saxelovnebo mecnierebaTa Ziebani #4 (45), 2010 ART SCIENCE

Transcription

saxelovnebo mecnierebaTa Ziebani #4 (45), 2010 ART SCIENCE
saqarTvelos SoTa rusTavelis Teatrisa
da kinos saxelmwifo universiteti
Shota Rustaveli Theatre and Film
Georgian State University
saxelovnebo mecnierebaTa Ziebani
#4 (45), 2010
ART SCIENCE STUDIES
#4 (45), 2010
gamomcemloba `kentavri~
Tbilisi _ 2010
1
UDC(u ak) 7( 051. 2)
s-364
Shota Rustaveli Theatre and Film Georgian State University
saqarTvelos SoTa rusTavelis Teatrisa da kinos
saxelmwifo universiteti
saxelovnebo mecnierebaTa Ziebani
sa r e d a q c io sa b W o
maia goSaZe
ira demetraZe
eliso erisTavi
literaturuli
redaqtori
mariam iaSvili
g a r e k a n is d iz a i n i
levan dadiani
d akab ad oneb a
ekaterine
oqropiriZe
gamomcemlobis
xel mZRvaneli
maka vasaZe
2
#4 (45), 2010
krebulisaTvis mowodebuli masala
uzrunvelyofili unda iyos
Sesabamisi samecniero aparatiT. Tan
unda axldes monacemebi avtoris
samecniero kvalifikaciis Sesaxeb
qarTul da inglisur enebze,
agreTve naSromis inglisurenovani
reziume.
krebulis stamburi gamocema
egzavneba sxvadasxva saerTaSoriso
kvleviT centrs.
naSromebi mogvawodeT da
cnobebisaTvis mogvmarTeT:
0102, Tbilisi, daviT aRmaSeneblis
gamziri #40, saqarTvelos SoTa
rusTavelis Teatrisa da kinos
saxelmwifo universiteti,
II korpusi.
tel/faqsi: +995 (32) 936 408
mob: +995 (95) 305 060
+995 (77) 288 750
E-mail: [email protected]
Web: www.tafu.edu.ge
Art Science Studies #4 (45), 2010
Editorial Group
MAIA GOSHADZE
IRA DEMETRADZE
ELISO ERISTAVI
Literary Editor
MARIAM IASHVILI
Cover Design
LEVAN DADIANI
Book Binding
EKATERINE
OKROPIRIDZE
Head of Publishing
House
MAKA VASADZE
Materials supplied for the volume
should be provided with
corresponding scientific appliance.
Paperwork concerning author’s
academic qualification and summary
of work should be attached in
Georgian and English languages.
Printed version of the volume is sent
out to various international research
centers.
Works should be supplied under the
following contact:
0102, Tbilisi, Davit Agmashenebeli
Avenue #40
Georgian Shota Rustaveli Theatre
and Film State University
Second Block
Tel/Fax: +995 (32) 936 408
Mob: +995 (95) 305 060
+995 (55) 288 750
E-mail: [email protected]
Web: www.tafu.edu.ge
3
Sinaarsi
k u l t u r is m e ne j m e n t i
nino sanadiraZe
kulturis sferos marTvis procesebis Taviseburebebi .............................7
CONTENTS
C ULT UR E M AN A G E M E N T
NINO SANADIRADZE
Understanding of Art sector management .............................................................91
u n i v e r s i t e t i s
s a d o q t o r o
p r o g r a m a
U N I V E R S I T Y ’
d r a m i s a d a T e a t r i s T e o r i a
maka vasaZe
saubrebi robert sturuas
`saTeatro enaze~ ................................................................................................16
Tamar cagareli
saTeatro azri saqarTveloSi
(aRorZinebis epoqis magaliTze) .....................................................................26
D R A M A A N D T H E AT R E H I S T O RY
MAKA VASADZE
One is supposed to say something original about a man, and in temrs of form
and structure, it already implies creating something new….............................92
TAMAR TSAGARELI
Theatre opinion in Georgia
(According to the Renaissance epoch) .................................................................93
d r a m i s
r e J i s u r a
maia Sengelia
amosavali movlena da siuJetis scenuri dekodirebis problema
(literaturuli siuJeti. pirveli plani. scenuri (qmediTi) siuJeti.
meore plani. moqmedebis motivacia.) ................................................................42
nino li partiani
Teatraluri xelovneba, rogorc socio-komunikaciuri
saSualeba postmodernistul epoqaSi .............................................................53
D RA M A DI R E C T IO N
MAYA SENGELIA
Initial event and story scenic decoding problem ................................................95
NINO LIPARTIANI
Theatrical Art as a Social-communicative mean
in the Post-modernist Epoch ..........................................................................96
u n i v e r s i t e t i s
s a m a g i s t r o
p r o g r a m a
FIL M- T E L E -DRAM ATURG Y
MARIAM KUKULAVA
“Faces viewed in shadows” ..................................................................................97
ALEKSANDRE LORTKIPANIDZE
Andrei Tarkovski - Childhood Sacrifice .................................................................98
GOGA KOBALIA
Moral Anxiety of Kshishtof Kislevsky ..................................................................99
k i n o - t e l e
d r a m a t u r g i a
(Teoriisa da praqtikis analizi)
mariam kukulava
saxeebi danaxuli CrdilebSi
(cota ram kasavetesis Sesaxeb)........................................................................64
aleqsandre lorTqifaniZe
andrei tarkovski – bavSvobis msxverplSewirva .................................................75
goga qobalia
kSiStof kislevskis moraluri mousvenroba .............................................83
U N I V E R S I T Y ’
P h . D
M A
P R O G R A M
P R O G R A M
avtorTa Sesaxeb ..................................................................................................90
4
5
kulturis menejmenti
nino sanadiraZe
kulturis sferos marTvis procesebis
Taviseburebebi
kacobriobis istoriis manZilze kultura ganviTarebis
sxvadasxva etaps gadioda stiqiuridan kanonzomierebamde,
axasiaTebda Cavardnebi da aRmasvla, Serwyma da gavrceleba,
cvlileba da transformacia, asimilacia da konservacia,
sabolood ki yovelTvis axerxebda gavlenis moxdenas
sazogadoebebze. kulturis cnebaSi am SemTxvevaSi igulisxmeba
ara calkeuli SemoqmedebiTi aqti, aramed Semoqmedeba da
SemoqmedebiTi procesi, rogorc adamianis universaluri
damokidebuleba samyarosadmi, romlis meSveobiTac igi qmnis
`axal samyaros~ da sakuTar Tavs. TiToeuli kultura
ganumeorebeli samyaroa, romelic Tavis TavSi moicavs rogorc
adamians, ise adamianTa damokidebulebas garemomcveli
sinamdvilisa da sakuTari Tavisadmi. arsebobs kulturis, rogorc
cnebis meore, gansxvavebuli ufro `viwro~ gansazRvreba, romelic
mniSvnelovania Tanamderove kulturaze saubrisas: pirveli, _
zogadi gansazRvrebiT, kultura, _ es aris adamianis, rogorc
socialuri arsebis ganmsazRvreli, aragenetikuri memkvidreobiT
miRebuli socialuri gamocdilebis sistema, romelic im
materialur da sulier garemos warmoqmnis da xels uwyobs
adamianis Camoyalibebasa da zneobrivad amaRlebas. meore _
viwro, `dargobrivi~ gagebiT, kultura, _ es aris sazogadoebrivi
cxovrebis konkretul sfero (kulturis sfero), romelic
moicavs: kulturul-istoriuli memkvidreobis (samuzeumo,
biblioTekuri da saarqivo masalebi, erovnuli da adgilobrivi
tradiciebi, dResaswaulebi da sxv.) dacvas da gamoyenebas,
mxatvrul ganaTlebasa da sabavSvo Semoqmedebas, sakoncerto
moRvaweobas, dasvenebisa da garTobis organizebas, eTnografiul
xelovnebas, xalxur rewvasa Tu xelosnobas, agreTve, yovelive
zemoT CamoTvlilis uzrunvelmyof saqmianobis organizebasa
da marTvas. dargobrivi gagebiT kulturis viwro gansazRvreba
gulisxmobs kulturas, rogorc kulturis ekonomikis,
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7
nino
sanadiraZe
samarTlis, dafinansebisa da fandraizingis, marTvis, informirebis,
profesiuli kadrebis momzadeba-gadamzadebis, materialurteqnikuri bazis ganviTarebisa da sxvaTa erTobliobas.
kulturis sferoSi moRvawe organizaciebi erTmaneTisagan
gansxvavebuli uwyebrivi daqvemdebarebiT da organizaciulsamarTlebrivi formebiT gamoirCeva. magaliTad, amgvar
subieqtebad SeiZleba mogvevlinos saxelmwifo, munici paluri,
sazogadoebrivi organizaciebi, agreTve kerZo pirebic (SemdgomSi
– kompaniebi, studiebi da sxvadasxva iuridiuli erTeulebi).
kulturis
sferos
menejmentze
saubrisas
gasaTvaliswineblia Semdegi garemoebebi: kulturis sferos
marTvis procesebi damokidebulia ara marto socialurkulturul konteqstze da socialur-kulturul garemoze,
aramed Tavadac iZens socialur-kulturul niSan-Tvisebebs.
ufro metic – yoveli iuridiuli Tu kerZo kompania droTa
ganmavlobaSi sul ufro mkafiod gvevlineba kulturis sferos
saqmianobis ganmsazRvreladac. kulturis sferoSi moRvawe
organizaciebis saqmianoba TanamSromlobisa da urTierTgacvlis
gareSe SeuZlebelia, ris gamoc xdeba partnioroba sxvadasxva
biznes struqturebTan da gansxvavebuli tipis organizaciebTan,
_ iqneba es sponsorobis institutis ganviTareba, qvelmoqmedeba,
sazogadoebasTan urTierToba (PR) Tu sxva. amdenad, cxadi
xdeba Semdegi _ kulturis sferos marTvis sakiTxebis
gaanalizeba gansakuTrebul interess warmoadgens Semdeg
mizezTa gamo: uwinares yovlisa, kulturis sferos marTvis
arsSi zogadad menejmentis sruli speqtri moiazreba. meore,
_ amgvari ganxilvis perspeqtivebi mniSvnelovania kulturis
s feros a da s a q mia ni a qti v ob is s xv a s fer oeb i s
urTierTTanamSromlobis SesaZleblobisa da aucileblobis
garkvevisaTvis. kulturis sferos marTvis mTavari Tavisebureba
imaSi mdgomareobs, rom miTiTebul sferoSi Semosavlebis miReba
xdeba ara sargeblis miRebis mizniT, aramed dainteresebuli
donorebis mozidvis xarjze: sponsoroba, patronaJi,
qvelmoqmedeba da sxva.
kulturis sferos menejmentis specifikas, rogorc wesi,
`sulieri warmoebis~ Taviseburebebs ukavSireben. amgvari
8
kulturis sferos marTvis procesebis Taviseburebebi
saqmianobis `produqtebi~ ara imdenad sagnobrivi xasiaTisaa,
ramdenadac azrovnebis fenomenebs (aRqmas, gagebas, gancdas da
sxv.) ukavSirdeba da uSualo daTvlasa da Sejamebas ar
eqvemdebareba. xSirad, maTi warmoeba maT gamoyenebas emTxveva
(speqtaklis, kinofilmis Cveneba, koncertze daswreba, wignis
kiTxva). ufro metic, materialuri warmoebis produqtebisgan
gansxvavebiT, romlebic gamoyenebis procesSi cvdeba, kulturuli
faseulobebi gamoyenebisas sul ufro met Rirebulebas iZens
(mag.: rac ufro metma adamianma waikiTxa esa Tu is wigni,
uyura speqtakls, films, mousmina koncerts, miT ufro maRalia
maTi socialuri mniSvneloba).
kulturis sferos arakomerciuli xasiaTi sulac ar niSnavs,
rom igi biznesisTvis mimzidveli ar aris. dReisaTvis mTel
msoflioSi arakomerciuli (nonprofitable) seqtori ekonomikis
erT-erTi yvelaze swrafad mzardi seqtoria. arakomerciuli
sferos, sajaroobidan da socialuri mniSvnelobidan
gamomdinare, mkveTrad gamoxatuli sareklamo potenciali gaaCnia,
rac, Tavis mxriv, donorebs mimzidveli imijis, reputaciis,
socialuri statusis formirebis da ganvrcobis saSualebas
aZlves.
biznesisa da kulturis urTierTTanamSromlobas
sazogadoebis ganviTarebisa da gardaqmnisaTvis gansakuTrebuli
mniSvneloba gaaCnia da samoqalaqo sazogadoebisTvis realizebis
saSualebas warmoadgens, romlis gaTvaliswinebiTac
SesaZlebelia gamovyoT kulturisa da xelovnebis zegavlenis
ramdenime aspeqti Tanamedrove sazogadoebis ganviTarebaze:
a) kulturis sferos uSualo gavlena ekonomikaze: _
kulturis da xelovnebis sfero qmnis konkretul samuSao
adgilebs, aqvs sakuTari avtonomiuri gasaRebis bazari, gaaCnia
sainvesticio potenciali, uSualo wvlili Seaqvs konkretuli
regionis ekonomikis ganviTarebaSi; _ kultura da xelovneba
ganaTlebis, masmediis, turizmis, garTobis industriis
ganviTarebis ZiriTad wyaros warmoadgens.
b) uSualo socialuri zegavlena: _ kultura da xelovneba
uzrunvelyofs socialurad mniSvnelovani moRvaweobis
sxvadasxva saxes, dasvenebis organizebas, pozitiurad zemoqmedebs
9
nino
sanadiraZe
adamianTa cnobierebaze, xels uwyobs pirovnebisa da
sazogadoebis sulier ganviTarebas da SemoqmedebiTi potencialis
gamovlenas;
g) iribi ekonomikuri zegavlena: - kultura da xelovneba
socialurad momgebiani sferoa, imdenad, ramdenadac axdenen
sazogadoebis faseulobaTa, cnebaTa akumulirebasa da
translirebas, romlebic komerciuli da arakomerciuli
saqmianobis drosac gamoiyeneba. biznesisa da menejmentis iseTi
Tanamedrove teqnologiebis arseboba, rogoricaa, reklama,
sazogadoebasTan urTierToba _ PR, personalTan muSaoba,
korporaciuli kulturisa da safirmo stilis Camoyalibeba,
warmoudgenelia socialur-kulturuli moRvaweobis
tradiciuli formebis gamoyenebis, kulturis sferos seqtorTan
TanamSromlobis gareSe;
d) iribi socialuri zegavlena: - kultura da xelovneba
amdidrebs socialur garemos, ris Sedegadac izrdeba
kulturisa da xelovnebis roli socialur komunikaciaSi,
maT Soris, Tanamedrove teqnologiebis gamoyenebiT.
aRniSnulidan gamomdinare, winamdebare statiis mizans
warmoadgens kulturis sferos ganviTarebis dagegmvis
TaviseburebaTa gamovlena. cnebaSi `kulturis sfero~
igulisxmeba sawarmoTa, dawesebulebaTa da arakomerciul
organizaciaTa erToblioba, romlebic, oficialuri
klasifikaciis Tanaxmad, ganekuTvneba kulturisa da xelovnebis
qmnilebebis, aramaterialuri momsaxurebis mwarmoebel, saxalxo
meurneobis sxvadasxva seqtors. kulturis sferos ganviTarebis
dagegmva unda warmoadgendes miznobrivi orientaciisa da
aucilebeli Sedegebis miRwevis, kulturis sferoSi moRvawe
sxvadasxva subieqtis saqmianobis efeqturobis amaRlebis,
sazogadoebisTvis kulturis sferos momsaxurebis miwodebis
uzrunvelyofis mizniT gansaxorcielebel RonisZiebaTa
erTobliobas. kulturis sferos menejeri zedmiwevniT unda
flobdes komerciuli da arakomerciuli saqmianobis marketings,
erkveodes ekonomikasa da samarTalSi da flobdes
menejerisaTvis aucilebel sxva unar-Cvevebs, romleTa
gamoyenebiTac unda xdebodes strategiuli dagegmareba.
10
kulturis sferos marTvis procesebis Taviseburebebi
strategiuli dagegmarebis SemTxvevaSi misi zemoqmedeba gare
cvlilebebze orsaxovania: grZelvadiani zemoqmedeba gulisxmobs
strategiul gegmebs, moqmedeba xdeba gegmiuri ciklis gareT,
realuri drois reJimSiDda ganxorcieleba aucilebelia
eqvemdebarebodes erTian misias, romlis miRweva SesaZlebeli
xdeba taqtikuri amocanebis gansazRvris dros. kulturis
sferos strategiuli dagegmareba unda xorcieldebodes
kulturis yvela qvedargisTvis da sasurvelia gamoyenebuli
iqnes Semdegi kriteriumebi:
kulturis sferos saerTo-ekonomikuri ganviTareba,
rac ganapirobebs ekonomikuri pirobebis formirebas,
romlebic, Tavis mxriv, SeZlebs uzrunvelyos kulturis
sferoSi moRvawe subieqtTa momsaxurebis bazris
konkurentunarianoba da maRali safinanso-ekonomikuri
Sedgebi;
kulturis sferos dawesebulebebisa da sawarmoebis
teqnikuri aRWurvisaken mimarTuli inovaciuri
ganviTareba da yvela im samecniero miRwevaTa danergva
da gamoyeneba, romelic xels uwyobs efeqturobasa
da momsaxurebis xarisxis amaRlebas;
 kulturis sferos Semadgeneli instituciebis
xelSewyoba Tanamderove bazarTan da moTxovnebTan
mimarTebaSi, maTi ZiriTadi ekonomikuri parametrebis
Semcirebis mniSvnelovani tendenciebis gansazRvra
(msgavsi instituciebia: biblioTekebi, samecniero Tu
sxva kulturul-dasasvenebeli dawesebulebebi,
kulturuli memkvidreobis Zeglebi da sxva).
kulturis sferos dafinansebis, mxardaWerisa da ganviTarebis
msoflio gamocdilebam gviCvena, rom dafinansebis meqanizmis
mixedviT, arsebobs kulturis ekonomikis sami ZiriTadi ti pi:
`romanuli~ ti pi (mag.: italiaSi, espaneTSi, safrangeTSi),
rodesac kultura finansdeba centralizebulad, saxelmwifo
saxsrebis xarjze. italiaSi kulturuli aqciebisa da
xelovnebis dafinansebis ganxorcielebis ufleba aqvT mxolod
samTavrobo organizaciebs an saxelmwifos ndobiT aRWurvil
kerZo pirebs.
11
nino
sanadiraZe
`germanuli~ ti pi, rac damaxasiaTebelia germaniis
federaciuli respublikisa da skandinaviis qveynebisaTvis. am
SemTxvevaSi centraluri xelisuflebis mier xorcieldeba
mxolod paternaluri mxardaWera, xolo saxelmwifo
dafinanseba, umeteswilad, adgilobrivi biujetebidan da
damoukidebeli struqturebidan Tu fondebidan warmoebs.
`anglo-amerikuli~ tipi, _ saxelmwifo gvevlineba garkveuli
mimarTulebebis mxardamWerad, dafinanseba ki xorcieldeba
kerZo kapitalis mozidvis, maT Soris, sagadasaxado SeRavaTebis
xarjze.
kulturis sferos marTvis Taviseburebebze saubrisas
aucilebelia aRiniSnos kulturis sferos marketingis
Taviseburebebic; zemoT aRniSnuli sakiTxebi ganapirobebs
kulturis sferos, rogorc arakomerciuli saqmianobis,
marketingis Taviseburebebs da komerciuli sferoebis
tradiciuli marketingisagan gansxvavebiT sxvadasxva Srisgan
Sedgeba. xSirad, arakomerciul sferoSi, gadaxdisunarianobis
mqone subieqti da uSualo momxmarebeli erTi da imave pirs
ar warmoadgens. magaliTad, kulturis sferos ti pur
momxmareblebs ganekuTvneba sazogadoebis sxvadasxva segmenturi
jgufi: bavSvebi, mozardebi, socialurad daucveli pirebi,
unarSezRuduli da mzrunvelobas moklebuli sazogadoeba,
veteranebi da sxv. maTTan muSaoba, ukamaToa, rom aucilebelia,
magram vin anazRaurebs maTTvis gaweuli momsaxurebis
safasurs? miRebuli produqtis (iqneba es speqtakli, warmodgena,
gamofena, koncerti Tu sxva) safasuris nawils xSir SemTxvevaSi
ixdis an mzrunveli/mSobeli, mxolod erTeul SemTxvevebSi
finansdeba sabiujeto organizaciebisagan, xSir SemTxvevaSi
ki msgavsi tipis RonisZiebebis gamarTva saqvelmoqmedo fondebis,
donorebisa Tu sxvadasxva organizaciis patronaJiT
xorciledeba.
yvela zemoT aRniSnulidan gamomdinare ki, kulturis sferos
bazris Taviseburebebis Sesaxeb, SegviZlia davaskvnaT Semdegi:
Tanamedrove sazogadoebaSi kulturis sferoSi, ori sxvadasxva
ti pis bazari moqmedebs: momxmarebelTa bazari da donorTa
bazari. sakmaod Znelia imis gansazRvra, Tu romelia maTgan
12
kulturis sferos marTvis procesebis Taviseburebebi
pirveladi: jer ganisazRvreba momxmarebelTa moTxovnebi da
Semdgom xdeba donorebis moZieba, Tu piriqiT – momxmareblis
`SeZena~ warmoebs im donorTa interesebis uzrunvelsayofad,
romlebic mzad arian gaiRon Tanxa am jgufebTan garkveuli
saqmianobis Catarebis sanacvlod.
• James Heilbrun - The Economics of Art and culture. 2007.
• Iain Robertson - understanding international art markets and management
2005.
• Derrick Chong - Art management 2006.
• Armstrong Gary – marketing and art management 2007.
• Phillip Kotler – marketing – introduction. 2007.
• Тульчинский Г. Л. Менеджмент в сфере культуры: Издательство «Лань»
2009.
• Данилец А.В. Управление культурой?// Петербургский репортер №6
2002 .
13
universitetis
sadoqtoro programa
dramisa da Teatris Teoria
naSromebi ibeWdeba programis xelmZRvanelis rekomendaciiT
statiis stili daculia
programis xelmZRvaneli _ prof. mixeil kalandariSvili
14
15
maka vasaZe
doqtoranturis I kursi
saubrebi robert sturuas
`saTeatro enaze~
(robert sturuas saTeatro enis formirebis sakiTxisaTvis)
`adamianze raRac unda Tqva axali, da es, ukve
iwvevs formis TvalsazrisiTac axlis Seqmnas...~
robert sturua _ reJisori, rusTavelis Teatris samxatvro
xelmZRvaneli;
maka vasaZe _ Teatrmcodne, doqtoranturis I kursi
m. v. _ zemoqmedebs Tu ara Tqvenze saxelovnebo Teoriuli
kvlevebi, Teoriuli naSromebi?
r. s. _ albaT, raRacnairad moqmedebs, qvecnobierad raRacas
maZlevs. ver vityvi, rom me Teoretikosi var, magram, jer erTi,
Tu Cemzea laparaki, mainteresebs, ras xedaven garedan Cems
speqtaklebSi, ras fiqroben Cems Sesaxeb, Cemi Semoqmedebis
Sesaxeb da daskvnebi mec gamomaqvs. es kargia. SeiZleba zogi
ram me ar Camifiqrebia ase, ar vfiqrobdi ase, davuSvaT, rogorc
amas Teatrmcodne, Teoretikosi, kritikosi xedavs da mec,
cota gakvirvebuli, zogjer Cafiqrebuli, raRacas viReb iqidan.
es ufro filosofiur mxares exeba...
axla, bolos da bolos speqtaklebis dadgma yvelam iswavla.
sxvis speqtaklebze rom mivdivar, imas ki ar vuyureb mxolod,
rogor aris dadgmuli, aramed mainteresebs garkveuli ideebi,
Sexeduleba samyaroze, SeiZleba vTqvaT, rom azrovnebis mxare
ufro mainteresebs: ra unda mas (reJisors) me miTxras, ra
aRmoaCina axali, ra samyaro Seqmna, romelic ase Tu ise
asaxavs ZiriTad problemebs, romlebic Cven yvelas gvaRelvebs.
ase vTqvaT, filosofiuri mimarTulebiT ufro mainteresebs.
rasakvirvelia, es yvelaferi, gamomsaxvelobiTi da ideurSinaarsobrivi datvirTva erTmaneTTan aris dakavSirebuli...
maxsovs, farajanovma Tqva, rom ara aqvs mniSvneloba ras dgam,
silamaze Tu aris, is ukve TavisTavad idea ariso. me mainc
16
vTvli, rom adamianze raRac unda Tqva axali, da es, ukve
iwvevs formis TvalsazrisiTac axlis Seqmnas... me mgoni, Tu
SevZeli am asakSi raRac axali Sevqmna, mxolod amis wyalobiT,
ai aseTi SegrZnebis wyalobiT. ase, rom es kargia rom weren,
da es, me maZlevs obieqtur suraTs yvelaferze.
m. v. _ me Teatrmcodneebi da kritikosebi ar migulisxmia,
vgulisxmobdi sxvadasxva TeoretikosTa, filosofosTa,
xelovnebaTmcodneTa, enaTmecnierTa da sxvaTa Teoriul
naSromebs, romlebic ganixilaven sxvadasxva mimarTulebebs
xelovnebaSi, qmnian axal Teoriebs...
r. s. _ es CemTvis ufro mniSvnelovania, vidre kritikuli
werilebi...
m. v. _ arsebobs aseTi termini - `kinoena~, `Teatraluri,
an saTeatro ena~, ram an vin moaxdina gavlena Tqveni saTeatro
enis formirebis procesze? erT-erT interviuSi ambobT, rom
30 wlis asakSi naxeT germaneli reJisoris beno besonis mier
dadgmuli speqtakli da am dadgmam iqonia didi gavlena
Tqvens Semdgom Semoqmedebaze, aseve mixeil baxtinis Sromam
fransua rableze, mogviyeviT ufro vrclad amis Sesaxeb.
r. s. _ roca Sen ginda raRac aRmoaCino, ufro swored,
aRmoaCino ki ara, raRac idea gaqvs... da gawuxebs, magram ar
ici, rogor Seasxa mas xorci, Sen uyureb speqtaklebs, romelic
xSirad ar hgavs Sens speqtaklebs, magram xedav im
SesaZleblobebs, romlebic axalgazrda kacisTvis TiTqos jerjerobiT warmoudgenelia rom scenaze ganaxorcielos. ai,
uyureb raRac speqtakls, magaliTad, me pirvelad besonis
`mSvidoba~ vnaxe aristofanes mixedviT da iq, mivxvdi, Tu
SeiZleba ase iTqvas, ra Tavisufali palitra maqvs, ramxela
SesaZleblobebi aqvs Teatrs, ramdeni ramis gakeTeba SeiZleba
Turme. unda SeZlo da daamsxvrio raRaceebi, ai, rasac
gvaswavlidnen, SeZlo im CarCoebidan gamosvla, romelSic Sen
swavlis dros Cagayenes. amas me vgrZnobdi, magram ar mqonda
amisTvis ostatoba. SemdgomSi vnaxe misi `drakoni~, isic
araCveulebrivi speqtakli iyo, sxva bevri speqtaklic vnaxe
iq. 10 wlis Semdeg, diuseldorfSi aRmovCndiT, erTsa da
imave TeatrSi, besonma dadga iq Cexovi, magram me ar vicodi,
rom misi speqtakli iyo, vuyurebdi da saSinlad ar momwonda.
17
maka vasaZe
mere direqtorma miTxra, unda gagacno beno besoni, aq ra
unda-Tqo _ SevekiTxe, man mi pasuxa, aq `Tolia~ dadgao. mivedi,
velaparake, SevTavaze kidec, rom Camosuliyo, daedga speqtakli
TbilisSi, rusTavelis TeatrSi. amas imitom vambob, rom is
ukve TiTqos veRar ganviTarda. aq, bevri ar icnobs mis
Semoqmedebas. ician mxolod, rom brextis mowafe iyo.
m.v. besonma hainer miulerTan erTad daiwyo moRvaweoba
TeatrSi, dgamda mis piesebsac.
r.s. diax, erTad daiwyes da mere Caqra besonis saxeli.
magram maSin, rodesac vnaxe, es iyo CemTvis didi aRmoCena,
TiTqos raRac sxva sivrceSi gadamagdo am kacma Tavisi
speqtaklebiT. mere ki veRar dgamda karg speqtaklebs. aman,
sxvaTaSoris, Zalian damafiqra. mivxvdi kanonzomierebas, rom
reJisori TeatrSi ar SeiZleba iyos didxans. bolos da
bolos Seni SesaZleblobebi iwureba. SeuZlebelia, yvelafers
Sens TavSi ver naxav. amitom, albaT, aris raRac garkveuli
princi pebi, romlebic ar unda daiviwyo. magaliTad, vTvli,
rom upirveles yovlisa, Zalian saRad unda Sexedo sakuTar
SesaZleblobebs, sakuTar speqtaklebs da arasodes unda
mogewonos Seni dadgmuli. Tu kargia, Sen is mTlianad unda
daiviwyo. meore, _ mudmivad iyo raRac trenaJSi. vici, rom
esec ar Svelis da mainc ar etyoba speqtakls, mainc raRac
gadamRerebebia, raRac Stampebi. magram, Tu Cven davuSvaT,
mivdivarT muzeumSi da Zalian gvixaria, Tu vcnobT visia
naxati, magaliTad matisi, an rembrandti, da sul ar gvawuxebs
is, rom misi xelwera erTi da igivea. anda, roca musikas
usmenT da ambobT, rom es, vicani, beThovenia, mocartia an
stravinski... TeatrSi ase ar amboben, TeatrSi amboben ase, _
nu, isev es aris?! iq uaryofiTad giTvlian Sens xelweras,
rogorc daStampuls, amitom vfiqrob rom...
Teatri TviTon Seicavs gardasaxvas. msaxiobs rodesac
vuyurebT, vxedavT, rom isic adamiania, rom isic sxeulia,
romelsac Cven vicnobT, magram Tu vnaxeT axali, axali ramis
Seqmna, Cven gvixaria. sxva xelovnebis dargSi es ar aris
aucilebeli. e. i. Cven, Teatris xalxi, cota ufro rTul
mdgomareobaSi varT, vidre, davuSvaT, sxva xelovnebis dargis
18
saubrebi robert sturuas `saTeatro enaze~
moRvaweni. magaliTad: Teatrze aravin ar ityvis, ar mesmiso.
musikaze Zalian mSvidad amboben, _ kargia, vgrZnob rom kargia,
genialuria, magram me ar momwons, ar mesmis. Teatrze, speqtaklze
amboben ase: ar varga... ar momwons... ar ityvian ar mesmis,
imitom rom TavisTavad Teatri sarkea da cxovrebaa, _ viRaca
viRacas uyvars, iseTi siuJetebia, rom Sen ggonia, rom gesmis.
Seecado Teatris WeSmarit (namdvil) axsnas, esec Zalian
rTuli saqmea. TiTebze SeiZleba CamovTvaloT adamianebi, visac
marTla SeuZlia mixvdes speqtaklis Canafiqrs, imas Tu ra
aris Teatri. asevea kinoc. Tumca kinoSi aris iseTi ram, rom
SegiZlia Tqva, rogorc musikalur xelovnebaze, rom cota
Zneli gasagebia, ar mitacebs da a. S..
m. v _ xelwera Teatrsa da kinoSi mainc arsebobs, magaliTad
o. ioselianis filmebi rom aviRoT, ramdenime kadris naxvis
Semdeg, xvdebi, rom es ioselianis filmia.
r. s. _ mixvdebi, rogor ar mixvdebi, ara marto imiT, Tu
rogor ayenebs kadrs, aramed Seicnob azrovnebiT.
m. v. _ Tqven Seqspiris 37 piesidan 17 ganaxorcieleT.
1979 wels `riCard mesame~ rusTavelis TeatrSi, `hamleti~
londonis `riversaid studiaSi~ (1986 w.) alan rikmaniT
hamletis rolSi (Seqspiris sazogadoebam es dadgma, bolo 50
wlis manZilze Seqmnil 10 saukeTeso speqtakls Soris
daasaxela), `mefe liri~ rusTavelis TeatrSi (1987 w.),
`makbeti~ (1995 w.), 1998 wels moskovSi Teatr `satirikonSi~
_ `venecieli vaWari~, 2002 da 2006 wels orjer ganaxorcieleT
`hamletis~ dadgma rusTavelis TeatrSi, 2002 wels `rogorc
geneboT, anu Sobis meTormete Rame~ rusTavelSi, 2010 wels
moskovSi, Teatr `Et Cetera~-Si Sedga `qariSxlis~premiera.
r. s. _ modi daviTvaloT: daviwyoT qronologiurad, _
`SecdomaTa komedia~ fineTSi, nacionalur TeatrSi davdgi,
erT-erTi saukeTeso Cemi speqtaklia. mere SvedeTSi `sawyauli,
sawyaulis wil~; mere `hamleti~ xuTjer davdgi, orjer aq
TbilisSi, erTxel moskovSi, erTxel britaneTSi, erTxel
TurqeTSi, `riCard III~, `mefe liri~, `meTormete Rame, anu
rogorc geneboT~, `venecieli vaWari~, `romeo da julieta~,
`makbeti~, `As you laike it~ _ germaniaSi, `qariSxali~, `venecieli~
19
maka vasaZe
orjer – erTxel moskovSi, erTxel argentinaSi, `mefe liri~
aq da israelSi, `koreolani~...
m. v. _ piter bruki Tavis werilSi `Seqspiri Cvens droSi~
wers: `Cven vxedavT, rom TeatrSi msaxiobebi, mxatvrebi da
reJisorebi Tavs imtvreven, Zalisxmevas ar iSureben, scenebis
aranJirebis problemis gadawyvetaze, maTTvis damTavrebuli
formis, erTiani Tanmimdevruli stilis misacemad da ver
acnobiereben, rom es problema SeiZleba sinamdvileSi arc
arsebobdes. rogorc aRmosavleli brZeni, galiidan Citis
amoyvanisas, taSs Semokravs da wamoiZaxebs `ai isic!~, Cvenc
ukuvagdebT ra aseul tomebs, romlebSic Seqspiris mkvlevrebi
daoben Seqspiris piesebis amoxsnaze, SegviZlia SemovkraT taSi
da wamoviZaxoT `ai, rogori unda iyos!~1 rogoria Tqveni
damokidebuleba Seqspirisadmi da Tqveni midgoma Seqspiris
piesebis interpretaciisas, Tqveneuli koncefciis misadagebisas?
ratom ubrundebiT xolme erTsa da imave piesas?
r. s. _ zogjer vubrundebi imitom, rom daukmayofileblobis
grZnoba maqvs, zogjer vimeoreb, magram zustad gameoreba
mainc ar gamodis. ai, `meTormete Rame~ yvelaze metad gavimeore
bulgareTSi, dekoraciac igive iyo... magram iq ufro Sevamcire
scenebi, bulgarelebi iyvnen Camosulebi, naxes rusTavelSi
dadgmuli `meTormete Rame~ da miTxres Cveni jobiao.
vimeoreb sxvadasxva mizeziT. zogjer geZaxian da
geubnebian: ai, es dadgio. magaliTad israelSi mTxoves damedga
`mefe liri~. Zalian cnobili msaxiobia ioseb polaki da
misTvis davdgi, magram msaxiobi ver Cajda im speqtaklSi, verc
erTma msaxiobma ver SeZlo im stilis gageba. gamovida
msaxioburad Zalian susti. droc ar mqonda.
m. v. _ Tqven ramdenjerme ganaxorcieleT `hamletis~,
Seqspiris yvelaze filosofiuri piesis, dadgma. ratom? risi
Tqma gsurdaT kidev? raSi mdgomareobda axali interpretacia?
axali midgoma?
r. s. _ maxsovs, `hamlets~ roca vdgamdi britaneTSi,
klavdiuss da mamis aCrdils TamaSobda erTi da igive msaxiobi,
_ Zalian kargi, cnobili Sotlandieli msaxiobi. davamTavreT
speqtakli, premiera viTamaSeT, movida CemTan da meubneba: robiko
20
saubrebi robert sturuas `saTeatro enaze~
ai, axla, unda dagvewyo Tavidan repeticiebio, axla me mivxvdi,
ra mimarTulebiT da rogor unda viTamaSo Sens speqtaklebSio...
xSirad Teatrebi, sadac me manamde ar mimuSavia, Tanac Seqspirze,
ver aswreben swored gaaanalizon is, rasac me maT vTavazob.
rac Seexeba Tqvens mier moyvanil brukis citatas, me princi pSi
ase vdgam. rasakvirvelia vkiTxulob Teatrmcodneebis
interpretaciebs Seqspiris Sesaxeb... zogierTi raRacas
mkarnaxobs. erTi ingliseli avtoris citata mohyavda aniqsts,
rom `riCard III~, es aris, yvelaze mxiaruli tragedia. aman
momca raRac garkveuli ufleba, damedga, rogorc Savi komedia;
samwuxarod, albaT Zalian logikurad, aq ar icinodnen, imitom
rom, is ambebi, romelic xdeba, yvelas Tavis istorias axsenebda,
1937 weli da a. S., amitom ar icinodnen. londonSi, edinburgSi
rom viTamaSeT, siciliT iwyeboda speqtakli da siciliT
mTavrdeboda. ramazma (ramaz CxikvaZe m. v.) miTxra antraqtSi,
_ biWo Cven mgoni komedia davdgiTo. me vuTxari _ xo,
mxolod Savi. Zalian kargad miiRes es Janri. jer erTi,
ingliselebi iumorTan Zalian axlos arian, meorec, maTi istoria
aranakleb sisxliania, vidre Cveni, magram Soreuli istoriaa.
XIX_XX saukuneebSi maTi qveyana ukve demokratiisken
miiswrafoda da aRar xdeboda is saSinelebebi, rac CvenTan,
gasul saukuneSi. daaxloebiT ase viqcevi. me ar maxsovda es
citata, Zalian sworad wers es kaci, yvelam Tavisi Citi unda
amoiyvanos galiidan.
m. v. _ 2010 wlis seqtemberSi, moskovis TeatrSi `Et
Cetera~ Tqven dadgiT Seqspiris `qariSxali~. ruseTSi erTerTi JurnalistisTvis micemul interviuSi ambobT, rom
prospero, es aris hamleti wlebis Semdeg, maSin rom ar
momkvdariyo, prosperosaviT uars ityoda SurisZiebaze. me
maxsendeba nekroSusis koncefcia am sakiTxTan dakavSirebiT,
mis `hamletSi~, bolo scenaSi, mama gaacnobierebs ra Tavis
danaSauls - misma mowodebam SurisZiebisaken Svili daRupa,
`dahbRavis~ (am sityvis sruli mniSvnelobiT) Tavis Svils...
es epizodi sulisSemZvrelia da arasdros gaqreba Cemi
mexsierebidan.
21
maka vasaZe
r. s. _ me Sevitane erTi patara, SeiZleba, didi koreqtura.
me viwyeb speqtakls ase, _ prospero qariSxals moawyobs, am
dros Semodis misi qaliSvili TojiniT xelSi, is piesis
mixedviT daaxloebiT 13 wlisaa. gagiJdeba, igi xedavs, rom
mamamisi aris magi, man ar icoda amis Sesaxeb. iwyeba dialogi
maT Soris. gogona eubneba, _ mama Tqven Tu es gaakeTeT,
Zalian gTxovT xalxi gadaarCineT. prospero upasuxebs: Sen
nu geSinia, isini yvelani gadarCnen.Bbunebrivia,Amas ar sjera.
es qariSxali Zalian kargad movifiqre, Zalian kargad aris
dadgmuli... fardis gaxsnisas prospero zis savarZelSi da
ver gaigeb, Tvlems Tu ara. didi TeTri oTaxia, daaxloebiT
didi saxelosnos zomis. prospero cota Sors zis da kargad
ar Cans, sZinavs Tu ara. gamodis arieli pirdapir paltodan,
iq prosperos palto hkidia. jadosnur mosasxams rom uwodebs,
ai, im mosasxamidan gamodis. win dgas boTlebi, rogorc qimiur
laboratoriaSia xolme kolbebi, magram kolbebi ar davdgiT,
sul erTi ori kolba, danarCeni Zalian lamazi, Txeli SuSis
boTlia. am boTlebze ukravs, diriJorobs, mere midis
prosperosTan, iqiT gaixedavs, dainaxavs, kalibanic fexebTan
uwevs, rogorc ZaRli. prosperos xelSi raRac qaRaldi aqvs.
iRebs am qaRalds frTxilad, piriT, ise, rom ar gamoaRviZos.
arieli kiTxulobs. es, TiTqos, siaa imisa, Tu ra unda gaakeTos.
Sexedavs kars, xels gaiSvers da kari gaiReba. iq, TiTqos
SuSabandia, kari iReba da arieli wava. mere dgeba prospero,
acmeven jadosnur mosasxams, es SeiZleba labadaa, garegnulad
didi araferi. Cafiqrdeba da wevs xelebs maRla, zemodan
Camodis patara ialqniani gemi. prospero aTvalierebs gems,
Camoxsnis, uceb uSvebs xels da mTeli oTaxi gadaiqceva
zRvad. prospero dgas da xels gahkravs xolme roca gemi
Cerdeba. swored am dros Semodis gogona, romelic SokSia.
mamamisi ki eubneba, rom xalxi ar daiRupeba. magram gogona
xedavs, rom isini yvirian da iRupebian. gogona gabrazebuli
da acremlebuli tovebs mamas. mama is ar aRmoCnda, vinc mas
egona. raRac momentSi Semobrundeba, Cven vxedavT sisxlis
laqas kabaze. stresis gamo igi pirvelad gadaiqca qalad.
mama ibneva, mayurebeli xvdeba, ra rTuli iyo am gogonas
22
saubrebi robert sturuas `saTeatro enaze~
gazrda mamisTvis. prospero mouxmobs ariels, daawvenen gogonas
da prosperoc iwyebs moyolas Tu ra moxda sinamdvileSi. man
unda Suri iZios da amitom moiyvana es xalxi aq. Suris
SegrZneba mas uZlierdeba.
m. v. _ im momentSi?
r. s. _ sul, TiTqmis mTeli speqtaklis ganmavlobaSi.
aris aseTi scena, _ SemoaqvT patara Tojinebi, romlebsac
Camokidebs. ariels uxaria, hgonia rom raRac saTamaSoa (is
qalia) da mere es Crdilebad gadadis ukan (Zalian kargi
ganaTebaa!). arieli xvdeba ras apirebs prospero. misTvis es
warmoudgenelia, magram konfliqts ver iwyebs, imitom rom
prospero misi patronia da maszea damokidebuli, gauSvebs Tu
ara, gaaTavisuflebs Tu ara tyveobidan. Cven ukve gvgonia, rom
is Surs iZiebs. Camokideben am adamianebs, sam kacs: mis Zmas,
neapolis mefes da vinc apirebda mefis mokvlas. eseni ise
dganan, TiTqos gveli rom uyurebs msxverpls.
m. v. _ dahi pnozirebulebi?
r. s. _ dahi pnozirebulebi, TiTqos beds mindobilebi.
TiTqos winaaRmdegobis gaweva aRar SeuZliaTo. prosperom
ukve niSani unda misces, rom gaixsnas qveviT ormoebi (liukebi).
am dros raRac saocari Suqi ecema zemodan; prospero brmavdeba
da ecema. rodesac mosulierdeba ar icis ra mouvida. ai ise,
guli rom wagiva da gons moxval, da ar ici ra mogivida.
gons rom mova, gaixedavs ukan, dainaxavs maT da ambobs _ `me
vpatiob, yvelas vpatiob~. me aq aviRe pavles da savles istoria.
prospero bolomde midioda, SurisZiebamde. raRac saswauli
moxda, marto religiur saswauls ki ar vgulisxmob, raRac
saswauli moxda masSi.
m. v. _ mis cnobierebaSi?
r. s. _ TviTon masSi. ucbad es boroteba motrialda. ai,
aseTi gadawyveta maqvs. SeqspirTan ki Tavidanve krebs am
xalxs imisTvis, rom Seurigdes, apatios. miuxedavad imisa,
rom SeqspirTanac aris iseTi pasaJebi, rodesac ggonia, rom es
xalxi, misi mtrebi SurisZiebis mizniT, dasasjelad moiyvana.
ai, aseTi koncefcia gvqonda.
m. v. _ speqtakli saaTnaxevari midis?
23
maka vasaZe
r. s. _ diax saaTnaxevari, Zalian kargad SevamcireT.
kritikosebs SeeSindaT. mere mividnen saxlSi, daiwyes kiTxva
da naxes, rom arc erTi scena ar iyo amoRebuli garda
bernardos da prosperos qaliSvilis qorwilis scenisa.
miuxedavad imisa, rom vicodi, rogor unda gamekeTebina es
scena, zedmetad CavTvale.
m. v. _ saTeatro xelovnebis romeli mimarTuleba aris
TqvenTvis ufro misaRebi? _ aristoteles poetika iyo pirveli
Teoriuli, sistemuri naSromi, Semdeg stanislavskim, sakuTar
gamocdilebaze dayrdnobiT Seqmna garkveuli sistema samsaxiobo,
sareJisoro xelovnebis dauflebisa, Semdeg brexti mTlianad
cvlis ukve arsebuls da qmnis axals, grotovskis Teatri da
a. S..
r. s. _ iciT ra, me ar SemiZlia, rom ar gavakeTo analizi
martivad, adamianur enaze, msaxiobTan roca vlaparakob, man
unda icodes es yvelaferi. mere viwyeb, ase vTqvaT, samyaros
`realisturi motivaciebis~ niadagze agebas, im Teatraluri
samyarosi, romelic iqmneba TeatrSi, romelic SeiZleba naxo.
mere me avageb, davuSvaT, raRac formebs... is, TiTqos mowyvetilia
cxo vrebas , mag ram sa fuZvl ad udevs ab solutu rad
cxovrebiseuli fsiqologia da motivaciac da a. S., rac
axasiaTebs am Teatrs. ai, axla, vdgam Tamaz WilaZis piesas, is
tragi-komikur fantasmagorias eZaxis, da marTlac, misi
saukeTeso piesaa, ai, axla, Cven vmuSaobT am piesaze.
m. v. _ romel piesaze muSaobT?
r. s. _ `nadirobis sezoni~ da axla im process gavdivarT,
romelic, Cemi azriT, unda gaiaros yvela piesam. aviRoT, Tundac
balanCinis, an romelime Tanamedrove baletis nimuSi. iq, xedav,
mocekvaveebma ician is, rasac klasikur `dazgas~ uwodeben.
vinaidan isini gazrdilebi arian baletis tradiciul skolaze.
mere, rasac davuSvaT akeTeben genialuri qoreografebi, es
ukve amdidrebs maT da Sen xedav, rom safuZvelSi devs is,
rac unda iyos yvelgan. me ase vfiqrob. SeiZleba Zalian
pirobiTi iyos, Zalian farsuli iyos, groteskuli iyos, magram
mayurebeli rom modis, man unda amoicnos ra movlenasTan
gvaqvs Cven saqme. Tu es ar amoicno, speqtaklze ityvis kargia,
24
saubrebi robert sturuas `saTeatro enaze~
moewoneba sanaxaoba, magram meti araferi, me ase mgonia. SeiZleba
sxvac aris. minaxavs speqtaklebi, sadac praqtikulad... isic
momwonebia, magram me... magaliTad avstraliaSi vnaxe
niderlandebis Teatri, maSin modaSi iyo rasac eZaxian
`Happening~-ebs. es iyo saocari, CemTvis Zalian mniSvnelovani
warmodgena. siuJeti ar arsebobda, is, rasac moyvebi. mgoni,
adamianis vnebebze iyo laparaki sakmaod Tamamad da iseT
formebSi, romelic me arasodes ar minaxavs. me da Janri
(lolaSvili m. v.) viyaviT erTad. Zalian didi STabeWdileba
moaxdina, magram me mainc momxre var polistilistikuri Janris,
Tu SeiZleba Janrad CaiTvalos. me meCveneba adamiani TeatrSi,
miTumetes Tu is Teatri kargia, erT dReSi gadis yvela
Janrs. jer Sen dilas dgebi da raRac cud xasiaTze xar, mere
uceb raRac gagaxarebs, mere iwyeb raRacis keTebas da komikur
situaciaSi vardebi. es ar aris marto Cemi, Cveni mogonili,
Cveni aRmoCena, piriqiT. axla rasac vdgam, albaT, amiT visargebleb.
cxovrebis obieqturi asaxva ufro xdeba aseT Sereul JanrebSi.
1. П. Брук, Шекспир в наше время, Жур.нал Англия, 1964б №2
(Ежеквартальрый журнал о сегодняшней жизни в Великобритании).
2. Р. Должанский, Жур. «Власть», № 38 (892) , 27.09.2010
25
Tamar cagareli
doqtoranturis III kursi
saTeatro azri saqarTveloSi
(aRorZinebis epoqis magaliTze)
istoriulad cnobili da aRiarebulia, rom italiaa pirveli
qveyana, sadac daiwyo aRorZinebis epoqa (XIII saukunis 50iani wlebidan) da Semdgom mTeli evropa `dai pyro~ (XIVXVII saukuneebamde). Tumca, araerTi mecnieris azriT, XII
saukunis saqarTvelos kulturul-politikuri viTarebidan
gamomdinare, SesaZlebelia visaubroT qarTvelTa renesansul
periodze. sakmarisia Tvali gadavavloT XI-XII saukuneebis
qarTuli saxelmwifoebriv-politikuri azris moZraobas, rom
masSi davinaxavT aRorZinebis sawyissa da aRmasvlis gzas.
Tundac ruis-urbnisis saeklesio krebis (1103 w.) masalebSi
Cawerilia fraza adamianis Rirsebaze, romelic renesansuli
ideebis matarebelia: `da pirvelad episkoposni vinme RirsebiT
Semosrulni pativsa mRvdelmTavrobisasa da uRirsni qristes
pirvelisa mis mwyemsTmTavrisani ganvkueTeniT ucxo vyvyeniT
mRvdelobisagan~,1 _ es gaxlavT ruis-urbnisis saeklesio
krebis `Zeglisweris~ pirvel paragrafSi. ruis-urbnisis
saeklesio krebaze, rogorc viciT, miiRes dadgenileba, romelSiac
Teziss _ adamianis Rirsebis Sesaxeb, ZiriTadi, SeiZleba iTqvas,
centraluri adgili uWiravs. `renesansi ki iwyeboda yvelgan,
sadac iRviZebda adamianis pirovnuli Segneba, sadac kulturis
maRali done xels uwyobda axali azris damkvidrebas, sakuTari
arsebis Secnobas, sakuTari pirovnebis TviTaRzrdas,
TviTSeqmnas~.2
renesansis epoqis pirveli niSani ki gaxldaT antikuri
periodis qveynebis msgavsi akademiebis Seqmna, iseTi, rogoric
Seiqmna saqarTveloSi; `daviT aRmaSeneblis mier, rogorc
cnobilia, daarsda gelaTis akademia, romelic faqtiurad
pirveli qarTuli universitetia, xolo ioane petriwi pirveli
reqtori _ `moZRvarT-moZRuari~, sadac xelovnebasTan erTad
iswavleboda filosofia, Teologiuri Tu sqolastikuri
26
naSromebi.~3 aRsaniSnavia is faqti, rom amgvari akademia
florenciaSi daarsda 1459 wels, sadac TvalsaCinoT iyo
platonizmisa da neoplatonizmis ideebis gavlena, romlis
wa rmo madgenleb i c dil obdnen RvTism ety vel ebi sag an
ganecalkevebinaT filosofia.
istoria gvamcnobs, rom imdroindel saqarTveloSi didi
kulturuli aRmSeneblobiTi saqmianoba mimdinareobda, romelic
daiwyo ra daviT aRmaSenelblis dros, warmatebiT gagrZelda
Tamaris mefobis xanaSic. aigo cixe-darbazebi, eklesia-monastrebi,
saavadmyofoebi, xidebi... gahyavdaT gzebi, kldeSi ikveTeboda
mTeli qalaqebi, ganviTarda kedlis mxatvroba anu xatwera.
renesansis epoqis Teatri, xelovnebis sxva dargebis,
literaturisa da mecnierebis msgavsad, yalibdeboda da
viTardeboda antikuri xelovnebis gavleniT. gavixsenoT daviT
aRmaSeneblis `galobani sinanulisani~. garda imisa, rom es
nawarmoebi Sua saukuneebis qarTuli kulturis ideologiuri
da esTetikuri mrwamsis gamoxatulebaa, igi eZRvneba sasuliero
lirikaSi Rrmad damuSavebul (efrem asuris, ioseb da Teodore
studiteebis, andria kretelis, ioane damaskelis da sxvaTa
sagaloblebi) sinanulis motivs da amiT daviT IV Tavisi
wvlili Seitana qarTuli himnografiis ganviTarebaSic. esaa
Zegli, romelic gvawvdis XI-XII saukuneebis saqarTvelos
ideologiuri brZolis, mxatvrul-kulturuli moZraobis,
kerZod Teatris amsaxvel informaciasac, rac Tavis mxriv
moiTxovs Seswavlas.
`galobani~ _ gvauwyebs mefis aRsarebas _ `ellinTa mieri
vercnoba sibrZneTa RmrTisaTa, RmrTisa da Semoqmedisagan
SeqmnilTa mimarT cvaleba TayuaniscemisaÁ vsrulyav, raJams
TiToeulisa vnebisa kerpsa vmsaxure~.4
am sityvebSi igrZnoba antikuris reabilitaciisa da
restavraciis survili da neba, rac ara marto filosofiiT
da (`sibrZniT~) SemoizRudeboda, aramed Seicavda elinuri
kultebis gamococxlebas (`Tayvaniscemisai srulvyav~), SeiZleba
dionises, demetres misteriebis aRdgenasac (`TiToeulisa vnebisa
kerpsa vemsxure~). am mniSvnelovan mxatvrul-kulturul
moZraobas TviT mefe daviT aRmaSenebeli edga saTaveSi, rogorc
27
Tamar cagareli
im drois saxelganTqmuli ritori da mwignobari. warmodgena
rom viqonioT, Tu raoden RirsSesaniSnavi unda yofiliyo es
winarenesansuli viTareba, daviT aRmaSeneblis istorikosis
nawarmoebs davimowmeb iq, sadac daviT aRmaSeneblis didgoris
omSi saarako gamarjvebas aRwers istorikosi, iqve aRniSnavs:
`ara did iyav aqilevi, aramed didsa miemTxvie maqebelsa umiross.
rameTu ocdarva wel gangrZnobasa troadelTa brZolisasa
verara Rirsi qebisa iqmna. xolo mefisa daviTisi esodenTa
mimarT winaganwyoba samJamde iyo. da verc pirvelsa keTebasa
SeuZles winadadgomad. hqonebodemsca amaT brZenTa (homerosi,
aristotele da ioseb flaviosi) TxrobaTa nivTad saqmeni
daviTisni, da maTmca aRweres jerovnad maTebr ritorobisa
da maSinaRmca Rirsqmnil iyvnes jerovansa qebasa da eseni
esoden,~5 aq, ukve Cans, Rrma codna antikuri poeturi
filosofiuri da istoriuli mwerlobisa, antikuri ritorikisa,
istoriuli mecnierebis meTodisa, istoriis obieqtis da
istorikosis urTierTmimarTebis gagebisa da antikuri
memkvidreobisadmi kritikuli midgomisa; da aq mJRavndeba,
antikuri warsulis da erovnuli Tanamedroveobis SerwymiT,
patriotuli suliskveTebac. aseTi ram ki SesaZlebeli iyo im
viTarebaSi, rodesac `elinTa mieris~ Tayvaniscema, `elinTa
mieris vnebaTa kerpTa msaxureba~ im zomamde iyo gavrcelebuli,
rom mefes sinanulis galobas aTqmevinebda.
`saqarTveloSi XI_XII saukuneTa mijnaze, ukve antikuris
reabilitaciiT da restavraciiT Semzadebuli iyo niadagi
renesansisaTvis, rac esoden xelsayrel viTarebas uqmnida
erovnuli poeziis da saxiobis, mxatvrobis da xuroTmoZRvrebis
oqromqandakeblobis, keramikis, qsova-qargulobis, filosofiur
da istoriul sityvakazmulobis ganviTarebas~.6
ivane javaxiSvilis sityviT, daviT aRmaSenebelis
imdroisaTvis gasaocari da mravalmxrivi ganaTleba sxvaTa
Soris imiTac kargad mtkicdeba, rom arabi istorikosis ibn
al-jauzis mowmobiT, mas sufiebisa da poetebisTvisac
TavSesafari augia, xSirad qonebrivadac daxmareba gauwevia
da maT sadResaswaulo mejlisebsac umarTavda. aRsaniSnavia
is faqti, rom saqarTveloSi winarenesansuli xana ar iyo
28
saTeatro azri saqarTveloSi
mxolod antikuris reabilitaciis da restavraciis xana, mis
paralelurad mimdinareobda qarTuli miTologiis aRdgenac
da misi mniSvnelobis Sesabamisad gamoyeneba. es ori nakadi
erTmaneTs erwymoda da mTlian procesSi erTiandeboda, niadags
umzadebda XII-XIII saukuneTa mijnaze mxatvrul-kulturul
aRmavlobas, romlis mwvervals rusTavelis `vefxistyaosani~
warmoadgens.
XII-XIII saukuneTa mijnaze daviT aRmaSenebelis mier
wamowyebulma
saganmanaTleblo reformam xeli Seuwyo
miTologiuri Sinaarsis ZvelqarTveluri misteriebis aRdgenas
da gavrcelebas, ris mowmobac naTlad aris aRbeWdili da
warmodgenili, daviT aRmaSeneblis sagaloblebSi. es, daviT
aRmaSeneblis aRsarebaa: `gmirTa siRodaTa mavalobaÁ... ufroÁsad
vamravalwile~7. `siRoda~ Zveli qarTuli `saxiobis~ (poeturi
sityvis, cekvis, simReris, sakravieri musikis sinTezirebuli
sanaxaobis) sinonimia.
am epoqaSi `gmirTa siRodaTa mavaloba~-s meSveobiT, eTnikurmiTologiuri, erovnuli istoriuli gmirebis reabilitacia,
Tanadrouli gmirebis kultis Seqmnas mxars ubamda mose
xonelis `amiran-darejaniani~, iona SavTelis `abdulmesiani~,
CaxruxaZis `Tamariani~, am drois istorikosTa da filosofosTa
Txzulebani da am moZraobis mwvervals warmoadgens SoTa
rusTavelis `vefxistyaosani~. `es procesi amis Semdegac didxans
grZeldeboda, gavixsenoT, rom XIV saukuneSic ki zemosvaneTis
sof. laSTxveris eklesiis garekedelze ixateboda amiranis
veSapebTan Sebma da baybaydevTan omi, xolo saferxulo
repertuari svaneTsa da raWaSi dRemde Tavs iwonebda amiranis
ciklis simRerebiT~8.
`siRoda~ dionisuri sazeimo msvlelobis aRmniSvnelic
iyo. antikuris reabilitaciam, miTologiur da istoriul
gmirTa kultisadmi gacxovelebulma interesma gamoiwvia
mwerlobasa da saxiobaSi qarTul da berZnul RvTaebaTa
simboloebsa da metaforebSi warmosaxva. aman ki, Tavis mxriv,
aRZra miTologiuri codnis aucilebloba da moTxovnileba.
damaxasiaTebelia, rom eqvTime aTonelis mier Sedgenili `mcire
sjulis kanoni~ gverdi-gverd ixseniebs warmarTul qarTul
29
Tamar cagareli
da elinur RvTaebebs: `kulad saxelisdebani igi sawarmarToTa
kerpTani, romelni maT RmerTad Seeracxnes romelnime mamaTa
da romelnime dedaTa _ srulad moispen: dios, anu apolos,
anu artems, anu boCi da gaci da badageon da armaz (anu)
romel igi wne xasa yurZnisasa bilwisa mas dionises saxels
ityvian da sicilsa aRazrzenen ese yoveli saeSmako ars da
moispen... egreTve ganqiqebulad rokvani dedaTani nuRaramca
iqnebian da romelni igi daTuTa memRerni vlen savneblad
mravalTa ese yoveli moispen.~9
winarenesansul viTarebaSi gansakuTrebul yuradRebas iqcevs
interesi da miswrafeba elinuri miTologiisadmi, XI saukunis
meore naxevarSi didma qarTvelma filologma, filosofosma
da mTargmnelma efrem mcirem nonnes (VI s.) `elinTa zRaprobani~
Targmna, raSiac ilia abulaZis TqmiT10, man sakuTari SeniSvnebic
ara mciredi CaurTo. es `elinTa zRaprobani~ warmoadgens
grigol nazianzelis SromebSi naxseneb miTologemebis
ganmartebas. mevenaxeobis da dramatuli xelovnebis RvTaebis
dionises miTs efrem mcire gansakuTrebuli yuradRebiT moekida
da gamoxata es gmir-RvTaeba `mompovneblad Rvinisa,
gamomgoneblad venaxisa~ da misi dResaswauli warmoadgina,
rogorc `mwyobri stvirosTa da selinozTa, TanmrokvalTa
dionvisisaTa~. aqvea ganmartebuli is elinuri sxva kerpebi,
romelTa msaxurebaze miuTiTebs daviT aRmaSenebeli da romlis
kultis saqarTveloSi arseboba dasturdeba mcxeTis, sarkines,
Zalisis, vanis, biWvinTis arqeologiuri gaTxrebiT. gasagebia,
rom nonne, dionises misterias warmogvidgens damgmobi
aTvaliswunebiT `falosni da iTvifalosni bilw arian
saTqmelad da sasmenelad, rameTu bilwebisaebr dionisasa
dResaswaulisa missa mzorvelni igi misni damoikideben kerpebsa
rasme mamal-dedalTa sarcxvinebelisasa da esreT uSverad
mzorveloben~11. im dros mkiTxvelni, mayurebel-msmeneli elinur
miTologias ecnoboda qristianul wyevla-krulvaSi gaxveuls,
magram etyoba aguna-dionises dResaswaulebi imdenad farTod
iyo gavrcelebuli da wes-CveulebaSi mtkiced Camjdari, rom
qristiani mefeebic ki iZulebuli iyvnen maTSi monawileoba
mieRoT (aki daviT aRmaSenebeli ambobs: `elinTa mieri...
TiTeulisa vnebisa kerpsa vmsaxure~12).
30
saTeatro azri saqarTveloSi
erT-erT sagalobelSi daviT aRmaSenebeli acxadebs:
`TiToeulsa mxecTagan Sezavebulsa mxecsa vemsgavse
mravalguarsa da mravalxats da sxua Jam sxvebr xilulsa
da mvsinvarsa bunebisamebr TiToeulisa~13.
gavixsenoT, rom xalibebs, herodites mowmobiT, spilenZis
muzaradebi exuraT, muzaradebze iyo xaris yurebi da rqebi
spilenZisgan nakeTebi. adamianis saxis `Sezaveba~ pirutyvis,
nadiris mimsgavsebiT e. i., tyaosnoba, uZvelesi droidan
damaxasiaTebeli iyo qarTveluri saxilvel-nadirobisaTvis,
qarTulma zepirsityvierebamac xom Semogvinaxa: `awyverSi
daviarebi, rogorc iremi rqiani, nadirsa vwyvetam, musrs vaden,
ar gadamrCeba fxaini, vefxi, focxveri, mgelkaci, pirgableSkili
Riani~ 14 . mefeebic ki `tyaosnobas~ misdeven, mxecTagan
mimsgavsebiT warmoidginebodnen, vaxtang gorgasalsa `Seeqmna
Cabalaxi oqrosi da gamoesua winaT mgeli da ukanaT lomi~15.
gavixsenoT tarielis vefxistyaosnobac da tyaosanTa saxiobis
aRwerilobac: `erTs Semoses spilos tyavi da meores
martorqisa... mexuTesa lomis tyavi, meeqvsesa vefxvT Tavisa...
mecxres veSapis tyavi mosavs da meaTes didi Tevzis~16. yovelive
amisda mixedviT daviT aRmaSeneblis sagaloblis sityvebi
`TiToeulsa mxecTagan Sezavebulsa vemsgavse mraval-guarsa
da mrval-xatsa~17, ise unda gavigoT, rom nadirobis, laSqrobis
da saxilvelis wesisa da gangebis mixedviT, daviT aRmaSenebelic
tyaosnobda.
saxilvelis istoriis, Teatris istoriis TvalsazrisiT
gansakuTrebiT sagulisxmoa amocnoba da amokiTxva daviT
aRmaSeneblis poeturi qmnilebis erT-erTi sagaloblisa:
`sakurTxad RvTismSoblad gqadagebT, uxrwnelo qalwulo, da
gurwams viTarmed pativi xatisa Senisa, Sendami wiaR-momavals
da RvTis-metyvelTaebr codvilTa moqcevas aniSneb, mis mier
viTarca cxad hyofs Teatro igi mrCobelTa soflisaÁ _
sikeTe egvi ptisa Rirsi mariam~18.
qarTul enas, uZvelesi droidan gaaCnda sakuTrad
TavisTavadi termini `saxilveli~. Sua saukuneebSi berZnullaTinuri termini `Teatron~ da `Teatrum~ isev gaacocxla
`Teatron~ `TeatroÁ~-s saxiT da Zvel TviTmyofad `saxilvel~Tan gverdi-gverd ixmareboda: `nuca TeatroÁ... nuca saxioba....
31
Tamar cagareli
radme saxilvelTa~; `misdeven meTeatroneobas~, romelman Teatri
aRaSena qalaqsa Sina~, `romelni samoqalaqoTa SjulTa
iswavlian... ra Teatronad aRiyvanobadian~; `Teatronis
m o y v a ru l i ~ ; ` x i l va s a Tea tr ons a m o m R er al Ta da
ganmcxromelTa~; `mzuelaobiTad, xumrobad saxeldebulTa maT
saxilvelTa maTTa~ `soflioTa saxilvelTa~;19
daviT aRmaSenebels, rogorc irkveva gansakuTrebuli roli
da adgili miekuTvneba misi drois sanaxaobrivi kulturis
ganviTarebaSi, jer erTi is, rom man, misi istorikosis TqmiT,
moaxerxa, SeZlo saeklesio reformis gatareba da eklesia
daumorCila centralur samefo xelisuflebas. daviT
aRmaSeneblis istorikosis TqmiT: `monasterni da saepiskoposoni
da yovelni eklesiani wessa da rigsa locvisasa da yovlisa
saeklesiosa gangebisasa darbazis kariT miiRebdian~20. daviT
aRmaSenebeli _ ritorT mqadagebeli, im drois religiuri
disputebis Tavgamodebuli monawilea. mas, rogorc mokamaTes
adarebdnen RvTsimetyvel basil dids. erT-erT disputze
damarcxebulma mowinaaRmdegebma am sityvebiT mimarTes daviT
aRmaSenebels: `Cven meufeo, mowafe gvegone amaT moZRuarTa
TquenTa, garna viTar vxedavT, Sen same xar moZRvari moZRvarTa
romlis brWyalsa ver SimwuTar arian ege moZRuar sagonebelni
Tqueni~.21
daviT aRmaSenebeli aris avtori galobaTa, is, garda imisa
rom mefea, aris sagalobeli leqsis moqmedi (poeti), sityvis
mkervali. etyoba mefeTa es SemoqmedebiTi tradicia mefequrumTagan momdinareobs da amaSiac saocari araferi unda
iyos. SemTxveviTi ar aris, rom qarTveli mefeebi leqsis
TqmaSi ejibrebian (an ajibrebdnen) TviT rusTavelsac ki.
SoTa rusTavelma indoeTis samefo taxtis pretendenti
avTandili ubadlo artistad _ momRerlad dagvisaxa, romlis
Sesamkobelad movidian `indo-arab-saberZneTiT maSriyiT da
maRibelni, rusni, sparsi, mofrangeni da misreTiT megvi ptelni~.
daviT aRmaSenebeli ara marto sardlobs da saxelmwifo
saqmeebs ganagebs, aramed qarTuli musikaluri xelovnebis
axali gziT warmarTavs da mis mowesrigebas xelmZRvanelobs.
man daavala arsen iyalToels mesamed eTargmna andria kritelis
sagaloblebi da xelaxla ganxorcielebuliyo am sagaloblebis
32
saTeatro azri saqarTveloSi
hangTa SeTxzva, xelovanTmTavari ioane qarTlis kaTalikosis
mier im sababiT, rom berZnulni `ucxoni iyvnen enisa Cuenisagan
Zlispirni imaTni~22.
`qarTlis cxovrebis~ janaSviliseuli nusxis CanarTis
cnobiT, vaxuSti batoniSvilis istoriiTac, daviT aRmaSenebeli
warmodgenilia, rogorc saeklesio misteriis Semoqmedi da
mTavari monawile da amiTac dasturdeba am mefis istorikosis
sityvebi, rom eklesiebi wessa da rigsa `gangebisasa~
(misteriebisa) darbazis kariT miiRebdian23.
rodesac daviT aRmaSenebelma qalaqi anisi Turqebisagan
gaanTavisufla, berZenTa asulis, somexTa dedoflis katronites
marTlmadidebelTa saydari aRadgina (`axlad monaTla~), `movida
TviT mefe daviT da kaTalikozi, episkopozni da erToblivi
laSqari, dedofal katronites saflavsa zeda da axlad wesi
aRuges da TviT mefeman samgzis saflavs CasZaxa: `gixarodes
Sen wmidao dedofalo, rameTu ixsna RmerTmn saydari Seni
uSjuloTa xelTagan~. amasa zedan mkudris ZualTa saflaviT
xma gamosces da RmerTsa madloba misca. ganukvirda mefesa
da erTobliTa erTa~24. aq aSkarad igrZnoba daviTis roli da
mniSvneloba. man es misteria ganaxorciela patriotuli da
marTlmadidebluri mizanswrafviT, axlad wesi aRuges berZenTa
asuls somexTa dedofals, romelic wmindanad Seracxes da
misdami mimarTvas warmosTqvams ara samRvdelo piri, aramed
TviT daviT mefe. da `gangeba~ isea mowesrigebuli, rom ismis
pasuxi da RvTisadmi madlobis galoba da arc mWvretelni da
maTi `gakvirveba~ misteriis zemoqmedeba aris daviwyebuli.
qarTuli Teatris istoriisaTvis kidev bevri axali furceli
gadaiSleba, Tuki Zveli qarTuli damwerlobiTi Zeglebi
TeatrmcodneobiTi midgomiT iqneba wakiTxuli, amis magaliTia
`galobani sinanulisani~, romelmac bevri ram axali gvamcno
XI_XII ss. mijnaze Teatraluri xelovnebis viTarebis
gasarkvevad.
aRorZinebis periodis Teatris mTavari moqmedi gmiri
gaxldaT `adamiani-pirovneba~ Tavisi sulieri samyaroTi. axali
Teatraluri esTetika Semsruleblisgan moiTxovda dramatuli
nawarmoebis azris wvdomas, rTuli da mravalmxrivi xasiaTebis
33
Tamar cagareli
warmosaxvas. aRorZinebis epoqaSi kvlav aRsdga profesiuli
TeatrisaTvis damaxasiaTebeli gamomsaxvelobiTi formebi da
yuradReba gamaxvilda xelovnebis, kerZod ki Teatris Sesaxeb
Seqmnil literaturaze. Tu italiaSi am epoqis monapovari
iyo `komedia del’arte~ (XIV saukune), Teatrisa da dramis
sinTezi, ganxorcielda espaneTSi lope de vegas dramaturgiiT,
inglisSi _ Seqspiris Teatris SeqmniT, sadac praqtikosebis
mier Teoriuli naSromebi Seiqmna, rac safuZvels gvaZlevs
aRvniSnoT, rom msaxiobebi, reJisorebi da dramaturgebi qmnian
literaturas Teatrze. saqarTveloSi XII-XIII saukuneebSi
sasaxlis karis Teatri renesansuli saTeatro nimuSad SeiZleba
CaiTvalos, sadac poeturi sityvebiT, musikisa da cekvis sinTezs
vxvdebiT. sasaxlis karis Teatris msaxiobebs _ muSaiTebs
uwodebdnen.
ivane javaxiSvili `qarTveli eris istoriaSi~ axsenebs ra
`dasavleT evropaSi warmoSobil renesans~, wers: `saqarTvelom
es moZraoba ukve XII saukuneSi daiwyo, magram misi dasruleba
monRolTa Semosevam Seaferxa.~25 qarTuli renesansis cneba
ki, upirveles yovlisa, rusTavelis saxels ukavSirdeba.
`rusTaveli Tvisobrivad sxva epoqas ekuTvnis, kacobriobis
sulieri cxovrebis axal eras, radgan mis mier adamianTa
modgmis safuZvelze gamoyvanilia axali adamiani, romelic
ukavSirdeba da Seicnobs ara marto gare samyaros, aramed
sakuTar Tavsac, aRmoaCens sakuTari arsebis wiaRSi pirovnebas.~26
oliver uordropma Tavis naSromSi `saqarTvelos
samefo~ (“The kingdom of Georgia”) aRwera ara mxolod
saqarTvelos istoria _ daviT aRmaSeneblisa da Tamar mefis
xanis epoqa, aramed dawvrilebiT axsna-ganmarteba misca evropel
mkiTxvels SoTa rusTavelisa da misi poemis `vefxistyaosnis~
Sesaxeb, aRaraferi rom ar vTqva mis srul inglisur enovan
Targmanze. winasityvaobaSi avtori wers: `nawarmoebs Tavidan
bolomde dahyveba saocrad daZabuli interesi, radgan misi
dramatuli erTianoba arsad irRveva da ar neldeba, magram
poemis Rirseba martooden am siuJetur qargaSi rodia, aramed
ufro metad imaSia, rom aSkarad SeimCneva qristianobasTan
damokidebulebis im metafizikur TeoriaTa marcvlebi, rac
34
saTeatro azri saqarTveloSi
ase axasiaTebda dantes, mis zogierT evropel Tanamedrovesa
da memkvidres. SoTa rusTavels bevri ram SeuTvisebia
platonisagan (cnobilia, rom XI-XII saukuneebSi saqarTvelosa
da saberZneTs Soris mWidro urTierToba damyarda, ramac
saSualeba misca qarTvelebs gascnobodnen platonisa da
aristoteles filosofiur moZRvrebebs. yovelive aman, ra
Tqma unda, didi gavlena moaxdina imdroindel saqarTvelos
kulturasa da socialur cxovrebaze da, Tavis mxriv, Seamzada
safuZveli qarTuli renesansis dasawyisisa. T. c.). rac Seexeba
poemis stils, unda iTqvas, rom igi gasaocrad gvagonebs
evropuli renesansis xanis sityvis ostatebs.~ 27
samwuxarod, am periodis qarTuli saTeatro sanaxaobis
Sesaxeb mwiri cnobebi mogvepoveba, Sesabamisad ar gvaqvs
literatura, sadac dafiqsirebuli iqneba azri Teatris Sesaxeb,
Tumca, am epoqis saTeatro cxovrebis Sesaxeb sxvadasxva
istoriuli Tu literaturuli Zeglebi gvaZlevs saSualebas
SevafasoT am epoqis sasceno xelovnebis `gamosaxvis formebi~.
magaliTad: `vefxistyaosanSi~ mocemulia ramodenime epizodi,
sadac Cven SegviZlia warmodgena viqonioT im periodis saTeatro
sanaxaobebze:
`ese Tqva da sixaruliT TamaSoba adiada,
mgosani da moSaiTi uxmes, poves rada sada;
dia gasca saboZvari, yvela darbazs Semoxada, misi msgavsi siuxviTa RmerTman sxamca ra dabada.~28
da kidev, gavixsenoT fridonis sityvebi, qajeTis cixis aRebis
win gamarTul TaTbirze:
`Cemsa simcrosa gamzrdelni samuSaiTod mzrdidian,
maswavles maTi saqmeni, maxlacunebdian, mwvrTidian;
asre gavida saabelsa, rom Tvalni ver momkidian,
vica mWvretdian ymawvilni, iginica inatridian.~29
rogorc Cans, muSaiToba anu sabelzed moTamaSe CvenSi
saTeatro sanaxaobas miekuTvneboda, rogorc xalxSi arsebul
yvelaze Zveli da popularuli sajaro xasiaTis gasarTobsa
da Sesaqcev warmodgenas (es Cans zemoT moyvanili poemis
strofebidanac). radganac muSaiToba samefo karis saxilveli
iyo da SesaZlebelia igi imavdroulad, `elitarul~
35
Tamar cagareli
sanaxaobasac miekuTvneboda, amitomac misi aTvisebisaTvis samefo
karis warmomadgenlebs adreuli asakidanve amzadebdnen, rac
rostevan mefisa da fridonis magaliTze naTlad Cans, Tumca,
rogorc ukve aRvniSne, `vefxistyaosani~ ar gaxlavT erTaderTi
literaturuli Zegli, romelic gvawvdis cnobas saTeatro
sanaxaobis Sesaxeb. Tamar dedoflis istorikosi mogviTxrobs,
rom Tamarisa da daviT soslanis daqorwinebisas `iyo zma
mgosanTa da muSaiTTa saxeoba~,30 maSin, rodesac SarvanSa
aRsarTani da aTabagi amir-miriani.
aRsaniSnavia is faqti, rom iseve rogorc renesansis epoqis
evropaSi, saqarTveloSic samefo karze didi popularobiT
sargeblobdnen masxarebi, personaJi, romelic, rogorc wesi, ar
isjeboda Tavisi siTamamisTvis, magram cnobilia isic, rom
mefis masxara imavdroulad iyo gantevebis vacic da Tu
msxverplSewirvaze midgeboda saqme, isev da isev masxaras
imetebdnen. am inversiis logikiT `umdablesi~ arseba, romelic
sayovelTao keTildReobas ewireboda _ `umaRles~ sferoSi
gadainacvlebda.... romelic warmoadgenda monarqis, sasuliero
pirisa da mosamarTlis `saTamaSos~, Tumca isini sakmaod did
rols asrulebdnen sasamarTlo cxovrebaSi, sadac
privilegirebuli adgili ekavaT. igi iyo erT-erTi arc Tu
mravalricxovani jgufisa, romelsac Tavisuflad SeeZlo
sakuTari azri gamoeTqva, sasamarTlo procesze, iumoriTa da
manWva-grexiT, rasac Turme Zalian xSirad saboloo
gadawyvetilebazec umoqmedia. aRsaniSnavia is faqti, rom
masxarebi xandaxan saxelmwifo gadatrialebaSic ki
Rebulobdnen Turme monawileobas.
rogorc ukve aRvniSne, masxara did rols TamaSobda
politikaSic. saqarTvelos istoriaSi arsebobs cnoba XII
saukuniT daTariRebuli. Tamaris mefobis dros, rogorc
cnobilia, misma meWurWleTuxucesma yuTlu arslanma moawyo
SeTqmuleba, raTa Seecvala saqarTvelos saxelmwifos weswyobileba, SeezRuda mefis uflebebi imdenad, rom mas sakuTriv
saxelmwifo saqmeebis gadawyvetis ufleba aRar hqonoda.
SeTqmulTa meTaurma yuTlu arslanma moiTxova sakanonmdeblo
organos daweseba, romelic parlamentis msgavsi dawesebuleba
36
saTeatro azri saqarTveloSi
iqneboda da mefes am umaRles dawesebulebis _ `karavis~
gadawyvetilebaTa aRsrulebis ufleba SerCenoda mxolod.
realuri Zalaufleba didgvarovan aznaurTa xelSi unda
gadasuliyo da amgvarad ganxorcielebuliyo feodaluri
opoziciis wadili. cxare politikuri brZolis viTarebaSi
yuTlu arslans moagones, rom igi aRzevebulia `guarTa
uaznoTagan~. rogorc ivane javaxiSvili askvnis31, yuTlu arslani
dabali wodebidan yofila gamosuli, romelic Tavdapirvelad
warmoadgenda `cxovelman joris anu viris saxoans~, sadac
gamoumJRavnebia sazrianoba da saocari iumori, risi wyalobiTac
dawinaurebula da simdidrec ki moupovebia Turme. varaudob,
rom yuTlu arslani masxara unda yofiliyo, radgan igi
meWurWleTuxucesobamde, rogorc istoriuli cnobebidan irkveva,
cnobili yofila `saxiobisa xmiTa tkbiliTa da sasacilo
ambniTa~, `jerovnad darbis noxzeda... Tavze dgas xeliT darbisa,
fexiT qmnis TamaSobasa~,32 garda amisa mefis erTguli kariskacTa
dasi im mizniT, rom daemcirebinaT mowinaaRmdege yuTlu arslani,
moagonebdnen Turme meamboxes mis warsuls, roca is adamianebis
`saTamaSod~ da gasarTobad gardaiqmneboda da `virSida ijda~34.
saTeatro sanaxaobebSi ki, xumara da viri erTmaneTisgan
ganuyrel saTeatro niRbad aRiqmeboda, imavdroulad yuTlu
arslani xasiaTdeba, rogorc `moTamaSe~: simReris niWiT, saxumaro
ambebis TxrobiT, akrobatikiT, JestikulaciiT warmodgenis
warmarTviT _ es yovelive xom masxaras damaxasiaTebeli
niSnebicaa. SesaZlebelia igi, rogorc maRali fenis,
aristokratiuli wris gamrTobi – masxara/muSaiTi.
Tavdapirvelad ise moxvda sasaxleSi, romelmac Semdgom WkuiTa
da gonebamaxvilobiT miaRwia meWurWleTuxucesobas. istoriidan
cnobilia, rom yovelTvis, roca samefo karze imarTeboda
wveulebani, isini am sadResaswaulo procesiis mTavar moqmed
pirebad gvevlinebodnen. istorikosi gvamcnobs, rom rusudan
dedofali, romelic ganagebda Tamarisa da daviTis qorwilis
ceremonialur mxares, `xuarasnisa da erayis sulTanTa sZlobiTa
gamacnierebuli, bunebriviTa saxiobiTa da SvenebiTa~35 moqmedebdao.
am epizodidan irkveva, rom muSaiTebi ucxo qveynebidanac
modiodnen CvenSi, Tanamedrove terminiT rom vTqva, sagastrolod,
TavianTi saTeatro xelovnebis gasacnobad.
37
Tamar cagareli
muSaiTobas sakmaod vrclad aRgviwers arCil mefe
TxzulebaSi `saqarTvelos zneobaSi~, sadac ambobs:
`ver xedavT fridonisasa muSaiTobas Cemulobs
sabelzed gavla-xtomasa Tamamad, ar Tu mozarobs,
tarielsa da avTandils qajeTs misvlazed uanbobs,
vin icis, mis dros iqmnodes codnasa, nu vin
mconarobs....
inatres bevrman qajebman: neta vine es maswavlao!
misi sificxe simale, ise Tamamad swavlao,
magma is Savi ar dadga, aravis ar aswavlao,
mizezi es sTqva: mwadian sul sxva xelmwifis
davlao...”35
arCilis sityvebidan naTelia, rom raindobis institutis
warmomadgenlebisgan didi interesiT ikveTeboda muSaiTobis
Seswavlis survili. amis mizezi ki, savaraudod, swored is
iyo, rom raindebi didgvarovan warmomadgenelTa ricxvs
miekuTvnebodnen da TavianTi warmomavlobiTa da gvariSvilobiT
daaxloebulni iyvnen mefis karTan. amdenad, SesaZlebelia maT
`kodeqsSi~ muSaiTobis xelovnebis daufleba aucileblobasac
warmoadgenda, Tumca gamoricxuli ar aris, rom warmodgenaSi
mxolod niWierni iRebdnen monawileobas.
amgvarad, naTelia, rom XI-XII saukuneebis saqarTveloSi
ikveTeba kulturuli Semoqmedebis aRmavlobis nimuSebi, romelic
atarebs renesansis utyuar niSnebs.
1. gabiZaSvili e., ruis-urbnisis krebis Zegliswera, $ 1, Tb., 1978, gv. 12.
2. saqarTvelos ssr mecn. akad. `moambe~, t. II, # 8, 1941, gv. 774.
3. javaxiSvili iv., qarTveli eris istoria~, wgn. 3, Tb., 1966, gv 52.
4. http://www.nplg.gov.ge/ebooks/authors/david_aghmashenebeli/
galobani%20sinanulisani.pdf. gv. 2.
5. mariam lorTqifaniZe, `saqarTvelo XI-XII saukuneebSi~, Tb., 1987, gv.
80-118.
38
saTeatro azri saqarTveloSi
6. dimitri janeliZe, `Teatris da saxiobis aRorZineba rusTavelis
epoqaSi~, Jurn.: `Teatraluri moambe~; N3, Tb., 1966,Ngv. 8.
7. http://lib.ge/body_text.php?5104; `galobani sinanulisani~; daviT
aRmaSenebeli;
8. dimitri janeliZe, `qarTuli Teatris dionisuri sawyisebisaTvis~ :
(mevenaxeoba-meRvineobis kultis niadagze warmoSobili ritualursanaxaobrivi qmedoba da wes-Cveu l ebani saqarTvel oS i),
`TeatrmcodneobiTi Ziebani~; /samecniero SromaTa krebuli /, t. VII.,
Tb., 1977, gv. 62.
9. http://www.orthodoxy.ge/samartali/samartali/3-3-5.htm eqvTime aToneli.
`mcire sjulis kanoni~, $3.
10. ilia abulaZe. ,,Zveli qarTuli hagiografiuli literaturis
Zeglebi~, tomi I, Tb., 1964, gv. 56.
11. iqve;
12. http://lib.ge/body_text.php?5104; `galobani sinanulisani~, daviT
aRmaSenebeli,
13. ix.: iqve;
14 b. jorjaZe, leqsebi, piesebi, moTxrobebi, werilebi, Tb., 1986, gv. 12.
15. iv. javaxiSvili. Txzulebani Tormet tomad. t.II; Tb., 1980, gv. 64.
16 z. gamsaxurdia, vefxistyaosnis saxismetyveleba, Tb., 1991, gv.: 84
17. http://lib.ge/body_text.php?5104; `galobani sinanulisani~, daviT
aRmaSenebeli,
18. ix.: iqve;
19. ix.: i. abulaZe, Zveli qarTuli leqsikidan, Tb., 1960.
20. saqarTvelos ssr mecn. akad.M`moambe~, t. II, N8, Tb., 1941, gv. 712.
21.ix.: iqve;
22. http://www.nplg.gov.ge/ebooks/authors/david_aghmashenebeli/
galobani%20sinanulisani.pdf. gv.3.
23. qarTlis cxovreba, r. metrevelis redaqciiT, saqarTvelos mecnierebaTa
erovnuli akademia, Tb., 2008. gv.: 87 (`axali qarTlis cxovreba~
Cvenamde sami nusxiT aris Semonaxuli. janaSviliseuli m,
WalaSviliseuli c, da maCabliseuli m. maT Soris uZvelesi aris m.
janaSvilis mier aRmoCenili. `axali qarTlis cxovrebis~ es nusxa
janaSviliseul xelnawerSi gvian aris Cakerebuli. qaRaldisa da
xelis Seswavlis safuZvelze dgindeba, rom es nusxa 1721-1731 wlebs
Soris unda iyos dawerili. am nusxaSi dafiqsirebuli vaxuSti
batoniSvilis avtografuli minawerebi Tu sacnobaro xasiaTis SeniSvnebi
mowmobs, rom nusxas mecnieri batoniSvilis xelSi gamouvlia).
24.iqve. gv. 78
25.iv. javaxiSvili. Txzulebani Tormet tomad. t. IV, Tb., 1982, gv. 52.
39
Tamar cagareli
26.iqve.
27.Oliver Wardrop: “The kingdom of Georgia”; published in 1888; p.: 5
28.SoTa rusTaveli, vefxistyaosani, al. WinWaraulis redaqtorobiT,
Tb., 1986.
29. ix.: iqve;
30.qarTlis cxovreba, r. metrevelis redaqciiT, saqarTvelos mecnierebaTa
erovnuli akademia, Tb., 2008. gv.: 174
31.ivane javaxiSvili; Txzulebani XII tomad; tomi IX. 1977, gv.; 54
32.T. Jordania; qronikebi, tomi: II. tfilisi; 1897; gv.:35
33. ix.: iqve.
34. qarTlis cxovreba, r. metrevelis redaqciiT, saqarTvelos mecnierebaTa
erovnuli akademia, Tb., 2008. gv.: 109.
35. cxovreba saqarTveloisa (parizis qronika) Sesavali, SeniSvnebi da
saZiebeli daurTo g. alasaniam. Tbilisi, 1990. gv.74 arCil mefe;
`saqarTvelos zneoba~.
dramis reJisura
naSromebi ibeWdeba programis xelmZRvanelebis rekomendaciiT
statiis stili daculia
programis xelmZRvanelebi _ prof. vasil kiknaZe
Dprof. giorgi margvelaSvili
40
41
Mmaia Sengelia
Ddoqtoranturis II kursi
P
amosavali movlena da siuJetis scenuri
dekodirebis problema
(literaturuli siuJeti. pirveli plani. scenuri (qmediTi)
siuJeti. meore plani. moqmedebis motivacia.)
Tanamedrove Teatralur sivrceSi arsebuli mdgomareobis
analizisas, uneblied gaxsendeba eJi grotovskis sityvebi: `saqme
imaSia, rom qreba Teatris warsulSi gasagebi funqcia. dRes
ufro moqmedebs kulturuli avtomatizmi, vidre WeSmariti
moTxovnileba. kulturulma adamianebma ician, rom TeatrSi
unda iaron da ufro metad iq dadian ara Teatris, aramed
kulturuli movaleobis gamo. yvelgan gamefebulia wuxili
rogori gzebiTa da saSualebebiT movizidoT mayurebeli, rogor
SemovityuoT, rogor CaviTrioT igi warmatebulad. sadRac
abonimentTa sistemiT, sadRac pornografiiT, oRond nebismir
fasad uzrunvelvyoT CvenTvis savse darbazi. hoda, mec vfiqrob,
rom gonivrulia vilaparakoT Teatrze, rogorc dangreul,
mitovebul, TiTqmis dacarielebul saxlze.~1
SemoqmedebiTi krizisi periodulad sxvadasxva saxiTa da
formiT mJRavndeba da is erTjerad, an erTi qveynisaTvis
damaxasiaTebel movlenas ar warmoadgens: mas sxvadasxva dros,
sxvadasxva mizezi ganapirobebs. dResdReobiT Seqmnili
SemoqmedebiTi krizisis mizezad mravali faqti saxeldeba,
maT Soris aucileblad gasaTvaliswinebelia globaluri
xasiaTis iseTi mizezebi, rogoricaa: Tanamedrove filosofiuri
da sazogadoebriv-politikuri azris stagnacia (roca
gauazrebelia adamianis raobis mimarTeba makro da mikro
kosmosTan, roca upasuxodaa darCenili kiTxva: _ `ra aris
adamiani?~ _ samyaros gvirgvini, Tu misi Semadgeneli nawili?!
roca kacis kvla politikuri mizeziT gamarTlebulia
terorizmis ideologiiTa Tu erayis omiT.); cxovrebis ritmis
arnaxuli zrda; pirovnebis komiqsuri azrovnebis damkvidreba
realur cxovrebaSi (roca adamiani aRiqvams movlenas da ara
process, ramac es movlena gamoiwvia. es sakiTxi pirdapir
42
kavSirSia cxovrebis ritmis sakiTxTan). ukanaskneli mizezi
erT-erTi mTavari mizezia, ramac gamoiwvia akademiuri Teatris
darbazebis dacarieleba da e. w. sanaxaobiTi (ufro zusti
iqneboda komiqsuri, anu zerele) Teatrebis esTetikis
popularizacia. mayurebeli, cxovrebis ritmidan gamomdinare,
mouTmeneli gaxda. mas TiTqos ar scalia CauRrmavdes movlenis
gamomwvev mizezebs; ambis gageba rac SeiZleba swrafad surs,
yovelgvari peri petiebis Cvenebis gareSe. arada, Teatraluri
xelovnebis arsi sworedac rom procesis cocxlad CvenebaSia
da ara raime faqtis dafiqsirebaSi. Teatri xom fotografia,
an sainformacio gamoSveba ar aris?! avadsaxsenebeli drois
termini rom vixmaroT, Teatraluri xelovneba `formalisturi~
gaxda. Tanamedrove reJisorebi publikis yuradRebis misaqcevad
igoneben aTasgvar formebs, rasac araferi aqvs saerTo
literaturul TavwyaroSi gadmocemul ambavTan. cxadia, Teatri
ver gaeqceva teqnikis uaxles miRwevebs. piriqiT, igi
mowodebulia gamoiyenos yovelgvari teqnikuri siaxle. arc
is azria gamarTlebuli, rom formiseuli Ziebani mavne movlenaa
da TiTqos formaze ar unda ifiqros reJisorma; magram
SeuZlebelia uyurebde speqtakls da ar gesmodes, Tu ra
ambavi gaTamaSda scenaze. TviT usiuJeto Tanamedrove prozac
ki ver uvlis gverds ambis gadmocemis aucileblobas, winaaRmdeg
SemTxvevaSi am ti pis nawarmoebebi sruli abdaubda iqneboda.
ambis, anu siuJetis ararseboba scenaze dakavSirebulia
imasTan, rom reJisorma xSir SemTxvevaSi ar icis ras dgams.
imisaTvis, rom gaverkveT siuJetis scenuri dekodirebis
problemaSi, aucilebelia gavixseniT, rom dramaturgia, es
aris qmediTi teqsti, anu sityva piesaSi uSualod
ukavSirdeba moqmedebas. arcerTi sityva ar iTqmeba umizezod.
mizezi warmoSobs sityvas, romelic, Tavis mxriv, aris
moqmedeba an iwvevs mas. xazs vusvamT, _ `moqmedeba~ da
ara `qceva~. am or cnebas Soris didi gansxvavebaa. magaliTad:
`varlami: -ga-a-amarjobaT, Tqveni!... cxik!!..~
ra moxda? reJisorma yoveli nakveTis Semdeg unda dasvas
es SekiTxva.
43
maia Sengelia
zogi ityvis, rom varlamma daacemina; sxva ambobs, rom
varlami mogvesalma. romelia swori? man xom daacemina kidec
da mogvesalma kidec? saqme imaSia, rom dacemineba aris qceva,
anu igi dakavSirebulia iseT ramesTan, rasac reJisorebi
`rogors~ veZaxiT. xolo misalmeba aris moqmedeba, anu is,
rasac Cven _ `ra qnas~ vuwodebT. e. i., moxda Semdegi: varlami
cxviris daceminebiT (rogor?) mogvesalma (ra qna?).
kargi dramaturgi piesaSi gadmocemul ambavs TiTqos
gvimalavs (deteqtivis msgavsad). amitom ambavi, romelic scenaze
unda daidgas, reJisorma unda gamoiZios, amoxsnas, moaxdinos
misi literaturuli dekodireba da gadmoitanos Teatralur
enaze. sxvagvarad rom vTqvaT (uxeSi dayofiT, ra Tqma unda)
literaturuli siuJeti ñ, anu ambavi rac piesaSi xdeba, es
aris is, rasac avtori sityvieri garsiT ñ gvawvdis da
rasac Cven pirvel plans (pirvel sibrtyes) vuwodebT.
magram ambavi, romelic unda daidgas scenaze, rogorc wesi
(kargi dramaturgiis pirobebSi), meore planSi2 Zevs, anu, es
aris ara is, rasac personaJebi laparakoben, aramed is, rasac
isini akeTeben; e. i., piesis qmediTi garsi.ñ
magaliTad, ibseni: `moCvenebani~.3 (simartivisaTvis siuJetis
magivrad, Semoklebul fabulas gamoviyenebT).
literaturuli ambavi, anu, pirveli plani: osvaldi mamis
saxelobis TavSesafris gaxsnaze dasaswrebad Camodis. cdiliobs
colad SeirTos moaxle gogo, romelic misi naxevarda
aRmoCndeba.
scenuri ambavi, anu, meore plani: sasikvdilod daavadebuli
osvaldi brundeba mSobliur saxlSi. cdilobs reginas an
dedis saxiT i povos mokavSire, romelic gauadvilebs
aRsasrulis ukanasknel Jams.
cxadia, reJisorma swored meore planSi gadmocemuli ambavi
unda dadgas, raTa ojaxuri drama socialur fonze
ganviTarebul pirad tragizmamde ayvanil ambad iqces.
ra Tqma unda, piesas SeiZleba oris garda mravali plani
hqondes, magram, rogorc wesi, Semdgomi planebi warmoadgenen
im subieqtur ambebs (fabulebs)4, rac ician mTavari ambis
Sesaxeb konkretulma personaJebma.
44
amosavali movlena da siuJetis scenuri dekodirebis problema
isev da isev uxeSi paralelis gamoyenebis Sedegad, SeiZleba
iTqvas, rom literaturuli siuJeti, anu, pirveli plani
gamoxatavs nawarmoebis Temas; e. i., imas, razec aris
dawerili es nawarmoebi. xolo scenuri siuJeti, anu, meore
plani gamoxatavs nawarmoebis ideas; maSasadame, imas,
risi Tqmac surs avtors. sagangebod aRvniSnav, rom rogorc
literaturuli, ise qmediTi (scenuri) siuJeti nawarmoebSi
Zevs da misi gamogoneba araviTar saWiroebas ar warmoadgens.
ubralod, qmediTi siuJetis amoxsnaa saWiro da misi scenur
enaze gadmotana (mizanscenebis, musikis, ganaTebis, mxatvrobis,
qoreografiis, sxva saSualebebis daxmarebiT ambis vizualuri
Txroba ñ ).
literaturuli siuJetis danaxva araviTar sirTules
ar warmoadgens, radgan mas personaJebi sityvieri masaliT
gadmoscemen. magram rogor amovxsnaT qmediTi siuJeti?
Cven xom vizualuri TxrobiT scenaze swored qmediTi
siuJeti unda davdgaT?
upirvelesi gasaRebi, riTac qmediTi siuJeti unda gaiSifros,
amosavali movlenis 5 sworad gansazRvraa. magram ra aris
amosavali movlena da rogor davadginoT igi? upirvelesad
S e g a x s en eb T i m a s , Tu r a a r i s Tv i T ` m o v l e n a ~ 6
piesaSi.Kklasikuri ganmartebiT, _ movlena, _ es aris faqti,
romelic zegavlenas axdens yvela personaJze da cvlis
maTi moqmedebis xazs. piesaSi yvela saxis movlena (didi,
mcire (epizodisaTvis, nakveTisaTvis), mTavari, amosavali))
emorCileba am saerTo kanons, winaaRmdeg SemTxvevaSiFfaqti
m ov lena d v er Ca iTvl eba .M ma g ra m ga r da a R ni Snul i
aucileblobisa, amosavali movlena erT pirobas unda
akmayofilebdes: igi aris movlena, romlis gareSec piesaSi
aRwerili ambavi ar moxdeboda. anu, Cven unda vi povoT, ra
faqti moxda piesaSi aRwerili ambis dawyebamde personaJebis
urTierTobaSi iseTi, romelmac zemoqmedeba iqonia yvela maTganze
(ufro zustad ki im personaJebze, vinc pirvel did movlenamde
Canan piesaSi), Secvala maTi moqmedebis xazi da gamoiwvia
nawarmoebSi moTxrobili ambavi. amosavali movlena (mcire
movlenebisagan gansxvavebiT da mTavari da didi movlenebis
45
maia Sengelia
msgavsad) saerToa yvela personaJisaTvis, romlebic Canan pirvel
did movlenamde da piesis dasawyisisaTvis maTi moqmedebebis
ZiriTad motivacias ñ warmoadgens. erTi da imave piesis
sxvadasxva siuJetis interpretacia scenaze, ZiriTadad, Sedegia
xolme swored amosavali movlenis sxvadasxvanairad
gansazRvrisa, rac, Tavis mxriv, iwvevs personaJTa qmedebis
motivaciis cvlas da amdenad, sxvadasxva ambis Txrobasac.
Tumca aqve avRniSnav, rom rogorc wesi, avtors yovelTvis
zustad aqvs mocemuli amosavali movlenis arsi.7 amitomac,
misi gamogoneba da `SeTiTxna~ saWiro ar aris. mxolod piesis
sworad wakiTxva mogveTxoveba.
magaliTad, d. kldiaSvili: `darispanis gasaWiri~.8
ratom xdeba piesaSi is, rac xdeba? ratom iyrian marTas
saxlSi Tavs is adamianebi, romelTac saxlSi sam-sami da meti
gasaTxovari qaliSvili hyavs (pelagia, darispani, onisime)?
ratom cdilobs marTa gaaTxovos maincdamainc Nnatalia da
ara romelime misi da? imitom, rom misi naTlulia? ratom
cdilobs onisime nataliasTvis moyvanil saqmros karoJna
miaTxovos? ratom kravs mudmivad xels marTa natalias da
ratom cdilobs ase gafacicebiT rom osikos moawonos? ratom
iwyeba piesa marTas SekivlebiT (`marTa: _ axlave aq momiyvane
Cemi naTluli, Ppelagia Cemo!..~)? ram Seyara amdeni
gauTxovari qalis patroni marTasas?
saqme imaSia, rom marTas hyavs qaliSvili, romelic bednierad
daubinavebia (`darispani: _ (marTas)... Sen gaSora RmerTma es
dRe, Cven rom gvadgia... erTi gyavs da qe moaxerxe imisi
gaTxoveba...~) da aseve hyavs saqorwilo vaJi. marTasa da
onisimes Soris pirdapiri vaWroba imarTeba. onisime cdilobs
daadginos umziTvo qals (anu mis romelime qaliSvils) Tu
SeuSvebs rZlad marTa saxlSi. umziTvobis garda, naTlimironobis gamoc xom SeiZleba iwunebdes marTa natalias?
piesaSi es scena sityvasityviT asea gadmocemuli:
`onisime: _ Tqven nu momikvdebiT, Tqvenma Svilma rom
umziTvo mogayenoT karzed...
marTa: _ SemobrZandi-Tqva, vetyvi da pirvel adgilze davsvam,
Tuki misTana qali damanaxva, Tvalsac eama da gulsac...
46
amosavali movlena da siuJetis scenuri dekodirebis problema
ise me vicocxlo, ase vqna!... ki, batono onisime!... mara marto
es musaifi rom ar gveyofa, es RmerTmac icis da kacmac!...”9
am dialogidan cxadad Cans, rom marTas saqorwilo
vaJi hyavs. swored amis gamoa SemoCveuli naTluli naTliasTan
da safiqrebelia, rom arc marTas vaJia imis mimarT gulgrili
(savaraudo garemoeba).10 reJisorma aseve unda gaiTvaliswinos
im sazogadoebisa da epoqis adaT-wesebi da Cveulebani, romelic
asaxulia nawarmoebSi. naTli-mironoba marTlmadideblurqristianul sinamdvileSi SeubRalavi movlenaa da sisxliT
naTesaobas niSnavs. miT umetes ufro meti sababi aqvs marTas
ar surdes rZlad natalia. swored amitom unda mas ase
sulmwared umziTvo naTlulis mocileba Tavidan (swored
misi da ara misi debis). saqorwino vaJi eguleba am saxlSi
da am mizeziT aucda fexi darispans da marTasTan Semoiara
qaliSviliTurT. marTasa da onisimes swored am aRwerili
`vaWrobis~ dros xdeba moulodneloba, – gamoCndeba axali
konkurenti karoJna.EaRniSnuli dialogi rom marTas vaJs
exeba, Cans karoJnas gamoCenamde, osikos interesebis dacvisas,
onisimes sityvebidan:
` – (marTas) Cems rZals rom mziTevi ar mohyoloda,
swored ar SemovuSvebdi Svils saxlSi... ymawvilma Tavi unda
deifasos!~ swored marTas vaJis (SesaZlo sasiZos) gamo unda
onisimes sakuTari qaliSvilebis konkurenti natalia miaTxovos
osikos da marTas vaJma Tavi unda daifasos, _ umziTvikonkurenti natalia axlos ar unda gaikaros (onisime marTasac
kargad icnobs da pelagiasac, amitom saqmis namdvili viTareba
misTvis cnobili unda iyos). is ormag TamaSs eweva: erTi
mxriv, unda osikisTvis mziTviani qali iSovos, meore mxriv ki,
_ sakuTariQqaliSvilebiUumziTvod gaaTxovos. magram marTasagan
uars Rebulobs sakuTari Svilebis misamarTiT (marTam gasagebad
uTxra: _ marto laparakiT ver icxovrebs axalgazrda ojaxi,
es RmerTmac icis da kacmac!). jer kidev ar apirebs onisime
far-xmlis dayras, magram, radgan, swored am maWanklobis dros
gamoCnda karoJna da radgan, natalia onisimesaTvis safrTxes
ar warmoadgens (winaswar icis, rom marTas ar moswons), ukve
karoJnas, rogorc SesaZlo konkurentis, Tavidan mocilebas
47
maia Sengelia
cdilobs; Tumca, rogorc ki darwmundeba, rom marTa arc mas
wyalobs, sakuTari saxlikacis (osikos) bediT interesdeba da
umziTvo qalebis Txovas ar urCevs. swored imitom, rom
osiko onisimes naTesavia, Tavad mas sasiZod ar gamoadgeba.
xolo darispani ki sisxliT naTesavi ar unda iyos marTasi,
radgan marTam karoJnas saxelic ki ar icis.
is faqti, rom marTas vaJi hyavs, misive sityvebidanac Cans:
` – (osikos) ase awvalebT axlandeli ymawvilebi
moxucebul dedebs droze Semfaravis mouyvanlobiT!..
kaia, rom kidev amisTana marjve naTluli myavs!..~ 1 (anu,
marTalia Cemma Svilma rZali ar maRirsa, magram naTluli
myavs marjveo.)
davuSvaT, rom amosavali movlena marTas vaJis saqorwino
asakis miRweva ki ar aris (maSin es mocemuli garemoeba
iqneboda12), aramed marTasTvis moulodnelad Setyobinebis miReba
SesaZlo sasiZos stumrobis Sesaxeb.
aSkaraa, rom marTa da onisime winaswar arian SeTanxmebulni,
radgan osiko specialurad aris Camosuli soflidan. sakiTxi
rom marTas vaJs ar exebodes, aseT SemTxvevaSi, gana marTa
aseTi mowadinebuli iqneboda gaeTxovebina natalia? gana amdeni
gasaTxovari qalis patroni ase mZafrad daupirispirdeboda
erTmaneTs? riT avxsnaT onisimes cvalebadi qceva?
xSiria SemTxveva, roca mocemuli garemoeba SeiZleba
amosaval movlenaSi agverios. 13 mocemuli garemoeba ukve
arsebuli mocemulobaa. am SemTxvevaSi marTas hyavs vaJi;
xolo movlena ki momxdari faqtia, romelic personaJebis
qmedebis motivacias warmoadgens.Aam SemTxvevaSi marTas vaJs
saqorwilo asaki Seusrulda (faqti: Seusrulda, anu `ra
moxda?~). rogor ganvsazRvroT aris Tu ara marTas Svilis
saqorwino asaks miRweva amosavali movlena am konkretuli
ambisaTvis?
moviyvan martiv magaliTs qarTuli xalxuri zRapridan
`muxaglejia sidedrisa da simamrisa~:14
`iyo erTi glexkaci. hyavda erTi vaJiSvili. roca es vaJi
moizarda, mamam moindoma misi daqorwineba, moRala maWanklebi,
Semoiara qveyana, magram tyuilad, ar iqna, misi bedi ar gaixsna.
adga, bolos, es biWi da wavida mkiTxavTan. mkiTxavma uTxra:
48
amosavali movlena da siuJetis scenuri dekodirebis problema
_ wadi, am da am adgilas....~ da a. S.
zRapari imiT aris kargi, rom mocemuli garemoebani da
amosavali movlena yovelTvis Tavidanve gamotanilia saaSkaraoze.
kerZod, am SemTxvevaSi mocemuli garemoebaa is, rom iyo erTi
glexkaci da hyavda vaJi. Aamosavali movlena ki isaa, rom es
vaJi saqorwino asakisa Seiqna (ki ar mokvda, an dainvalidda,
aramed saqorwino gaxda). es rom ar momxdariyo, mama mis
daqorwinebas ar moindomebda da arc Semdgomi movlenebi
moxdeboda.
zustad igive mdgomareoba gvaqvs „darispanis gasaWirSic”.
marTas vaJi mcire wlovani rom yofiliyo, arc aravin movidoda
marTasas da arc marTa moindomebda arasasurveli sarZlos
mogeriebas. amrigad, movlena: „marTas vaJi saqorwino asakis
gaxda”, aris amosavali movlena, rogorc mocemuloba.15 sxva
sakiTxia, rom piesas eqspozicia ar gaaCnia da igi pirdapir
iwyeba movleniT: „cnoba sasiZos mosvlis Sesaxeb”16. magram es
sakiTxi mxolod literaturuli siuJetisTvisaa mniSvnelovani;
qmediTi siuJetisaTvis ki gadamwyveti mniSvneloba amosaval
movlenas aqvs, radgan man unda gansazRvros personaJTa qmedebis
motivacia.
Tu dadgenil amosaval movlenas da savaraudo garemoebas
gavaerTianebT, maSin marTas qmedebaTa motivacia Semdegia: marTas
vaJi saqorwino asakis gaxda da dedam SeamCnia, rom igi gulgrili
ar aris misive umziTvo naTlulisadmi. swored es, Cven mier
mignebuli amosavali movlena, ganapirobebs piesis yoveli
p er s ona J i s q m edeb a s ( c xa di a o s i ko c da eW v deb o da
dasaqorwinebeli vaJis patrons ratom ar unda, rom TviTon
iyolios rZlad `aseTi da iseTi kargi gogo~, magram is faqti,
rom natalia marTas naTlulia, sakmarisia, raTa mas zedmeti
eWvis sababi ar hqondes.). swored am movlenidan gamomdinare,
siyvaruliT ki ar epyroba marTa natalias, aramed piriqiT, _
erTi suli aqvs moacilos Tavis saxls. nataliac sixaruliT
ki ar datrialebs sasiZos cxvirwin, aramed aiZuleben, rom
ase moiqces. darispanic amitom ar apirebs marTas saxlidan
misi vaJis unaxavad wasvlas da natalias SesaZlo konkurentobis
gamo, dasasveneblad sxva oTaxSi gasuli, karoJnas mosvenebis
49
maia Sengelia
saSualebas ki ar aZlevs, aramed marTas naTlulis
sameTvalyureod uSvebs.
literaturuli Tavwyaros gadamontaJebis saSualebiT,
saidanac ar unda daviwyoT ambis Txroba, ver avcdebiT e. w.,
didi da mTavari movlenebis Sinaarsis identur gadmocemas.
magaliTad, im faqts, rom otelom daaxrCo dezdemona. winaaRmdeg
SemTxvevaSi saqme Janris cvlilebasTan gveqneba da tragediis
nacvlad SesaZloa komedia miviRoT. interpretaciis SemTxvevaSi
SesaZloa SevcvaloT movlenaTa rigi, magram ver SevcvliT
TviT ambavs, anu siuJets, aseTi ram mxolod amosavali movlenis
cvlilebiTaa SesaZlebeli; magram ramdenad gamarTlebulia
es da ewinaaRmdegeba Tu ara nawarmoebis ideas, anu qmediT
siuJets?!A
ukve aRvniSne, rom amosavali movlenis sxvadasxvagvarad
gansazRvra, sceniuri ambis sxvadasxvagvar gadmocemas
ganapirobebs, rasac xSir SemTxvevaSi saerTo araferi aqvs
avtoriseul ambavTan. ganvixiloT magaliTi imisa, Tu rogor
icvleba scenuri ambavi, amosaval movlenasTan mimarTebaSi.
magaliTad, u. Seqspiri: `qariSxali~.17
ra movlena ganapirobebs piesaSi gadmocemuli ambis
ganviTarebas?
a) davuSvaT, rom es aris qariSxali; magram prospero
Tavad iwvevs magiuri codniT am qariSxals da amdenad, igi
misTvis movlenas ar warmoadgens.
b) mefis qaliSvilis klaribelis qorwili. prosperom
dainaxa, rom samefo xomaldma Cauara mis kunZuls, daeloda
gemis ukan dabrunebas da qariSxali daatexa Tavs SurisZiebis
mizniT; magram wlebis manZilze, gana ar eqneboda saSualeba
romelime gemi gamoeriya napirze, dabrunebuliyo neapolSi da
iq eZia samarTali? es mas arc ufiqria, radgan mecnieria da
ganmartoebaSi Tavs kargad grZnobs.
g) mirandas momwifeba da misi fizikuri ltolva
kalibanisadmi. swored es faqti aiZulebs prosperos ifiqros
qaliSvilis momavalze, mouZebnos Sesaferisi saqmro da
daabrunos adamianTa sazogadoebaSi. avalebs kidec ariels,
rom xomaldi da misi mgzavrebi uvnebelni unda gadarCnen,
xolo mefis Ze ferdinandi calke unda gamoiriyos kunZulze.
50
amosavali movlena da siuJetis scenuri dekodirebis problema
swored mirandasa da ferdinandis Sexvedras eswrafvis
gulTmisani mama. prosperos rom SurisZieba ar surs, es iqidanac
Cans, rom yvelani uvnebelni brundebian neapolSi.
samive dasaxelebul SemTxvevaSi reJisori sxvadasxva ambavs
dadgams. pirvel SemTxvevaSi es iqneba raRac absurduli zRapari,
sadac gaugebari iqneba ra motivacia aqvs mTavari gmiris
qmedebas. meore SemTxvevaSi es iqneba gaborotebuli jadoqris
istoria, romelic ufals utolebs Tavs. mxolod mesame
SemTxveva mogvcems qmediTi siuJetis dadgmis saSualebas
da gasagebs gaxdis personaJTa moqmedebis motivacias.
amdenad, siuJetis scenuri dekodirebis, anu qmediTi
siuJetis gaxsnis problemis gadawyveta umWidroesad
ukavSirdeba amosavali movlenis sworad gansazRvris
sakiTxs da misi amoxsnis unari reJisoris profesiis qvakuTxeds
warmoadgens.

igulisxmeba sabWoTa reJimi.
SemoTavazebuli terminebi ekuTvnis avtors
1. Е. Гротовский. «От бедного театра к искусству-проводнику». М. «АРТ».
2003. бвРв.:«Ответ Станиславскому». gv. 173;
2. ix.: М. О. Кнебелъ. « Школа режиссуры Немировича-Данченко. М.,
1966; М. О. Кнебелъ. « О деийственном анализе пъесы и роли». М., 1959; b.
nemiroviC-danCenko `warulidan~ Tb., 1973; Г. Крыжицкий. «НемировичДанченко о работе над спектаклем». М., 1958;
3. ix.: h. ibseni `dramebi~ t. I,1994;
4. М. О. Кнебелъ. «Поэзия педагогики». М. 1976;
5. ix.: А. М. Поламишев. «Деиственный анализ пъеси». М. 1982; А. М.
Поламишев. «Событие-основа спектакля». М. 1977;
6. М. О. Кнебелъ. «Поэзия педагогики». М. 1976;
7. ix.: М.О.Кнебелъ.«Одейственном анализе пъесы и роли». М. 1959 ; М.
О. Кнебелъ. «О том, что мне кажется особенно важным». М., 1971; А. М.
Поламишев. « Событие-основа спектакля». М., 1977.
51
maia Sengelia
8. ix.: „qarTuli saymawvilo literaturis biblioTeka~. t. 15. Tb.,
1988;
9. iqve. Ggv. 365;
10. ix.: М. О. Кнебель. «Поэзия педагогикий». М., 1971; А. М. Поламишев.
«Деиственный анализ пъесы». М., 1982;
11. ix.: „qarTuli saymawvilo literaturis biblioTeka~. t. 15. Tb.,
1988. gv. 369;
12. А. М. Поламишев. «Деиственный анализ пъесы». М., 1982;
13. А. М. Поламишев. «Событие-основа спектакля». М., 1977;
14. „qarTuli zRaprebi~. Semd.: al. Rlonti. Tb., 1975. gv.77;
15. А. М. Поламишев. «Событие-основа сректакля». М. 1977;
16. ix.: m. TumaniSvili. „sanam repeticia daiwyeba~. Tb., 1977;
17. ix.: u. Seqspiri. `Txzulebani~. t. 1. Tb. (gaCeCilaZis Targmani).
52
nino li partiani
doqtoranturis II kursi
Teatraluri xelovneba, rogorc
socio-komunikaciuri saSualeba
postmodernistul epoqaSi
kacobrioba mTeli Tavisi arsebobis manZilze cdilobs
samyaros arsis gagebas, gaazrebas da masSi Tavisi arsis
gansazRvras.Ggarkveuli pasuxi yovelTvis arsebobda, magram
sabolood veravin daadgina WeSmaritebis arsi. rac ufro
meti iyo codna, gamocdileba da asaki, miT meti iyo daeWveba
da skepticizmi; faqtobrivad aman dabada modernizmis epoqa,
rac gamoixata nicSes cnobili fraziT `RmerTi mokvda~. es
niSnavda ara marto religiuri cnobierebis sikvdils, aramed
saerTo progresis eWvqveS dayenebas. `ar arsebobs progresi,
aramed arsebobs wre, romlidanac gamosavali ar aris. samyaro
Seucnobadi qaosia.~ aman gamoiwvia modernizmis epoqaSi
avtoriseuli protesti. warsuli memkvidreobis uaryofa da
survili samyaros gadakeTebisa, miswrafeba imisken, rom aRweros
da gamoxatos absoluturi kulturuli WeSmariteba.
jer kidev XX saukunis dasawyisSi xelovnebam dakarga
sivrce, romelSic komfortulad grZnobda Tavs. sxvadasxva
mimdinareobis Sejaxebam gamoiwvia qaosi. gaCnda idea, rom
adamiani martoa samyaroSi da TviTon aris pasuxismgebeli
sakuTar Tavze. swored am azrma hpova gamoZaxili axal
mimdinareobaSi da ra Tqma unda xelovnebaSic. modernizms
arasdros hqonda pretenzia daufleboda farTo auditorias.
is, Tavisi bunebiT, yvelasTvis ar iyo misawvdomi.Mmodernizmi,
Tavisi arsebobis manZilze, Semoifargla laboratoriuli
muSaobiT. Tavis droze modernizmma uari Tqva klasikur
akademiur xelovnebaze da axali formebi moxaza.
postmodernistuli epoqa, romelic modernizms Caenacvla,
kraxgancdili kacobriobis epoqaa, romelic utopiebs aRar
agebs da ar cdilobs samyaros gadakeTebas; piriqiT, is cdilobs
miiRos samyaro iseTi, rogoric aris, Seeguos mas da moiwyos
53
nino
lipartiani
masSi maqsimaluri komforti. postmodernizmma uari Tqva
eqstremizmze, nihilizmze da garkveulwilad tradiciebs
daubrunda. daesesxa sxavadasxava epoqas da Seqmna axali
groteskiT, parodiiT da xumrobiT, xSir SemTxvevaSi ironiiT
gajerebuli. farTod gamoiyena citaturi, kolaJuri da
gameorebiTi xerxebi. man TamaSis xerxSi SeZlo daerRvia
sazRvrebi masasa da elitas Soris.
postmodernizmis, postmodernis gansazRvra, rogorc
Teoretikosebis da mkvlevrebis umetesoba amtkicebs, SeiZleba
mxolod `modernizmTan~ socialur-istoriul konteqstSi
moxdes. `postmodernizmi~ aRiqmeba rogorc ambivalenturi
termini, romelic niSnavs modernizmis rogorc gagrZelebas,
aseve gadalaxvas.Aam TvalsazrisiT, ganasxvaveben terminebs:
`postmoderni~, _ rogorc modernizmis, filosofiuri
safuZvlebis revizia da `postmodernizmi~, – rogorc
modernizmis xelovnebis gadaxedva.
postmodernis fenomeni, rogorc specifikuri reaqcia,
wina periodis kulturis damkvidrebul formebze, evropisa
da amerikis mowinave qveynebSi aRmocenda. amerikeli
Teoritikosis f. jeimisonis azriT, postmodernis gamoCena
SeiZleba omis Semdgomi periodiT daTariRdes, kerZod,
amerikis SeerTebul StatebSi 1940-1950 wlebiT. safrangeTSi
postmodernis formireba mexuTe respublikis damyarebas
(1958 w.) daemTxva.1 miuxedavad amisa, SeiZleba iTqvas, rom
`postmodernizms samSoblo ar gaaCnia~, – ase amtkicebs
amerikeli Teoretikosi d. silver mani. dRes
postmodernistuli situacia kulturaSi mTels msoflioSi
SeiniSneba, xolo yvelaze `postmodernistul~ qveynad J.
derida iaponias asaxelebs.
1934 wels espaneli literaturaTmcodne federiko de
onisa saubrobs postmodernizmze, romelic literaturis
istoriaSi ganixileba rogorc gardamavali faza (19051914 ww.) `modernizmsa~ da e. w. `ultramodernizms~ Soris. 2
yvela SemTxvevaSi saubaria sxvadasxva saxis movlenaze.
ufro gamokveTili azri postmodernizmis Sesaxeb mxolod
mogvianebiT Camoyalibda. am fenomenis mkvlevrebis umetesoba
54
socio-komunikaciuri
Teatraluri xelovneba, rogorc
saSualeba postmodernistul epoqaSi
ixreba iqiT, rom postmoderni aRmocenda mxatvruli
kulturis farglebSi da ukve mogvianebiT gamoixata sxva
sferoebSi – filosofiaSi, politikaSi, religiasa, Tu sxva
mecnierebaSi.3 liotari statiaSi `pasuxi kiTxvaze: ra aris
postmoderni?~ (1982 w.) Tvlis, rom TavsarTi `post~ Zalian
xSirad iwvevs gaugebrobas, is gvTavazobs ganvixiloT
TavsarTi `post~ ara rogorc gagrZeleba, aramed rogorc
dabruneba, anamnezi, kulturis ganviTarebis winamdebare
periodis gadaxedva. 4
modernizmisagan gansxvavebiT, romlisTvisac damaxasiaTebelia
individualuroba, postmodernizmSi aRar arsebobs individi,
aRar arsebobs sufTa furceli, rasac aRmoaCen da amis gamo
xdeba ukve Seqmnilis gameoreba axleburi gaazrebiT.
individualoba ukve aRar aris msoflmxedvelobiTi kategoria,
igi mxolod stiluri ZiebiT aris dakavebuli.AauTvisebeli
masalis ZiebaSi postmodernizmi saocrad afarToebs esTetikur
sferos. is swored axlis ZiebaSi moicavs ara marto mSveniers,
aramed yovelive maxinjs, umsgavsos, vulgaruls. misTvis aseve
damaxasiaTebelia Zvelis, warsulis gameoreba, magram mis mimarT
damokidebuleba ironiuli xdeba.Mmayurebeli mzad aris miiRos
nebismieri TamaSis wesi, magram, rogorc ki Cndeba TamaSis
realobad gasaRebis mcdeloba, is kraxs ganicdis. swored
amisTvis gaxda ironiis aucilebloba, rogorc Tavdacva da
TamaSis xerxi, rogorc erT-erTi saSualeba mayurebelTan
urTierTobisa. Cven ganwirulni varT gadaviTamaSoT yvela
scenari, rac ki odesme Seqmnila. vcxovrobT gauTavebeli
idealebis reproduqciaSi, fantaziebsa da ocnebebSi, romelTa
originalebi warsulSi darCa. `gaqra progresis idea, magram
progresi grZeldeba~, 5 – wers bodriari.
rogorc cnobilia, yvela Teza badebs antiTezas da mxolod
amis Semdeg ibadeba dasrulebuli procesi. ukve aRvniSneT,
rom kacobrioba mTeli Tavisi arsebobis manZilze dakavebuli
iyo WeSmaritebis ZiebiT. iqmneboda milionobiT Teza da antiTeza
da miuxedavad imisa, rom es procesi yovelTvis xels uwyobda
progress, yoveli epoqis dasasruls SeimCneoda Cixi, krizisi,
romlidanac gamosavali didxans ar Canda. es badebda nihilizms,
55
nino
lipartiani
uimedobas. Tu modernizmis epoqa sakuTar TavSi Caiketa da
marto darCa, postmodernizmi _ ufro elastikuri gamodga.
man gaiazra markiz de sadis mosazreba: `Cven verasodes mivagnebT
WeSmaritebas, sakuTari TvaliT danaxuli da gancdili
cvalebadi WeSmaritebis garda~. mas sxva gza ar darCenia,
unda aRiaros damarcxeba, gamovides uimedobis da protestis
mdgomareobidan da moZebnos saSualeba, romelic Seamsubuqebs
mis arsebobas, yofas. is iwyebs Seguebas garemosTanAda eZebs
xelsayrel pozicias. misTvis miuRebelia aSkara ideologia,
Rrma fsiqologizmi, siRrmeebi, `maRali~ da `dabali~ xelovneba.
xdeba am ori sociumis daaxloveba da sazRvrebis moSla.
postmodernizmi ibadeba dakarguli idealebis namsxvrevebze.
is Tavis mexsierebaSi agebs sxvadasxva monapovars, mis bazaze
qmnis sruliad axals, SeiZleba iTqvas, antiinteleqtualurs
Tavi si arsi T. xdeb a Janr ebis aR reva, s ruli
Tavisufleba.Ppostmodernizmi cdilobs siciliT gamoeTxovos
warsuls. erTi sityviT, es ar aris vinmes boroti Canafiqri,
es aris patiosani reaqcia Tanamedrove istoriis cinizmze.Ees
ar aris moduri gataceba, es aris epoqa, romelic sazogadoebasTan
urTierTobis axal stils qmnis. ama Tu im kulturuli movlenis
gansazRvra uSualod dakavSirebulia gare sociumis
TanaarsebobasTan. skotleSi Tavis fundamentalur gamokvlevebSi
amtkicebs, rom kulturuli sivrce, romelSic Cven vimyofebiT,
vqmniT, vSromobT da vibrZviT, mTlianad aris moculi
postmodernizmiT da es Tu asea, ugunureba iqneboda misi
ignorireba mogvexdina.
Teatraluri xelovneba rTuli movlenaa, romelic
sxavadasxva, damoukidebel sferos aerTianebs da saboloo
jamSi erT mTlian sinTezur xelovnebad warmogvidgeba. amasTan
erTad is mxolod mayurebelTan Tanaarsebobis SemTxvevaSi
iRebs Tavis saboloo saxes, amitom misi arseboba
sazogadoebasTan ganyenebulad warmoudgenelia. Teatri
gamoxatavs kacobriobis arsebobis da yofierebis arss; aris
modeli samyarosi anu, _ `samyaro miniaturaSi~, rogorc
galaqtioni ambobda. Teatraluri xelovneba yovelTvis iyo
da iqneba sarke da anarekli cxovrebisa, amitomac masSi mimdinare
56
socio-komunikaciuri
Teatraluri xelovneba, rogorc
saSualeba postmodernistul epoqaSi
cvlilebebi pirdapir aris damokidebuli im gare movlenebTan,
rac bunebaSi xdeba.
cxovrebisgan gadaRlili sazogadoeba Tavisi Zalebis
koncentraciasa da mobilizebas mTlianad profesiul
saqmianobaSi axdens da Sromisgan daRlili cdilobs cxovrebis
darCenili periodi dasvenebisTvis da garTobisTvis gamoiyenos;
amitom is, ZiriTad, gasarTob saSualebad garegnul, xedviT
siamovnebas uTmobs. mayurebeli xdeba damkveTi da imisaTvis,
rom harmoniaSi viyoT mayurebelTan, e. w., momxmarebelTan,
erTi mxriv, unda davakmayofiloT misi moTxovna, survili.
amisTvis ki unda vicodeT, Tu ra surs mas;Mmeore mxriv, es
produqcia unda vaqcioT xelovnebis nimuSad, rameTu xelovneba
sazogadoebasTan urTierTobaSi warmoadgens erT saerTos,
mTlians da misi ugulebelyofa xelovnebis daRupvas niSnavs.
yovelTvis idga sakiTxi, _ unda uwevdes Tu ara Semoqmedi
angariSs sazogadoebas, Tu mxolod xelovnebisTvis qmnides.
es sakiTxi yvela epoqaSi aqtualuri iyo da mxolod modernis
epoqam gaakeTa arCevani da airCia xelovneba xelovnebisTvis.
aman ki xelovnebis sazogadoebisgan gaTiSva gamoiwvia da
faqtobrivad, aseTi xelovneba ganwiruli aRmoCnda. postmoderni,
meore ukiduresobaSi Cavarda.Mman saerTod moSala sazRvrebi,
yvelaferi erT saerTo qvabSi moaqcia, _ Zvelic da axalic,
sxvadasxva nacionaluri movlena, pop-kultura.Aamas aqvs Tavisi
dadebiTic da uaryofoTic: erTi mxriv, gaizarda arCevani,
meore mxriv, aman gamoiwvia orientiris dakargva.
r o g o r c u kv e a R v ni S neT , p o s tm o der ni z m i s Tv i s
damaxasiaTebelia ironia, ekleqtizmi, kaleidoskopuroba, TamaSis
elementis gaZliereba, distanciuroba rogorc avtorsa da
qmnilebas Soris, ise nawarmoebsa da mayurebels Soris. misTvis
ucxoa kanonzomierebis princi pi, sistematizacia da
klasifikacia.
Teatralurma xelovnebam seriozuli transformacia
ganicada da arc reJisoris saqmianoba darCa gamonaklisi.
reJisorma, rogorc speqtaklis damdgmelma da xelmZRvanelma,
XX saukunis dasawyisSi SeiZina qarizmatuli mxareebi da
aRiarebul iqna Teatris liderad. XX saukuenSi iwyeba
57
nino
lipartiani
reJisuris, rogorc damoukidebeli Semoqmedebis, xana, sadac
reJisori, Teatris mTavari generatori xdeba, xolo msaxiobi,
_ mxolod erT-erTi, magram mTavari elementi mTlianobisa.
reJisori aerTianebs speqtaklSi sxvadasxva elements da erT
mTlian organizmad aqcevs mas da mainc, miuxedavad imisa, rom
msaxiobs waerTva lideris funqcia, igi scenuri Semoqmedebis
mainc mniSvnelovani, damoukidebeli da wamyvani elementia.Mmisi
daniSnuleba scenaze iseTive filosifiuri da SeiZleba iTqvas
mistikuria, rogoric adamianis roli samyaroSi. is yovelTvis
gvevlineba rogorc gamtari, mediumi, romelic TamaSis
saSualebiT axerxebs saTqmelis mitanas mayureblamde. reJisori
valdebulia msaxiobs misces baza, romelze dayrdnobiTac
msaxiobi SeZlebs Tavisi ostatobis srulyofilad
gamomJRavnebas. swored reJisoris daxmarebiT axerxebs msaxiobi
Seqmnas esa Tu is scenuri saxe.Aaseve reJisorzea damokidebuli
speqtaklis mTlianoba da gadamdebi Zala.
reJisorma unda gaxsnas da mogviTxros saintereso istoriebi
adamianis cxovrebidan. amisTvis ki ar aris sakmarisi mxolod
sareJisoro teqnikis codna, _ is pirvel rigSi, unda iyos
`cxovrebaTmcodne~ da hqondes Tavisi saTqmeli, Tavisi
damokidebuleba cxovrebaze. reJisorisadmi moTxovna yovelTvis
maqsimalisturi iyo:Mmas gaazrebuli unda hqonoda
pasuxismgebloba.Mamdenad, speqtakli ar unda iyos mxolod
sanaxaobrivi. reJisori Teatris winamZRvaria, demiurgi, romelic
samyaros Tavisebur models gvTavazobs. Cvens epoqaSi, e. w.,
postmodernizmis epoqaSi, igi ukana planze gadadis da, xSir
SemTxvevaSi, e. w., saavtoro reJisura sul iSleba: aRar aris
fsiqologiur siRmeebSi wvdomis aucilebloba, aSkara
ideologia. erTi sityviT, reJisori aRar gvevlineba demiurgad,
mesiad, romelic mxolod misTvis nacnob WeSmaritebas RaRadebs
da Tavis samyaros models gvTavazobs, aramed is aris
pro fesi onal i, r omel ic s ainteres od m ogvi Txro bs
ambavs.Aadgili eTmoba siuJetebs da personaJebs, xdeba
mani pulireba mayureblis emociebze aTasgvari peri petiebiTa
da triukebiT. esEyvelaferi ki saSualebas aZlevs mayurebels
ar Caufiqrdes gmiris sulier siRrmes.Aam SemTxvevaSi mTavari
58
socio-komunikaciuri
Teatraluri xelovneba, rogorc
saSualeba postmodernistul epoqaSi
mizani is aris, rom ar gadaRalos mayurebeli, romelic
dasasveneblad movida. reJisorebi gamodian maRali xelovnebis
tyveobidan da cxovrebis qaosSi iZirebian. unda iTqvas, rom
TamaSis wesebic gansxvavebulia, mayurebelsa da personaJebs
Soris distancia icvleba.Ddidi cvlilebebia JanrTan
mimarTebaSic:Ggaizarda sazRvrebi sxva Janrebis SemotaniT
rogorc TeatrSi, ise kinoSi.Mmag.: sasiyvarulo drama, erotikuli
Trileri, fantastikuri komedia, komediuri deteqtivi, _ erTi
ganmsazRvrelia, meore ki damateba.Ees ki uadvilebs mayurebels
orientirebis. xandaxan Janris SigniTac xdeba afeTqeba, dRemde
miuRebeli elementebis CarviT. erTmaneTs zed edeba
urTierTgamomricxavi Janruli pirobiTobebi: lirizmi _ parodia,
tragizmi _ farsi,Mmelodramatizmi – sarkazmi. Sedegad miiReba
ekleqtizmi, rac ase damaxasiaTebelia postmodernizmisTvis.
aseve polifoniuroba, xSirad paradoqsuli JReradoba. Janris
gansazRvra, sul ufro rTuli xdeba.
rogorc reJisoruli xelovnebis, aseve zogadad Teatraluri
xelovnebis, aseTma transformaciam gaaCina zerelobis tendencia,
gaaCina mcdari azri imis Sesaxeb, rom aseTi produqciis
Seqmna Zalian advilia da es yvelas SeuZlia. aman masiurad
Seqmna diletantebis, SeiZleba iTqvas Sarlatanebis, mTeli
kaskadi, rogorc msaxiobebis, ise reJisisorebis saxiT. erTi
mxriv, damkveTi, anu momxmarebeli da meore mxriv, mimwodebeli,
am SemTxvevaSi Sarlatani, qmnian mojadoebul wres, romlis
garRvevac SeuZlebeli xdeba.
meore problema, romelic am movlenas axlavs is aris, rom
xelovneba imdenad gaiJRinTa komerciuli maskulturiT, rom
saxezea `kulturuli krizisi~, rac niSnavs: SemoqmedebiTi
procesi morRveulia da sadavo xdeba sakiTxi: saerTod
SesaZlebelia, Tu ara am procesis aRdgena.Ees damokidebulia
masze, vinc qmnis produqcias, Tu publikaze, vinc iTxovs da
iRebs am produqcias. SesaZlebelia, Tu ara amis aRdgena
sazogadoebaze Zaladobis gareSe, nebayoflobiT?
CvenTan postmodernis periodi sabWoTa kavSiris rRvevis
periods daemTxva. postsabWoTa sivrceSi reJisorebs saSualeba
miecaT gaefarToebinaT TavianTi Semoqmedeba akrZaluli
59
nino
lipartiani
TematikiT. winaaRmdegobis mospobam orientaciis dakargva da
bunebrivad qaosi gamoiwvia. arc Cven aRmovCndiT gamonaklis
mdgomareobaSi. miuxedavad yvelafris mimarT ironiuli
damokidebulebisa, mainc dgeba eWvqveS, aris Tu ara es
postmodernizmi, im gagebiT, rasac dasavleTSi
uwodeben.Yyvelafris gardaqmniT cdunebuli Taoba cud dReSi
Cavarda, radgan is samudamod iqna `ganwiruli~ maradiuli
faseulobebis SeqmnisaTvis. gaxleCil totalitarul
mentalitets gauWirda damtkbariyo TamaSiT. is mainc orientirs,
sayrdens eZebda. Znelia warmoidgino modernizmis gagrZeleba,
roca Tavad modernma ver moikida CvenTan fexi. postmodernis
wamyvani Teoretikosi J. f. liotari Tavis naSromSi: `pasuxi
SekiTxvaze: ra aris postmodernizmi~, 6 ganmartavs, rom
modernis proeqti ki ar dasrulda, aramed daimsxvra,
ganadgurda da likvidirebul iqna. CvenTan ki misi
reabilitacia dRemde grZeldeba. am TaobisTvis postmoderni
ufro modur saTamaSod, keklucobis sagnad iqca. albaT Znelia
ramdenime weliwadSi xazi gadausva warsuls, sakuTar
mentalitets da sxva TvaliT Sexedo samyaros; magram ai,
ukve axali TaobisTvis es aTvlis wertiladac iqca. axal
faseulobebze dabadebuli da aRzrdili Taoba pirdapir am
enaze alaparakda. is bunebrivad Cajda cxovrebis am ritmSi
da yvela kanons daemorCila.
ramdenime wlis win aleqsandre brenerma, rogorc Tanamedrove
xelovnebis warmomadgenelma da radikalma, SimSiloba
gamoacxada. misi erT-erTi mniSvnelovani moTxovna iyo
postmodernis gauqmeba. puritanma ki SvebiT amoisunTqa da
ganacxada, rom: `mogilocavT, dasrulda postmodernis epoqa
da daiwyo mSvidi cxovrebis epoqa, romelic yvelafers Tavis
adgilze daayenebso~.Aaqa-iq, SigadaSig gaismis mtkiceba imis
Sesaxeb, rom marTlac didi xana dasrulda da Cven vcxovrobT
axal kulturul epoqaSi, magram formulireba imisa, Tu ras
moicavs axali epoqa da ras gvimzadebs is, albaT, cota
naadreviaDda mainc, ra iqneba Semdeg?Ees SekiTxva logikuria.
ra Tqma unda ukan dasabrunebeli gza moWrilia, arc
postmodernizmis daxurva da damTavrebaa advili, rogorc
60
socio-komunikaciuri
Teatraluri xelovneba, rogorc
saSualeba postmodernistul epoqaSi
produqtisa, romelmac ar gaamarTla. misi damTavreba, albaT,
erTi mxriv, niSnavs im darRveuli qronologiisa da strategiis
aRdgenas da dalagebas, romelic manamde xelovnebaSi logikurad
viTardeboda.
Cven vimyofebiT qaosis epoqaSi da qaosi yovelTvis dalagebas
moiTxovs.Aasea Tu ise konfliqti gardauvalia.Ddasrulda
XX saukune. yovelgvari eqsperimenti Catarebulia. SeiZleba
iTqvas, rom moxda kulturuli afeTqeba, romelic iyo logikuri
dasasruli yvelafrisa. axla, ki aRaraferi dagvrCenia, garda
imisa, rom davelodoT ra iqneba Semdeg.
1. Джеймисон Ф. Постмодернизм и потребительское общество // Вопросы
искусствознания. XI (2/97).ст.54-61.
2 Вельш В. «Постмодерн». Генеалогия и значение одного спорного понятия
// Путь. 1992. № 1.
3. Гидденс Э. Последствия модернити // Новая постиндустриальная волна
на Западе. Антология. М., Academia. 1999.
4. См.: Лиотар Ж.-Ф. Заметки о смыслах «пост» // Иностранная литература.
1994. № 1.
5. Бодрийар Ж. Злой демон образов // Искусство кино. 1992. № 10
6. См.: Лиотар Ж.-Ф. Ответ на вопрос: что такое постмодерн?
61
universitetis
samagistro programa
kino-tele dramaturgia
(Teoriisa da praqtikis analizi)
naSromebi ibeWdeba programis xelmZRvanelebis rekomendaciiT
statiis stili daculia
programis xelmZRvanelebi _ kote jandieri, nino mxeiZe
62
63
mariam kukulava
magistraturis II kursi
saxeebi danaxuli CrdilebSi
(cota ram kasavetesis Sesaxeb)
1957 wels jon Separdis radio SouSi `Ramis stumrebi~
(“Night people”), msaxiobma jon kasavetesma, romelic gadacemaSi
miwveuli iyo raTa martin ritis axal filmSi `qalaqis
gareubani~ Sesrulebul rolze esaubra, ganacxada, rom filmi
ar varga, rom mas ukeTesis gadaReba SeuZlia da Tu mayurebels
surs ixilos filmi `namdvil adamianebsa~ da `namdvil
cxovrebaze~, maSin maT unda gamoagzavnon fuli, Tundac erTi
dolari, radiomauwyeblobis misamarTze. momdevno ramodenime
dRis ganmavlobaSi radiomsmenelebis mier gamogzavnili fuliT
daaxloebiT ori aTasi dolari Segrovda. rasakvirvelia es
ar iyo sakmarisi Tanxa filmis gadasaRebad, magram kinos
istoriaSi es faqti erTaderTi SemTxvevaa, rodesac xalxis
mier gamogzavnili TanxiT daiwyo filmis gadaReba. am
eqsperimentis ukan 28 wlis msaxiobi jon kasavetesi idga. mas
warmodgena ar hqonda rogor unda gadaeRo kino, magram man
Seqmna filmi, romelic amerikuli damoukidebeli kinos
manifesti gaxda da veneciis kinofestivalze Jiuris specialuri
prizi moipova. swored aqedan iwyeba miTi kasavetesze, amerikuli
damoukidebeli kinos yvelaze mniSvnelovan reJisorze. im
periodSi, roca safrangeTSi `axalma talRam~ ifeTqa, kasavetesma
Tavisi filmebiT axali sunTqva da Tavisuflebis gancda moutana
amerikul kinos, aCvena cxovreba `aq~ da `axla~, gadaRebuli
iseTi meinstrimuli filmebis xarjze, rogoricaa roman
polanskis `rozmaris Cvili~, robert oldriCis `binZuri
Tormeti~ da braian de palmas `risxva~, kasavetesisTvis xom
yoveli axali holivuduri roli sakuTari filmebis
biujetisaTvis Sesagrovebeli Tanxebis nawili iyo.
kasavetess Tanamedrove kino formis gamomgonebels uwodeben.
filmis dokumenturi Txrobis manera, mxolod naturaze da
realurad arsebul interierebSi gadaReba (filmebis
64
umravlesoba beverli hilzis mopirdapire mxares mdebare
misi da misi meuRlis, jina roulendsis saxlSia gadaRebuli,
romelic aaSenes, rogorc holivudTan mudmivi winaaRmdegobis
simbolo; cnobilia kasavetesis mZafri dapirispirebebi
holivudur sistemasa da holivudel prodiuserebTan, mag.,
gaxmaurebuli skandali stenli kramerTan filmze `bavSvi
icdis~, ris gamoc kasavetesma datova kidec gadasaRebi moedani
da filmi mis magivrad kramerma daasrula da daamontaJa.
kasavetesi am films sakuTar filmad ar Tvlida da ar
uyvarda), gaxsnili dasawyisi (eqspoziciis gareSe dawyebuli
istoria) da aseve gaxsnili finali, ganwyoba imisa, rom ekranze
asaxuli gmirebis cxovrebaSi garkveuli droiT CaverTeT da
isini filmis dasrulebis merec ganagrZoben cxovrebas,
msaxiobebis usazRvrod mgrZnobiare TamaSis manera, mTeli
cxovreba maT saxeebze da maTi saxeebi msxvili xediT - es
yvelaferi warmoudgeneli iyo maSindeli amerikuli kinosTvis.
kasavetess sulier mamad araerTi cnobili reJisori
moixseniebs. misi Tanamedrove Jan - liuk godari mas filmebs
uZRvnis (`deteqtivi~ da `kinos kino istoria~, meore nawili),
martin skorseze Tavis pirvel films, mas umadlis. swored
kasavetesma urCia axaldamwyeb reJisors `binZuri quCebi~ mis
garSemo arsebul sastik sinamdvileze, niu-iorkis kvartalebSi
gaTamaSebul istoriaze gadaeRo. TavinTi filmebiT kasavetess
siyvaruls uxsnian Jak riveti, abel ferara, jim jarmuSi,
jonaTan demme, nani moreti, pedro almodovari, ues andersoni
das sxv.
niu-iorkeli berZeni emigrantebis ojaxSi dabadebuli jon
kasavetesi 7 wlamde saberZneTSi izrdeboda da niu-iorkSi
Casvlisas inglisuric ki ar icoda. amerikuli dramaturgiuli
xelovnebis akadmiis damTavrebis Semdeg is pedagogiur
saqmianobas eweva. paralelurad misi samsaxiobo kariera
warmatebiT viTardeba, _ mas meore hamfri bogartsac ki
uwodeben. swored am periodSi gaicnobs igi Tavis momaval
meuRles, msaxiob jina roulends, romelic misi filmebis
ucvleli gmiri, reJisoris ekranuli alter-ego gaxdeba da
romelTanac 35 weli icxovrebs.
65
mariam kukulava
pirvelad filmis gadaRebis idea kasavetess manhetenze
Teatris msaxiobebisaTvis samsaxiobo ostatobaSi Ria seminaris
Catarebisas daebada, (am seminarze, sxvaTa Soris, jon kasavetesi
aqtiur propagandas uwevda Tavisufal improvizacias). filmis
finalur titrebSi iwereba kidec: `rac Tqven axla ekranze
ixileT, _ interpretaciaa~. amiT, TiTqos erTgvari gansazRvrebac
moxda kasavetesis Zalzed specifikuri da individualuri
stilisa, romelsac xSirad jazur improvizaciebs adareben.
Tumca, miuxedavad improvizaciebis da eqsperimentebisa, isic
cnobilia, rom reJisori dawvrilebiT amuSavebda TiToeul
epizods da Zalian didxans gadioda repeticiebs msaxiobebTan,
raTa mTeli sizustiT mieRo is, rac surda exile ekranze.
TamaSis dros msaxiobebi ise Sediodnen rolSi, rom mayurebelze
ubralod gadaRebis dros gaTamaSebuli improvizaciis
STabeWdilebas tovebdnen. ase rom sinamdvileSi yvelaferi
detalurad dadgmuli da gaTvlili iyo. cnobili amerikeli
kinokritikosi rojer eberti `saxeebis~ Sesaxeb werda: `saxeebi~
– es iyo jer srulyofilad dawerili scenari da Semdeg,
gadaRebisas, es srulyofili scenari Tavidan bolomde
improvizirebuli~. 1
rogorc cnobilia epizodebs, romelTa gadaRebis drosac
kamerebi manmade iyo CarTuli sanam firi ar mTavrdeboada,
ramodenime operatori iRebda erTdroulad. aqedan gamomdinare
msaxiobebi rolidan saerTod ar gamodiodnen. kasavetesma,
rogorc godarma, uari Tqva tradiciul rvianze, ris gamoc
msaxiobs ar eZleoda saSualeba modunebuliyo, sanam misi
partnioris scenis gadaReba mimdinareobda. kasavetesis
improvizaciebisTvis asparezi ara marto gadasaRebi moedani,
scenari an msaxiobebTan muSaoba iyo, aramed samontaJo magidac.
aq is namdvil alqimiur cdebs awarmoebda. xSirad gadaRebul
filmebs Tavidan amontaJebda. ase daemarTad `Crdilebs~, romelic
orjer daamontaJa, `saxeebs~, romlis 125 saaTian masalas 3
wlis ganmavlobaSi amontaJebda sanam saboloo saxe misca.
kasavetesis individualuri muSaobis manera iseTive
miTologizirebis sakiTxia, rogorc misi pirovneba da sakmaod
bevri istora arsebobs filmebis gadaRebebTan dakavSirebiT.
66
saxeebi
danaxuli CrdilebSi
ben gazara, kasavetesis uaxloesi megobari da `ojaxis~ wevri
(Tavis msaxiobebs da maT, vinc masTan erTad filmebze muSaobdnen,
is `ojaxs~ eZaxda), piter falkTan erTad kidev erTi misi
msaxiobi - fetiSi, erT aseT epizods ixsenebs `Cineli bukmekeris
mkvlelobis~ gadaRebebidan: im dRes, roca finaluri, mkvlelobis
scena unda gadaeRoT, ben gazara da kasavetesi erTad
sadilobdnen. kasavetes etyoboda, rom raRac awuxebda da
bolos ukiTxavs kidec: `ben, rogor fiqrob, unda movklaT Tu
ara es Cveni bukmekeri?~, `ise, me mag ti pis sawinaRmdego
araferi maqvs, kargi biWia, - upasuxa ben gazaram, - magram Sen
gadawyvite. ise ratom unda movklaT?~. `marTlac ratom
unda movklaT, - Cafiqrda kasavetesi, – Tanac mezizReba
mkvlelobebi~. sami saaTis Semdeg prodiuseri movida da
reJisors uTxra, mTeli gadamRebi jgufi Tqven gelodebaT da
ra vqnaTo. `ra vqnaT, ra vqnaT?~ – imeorebda kasavetesi.
bolos sigarets moukida, ben gazaras miubrunda da daiyvira:
`kargi, wavediT, movklaT!~
meore msgavsi istoria `Crdilebs~ ukavSirdeba. roca Carlz
mingusi Tavis bendTan erTad xmisCamwer studiaSi mivida,
raTa `CrdilebisTvis~ momzadebuli kompoziciebis Cawera
daewyoT, repeticia kasavetesis yvirilma SeaCera: `ras SvrebiT,
Tqven xom improvizaciis mefeebi xarT...~ musikosebis
winaaRmdegobis miuxedavad, kasavetesma Tavisi gaitana. im saRamos
studiaSi jazis brwyinvale improvizaciis koncerti gaimarTa.
`CrdilebSi~ man Tavisi studiis msaxiobebi daakava: hiu
hiurdomi, toni reiemi da araCveulebrivi lelia goldoni.
radgan kasavetess im periodisTvis warmodgena ar hqonda Tu
rogor keTdeboda kino da arc saxsrebi hqonda imisTvis, rom
saWiro xalxi daeqiravebina, gadasaReb moedanze yvelaferi
sakuTar intuiciasa da mis mier gamogonil eqsperimentebze
aago, Tumca amis gamo did problemebsac waawyda. films,
romlis gadaRebas erT TveSi gegmavda, sami weliwadi moandoma.
gamoucdelobis gamo gadasaReb moedanze msaxiobebTan
interpretaciebis dros dialogebs ar iwerdnen, amis gamo
`Crdilebis~ yvela dublSi sxvadasxva teqstebs laparakobdnen,
ramac didi siZneleebi Seqmna montaJisas. mouwiaT Tarjimnebis
67
mariam kukulava
daqiraveba, romlebic piriT kiTxulobdnen. gaxmovanebaze erTi
weli daikarga. SemdegSi kasavetesi ironiiT ixsenebda im
daSvebul Secdomebs (miuxedavad amisa `Crdilebi~ mainc mis
sayvarel filmad darCa, rogorc pirveli filmi): `kinoSi
rogorc msaxiobi ise vmuSaobdi da amitom bundovani warmodgena
mqonda imis Sesaxeb, Tu rogor keTdeboda kino. erTaderTi
rac `Crdilebis~ gadaRebisas sworad gavakeTe, iyo is, rom
Sevkribe axalgazrda enTuziastebis jgufi, romlebsac surdaT
SeeqmnaT raime axali~, – ambobs kasavetesi rei karneisTan
saubarSi (kasavetesis biografi, romelsac ramodenime wigni
aqvs dawerili mis Semoqmedebaze, maT Soris masTan saubrebisa
da interviuebisgan Semdgari krebuli `kasavetesi kasavetesis
Sesaxeb~).
filmis pirveli versia 1958 wels iyo mzad da niu-iorkis
andergraundul wreebSi did movlenad aRiqves. TviT ionas
meqasmac ki, romelic amerikuli kinoavangardis mama da mTavari
ideologi iyo, kasavetesi axalgazrda geniosad gamoacxada.
`Crdilebi~, _ es niu-iorkuli neorealizmia bluzis stilSi~,
- ityvian filmze; `sinema verite~ manhetenze~, gadaRebuli 16
mm firiT. magram kasavetesi ar iyo kmayofili. roca filmi
dasrulda, misTvis mxolod erTi ram iyo naTeli, man ver
SesZlo ganexorcielebina Tavisi idea-fiqsi, _ gadaeRo filmi
namdvil, cocxal adamianebze. es misTvis katastrofis tolfasi
iyo. gadawyvitavs, rom yvelaferi Tavidan gadaamontaJos: `Cven
gamogvivida inteleqtualuri da afsoliturad `araadamianuri
kino~. filmis riTmi lamazi iyo, magram aranairi kavSiri ar
hqonda admianebTan. erTaderTi ram maxarebda mxolod, veraferma
ver SesZlo moekla samsaxiobo TamaSi~ (“kasavetesi kasavetesis
Sesaxeb”).
gadamontaJebisTvis mas fuli aRar hqonda da sesxulobda
yvelasgan visganac SeeZlo: sakuTari mSoblebisgan, colis
mSoblebisgan, TviTon jina roulendsisgan (misi meuRle da
muza `CrdilebSi~ mxolod erTxel gaielvebs, 7 Tvis fexmZime
iyo im periodSi). kasavetesi dRe da Ram muSaobs, saxlSi
mxolod gamTeniisas midis, Sxaps iRebs da gadasaReb moedanze
an samontaJoSi brundeba. am giJur tempSi man filmis sami
68
saxeebi
danaxuli CrdilebSi
meoTxedi Tavidan gadaiRo: `filmis meore versia ise
gansxvavdeboda pirvelwyarosgan, rogorc ca da dedamiwa.
bevri musika da `poezia~ daikarga, magram darCa adamianuri
urTierTobebi, individualuri emociebi~.
1959 wels gadamontaJebuli filmi mzad iyo da veneciis
kinofestivalze Jiuris gansakuTrebuli priziT dajildovda.
Cadebuli fuli TiTqmis amoiRes kidec kinogaqiravebidan.
amerikaSi alaparakdnen amerikuli damoukidebeli kinos
dabadebaze, Tumca am faqts yvela erTnaerad ar Sexvda. igive
ionas meqasma da misma momxreebma zurgi Seaqcies da axlad
gadamontaJebuli filmi kidev erT rigiT holivudur filmad
monaTles. 1961 wels manifestSi axali amerikuli kinos Sesaxeb
kasavetesis saxelic ki ar figurirebda (xels awerdnen: Sirli
klarki, laionela rogozina, roberta frenka, alfreda lesli,
ionas da adolfas meqasi,Eemilia de antonio da sxv.), Tumca
es gasakviri arc aris. kasavetesi arasodes ar miekuTvneboda
arc erT mimdinareobas.
kasavetesma debiutidanve gadauxvia im gzas, romliTac
viTardeboda misi kariera im periodisaTvis da sawinaaRmdego
mimarTulebiT daiwyo curva. holivudis SesaZlo axalma seqs
simbolom gadawyvita Tavad Seeqmna sakuTari ekranuli realoba,
sadac amerikuli kinosTvis ucxo gmirebi aCvena ekranze
(SeyvarebulTan erTad quCaSi seirnobisas `Crdilebis~
momxiblavi gmiri lelia goldoni aRwers Tavis grZnobebs: `...
me ar var ubeduri, magram TiTqos tyveobaSi var, ... – ambobs
is, - ... zogjer meSinia, rom cxovreba gverdiT Camivlis...~. 20
wlis gogos mier naTqvami es sityvebi 60-iani wlebis zRvarze
mniSvnelovnad JRerda) da ucnauri gzebi dausaxa am gmirebs
gadasalaxad. im gzas, rasac kasavetesis `Crdilebi~ mxolod
ganwyobebis doneze grZnoben, ramodenime wlis Semdeg Tavisi
gmirebiT ukve gaazrebulad denis hoperi daadgeba
`TavzexelaRebul mgzavrebSi~. es Tema SemdegSi Zalzed
mniSvnelovani da Zvirfasi gaxdeba mTeli rigi amerikeli
damoukidebeli reJisorebisaTvis da ara marto maTTvis.
amerikuli kinos da saerTod amerikuli kulturis es
usayvarlesi Tema – gza, rogorc metafora da erTaderTi
69
mariam kukulava
saSualeba cxovrebis Secnobisa, marTlac mTavari siuJetia
kasavetesTan yvela filmSi, miuxedavad imisa, rom is arasodes
axl osac ar gakar ebi a road movie-s Janrs. gza da gzis Tema
zustad im gagebiT rogorc es gvxvdeba road movie-Si: roca
mizani ar aris mniSvnelovani da iluzorulia, roca mTavari
TviTon gzaze yofnaa, radgan gzaSi ar aris da verc iqneba is,
rac gvaSinebs yvelaze metad _ kanonzomierebebi (aseT
mogzaurobaSi midian kasavetesis sami gmiri filmSi `qmrebi~.
maTi gza, _ es aris mogzauroba droSi, mcdeloba warsulSi
dabrunebis, raTa iq daimalo, Tavi Seafaro da amis Semdeg
nabaxusevi dabruneba awmyoSi). magram es ukve sul sxva filmebi
da sxva gmirebia, romlebic odnav mogvianebiT movlen, manmade
ki `CrdilebSi~ kasavetesma axalgazrda admianebis cxovrebaze
TvalTvaliT SeZlo daefiqsirebina ganwyobebi qalaqisa
`revoluciis win~.
`CrdilebSi~ qalaqi TviTon xdeba siuJeti, Tema, forma. aq
jer kidev vxedavT personaJebs, romlebic did qalaqSi marTlac
Crdilebs gvanan da qalaqis erTiani organizmis nawili arian.
sul raRac aTiode wlis Semdeg wina planze mxolod maTi
`saxeebi~ gamovlen, romlebzec aRbeWdili SfoTi da emociebi
sxva danarCens ukan moitoveben. Semdeg filmebSi es `Crdilebi~
`saxeebad~ iqcevian: `films Tavisuflad SeiZleboda rqmeoda
`saxeebi~ - wers rojer eberti erT-erT statiaSi. `saxeebi~
SeiZleba saerTod kasavetesis kinematografis simbolod aviRoT.
es aris is, razec dgas mTlianad kasavetesis Semoqmedeba.
grZnobebi, gadmocemuli adamianTa saxeebze~.
`Crdilebis~ gmirebi eZeben idenTifikacias, sakuTar adgils
cxovrebaSi. maimunoben, uyvardebaT, literaturul `tusovkebze~
dadian, sartris azrebs ganixilaven gabuRul kafeebSi, undaT
warmateba, viskis svaven Cabnelebul barebSi da ubralod undaT
iyvnen romantikulebi. Carlz mingusis da Safi hadis jazuri
interpretaciebis qveS kasavetesi 50-iani wlebis amerikeli
axalgazrdebis “SOUND OF YOUTH”-s qmnis da biTnikebis
manhetens gvixatavs. Tumca is ar gviCvenebs berouzs, alen
ginzbergs an keruaks, raTa im epoqis romantika gadmogvces.
mas sxva ram ainteresebs. mas realuri adamianebi surs aCvenos
70
saxeebi
danaxuli CrdilebSi
ekranze, romlebsac reJisori sakuTar saxelebsac ki unarCunebs
filmSi (mTavari gmiri lelia goldoni, realuradac lelia
goldonia da a. S.). filmi zustad gadmoscems 50-iani wlebis
niu-iorkis ganwyobas, roca haerSi jazi da poezia iyo
gaJRenTili, roca ukve TiTqos igrZnoboda, rom niadagi mzaddeba
im didi qariSxlisTvis rac 60-inebSi datrialdeba. manmade
ki im Ramis niu-iorkSi, romelic `CrdilebSia~ asaxuli,
gamoCndebian axali gmirebi. maT Soris axalgazrda Savkaniani
musikosebic, romelTaTvisac jazi TviTgadarCnis, maTi
kulturisa da genis SemanarCunebeli saSualeba da erTgvari
brZolis iaraRic iyo. Ramis niu-iorki am hangebis qveS izidavda
da aerTianebda aramarto Savkanianebs, aramed nonkonformistulad
ganwyobil TeTrkanian axalgazrdebsac, mdidari ojaxebis Svilebs,
romlebic Rameebs klubebSi, cekvaSi atarebdnen jazis fonze
da axali ideebiTa da axali cxovrebis surviliT imuxtebodnen.
`CrdilebTan~ dakavSirebiT rasakvirvelia rasizmis
problemaze msjeloben xolme, radgan filmis `love story” swored
am Temis garSemo trialebs da eizenhaueris periodis
amerikisTvis kvlav tabuirebul Temas exeba. Tumca kasavetesi
Sorsaa `liberaluri paTososgan~, is ar ayenebs sakiTxs, vTqvaT
aseTi formiT: `Savkanianebic adamianebi arian!~, rac Tavad
feradkanianebSic ki gaRizianebis gamomwvevi iqneboda. mulati
leliasa da misi TeTrkaniani Seyvarebulis istoriaSi zogadad
qalis da mamakacis urTierTobebis problemebia dasmuli da
rasobrivi problema mxolod amZafres am xazs.
kasavetesisTvis mTavari Tema, filmidan filmSi, swored
qalis da mamakacis urTierTobebis kvlevaa. amaze trialebs
mTeli samyaro, mTeli cxovrebis azri, amas gviyveba is filmidan
filmSi mTeli Tavisi cxovrebisa da Semoqmedebis ganmavlobaSi:
`me arasodes gadaviReb filmebs sxva Temaze qalis da mamakacis
urTierTobebis garda~. martin skorsezes dokumentur filmSi
`mogzauroba amerikul kinoSi martin skorsezesTan erTad~
kasavetesi ambobs: `me mxolod erTi ram mainteresebs... da es,
_ siyvarulia~.
magram kasavetesis pirveli filmi, misi sxva filmebisgan
gansxvavebiT, pirvel rigSi axalgazrdobazea. am Temas is
71
mariam kukulava
aRarasodes aRar miubrundeba. mas sxva urTierTobebis moyola
moundeba filmebiT. albaT amitomac xSirad imeorebda, rom
`Crdilebi~ mas mxolod axalgazrdobaSi SeeZlo gadaeRo.
misi arcerT filmi aRar iqneba aseTi Tbili, lirikuli da
poeturi: `Crdilebi~ aris realisturi drama, romelSic aris
imedi. es aris filmi adamianebze, romlebic amerikuli
sazogadoebis dabal fenebs warmoadgenen. filmi imaze, Tu
rogor cxovroben, rogor umklavdebian realobas es adamianebi
da rogor ar kargaven imeds, ar kargaven rwmenas. me mjera
adamianebis!~.
Tumca ukanasknel SedevrSi `siyvarulis
dineba~ is
`Crdilebidan~ erT Temas gaixsenebs. es da-Zmis urTierTobaa.
da-Zmisa, romlebic didi xania aRar arian axalgazrdebi da
lelia goldonis axalgazrduli sixalase maTTvis Soreuli
warsulia.
rojer eberti werda: `kasavetesis gmirebs undaT, eZeben da
sWirdebaT siyvaruli yvelaze metad amqveynad. Tavad isini
Zalzed Znelad gascemen am grZnobas da aseve Znelad iReben
mas. magram RmerTo Cemo, rogor cdiloben...~. 2
da marTlac, `siyvarulis dineba~ es aris filmi ubedur
adamianebze, romlebsac isev sWirdebaT siyvaruli.
filmSi saras, jina roulendsis gmirs, saxlSi mohyavs
ori cxeni, Txa, batebi, qaTmebi, ZaRli, TuTiyuSi da es ar aris
komedia. taqsidan gadmosuli adamiani, romelsac mTeli zooparki
mosdevs ukan sasowarkveTilebaSi Cavardnili qalia, romlis
qmedebac misi ubedurebis gancdis araadeqvaturi gamomxatvelia.
cxovrebis rTul etaps sara Tavis ZmasTan erTad gadalaxavs,
romlis cxovrebaSic analogiuri periodi dgas. roberti
fleiboi mwerlia, mTel Rameebs sigaretis kvamliT gabuRul
barebSi rom atarebs viskis WiqiT xelSi da qalebis garemocvaSi,
romlebsac gauTaveblad uyveba rogor uyvars isini. `siyvarulis
dinebis~ yvelaze saintereso intriga is aris, rom naxevari
filmis ganmavlobaSi verc vxvdebiT ra kavSirSi arian es ori
adamiani erTmaneTTan. `siyvarulis dinebis~ finalSi kasavetesis
personaJi emSvidobeba jina roulendsis gmirs. filmis
gadaRebebis dasawyisSi kasavetesi ukve avad iyo da es finaluri
72
saxeebi
danaxuli CrdilebSi
damSvidobeba simbolurad iqca. is emSvidobeba jinas, mayurebels,
kinos...
Tu laparakia realizmze kinoSi, msgavsi utyuaroba da
miaxloeba realobasTan ar gvxvdeba, albaT, arc `sinema veriteSi~
da arc `axal talRaSi~. Tumca, es realizmi reJisors ar
uSlis xels siuJetSi Semoitanos iseTi xazebi rogoricaa:
halucinaciebi, sizmrebi das xv. (mag. `siyvarulis dineba~,
`premiera~). es aris dramebi adamianTa cxovrebidan, e. w.,
`saqorwino trilogia~, iqneba es: `mini da moskovici~, `saxeebi~,
`qali zegavlenis qveS~ Tu GholivudSi gakeTebuuli `gloria~,
romlebSic kasavetesis gmirebi icinian, svaven, isterikebi
aqvT, giJdebian kidec, ganuwyvetliv arCeven urTierTobebs da
Cxuboben erTmaneTan, ibrZvian TavisuflebisTvis, SfoTaven, TavianT
socialur rolebTan modian winaaRmdegobaSi, isterikis zRvarze
arian da maTi xarxarSi gadasuli sicili ufro saSiSia,
vidre cremlebi. marTalia `Crdilebis~ gmirebisgan gaansxvavebiT,
romlebsac jer kidev didi imedebi unTiaT TvalebSi, maT
saxeebSi msgavs ganwyobebs veRar amovikiTxavT, magram isini
mainc siyvarulisTvis ibrZoleben, radgan mxolod siyvaruls
eZeben da mxolod siyvarulisTvis ibrZvian sxvadasxva formebiT
da siyvaruli maTTvis is gzaa, romelSic aris sicocxlis
azri...
rodesac rei karneis ekiTxebian kasavetesze, rogorc
siyvarulis udides poetze kinematografSi, is aambobs, rom
mamakacsa da qals Soris urTierTobebi es, _ mxolod formaa
kasavetesisTvis im yvelafris gamosaxatavad, rasac Tu mxolod
siyvaruls vuwodebT, misi Semoqmedebis zerele gaazrebad
CagveTvleba: `es filmebi bevr ramezea, - ambobs kritikosi, cvlilebebsa da procesebze, Tavisuflebaze, sazogadoebis mier
dakanonebuli normebisa da wesebisgan Tavis daRwevaze,
SesaZleblobebze da sakuTari Tavis definiciebis Ria formebze;
siZneleebze gamoxato Seni ocnebebi da survilebi da
aucileblobaze, rom SesZlo es radac ar unda dagijdes;
kidev mzadyofnis saWiroebaze axali gamocdilebebisaTvis;
imaze, Tu rogor gaxde emociurad amtani da gauZlo roca
gatkenen; imaze, rom zogjer saWiroa gawyvito kavSiri warsulTan
73
mariam kukulava
da icxovro awmyoze orientirebuli ganwyobiT; emociurad
gatexilobaze da qcevis normebze; imaze, Tu rogoria cxovreba
im mdgomareobaSi, roca mxolod arafris codna ganTavisuflebs;
imaze, rom zogjer unda CaiZiro iseT raRaceebSi, roca arc
ici es sadamde migiyvans; kidev martoobis sxvadasxva formebze:
martosulobaze, arakomunikabelobaze, gadamdeb TviTgaucxoebebsa
da tkivilebze... da bolos, me minda vTqva, rom es yvelaferi
TviTon kasaveteszea ... “
aleqsandre lorTqifaniZe
magistraturis II kursi
andrei tarkovski – bavSvobis
msxverplSewirva
`da mefeTa queyanisaTa da mTavarTa
da aTasisTavTa da mdidarTa da ZlierTa
da yovelman monaman da aznaurman damalnes Tavni maTni
quabTa Sina da kldeTa Sina mTaTasa.
da etyodes mTaTa da kldeTa:
dameceniT Cuen zeda da dagufareniT Cuen
pirisagan saydarTa zeda mjdomarisa da risxvisagan kravisa.
rameTu movida dRe igi didi risxvisa misisa
da vin SemZlebel ars dadgomad?~
„ioanes gamocxadeba~, T. me-6, m. 15-17
1. ix.: Roger Ebert . “Husbands”. “Chicago suntimes “/ January 1, 1970.
2. ix.: Roger Ebert. “Love Streams”. “ Chicago suntimes “/ January 7, 1998
• Ray Carney - “Cassavetes on Cassavetes”, 2001; http://people.bu.edu/
rcarney/cassavetes/
• Roger Ebert - Reviws on Cassavetes films : A Woman Under the Influence “ Chicago suntimes “ Roger Ebert / January 14, 1998; “Love Streams” - Roger
Ebert “ Chicago suntimes “/ January 7, 1998; “Opening Night” - Roger Ebert
“ Chicago suntimes “/ January 1, 1977; “Husbands “ - Roger Ebert “ Chicago
suntimes “/ January 1, 1970 ; “Minnie and Moskowitz” - Roger Ebert “
Chicago suntimes “/ February 14, 1972 ;“Faces” - Roger Ebert “ Chicago
suntimes “/ December 19, 1968.
• Журнал «ИСКУССТВО КИНО»: Михаил Трофименков, “Джон
Кассаветес: американец, заблудившийся в Америке” №4 , 1998
• Журнал «ИСКУССТВО КИНО» : Ольга Артемьева, “Двоеточия”, №10,
2008 .
74
“Предчувствиям не верю и примет
Я не боюсь. Ни клеветы, ни яда
Я не бегу. На свете смерти нет.
Бессмертны все. Бессмертно все. Не надо
Бояться смерти ни в семнадцать лет,
Ни в семьдесят. Есть только явь и свет,
Ни тьмы, ни смерти нет на этом свете.
Мы все уже на берегу морском,
И я из тех, кто выбирает сети,
Когда идет бессмертье косяком.”
arsen tarkovski, „cxovreba, cxovreba~
sakuTar Semoqmedebaze saubars kinomoyvarulebTan
Sexvedrisas, rusuli kinematografis erT-erTi yvelaze mkafio
figura, andrei arsenis Ze tarkovski Semdegi sityvebiT iwyebs:
„CemTvis, kino saukeTeso iaraRia, raTa mivaRwio WeSmaritebas
imdenad, ramdenadac es SemiZlia~. albaT Sors wagviyvans andrei
tarkovskis filmografiis miRwevebze saubari da imis gansja,
moaxerxa Tu ara didma reJisorma Cawvdomoda WeSmaritebas,
75
aleqsandre
lorTqifaniZe
magram erTi ram aSkaraa, tarkovski Tavad iqca ara mxolod
lokalurad rusuli kinematografis, aramed msoflio kinos
WeSmarit mwvervalad, xolo moazrovneebisa da kinomanebisaTvis
ki – kinos filosofiis stalkerad.
dRemde ar wydeba kamaTi tarkovskis msoflmxedvelobis
garSemo. magaliTad, cnobili rusi operatori giorgi rerbergi,
romelmac andrei tarkovskisTan erTad kinoSedevri „sarke~
gadaiRo, erT-erT interviuSi ambobs, rom „igi iyo genia, romelmac
msoflio kinematografs Tavisi SemoqmedebiT axali biblia
Seuqmna~, _ aseTi damokidebuleba tarkovskis mimarT araerT
adamians aqvs, Tumca, am pozicias xSirad upirispirdeba meore
mxare, romelic Tvlis, rom tarkovski poziori Semoqmedia,
romelmac kinoSi zedmeti da gaugebari elementebis SemotaniT
scada mayureblis CaTreva da motyueba. rac ar unda negatiurad
viyoT tarkovskisadmi ganwyobilni, albaT mainc gagviWirdeba
daveTanxmoT meore mxares, radgan argumentebi, rac andrei
tarkovskis filmografiaSi vlindeba, mxolod imaze metyvelebs,
rom man kidev erTi axali gza gaiyvana kinos usier tyeSi da
sruliad axali, idumalebiT moculi esTetikiT, Tavisi epoqac
Seqmna.
andrei tarkovski 1932 wlis 4 aprils daibada ruseTSi,
literatorTa ojaxSi. mama, arsen tarkovski, imxanad ukve
cnobili rusi poeti iyo, deda ki, maria viSniakova, aseve
warmatebuli literaturaTmcodne. andrei sul raRac sami
wlis iyo, roca mamam ojaxi miatova. amis Semdeg, 1943 wels,
andrei dedasTan erTad moskovSi gadadis sacxovreblad da
iqaur skolaSi ganagrZobs swavlas, sadac gaicnobs kidec
gamoCenil rus poetsa da prozaikoss andrei voznesenskis.
miuxedavad imisa, rom umcrosi tarkovski swavla-ganaTlebas
moskovSi iRebs da bavSvobisa da axalgazrdobis did nawilsac
ruseTis dedaqalaqSi atarebs, mis mogonebebSi mainc wina
planzea sofeli zavraJie da bebiis ZvelisZveli saxli, sadac
daibada da izrdeboda 11 wlamde. SemdgomSi ukve, am
SegrZnebebisa da gonebaSi aRbeWdili suraTebis STagonebiT,
tarkovski gadaiRebs `sarkes~ da araerT bavSvobisdroindel
mogonebas CaSifravs filmSi. aRsaniSnavia, rom andrei Tavidanve
76
andrei tarkovski
-
bavSvobis msxverplSewirva
ar irCevs reJisorobas, skolis damTavrebis Semdeg moskovis
aRmosavleTmcodneobis institutSi abarebs da arabistikas
eufleba, Tumca fizikuri travmis gamo Tavs anebebs swavlas.
„araerTxel mifiqria aRmosavleTmcodneobis swavlisas, rom
naCqarevi arCevani gavakeTe, radgan cxovrebisa jer araferi
gamegeboda~, – wers tarkovski Tavis avtobiografiaSi, romelsac
Semdeg «ВГИК»-Si waradgens da daiwyeba kidevac didi reJisoris
namdvili cxovrebiseuli gza.
tarkovskis biografiis moyola Sors wagviyvans, miTumetes
rom Tavad reJisors ar uyvarda am Temebze saubari, Tu ar
CavTvliT adreuli bavSvobis wlebs. amitom umjobesi iqneba
misi bavSvobis mokle mimoxilvis Semdeg, pirdapir Semoqmedebze
gadavideT da is naperwkali veZeboT, romelmac did reJisors
Tavisi filmebis gadaReba „aiZula~. xSirad aseT Ziebas, diskusia
mosdevs, aris Tu ara tarkovskis kino Tavad reJisoris mier
aRqmuli ise, rogoradac mas kinomcodneebi aRiqvamen. hqonda
ki tarkovskis gaazrebuli is simboloebi, romlebic mis filmebSi
kinomkvlevrebma aRmoaCines? msaxiobi erland iusefseni ixsenebs,
rom roca tarkovski „nostalgias~ iRebda, iusefsema gabeda
da hkiTxa, Tu ras aRniSnavda filmSi sanTeli, razec tarkovskim
gabrazebiT upasuxa: „sanTeli? risTvis iyeneben sanTels? raTa
gaanaTon! jer dafiqrdiT da Semdeg mkiTxeT, erland~.1 ucnauria
reJisoris aseTi pozicia riTi SeiZleba iyos ganpirobebuli.
SeiZleba vivaraudoT, rom tarkovskis ar surda sakuTari
Canafiqri, is poeturi kino, rasac ase ostaturad niRbavda
simboloebsa, Tu saxeebSi, erTi xelis mosmiT gaeubraloebina
da ase pirdapir aexsna mayureblisaTvis, Tumca am mosazrebasac
gamouCndebian mowinaaRmdegeebi, romlebic ityvian, rom es
yvelaferi farsia da realurad Tavad tarkovskisac ar hqonda
Cafiqrebuli araferi saocari da rom yovelive, iqneba es Savi
ZaRli „stalkerSi~, sanTeli „nostalgiaSi~, cecxlmokidebuli
buCqi „sarkeSi~, Tu gamxmari xe „msxverplSewirvaSi~,
sinamdvileSi ubralo axirebaa reJisorisa, romelic Tavisi
xasiaTiTa da niriT namdvilad amyarebs am Sexedulebas. Tumca
aseT SemTxvevaSi mTavari amocana sxvagvarad unda davsaxoT:
Tu davuSvebT, rom andrei tarkovskim simboloebisa da saxeebis
77
aleqsandre
lorTqifaniZe
awyobili sistema, erTgvari kinokri ptograma Seqmna, maSin risi
Tqma surda amiT reJisors? ratom daSifra man Tavisi saTqmeli
ase, an Tavadve ratom uaryofs pirad saubrebSi aseTi
simboloebis arsebobas? am kiTxvebze andrei tarkovski martiv
pasuxs iZleva 1967 wels daweril statiaSi: „poeturi kino,
rogorc wesi, Sobs simboloebs, alegoriebs da am ti pis sxva
warmonaqmnebs, rasac sworedac rom aranairi kavSiri ar gaaCnia
im xatovanebasTan, rac aucilebelia kinosaTvis~.2 meore mxriv,
ki SeiZleba iTqvas, rom paradoqsTan gvaqvs saqme, Tumca, Tu
ufro ukeT davukvirdebiT tarkovskis damokidebulebas
simboloebisadmi da Semdeg mis mierve Seqmnili simboloebis
damokidebulebas misi filmebis pirobiTobebisadmi, yvelaferi
naTeli gaxdeba. tarkovski uaryofs simboloebs, rogorc aseTs,
magram Tavadve qmnis saxeebs, simbolur saxeebs, romlebic
romeliRac konkretul mocemulobasa da situaciaSi iqcevian
simboloebad. namdvilad gasaocari meqanizmia. Tan, Tu imasac
gaviTvaliswinebT, rom aseTi ti pis simboloebi tarkovskisTan
gaormagebul emociur muxts gadmogvcemen, aSkaraa, rom maTi
SeqmniT reJisorma erTgvari antisqolio Seqmna Tavisi
filmebisaTvis. magaliTad, Savi ZaRli „stalkerSi~, filmis
bolosken Cndeba, roca dramaturgiuli kvanZi iwyebs gaxsnas
da TiTqos yvelanair fantasmagorias Suqi unda moefinos:
ZaRli icavs kars, romelic periodulad iReba da romlis
zRurblTanac ori adamianis, qalisa da mamakacis, ConCxebi
wvanan. SeiZleba rom es ZaRli, miTiuri cerberis alegoriad
miviCnioT? maSin udavoa stalkeriseuli zonis msgavseba
gansawmendelTan. asevea msxverplSewirvaSic, xdeba gamxmari
xis sakralizeba, romelsac bavSvi yoveldRiurad usxams wyals.
leonid nexaroSevi, Tavis naSromSi, _ „wylis wveTSi – saxeTa
simbolika andrei tarkovskis filmebSi~, _ wers, rom aseTi
saxeebis SemotniT tarkovski pirdapir kavSirs amyarebs bibliur,
xSirad ki ucnobi religiuri legendebis gzasTan da swored
aseTi gza, Serwymuli kinematografTan, iwvevs andreis miRwevebs
RmerTis ZiebaSi; es ki udavoa, rom reJisoris mTavar miznad
mTeli misi filmografiis manZilze, RmerTis, WeSmaritebis da
rac mTavaria, cxovrebiseul realobaSi asaxuli WeSmaritebis
povna iqca.
78
andrei tarkovski
-
bavSvobis msxverplSewirva
SeuZlebelia tarkovskis Semoqmedeba da misi figura msoflio
kinoSi romelime kinomans SeumCneveli darCes. ramdenadac
miuwvdomelia xSir SemTxvevaSi tarkovskis kino ubralo,
gauTviTcnobierebeli mayureblisaTvis, imdenad amouwuravi da
amouxsnelia es sakiTxi yvela im adamianisaTvis, visac kinosTan
raime kavSiri mainc aqvs. Tavi rom davaneboT yovelgvar
simbolikas, saxeebsa da teqnikur sakiTxebs, misi filmebidan
yovelTvis modis is idumali emocia, romlis axsnac guls
SeuZlia, gonebas ki – ara. ai ra komentari gaakeTa ingmar
bergmanma tarkovskis Semoqmedebis Sesaxeb: „tarkovskis pirveli
filmebis aRmoCena CemTvis saswaulis tolfasi iyo, me uecrad
aRmovCndi oTaxis im karTan, romlis gasaRebic arasodes mqonia,
romelSi SeRwevazec mxolod vocnebobdi, is ki iq, im oTaxSi
Tavisuflad moZraobda. me vigrZeni mxardaWera, erTgvari nugeSi:
viRacam ukve SeZlo gamoexata is, ris Sesaxebac me yovelTvis
vocnebobdi mesaubra, oRond ar vicodi rogor. tarkovski
CemTvis yvelaze diadia, rameTu man kinoSi Semoitana axali,
gansakuTrebuli ena, romelic saSualebas aZlevs mas cxovreba
asaxos, rogorc raRac xiluli da raRac sizmriseuli~,3 _
albaT, erT-erTi idealuri gansazRvrebaa tarkovskis
filmografiisa, rac ki odesme Tqmula mis Sesaxeb. marTlac,
es fantasmagoria, rac tarkovskis filmebs laitmotivad miyveba,
ar aqvs mniSvneloba, ra xerxiT iqneba gadmocemuli, mdinaresaviT
moZravi balaxis Senelebuli kadrebiT, Tu wylis WuWyiani
morevis xangrZlivi axlo xediT, mTavaria rom axerxebs
mayurebels Seuqmnas is ganwyoba, romelsac nebismieri
aRmsareblobis moZRvari isurvebda mrevlSi qadagebisas.
tyuilad ar gavavle aseTi paraleli, tarkovskis filmebSi
xSirad wavawydebiT qadagebis elementebs, magaliTad
„stalkerSi~, roca filmSi moulodnelad ismis nawyveti
„apokalifsidan~, an Tundac „msxverplSewirva~, roca mama uyveba
patara biWs qristiani moRvawis, ioane kolovis istorias, rac
Semdeg alegoriulad gardaisaxeba filmis siuJetSi.
magaliTebis moyvana mravlad SeiZleba, xSirad reJisori
arapirdapi kadrebiTa da mdgomareobebis SeqmniT mianiSnebs
ama Tu im religiur wiaRsvlaze. bulgareli kinomcodne
79
aleqsandre
lorTqifaniZe
nedelCo milevi Tavis esseSi „sityva andreiseul vnebebze~
tarkovskis filmografias sam nawilad yofs: sarkemde, sarke
da sarkis Semdeg. albaT logikuri ganawilebaa, radgan „sarke~
marTlac iqca erTgvar zRurblad, Tu gardamtex berketad
mis SemoqmedebaSi, Tumca vfiqrob, aseTi dayofa qronologiuri
Tanmimdevrobis daurRvevlobis gamoisobiTaa. Tu cota ufro
Tavisuflad mivudgebiT am sakiTxs da imasac davuSvebT, rom
xSirad xelovanis SemoqmedebaSi brundeba is etapi, romelic
man ukve gaiara, SeiZleba sxvanairad davaxarisxoT tarkovskis
kino. Cemi azriT, Tu mainc raRac niSniT gvsurs misi filmebis
dajgufeba, es Semdegnairad unda movaxdinoT: 1. „ivanes bavSvoba~,
„andrei rublovi~; 2. „stalkeri”, „solarisi~; 3. „sarke~,
„nostalgia~; 4. „msxverplSewirva~. es aramc da aramc ar
gulisxmobs imas, rom romelime jgufi nakleb mniSvnelovani
iyos, an sxvebze dabla idges, magram ganwyobisa da saTqmelis
mixedviT, xSirad rCeba STabeWdileba, rom es swored is
safexurebia, romelic tarkovskim gaiara. vfiqrob „nostalgia~
usvams mis Semoqmedebas logikur wertils da ara
„ ms x ver pl S ew i rv a ~. am Sem Tx v ev a Si qr o no l og i ur i
Tanmimdrveobisadmi yuradRebis miqceva uadgiloa, radgan
„msxverplSewirva~ erTgvarad, gandegili adamianis warmosaxvis
asaxvas ufro hgavs, TiTqos avtorma raRac etapi daasrula
da Semdeg, rogorc beri, romelmac uari Tqva amqveyniur
cxovrebaze da Tavidan daibada adamianad, reJisoric cdilobs
agoniaSi myofi adamianis anderZis datovebas; bolos ki
yvelaferi iwveba, yvelaferi is, rasac ase dawvrilebiT da
detalurad gvaCvevda filmis ganmavlobaSi. mTlianad filmis
apokali pturi ganwyoba bolos gvirgvindeba lokaluri
apokalifsiT da Tavisufali sulis xsniT, rac manamde
miuRwevelia tarkovskis SemoqmedebaSi. Tu gavixsenebT
„stalkers~, filmis boloSi mTavari gmiri cols mimarTavs:
„rom icode rogor daviRale, mxolod RmerTma uwyis! isini
ki inteligentebs uwodeben sakuTar Tavs, es mwerlebi da
mecnierebi! maT xom arafris ar swamT, an sulac gauqraT is
organo, romliTac unda swamdeT! Sen xom naxe isini, rogori
Tvalebi aqvT – carieli~! da a. S. SeiZleba Tu ara mTavari
80
andrei tarkovski
-
bavSvobis msxverplSewirva
gmiris es sityva reJisoris wuxilad da saTqmeladac miviCnioT?
vfiqrob, rom udavoa, tarkovskis TanagrZnoba stalkerisadmi,
rogorc salosisadmi, romelic uSedegod cdilobs raRacis
miRwevas, raRacis, rac adamianebisaTvis ukve aRaraa mniSvnelovani.
diax, stalkeri salosia da saerTodac, tarkovskis filmebSi
xSirad gvxvdebian personaJebi, romlebmac sakuTari sicocxle
da survilebi gverdze gadades, Tavi ki, erT WeSmarit mizans
miuZRvnes.
andrei tarkovski ar erideba sakuTar filmebSi religiuri
dogmebis poetur-filosofiur WrilSi gadmocemas. cdilobs
ra axsna mouZebnos erTi SexedviT ubralo movlenebs, Tavadve
eqceva am movlenebis tyveobaSi da Semdeg cdilobs gamoZvres
am marwuxebidan, rac iqceva kidec amave movlenebis axsnad. ai
ras ambobs tarkovski apokalifsis Sesaxeb: „apokalifsi, saerTo
jamSi, bedisweris ambavia. vinaidan adamiani Tavadve irCevs
sakuTar gzas, Tavisufali nebis gamo, mas ar SeuZlia ixsnas
yvela, aramed mxolod sakuTari Tavi, TumcaRa, es xsna iqceva
kidec sxvebis gadarCenis saSualebad. apokalifsi sazarelia
TiToeuli CvenganisTvis, magram erTad, mTlianobaSi Cven
yovelTvis vxedavT masSi imeds~.4 imedi gadarCenis, imedi gzis
gakvlevis arasodes tovebs andrei tarkovskis Semoqmedebas
da yovelTvis elavs, rac ar unda tragikuli iyos misi
filmi. yovelTvis Cndeba mtredisa („sarke~), Tu TeTri navis
saxiT („ivanes bavSoba~). sabolood ki, SeiZleba didxans vidavoT
imaze, emTxveva Tu ara Cven mier aRmoCenili WeSmaritebis
naperwkali, Tavad reJisoris mier Cafiqrebuls, magram erTi
udavoa, rom es naperwkali arsebobs. dramaturgi tonino
guera ixsenebs, rom roca tarkovskis hkiTxa, raze ocnebobda,
an ra surda imxanad, tarkovskim samSoblos nostalgiasTan
erTad gamoyo bavSvobaSi dabrunebis survili. „ra Tqma unda
me mesmis, rom es SeuZlebelia, magram gana arsebobs rame,
rasac kino ver moimoqmedebs~?5 tarkovski dabrunda bavSvobaSi
da Cvenc, yovelTvis roca mis filmebs vuyurebT, misive
bavSvobiseuli iluziebis monawileni vxdebiT. filmSi „sarke~,
aris momenti, roca moxuci deda SvilebTan erTad Cans kadrSi,
oRond Svilebi isev iseTi patarebi arian, rogoric dedis
81
aleqsandre
lorTqifaniZe
axalgazrdobis dros iyvnen. es andrei tarkovskis bavSvobis
msxverplSewirvaa, misive warsulis realobisa da irealobis
areva, rasac sabolood mivyavarT im martiv WeSmaritebamde,
rasac andrei tarkovskis kino hqvia. swored aseTi bavSvobis
droindeli SegrZnebebis gamo, rac tarkovskis mTeli Semoqmedebis
manZilze gahyva, misi filmebi ufro metad iwveven Cveni fantaziis
mobilizebas da TiTqos, stalkeri ara calkeuli personaJi,
aramed TiToeuli Cvengania. es iluzia, romelsac tarkovskis
kino qmnis, sabolood iqceva sanTlis alad „nostalgiaSi~,
xolo miRweuli WeSmaritebis xalxisaTvis gadacemis dauokebel
survils ki „msxverplSewirvaSi~ yvelaferi Seqmnilis, yvelaferi
arsebulis gadawviT axerxebs mTavari gmiri. diax, es
Tavisuflebaa... golgoTisaken mavali adamianis Tavisufleba...
swored esaa tarkovskiseuli WeSmariteba.
dabolos, Tavad andrei tarkovskis sityvebi gavixsenoT,
romelic man andrei voznesenskisTan saubarSi warmoTqva:
„WeSmariteba mxolod erTia andrei, is, rom igi ar arsebobs~.6
1. ix.: a.l. nexaroSevi, m.a. rostockaia, v.a. utilovi. „a. a. tarkovski –
msoflio kinematografis konteqstSi”. m., «ВГИК»-is gamomcemloba, 2003.
2. ix.: n.f. boldirevi. „stalkeri, an tarkovskis dReebi da Sroma” . Tb, 2003
3. ix.: a.l. nexaroSevi, m.a. rostockaia, v.a. utilovi. „a. a. tarkovski –
msoflio kinematografis konteqstSi”. m., «ВГИК»-is gamomcemloba, 2003.
4. ix.: p. d. volkova.. „andrei tarkovski: arqivebi, dokumentebi, mogonebebi”
m., 2002
5. ix.: a.l. nexaroSevi, m.a. rostockaia, v.a. utilovi. „a. a. tarkovski –
msoflio kinematografis konteqstSi”. m., «ВГИК»-is gamomcemloba, 2003.
6 „andrei tarkovskis filmebi da rusuli suliereba” – s. silvestroni.
Изд-во ББИ, 2007
http://tarkovsky.su/
http://www.imdb.com/name/nm0001789/
http://orthodisc.su/texty/Tarkovskiy/istina.html
http://community.livejournal.com/ru_tarkovsky/
http://www.ufa-sretenie.ru/plugins/forum/forum_viewtopic.php?2126
http://inoekino.ru/author.php?id=399
82
goga qobalia
magistraturis II kursi
kSiStof kislevskis moraluri
mousvenroba
polonur kinematografs hqonda ori aRmavlobis xana: erTi
ormocdaaTaini wlebis bolos da meore samociani wlebis
dasawyisSi. samocdaaTiani wlebis SuaSi ki daibada
kinematografi `moraluri mousvenrobiT~, romelic kSiStof
kislevskim daiwyo.
kSiStof kislevski 1941 wels daibada, roca poloneTSi
omi iyo da man bavSobis umetesi nawili gzaSi gaatara, roca
misi ojaxi, sxva da sxva adgilas gadadioda. Teqvsmeti wlisam
dramaturgiul skolaSi Caabara, Tumca swavla male miatova
da Teatraluri kostiumebis ostatad daiwyo muSaoba. Semdeg
samjer scada kino-tele skolaSi Cabareba, mesame cdaze
gaumarTla da Cairicxa kidec. am saswavleblis damTavrebis
Semdeg, ZiriTadad dokumentur filmebs iRebda.
dokumentur filmebze muSaobisas, man aRmoaCina rom, rac
ufro cdilob axlos mixvide gmirTan, igi miT ufro iketeba,
_ ar ixsneba. amasTan, arsebobs eTikuri sazRvrebic, romlebsac
verasodes gadaabijeb: verc gmirTan urTierTobaSi da verc _
mayurebelTan. dokumenturi filmi ki, es aris pirdapir adamianis
bedSi Careva, rac amZafrebs relobis SegrZnebas. amitomac,
misi pirveli filmis gmirebi dakavSirebulebi iyvnen realur
gmirebTan, rac kidev ufro aaxlovebda mayrebels yofasTan.
reJisorma Tavis adreul dokumentur filmebSi TvalTaxedva
SeaCera qalaqebisa da muSebis yoveldRiur cxovrebaze. es
filmebi ar iyo aSkarad politikuri, Tumca xSirad poloneTis
xelisuflebasTan iyo konfliqtSi. mis satelevizio filmSi
`muSakebi 71~, Tavad muSebi msjelobdnen masiuri gaficvebis
mizezebis Sesaxeb. suraTi naCvenebi iqna mxolod `daCexil~
formatSi. am filmis Semdeg reJisorma yuradReba SeaCera
xelisuflebaze, filmSi `avtobiografia~ man CarTo dokumenturi
qronika, kadrebi politbiuros Sekrebebidan da gadmogvca erTi
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goga qobalia
adamianis istoria, romlis cxovreba mimdinareobs xelisuflebis
TvalTvalis qveS.
kislevskis pirveli srulmetraJiani mxatvruli filmic
`Srami~ moicavda dokumenturi kinos elementebs. reJisorma
filmis gmirebad aiyavana erT-erTi fabrikis xelmZRvaneloba,
romlebic aRmoCndnen moraluri dilemis winaSe. konfliqtSi,
sadac dabis macxovreblebi da muSebi ewinaaRmdegebodnen
adamians, cdilobdnen amayad warmoedginaT xelisufalni. es
iyo reJisoris mxridan mcdeloba, eCvenebina xalxisTvis, Tu
rogor gaurbis sinamdvile kameras.
franguli trilogia: sami feri `lurji~ `wiTeli~ `TeTri~
is filmebi gaxlavT, romliTac kislevski popularuli xdeba.
mas moixseneben, rogorc ara polonel aramed, `saerToevropel~
reJisorad. kislevskis mTeli cxovrebis manZilze poloneTSi
ar ucxovria, magram is amboibda: `roca safrangeTSi Cavdivar,
yovelTvis vbrundebi poloneTSi.~ samSobloSi reJisorma,
marTlac Sedevrebi gadaiRo.
kislevskis kinematografi `moraluri mousvenrobiT~,
socialurad fsiqologiuri, mSrali da gansakuTrebiT
prozaikuli, moklebulia gmirul miTologiur sazoms.
maCvenebelia Tu ra mosdis Cveulebriv, _ `saSualo~ adamians
stabilizaciis pirobebSi.
erT-erT interviuSi reJisori paolo taviani ambobs: `arian
istoriuli da biologiuri adamianebi, kislevski iRebs filmebs
biologiur adamianebze da maT yoveldRiur problemebze, raSic
isini arian Cabmulni. adamianebs, _ adaptirebulebs nacrisfer
samyaroSi, sadac maT reJisori ubiZgebs raRac didisken, da
aCvenebs, ras iwvevs xelovnebasTan, politikasa da rwmenasTan
adamianis Sejaxeba.
kislevski Tavis SedevrSi `kinomoyvaruli~ gvanaxebs ubralo
adamians, romelic iwyebs dokumenturi filmis gadaRebas. sadac
gmirs xelovneba aiZulebs dainaxos simarTle da samyaro mis
garSemo. fasi ki am yvelafris gagebisa aris uzarmazari,
magram gmirs, rogorc individs, bedniereba ar uweria.
1981 wels reJisori iRebs momdevno, brwyinvale, magram
amasTanave yvelaze uimedo films `SemTxveva~, sadac adamianis
84
kSiStof kislevskis moraluri
mousvenroba
bedi ar ganisazRvreba misi gansakuTrebuli piraduliT. adamians
eTamaSeba brma SemTxveva. gaxdeba Tu ara is disidenti, an
apolitikuri specialisiti, Tundac partiuli moRvawe, _ es
yvelaferi damokidebulia imaze, miuswrebs Tu ara is matarebels.
poloneli kritikosebi am films uwodeben komformizmis
gamarTlebas, magram kislevski ar iRebda istorias adaptirebaze
an Seguebaze, ubralod reJisorma amiT anaxa, Tu rogor itanjeba
adamiani samyaroSi, romelic moklebulia yvelanair azrs da
cxovrobs samyaroSi sadac yvelafers marTavs SemTxveva.
1994 wels, roca mayurebels warudgina trilogia (sami
feri `lurji~ `wiTeli~ `TeTri~) kislevskim Tqva, rom es
iyo misi bolo suraTi da is, SemdegSi, films aRar gadaiRebda.
mizezi ar dausaxelebia.
`Znelia icxovro samyaroSi, romelic ar aris aRwerili~, ambobda reJisori. misi survili iyo daexata polonuri cxovreba
ise, rogorc sinamdvileSi iyo da ara komunistur propagandaSi.
ris gamoc TavisTavad cdilobdnen daeCexaT misi filmebi,
magram reJisors arasodes Seucvlia simarTlis Taviseburi
gaazreba. Tavis dokumentur da mxatvrul filmebSi, mas
arasodes aumaRlebia xma, arasodes eloda warmatebas, misi
mizani iyo: gamoxmaurebodnen mis filmebs.
kislevski bevr adamianSi xedavda sulier dacemas, razec
mas Tvali ar dauxuWavs: aSkarad saubrobda imaze, Tu ra
rCeba adamianSi, roca is kargavs sakuTar `mes~. adamianis
sulier cxovrebaze saubris SesaZlebloba ki, ukve niSnavda
aseTi cxovrebis arsebobas.
retrospeqtruli, warsulisaken mimarTulia `mokle filmi
mkvelobaze~, - seria `dekalogidan~, romelmac kidev erTxel
daafiqra kacobrioba. manamde ki kinoSi ar yofila
wvrilmanebamde dayvanili mkvlelobis istoria ise, rogorc
am filmSia. poloneTSi am filmis gamosvlis Semdeg, aikrZala
sikvdiliT dasja.
saerTod kislevskis filmebis intimuroba aisaxa imaSi,
rom misi suraTebi yvelas exeba. reJisori gviyveba ara imaze,
rom cxovrebaSi ar arsebobs Cveulebrivi adamiani, aramed
imaze rasac Cven ver vxedavT. mis filmebSi ki es ise aSkarad
85
goga qobalia
Cans, rom SegviZlia gverdidan SevxedoT Cven Tavs. roca is
gmiris aRweras iwyebs, gviCndeba pativiscema sakuTari Tavis
mimarT da aRmovaCenT, rom cxovreba Tavgadasavalia.
kislevski Tavis Tavs, qronikul pessimists uwodebda, magram
mis sxeulSi morwmune, kaTolike qristiani Canda. rasac misi
filmebi adasturebs. filmebi, sadac imedis, siyvarulis,
ganwmendili usazRvro rwmena aSuqebs. saerTod keslevski ar
iyo moralisti, is iyo namdvili reJisori, mousvenari sindisiT.
reJisoris mxatvruli ostatoba axal mwvervals aRwevs,
frangul polonur filmSi `veronikas ormagi cxovrevba~
romelSic or sxeulSi gayofili, erTi sulis Sesaxeb
mogviTxrobs. Tu poloneli gogona uras ambobs siyvarulze
imis gamo, rom xelovnebas uerTgulos da suli Caudgas
`dantes~ striqonebis simRerisas, frangi gogona zurgs Seaqcevs
musikalur karieras da fexdafex gahyveba ucnob mamakacs,
meTojinesa da mezRapres. filmSi TamaSobda cnobili msaxiobi
iren Jakobi. filma isev gaaoca mayureblebi, Tavisi saTuTi
formiT da axali SesaZleblobebiT, _ aq vxedavT adamianis
bunebas metafizikuri kuTxiT. ekranizaciis warmatebam reJisors
misca ambicia da impulsi gadaeRo trilogia, proeqti romelic
iyo franguli polonuri da Sveicariuli, dasaxelebiT `sami
feri~ `lurji~ `TeTri~ `wiTeli~ (1993-1994). saTauri SeirCa
safrangeTis droSis ferebis mixedviT. reJisoris azriT
samyaroSi ar aris Tavisufleba, ar aris Tanasworoba da
mainc kacobrioba valdebulia ecados da ganaxorcielos ideebi,
romelic i povis gzas Tavisuflebisaken. swored amitom
evropuli idealebiT sulCadgmulma filmebma, franguli
revoluciis Semdeg, asaxes sinamdvile, is realoba, sadac
SesaZlebelia aRmocendes axali faseulobani cakleuli
adamianebiT.
filmi `lurji~ areulia mwvanesTan, TeTri wiTelTan, wiTeli
nacrisferTan. lurji feri gaxda musikis da gardacvlilTa
xsovnis eqvivalenti. `TeTri~ aris warmodgena im samyarosi,
romelic miiswrafis ufro Rrma azrovnebisaken. wiTeli
SeuerTda maT Tavisi siyvaruliT da siZlulviliT. kislevski
ambobda: `aris Tu ara vinme msgavsi RmerTis, Semqmneli yvelafris
86
kSiStof kislevskis moraluri
mousvenroba
rac ar Cans Cvens irgvliv. Tu ki daakvirdebi samyaros
istorias da mere Cvensave istorias, maSinve davinaxavT, Tu
rogor vusxltdebiT RmerTs xelidan~. SeiZleba iTqvas, rom
keslevski RmerTs xalxSi eZebda, rac i pova kidec trilogiaSi
`sami feri wiTeli~, sadac man ironiulad aiRo RmerTis
roli. filmSi is TviTin marTavda personaJebis beds da ubiZgebda
maT paradoqsuli situaciebisaken.
`Cveni mokle stabilizacia~, _ es ironiuli fraza ekuTvnis
poets da dramaturgs Teodor reJeviCs, romelic ambobda,
rom kislevskim sworad daaxasiaTa cxovrebis dabali done
poloneTSi da saerTo apaTia xelisuflebisa 1960 wlebSi.
aseve asaxa polonuri kulturis situacia, romelic im periodSi
ganicdida xelisuflebis Zlier zewolas, rac naTlad aisaxa
imdroindel mis polonur filmebSi.
filmi `dekalogi~ (1988-1989), seria aT mxatvrul filmad,
romelsac safuZvlad edo aTi mcneba, triumfaluri gaxda
reJisorisTvis. `dekalogi~, romelic kinoxelovnebaSi
Sefasebulia rogorc gmirobis tolfasi _ aTi filmi, romelic
reJisorma rekordul droSi gadaiRo. im saukuneSi, sadac
manierizmi da seriuli kultura iyo gamefebuli, kislevski
da misi scenaristi, kSiStof fseviCi ar SeuSindnen Tanamedrove
sazogadoebriv morals. maT mier arCeuli dramaturgiuli
princi pi, maTi SemoqmdebiTi gadawyveta, axdens im yvelaferi
saukeTesos koncentracias, rac ki iqna Seqmnila polonuri
kinos mier.
reJisori yvelaze fundamentalurad usvamda xazs
SemoqmedebiT urTierTobas reJisorsa da msaxiobs Soris. misi
mTavari kredo iyo msaxiobebis siyvaruli da mzad iyo scenarSic,
gamomdinare msaxiobebis keTildReobisa, Seecvala zogi ram,
rac maTTvis advilad gasagebi da xelmisawvdomi gaxdeboda.
kSiStof kislevski Tavis Tavze iZaxda: `CemSi ar aris
didi talanti, geniosebi uceb pouloben Tavis adgils, me ki
iZulebuli var, mTeli cxovreba viaro misken. me vici es da
amitomac mivdivar. imaT ki visac ar surT, ar ZaluZT gaigon,
rom es procesi usasruloa, yovelTvis ityvian, me Sevicvale.
me ki am dros vapireb, Cemi Semdgomi nabijis gadadgmas, romelic
87
goga qobalia
maaxloebs mudam miuRwevel miznamde. Cemi mizania vixilo
Cveni Sinagani samyaro, is, risi gadaRebac SeuZlebelia kameriT.
vici am miznis miRweva SeuZlebelia, am miznisken mxolod
miaxloebaa SesaZlebeli~.
mis filmebSi iSleba uzarmazari sivrce, ara marto
kinogmirebisTvis, aramed mayureblisTvisac, sivrce, rasac gadis
adamiani usasrulod intimur, unikalur, magram amasTanave
Turme universalur refleqsis gzaze. zustad am gzaze aqvs
adamians SesaZlebloba dauaxlovdes sxva adamianebs. misi
filmebi yoveldRiurobiT gamowveuli esTeTikuri emociebia.
gvxiblavs imiT, rom samyaro gaferadebulia refleqsiiT,
ganzogadebulia misgan da gankacebulia. misi gmiri aris
mgrZnobiare, dakvirvebuli, refleqsebze damyarebuli, romelic
acnobierebs mimdinare procesebs. es yvelaferi niSnavs, rom
gmiri imyofeba sityvis ZiebaSi, romelic saSualebas aZlevs
Seicnos sakuTari Tavi, sxva adamiani da samyaro. es ki yvelaze
mniSvnelovania, radgan gmiris dakvirvebuli mzeris miRma,
mayurebeli xelaxla aRmoaCens yovel moZraobas, yovel Sinagan
nabijs, Tundac mis monawileobas am samyaroSi.
`dekalogis~ meeqvsve nawilTan dakavSirebiT SeiZleba
aRmocendes raRac eWvi, romelic provocirebulia da
damabnevelia saTauridan gamomdinare. mTlianobaSi ki, es aris
Zalian daxvewili, nazi da sevdiani, elegiuri moTxroba, uimedo
siyvarulze, romelic gabneulia samyaroSi. iq, sadac Cans
deficiti adamianuri grZnobebisa, aris uxamsoba da swored
aseT samyaroSi, aucileblad amotivtivdeba mexsierebaSi ieso
qriste saxarebidan, siTyvebiT: `giyvardes moyvasi Seni, viTarca
Tavi Seni~.
kSiStof zanusi werda: `kislevskis Sroma hgavs im uzarmazar
planetas, romelic anaTebs... visargebloT imiT, rom is, jer
kidev CvenTana, rom jer kidev mexsiereba aris axali, imitom
rom arc ise male gamoCndeba aseTi masStabis adamiani, xelovani
da Semomqmedi.~
1996 wels poloneli reJisori kSiStof kislevski
gardaicvala. igi iyo erT-erTi ukanaskneli saavtoro kinos
warmomadgeneli, romelic kinematografs epyroboda ara rogorc
88
kSiStof kislevskis moraluri
mousvenroba
atraqcions da gasarTobs, aramed rogorc moralur gzavnils
TaobebisTvis.
man gansazRvra kulturuli barieri aRmosavleTsa da
dasavleTs, evropasa da amerikis xalxs Soris, klasikur da
Tanamedrove kinematografs Soris. main aiZula xalxi XX
saukunis bolos esminaT misTvis.
reJisori ambobda: ..filmi ar arsebobs mayureblis gareSe.
mayurebeli yvelaze mTavaria, xolo xelovneba xelovnebisTvis
da forma formisTvis, sakuTari talantis an vnebis vardna
zewolis qveS, CemTvis miuRebelia da mec movyevi istoria
romelic gadaayiravebs adamians~.
http://burusi.wordpress.com/cinema/krzysztof-kieslowski/
http://cinema-translations.blogspot.com/search/label/Kieslowski
http://krzysztof-kieslowski-about-myself.blogspot.com/
http://rusmilestones.ru/day/show/?id=27300
http://cinemotions.blogspot.com/search/label/Kieslowski
http://www.inoekino.ru/author.php?id=1987
http://www.inoekino.ru/artc97.html
http://dic.academic.ru/dic.nsf/ruwiki/965006
89
avtorTa Sesaxeb
CULTURE MANAGEMENT
Nino Sanadiradze
UNDERSTANDING OF ART SECTOR MANAGEMENT
nino sanadiraZe _ xelovnebaTmcodneobis doqtori
saqarTvelos erovnuli muzeumi-eqspert specialisti
SoTa rusTavelis kinosa da Teatris saxelmwifo universiteti
biznesisa da marTvis fakulteti – asocirebuli profesori.
tel: +995 (77) 78 91 78
el-fosta: [email protected]
Summary
In the article is briefly examined essence of attitude of meaning
culture and art management. The proposed work presents a descriptive
analysis of negotiation of culture and culture management, meaning of
management differentiation in art sector and aims.
This article describes peculiarity of marketing in art and culture
sector and special of art market. The article concerns development
trends of art management and how to use business skills to support and
promote a variety of visual, performing, and media arts and artists. For
the time being the cultural market is playing important role in the world
economy. However, with all their importances there are financial
problems presents with financing of culture sector. Business skills, arts
and entertainment managers play a key role in bringing great
performances, paintings, scripts, songs, and more to the public.
In this article author argue for more theoretical discussion and
empirical research into organizational and managerial dynamics of
commercial cultural production. Their concern grows out of their
observation that management research is neglecting cultural production
as a serious object of investigation despite its economic, social, and
political significance.
ABOUT AUTHOR
Dr. Associated professor of Shota Rustaveli Theatre and Film
Georgian State University, Georgian National Museum
Tel: + 995 (77) 78 91 78
E-mail: [email protected]
90
91
UNIVERSITY’ Ph.D PROGRAM
Tamar Tsagareli
Third Year Ph.D Student
DRAMA AND THEATRE HISTORY
Head of the Program: Prof. Mikheil Kalandarishvili
Maka Vasadze
First Year Ph.D Student
OAONE IS SUPPOSED TO SAY SOMETHING ORIGINAL
ABOUT A MAN, AND IN TEMRS OF FORM AND
STRUCTURE, IT ALREADY IMPLIES CREATING
SOMETHING NEW…
Summary
While speaking to a famous Georgian theater director Robert Sturua,
there was revealed some significant aspects. First of all, we were
concerned about the level of influence that theoretical works of
philosophy or art have had on Robert Sturua. There exists the term
“film-language,” and “theater language, or the language of a theater.”
Our key interest emerged around the factors (either a person or a
thing) that influnced shape of his “theater language.”
Out of 37 plays of Sheakspeare, Robert Sturua implemented around
17. We became keen on understanding Sturua’s attitute towards
Sheakspeare, and his approach of interpretation of a Sheakspeare play;
how does he make his concept suitable and relevant, why does it happen
that time by time he again gets back to the same play? In September
2010, at the Moscow Theater “Et Cetera,” Sturua talks about staging a
play “The Tempest.” It was also interesting, whether which of the
forms of performing art are more acceptable for Robert Sturua?
Those are the issues around which our discussion was held with
Mr. Robert Sturua. Below, we suggest the entire transcript of the
interview to our reader.
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THEATRE OPINION IN GEORGIA
(According to the Renaissance epoch)
Summary
Georgian feudal culture reached its golden age in the 11th-12th
centuries. This conformed to the country’s economic and political
potential and was the natural result of the development of culture in
Georgia. Emerging on a purely national foundation, Georgian feudal
culture developed in creative contact with the culture of neighboring
countries and peoples. In particular, it creatively assimilated the influence
of Hellenic and Arab-Persian cultures. Advanced Georgian society of
those times was acquainted with neo-Platonic philosophy, Byzantine
theological literature, Arab and Persian poetry, and works by eastern
and western scholars.
Permeated with Georgian feudal humanism, it developed in a new
direction, endeavoring to portray actuality, true human feelings and
aspirations, and avoiding the abstract dogma of religious philosophy.
In the 11th-12th centuries’ freedom of thought and of scientific
research were championed by the Georgian writers and philosophers
Eprem Mtsire, Ioane Petritsi and Arsen Ikaltoeli.
In the 11th-12th centuries the major political issues were the
countries liberation from foreign invaders and the centralization of statepower. These were pressing tasks. The historians of that epoch
concentrated on precisely these problems, and this explains their
laudation of statesmen who headed the struggle against external enemies
and worked to centralize state-power. They wrote openly of their hatred
for external enemies and for the feudal lords who opposed the central
state-power, the united monarchy. Their works are permeated with
profound feelings of patriotism.
They produced works on theology and philosophy, translated foreign
works, copied manuscripts, and so forth: An important role in spreading
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education and in scientific and literary activity was played by Georgian
monasteries outside Georgia. These monasteries, which were centres
of learning rather than of religion, included the Iberia Monastery on
Athos, the Georgian Monastery on the Black Mountain in Syria, the
monastery of the Jvari in Palestine and the Petritsoni Monastery in the
territory of what is now Bulgaria. The Gelati Academy, founded by
David the Builder, |was the most prominent centre of Georgian culture
of those days. It was David’s plan that Gelati should become a “second
Athens”. In mediaeval Georgia there was another academy of this
kind at Ikalto.
A high level of development was attained by various branches of
art: fresco-painting, miniature decoration of manuscripts, chasing on
gold and silver, enamelling, and so on. It must be noted that, in those
days, Georgia had three different schools of] chasing on gold. The
works of the famous Georgian goldsmiths, Beka and Beshken Opizari,
are an outstanding contribution to world art. Many branches of 12thcentury Georgian art, whose creations were known not only in Georgia,
are of historic significance.
The major achievement of Georgian culture in that epoch was the
great Shota Rustaveli’s “The Knight in the Panther’s Skin”, in which
humanist ideas are conveyed in classical verse-from. Naturally, in the
epoch of developed feudalism Georgian culture was influenced by the
prevailing world-outlook, but advanced ideas had penetrated deep into
all branches of art and left their imprint on the further development of
art.
The philosophical views of Eprem Mtsire, Ioane Petritsi and
Rustaveli did not fit into the usual framework of the prevailing mediaeval
world-outlook. Despite the predominant ideology, advanced thought
asserted the realisation of the advantages of earthly life. Rustaveli
extolled earthly, human feelings, love, principles of fair play, friendship
and brotherhood regardless of nationality or religion.
In the llth-12th centuries Georgian science and art were
characterized by many of the features that later became the hallmarks
of the European Renaissance.
94
DRAMA DIRECTION
Head of the Program: Prof. Vasil Kiknadze, Giorgi Margvelashvili
Maya Shengelia
Third year Ph.D Student
INITIAL EVENT AND STORY SCENIC
DECODING PROBLEM
Summary
Direction with the development, it becomes necessary to analyze
theatrical essence of determination of particular issues and their practical
use, these issues cause – result establish connections.
The present work is the subject of the research cornerstone event,
the importance of defining the plot scenic decoding solution for the
problem.
Literary story, a story or play which is going on is that provided by
oral membrane and the theater in the flatness of the first call. It reflects
the work topic, this is what is written in what works. But the story,
which is to be staged in scene usually lies in the plan, so this is not what
we are talking about Hollywood, but what they are doing, so it play an
effective shell. The second plan of the work expresses the idea, or that
what the author wants to say. Stage director, visual narrative media,
the second plan, that is an effective story has come to be.
Effective for decisions story correctly, it is necessary to work
properly defined initial event. Initial event is the event, without which
the story is described in the play would not have happened. Initial event,
the right to seek to identify what took place in the play described the
story before the characters in a relationship, which all impact on the
character (who first big event, it seems to work), changed their line of
action and led to work in the narrative of a story. Initial event common
to all characters who appear before the first big event at the beginning
of the play and their main motivation is to act.
Determination of starting an event differently, changing the
motivation of the characters to act and therefore the content of their
action, the story scenic transfer caused by different and often this story
95
has nothing to do with the author’s more meaningful story, which
expresses the idea of the work.
Thus, the correct determination of Rising event is an effective
solution to correct the story.
UNIVERSITY’ MA PROGRAM
FILM-TELE-DRAMATURGY
Head of the Program: Kote Jandieri, Nino Mkheidze
Nino Lipartiani
Second year Ph.D Student
THEATRICAL ART AS A SOCIAL-COMMUNICATIVE
MEAN IN THE POST-MODERNIST EPOCH
Summary
Really significant era has come to its end and we now live in a new
cultural epoch. However it is somewhat early to formulate the meaning
of the new epoch and its content, or to predict what it offers to us. But
still, what will happen next? Of course there is no way to retreat, nor
was it easy to close up and complete non-justified postmodernism era
as the product. Its completion might mean restoration and putting in
right order the broken chronology and strategy being developed logically
in the art before.
We live in the chaotic epoch but chaos always tends to be settled.
However, the conflict is unavoidable. The 20th century has ended. Every
possible experiment has been carried out. It can be described as a
cultural explosion being the logical end of all.
Now, we can do nothing other than to wait for what will happen
next.
96
Mariam Kukulava
Second year MA Student
“FACES VIEWED IN SHADOWS”
Summary
“Faces viewed in shadows” is a brief survey of John Cassavetes
creative career, a famous director, recognized as father of an American
independent cinema. It is focused on two of his films “Shadows” and
“Faces”.
There are short episodes given from his life from the very beginning
of his movie experience as a young director, making his first steps
working on his first film “Shadows”.
Very often Cassavetes films are resembled with jazz jamsations
for his special, personal style of making a movie, his identity, specific
attitude to script, actors and especially editing. That makes the fact
that he himself all his life opposed Hollywood mainstream.
Cassavetes as a creator and personality has a great impact on
numerous film makers and directors up to nowadays.
In the beginning of his way Cassavetes managed to show on the
screen characters which were absolutely different from American
heroes of that time and were taken an aim by him to overcome life
hedges that “Shadows” lately feel only with general sentiments.
In his following films “Shadows” turned into “Faces”.
After “Shadows” there are new subjects in the cinema of
Cassavetes, background of which coveres all his creative work.“I’m
interested only in one thing and this is love” – he will say and will
dedicate every his film to a woman and man and to deep research of
relationship between these two.
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Aleksandre Lortkipanidze
Second year MA Student
Goga Kobalia
Second year MA Student
ANDREI TARKOVSKI - CHILDHOOD SACRIFICE
Moral Anxiety of Kshishtof Kislevsky
Summary
Summary
When we talk about the art of Andrei Tarkovsky, I guess it is useless
to mention particular or concrete epoch and condition, as the
cinematography of this great and famous Russian director suitably finds
his place, in general, in the history of cinema.
The name of Andrei Tarkovsy is definitely outstanding in the whole
era of cinema, but the real life of the producer itself, can be divided into
several very important parts, with the childhood being the crucial one.
The childhood is the period which played enormous role in his entire
life ever after and also in his art too. In each of his movies the childhood
is as if underlined and thus distinguished. The childhood, where we are
suppose to search for the keys of his cinematography, was not simple
and vapid at all, but vice versa, we can say that Tarkovsky sacrificed
his own childhood to a great cinematographer and created significant
phenomena out of his innocent childhood memories, fulfilled in his
movies. And what this phenomenon is like? Is it the nostalgia of the
childhood or the attempt to get rid of it?
Is it an attempt to put the childhood memories on a pedestal, or is it
just putting them on a scaffold and making the final sacrifice? Tarkovsky
only gives us signs..
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Kishliovski was a producer,who showed people in a film as a
biological creature.Kishliovski’s film is interesting because we see there
news,story where a main heros are we.In this leter there is narrated
producer’s short biography,his road until a big film. The talk is about
Kishlovski’s early films,which are made in Poland.After about European
films.
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