mr. Wayne M. Buehler Dr. Michael L. and Mrs. Judith LeFevre Gary Tatlow Delores and William Clark Mr. and Mrs. Joseph O’Rourke, Jr. Ph.D. Dr. and Mrs. Ernie Wallace Robert M. Doroghazi, M.D. Ms. M. June Pfefer Robin Remington Wallace and Paul Wallace Jamie and Robert Driver Mr. Bernard and Mrs. Lesley W. Rosenblatt Mr. Jay and Mrs. Rosemary Giessing Ward Dr. and Mrs. James Elliott Theophil Walter Ross, Ph.D. Jane and Bill Goodson Andrew R. Sackin Hamlet, Act III, sc. 1 Ophelia – Courtney Wagoner Chorus-Jean Tartiere In the scene before this one, Hamlet made a show of his apparent madness and told Ophelia to “get thee to a nunnery.” This is Ophelia’s lament after being cast aside by her love. This opening speech for one of Shakespeare’s history plays asks the audience to use their imaginations to let the story come to life. Taming of the Shrew, Act II, sc.1 Department of Theatre Donors Lady Macbeth’s sleep is disturbed by sleepwalking and the memory of the deaths her hunger for power has caused. The speech we present here is her last that we see before she kills herself. Much Ado about Nothing, Act IV, sc. 1 Katherina – Ali Kertz Petruchio – Allan Benson Beatrice - Dani Tucker Petruchio has just made a deal with Katherina’s father to woo and wed her in exchange for her dowry. This scene is the first time the two meet. This scene follows Hero and Claudio’s failed wedding ceremony, where Claudio accused Hero of being unfaithful. Beatrice is angry and saddened by the slander hurled at her cousin. Even though Beatrice and Benedick have been sparring throughout the play, Benedick tries to comfort her in this scene. Benedick - Jean Tartiere Midsummer Night’s Dream, Act V, sc. 1 Puck – Clare Stribling The fairy, Robin Goodfellow, or simply, Puck, delivers this speech to usher the nobles to their beds at the end of a long evening. Here we use it to set up the darkness expressed in the next two monologues. University Singers R. Paul Crabb, conductor Jenna Braaksma, accompanist Our Joyful’st Feast . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Einojuhani Rautavaara (b. 1928) Soloists: Abby Meeds, Bailey Wilkerson When icicles hang by the wall And Dick the shepherd blows his nail, And Tom bears logs into the hall, And milk comes frozen home in pail; When blood is nipt, and ways be foul, Then nightly sings the staring owl Tu-whoo! Tu-whit! tu-whoo! A merry note! While greasy Joan doth keel the pot. Chancellor’s Arts Showcase • Page 9 . When all around the wind doth blow, And coughing drowns the parson’s saw, And birds sit brooding in the snow, And Marian’s nose looks red and raw; When roasted crabs hiss in the bowl Then nightly sings the staring owl Tu-whoo! Tu-whit! tu-whoo! A merry note! While greasy Joan doth keel the pot. – William Shakespeare (1564-1616) Page 2 • Chancellor’s Arts Showcase So, now is come our joyful’st feast, Let every man be jolly. Each room with ivy leaves is drest, And every post with holly. Though some churls at our mirth repine, Round your foreheads garlands twine, Drown sorrow in a cup of wine, And let us all be merry. Now all our neighbours’ chimneys smoke, And Christmas blocks are burning; Their ovens they with bak’d meats choke, And all their spits are turning. Without the door let sorrow lie, And if for cold it hap to die, We’ll bury’t in a Christmas pie, And evermore be merry. – George Wither (1588-1667) . Some say that ever ‘gainst that Season comes Wherein our Saviour’s birth is celebrated, This Bird of Dawning singeth all night long: And then, they say, no spirit dare stir abroad; The nights are wholesome, then no Planets strike, No Fairy takes, nor witch hath power to charm, So hallow’d and so gracious is the time. – William Shakespeare . Three Shakespeare Songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ralph Vaughan Williams (1872-1958) I. Full Fathom Five Full fathom five thy father lies. Of his bones are coral made. Those are pearls that were his eyes. Nothing of him that doth fade, But doth suffer a sea-change Into something rich and strange. Sea-nymphs hourly ring his knell II. The Cloud-Capp’d Towers The cloud-capp’d tow’rs, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on; and our little life Is rounded with a sleep. Ding-dong, bell. The Tempest Act I Scene 2 (1610-1611) – William Shakespeare The Tempest Act IV Scene I (1610-1611) – William Shakespeare Presentation of the Sinquefield Prize Dean Michael J. O’Brien - Introductions Chancellor Hank Foley Dr. Jeanne Sinquefield Sonnet 73: De Profundis*. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Henry Breneman Stewart *World Premier - Sinquefield Prize Winner (b. 1992) A Summer Sonnet. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kevin Olson Soloist: Ian Meyer Shall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date; Sometime too hot the sun of heaven shines, And often is his gold complexion dimm’d; And every fair from fair sometime declines, Chancellor’s Arts Showcase • Page 3 By chance or nature’s changing course untrimm’d; But thy eternal summer shall not fade, Nor lose possession of that fair thou ow’st; Nor shall death brag thou wander’st in his shade, When in eternal lines to time thou grow’st: So long as men can breathe or eyes can see, So long lives this, and this gives life to thee. Sonnet 18 – William Shakespeare (b. 1970) PATRON Mr. and Mrs. Thomas Atkins Mrs. Jack L. Batterson Ms. Sally Beattie Dr. and Mrs. Wm. Wilson Beckett Lina M. Berrier Ms. Sue Bohm Dr. Murray Boles Professor Bonnie Bourne Mrs. Charmian Boyle Mrs. Anne Braisted Mr. and Mrs. O.W. Brauss Michael W. Brewen Dr. Katinka Kersten and Dr. Robert Cheek Mrs. Martha B. Chesney Mr. and Mrs. Dale Clark The Honorable Ann K. Covington Mr. and Mrs. David Cowan Dr. Robert M. Doroghazi Dr. Mary Dohrmann and Dr. Thomas Dresser Brian Christopher Elder Mrs. Betty Eyestone Dr. John Faaborg Mr. and Mrs. Steven F. Fair Dr. and Mrs. Jerry Foote Prof. Elizabeth Geden Mr. and Mrs. Russell Geen Ms. Gisela Groiss Dr. Keith A. Haan Mr. and Mrs. Milt Harper Dr. and Mrs. Hugh Harris, Jr. Ms. Kay Henderson Marjory Hicks Mr. and Mrs. James R. Hillbrick Darwin and Axie Hindman Dr. and Mrs. Haskell Hinnant Mrs. Carla Johns * Mr. Matthew Kendrick Dr. and Mrs. David Klachko Ms. Kim Klaproth Ms. Sandra Knight Mrs. Joann E. Koeppe Drs. John and Patricia Koonce Marika Kyriakos Mr. Ferd and Mrs. Ann LaBrunerie Dr. Doris Littrell Ms. Florence Lockridge Mr. and Mrs. Donald McGlothlin ** Mr. and Mrs. William S. McKenzie Mr. Thomas L. McRoberts Mr. John and Dr. Margaret M. Merrion Mr. Scott Mertens Mr. and Mrs. John O’Connor Mr. and Mrs. Scott Orr Dr. and Mrs. David E. Payne Mrs. Alice Payne Mrs. Laura Perez-Mesa Mrs. June Pfefer Mr. and Mrs. Richard A. Poe Dr. Jim Preston Jim and Linda Reed Dr. and Mrs. H. G. Riggs, Jr. Mr. and Mrs. Newton Riley Mr. and Mrs. William R. Sappington Mrs. Janey Sarther Mr. and Mrs. Mark Schaeperkoetter Mrs. Loleta A. Scott Ms. Mary Ann Shaw Mrs. Virginia Sinclair Dr. Kathleen Warner Slane Mrs. James M. Spellings Mr. Adrian Sprick Professor Eva Szekely Ms. Shannon Tindall Mrs. Judy Gast Tucker Dr. and Mrs. Harry Tyrer Ms. Joy Underdown Mr. J.B. and Dr. Dori Waggoner Mr. and Mrs. Brand Walker Ms. Marcia Walker Mrs. Betty Wilson Ms. Beverly Hughes Yarger and Mr. David A. Yarger * In memory of William D. Johns **In memory of Virginia Pyle SUSTAINING MEMBER Mr. and Mrs. Michael Bancroft Mr. Chris Barchesky Ms. Patty Blenden Mrs. Eulamae Love Byron Stephen Paul Clayton Dr. and Mrs. Craig Datz Ron and Carole Sue DeLaite Dr. and Mrs. W. D. Dellande Ms. Dorinda Derow Mr. and Mrs. Robert D. Driver Mr. and Mrs. Gary Dunkerley Mrs. John H. Dunn Mr. Paul C. Evans Dr. and Mrs. William Fales Mr. and Mrs. Dennis R. Fulk Mrs. Jan Haffey Mr. Edwin Hanson Mrs. Miriam Hemphill Steven D. Houser, Ph.D. Rex A. Jackson Mr. and Mrs. Don Johnson Mr. and Mrs. Gary F. Jones Mrs. Beverly Kabrick Mr. and Mrs. William Kennedy Mrs. Moray Loring Kiehl Mrs. Carol Lane Ray Henderson Lewis Miss Desiree Long Mr. and Mrs. Jim Loveless Dr. and Mrs. Michael J. Mayer Mr. Carmel Mazzocco Dr. and Mrs. Wayland McKenzie Dr. James A. Middleton Dr. Neil Minturn MU Chancellor’s Office * Mrs. Olive Newman Margaret R. Niemeyer Mr. and Mrs. Jerome O’Laughlin Rev. and Mrs. Gary Ostercamp Dr. and Mrs. Einar W. Palm Dr. Stuart B. Palonsky Ms. Halcyone E. Perlman Sherry Printz Dr. Jill Raitt Dr. and Mrs. V. James Rhodes Ms. Vicki Russell Mr. and Mrs. James R. Schatz Mr. and Mrs. Jerry Schermer Ms. M. B. Scofield Mr. and Mrs. Samuel Stoll Dr. and Mrs. Theodore Tarkow Drs. Haskell and Maria Taub Drs. Boyd and Carolyn Terry Julia and Bill Thompson Mr. Tim and Mrs. Suzette Vos Steven and Sarah Wills Mr. and Mrs. Phil Wood Dr. and Mrs. Russell Zguta * In memory of Ed Hunvald OTHER GIFTS Mr. and Mrs. Blaine Alberty Ms. Marilyn J. Anderson Mrs. Robert L. Beasley Mrs. Peggy J. Bohnenkamp Dr. Tacey Adams Brewer Ms. Jacalyn A. Craig Dr. and Mrs. Howard Fulweiler Ms. Kimberly Boothe Guilford Diane Annette Halliburton Mrs. Marilee Lidikay McCallister Ms. Karene Louise Mills Dr. and Mrs. Gerald Orth Ms. Sonia Palmer Mr. and Mrs. Dennis Stegall Mr. and Mrs. Paul Stephanchick Ms. Sydney Stonner Dr. DennisTuggle Mr. Matthew Vines * Dr. and Mrs. Theodore Wills * In memory of Edward H. Hunvald GARY AND CAROL SMITH FRIENDS OF MUSIC ANNUITY WILLIAM BONDESON AND LINDA BUTTERFIELD CUPP FRIENDS OF MUSIC ENDOWMENT Mr. and Mrs. Mark Foreman BRADY AND ANNE DEATON FRIENDS OF MUSIC ENDOWMENT Dr. Brady J. and Dr. Anne Deaton, Sr. FRIENDS OF MUSIC ENDOWMENT Mr. Sam and Mrs. June S. Hamra* Mrs. Bette Weiss* *In memory of Dr. Ed Hunvald Special thanks to Shelter Insurance Foundation and State Farm Companies Foundation for their generous participation in matching gift programs. Page 8 • Chancellor’s Arts Showcase Department of Art Scholarships/Endowments/Donors Donald L. Bartlett Memorial Fund Eric Sweet Memorial Printmaking Scholarship Janet Berry – Dorothy L. Rollins Memorial Scholarship Richard & Patricia Wallace Endowmwnt Professor Emeritus Jerry & Joanne Berneche John S. Weller Memorial Fund Hazel Steel Burney Endowment Verna Wulfenkammer Art Doctoral Fellowship Matthew Fahey Cox Memorial Scholarship Ann Hoffman Memorial Scholarship William B. Ittner Sr. Fine Arts Prize Redford Michael Perrine Arts Scholarship Kevin & Michele Morland – Connor Moreland Memorial Prize in Printmaking Richard M. Hennessy Scholarship Kinder Faculty Enhancement Fund Intermission Other Gifts Julie Allen Thad Bartlett Dorothy Baumgartner Jane Domke Craig Maas Tom and Gretchen O’Neal Barbara Owen Regina Shaver Bill and Mary Taylor Many donors to the Eric Sweet Memorial Scholarship SAINT Dr. and Mrs. David Bedan Dr. Janice Wenger and Mr. Lynn Behrns Dr. and Mrs. Ron Carter Dr. and Mrs. Robert W. Gaines Professors Ann Harrell and John Lande Mr. and Mrs. Paul Steele BENEFACTOR Mr. and Mrs. Donald A. Allendorf Drs. Ginny and Terry Barnes Ms. Linda Butterfield Cupp and Dr. William B. Bondeson Dr. and Mrs. Winfield J. Burggraaff Mr. and Mrs. Edward H. Coe, Jr. Ms. Norma J. Fair Mrs. Joan Firley Dr. and Mrs. Bruce J. Gordon Mr. Stephen H. Hasselriis Ms. Jacquelyn K. Jones Mrs. Grayson Neate Kabler Mrs. Patricia Lawnick-Ritchie Dr. Thor and Mrs. Julia Norregaard Dr. and Mrs. Jack Sanders Ms. Marjorie R. Sable and Mr. George P. Smith Dr. and Mrs. Truman Storvick Dr. and Mrs. Gerald Summers SPONSOR Frank and Carla Conley Mr. Gary and Mrs. June De Weese Dr. David A. Fleming and Dr. Karen E. Edison Dr. and Mrs. James W. Elliott Dr. and Mrs. Barry Gainor Mrs. Janice Gaston Dr. Janet and Mr. Philip Harrison Dr. Margaret Henrichs Jerry and Michele Kennett Miss Linda K. Lyle Mrs. Sarah Elaine McCoy Dr. W. Thomas and Mrs. Judith McKenney Chancellor’s Arts Showcase • Page 7 Ms. Tracey Mershon Dr. Roland P. Meyer Dr. and Mrs. William H. Miller Mrs. Georgia Morehouse Mr. and Mrs. Alan Norton Dr. and Mrs. Gilbert Ross, Jr. Mr. and Mrs. Bill Schulz Mr. Gary A. Tatlow Mrs. Sue Troutner Mark and Carol Virkler Mr. Jim Weaver Mr. and Mrs. Joel Zahn Ms. Lois K. Zitzmann DONOR Boone County National Bank Dr. and Mrs. Roger Bumgarner Mrs. Mary B. Bush Mrs. James T. Cassidy Dr. and Mrs. John Cheetham Mr. and Mrs. W. Randall Coil Mr. and Mrs. Bill Costello Dr. John and Patricia Cowden Charlie and Kathy Digges, Sr. Mr. Richard Dohm Mr. and Mrs. David M. English Mr. Steve Erdel Dr. Steven Zweig and Dr. Susan Even Julia and Rob Gaines Mr. and Mrs. Kee W. Groshong Hamra Management Company Mr. Sam and Mrs. June S. Hamra Dr. and Mrs. Harold D. Johnson Mrs. Darlene Johnson Drs. Stephen and Mari Ann Keithahn Dr. and Mrs. Aaron Krawitz Dr. and Mrs. Charles Kyriakos Nancy Lamb Dr. and Mrs. Michael Le Fevre Dr. and Mrs. Sidlee Leeper Mrs. Mary Marks Dr. Anne L. McKendry Dr. and Mrs. Stephen Mudrick Dr. and Mrs. Clifton Murphy Drs. Jerry and Beverly Murrell Dr. and Mrs. John Parker Christine Seitz, director Act I scene i Witches’ Chorus from Macbeth (1847). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Giuseppe Verdi Libretto by Francesco Maria Piave and Andrea Maffei(1813-1901) Liyue Yin, piano Paden Richey, solo percussion Scotland, mid-11th century -The witches meet on the moor at night, and tell each other about their latest spells. They hear Macbeth approaching with his retinue, and rejoice in the havoc they will create for him and his followers. The Bard’s Greatest Hits: Shakespearean scenes and monologues Romeo and Juliet, Act II, sc. 2 Friends of Music 2015 Campaign ANGEL Anonymous Matching Donor Show-Me Opera Ms. Judy Parsons Dr. and Mrs. Alexander Pickard Dr. and Mrs. Melvin C. Platt Dr. and Mrs. George Prica Mr. Kevin L. Roberts Dr. Lucille Salerno Denninghoff Mrs. Liz Schmidt Mr. and Mrs. Dan Scotten Mrs. Robert Spier Dr. and Mrs. Gordon K. Springer Mrs. Charles Timberlake Mr. and Mrs. Herbert C. Willbrand SUPPORTER Dr. and Mrs. John Bauman Dr. and Mrs. James D. Campbell Mr. Bill and Mrs. Dolores Clark Mrs. Julia Cramer Dave Engineering, LLC Dr. and Mrs. E. Dale Everett Dr. and Mrs. Lewis J. Garrotto Ted and Kyle Groshong Susan F. Heinsz Mr. David R. and Mrs. Lindsey D. Jones Mr. Fred Kiser Dr. and Mrs. Lynn Kleopfer Ms. Franziska Malley Mrs. Pauline Marienfeld Mr. Charles W. Maupin Ms. Joan Menser Dr. and Mrs. L. D. Mitchell Mr. and Mrs. Gary D. Myers Maarten and Farah Nieuwenhuizen Mr. and Mrs. Thomas W. O’Neal Drs. Sheila Greenberg and William Parks Drs. Michael and Rose Porter Dr. Gene Ridenhour Miss Linda M. Ridgeway Mr. and Mrs. Don Schilling Dr. Wendy Sims Ms. Marjorie R. Sable and Mr. George P. Smith Dr. and Mrs. Patrick Smith Mrs. Mary Suits Dr. Richard Wallace Twelfth Night, or What You Will, Act II, sc. 2 Juliet - Leah Huskey Romeo – Alex Givens Viola – Leah Huskey The “Balcony Scene” is the signature scene where Romeo finds Juliet at her home. They declare their love and explore their predicament as lovers from warring families. Hamlet, Act III, sc. 1 This comedy features a love triangle. Count Orsino loves his neighbor Olivia, and Olivia loves Orsino’s servant Cesario. Cesario is really shipwrecked Viola disguised as a boy who is in love with Orsino. In this speech Viola has just come from delivering a message to Olivia while disguised as Cesario. Othello, Act IV, sc. 2 Hamlet – Michael Bayler This soliloquy is perhaps the quintessential Shakespearian speech. It occurs while Hamlet is waiting for Ophelia and exemplifies his indecision about avenging his father’s death. Romeo and Juliet, Act I, sc. 4 Mercutio – Ali Kertz Known as the “Queen Mab” speech, this piece is delivered to Romeo and his friends as they terry on the way to the Capulet’s Ball. Rosencrantz and Guildenstern are Dead, by Tom Stoppard Guildenstern - Michael Bayler Rosencrantz - Dylan Bainter The characters and scenario for Rosencrantz and Guildenstern are Dead are drawn directly from Shakespeare’s Hamlet. This play answers the question: What do bit characters do when they are not on stage? Rosencrantz and Guildenstern are old friends of Hamlet’s who are invited to Elsinore to help find out what is wrong with Hamlet. This scene happens as the two friends prepare to meet with Hamlet. Iago – Jackson Harned Roderigo – Alex Givens In this tragedy, Iago plots against his general, Othello because he promoted Cassio over him. Iago has made promises to Roderigo to help him win Othello’s wife Desdemona. Iago has been stringing Roderigo along through much of the play and Roderigo has had enough. The Tempest, Act IV, sc. 1 Prospero - Cheryl Black The Tempest begins with a storm remote island where the sorcerer Prospero seeks revenge on those who deposed him from his dukedom. This speech is delivered by Prospero as he dismisses the nymphs who have been entertaining his guests. This speech will round out our selection of scenes Concert Jazz Band Arthur White, director Such Sweet Thunder (1957) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Edward Kennedy ‘Duke’ Ellington Such Sweet Thunder (Othello) Half the Fun (Antony & Cleopatra) Up and Down, Up and Down (I Will Lead Them Up and Down) (A Midsummer Night’s Dream) Lady Mac (Macbeth) Madness In Great Ones (Hamlet) Circle of Fourths (1899-1974) William Thomas ‘Billy’ Strayhorn (1915-1967) Page 4 • Chancellor’s Arts Showcase University Singers Program Notes Such Sweet Thunder (1957) Sonnet 73: De Profundis Few artists have enjoyed as close a working relationship as did Duke Ellington and Billy Strayhorn. The two met in Pittsburgh following an Ellington Orchestra performance in 1938. Strayhorn played some of his own compositions, including “Lush Life,” which he had completed a year earlier at the age of twenty-one. Ellington hired him on the spot but without a clear agreement as to just what it was he was hiring him to do, nor was the arrangement formalized over the course of the next thirty years. Ellington once said, of Strayhorn that he was “my right arm, my left arm, all the eyes in the back of my head, my brainwaves in his head, and his in mine.” As part of the commission for this piece, I was asked to incorporate text from Shakespeare to commemorate the 400th anniversary of his death. I chose Sonnet 73: Such Sweet Thunder, also known as Ellington’s Shakespearean Suite, is a twelve-movement work that was first performed in its entirety at the Stratford Festival in Ontario on September 5, 1957. Although there was an earlier debut at Town Hall in New York on April 28, 1957, the day before Ellington’s 58th birthday, the suite was incomplete with only eleven of the twelve movements written. At that time, Ellington was consumed by another major work, A Drum Is A Woman and the eleventh movement was only completed on the day of the Town Hall performance. Instead of listening to the tracks in the order they are presented on the 1957 recording, Jack Chambers, the distinguished professor of linguistics at the University of Toronto, who is also well known for his writings about jazz, suggests that the pieces be grouped categorically as tragedies, comedies, sonnets, or historically based works. The composers attempted to mirror both the meter of Shakespeare’s poetry and the sonnet form, as recited in iambic pentameter (pairs of alternating weak and strong emphases), akin to the way eighth notes are ‘felt’ in a swing pattern. Each work has a soloist-as-recitative concept, as if the soloist (Johnny Hodges, Cat Anderson, Clark Terry, Paul Gonsalves, et al) were reciting as the specific character depicted in the work: Hodges’s powerfully bending alto saxophone depicting the exotic nature of the relationship between Antony and Cleopatra, e.g. In some respects, Ellington and Strayhorn’s compositions are like that of writers who harmonize hip vernacular, popular idiom, and traditional approaches into works that feel thrillingly fresh and timeless all at once. And so it makes perfect sense that Ellington and Strayhorn would compose a suite of songs based on scenes from William Shakespeare, that most skillful of literary alchemists, and that it would turn out to be, in the words of poet and music critic A.B. Spellman, “one of the most remarkable orchestral pieces in all of American music.” – Program notes by Dr. Arthur White That time of year thou may’st in me behold When yellow leaves, or none, or few do hang Upon those boughs which shake against the cold, Bare ruin’d choirs, where late the sweet birds sang. In me thou see’st the twilight of such day, As after sunset fadeth in the west, Which by-and-by black night doth take away, Death’s second self, that seals up all in rest. In me thou see’st the glowing of such fire That on the ashes of his youth doth lie, As the death-bed whereon it must expire Consum’d with that which it was nourish’d by. This thou perceivest, which makes thy love more strong, To love that well which thou must leave ere long. In the first twelve lines, this sonnet describes the narrator’s internal trauma. Because this part of the sonnet is in many ways “from the depths,” I added the first part of Psalm 130: the first verse in Latin and the first clause of the second verse in English. De profundis clamavi ad te, Domine; Lord, hear my voice. From the depths I have cried out to you, O Lord. While the final couplet of the sonnet resolves the narrator’s strife through an outside agent, I felt the resolution should come from within the narrator. I rewrote the sonnet, keeping only the text I thought was most meaningful to my interpretation, omitting the final couplet and moving “glowing fire” to the end. In me behold Fallen leaves. Boughs shake against cold. Where late birds sang, Bare ruined choirs. In me twilight, Sunset fades, Black night. On ashes I lie, Consumed. In me glowing fire! Together, the sonnet and the psalm tell a story about depression and self-acceptance, raising the question of salvation by human or divine means, respectively. The first line of the psalm occurs three times throughout the piece; the first two times as a stoic underpinning for the text from the sonnet, and the third time, alone in three ascending clusters. Simultaneously, the sonnet follows a spiraling emotional trajectory from the beginning until “on ashes I lie, consumed,” catharsis on the way to the realization of self-worth: “in me glowing fire!” – Program notes by Henry Stewart Chancellor’s Arts Showcase • Page 5 Soprano Hoerchler, Erin Munsell, Madelyn+ O’Meara, Madeline Page, Maddie Sandstedt, Catherine# Schlabach, Erin Soprano II Baker, Pax+ Braaksma, Jenna Kettlewell, Mary# Meeds, Abby Schulte, Sarah Yerganian, Jennifer Alto I Allen, Martha Holleman, Kristen Jones, Bria# Lombardo, Madison Phillips, Rachel Wilkerson, Bailey Wrigley, Lauren Tenor I Flanagin, Andy Fratzke, Nathan#* Harrison, EJ+* Meyer, Ian+ Skinner, Holt Baritone Graham, Patrick Harris, Austin Heruth, Hans Layton, Ryan Wright, Sam# Tenor II Cox, Jordan# Hayes, Savon Kindle, Chris#* Otake, Topher Peng, George Walker, Jordan* Bass Crader, Jonathan Knoth, Colin#* Richey, Paden Roth, Christian Wagner, Jeremy+ Worley, Ben Alto II Coleman, Darneisha Kitchel, Laura#* Ramos, Alma+ Stokes, Samantha Wakefield, Paige Walker, Samantha #Section Leader +Officers *Graduate Teaching/Research Assistant Show-Me Opera Chorus of Witches Allen, Martha Baker, Pax Coelho,Júlia Coleman, Darneisha Gal, Cassandra Jones,Bria Kettlewell,Mary Lombardo, Madison Munsell,Madelyn O’Meara,Madeline Page, Madison Ranfeld, McKenna Sandstedt,Catherine Schulte,Sarah Wakefield,Paige Wilkerson,Bailey Yerganian,Jennifer Zizza, Hannah Concert Jazz Band Saxophone Aryana Nemati, alto 1 & 2, Kansas City, MO Joseph Rulli, alto 1 & 2, Fayetteville, AR Michael Neu, tenor 1, Webster Groves, MO Jeremiah Rittel, tenor 2/clarinet, Missoula, MT Sam Riley, baritone, Kansas City, MO Trombone Caleb Roman, lead, Lenexa, KS David Roth, St. Louis, MO Grant Flakne, Columbia, MO Tyler Bevill, bass, Little Rock, AR Rhythm Section Ben Colagiovanni, piano, St. Louis, MO Ethan Moll, guitar, Stillwater, OK Caleb Alexander, guitar, Wichita, KS Sam Copeland, bass, Billings, MT Rebecca McDaniel, vibes, Birmingham, AL Kyle Bauche, drums, Farmington, MO Eric Grumke, drums, Webster Groves, MO Trumpet Chris Van Leeuwen, split lead, Des Moines, IA Brady Schach, split lead, Athens, Greece Austin Walker, Richland, MO Kris Williams, Columbia, MO University Philharmonic Orchestra Violin Bryan Biswell Vivian Chang Emily Cowan Rachel Dacus-Hill Xiaoxiao Du Jesus Gomez Genivieve Jones Renan Leme Britney McMurry +Tony Morales Amanda Olsen Graham Woodland Mo Zhou Viola Clifton Gilliland Tyler Hannz Leo Kim Andrew Monson Julie Nguyen *Mike Peiffer Catherine Sandstedt Yaxing Zhao Cello Rachel Czech Madison DeWeerd Anna Haberdash Shannon Merciel *Liz Nash Faith Ordonio Patrick Ordway Kelly Weber Alex Williams Bass *Sam Copeland Grant Flakne Luke Henderson Maura Higgins Massimo Montalbano Meyer Neel Lauven Taylor Bassoon *Anthony Hasek Tuba Luke Vetter Trumpet *Taylor Gustad Adam Matejek Ethan Cartee CJ Maus Percussion *Jared Rivera, timpani Kyle Bauche (extra) anna provo (extra) Flute *Breanna McCaughey Julie Youngers Karen Sanders (piccolo) Horn *Kyle Tye Jaron Lester Christoph Stuhler Nathan Schulte Evan Schaffer Oboe *Trey Makler Frank Clark Clarinet *Travis Herd Devin Kaveler Trombone *Tyler Bevill Tristan Detzel Greyson Holliday Carter Stephens Teaching Assistant Bruno Nascimento Librarian Kaylene Cypret +Concertmaster *Section Leader Page 6 • Chancellor’s Arts Showcase