Renata Ardaševová Martina Matušínská - klavir/piano

Renata Ardaševová - klavir/piano
Martina Matušínská - flauta/flute
Jan Novák - Preludio in La, solo flauta
flute solo
Otmar Mácha – Varijacije za flautu i klavir
Variations for flute and piano
Bedøich Smetana - Hulán (Èeški plesovi), klavir
Hulán (Czech Dances), piano
Bohuslav Martinù – Sonata za flautu i klavir
Sonata for flute and piano
Leoš Janáèek – Po obrasloj stazi (List na vjetru, Cvrkutali
kao laste, Uplakani), klavir
On An Overgrown Path (A Blown-Away Leaf, They Chattered
Like Swallows, In Tears), piano
Vilém Blodek - Koncert za flautu i klavir
Flute and piano concert
Renata Ardaševová,
roðena Lichnovská, snimila je
brojne CD-ove, snimala za radio i
TV. Saraðuje s vodeæim èeškim i
stranim muzièarima, sudjeluje u
prestižnim projektima, npr.
Concentus Moraviae i Èeški snovi
(Èeské sny ). Recenzije istièu njenu
unutarnju energiju i emotivnost
njene muzike, kvalitet zvuka i
smisao za formu i razvijanje
inerpretiranih
kompozicija.
Nakon diplomiranja na Konzervatoriju u Ostravi, gdje je studirala
klavir kod prof. Marte Toaderove i kompoziciju kod prof. Milana
Báchorke, nastavila je na Janáèekovoj akademiji za muziku i scenske
umjetnosti kod prof. Marte Toaderove i prof. Inesse Janíèkove.
Stekla je bogato iskustvo na brojnim meðunarodnim teèajevima koje
su vodili poznati nastavnici (profesor Rudolf Kehrer, profesor Vera
Gornostaeva i profesor Lev Naumov). Njena koncertna solo karijera
i karijera pijanistice kamerne muzike zapoèinju istovremeno.
Prezentirala je i vlastite kompozicije i improvizacije i od 1984. do
1994. osvojala nagrade
na nacionalnim i meðunarodnim
natjecanjima.
Kada je završila studij postala je tražena kao solo i kamerni muzièki
izvoðaè dajuæi koncerte u Njemaèkoj, Austriji, Velikoj Britaniji,
Švicarskoj, Turskoj, Luksemburgu, Holandiji, Poljskoj, Litvaniji i
drugim zemljama. Njena saradnja s mužem Igorom Ardaševom je
takoðer vrlo uspješna. Oformili su duo naziva Duo Ardašev i poèeli
uspješnu koncertnu karijeru svirajuæi kompozicije za èetiri ruke ili za
dva klavira. Ponuðeno im je od strane Supraphona da snime
kompletna djela Antonina Dvoøáka za èetiri ruke. Osim Dvoøákovih
Slavenskih plesova, Legende i Šumava ciklusa, snimili su za istu
kuæu djelo Moja domovina Bedøicha Smetane, aranžirano za èetiri
ruke .
Renata Ardaševová je uradila brojne radio i CD snimke s vodeæim
èeškim muzièarima, npr. violinisticom Ivanom Tomáškovom. Meðu
njenim istaknutim nedavnim nastupima su koncert za èetiri ruke za
Spolek pøátel Pražského jara (Društvo prijatelja Praškog proljeæa),
koncert za dva klavira i orkestar Felixa Mendelssohna-Bartholdyja u
Koncertnoj dvorani Rudolfinum u Pragu sa Praškom filharmonijom
pod dirigovanjem Caspara Zehndera, koncert turneje s violinisticom
Ivanom Tomáškovom, recitali za èetiri ruke u Valenciji, Španiji,
turneja s Orchestre national des Pays de la Loire u Francuskoj,
sudjelovanje na Meðunarodnom muzièkom festivalu u Ohridu u
Makedoniji, recital u Wiesbadenu u Njemaèkoj, sudjelovanje na
festivalu Èeški snovi u Èeškoj, koncert za èetiri ruke na grèkom otoku
Paxosu, koncerti u Gersu (Francuska), Sibiu (Rumunija),
Kaunasu (Litvanija) i Modra i Galanta (Slovaèka).
Osim svoje bogate koncertne aktivnosti Renata Ardaševová i
predaje na Janáèekovoj akademiji za muziku i scenske umjetnosti u
Brnu.
Renata Ardaševová, née Lichnovská, has made a number of
CD, radio and TV recordings, cooperates with leading Czech and
foreign musicians, participates in prestigious projects, e.g.
Concentus Moraviae and Czech Dreams (Èeské sny). Reviews
emphasize her inner energy and the emotive form of her music, the
quality of the sound and her sense for form and building-up of
interpreted compositions.
After graduating from the Conservatoire in Ostrava, where she
studied piano with Professor Marta Toaderová and composition with
Professor Milan Báchorka, she continued at the Janáèek Academy of
Music and Performing Arts with Professor Marta Toaderová and
Professor Inessa Janíèková. She gained rich experience at a number
of international courses led by well-known teachers (Professor
Rudolf Kehrer, Professor Vera Gornostaeva and Professor Lev
Naumov). At the same time she started her concert career both as a
solo and a chamber music pianist. She also presented her own
compositions and improvisations and between 1984 and 1994 she
was awarded prizes in both national and international competitions.
When she finished her studies she became a sought-after solo and
chamber music performer giving concerts in Germany, Austria, Great
Britain, Switzerland, Turkey, Luxembourg, the Netherlands, Poland,
Lithuania and other countries. The cooperation with her husband
Igor Ardašev is also very successful. They formed a duo called Duo
Ardašev and began a successful concert career playing compositions
for four hands or on two pianos. They were offered the chance to
record the complete works for four hands by Antonín Dvoøák by
Supraphon. Apart from Dvoøák´s Slavic Dances, the Legends and
From Šumava cycle, they also recorded My Country by Bedøich
Smetana arranged for four hands for the same company.
Renata Ardaševová has also made a number of radio and CD
recordings with leading Czech musicians, e.g. violinist Ivana
Tomášková. Highlights of her recent work include a recital for four
hands for Spolek pøátel Pražského jara (The Friends of the Prague
Spring Club), a c oncerto for two pianos and orchestra by Felix
Mendelssohn-Bartholdy in the Rudolfinum Concert Hall in Prague
with the Prague Philharmonia conducted by Caspar Zehnder, a
concert tour with the violinist Ivana Tomášková, recitals for four
hands in Valencia, Spain, a tour with Orchestre national des Pays de la
Loire in France, participation in the International Music Festival in
Ochryd, Macedonia, a recital in Wiesbaden (Germany), participation in
the Czech Dreams Festival, recital for four hands on the Greek Island
of Paxos, and concerts in Gers (France), Sibiu (Rumania), Kaunas
(Lithuania), and Modra and Galanta (Slovakia).
In addition to her rich concert activities Renata Ardaševová also
teaches at the Janáèek Academy of Music and Performing Arts in
Brno.
Martina Matušínská je
studirala flautu na Konzervatoriju
u Ostravi (1983-1987) i na
Janáèekovoj akademiji za muziku
i scenske umjetnosti (1987-1992).
Godine 1991. je postala solista na
flauti u Filharmonijskom orkestru u
Brnu
gdje
još uvijek ima
angažman. Od 2004. ona takoðer
saraðuje i s Èeškim nacionalnim
simfonijskim orkestrom u Pragu, s
kojim se redovno pojavljuje na
koncertima u inostranstvu
(posebno vrijedi spomenuti
njihove turneje sa poznatim tenorom
Andreom Bocellijem).
Osim toga, Martina se posveæuje solistièkim nastupima i kamernim
koncertima, pojavljujuæi se na brojnim meðunarodnim festivalima ,
snimajuæi za radio ( nedavno je snimila Pastoralni koncert Joaquina
Rodriga kao i brojne sonate za flautu) i uèestvujuæi na brojnim
drugim projektima.
Radeæi sa Filharmonijom iz Brna, Martina je nastupala ne samo u
Evropi, nego i u Japanu, Urugvaju, Argentini, Južnoj Koreji i Južnoj
Americi. Kao solistica, izvodila je i ima u svom repertoaru mnoga
barokna djela (Bach, Handel, Telemann i Vivaldi), kao i djela klasiènih
majstora (kao što su Mozartove a i kompozicije koje su stvorili
Quantz, Vaòhal i Devienne) i niz kompozitora 20. stoljeæa (Ibert,
Debussy, Poulenc, Fauré, Messiaen, Martinù, Feld, Petrassi, i
Rodrigo).
Izvodila Pastoralni koncert u Brnu u aprilu 2005. (premijerna izvedba
ovog djela u Brnu) koji je sa Filharmonijom iz Brna i njenim dirigentom
Petrom Altrichterom snimila za Èeški radio.
Kao solistica, Martina je svirala pod dirigentskom palicom Jirija Alda
Chalupeckog, Jana Štycha, Jakuba Hrùše, Františeka Preislera, i
Miloša Macheka.
Što se tièe kamerne muzike, ona saraðuje s Èeškim kamernim
solistima, Komornim orkestrom Bohuslav Martinù i Èeškim
kamernim orkestrom. Pojavila se takoðer (kao solist) na jednom od
koncerata u Wiener Koncert-Verein. I na kraju, ali ne manje važno,
Martina èesto nastupa (i snima za Èeški radio) s pijanisticom
Renatom Ardaševom.
Martina Matušínská studied flute at Ostrava Conservatoire
(1983-1987) and at the Janáèek Academy of Music and Performing
Arts (1987-1992). In 1991, she became a solo flutist of the Brno
Philharmonic Orchestra, a position she still holds. Since 2004, she
has also collaborated with the Czech National Symphony Orchestra
in Prague, with which she has regularly appeared at concerts
abroad (worth mentioning, in particular, are their tours with the
well-known tenor Andrea Bocelli).
In addition, Martina devotes herself to solo playing and chamber
music, making regular appearances at numerous international
music festivals, recording for the radio (recently, she has recorded
Joaquin Rodrigo's Concierto Pastoral as well as a number of flute
sonatas) and taking part in a large number of other projects.
Working with the Brno Philharmonic, Martina has given
performances not only in Europe, but also in Japan, Uruguay,
Argentina, South Korea, and South America. As soloist, she has
performed and has in her repertoire many Baroque pieces (e.g. by
Bach, Handel, Telemann, and Vivaldi), as well as pieces by both a
number of classical masters (such as Mozart's two concertos and
compositions by Quantz, Vaòhal and Devienne) and a number of 20th
century composers (Ibert, Debussy, Poulenc, Fauré, Messiaen,
Martinù, Feld, Petrassi, and Rodrigo). She performed the latter
composer's Concierto Pastoral in Brno in April 2005 (a premiere
performance of this piece in Brno) and – with the Brno Philharmonic
and its chief conductor Petr Altrichter – she recorded it for Czech
Radio. As soloist, Martina has played under the baton of Jiøí Stárek,
Aldo Ceccato, Christian Simonis, Caspar Richter, Jan Chalupecký, Jan
Štych, Jakub Hrùša, František Preisler, and Miloš Machek.
Regarding chamber music, she cooperates with the Czech Chamber
Soloists, the Bohuslav Martinù Chamber Orchestra and the Czech
Chamber Orchestra. She has also appeared (as a soloist) at one of
the concerts of the Wiener Concert-Verein. Last but not least,
Martina frequently performs (and records for Czech Radio) with the
pianist Renata Ardašev.