books from francis bacon`s studio collection: dublin city gallery the
Transcription
books from francis bacon`s studio collection: dublin city gallery the
BOOKS FROM FRANCIS BACON’S STUDIO COLLECTION: DUBLIN CITY GALLERY THE HUGH LANE Hitler Moves East: A Graphic Chronicle. David Levinthal and Garry Trudeau. Kansas City: Sheed Andrews & McMeel, 1977. In Rodin’s Studio, A photographic Record of Sculpture in the Making. Albert E. Elsen. Oxford: Phaidon in association with the Musée Rodin, 1980. Italian Drawings in the Department of Prints and Drawings in the British Museum: Michelangelo and his Studio. Johannes Wilde. London: Trustees of the British Museum, 1953. Je Suis Le Cahier: The Sketchbooks of Picasso. Arnold Glimcher and Marc Glimcher. New York: The Pace Gallery, 1986. Kandinksy Aquarelles & Dessins. Catalogue from an exhibition of watercolours and drawings by Wassily Kandinsky held in 1972 in Paris. L'Atelier d'Alberto Giacometti. Jean Genet. Paris: Marc Barbezat-L’Arbalète, 1967. Matisse 1869-1954: A Retrospective, Exhibition at the Hayward Gallery. Lawrence Gowing. London: The Arts Council of Great Britain, 1968. Official Catalogue of the Egyptian Museum Cairo. Mohamed Saleh and Hourig Sourouzian. Verlag Phillip Von Zabern, 1987. Photographs for the Tsar. Robert H. Allshouse. London: Sidgwick & Jackson, 1980. Rembrandt. E. R. Meijer. London: Oldbourne Press, 1960. Rembrandt: Selected Paintings. Introduction by Tancred Borenius. London: Phaidon Press, 1952. Révolution D'Octobre. Frédéric Rossif and Madeleine Chapsal. Paris: Librairie Hachette, 1967. Russia in Revolution 1900-1939. Harrison E. Salisbury. London: André Deutsch, 1978. The Art of Ancient Egypt: Architecture, Sculpture, Painting, Applied Art. The Human Figure in Motion. Bound leaves with cover and spine missing. Eadweard Muybridge, New York: Dover Publications, Inc., 1955. The Masters 16: Ingres. Anita Brookner. London: Knowledge Publications, 1965. The Painter and the Photograph: From Delacroix to Warhol. Van Deren Coke. Albuquerque: University of New Mexico Press, 1972. Translated typescript (photocopy) of visitor comments, Francis Bacon exhibition, Central House of Artists, New Tretyakov Gallery, Moscow, 23 September - 6 November, 1988, c. 1988. Van Gogh. René Huyghe. Milan: The Uffici Press, 1958. Velasquez. Jose Ortega y Gasset. Paris: René Julliard, Éditions Manesse, 1954. 2 Velázquez: A Cataloque Raissoné. José Lopéz-Rey. London: Faber and Faber, 1963. Watercolour and Pencil Drawings by Cézanne, introduction by Lawrence Gowing, London, 1973. MATERIAL FROM FRANCIS BACON’S STUDIO COLLECTION: DUBLIN CITY GALLERY THE HUGH LANE Fragment torn from Black and White photograph, showing cutoff torso of George Dyer in Francis Bacon’s studio, Reece Mews, South Kensington, London: silver gelatin photograph by John Deakin (1912 - 1972). Leaf (pp. 29 - 30) torn from the book Rubens: Drawings and Sketches, catalogue of an exhibition at the Department of Prints and Drawings in the British Museum, edited by John Rowlands, London: British Museum Publications, 1977. Leaf (pp. 221 - 222) with black and white images of drawings by Michelangelo torn from the catalogue The Drawings of Michelangelo, by Frederick Hartt, London: Thames & Hudson, 1971. Isabel Rawsthorne in a Street: silver gelatin photograph by John Deakin (1912 - 1972). Leaf (pp. 39 - 40) with black and white photographic illustrations of drawings by ballerinas by Edgar Degas from the book Degas, Dessins by Bernard Champigneulle, Paris: Éditions Des Deux Mondes, Dessins Des Grands Peintres, 1952. 3 Two fragments of leaf torn from the book Atlas-Manuel des maladies de la bouche, du pharynx et des fosses nasales by Ludwig Gruenwald. Paris: Bailliere et fils, 1903. Cut-out fragment from book leaf with photographs by Jacques Lartigue, probably Diary of a Century, c. 1970. Nazi rally in Nuremberg, 1938; fragment of a leaf (p. 18) from the Sunday Times Colour Section magazine, 18 February 1962, mounted on brown cardboard. Loose colour plate (plate 38, p. 172) of an Egyptian carved head from Art of the World: Egypt of the Pharaohs by Irmgard Woldering, London: Methuen Publishers, 1965. Leaf torn from the book Les Musées Grecs: Olympie, Athens by Manolis Andronicos, Ekdotike Athenon, 1975. Cutting with black and white photographic illustration of the screaming woman in Sergei Eisenstein's The Battleship Potemkin, mounted on brown card. Colour photographic illustration of an Egyptian carved head of ancient statue (plate 19, p.113) removed from book Art of the World: Egypt of the Pharoahs by Irmgard Woldering, London: Methuen, 1965. George Dyer in Francis Bacon’s studio, Reece Mews, South Kensington, London: silver gelatin photograph by John Deakin (1912 - 1972). Leaf torn from book with black and white photographic illustration of detail of hand from Michelangelo's Pièta (verso). 4 Leaf (pp. 103, 104) torn from the article Bacon: le Peintre de la Détresse Humaine in the French magazine Realités, no. 249, 1/11/1966. Colour photographic postcard addressed to Francis Bacon from Florence, Italy. Dust jacket from the book Ingres by Jon Whiteley. London: Oresko Books Ltd, 1977. 5