Lifeline - Qatar Tribune
Transcription
Lifeline - Qatar Tribune
THE LOCKHORNS ALPINE INTERLUDE, JUST 80 MINUTES FROM MUNICH WOMAN DOUSES KIM KARDASHIAN WITH FLOUR EMRAAN GAME FOR AN ACTION FILM WITH STRONG SCRIPT PAGE 34 | PLAYHOUSE PAGE 35 | TRAVEL PAGE 39 | HOLLYWOOD PAGE 40 | BOLLYWOOD Now showing The hunger games A thousand words The vow Extremely loud and incredibly close Mirror Mirror Battle for terra Agent vinod Ordinary Detailed movie timing on Page 40 Did you know? English (Action) Rachel McAdams doesn’t own a car. As part of her daily contribution to help conserve energy, she rides her bike or takes the bus. English (Comedy) English (Romance) English (Drama) English (Adventure) English (Drama) Hindi Malayalam Sunday, March 25, 2012 Glamgallery A model displays a creation by designer Brooke during the MercedesBenz Fashion Week in Moscow, Russia. Rachel McAdams (right) and Channing Tatum in a scene from the film The Vow. (EPA) The Vow : Can amnesia block romance? Forget about it A O SCOTT NYT SYNDICATE T the beginning of The Vow – and again at the end, in case you had forgotten – you are told that it was “inspired by true events.” There is always a lot of latitude in such a claim, and no one would accuse this mild, soggy romance of excessive realism. But a cautious desire to remain somewhere in the neighborhood of plausibility also robs the movie, directed by Michael Sucsy from a script with four credited authors, of the opportunity to capitalise on the weirdness and extremity of its premise. When we first meet them, Paige and Leo – the dimply and adorable Rachel McAdams and the decisively chiseled Channing Tatum – are an artsy young married couple enjoying a snowy evening in Chicago. Then a car accident sends Paige through the windshield and into a coma, from which she emerges even more adorable than ever A but also with amnesia. She does not recognise Leo and cannot remember anything of their four years together, the highlights of which (cute meeting at the Department of Motor Vehicles; hipster nuptials at the Art Institute; discreet sexy snuggles in their North Side loft) we have already seen in flashbacks. More unsettling is that Paige seems to revert to an earlier version of herself. When she and Leo met, she was estranged from her wealthy suburban parents. She had dropped out of law school to become a sculptor and dumped a skinny fiance named Jeremy (Scott Speedman). Now that old life threatens to reclaim her. Mom and Dad (Jessica Lange and Sam Neill) are not crazy about Leo, who runs a recording studio and spouts random bits of rock ‘n’ roll trivia at the dinner table, and Jeremy still carries a torch. Paige, meanwhile, having lost her touch with clay, lightens her hair and trades in her bohemian garb for preppier attire. “She’s turned into this Lifeline Film The Vow Director Michael Scusy Ratings Cast Rachel McAdams and Channing Tatum The Vow, now showing in Doha theatres, features Paige and Leo, an artsy young married couple. A car accident sends Paige into a coma, from which she emerges with amnesia sweater-set-wearing, mojitodrinking sorority girl,” Leo complains to a friend. “Like a Stepford wife?” “Yeah.” But not really. The Vow leaves the creepy implications of Paige’s condition unexplored, which is fine. But the movie’s commitment to the blandest possible presentation of its central problem starts to seem perverse after a while. This could have been a rich, strange melodrama; a psychological thriller; a horror movie; a dark comedy; or any combination of these, and scholarly viewers can relieve the tedium by imagining it remade by more daring filmmakers. Just think of what Alfred Hitchcock or Pedro Almodovar or Luis Bunuel or John Waters could have done with this material. Never mind. The Vow is designed for comfort, not shock. But even by the standards of commercial melodrama it’s a pretty weak brew. McAdams and Tatum have both done time in the Nicholas Sparks school of tragico-preposterous inspiration – she in The Notebook with Ryan Gosling, he in Dear John with Amanda Seyfried – and they have the longing looks, slow teardrops and lip trembles down cold. When they are on the screen together here, there is enough physical charm and emotional warmth to distract Startalk from the threadbare setting and the paper-thin plot. But those defects ultimately get in the way of the stars and leave you wondering: Is this a romance about neurological impairment or a neurologically impaired romance? The dialogue – in particular Leo’s half-literate voice-over narration – is atrocious. The secondary characters are less vivid than the extras in an average non-Super Bowl television commercial, with the notable exception of Lange, whose one longish scene is the film’s only moment of eccentric, unpredictable passion. Otherwise stuff just seems to happen, and not much seems to be at stake, which is odd given that the movie’s ostensible subject is the complex interplay of heart and brain. The Vow ends up taking a proamnesia line, in two ways. First by suggesting that memory loss can be a great opportunity to start fresh, re-examine options and resolve long-standing wardrobe issues, and also in its exemplary commitment to its own forgetability. DiCaprio dislikes deodourants, avoids bathing Nicki Minaj wants to have kids LEONARDO DiCaprio reportedly refuses to use deodourants, while his girlfriend, model Erin Heatherton, wants him to clean up and be hygiene-conscious. “Leo has let his love for the environment take over his whole world and it’s killing his love life, he only showers a couple of days a week to conserve water and he considers deodourant to be unnatural,” showbizspy.com quoted a source as saying. “Erin loves him dearly but is starting to feel like Leo loves the environment more than her. Erin has warned him to clean up his act and his hygiene. If not, he may wind up chasing off the woman of his dreams,” added the source. NICKI Minaj wants to have children within the next 10 years. The singer is looking for the right man to settle down and start a family with, and would like it to happen sooner rather than later. “In 2022, I’ll definitely be married and I’ll definitely have my two children. I might have three, but I do want at least one boy,” the 29-year-old said. Nicki says she is keen to have a little boy because she has always been close to her younger brother. “I’m so attached to my little brother and I felt like that was my real son,” she added. A model presents a creation by Portuguese designer Ricardo Preto at Alfandega, in Porto, Portugal. (EPA) 34 Sunday, March 25, 2012 PLAYHOUSE www.qatar-tribune.com Beetle Bailey Blondie YESTERDAY’S ANSWER Popeye Spiderman LEARN ARABIC Arqam Figures Talaq Divorce Bishakl Tafeef Slightly Zits Huboot Declined Muakhran Recently E’nab Grapes Dennis the Menace The Lockhorns Phone: 44666810 FOR SUBSCRIPTIONS CONTACT US AT: Fax: 44654975 Post Box No: 23493 Email: [email protected] S TA R TA L K ARIES [march 21 - apr19] Remember that the next month is your turn to recharge your batteries for the rest of the year, because the Sun is in your sign. Do make the most of this! TAURUS [apr 20 – may 20] Work alone or behind the scenes so you have time to strategise what you want your new year (birthday to birthday) to be all about. How do you want it to be different from last year? GEMINI [may 21 – jun 20] The month ahead is a much more popular time for you! Accept all invitations. Enjoy schmoosing with others. Discuss your dreams for the future with others. CANCER [jun21 - jul 22] People definitely will notice you more in the month ahead (especially bosses, parents, teachers and VIPs). Furthermore, they think you look great! LEO [jul 23 – aug 22] Travel will please you in the next few weeks, because you're interested in expanding your horizons. You want adventure and an opportunity to learn something new. Yes! By King Features Syndicate, Inc. VIRGO [aug 23 – sept 22] Focus on red-tape details about inheritances, wills, estates, banking, insurance matters, taxes and shared property. You have the energy and patience to tackle this now. LIBRA [sept 23 – oct 22] In the month ahead, you will have to get more sleep than usual. The Sun (your source of energy) is now as far away from your sign as it gets all year. SCORPIO [oct 23 – nov 21] You have high energy now to work hard to get better organised. This same energy translates into a desire to improve your health as well. Go, go, go! SAGITTARIUS [nov 22 – dec 21] A playful month ahead is promising for your sign. Enjoy romance, love affairs, vacations, fun times with children and all sports events. Yeehaw! CAPRICORN [dec 22 – jan 19] For the next six weeks or so, your focus will be on home, family and domestic matters. Entertain at home. You also might want to redecorate or make repairs. AQUARIUS [jan 20 – feb 18] The pace of your days definitely will accelerate during the next five to six weeks. Just accept this and go with the flow. Short trips, errands and increased reading and writing are likely. PISCES [feb 19 – mar 20] "Show me the money!" You're definitely focused on working hard to boost your earnings now and in the next month. This is good, because you can be successful. Sunday, March 25, 2012 TRAVEL www.qatar-tribune.com 35 Destination review: Hong Kong Travel guide HONG Kong, once a crown colony of the UK, offers a lot for tourists to see and do. The dual culture of this country with its Cantonese and British influence makes it an unique experience. Ocean Park: One of Asia’s most popular theme parks, Ocean Park offers something for both kids and adults. Check out the thrilling rollercoaster rides or be amazed with the exotic varieties of aquatic animals. The regular shows of the sea lions, dolphins and birds are a must see. The highlight of a visit to the park is the cable car ride that links the lowland and headland offering an amazing view. Victoria Peak: The best way to check out this scenic viewpoint is to take the Peak Tram that climbs 1,200 feet up to the highest point. Once up there, the view is simply breathtaking. Take a look at the towering skyscrapers and the beautiful Hongkong skyline lit up at night. Disneyland: Whether you’re on holiday with a child or simply have a love for all things to do with Disney, this amusement park is a must visit. A replica of the original one in the US, lose yourself in the legendary fairytale kingdom. Relive your childhood fantasy! Stanley Market: If it’s bargain buys that you desire, than Stanley Market is for you. Get some amazing Chinese replicas of your favourite designer goodies. From Fendi bags to rolex watches, they’re all available here at great prices. Giant Buddha: Get a slice of some culture and visit Lantau island for the giant Buddha. The bronze statue is 34 metres high and took over 10 years to complete. There may be a long flight of stairs going up to look at the statue, but it’s well worth it. One of the finest examples of Hong Kong’s rich culture. THE STREETS OF HONG KONG. Alpine interlude, just 80 minutes from Munich RUSS JUSKALIAN NYT SYNDICATE HE absurd part wasn’t sprinting, nearly naked, through a frozen warren of tunnels carved into the dense snow on top of a glacier. It was that I was desperately trying to make it outside, where the nighttime temperature was minus five degrees Fahrenheit and trillions of moonlit snowflakes were swirling in the wind. By the second step into this maelstrom on Zugspitze, the highest peak in Germany, all feeling in my bare feet had vanished, but salvation lay six metres ahead in the billowing steam of an outdoor hot tub. Just 80 minutes by train from Munich, the German town of Garmisch-Partenkirchen (population 26,000) is a wonderful spot to spend a few days exploring the wintry beauty of the Bavarian Alps. And with countless activities, and plenty of cute B&Bs and traditional German gasthaeuser, you need not spend the night, as I did, more than 1,800 metres above the town in an igloo. Independent towns for centuries – and still separated by a train station and the Partnach river – Garmisch and Partenkirchen were forcibly grafted together in 1935, under Hitler’s orders, to host the next year’s Winter Olympics. (Calling the town GaPa, or GaP, is fine, but unless you’re prepared for a swift rejoinder, don’t shorten it to Garmisch in front of an older resident of Partenkirchen.) The two sides of town have distinct personalities, best sampled on foot. Partenkirchen is the older of the two, dating to AD 15, when it was a Roman town called Partanum. Today, the village is centred on the quiet, cobblestoned Ludwigstrasse, said to trace a branch of the ancient Via Claudia Augusta between Venice and Augsburg. The narrow street is lined with historic buildings in the Bavarian gasthaus style: three or four floors, swept open wooden shutters, and street-facing facades painted in pastel-hued imagery of religious, pastoral and regional scenes. In the morning, you’ll see older residents in earth-tone country wear walking their dogs, and younger tourists, head-to-toe in fluorescent ski clothes, looking for the bus stop to the mountain. If you wander off Ludwigstrasse – down streets like Sonnenbergstrasse and Faukenstrasse – you’ll find splendid examples of regional country homes, with overhanging roofs and heavy, woodenbeam construction. In your imagination – and probably in a few of the homes – there may be an alphorn or two, and a yodeller. The Garmisch district is livelier and more apres-ski oriented. At its centre is a pedestrian lane, Am Kurpark, running between the squares of Richard Strauss Platz and Marienplatz. Here, international brands bump up against quirky bars, restaurants serving everything and historic buildings like the 16th-century Zum Polz’n Kaspar House, a former private residence now maintained by the city. When Partenkirchen is headed to bed, the party in Garmisch is just getting started at Pub 33, Peaches or one of the temporary stands. The big draw to GaPa is everything you can do outside. The chairlifts are a short walk, or a five-minute bus or train ride, from any part of town. For downhill skiers, the Garmisch-Classic area has trails best suited for begin- T Just 80 minutes by train from Munich, the German town of Garmisch-Partenkirchen is a wonderful spot to spend a few days exploring the wintry beauty of the Bavarian Alps Guests at sunrise at a mountain igloo village in Zugspitze, south of Garmisch-Partenkirchen, Germany. The cobblestoned Ludwigstrasse street in Partenkirchen, Germany. Commuters on an aerial tramway up Zugspitze, Germany. ners and intermediates. But when the infamous Kandahar run isn’t closed for a major race, experts can pause for incredible views before charging the black trail nearly 915 vertical metres to the valley. The nearby Zugspitze area offers the otherworldly experience of skiing on a glacial plateau, situated in the upper cirque of Germany’s tallest massif, Guests are served Bierlikor at the Fraundorfer Gasthaus. A cobbler taking a break. nearly 2,750 metres above sea level. The view from the piste is hills of snow devoid of trees, encircled by a razor’sedge crown of near-vertical, rocky peaks – all of it, on many days, poking above the clouds. If you have the equipment and experience to venture safely off-piste, there are lift-served open bowls and powder to play in. For everyone else, GaPa has endless territory to explore on foot, snowshoe or cross-country skis, whether through alpine or conifer forests or across the snow-blanketed meadows leading to the villages of Grainau and Eibsee. The brave should look into a local sledding run, or rodelbahn. A typical route can be five kilometres long and descend 460 metres on a twisting, tree- lined trail. Local ski shops will rent sturdy runner sleds to anyone. But it’s probably worth making sure your travel – and injury – insurance is up to date. Most crashes are harmless, but minor fractures are common enough. One thing nobody should skip is a hike through the Partnachklamm, or Partnach Gorge. The trail winds along the floor of a narrow, river-carved valley – only metres wide in places. Huge icicles and ice flows line the walls in winter, some cascading over 30 metres from the top of the limestone walls to the river below. If it reminds you of a scene from The Neverending Story, that’s because the story’s author, Michael Ende, grew up here. Food and night life in GaPa are dominated by Bavarian fare and bars. The Fraundorfer Gasthaus in Partenkirchen, which also rents out rooms, is a quirky mix of history and kitsch. The ground floor is a restaurant, with long communal tables and with walls crowded with photos, antlers and fasnacht masks. Over a dinner of Schweinshaxe on a recent night, families chatted in a variety of languages, an accordion player quietly yodelled and a dozen men, in or around their ninth decade, sat at their stammtisch, or regular’s table, in lederhosen, knee-length socks and fedoras. Other places to eat Bavarian food include Zum Wildschuetz, which stands out for its take on Bavarian game meats like oxen and deer. Towering above everything is the jagged peak of Zugspitze, topping out at 2,962 metres. There are two ways up from GaPa: a cogwheel train, which passes through a 5-kilometre tunnel up the mountain, or an aerial tramway from Eibsee, which ascends nearly 1,950 metres in 10 minutes, making it the world’s tallest singlesection lift of its kind. The 39-euro fee for the ride up includes access to the Zugspitze ski lifts, so you might as well hit the glacier’s slopes while you’re there. 36 Sunday, March 25, 2012 CHANNEL SURFING www.qatar-tribune.com BEST ON TV TONIGHT 7:00 pm CNN International: WORLD SPORT 7:20 pm Boomerang: PINK PANTHER & PALS 7:00 pm OSN Sports 2: SCOTTISH PREMIER LEAGUE 10:50 pm Discovery HD Showcase: FLYING WILD ALASKA TV PRIME TIME GUIDE 7:00 PM 7:30 PM 8:00 PM 8:30 PM 9:00 PM BBC WORLD CNN INTERNATIONAL BOOMERANG DISNEY CHANNEL BBC WORLD NEWS WORLD SPORT PINK PANTHER & PALS HAVE A LAUGH INDIA BUSINESS REPORT AIMING FOR GOLD BBC WORLD NEWS WHEN PARKINSON MET MANDELA SPORTS WORLD HAVE YOUR SAY BBC WORLD NEWS INTERNATIONAL DESK THE FLINTSTONES THE GATEWAY HELP! 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In 1968, the Guide was adapted into a Broadway play by Harvey Breit and Patricia Rinehart and was staged at Hudson Theatre. The play starred Zia Mohyeddin, a Pakistani actor, in the lead as Raju. The novel, set in Narayan's fictional town Malgudi, fetched the writer a Sahitya Akademi award in 1960. It was made also into a hit movie in 1965 starring Dev Anand and Waheeda Rehman. The Indian adaptation, a tribute to Narayan, will commemorate the movie by including four popular tracks from it with contemporary flavour. Composer Anil Shrinivasan, a Chennai-based pianist, is setting the music for the play. "The play is a dramatised version of the book. The movie was a rather romanticised version. We will recreate the authenticity of the what RK Narayan wrote. We will try to bring out what actually happened between Raju and Rosy and the relationship between man and his ego," Roy said. Shrivastava and the team had started work on the play two-and-a-half years ago after acquiring the rights to dramatise the play from Narayan's family foundation. "It was beautiful revisiting the book. He is one of the greatest writers and his story-telling is so simple," Roy said. "I am using four popular tracks from the movie with a contemporary flavour," Anil Shrinivasan said. "The tunes remain the same because we have grown up with the songs," the composer said. The play, produced Ritu Saigal of the Deva Fine Arts Society and Teamworks Production, will be presented by Jaypee Greens. It will be choreographed by Gilles Chuyen. A SCENE FROM GUIDE. Animals as muses, symbols & moral teachers EDWARD ROTHSTEIN NYT SYNDICATE HEN Odysseus, disguised as a beggar, returned home after 20 years of war and wandering, his aged dog, Argos, knew him instantly. “Infested with ticks, half dead with neglect” and lacking the strength even to drag himself toward his master, Argos thumped his tail, nuzzled low and dropped his ears in grateful recognition. Then the “dark shadow of death closed down on Argos’ eyes.” That is one of the encounters evoked at an enchanting exhibition at the Morgan Library & Museum that opened recently. It was also one of the examples that an assistant curator at the Morgan, Clara Drummond, said inspired her to comb through the Morgan’s collection for other moments of recognition and interaction between animals and humans. The show she created, “In the Company of Animals: Art, Literature, and Music at the Morgan,” is so literate and gracious that you don’t immediately realise just how startling its objects are and how haunting its theme is. And its range really is as wide as the Morgan’s collection, examining how artists, writers and composers “used animals to think and create.” Here are drawings by Rubens and Delacroix; a watercolour of the famous 19th-century giraffe, Zarafa (who walked 550 miles, from Marseille to Paris); a Peanuts cartoon strip by Charles M Schulz; a 19th-century children’s board game; a Mesopotamian cylindrical seal from the fourth millennium BC; scores by Haydn and Debussy; and a 15th-century image of the zodiac. And although the exhibition is roughly divided into categories – animals as muses, symbols, companions, talking creatures and moral teachers – notice is served from the start by a quote from Jorge Luis Borges: There is “no classification of the Universe that is not arbitrary and full of conjectures.” So, here too, all categories, we are assured, are “fluid.” That particularly applies to the human and the animal. We cannot help seeing one as a reflection of the other. A female elephant named Hansken that had been taken to Amsterdam in 1637 was probably the one sketched here by Rembrandt, whose black chalk image rippled folds of flesh over the exotic creature. But the alert expression of the elephant’s eyes, as if startled by some sudden thought, could also have come from one of Rembrandt’s portraits; the elephant has glints of the human about her. Hansken, we read, may have even had some experience in impersonation: She was trained to dance in circles, fence with a sword and put on a hat and take it off. Another kind of human sentiment – tender, melancholic, vulnerable – can be found in the eyes of a young rabbit in one of John James Audubon’s studies here. On the drawing’s verso, we are told, Audubon wrote that he created the work “during one of the days of deepest sorrow I have felt in my life.” That morning, his daughter-in-law Eliza had died. W Maria Sibylla Merian’s ‘Black Tegu Lizard’. Nicolas Huet’s study of a giraffe, Zarafa. This projection of the human into the animal – or is it more a discovery? – becomes more apparent in talking animals who are, as the text points outs, “creatures in the original sense of the word, marvellous creations of the human imagination.” This includes Nick Bottom from A Midsummer Night’s Dream,who was magically given a donkey’s head; he is shown here in a charcoal image by Odilon Redon. In the case of Babar (the subject of a previous Morgan exhibition) or Winniethe-Pooh, the combination of human character and animal body evokes the state of childhood, where aspects of both worlds merge with bewildering, shapeshifting ease. There is a charming drawing here by EH Shepard, the English illustrator of Winnie-the-Pooh and Wind in the Willows, sent in tribute to the US actress Ruth Draper after a 1949 performance. Pooh leads his fellow creatures (including Eeyore, Toad and Badger) to the actress’ door with a declaration of admirashun. Could such a delegation’s sincerity ever be in doubt? ‘In the Company of Animals: Art, Literature, and Music at the Morgan,’ is so literate and gracious that you don’t immediately realise just how startling its objects are and how haunting its theme is. Its range really is as wide as the Morgan’s collection, examining how artists, writers and composers “used animals to think and create” Sometimes, in such images, we read innocence into the animal world, almost as if we were glimpsing creatures cavorting in Eden before the Fall. Except that these simulacra of animal-like childhood also show just how far from paradise we really are. Schulz’s Snoopy may be a dog, but he is often the most knowing of the comic strip’s characters and is seen here on his doghouse roof with a typewriter, working on his novel. (Each draft begins with the words, “It was a dark and stormy night ...” which, we are informed, were taken from Edward Bulwer-Lytton’s 1830 novel Paul Clifford.) The show will not permit us simply to embrace a Romantic, pastoral landscape full of peaceful creatures far more natural than venal humanity. That fantasy is now generally left for the terrain of human infants, whose cribs are lined with stuffed animals. More often, here, we find the opposite. Animals are partly seen as human because they reflect us at our worst. We even glimpse the moment of trans- formation from innocent into more fearsome animal life in Duerer’s famous 1504 engraving Adam and Eve. Just as Eve is accepting the forbidden fruit from the serpent, in the distance an ibex stands perched on another kind of precipice. And at Eve’s feet are animals representing humours and temperaments, now doomed to be forever off kilter: the elk (melancholic gloom); the rabbit (sanguine sensuality); the cat (choleric cruelty); and the ox (phlegmatic sluggishness). A similar allegorical spirit is evident in a 19th-century playing board called British and Foreign Animals: A New Game, Moral, Instructive and Amusing. It has no words, just pictures of animals on which the player lands. The board declares it is “designed to allure the minds of youth to an acquaintance with the wonders of nature.” But such wonders are clearly representations of the human. The game board View of the new exhibit, ‘In The Company of Animals: Art, Literature, and Music at the Morgan.’ Eugene Delacroix’s ‘Royal Tiger’. begins with the lowly jackal and ends with the regal lion: an evolutionary progress of sorts. Land on the horse and you get to “spin again, for a ride on one of these noble animals.” Land on the jackal and you face disgrace: Such creatures “follow armies, in hopes of being furnished with a banquet by disease or battle.” This is also the language of fables. “Sly as a fox,” “gentle as a lamb,” “hungry like a wolf,” the exhibition points out, are phrases showing how often we “interpret animal behaviour in human terms” and “draw moral conclusions.” The earliestknown version of the life and fables of Aesop is displayed here: a 10th or 11th century manuscript from Italy. Often, too, such fables are dark. We see a first edition of Orwell’s Animal Farm with the original subtitle, “A Fairy Story.” Its portrait of what the author called “the progress of the Russian Soviets and their two dictators” would have been found less offensive, he wrote, “if the predominant caste in the fable were not pigs.” But animal archetypes are not arbitrary; fables can become ludicrous if they mismatch temperament and creature. A letter from Edgar Allan Poe that specified revisions to his poem The Raven is accompanied by a panel informing us that initially, in thinking of an animal “capable of speech” for his poem Nevermore!, Poe considered using a parrot. So animals as humans? Humans with animal failings? Nature as brutish and as pastoral? Aspects of all of these come together in the peculiarly human preoccupation with pets, which probably would not be as intense if it weren’t for the mixture of fear and recognition, selfishness and devotion in the relationship. In 1843 Elizabeth Barrett Browning’s Dog Flush (to whom she wrote a nearlove poem) was abducted and held for ransom. She writes of his return: “Oh, and if you had seen him, when he came home & threw himself into my arms ... in that dumb inarticulate ecstasy which is so affecting.” A cynic about such ecstasy might respond with another example here: the 18th-century British statesman Horace Walpole, who, it is pointed out, may have “felt more affection for his pets than for many of his friends.” His cat Selima, spotting a goldfish in a Chinese porcelain tub, reached down to catch it and drowned. Thomas Gray wrote an elegiac tribute in a 1757 manuscript on display, “On the Death of a Favourite Cat, Drown’d in a China-Tub of Gold-Fishes.” Gray even provided a moral: Not all that tempts your wandering eyes And heedless hearts, is lawful prize; Nor all that glisters gold. But much here is, elegantly providing insight and pleasure. And we see, in its fine print, that the show has practiced what it preached, embodying what it displays. The exhibition,we read, “is supported by a generous gift from Tina Santi Flaherty in honour of her faithful companions Jackie, a white Labrador retriever, and Scarlett, a King Charles spaniel.” Sunday, March 25, 2012 HOLLYWOOD Halle Berry checks out Paris schools for daughter Scene unscene www.qatar-tribune.com It’s a boy for Hilary Duff SINGER-ACTRESS Hilary Duff has been blessed with a baby boy. The star and her husband, retired ice hockey player Mike Comrie, welcomed their first child on Tuesday, reports contactmusic.com. They have named him Luca Cruz Comrie. “Welcome to the world Luca Cruz Comrie! On Tuesday evening we became proud parents of a healthy seven pound six ounce beautiful boy,” Duff tweeted and broke the news to her fans. “We are overjoyed and feel like the luckiest parents in the world. He is surrounded by so much love!! Mom and baby are both doing extremely well,” she added. HALLE Berry wants to keep her daughter Nahla away from the paparazzi and is busy checking out schools in Paris. The 45-year-old also wants to move her four-year-old to France to be with fiance Olivier Martinez. She has been spotted looking at kindergartens in the city. “Halle wants someone to care for Nahla. She wants to escape the paparazzi in Los Angeles,” said a source. “Nahla’s education is a priority for both of them. They want to give her a European education. Olivier would absolutely love Halle to be in Paris. That way they could all be a proper family once the wedding is over,” the source added. HALLE BERRY HILARY DUFF Woman douses Kim Kardashian with flour Kim Kardashian Kim was posing for pictures and doing interviews with the press, when an unidentified Asian woman doused her with white powder at her own perfume launch in West Hollywood TRIBUNE NEWS NETWORK IM Kardashian was left humiliated when she was attacked with flour on the red carpet at her own perfume launch. The 30-year-old reality star was covered in the cooking ingredient after an unidentified Asian woman pelted her at the launch of True Refection at The London Hotel in West Hollywood. Kim arrived dressed-to-the-nines, wearing a black blazer, leather trousers and a bright blue blouse, but within minutes she looked more like a dowdy housewife after a kitchen mishap. Kim’s back and hair was covered in the substance, which was later determined as cooking flour. The website reports that after the attack, Kim, who arrived at the hotel with her mother Kris Jenner, was ushered into a private room where she removed her doused jacket and brushed the flour off the rest of her outfit and long brunette locks. The reality starlet opted to go back to the event following the fracas, and the assailant was arrested by police who were called to the scene. The fire department was also called to the scene to inspect the substance, which after several minutes they determined as cooking flour. After she returned to the event Kim laughed off the ordeal and even made a joke in light of the incident. “That proba- K Victoria Beckham (right) with David Beckham. Busybee Kim Kardashian doused with flour. bly is the craziest, unexpected and weird thing that ever happened to me,’ she told E! Online. “Like I said to my makeup artist, I wanted more powder and that’s a whole lot of translucent powder right there.” According to E! Online, the woman ran off after she threw the flour, but didn’t get very far when Kim’s representation intercepted her and held onto her before security took over. Kim has not pressed charges over the incident and the unidentified woman has been released, according to a press release from the Los Angeles County Sheriff’s Department. Moments before the assailant launched their attack, Kim was blissfully unaware of what was to come, happily posing for pictures and doing interviews with the press. The attack may have quite possibly have come from a protester opposing Kim’s love affair with fur. In November Kim was the target of a PETA campaign. Kim’s little sister, Khloe, immediately took to her Twitter account to express both her outrage and praise for her sister’s dignified reaction after the flour pelting. She wrote: ‘I’m proud of how Kim handled the situation.’ She then later added in defence, “I wish I was with my sister tonight. I bet you that woman wouldn’t have dared tried a thing...” Mel Gibson puts sprawling Costa Rica retreat up for sale REUTERS CTOR-DIRECTOR Mel Gibson is putting his sprawling hilltop compound in Costa Rica up for sale, with a $29.75 million asking price. The Oscar-winning Braveheart director, who has suffered a series of public embarrassments in recent years after a decades-long reign as a top box office star, is selling the 500-acre compound to downsize his real estate portfolio following his divorce. Christie’s International Real Estate, the luxury real estate firm, was set to announce the offering. Gibson’s Pacific coast compound, on Playa Barrigona on Costa Rica’s Nicoya Peninsula just south of the Nicaragua border, boasts three hilltop homes, the largest of which has seven bedrooms, with soaring ocean and A 39 jungle views. Each villa on the former cattle ranch is outfitted with native Costa Rican woods and Italian and Spanish tiles and features multiple veranda's and a private pool. “The property is expansive, meticulously maintained, and ultimately private,” said Rick Moeser, Christie’s real estate senior vice president for the Southeast, Caribbean, Central and South America. “With its multiple homes and outbuildings, this is the ideal family retreat,” Moeser added of the pristine property that includes an expansive beach. Gibson, 56, has seven children from his long marriage which ended in divorce in 2009 after his drunk driving arrest in Malibu. He also has one child with Russian pianist Oksana Grigorieva, with whom he had an acrimonious breakup. The star and his large extended family had used the estate frequently before the troubles in his personal life. He reportedly retreated to the holiday home during his legal troubles with Grigorieva. Gibson was also photographed with her there in 2009, shortly before his wife filed for divorce. Over the years the actor has owned lavish properties in Malibu, Australia, Montana, Connecticut, and even a private island in Fiji. Since his legal troubles and a well-publicised anti-Semitic remarks made during his drunk driving arrest, Gibson’s acting roles have diminished. He had a starring role in the Jodie Foster film The Beaver last year, and his next project is Get the Gringo, which he also co-wrote and is due out later this year. Victoria longs for a break TRIBUNE NEWS NETWORK W ITH a joint fortune of £165million, David and Victoria Beckham can clearly afford a holiday. But according to Victoria, she has not managed to have a break with her husband for the past three years. Three young sons, a baby girl and a fashion brand beloved by the A list would appear to have left her with her hands too full even to go shopping very often. Looking gaunt, 37-year-old Victoria said she had been left exhausted by eight-month-old daughter Harper’s sleepless nights. And David, 36, said it had been years since the couple had watched anything other than children’s movies. However, their comments, to American Vogue, would seem to be slightly far-fetched as the family have, in fact, managed to get some respite over the past few years. They are frequently pictured on the beach in the exclusive Californian resort of Malibu. And in December 2010 they were pictured on holiday in northern California with close friend Gordon Ramsay and his family. In June of that year they enjoyed a holiday in St Tropez, while in spring 2009 they relaxed at George Clooney’s Italian villa on Lake Como. With Victoria’s family and fashion work leaving little time to go shopping, she buys most things over the internet. “It doesn’t stop,” she said. “There’s a lot to get done in not a lot of time. It’s quite intense.” Recently a source close to Victoria said of her holiday remarks, “Victoria was talking about the last time she had a holiday just with David alone.” Mel Gibson 40 Sunday, March 25, 2012 BOLLYWOOD www.qatar-tribune.com Guess who is Dia’s father figure in B-town? Minissha wanted to be a journalist Scene unscene MINISSHA Lamba, who started her acting career with Yahaan in 2005, says she hardly attended classes during her college days. “I hardly went to college because I was too lazy. It was a girl’s college. I was too busy doing summer jobs and then modelling assignments and from there I went into acting,” said Minissha who studied at Miranda House. “And I am lucky that my family was always there to support me. There were no objections from their side,” she added. The 27-year-old actress will be back on the silver screen with Shirish Kunder’s Joker and Anand Kumar’s Zilla Ghaziabad. Acting happened accidentally, she said and added, “I wanted to do mass communication after college and become a journalist.” DIA Mirza has no godfather in the film industry, but she has found a father figure in Boman Irani. She spoke about her closeness with Boman on the sets of NDTV India’s Issi Ka Naam Zindagi. According to a source, she got teary-eyed during the shoot of one of the episodes of the show. She revealed the ways in which Boman has always been a father figure off screen and supported her during thick and thin. MINISSHA LAMBA Sonam Kapoor DIA MIRZA Emraan game for an action film with strong script IANS Too soon to judge Sonam: Dhanush IANS OUTHERN star Dhanush has teamed up with Sonam Kapoor for his Bollywood debut Raanjhanaa and says it is too early for him to judge the acting abilities of his co-star. “I think it’s really too soon for me to judge what kind of an actress Sonam is. I’ll have to work with her and then probably I’ll know better,” the 28-year-old said at the Radio Mirchi Music awards. “Right now, as far as I am concerned, she has a very expressive face and I am sure she is capable of much more than she has already done,” he added. In Raanjhanaa, both Dhanush and Sonam play characters from Varanasi who are currently studying in Delhi. Meanwhile, the Kolaveri Di man had composed a Sachin Tendulkar anthem and says it feels great now that he has got his 100th international century. “There is nothing new that I can say about the Master. The song was aired a month ago and it has got 5 million clicks. Now that he has also got his 100th century, it’s really great,” said Dhanush. Dhanush is currently in Mumbai working on dubbing of the Hindi version of his wife Aishwarya Rajinikanth’s directorial debut 3. S “Action films are high on stunts, spectacle and grandeur. I would want the spectacle in the action film as well as a very good character-driven plot and a good story” CTOR Emraan Hashmi, who started his career with an action film titled Footpath and moved on to romance and drama, says he would love to go back to the genre, provided he gets a film with a strong story and character. “I would want a character-driven action film,” Emraan said. “Generally action-driven films are low on story. I personally would like to do films where from point A to point Z there is a welletched character and a good script. Definitely if it’s an action film, it has to be a good script,” he added. The 32-year-old feels it’s important for action filmmakers to strike the right balance between the stunts and story. “Action films are high on stunts, spectacle and grandeur and that’s the way it should be. But I would want the best of both worlds. I would want the grandeur, I would want the spectacle in the action film and as well as a very good character-driven plot and a good story,” he added. The actor spoke on the sidelines of the music launch of his next film Jannat 2. Directed by Kunal Deshmukh, Jannat 2 also features Esha Gupta, Randeep Hooda and Imran Zahid. He will also be seen with his The Dirty Picture co-star Vidya Balan once again in a comedy film titled Ghanchakkar. Emraan is confident that the film will break the mould about the genre. “Ghanchakkar is just a comedy film because there are certain pre-conceived notions about comedy and this film will break all of those. “At the same time, you will tickle your funny bone watching the film. It’s a hilarious film with some thrilling moments,” Emraan said. Besides Jannat 2, Emraan is currently busy will multiple projects like Raaz 3D and Shanghai. A Emraan Hashmi Dhanush Now showing GRAND CINE CENTRE THE HUNGER GAMES (ACTION): 12.15 PM, 3 PM, 5.45 PM, 8.30 PM, 11.15 PM A THOUSAND WORDS (COMEDY): 11 AM, 12 PM, 1 PM, 2 PM, 3 PM, 4 PM, 5 PM, 6 PM, 7 PM, 8 PM, 9 PM, 10 PM, 11 PM, 12 MN THE VOW (ROMANCE): 10.30 AM, 12.45 PM, 3 PM, 5.15 PM, 7.30 PM, 9.45 PM, 12 MN EXTREMELY LOUD AND INCREDIBLY CLOSE (DRAMA) 10.45 AM, 1.15 PM, 3.45 PM, 6.15 PM, 8.45 PM,11.15 PM AGENT VINOD (HINDI): 11 AM, 2 PM, 5 PM, 8 PM, 11 PM BATTLE FOR TERRA (DRAMA): 11.45 AM, 1.30 PM, 3.15 PM, 5 PM MIRROR MIRROR (ADVENTURE): 12.30 PM, 2.45 PM, 5 PM, 7.15 PM, 9.30 PM, 11.45 PM THE DEVIL INSIDE (HORROR): 11.45 AM , 1.30 PM, 3.15 PM, 5 PM, 6 .45 PM, 8.30 PM, 10.15 PM, 12 MN PROJECT X (COMEDY): 6.45 PM, 8.30 PM, 10.15 PM, 12 MN CORIOLANUS (SUSPENSE): 2 PM, 6.45 PM, 11.30 PM JOHN CARTER (ACTION): 12.30 PM, 3 PM, 5.30 PM, 8 PM, 10.30 PM OMAR WA SALMA 3 (ARABIC): 11.45 AM, 4.30 PM, 9.15 PM DR SEUSS THE LORAX (3D) (ANIMATION): 11.15 AM, 1.15 PM, 3.15 PM, 5.15 PM, 7.15 PM, 9.15 PM, 11.15 PM ACT OF VALOR (ACTION): 2.30 PM, 7 PM, 11.30 PM SAFE HOUSE (ACTION): 12.15 PM, 4.45 PM, 9.15 PM MALL CINEMA THE HUNGER GAMES (ACTION): 2.30 PM, 5.15 PM, 8 PM, 11 PM A THOUSAND WORDS (COMEDY): 11.30 PM EXTREMELY LOUD AND INCREDIBLY CLOSE (DRAMA): 6.30 PM, 9 PM BATTLE FOR TERRA 3D (DRAMA): 2.30 PM, 4.30 PM MIRROR MIRROR (ADVENTURE): 3 PM, 5 PM THE DEVIL INSIDE (HORROR): 11 PM OMAR WA SALMA 3 (ARABIC): 7 PM, 9 PM LANDMARK CINEMA VILLAGGIO MALL THE HUNGER GAMES (ACTION): 2.30 PM, 5.15 PM, 8 PM, 11 PM A THOUSAND WORDS (COMEDY): 9.30 PM, 11.30 PM THE VOW (ROMANCE): 7 PM, 9.15 PM, 11.30 PM EXTREMELY LOUD AND INCREDIBLY CLOSE (DRAMA): 7PM BATTLE FOR TERRA 3D (DRAMA): 3 PM, 5 PM BEBO WA BASHIR (ARABIC): 2.30 PM THE HUNGER GAMES (ACTION): 12.15 PM, 3 PM, 5.45 PM, 8.30 PM, 11.15 PM A THOUSAND WORDS (COMEDY): 11.45 AM, 1.45 PM, 3.45 PM, 5.45 PM, 7.45 PM, 9.45 PM, 11.45 PM THE VOW (ROMANCE): 12.15 PM, 2.30 PM, 4.45 PM, 7 PM, 9.15 PM, 11.30 PM EXTREMELY LOUD AND INCREDIBLY CLOSE (DRAMA) 11.15 AM, 1.45 PM, 4.15 PM, 6.45 PM, 9.15 PM, 11.45 PM AGENT VINOD (HINDI): 11 AM, 2 PM, 5 PM, 8 PM, 11 PM BATTLE FOR TERRA 3D (DRAMA): 11 AM, 12.45 PM, 2.30 PM, 4.15 PM MIRROR MIRROR (ADVENTURE): 12 PM, 2.15 PM, 4.30 PM, 6.45 PM, 9 PM, 11.15 PM THE DEVIL INSIDE (HORROR): 11.30 PM, 1.30 PM, 3.30 PM, 5.30 PM, 7.30 PM, 9.30 PM, 11.30 PM PROJECT X (COMEDY): 6 PM, 10 PM, 12MN CORIOLANUS (SUSPENSE): 2.15 PM, 6.45 PM, 11.15 PM JOHN CARTER (ACTION): 11 AM, 12.30 PM, 1.30 PM, 3 PM, 4 PM, 5.30 PM, 6.30 PM, 8 PM, 9 PM, 10.30 PM, 11.30 PM OMAR WA SALMA 3 (ARABIC): 12.30 PM, 5 PM, 9.30 PM DR SEUSS THE LORAX (ANIMATION): 11 AM, 1 PM, 3 PM, 5 PM, 7 PM, 9 PM, 11PM ACT OF VALOR (ACTION): 2.45 AM, 7.15 PM, 11.45 PM JOURNEY 2: THE MYSTERIOUS ISLAND (3D): 12.15 PM, 4.45 PM, 9.15 PM ROYAL PLAZA A THOUSAND WORDS (COMEDY): 7 PM, 11.30 PM THE VOW (ROMANCE): 4.30 PM, 7 PM, 9.15 PM, 11.30 PM EXTREMELY LOUD AND INCREDIBLY CLOSE (DRAMA): 9 PM BATTLE FOR TERRA 3D (DRAMA): 3 PM, 5 PM CORIOLANUS (SUSPENSE): 11.30 PM PROJECT X 2D (DRAMA): 3 PM BIG MIRACLE (COMEDY): 2.30 PM OMAR WA SALMA 3 (ARABIC): 7 PM, 9 PM THE WOMAN IN BLACK (HORROR): 5 PM AGENT VINOD (HINDI) GULF CINEMA EE ADUTHA KALATH (MALAYALAM): 2.30 PM AGENT VINOD (HINDI): 2.30 PM, 5.30 PM, 8.30 PM ORDINARY (MALAYALAM): 11.30 PM ORDINARY (MALAYALAM)